Author Archives: Steve

Master & Dynamic MH30 – On-Ear Opulence

Posted on by
Reply

MH30-1

 

Master & Dynamic is one of those companies which has products (and therefore an image) which totally belies its age. With headphones that hark back to a bygone age in terms of build quality and style, it’s a surprise to find that this company is actually younger than most things lurking at the back of our fridge.

 

The current headphone range is apparently aimed at creative types within the audio industry, but is perhaps more suited to the premium portables market, with its stylish and smart looks. The MH30 model is the lowest-cost and smallest member of the range, but does the beauty go more than skin deep?

 

Pros:

  • Magnificently built
  • Good all-rounder
  • Spare cable included
  • Nice pouch for storage

 

Cons:

  • Headband could be bigger
  • Possible comfort issues

 

 

Design and appearance

The design and general look of the Master & Dynamic MH30 brings an Art Deco quality to proceedings and this invigorates what would otherwise be a pretty everyday on-ear headphone design. It reminds us of those ‘futurist’ illustrations of the 1930s, with then-unrealised technologies brought to life using the styles and fashions of the age.

 

Durability & build quality

A strong no-nonsense headband attaches two aluminium earcups using a hinged gimbal arrangement, and it does look as if it will last for years! The cables are fabric covered, and give the same impression of staying power; there are no weak points here.

 

Comfort

The MH30 is a little snug on the head. Maybe this reviewer’s head is too high, (or ears too low) but the MH30 headphones don’t quite go into the correct position with the headband going over the top of the head. This leads to a bit of firm pressure coming from the headband which, although adequately cushioned, can lead to a little discomfort. This should not apply to most people but is worth noting.

There’s also a bit of clamping force which is typical of portable headphones (so they stay on in a high wind) which may lead to a bit of discomfort after longer sessions.

 

Suitability for Intended Application

Presuming that the MH30 is aimed at commuters in in shiny shoes, then the MH30 just about hits the spot. The headphones will go well with any smart outfit, and the image of a capable (yet accessible) professional is retained. Having said that, the MH30 has enough street cred to pass in most scenarios without bringing dishonour to the wearer.

The Master & Dynamic MH30 also folds down flat into a snazzy pouch for storage between uses. The pouch is canvas and has a nice feel to it, and as mentioned, the solid build quality makes it quite pleasant to fold the headphones down, and back again.

 

Sound isolation

Exterior noise certainly has a chunk taken out, and the wearer can be assured that hardly anything leaks out, even at higher volumes. There’s no need to worry about the sideways glances of your fellow train passengers, they are only admiring you!

 

Sound characteristics

The MH30 is tuned for general use; there is a slight lift to the bass and treble areas, but not enough to leave the midrange recessed. This makes the MH30 a good choice for those who like to listen to a broad range of musical styles, and stylish musicals alike.

 

Bass

Bass has good low extension and has a slight lift which gives a decent thud to kick drums and basslines. It’s controlled where bass meets the midrange frequencies, but there does seem to be a hint of resonance in the mid-bass area which muddies things up slightly. It’s not a problem though.

 

Mids

Although the bass and treble are lifted slightly, the midrange can still hold its own and might actually steal the show. There’s a lovely amount of clarity and musicality here, where harmonics make imaging and pinpointing the locations of instruments within a mix particularly satisfying; everything is rendered in three dimensions. Vocals are enjoyable and make themselves heard with no danger of outstaying their welcome and the sense of space is palpable.

 

Treble

On first listening through the headphones, they seemed to be a little warm sounding. There is some extra presence in the treble region but the MH30 is by no means a bright-sounding headphone, making a model which can be listened to for longer periods of time without causing hearing-related discomfort.

 

 

Soundstage & Separation

Soundstage is not bad for a closed back on-ear model, but some may feel a little closed in. The music does appear to come from outside the confines of the equipment, however the sound leans more towards power rather than finesse. Within this, separation is really good however, and a pretty convincing presentation can be achieved.

 

Music Genres Good For and Why

The MH30 is good for pop, dance music and anything with a beat. Added to that the clear midrange which would suit acoustic and live performances (as well as vocals) and we have a very useful and versatile headphone.

Sudio Vasa Blå – Sound for a Smörgåsbord of Situations

Posted on by
Reply

 

Sweden is known for a few different things which are particular to that part of the world, such as a certain brand of flatpack furniture, a certain car in which you can take your flatpack furniture home, and a certain pop quartet which you can listen to as you do so. Perhaps we can add to that list a certain Bluetooth headphone which would be useful in keeping our dated musical tastes to ourselves – the Sudio Vasa Blå!

The product name ‘Vasa Blå’ has a certain ring to it and the word ‘Blå’ translates to ‘Blue’ in English which is probably due to the Bluetooth functionality, rather than Sweden’s being partly within the Arctic Circle, or indeed their film industry.

Pros:

  • Wireless convenience
  • Battery lasts and is quick and easy to charge
  • Sounds superb
  • Nice leather pouch included

Cons:

  • Battery and controls may snag on clothing

 

Design and Appearance

The Vasa Blå comes in very neat packaging which gives a good impression of quality, and upon taking the earphones out this does not change; accessories are well presented too. The earphones themselves are quite smart, with a ribbon-type cable running between them. Controls and battery are on the cable itself; it’s more usual to see the a battery or batteries perhaps as a part of an enlarged capsule on each side, but these wouldn’t look nearly as good whilst being worn.

The black model comes with rose gold-coloured metal capsule on each side, which gives a certain touch of sophistication.

Durability & Build Quality

It’s a given that Bluetooth earphones should be as small and light as possible; in recent years these design challenges have been more or less mastered and what we have is a very nice little package. There are no obvious weak points; it would be nice to see some strain reliefs where the cable meets the capsules and the battery, but I doubt if these are necessary on a bluetooth earphone of this type.

The Vasa Blå is covered in rubber (apart from the rose gold parts) making for a rugged and sweat-proof product. Also, the mic/controls are contained within a rugged looking housing which looks as if it could take a lot of abuse.

 

Comfort

The earphones are well balanced when being worn; the even distribution of weight, with battery on one side and mic/control housing on the other prevents the earphones from wanting to slip one way or the other. However, as the battery and controls are thicker than the cable, these might have a tendency to get caught on clothing if moving the head from side to side (if the cable is worn around the back of the neck). Other than that, one can almost forget that the Vasa Blå is being worn, were it not for the music!

Suitability for Intended Application

There’s a lot of Bluetooth models aimed at sporty uses, but I don’t feel the Sudio Vasa Blå is aimed solely at that type of scenario. The design lends itself well to casual use in the home, commuting, well, anything really. The graduated volume moves up or down in well spaced-out steps which makes adjustments easy for those who are on the move.

Sound Characteristics:

Sudio have wisely tuned the Vasa Blå to appeal to most people; a decent well controlled bass with clear, mellow midrange and a smooth treble. This is what most people are looking for at this price level and it’s well implemented. However, the sound can also be tweaked very successfully if using your favourite EQ settings.

Bass:

Bass is given some prominence and this is quite noticeable when called for; extreme low frequencies can be quite strong but this doesn’t lead to any problems with non-bassy genres. There’s a visceral quality within the bass which really appeals; fundamentals are given a solid, authoritative footing for an engaging and enjoyable experience.

Mids:

There’s a large amount of clarity and detail here and the midrange does not sound recessed. There’s a nice sense of space and harmonics which gives instruments a 3-dimensional feel with good imaging.

Treble:

Treble may be smooth but not at the cost of detail and sparkle; it’s simply a nice balance between detail and musicality. It stays out of analytical and sterile territory, but not at the cost of making the earphones sound dull.

Soundstage & Separation

Soundstage is good for an in-ear model, with sound appearing to emanate from a point outside of the earphones’ physical confines. Instruments are well separated and easy to pinpoint even with a lot of action going on within the music, there is never a muddle with complex pieces.

Music genres good for and why

A lot of different music has been tried with the Sudio Vasa Blå, and nothing comes up short. Having said that, Dance Music, Pop and Rap may be the genres which will benefit from an increased bass response and give a nice thumping presentation. More mid-centric genres and older recordings will still benefit from the clarity of the midrange however.

Summary

A good effort from the Swedish brand Sudio; we never get tired of trying better and better Bluetooth earphones, and considering the bright future ahead for wireless models, Sudio may be well placed for inclusion in everybody’s list of notable Swedish things!

Audio-OPUS #1 High Resolution Portable Audio Player – Review

Posted on by
1

Audio-OPUS #1 High Resolution Portable Audio Player – Review

Intro

Korean tech company ‘thebit’ (The Best Internet Technology) has started high in its naming of the OPUS#1 player, making us think of sublime classical compositions and other arty treats; but does the OPUS#1 hit the right notes?

 

Design and appearance

The OPUS#1 has a slightly angular and bevelled look which is reminiscent of Astell&Kern’s recent efforts, but with a slightly softened feel in comparison. It’s a pattern which is reflected in the sound of the player when compared to A&K but more on that later. The touchscreen is very responsive and easy to operate, with a good choice of navigation methods available with the player software. We can navigate by song, album, artist, genre, favorites and also by folder, which should keep everyone happy.

With a firmware update (1.10.15 at this time) the player remembers the track which was last listened to, if the track was paused and the player allowed to enter ‘hibernation mode’. Upon reawakening the player, the music resumes from where it was paused.

The OPUS 1 case is made using enhanced ABS and tempered glass, similar to many of the newer Smartphone’s on the market, the tempered glass covers almost all of the front and back of the player, giving the player OPUS#1 a premium feel, while the ABS shell reduces the overall weight of the player.

 

Key Features

Slots for two MicroSD cards (currently up to a capacity of 200Gb each) together with the on-board storage of 32Gb make the Opus#1 a heavyweight in terms of capacity, and the clear screen and intuitive navigation make it a breeze to find what we wish to listen to.

The sound can be moulded to the tastes of the user by way of the EQ feature in the player; there are three user EQ settings which can be stored, there is a delay of 3 or 4 seconds between selecting EQ settings and hearing any changes come through in the sound, why I am not sure, but in a strange way it gives you a chance to here how the EQ has changed the sound, but it is an unusual delay that may frustrate you for a few seconds.

The Opus#1 can handle all popular formats up to 24bit/192KHz and also DSD so we can take advantage of all that storage capacity with high quality files! Also the optical output can feed audio data to an external DAC for use with a full-size hi-fi system or a dedicated headphone amp, although the Opus#1 does sound pretty spectacular already.

 


Durability & build quality

The case as mentioned made of high quality tough ABS  and the player certainly feels substantial and solid, but without feeling too heavy or bulky. That is partly due to the front and back being tempered glass (the front being the touchscreen, obviously!).

Buttons are present on the sides and are easy to operate with a good feel; they also function when the screen is inactive but shouldn’t cause any trouble with the player being used whilst in a pocket or bag. Use of the leather case reduces any chance of unwanted button presses, but it is rather tight,and once on, hard to get off again!

Sound Quality

Some players have an ultra-accurate sound with which there is a danger of getting too cold and clinical, and others give an overly warm sound which can be further accentuated by choice of headphones. The Opus#1 does very well at occupying the middle ground, giving a very clear presentation which is also very musical. Most headphones an earphones will likely respond well to this, making the Opus#1 a good choice for those who already own decent quality headphones and seek to get the best from them.


Pros:

Good solid build,
Sound quality clear and well balanced,
Good amount of power for portable headphones,
Full navigation options,
Leather case is a nice extra but hard to remove

Cons:

EQ effect is delayed

Summary

For a first attempt, the Opus#1 is an amazing effort and promises to be very competitive amongst offerings of much more established companies like Astell and Kern. There’s more to come from makers ‘thebit’ and we are looking forward to future products too!

 

OPUS#1 specifications.

24bit / 192kHz High Resolution Sound

32bit processor core

Cirrus Logic CS4398 x 2EA Dual DAC

ARM Cortex-A9 1.4GHz, Quad-Core CPU DDR3 1GB

SNR 115dB, THD+N 0.0007%, Crosstalk – 130dB, Output 2Vmrs

Low-clock-jitter sensitivity: 50ps(Typ)

4inch TFT Wide Touch Display (480 x 800)

WAV, FLAC, ALAC, AIFF, DSD, WMA,

MP3, OGG, APE(Normal, High, Fast)

Internal Memory 32GB

External Micro SD Card Memory 200GB x 2EA

Enhanced ABS Solid Body and Tempered Glass

Audio Performance

DAC
CS4398 * 2EA(Dual DAC)

Decoding
Support up to 24bit / 192KHz Bit to Bit Decoding

Frequency Response
±0.02dB(Condition: 20Hz~20KHz) Unbalanced & Balanced
±0.3dB(Condition: 10Hz~70KHz) Unbalanced & Balanced

Signal to Noise Ratio
114dB @ 1KHz, Unbalanced
115dB @ 1KHz, Balanced

Crosstalk
130dB @ 1KHz,Unbalanced / 135dB @ 1KHz, Balanced

THD+N
0.0007% @ 1KHz

Output Impedance
Balanced out 2.5mm(1ohm) / PHONES 3.5mm(2ohm)

Ouput Level
Unbalanced 2.1Vrms / Balanced 2.3Vrms(Condition No Load)

 

Deewear FlyOne Dark Wireless Earphone Review – More Sounds with No Strings

Posted on by
Reply

Deewear FlyOne Dark Bluetooth In Ear Headphone Review

 

Wireless Bluetooth headphones are getting ever more popular, and we’re worried that we’ll run out of titles. Never mind, as the convenience offered by Bluetooth earphones such as Deewear’s FlyOne Dark will give our wits a chance to catch up with the world of technology. Hopefully.

It’s no surprise that the FlyOne Dark is aimed at the sporty segment of the market, but to be fair it’s not bad when sitting still either.

When turning on, a female voice states ‘power on’ and ‘connected successfully’ when getting going. Since these earphones are from Italy it could be hoped that this would be more representative of that part of the world, but you can’t have everything.

Pros:

  • Wireless convenience
  • Good sound for exercising to
  • Fits in ears firmly
  • Sturdy build

Cons:

  • Some may prefer a more refined sound
  • Some signal issues (depending on handset)

 

Design and Appearance

The Deewear FlyOne Dark is perhaps designed with function in mind rather than looks, but it does a good job of fitting in with whatever the wearer is doing, whether it be exercise or something more sedate. The cable connecting the left and right earbuds of the FlyOne Dark has a light-reflecting coating on one side to help the wearer be seen during the hours of darkness, which is a nice thought.

Durability and Build quality

The earphones themselves have a strong and solid build, but retain a lightness which will certainly help them stay in the ear, along with the ‘shark’s fin’ attachment which holds things in place nicely. I imagine that any mishaps or falls will not put the FlyOne Dark out of action for long.

Comfort

Everyone’s experience will be different I’m sure, but the FlyOne Dark sits firmly in the ear and the supplied eartips form a good seal with no trouble. The earphones can be worn for extended periods with no discomfort.

 

Suitability for intended application

Volume can be adjusted and play/pause found easily, although this may require some practice when in the heat of battle. With the cable around the back of the neck, the mic and control is just behind the right ear. It does not seem to cause a problem with being heard if making a call indoors, but this may be different if out in a noisy environment or strong wind.

Battery life is good for an earphone of this type; it keeps on going beyond expectations and should certainly outlast the energy levels of the most enthused athletes. When the battery is reaching exhaustion, the music is interrupted now and again by our female MC stating ‘battery low’ which can be a little annoying but it’s not that often, and it’s probably less annoying that being faced with a flat battery the next day.

Recharging is done via a socket hidden on the back of one of the earpieces; a micro-USB cable is supplied for this purpose.

 

Sound isolation

Isolation is fair; it’s quite common for joggers to want a certain amount of situational awareness and this should suit them, but there’s also enough to drown out a decent amount of piped-in gym music, the scourge of many a gym-goer.

Sound characteristics

There were some interruptions to the audio in the form of very brief ‘hiccups’ when the signal was slightly broken; almost like pops on a record. This reviewer went shopping last night and the experience was good; when the mind is on other things, these issues are not bothersome. Handsets other than the cheap Android which was used for this review may transmit better, so take this with a grain of salt.

The sound of the earphones can be dramatically affected by the position of the eartips, so when trying them be prepared to get the angle and position right to ensure that they are sounding their best. The earfins will keep them in place once a decent sound is achieved.

Tuned for exercising, the FlyOne Dark gives a good amount of bass with quite a presence in the high-midrange region; good for bouncy genres like dance and pop. The volume control does not communicate with the phone; rather the earphones have their own volume scale so the level can potentially be made to be quite high with the handset volume already on maximum.

  • Bass (e.g. punch, low extension)

Bass has a decent amount of body, but the FlyOne Dark is not bass heavy. Bass is fairly well controlled with a good amount of texture; the midrange is left uncluttered. Tracks which feature a low bass or a lot of it will be reproduced quite well.

  • Mids (e.g. vocals, acoustic instruments)

There appears to be a slight increase in the high-mid presence when compared to low-mid, and some may think (perhaps ironically) that the FlyOne Dark is a little on the bright side here. It does however make the most of harmonics and vocals which may be a little blunted due to the sound quality limitations imposed by the Bluetooth transmission method. It’s not a bad thing but may be an area of sensitivity for some.

  • Treble (e.g. high hats)

As above, the sound quality limitations of Bluetooth do affect higher frequencies more and there is some graininess when it comes to higher frequencies. The effect makes for a more ‘Rock n’ Roll’ sound which is not a problem but it is less refined than some may wish for.

Soundstage and Separation

Soundstage and imaging/separation are not as good as with a wired earphone but are still OK. The selling point of the Deewear FlyOne Dark is definitely the wireless aspect, and deeper aspects of the sound quality take a back seat which is going to be an acceptable trade-off for many.

Music genres good for and why

Anything with a driving beat such as pop, hip-hop and dance music will be best for the FlyOne Dark, with genres known for their subtlety and atmosphere not doing so well

Summary

Given that a lot of other wireless sporty earphones are twice the price of the FlyOne Dark, this represents quite a bargain and may encourage a lot of people to give wireless earphones a try, whether they are joggers, gym goers or casual users.

Sennheiser HD800S Headphone Review – Black Gold

Posted on by
Reply

Sennheiser HD800S Headphone Review

 

Back in 2009, Sennheiser created some waves with its new HD800 flagship, for those who wanted an upgrade over the likes of the steadfast HD600. Although they strived for technical excellence with the HD800, some thought that it lacked the ‘human touch’ and came across as overly analytical. The HD800 is still perhaps the best at features such as soundstage and imaging, but it is perhaps a sense of warmer musicality which remains close to people’s hearts when they hear the music they love.

So enter the Sennheiser HD800S, in answer to this problem of capturing hearts as well as minds. Did Sennheiser get it right with this second flavour of HD800?

Pros:

  • Excellent soundstage
  • Stellar comfort
  • Extra balanced cable for possible future upgrades!

Cons:

  • Requires a good amp to be at its best
  • May surprise some with its altered frequency response
  • Costs more than the older HD800

Design and Appearance

To those who are at least familiar with the HD800, the HD800S holds no surprises in terms of build and looks, apart from its rather dashing and debonair makeover. The colour scheme is rather reminiscent of the way each sound, but more on that later.

The Sennheiser HD800S comes with an extra balanced cable and an attractive box in which the HD800S can be kept; it’s no use as a travel box but for keeping the HD800S out of the cat’s way when at home.

Comfort

Again, very similar to the original model; comfort is second to none with the large velour covered earpads, and plush headband padding; we’ve had less comfortable hairstyles. Being the pinnacle of Sennheiser’s output (OK we’re ignoring the Orpheus here), no expense has been spared to keep comfort first-class.

 

Suitability for intended application

With the natural environment for the HD800S being at home with an easy chair, a selection of hors d’oeurves and an amplifier, the HD800S fits right in. Designed for sound quality and comfort above all else, the Sennheiser HD800S does not do well if we wish to listen from our phones or mobile devices whilst moving about the house; it requires power to sound at its best.

Its open-backed design forbids being at close quarters with those who want to watch TV for instance, and it’s only fair to the HD800S if we give it our undivided attention.

Sound characteristics

Compared with its silvery forbear, the HD800S is definitely tuned to give more of a bottom end and less prominent detail up at the top end. It’s almost like it’s been tipped like a see-saw to appease a larger section of the headphone-loving public, and why not?

  • Bass

Bass is every bit there and very deep. Some might think that the HD800S gives too much with some tracks but it just delivers what’s put in. Dance tracks and related bass heavy genres will shine on the HD800S, with a fluid, buttery bass quality which is reminiscent of Sennheiser’s IE800 in-ear model.

  • Mids

The midrange is very clear with the subtle details not lost on the listener. Shaking drumskins, rattling guitar strings and rasping woodwinds give a good impression of detail whilst preserving musicality. The HD800 was sometimes criticised for its unremitting accuracy and analytical nature; well, meet its soulful brother!

Vocals can sometimes stray toward the strident side of things and we all have our own sensitivities here, but the Sennheiser HD800S gave no trouble with listening fatigue after at least 90 minutes of listening.

  • Treble

Adding a little extra sizzle and snap to a presentation is fine for the HD800S, but the quantity of treble presence is limited when compared to the original model. There is a good impression of detail and space but the whole theme appears to be comfort with the HD800S, and care was taken to follow this.

 

Soundstage and Separation

Soundstage is very wide with an impression of depth too. Hard-panned instruments and sounds seem like they emanate from behind with a resultant stretching of the presentation around the head. The effect is to give the impression of added immersion.

Music genres good for and why

The Sennheiser HD800S is a true all rounder with a particular talent for rock, pop, dance and jazz; anything which benefits from really nice bass reproduction and a warm, engaging atmosphere. Its soundstage and midrange are good for genres like opera and classical too, but if you enjoy those genres exclusively, then consider trying the original HD800 instead.

Summary

The original HD800 is like the consummate professional; attending to every detail and demanding perfection. Consequently, its manner is curt, clipped and unyielding. On the other hand the HD800S is like most of us; we do most of what we do well; and anything we do not do well, we can more than make up for with charm!

Jaybird X2 Wireless earphones Review

Posted on by
Reply

Jaybird X2 Wireless earphones Review -The No Bother Jogger/training without the draining

 

Intro

Being New Year, resolutions abound; after Christmas we feel like losing the pounds we gained during the festivities and seek to turn over a new leaf. Cue the Jaybird X2 wireless, which is the perfect pacing partner and will still keep us entertained when we inevitably just take to sitting around the house eating pizza instead. Usually by February.

After the good intentions have become a distant memory however, the Jaybird X2 can still provide good and useful service as a decent wireless earphone when commuting or frying chips.

Design and appearance (e.g. attractiveness, feel)

The Jaybird X2 is sleek and discreet; its looks blend in with all types of lycra and the supplied earhooks help to keep the earphones in; whether running, jumping, or just bent over whilst gasping for breath. The X2 can be worn either with the cable going over the back of the ears or with the cable coming straight down.

Durability & build quality (e.g. cabling, connectors, materials)

The X2 earphones are certainly built with an eye on the needs of exercise fans. They are rugged and will shrug off sweat, splashes of water and the odd impact like it’s a run in the park. The flat cable is well finished and the X2 even comes with some little parts to place on the cable and take up the slack when it’s worn. This cuts down on a lot of the ‘microphonics’, or audible vibrations which travel up the cable when it is in motion.

Comfort:

Certainly with the correct sized earfins, the X2 stays put so we can concentrate on our chosen exercise. There are Comply eartips included in the pack as well as the more familiar silicone ones, so a bit of experimenting gets a perfect fit.

Sound isolation (if applicable)

Isolation is very good, however there’s always a danger with earphones being too effective when we are out and about. The Jaybird X2 earphones hits the right balance between audio seclusion and being struck by a Mack truck. Most of what can safely be ignored will go unnoticed!

Sound characteristics:

The sound of the X2 is aimed at fans of most genres which get the blood pumping. The overall sound signature is comfortable and enjoyable; there is no chance of fatigue with the Jaybird X2 (well, listening fatigue anyway).

Bass (e.g. punch, low extension):

Bass starts low, and is slightly accentuated but has good amount of texture and leaves the midrange relatively uncluttered. Control could be better but is quite acceptable.

Mids (e.g. vocals, acoustic instruments):

Vocals and acoustic tracks are warmed up slightly by the bass presence, but there is still a good deal of clarity here; harmonics and delays are noticeable but may be a little recessed for some tastes.

Treble (e.g. high hats):

Higher frequencies are on the gentle side and for a majority of users, this is preferable. Percussion and other high frequency sounds are there, but have no chance of hurting the ears and hindering concentration.

Soundstage & Separation:

Soundstage is fair, with separation of instruments OK too. The wireless nature of the headphones and the bluetooth transmission method does lead to some compromises when it comes to sound quality, and this impacts on clarity dependent attributes such as soundstage and imaging/separation.

Music genres good for and why:

Being aimed at exercise and training enthusiasts, the Jaybird X2 excels in training-montage friendly genres such as rock, dance, pop and rap. Anything which benefits from an increased bass response will be in the sweet spot and will help to not feel the burn.

Pros:

Perfect for keep fit folks
A good wireless option for general use
Nice selection of accessories

Cons:

Not for those who want a no-compromise sound –
Battery will need to be kept charged

 

Summary:

Wireless earphones are getting more and more popular, and the Jaybird brand has a good pedigree in this field. The Jaybird X2 earphone is a very neat and effective solution for those who want a wire-free earphone, whether exercise is intended or not!

Sennheiser HD 630VB – Expert Review

Posted on by
Reply

Sennheiser HD 630VB – Expert Review – Pump Out The Bass!

Sennheiser may now be a septuagenarian, but is keen to be ‘down’ with the kids without resorting to giving out Werther’s Originals. Hence the new HD 630VB, which has the facility to alter volume, answer calls and alter bass levels using controls on the right earcup; as hinted at by the ‘VB’ bit of the name. But does the Sennheiser HD 630VB have the panache of an elderly David Niven, or does it come across as a flare-clad grandad at a rave?

 

Design and appearance:

At first glances, the HD 630VB appears to be something which executives are pictured enjoying whilst looking out of aeroplane windows. Much like executives, they are very smart looking with their metallic veneer and slightly hard-edged styling, but they feature generously upholstered earpads and headband padding to offer a more yielding and comfortable experience.

The unique selling point is the variable bass feature; this works on its own (without relying on software in your digital audio player) so can be used with any device or full size amp with a headphone socket, although an extension cable will likely be required. The only thing is that the earcups are very large for a portable, but hey, let’s smash those preconceptions!

Unusually, the cable is worn on the right side of the headphones; this is due to the controls being on the right side for the majority of us who are right-handed.

 

Durability & build quality:

Weight is an issue with a lot of headphones designed for portable use and the HD 630VB is no exception. It’s a lot lighter than it looks but the stress points, such as the bit where the headband extends and the pivot points for the yokes have a good solid feel to them, so there should be plenty of life in the HD 630VB.

The cable is non-removable but has a very solid feel and is quite supple. The jack is straight and the housing is only 5mm wide so not a problem for anyone with a recessed socket in their player or DAC.


Comfort:

As is typical of portables, the Sennheiser HD 630VB does have quite a grip on the head, but the comfy earpads mitigate against this very well. Also they are good with glasses with reasonably chunky frames/arms. After a couple of hours, it may get a bit warm and moist under these earpads however.

 

Suitability for intended application:

These headphones are an obvious choice for portable applications, but are large and comfortable enough to be a good choice for relaxing at home too.

 

Sound isolation:

Isolation is pretty good, as the ears are swallowed up within the luxurious earpads and a fair bit of outside noise is taken care of. Obviously this melts away with music playing so you’re alone with your music. Others nearby will not twig that some particularly loud music is being enjoyed; the HD 630VB will keep your more questionable music preferences hidden.

 

Portability:

The headphones can be taken anywhere with the use of the supplied semi-rigid case; they fold up quite nicely to save space when not in use too.

 

Sound characteristics:

The HD 630VB has that classic Sennheiser tuning; ignoring the variable bass feature for a moment. Warm yet detailed, with clear mids and impactful bass.

 

Bass (e.g. punch, low extension):

The variable bass part of the design alters the bass level by 5dB up or down at 50 Hz, so there’s a good amount of control here. They can be made mean and lean, or can lend some serious welly to proceedings with a twist of the wrist. The trouble is, the temptation is to keep playing with the bass levels rather than just enjoying the music; to a man with a hammer, everything looks like a nail.

Naturally, some sub bass-heavy genres such as drum&bass have been tried and with the bass turned way up, the rumble factor is extreme; though not to the detriment of the midrange. Things are still well controlled, it’s just that there’s a particularly heavy foot beneath it all. Great news for bassheads.

With more midrange-centric genres however, the bass can be a little too much and appear boomy, perhaps as expectations and tastes change depending on what’s expected. You might enjoy salt on your chips, but not so much with cornflakes. The obvious answer is to tame the bass again using the control.

 

Mids (e.g. vocals, acoustic instruments):

Midrange is clear and crisp with good harmonics coming through; vocals are prominent without giving too much in the way of sibilance, and reverbs/space get a good treatment too. It’s smooth yet detailed too, a good balance.

 

Treble (e.g. high hats):

Treble is an extension of midrange you might say; crisp and clean but allowing for the high-frequency sensitivities most of us have. Hi-hats and other percussive sounds cut through the mix, while synths scintillate energetically.

 

Soundstage & Separation:

For a closed-back model, soundstage is excellent on the HD 630VB. You might argue that the earcups are big enough to offer enough room for this, but that’s just mean. Separation is very well preserved too; the HD 630VB is faithful to classical genres and gives a decent sense of an orchestral performance.

 

Music genres good for and why:

With the variable bass feature, the obvious recommendation is for dance music genres and anything which benefits from a good solid kick. Jazz and classical are very well served too, with bass adjusted to suit, of course.

Pros:

Variable bass feature
Volume and call answer buttons mounted on earcup
Great isolation
Good build

Cons:

Earcups are large for a portable model
Fixed cable

Summary

The variable bass control gives a good range of possibilities for those who like a variety of genres and styles, and bass can even be adjusted to mask exterior noise like aeroplane engines or the rumble of a train. The Sennheiser HD 630VB is an excellent gift idea for those who wish to take no chances!

SoundMAGIC Vento P55 Closed Back Headphones – Review

Posted on by
Reply

SoundMAGIC Vento P55 On Ear Headphones – Review

 

Intro:

SoundMAGIC has been on the scene for 10 years now, and it’s remarkable how much the headphones market has changed in that time; possibly pushed along by SoundMAGIC’s esteemed offerings. The way that headphones are used (and their popularity) has really come on, and they are often seen in pretty much everywhere now, when both indoors and out.

SoundMAGIC’s new Vento P55 is designed to address the need for a good looking, versatile and sturdy on-ear model for any scenario, so how does it measure up?

Design and appearance:

At first glances, the Vento P55 has a certain prosaic chic about it; attention is not demanded and so the wearer may not feel as self-conscious as with other, more showy models. The Vento P55 is a nice functional piece of design and has a well-heeled and restrained look about it. There are two 1.2m cables; these are removable and the socket of the Vento P55 will accept any 3.5mm jack – there is no special recessed socket which requires a specific cable replacement.

 

Durability & build quality (e.g. cabling, connectors, materials):

The Vento P55 headphones are certainly sturdy, with a stainless steel headband and aluminium earcups which lend an air of something military grade, but without the weight! Cables are what might be expected for a portable design; thick enough to bear the stresses and strains of an itinerant life on the road but thin and supple enough to not get cumbersome. SoundMAGIC’s new angled jack design (which its recent earphones have adopted) has been included, to reduce any stress on the jack when players or phones are placed in pockets when users are on the move.

Comfort:

Despite being an on-ear portable, the gentle grip of the Vento P55 puts them on the right side of tight, but they have a firm hold and they are quite comfortable during longer periods of use. The earpads are soft and yielding and offer no problems, even when worn over glasses.

Suitability for intended application:

As alluded to above, the demure and reserved character of the Vento P55’s design allows it to fit in anywhere without drawing any undue attention. Along with the comfortable fit, the Vento P55 is a perfect tool for commuting or casual use when out and about.

Sound isolation (if applicable):

Isolation is fair but the wearer is not rendered incommunicado; it is still possible to aware of your surroundings which may be no bad thing if the Vento P55 is put to more portable uses. Of course, with music playing the effect of isolation is more marked.

Portability:

Included is a light but rigid carry case which will protect the Vento well if taken with you unused, and the headphones can be worn around the neck without restricting movement too much.

 

Sound characteristics:

Overall the Vento P55 has a detailed yet warm sound, with plenty of room between bass and treble for harmonics and vocal performances to make a good impression. These headphones were tested with a Fiio X3 using a Chord Hugo as DAC/amp.

Bass (e.g. punch, low extension):

Bass is reserved and restrained in contrast to many similar models on the market. The Vento P55 is not bass light however; it starts low and provides authority to a track without taking over, allowing the midrange to make its mark.

Mids (e.g. vocals, acoustic instruments):

Midrange is very present for a non-neutral headphone; it makes a sense of space more pronounced, and harmonics stand out. This has a good effect on imaging and the attention is easily grabbed by certain instruments.

Treble (e.g. high hats):

Treble is rolled off slightly but still stands up to be counted; it’s there just enough to give details and add definition but backs off well before there’s any danger of sibilance.

Soundstage & Separation:

Soundstage is fair for a closed-back portable; the head is well enveloped within the sound. Separation is helped along by the clear and distinct midrange, and is very good. Again, the midrange helps this along and brings out most instruments and voices in clear relief.

Music genres good for and why:

The SoundMAGIC Vento P55 excels at dance music, funk and Hip Hop, while its strong midrange suits genres such as classical and jazz particularly well.

Pros:

Strong, light metal construction
Removable cables, one with mic/controls
Sturdy carry case
Adaptor for greater compaitiblity with handsets
Adaptor for use with computers

Cons:

Some may prefer more recessed midrange

Summary:

The SoundMAGIC Vento P55 is a good strong design for taking out and about, with decent isolation once music is playing. The removable stereo cable can be swapped for a control/microphone cable for skipping tracks and taking calls on the go. Its steely good looks will not draw attention from anyone but the user, who will be treated to some great comfort and engaging sounds.

MrSpeakers ETHER Headphone Review

Posted on by
Reply

MrSpeakers ETHER Open Back Headphone Review – Ether You’ll Like Them or Love Them

Well known for the ‘Mad Dog’ and other mods based on Fostex T50RP headphones, MrSpeakers has brought us the ETHER models, consisting of the open-backed ETHER (reviewed here) and the ETHER C which is a closed-back variant. Both are driven by planar magnetic technology. Can the MrSpeakers ETHER prove to be a new and indisposable medium for disseminating music, or does it just cause drowsiness and send us to sleep? Read on!

Pros:

  • Extremely light and comfortable
  • Sounds divine
  • Designed really well
  • Case is strong and no bigger than necessary

Cons:

  • Headband self-adjusts too readily unless fixed for one user

Design and Appearance

The ETHER appears to have a design which is based on the best points of other brands’ headphones, and it’s nice to see them all on one model. Plush and thick earpads, large earcups, and sturdy cable connectors which are easy enough to get the cable onto and off again. The headband and yokes are strong yet flexible and in all, the design is very well thought out and very,very light!

Durability and Build quality

Durability is always hard to gauge with new models, but nothing stands out as seeming particularly vulnerable to damage caused by wear and tear. As alluded to above, the design is a good one and the headphones should stand the test of time!

Comfort

With headphones donned, comfort levels match those of any of the favoured dynamic headphones. Even the Sennheiser HD650 or HD540 models get a run for their money. People may forget they are wearing these headphones, unless they are playing music through them of course. One slight gripe is the headband strap adjusting itself bigger as the headphones are fiddled with, but there are a pair of stoppers which can be moved and secured to prevent this.

Sound characteristics

Sampled with the standard Chord Hugo as DAC/AMP, it’s perhaps important to mention that the sound can be improved by using a proper ‘plug in’ powered amp such as the excellent Audeze Deckard or the great value Musical Fidelity V90-HPA. Having said that, a humble Fiio X3 DAP can do a very good job of powering the MrSpeakers ETHER; it’s only until a rather underpowered android handset is tried that the ETHER sounds noticeably insipid and anaemic.

However, as it is the MrSpeakers ETHER dazzles and cajoles with dexterity and power, definition and silkiness, space and slam.

  • Bass

The ETHER is not as bassy as some other makers’ planar magnetic designs; the bass is not accentuated but does a good job. It starts low in frequency terms and does what’s required if the music calls for it. Dance genres enjoy a good bit of sub bass and hip hop or funk styles get a good weighty quality to the kick drums. It’s well controlled too; shaking drum skins are not lost through the mix, even with hard rock guitars kicking in.

  • Mids

Midrange is noticeably present on the ETHER; perhaps due to the relatively reined-in bass. There is perhaps a slight bump in the upper-mid range but it doesn’t cause any problems with sibilance. There’s a sense of a slightly sharper and more revealing sound but it stays on the right side of the comfort line. Due to this, vocals, reed instruments and distorted guitars stand out along with associated delay effects, creating a very pleasing and immediate sense of space and imaging.

  • Treble

No detail goes unnoticed, but at the same time the ETHER stays the right side of any sibilant or fatigue-inducing territory; even with a multitude of brass instruments blaring, the frequency response makes it comfortable. Not to say that the ETHER is a dark pair of headphones; there is a decent amount of sparkle and shimmer there. In other words, the icing on the cake!

Soundstage and Separation

Imaging and separation is exceptionally good on the ETHER, making it amongst the best headphones for this feature. I’ve picked out a flaw or two in tracks I’ve been listening to for years previous; there’s now a vibraslap sound out there which will always have a squeaky floorboard under it, and let’s not get started on kick drum pedals. Everything is perfectly rendered; for better or worse.

A superb soundstage is to expected from large open-backed headphones such as these and because of that, this may be the only feature of the ETHER which hasn’t knocked our socks off. However, the huge and expansive sound of these headphones serves as the perfect counterpoint to some very special sounding features indeed.

Music genres good for and why

The ETHER is best with anything which is well recorded; if the performers or musicians have colds or are wearing bracelets, the listener knows about it. Whether it’s annoying or all the more engrossing is up to the listener. A sense of space is very well rendered on the ETHER; live and classical styles come out of it very well. Other music types do very well too, but no single one can be recommended over another. They’re all brilliant.

Summary

The MrSpeakers ETHER just goes to show that a world-class headphone needn’t require a big corporation to produce it; in this world of crowd funding and 3D printing anyone can have a go, but getting it this right is going to test anyone’s mettle.

Lotoo PAW 5000 High Resolution Audio Player – Expert Review

Posted on by
4

Lotoo PAW 5000 Review

Earlier this year we were pleased to announce the new Lotoo PAW Gold player, but now there’s a smaller (and a much lower cost) model from Lotoo called the PAW 5000. At half the size, less than half of the weight and less than a quarter of the price of the PAW Gold model, can this upstart bring home the audio bacon?

Design and appearance

The button arrangement on the front is very similar to the earlier model, and the wheel on the 5000 model enables files, folders and options to be selected. The PAW Gold’s frontage was adorned by a little too much of the blingy stuff by all accounts, so the 5000 has been reined in with just a touch of gold on the power button. Very tasteful.

With handheld devices, the trend seems to be towards touchscreens now. This can give greater functionality and versatility, but buttons do offer a more instant tactile feedback. Also the advantages of a button-operated unit present themselves in winter where the PAW 5000 can be used with gloves on, or with gloves off and cold fingers!

Key Features

The PAW 5000 has more connectivity than the PAW Gold, with an optional SPDIF output for attaching to an exterior DAC. There’s a headphone socket of course, and a line-out socket for external amps. Another welcome option is the ability to work with bluetooth headphones via the bluetooth 4.0 standard so you can enjoy your music wirelessly without the possibility of snags.

Durability & build quality

The PAW 5000 is a lot lighter than the PAW Gold, but still feels solid. Buttons feel well made, and the wheel has a free-flowing quality about it while still feeling sturdy. Unlike the PAW Gold model however, a collision with a tiled floor may result in a dented player, rather than a cracked tile. Although the player has no flex or ‘give’ as it’s squeezed in the hand, a tap on the back cover does betray a slight hollowness.

Sound Quality

(Tested with an Audiofly AF180 IEM with EQ off on the player)

We’re used to using earphones such as the Audiofly AF180 with a Chord Hugo (with a Fiio X3 connected via coaxial) and so were expecting a bit of a drop in quality in terms of sound quality. It’s not that easy though.

With EQ disabled, sound is neutral with a nice depth and breadth – soundstage is as good as headphones will portray. The presentation does not have the precise, clinical edge which some high-end players (such as the AK240) have, but that’s no bad thing. Details are not lost; they are there, but just not pushed at the listener so much.

The Lotoo PAW 5000 is a good match for these earphones; the AF180 earphones cost only a little more (at £369.99) and are well served. The PAW 5000 helps to bring out the best in them, and should the listener wish to have a bit more (or less) edge to the sound, the EQ settings should have something to please. These are much the same as the PAW Gold player, featuring both permanent presets and user configurable presets too.

Pros

Digital output (SPDIF)
Balanced output (2.5mm)
Many EQ presets, also user configurable EQ
Bluetooth 4.0

Cons

No internal memory
Supplied SuperSpeed USB cable is quite short

Summary

The Lotoo PAW 5000 does not require deep pockets; in more ways than one. The sound quality and features found on this device rival much higher priced equivalents offered by other makers, and the diminutive size of the PAW 5000 makes it very convenient to keep as a constant companion for those quiet (or noisy!) moments.

Fidue A73 Hybrid IEM Earphone – Expert Review

Posted on by
Reply

Fidue A73 Hybrid IEM Earphones – Hybrid Hijinks

Intro:

Just when the heat of summer starts to loosen an Englishman’s resolve to keep a upper lip stiff, along comes something to turn it completely to mush, and give the thermostat a good twist to boot.

Fidue’s new A73 shows that IEMs under £100 are facing challenges unthought of until recent times – there’s fierce competition within the fertile £50 – £100 section of the market and it’s getting better all the time.

Design and appearance (e.g. attractiveness, feel)

The A73 is silver to the A83’s gold – literally. Well we’re talking about aluminium in this case, but the A73 bears a striking resemblance to its more expensive stablemate. Designed to fit in the ear ‘monitor style’ with cable trailing down the back of the ear, the A73 is relatively petite with one balanced armature rather than the A83’s two, along with a dynamic driver of course. Both ‘left and ‘right’ capsules are composed of the same translucent red plastic.

The cable is rubber coated with braided or twisted cable within. It has the feel of rubber at least, but does not stick to itself. It’s very well behaved.

Durability & build quality (e.g. cabling, connectors, materials)

Strain reliefs are composed of stout rubber sheaths which match the colour of the ear capsules. The straight jack may not be favoured by some but one gets the feeling that the build is sturdy enough to last very well. The jack, mic/button casing and cable join/Y-split are composed of a ridged cylinder which, along with the rest of the design, puts one in mind of the 1950s; in build quality as well as style. The cable is not of the detachable variety which isn’t unusual for an IEM under £100 but some users prefer them.

Comfort

Everyone’s different of course, but this design should suit everyone except those who really must have the cable dangling straight down from the ears. The small capsule size should be a good fit for all but the tiniest of ears.

Sound isolation

There’s a few eartips to try included in the box, and it is recommended that they be experimented with. I found the change in frequency response can be quite dramatic depending on whether the eartips are right for the ears or not. When a suitable fit is found, sound isolation is fair but not dramatic. Using Comply tips a little bit, and the sound is further enhanced (The Comply 200 range is correct for this model).

Portability

In the box, there’s a a decent case for the Fidue A73, with a near-rigid construstion which will protect the earphones in most scenarios. There is webbing within it so a few alternative tips may be carried without jumping out once the case is opened.

Sound characteristics:

Bass:

Bass is both tight and slightly elevated in volume compared to the midrange; there’s a real power to it which underpins kick drums and bass guitars, for example. It extends low so sub bass is not lost on the listener. There’s a good width to it as well, as there is across all frequencies here. It’s further enhanced by some very clear harmonics coming through from higher up in the frequency spectrum..

Mids:

As above, mid-range is pristine with very subtle details not at all lost on the A73. There’s a wonderful sense of space from vocals with a bit of reverb treatment in the production; it’s really involving, along with the harmonics which creates a real immersive 3D effect. I’ve noticed harmonics on synth basslines that I’ve not come across before – I’d probably be able to pick them out with other IEMs if listening for them, but the Fidue A73 serves them up on a plate.

Treble:

Treble is all there, it’s perhaps a little smoother than some would like but probably hits the mark with most people, without causing the discomfort of an all-too-present brightness. Details are laid bare, but bask in a tuneful glow.

Soundstage & Separation

This is another thing the A73 does really well! As alluded to earlier, the experience is involving and riveting. Soundstage is great for a closed IEM, and is as wide as your sense of disbelief will allow you to grasp! Separation is also excellent, as details are always there to be picked out by the discerning listener. Everything hangs together but individual elements can stand up and be counted at the same time.

Music genres good for and why

The Fidue A73 can do it all, however dance genres can be enhanced very well with the tremendous bass response. Also rap music and pop for the same reasons. Older pop also does very well on the A73 with the clear midrange offering a crisp presentation of tracks which are 50 years old, further enhanced by the clear reproduction of reverb equipment and compressors which were used back in the day.

Pros:

Great quality at this price

Good tuning

Wide soundstage

Sturdy build quality

 

Cons:

Cable not detachable

Lack of slider on cable

 

Our video review of the Fidue A73 IEM can be found below, happy viewing.

B&W P5 Series 2 Headphone – Expert Review

Posted on by
Reply

Bowers and Wilkins P5 Series 2 – Chrome on your Dome

Bowers and Wilkins has been making world class speakers for just about 50 years now, and are still going strong at their Worthing site, just a stone’s throw from ourselves at hifiheadphones. Not that we find ourselves throwing stones at them very often of course, as apart from anything else we have a few windows of our own. Brought out in 2010, the original P5 model has now been updated to the Bowers & Wilkins P5 Series 2.

Design and appearance:

Designed by Morton Warren, they exude a feeling of graceful simplicity while at the same time feeling very solid and light. The materials give it the same looks as the Oppo PM-1, with plush leather and chrome working together in that classic, opulent pairing.

Durability & build quality (e.g. cabling, connectors, materials:

The B&W P5 Series 2 is very well put together and its lightweight construction belies the fact that nothing rattles or squeaks when the headphones are flexed and placed on the head. Cables are about right for portable use. Both the Apple control cable and plain stereo cables are 1.2 m; they are no thicker than those found used with in-ear headphones. The Apple control/mic itself is very stylish and easy to use despite being just out of sight near the mouth. The earpads are held on by magnets but are unlikely to be removed accidentally; the magnetic force is strong! Changing the cable necessitates the removal of one of the earpads which is a simple process.

Comfort:

Clamping force on portable headphones is always a balance between comfort and the headphones falling off, or needing constant readjustment. On the P5 it’s just slightly on the heavy side, but with time and gentle stretching this should improve. The earpads are made from lambskin and are quite comfortable , offering both a decent amount of isolation and comfort. Glasses wearers may however find themselves adjusting their glasses once the P5 is on, as some discomfort may be encountered over the ears in some cases.

Sound isolation:

Isolation is good, but you are still going to be aware of your surroundings. With music playing however, most exterior noise will melt away. The P5 does leak a little bit of audio but no more than any equivalent headphone. Your fellow train passengers will be all sweetness and light.

Portability:

The B&W P5 Series 2 really hits the mark for portable uses; they can be worn around the neck with minimal fuss, and the pads do block out a fair amount of exterior noise. They’re showy, but not in a way that might cause the wearer to feel self-concious and will fit in with any scenario. They fit the supplied carry case very well which can be stored or carried in a briefcase or bag easily.

Sound characteristics:

The sound of the P5 Series 2 is most agreeable; some people may be expecting accuracy or a neutral tuning but the P5 is squarely aimed at the portable market, with the average music source (read:phones) taken into account.

Bass:

The bass of the P5 Series 2 is fairly powerful considering the driver size. It is well controlled and in proportion, but goes down low and reproduces sub-bass very faithfully. It’s a good match for the typical unamped iDevice with which it will more than likely be paired, bringing up the low end for a more engaging sound.

Mids:

The midrange is free and able to shine quite separate from the bass, and vocals are clear and enjoyable. Acoustic instruments are well rendered and harmonics give a good feel of a performance. Reverb/echo is very enjoyable and not lost during busier parts. It’s all taken in the P5’s stride.

Treble:

The P5 is a little gentle where the higher frequencies are concerned, and this is no bad thing. A lot of people find it frustrating when, because of a headphone’s brightness, high frequencies dictate what volume level a piece of music can be enjoyed at. The P5 gives enough treble to give sparkle and resolution to the music, but it knows its audience and what they’re likely to be doing – they are not listening critically when on the move. Some may want more emphasis at the top end of the frequency spectrum but B&W have gone for the common ground.

Soundstage & Separation:

Soundstage is good for a closed back, with a presentation from far outside the physical confines of the headphones and separation is very good too. A listen to ‘Flight of the Valkyries’ had me convinced that one would collide with me at any moment.

Music genres good for and why:

As implied above, classical music is made very rich and full with the P5, along with jazz, opera and any genre where the space in which the recording is made is part of the enjoyment.

Heavy Metal is pressing and immediate, Disco and more modern Dance Music certainly benefits from the low bass … and something older such as Rock n’ Roll is fully rendered in all its midrange majesty. The P5 is a great all-rounder.

 

Pros:

Stylish and light
Light, removeable mic cable
Spare stereo cable
Good isolation

Cons:

Initial clamping force
Some may expect a brighter sound

Summary:

The Bowers&Wilkins P5 Series 2 makes for perfect company during those long journeys when we’d prefer to be unencumbered by additional amps, DACs and other gadgets needed to get the best from our other equipment. The P5 is designed and tuned to sound amazing straight out of any phone, so that we may travel light!

RHA SA950i On Ear Portable Headphones

Posted on by
Reply

RHA SA950i On Ear Portable Headphones

The Scots again show their pragmitism and fondness for finely distilled qualities with the RHA SA950i; an on-ear portable model which is perfect for those with short arms and long sporrans.

 

 

Pros

Lightweight yet sturdy
Removeable cable
Great Sound Quality

 

Cons

No case or any other accessories included
They do not fold down

 

Hifiheadphones verdict

The RHA950i On Ear Portable Headphones  arefantastic portable headphones for the price; and good thing too as there are no included accessories. If you want to grab and go without any worries, the SA950i fits the bill. Light, sturdy and ready for any Highland fling.

 

 Key Features

 

Given its pricepoint, the SA950i is unsurprisingly bare of features other than the iDevice-compatible controls. There is no case or pouch; nor is there any flight adapter or otherwise ubiquitous 6.35mm adapter.

 

First Impressions

 

The first thought which stuck me was the dour and sensible design; we’re not at the point yet where funeral directors wear headphones on the job, but surely this would be their preferred design. Smart, stylish, but never showy. The sober theme continues as no accessories are included, but at least we know that all the value is in the headphones.

 

Sound Quality

 

Once the RHA SA950i is donned, the formality ends. The sound is fun but with a good midrange too; the bass doesn’t take over. High up, detail is good and things are relatively smooth. There’s a good bit of space for decaying reverbs and soundstage is good. Separation is surprisingly good too.

Things are impaired slightly as the earcups will not pivot side to side, and a decent seal with the ears is not immediately easy to get. The strong headband and yokes may bend to the shape of my ears after a few flexes, but I do not wish to alter this borrowed pair.
Score – 8/10

 

Summary

 

At this price, the RHA SA950i is very good value, and the sound will not disappoint. Aside from a problem with fit which should be easy to fix, the SA950i will suit anyone who can get away with wearing black!

 

 

 

Shure SE112 In-Ear Sound Isolating Earphones Review

Posted on by
Reply

Shure SE112 In-Ear Sound Isolating Earphones

Hifi Headphones Rating – 9 out of 10

Price – £46

Buy Shure SE112 In-Ear Sound Isolating Earphones here

Pros

  • Comfortable
  • Nice rounded capsule housing design
  • Non-removeable cable – similar in build to that of Shure’s other cables
  • Good level of bass and detail
  • Can be worn with the cable up or down
  • 2 year warranty period

Cons

  • Some may find the cable a little ungainly for a budget in-ear
  • Capsule housing can stand proud of the ear when worn

Summary

Shure has obviously been looking at how the in-ear market has been developing; the popularity of the sub-£50 in-ear headphone has inspired a new addition to its esteemed lineup in the form of the SE112.

As can be expected, the included accessories are basic and limited in number. There’s 3 pairs of eartips (S,M & L) and a wax loop tool for maintenance. Also there’s a little velour draw-string bag for storage.

Key Features

  • Impedance 16 Ohms
  • Sensitivity 105 dB
  • Dynamic microdriver

The Shure cable features a right-angle jack, much like other higher-value models; strain reliefs are moulded as part of the capsule housings in keeping with the rounded look of the SE112.

First Impressions

Shure has taken a departure from their usual in-ear designs; previous housings have been designed to sit fully in the ears’ conchas. The SE112 is similar in its rounded and shaped style but is appreciably smaller; isolation is not affected however, these really take down the volume of everything around which might compete for the wearer’s attention.

Sound Quality

The SE112 compares favourably to similarly-priced equivalents. They have a warm, smooth bass without being boomy, and have a clear midrange. Higher frequencies are rolled off a little. When compared to the scene-stealing SoundMAGIC E10 of recent years, the SE112 is certainly a contender.

The sound is much like that of the E10 but differs slightly; there’s a little more high-frequency rolloff (but not much), however what appeals to me is the low-mid or upper bass area, there’s a lovely chunky-silky quality to it which I always enjoy when listening to 70s rock and library music.

Verdict

The SE112 is a very likeable earphone for its modest price; the build quality is reminiscent of higher value models and they are very comfortable. The isolation renders me virtually incommunicado.

Shure has stuck with its 2 year warranty which pushes up the value for money aspect somewhat, not that any part of the SE112 is weak or looks vulnerable to accidental damage.

My verdict is that I’m buying them right now!

FiiO X5 Lossless Portable Digital Audio Player & DAC Review

Posted on by
Reply

Return to : Best high resolution audio players to buy in 2015 – Expert Reviews

FiiO X5 Lossless Portable Digital Audio Player & DAC

Summary

The FiiO X5 is the new contribution from this great brand; the company which is making a huge name for itself by bringing high quality budget-priced items to the market. Almost a year ago we were all taken aback by the arrival of the X3 which has certainly shaken up the digital audio player (DAP) market, but now FiiO has X-ceeded itself with the X5.

After coming to know the FiiO X3‘s sound quality, it was a little difficult to imagine how it could be bettered; both in terms of sound quality and power. The X5 creates a certain expectation as it’s larger. It is still pocket-sized, but it certainly makes for a pocket which is full.

Unlike the X3, the X5 has no internal storage so a micro SD card is required to get started. However it has 2 slots for these cards, so there’s a potential 128Gb storage capacity with current firmware/size limits.

Price – £289.95

FiiO X5 Lossless Portable Digital Audio Player & DAC

Pros

  • Fantastic Sound
  • Two Micro SD slots
  • DAC capability
  • Powerful amplification

Cons

  • Wobbly wheel
  • Auto hold – no manual hold button
  • No internal memory
  • Relatively bulky

 Key Features

  • Supports High-Definition192kHz/24bit audio
  • Lossless Playback for DSD/APE/ FLAC/ALAC/WMA/WAV
  • High-Quality DAC Functionality
  • Headphone Out, Line-Out and Coaxial Digital Output
  • Dual Card Slots with 1024GB Memory Capacity (with future firmware updates)

First Impressions

Appearance takes priority over usability for perhaps the first 30 minutes of use; the buttons are not marked and the user can feel a little helpless initially. This soon passes, but the wheel remains a point of contention; its build does not appear to sit well with the rest of the device. It’s very light and wobbly, with a rubber touch wheel to select options or tracks on the screen. Notches or slight clicks are encountered as the wheel goes round, but these tend not to be linked so much with what is happening on the screen. A ‘two click’ turn of the wheel may not necessarily move you along by two options so watch the screen. It can be frustrating if the required option is just one ‘click’ away; it seems that a gentle turn of the wheel can turn into a few gentle turns, as the selected option doesn’t change, or changes too far. Fortunately the lower two buttons on the front of the X5 can be used to scroll through these items, so it’s not something we’re stuck with using.

Sticking with the wheel, the centre acts as a ‘select’ button for the X5; however it is machined and is uncomfortable to touch with the thick skin on my thumb. It’s worth it though. Also I was a little concerned that there appears not to be a space where I can throw a band over and have it strapped to my FiiO E12 – the X5 is full of buttons, screen and wheel, but I have found that a band can be placed over the wheel area and operation is not affected. Maybe the addition of an E12 is overkill however; having tried the X5 now, my demanding 600 Ohm AKG K240 DF headphones sound fantastic straight out of the headphone socket.

There is no ‘hold’ button on the X5, there is a simple timer function (from 30s to 120s, or off) which renders the screen blank and most of the buttons inoperable, until the power button is pressed. I noticed that the volume buttons turn into ‘track skip’ buttons in this state.

The screen shows a little more of the track titles than the X3 when browsing, for example I am able to read the full title of Duran Duran’s ‘Is There Something I Should Know’ but no band name is present in the filename. Compilations may still require guesswork as to the track title, or you might want to encode your files with the ‘Track Artist’ after the ‘Track Title’ so song names can be read with no problem. Also the screen is less square than that of the X3; it’s wider, but only the top half of any cover art is visible when tracks are playing as it gets stretched to fit across the screen. Not a real issue, but Sweet’s ‘Desolation Boulevard’ cover isn’t the same!

Sound Quality

I tried the X5 against the X3 with the HiFiMAN HE-400; despite their 35 ohm impedance, these are thirsty headphones and can really take some power to get them up to their full potential. The X5 felt a little more relaxed, more analoguish, more controlled. It appeared to go a little louder as well, although the two models are evenly matched. Both the X3 and X5 powered the HE-400 adequately, although a little more headroom (on both players) might be nice with quieter tracks.

Next, a high quality dynamic headphone was tried – the Beyerdynamic T1. With this headphone the differences were harder to spot between the two Fiio players but the X5 appeared to give a slightly wider and more spacious presentation; the X3 had a little more bass impact or ‘slam’ to it.

FiiO has beefed up the bass/treble setting of the X3 with a full equaliser in the X5 model; there are now 10 bands between 31Hz and 16kHz, the frequency bands roughly double in breadth as they move up through the frequency spectrum; ie. 31Hz, 62Hz, 125Hz, etc. The steps in terms of EQ volume are very fine indeed, so this is a useful tool to anyone wanting fuller control.

Verdict

In all, the X5 is a winner if you have headphones which can reveal its audio quality. If you plan to stick with sub-£100 headphones or only have portable uses, you may as well save your money and get the X3. If you’re confident that your equipment can get the best out of the X5, then that is what I recommend – it is a clear improvement over the X3 and the extra money spent will not be in vain.

Return to : Best high resolution audio players to buy in 2015 – Expert Reviews