Author Archives: Tony

Hifiheadphones At CanJam London 2017

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Hifiheadphones At CanJam London 2017

We had so much fun last August at the Park Plaza in London and we’re

We are back, but this year as a Show Sponsor:

Look out for some exciting new products on our tables including:

 

Pioneer: SE-Monitor 5 headphone & the new XDP-30R DAP

The SE-Monitor 5 makes extensive use of trickle-down technology from its flagship SE-MASTER 1 headphone. It has a Cellulose Nano-Fibre, 50mm driver, and includes 3 cables and 2 types of earpads right out the box.

The XDP-30R features: Compact High-resolution audio player with 2,4 inch touchscreen, ESS SABRE DACs with separate channels, symmetrical audio output, Bluetooth, Google Play apps, WiFi and thumb optimised controls.

 

 Oriveti: New Primacy & Basic

ORIVETI is a new and innovative brand providing HiFi quality audio products that are for daily use by discerning listeners.

Founded in 2015, The Oriveti team start from a position of strength with years of engineering and design experience within the earphone/headphone industry.

 

 Meze : Meze 99 Neo

Following on the the extremely popular 99 CLASSIC, the Meze 99 NEO are an aesthetically pleasing, warm sounding, easy listening headphone suitable for kicking back and enjoying rather than analysing.

 

 Fidue: The Top Of The Range Fidue A91 Sirius

It’s always nice to see a brand bringing out a new flagship model, and Fidue are certainly looking at the stars with the Fidue A91 Sirius. Boasting a driver configuration consisting of 4 custom-made balanced armatures and one dynamic driver for the bass frequencies, Sirius promises to illuminate us all.

 

 DUNU: DN2002, DK3001

Enter the DUNU DN-2002 IEM earphones equipped with four drivers in a hybrid configuration of two dynamic and two balanced armature drivers in each earpiece. With quadruple driver design the DN-2002 are able to create a wide distribution of frequencies offering a spacious and 3-dimensional sound across the frequency spectrum.

Dunu have also managed to enhance their classic sound in the DUNU DK-3001 IEM with a more balanced signature and enhanced sound quality and detail.

Combining a single dynamic driver to manage the bass extension, and three Knowles balanced armature drivers to handle the remaining frequencies. This combination results in a sound stage that is saturated with detail and space for a true Hi-Res sound experience.

 

 Shanling: M1 and M2s DAP’s

Made for taking on the road, Shanling M1 packs all that is needed for portable audiophile listening into a compact digital audio player. Compelling features of the M1 include aptX Bluetooth, lossless file playback and headphone amplifier and DAC functionality. Shanling M1 is a highly advanced digital audio player that packing a lot into a small space, opening up a fresh world of portable listening.

Building on the highly acclaimed M2 audio player Shanling have created a stunning new portable audio player, the M2s. Packing cutting-edge technologies into a lightweight player with small dimensions the M2s is able to play most lossless audio files including DSD256 and PCM up to 384kHz/32bit. With dual-way Bluetooth the M2s can provide an audio source to connect headphones and speakers wirelessly

 

 DITA Audio: Answer, Truth Edition, Dream.

The DITA Answer was designed entirely from the ground up with one simple goal in mind, to be the finest sounding, most luxurious, universal fit earphones available today.

The DITA Truth Edition is built for the ultimate purist. One who is looking to squeeze that last ounce of performance from his personal audio system.

The DITA Dream is the latest and flagship model. A new custom dynamic driver powers the Dream with a smoother mid-band and bass that reaches even lower with greater control. Dream is also equipped with the Awesome Plug for a multitude of new features.

 

Full list of brands attending the event:

Click The Image Below To Find Out More And Get Tickets:

 

SoundMAGIC P21S Competition Giveaway- July 2015

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Here is your chance to win a SoundMAGIC P21S Headphone.

All you need to do is look on the Hifiheadphones website for any earphones/headphones/amps/players you may already own and leave a review of the product in the ‘Write your Own Review‘ section at the bottom of each product page.You can leave as many reviews as you like, giving you more chances to win.

 

Please email us at Competition@hifiheadphones.co.uk to let us know you have left a product review and so we have contact details to let you know if you have won.

 

Full T&C’s can be found at the foot of this page.

 

The SoundMAGIC P21S is a lightweight on ear headphone from the multi-award winning SoundMAGIC brand. It’s a small foldable unit with a 3.5mm connector, a perfect companion to a Dab radio, Smartphone or tablet computer. Take a look at our video review below for further details.

 

 

 

1. To be eligible to win the competition giveaway you must have emailed us at competition@hifiheadphones.co.uk to confirm your entry. The closing date for entries is 31 August 2015

2. Employees of K & S Technology Ltd (t/a HiFi Headphones) are not eligible to enter the competition and any entries made by employees of K & S Technology Ltd (t/a HiFi Headphones) will be void.

3. K & S Technology Ltd (t/a HiFi Headphones) will contact the winner of the competition within a week of the ending date. They will then send the prize within a week of receiving the contact details by the cheapest delivery option available for the cost of the prize.

4. The winner of this competition giveaway will be decided by the following method;
a) Everyone who writes a review will be allocated a number. This number is only valid for the specific giveaway.
b) A ‘random number generator’ will be used to determine the number relating to an entrant.
c) The person allocated this number will be the winner of the competition giveaway.

5. If the winner doesn’t respond to attempts to contact within 14 days of the competition giveaway closing, a new winner will be selected at 1200 on the 14th day.
If the new winner doesn’t respond to attempts to contact within 7 days of the next contact, another winner will be selected at 1200 on the 7th day.

6. Changes to these terms and conditions can happen at any time without notice.

7. The colour of the SoundMAGIC headphone to be given away is BLACK.

 

 

 

 

Write Your Own Review

Acoustic Research M2 High Resolution Audio Player – Expert Review

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Acoustic Research M2 Review – Android on Steroids

Acoustic Research is one of those old names which has been connected with the world of hi-fi for some 63 years now, although it has changed hands a few times since. Responsible for quite a few innovations over the years, can this brand offer anything new to music fans in 2015? Fully equipped with Wi-Fi capability, the AR-M2 can work with streaming services such as Spotify; so now we’re not limited to the tracks we have stored on our players.

Design and appearance

The M2 is a relatively large and weighty player, with the front side almost completely composed of glass; a fair amount of which is the touchscreen (62mm x 110mm to be exact). The back of the player is bevelled and it settles in the hand well. Its angular form and dark glass screen is reminiscent of a 1980s coffee table, but only a little one.

Key Features

Given the M2 is an android-based player, there’s a fair amount of customisation possible – there’s no bloatware or anything to get in the way, but users can always add items they wish to use. Spotify was installed without a problem, for instance.

Other than the touchscreen, there are 4 buttons on the side for track control and power on/off and a volume wheel on the top. Outputs are limited to headphones and line-level output. There’s a little sliding door for micro SD cards if the internal 64Gb isn’t enough for your music collection, and of course a slot at the bottom for connecting to a computer via USB.

The player can be ‘locked’ for when it’s playing whilst in a pocket or bag; however the buttons on the side still function so there may be some issues there. The volume control wheel on the top is still sensitive when the M2 is locked so again, care is needed.

The player was taken outside on one of the brightest days we have in the UK (we do get bright days) and with the settings adjusted for maximum screen brightness, the screen was clearly legible. The only problem is the fingerprints on the vast expanse of screen which are also clear to see.

The Dac within, a Burr-Brown PCM1794A offers up to 24-bit/192kHz playback and supported formats include DSD, WAV, AIFF, FLAC and ALAC.

Being Android-based, streaming services such as Spotify can be installed on the AR-M2 for use over local wifi networks, making this player more useful still.

Durability & build quality

As alluded to above, the M2 is solidly built and gives the impression of something which will last for a good few years. The back does have a hollow ring to it when tapped with a fingernail, but it doesn’t feel hollow or flex with pressure.

The M2 will be fine in a trouser pocket, but tight trousers might not react too well. Bend over and you might gore yourself – the design is strong and unyielding! The M2 comes with a velvety pouch for protection – ostensibly for the player itself, but it might help avoid the odd nick or scratch elsewhere too.

The buttons on the side of the unit for play controls can be operated even when the unit has gone into standby/hold mode, so fishing the AR-M2 out of a pocket may cause an unintended change of track. Also, the volume control can be operated while in this state. Although it’s firm, it’s loose enough to be operated by material brushing against it in the tight confines of a pocket or bag.

Sound Quality

There’s no question about the power available within the AR-M2; with a HiFiMAN HE-6 attached, volume gets up to a respectable level – even a little too loud for sustained listening, depending on the genre. Likewise with the Audeze LCD-3.

With IEMs such as the Dita Answer (Truth Edition), the AR-M2 is in its element with well controlled bass, excellent space and detail in the midrange, and a rich airiness which brings the best out of both the music and the earphones.

Within the supplied AR player app, EQ settings are possible with many genre-based presets but there’s a limit to the control possible with the rudimentary 5 band on there. This can always change with future updates, however the unadulterated sound of the AR-M2 is perfect.


Pros:

Fast, responsive touchscreen
Large internal memory
Can run apps such as Spotify

Cons:

Side buttons can be pressed while unit is on ‘hold’
Volume control can be accidentally operated

Summary

The Acoustic Research M2 (or AR-M2) is a fantastic sounding player which is well worthy of a position at its price point. Holding it gives the impression that it’s a serious bit of kit, despite all the fun it gives. It has enough power to drive all commonly used headphones well; even 600 ohm cans with sensitivity below 90dB. The large internal memory and the adaptability offered by the Android-based operating system make this a very nice pocketful, although a large one. It’s definitely one for a jacket pocket or bag.

Please take a look at our video review below for more details.

 

 

SoundMAGIC BT20 Bluetooth Headphone – Expert Review

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SoundMAGIC BT20 Bluetooth Headphone Review


It appears that the relative price of wireless gadgets such as Bluetooth headphones is coming down and quality is going ever up, now that manufacturers have spotted the potential of this technology and are implementing it so well. Among them is SoundMAGIC, who have experience making wireless headphones with the full-size WP10, but now have the BT20 Bluetooth on-ear headphone in their repertoire. Now we can block out the world and make calls just as if we were talking to ourselves too.

Design and appearance (e.g. attractiveness, feel)

The SoundMAGIC BT20 is a light and very portable headphone; not a million miles away from previous wired on-ears this company made, but given the technology and battery required to sit in this model and work its magic, there’s no noticeable increase in weight. Also, if your battery is getting a little low then you can use the supplied cable and carry enjoying your music, bypassing the Bluetooth features.

Durability & build quality (e.g. cabling, connectors, materials)

Build quality is what we’d expect for a portable headphone. Just as robust as it needs to be, without going overweight and giving us neck ache. Materials are typical for a decent quality headphone of this type; plastic with a slightly rubberised feel, metal elements in the headband, and a leatherette covering on the headband cushion and earpads.

Comfort

The lightness of the SoundMAGIC BT20 combined with freedom from cable worries makes these headphones particularly fun to wear; there’s a bit of pressure on the ears but no more than is required to keep them in place.

Suitability for intended application

The BT20 boasts Bluetooth version 4.0 for greater battery life, there’s NFC for easy pairing, CVC for clearer calls. Also, the apt-x standard is present, so you’re all set should your handset have this. If not, then the headphones can still use the SBC standard, so will still work.

The mic-equipped arm pokes out along the cheekbone for clearer calls; in fact there are two mics which enable a noise cancelling process which gets rid of a lot of extraneous noise. Perfect – those personal words to your nearest and dearest need not be shouted!

Being wireless, these headphones are perfect for many activities and sporting pursuits; their light yet strong construction means they’ll avoid any loneliness for the long distance runner.

Sound isolation

Isolation is fair; the SoundMAGIC BT20 is not the most isolating of headphones with nothing playing but most of the outside world is very well masked by any music playing. The relative lack of isolation is more than made up for by the comfort aspect; the clamping force applied by most portable headphones can lead to a little discomfort during longer sessions. For others around you however, any music you’re enjoying is reduced to a faint murmur so you needn’t feel self conscious about your more questionable favourites.


Portability (if applicable)

As hinted at above, they offer no trouble when worn on the head and also around the neck. They can be packed away in the semi-circular case they come with, along with a stereo audio cable for those longer trips. It won’t be possible to use the headphones for calls without battery power so the handset’s mic will have to come into play. The Bluetooth 4.0 standard ensures the battery will last longer but it won’t last indefinitely of course!

Sound characteristics:

(Used with a Huawei Ascend handset)

The BT20 has a sound signature which SoundMAGIC is perhaps best known for. They are certainly tuned for a fun sound.

Bass (e.g. punch, low extension):

Bass reaches low and is voluminous when required; it stays put and provides a good solid foundation. It’s well controlled and fairly tight. With sub bass or with a double bass on older tracks it can certainly make its presence felt; quite surprising considering the BT20 is an on-ear model with 40mm drivers.

Mids (e.g. vocals, acoustic instruments):

There’s a great sense of space and despite the elevated levels of bass and treble, the mid-range stands up to be counted. Harmonics are enjoyable and there’s a good sense of balance with the bass level. The two complement each other very well.

Treble (e.g. high hats):

The top end is smooth but there’s plenty of detail to be enjoyed. The SoundMAGIC BT20 is a good time headphone and gives a nice level of representation here without getting fatiguing.

Soundstage & Separation

Soundstage is excellent for a little closed back such as this, and is very well enhanced by the separation of instruments and voices. It’s a very immersive experience.

Music genres good for and why

First of course, the BT20 is great with dance genres, hip-hop, R&B and pop; but that’s not all – older music types are not lost on these headphones. 60s pop, jazz and classical come across very nicely too.

Pros:

Worry-free wireless connection
Cable to conserve power or for when battery is flat
Good no-nonsense styling
Track/Call answer controls on headphones
Good Bluetooth range
Noise cancelling microphone

Cons:

Some may be put off by the mic arm

 

Snugs Earphones in-ear 3D scanner Launch

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Our good friends at Snugs would like to invite all members to the launch of the Snugs in – ear 3D scanner Launch in London on the 1st July 2015.

The Snugs in-ear 3D Scanner is currently the only mobile scanning technology that uses real time imaging to obtain 3D measurements of the ear.

At a scanning session we make a complete 3D image of the customers ears so Snugs can be created using a 3D printer before being hand-finished by technicians for the perfect fit of your earphones.

All guest will be offered a complimentary scan and a drink to celebrate. Reviewers will receive Snugs samples!

Join us at the Snugs 3D Biometric Scanner Launch

Wednesday 1st July, 12 noon to 5PM

                                        For further information please email – contact@snugsearphones.co.uk

Soundmagic P30 Travel Headphone – Moving Music Headphones

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Soundmagic P30 Travel Headphone – Moving Music Headphones

Available in both black or white versions.

50% off this Bank Holiday Weekend

Intro

As we head into the holiday season, hearts yearn for the sun, sea and surf of far-flung destinations and ears twitch for suitable sounds. But brains and pockets chime in and mention the likelihood of things getting lost during those carefree moments. With the SoundMAGIC P30 headphones however, excellent quality can be taken along with you which will not cost arms and legs.

Design and appearance

The P30 is built for travel so can fold neatly when not in use and be stored in a rather handsome pouch which is included. When worn, it blends very well and is discreet in terms of looks and sound leakage.

Durability & build quality

For a headphone at this price, the SoundMAGIC P30 is very well put together and will last for many a voyage. The right-angled jack will certainly help when your player/phone is in a pocket or bag as the cable will not undergo much stress or jut out.

Comfort

The P30 is very light and can be nestled on the head with little danger of discomfort. They grip well to the head and don’t cause discomfort with glasses or sunglasses, also they can be worn around the neck without much danger of getting in the way of the candy floss or latte.

Suitability for intended application

Portability and versatility are the watchwords here – so when back from galavanting on foreign shores the P30 is perfect for general use at home and commuting.

Sound isolation

Isolation is good but with music playing, any exterior sounds are banished. The well upholstered earpads prove a good barrier against the droning of jet engines, the whirring of train wheels or the crashing of bumper cars.

Sound characteristics:

Bass (e.g. punch, low extension):

Bass is present in buckets and spades; not to the extent that all other parts are overshadowed but everything has a very solid foundation. There is a little bit of a looseness about it but the mid-range can hold its own.

Mids (e.g. vocals, acoustic instruments):

The mid-range is full and rich, bringing out harmonics and vocals nicely.

Treble (e.g. high hats):

Treble is sharp without being ‘in your face’, allowing the laid-back sound to have great definition. Percussion is not lost on the SoundMAGIC P30 and along with the bass they have, the P30 is well suited to pop and dance music as well as being great all-rounders.

Soundstage & Separation

There’s a good feel of space in the sound and individual instruments can be picked out with ease. At the same time it all hangs together to give an impressively powerful performance when called on to do so.

Pros:

Easy to fold and pack away
Good to keep around the neck
Light and strong 90 degree jack
Sound quality

Cons:

You may not hear that approaching seagull!
Summary

The perfect companion for the traveller or commuter who wants a cheap option but who will not compromise on sound quality. The SoundMAGIC P30 is of strong and light construction and will provide a great soundtrack to any journey.

Available in both black or white versions.

The SoundMAGIC P30S Headphones with microphone and single button music controls are also now available.

 

 

 

OPPO PM1 Planar Magnetic Headphones – Expert Review

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OPPO PM1 Planar Magnetic Headphones – Expert Review

Intro

The name Oppo is perhaps better known for smartphones produced in Asia; but Oppo Digital, which produces these headphones, is a Californian company and quite separate but for its distinctive (and licenced) logo.

An unconventional arrangement then, but does this ‘out of the box’ thinking translate itself to the headphones? Well no – because the headphones do come in a box, albeit a rather fine one. It may be one of the nicest boxes we’ve seen headphones presented in; it’s rather reminiscent of a Jaguar X-Type dashboard, and opens like one too. Well, the glove-box anyway.

It may be worth noting however, that for a considerable saving you can opt for the Oppo PM-2 version which has a few of the extras and details omitted. For instance, where you might have a chrome trim on the PM-1, the PM-2 uses plastic, and it does away with the presentation case.

They do have the same drivers and will have a very similar sound signature, so if you are as happy with good champagne at £30 per bottle as you are with the best champagne at £120 per bottle, then consider the PM-2.

Pictured with the OPPO HA-2 Portable Headphone Amplifier & USB DAC

 

Design and appearance

The good impressions don’t stop with the box; it’s entirely in keeping with the rest of the design and feel of the PM-1. They’ve gone for a chunky yet light feel with plush generously-sized earcups held by large aluminium yokes, and a steel headband tempered by a soft, yielding leather padding.

Durability & build quality

The materials may be plush, but the Oppo PM-1 gives the impression that it’s no rich man’s toy or passing fancy. It means business and can produce the goods.

The cable is a good example; covered in a close-woven black fabric, it’s reminiscent of goods made in a bygone age. They are certainly high quality.

The Oppo PM-1 headphones looks like they’re more at home amid the tantalus cabinets and antique davenports of a West London penthouse; and likewise they have the solid feel of an item which will stand up to years of enjoyment.

Comfort

The earpads are big enough for the appendages of most people, but if earcup size has been an issue before, these may be on the snug side. The earpads are perforated and breath a little, so things shouldn’t get too moist under them.

The Oppo PM-1 headphones are held on by equal pressure between the plump earpads and equally generous headband padding, and wearing glasses doesn’t pose any problems.

Suitability for intended application

The Oppo PM-1 is definitely meant for relaxing and enjoying the music with few distractions coming either from the headphones themselves or from without; the open design will allow audio out and exterior sound to penetrate so a nice quiet space is ideal in which to get totally lost in the music.

Portability

The handsome case which these headphones arrive in is of limited use if travelling as the accent is on quality and presentation, but there is a travel case offered for the PM-1 in the packaging so if you are planning to travel with them you won’t be disappointed. The earcups fold flat on the PM-1 so they can be packed without being too hungry for space.

Also included is a small one metre cable with a 3.5mm jack for enjoying the headphones from smaller players and amps;

Sound characteristics:

(Used with Chord Hugo DAC/Amp & FiiO X3)

Bass:

Bass is as you’d expect from a planar magnetic design; it reaches low and fills the bottom part of the audio spectrum nicely. It’s not overblown; it’s just enough to tickle your eardrums and be felt as much as heard. Higher up, the bass is as strong and impactful as is called for by the audio with all the quality hinted at by the PM-1’s outward design.

Mids (e.g. vocals, acoustic instruments):

The midrange gives the impression that the PM-1 is slightly on the ‘fun’ side of neutral – but it’s subtle. The midrange has as much presence as the bass and treble, but the Oppo PM-1 does not sound neutral, perhaps ‘sumptuous neutral’ is more like it. There is plenty of space and very little congestion amid busier sections of music. Anything here can be paid attention to, and zoomed in on for all those tiny details.

Both male and female vocals are given a slight prominence and backing vocals are just as present in the mix, with definition and details easily giving added realism.

Treble (e.g. high hats):

Treble is smooth. The Oppo PM-1 headphones are not dark (at least when paired with a Chord Hugo) but they allow a comfortable, non-fatiguing listen. There’s enough treble here to add the upper harmonics to instuments and shimmering qualities to percussion and not quite enough to cross the threshold into uncomfortable territory.

Given that the Oppo PM-1 is provided with a smaller 1m 3.5mm cable, the headphones were tried with a similar sound source, the Fiio X3. The slightly warmer nature of the X3 was apparent on the PM-1, but the combination still gives a punchy and involving presentation. The PM-1 does respond well to lower-powered devices but my cheap android phone could have done with going a couple of notches higher in volume. Apple iPhones and brands such as Samsung/HTC should not have any issues though.

PIctured with the OPPO HA-1 Balanced Headphone Amplifier & USB DAC

Soundstage & Separation

There is a lot of room in these headphones! Anything recorded in a studio with separate close miking and mixed is as wide as the producer envisioned, but live and classical recordings are given a real treatment. The listener is virtually surrounded among strings, woodwinds and flutes.

Separation is likewise superb; the Oppo PM-1 is like a pair of opera glasses for the ears. However with a lot of classical recordings, the shuffling of feet and turning of music pages will be noticeable, along with the odd click of a woodwind key.

Music genres good for and why:

Everything was tried with the PM-1 from Harry Richman to Herb Alpert, and it all sounded great. The PM-1 is another one of those all-rounders which doesn’t even blink in the face of audio adversity; the obvious result of good breeding, no doubt.

Pros:

High quality in every way
Comfortable to wear and hear
Exceptional sound quality
Travel pouch

Cons:

Some may prefer more ‘sparkle’ or brightness

 

 


Audeze EL-8 Open-Back – Land of Open Glory – Expert Review

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Audeze EL-8 Open-Back – Land of Open Glory – Expert Review

Intro

Based in Sunny California, Audeze have endeavoured to spread a little spare sunshine around; even to the point of piercing the gloom here in the UK! We’re all aware of the effect The Golden State’s orange juice has on us in the mornings, and it appears that its headphones aren’t far behind in being able to part the clouds, if only in terms of dazzling audio resolution.

The planar magnetic EL-8 Open-Back is a bit of a departure from Audeze’s other designs; it’s smaller, lighter and and more travel friendly with an ability to be folded flat – not that the idea of stopping listening and packing these headphones away is particularly alluring.

Design and appearance (e.g. attractiveness, feel)

I say that the Audeze EL-8 Open-Back is lighter than the other models; and while that may be the case, they still have a fair bit of weight. When compared to the average portable out there they won’t win any Oscars unless there is a strong supporting cast. But if viewed as a headphone for any quiet scenario such as for home use too, the EL-8 Open-Back returns to the podium like something out of Ben-Hur.

They’re decorated with a wood-like veneer design around the edge of the earcups, which looks a little more understated when compared to the LCD range, but still follows the Audeze theme of natural wooden tones.

Durability & build quality (e.g. cabling, connectors, materials)

Despite the initial surprise at the headband which consists of a relatively thin band of steel with a sprung pad in the middle, plus the departure from other Audeze designs where the yokes are concerned (the pivoted parts holding the earspeakers), we were reassured of the solid build quality when handling the headphones. Nothing about the Audeze EL-8 Open-Back goes against Audeze’s pedigree where build quality is concerned.

Even taking the design of the headphones into account, the cable is perhaps the greatest departure from previous designs. It’s ribbon-style and the connectors are more reminiscent of those you might find on a memory card, with 4 separate contacts on each side. Being 2m/6.5 feet long, an extension cable may be required for home use with full-sized amplifiers as the Audeze EL-8 Open-Back was primarily designed for portable players.

Comfort

When nestled on the head the Audeze EL-8 Open-Back is quite comfortable and does not feel heavy, but we all have different opinions where weight is concerned. At 460g (or just over a pound) they are lighter than the LCD range by a fair margin. The headband cushion is comfortable too, but when adjusting the headband back or forward there may be a tendancy for the headband’s rubber coating to pull on the hair.

Suitability for intended application

Being an open-backed portable, this EL-8 version is obviously for those who want a low profile way of taking great quality music to the office or to enjoy in quiet spaces outdoors. These headphones may run into problems in noisy environments, or if the wearer wishes to not cause a nuisance to those nearby. There is a EL-8 Closed Back for such scenarios, so take your pick!

Portability

The earcups on the Audeze EL-8 Open-Back fold down flat and so can reduce the size of the headphones in a bag or case; however the travel case supplied with them could be more substantial, amounting to a soft cloth pouch which will protect the headphones from dust.

Sound characteristics

Bass (e.g. punch, low extension):

Being a planar magentic model, bass comes naturally to the Audeze EL-8 Open-Back! It’s all in proportion of course, there’s no bloat for the sake of it. It’s emphatic when called for and never steals the show. It is tight and detailed, enhanced by harmonics within the unfettered midrange and upper frequencies.

Mids (e.g. vocals, acoustic instruments):

The mid-range can be zoomed in on and enjoyed whether there’s a lot of action or not; it is all taken in the EL-8 Open-Back’s stride. This headphone can certainly keep its head.

Nuance is not lost and every tremelo and vibrato within a vocal performance is faithfully served up along with accompanying reverb trails, making for a very convincing and moving presentation.

Treble (e.g. high hats):

The upper frequencies are a perfect complement to the rest of the range, neither too bright or too dark. This is a personal opinion of course as we all have a differing amount of sensitivity to this region, but Audeze have obviously put some thought into this and hit a perfect balance between sharpness and dullness; they sparkle without glare, and massage auditory systems in a non-drowsy way.

Soundstage & Separation

Soundstage may suffer a little from the grill on each side; the larger earcups of the LCD range give audio a good chance to breath but this should have been scaled down for the EL-8 Open Back along with the earcup size itself, with a greater chance of any otherwise reflected audio escaping.

Separation is as good as any open backed headphone in the EL-8’s price range; even bringing out details I had never conciously noticed before such as that rhythm guitar low down in the mix, or that backing singer who was multi-tracked and not the subject of a delay effect.

Music genres good for and why

Genres from classical to slow and heavy EBM were tested with the EL-8 Open-Back; the headphones are sensitive and precise enough to convey the finer touches and emotion of the Brandenburg Concherto, as well as vibrating the skull with Rhesus Factor’s ‘Commando 242’, an unremitting heavy synth track of little subtlety! The relatively neutral tuning of the Audeze EL-8 makes it a perfect jack of all trades, and a master all of them as well.

Pros:

Removable/replaceable cable
Sounds amazing
Small and light (in comparison to Audeze LCD Series)
Ver comfortable to wear

Cons:

Some may still find them just a little heavy on the head
Carry pouch not as substantial as a hard case
6 foot / 2 metre cable only

Please take a look at our video review for the Audeze EL-8 Headphones below:

 

 

 

 

SoundMAGIC E50S In-Ear Headphones – Review

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SoundMAGIC E50S In-Ear Headphones – Review

Intro

Escaping the shadow of a famous parent or sibling may be a challenge for some, and the SoundMAGIC E50S is in a similar situation. Given the extraordinary success of the E10 model in recent years and the similarities between these two designs, what can the E50S offer to convince us that it both deserves as much attention and can bring something different to the table?

Design and appearance (e.g. attractiveness, feel)

The SoundMAGIC E50S conforms to the same basic design as the E10, with the small barrel-like capsules and glossy braided cable but now instead of the straight connection where the cable meets the jack, the E50S sports a 60 degree angle between them, to cut down on stresses which both straight and 90 degree connections can be susceptible to.

The metal capsules, button enclosure and jack casing are covered by a matt powder coating which gives an attractive impression without being too flashy. The capsules can be worn with the cable going up and over the ear, or down from the ear.

Durability & build quality (e.g. cabling, connectors, materials)

The best thing about this design is its simplicity and its tried and tested ruggedness. The cable is coated with a strong rubber material which is neither sticky or too stiff, allowing the cable to move and flex whilst avoiding tangles.

Everything about the E50S is solid but light, a perfect combination for the purpose these earphones will no doubt be put to. The included carry case will ensure they are safe and dust-free when stored between uses.

Comfort

As with the E10, the SoundMAGIC E50S will offer no limitations for those with non-standard ears who may have run into problems with other designs. The generous selection of eartips included with the E50S should have something to suit anyone, and help them achieve a good fit for as good a sound as the E50S can provide. This includes a pair of Complyfoam tips, consisting of memory foam for an almost custom fit.

The diminutive and stylish design makes the E50S an ideal companion in all scenarios and weathers, with little to worry about in terms of susceptibility to particular conditions and temperatures. the single button and microphone can be used with both Android-based handsets and Apple products – the switch on the cable’s yoke (where left and right cables meet) can be operated for perfect compatibility.

The E50S, like most IEMs sold in Europe now, are subject to regulations limiting the maximum volume from portable devices such as phone handsets. Therefore the E50S (like the more recent E10) has an impedance of around 46 ohms. Most handsets will still offer enough volume with a majority of music, and if more volume is required (some classical music can be very quiet) then there is always the option to get a separate portable amplifier.

Sound isolation:

Being dependent on the fit achievable with the ear, experiences may differ as far as isolation is concerned (as with all in-ear models). But with the wealth of eartips options included, a good level of isolation can be achieved.

Sound characteristics:

Bass (e.g. punch, low extension):

As regards bass, the SoundMAGIC E50S gives as good as it gets and remains faithful to the original music. Where the E10 increased the bass a bit for more volume in the bass region, the E50S gives more impact and provides a richer, mnore immediate impression of basslines, drums and the like.

Mids (e.g. vocals, acoustic instruments):

Being a relatively neutral earphone, the E50S provides a little more of the midrange without any peaks. Harmonics are clear and vocals are pristine and backing vocals are distinct. Atmospheric effects such as reverb can be easily picked out and followed, giving a clear sense of space.

Treble (e.g. high hats):

There is as much detail at the top end as most of us require; it’s never an easy job balancing between a sound which some might think is an overly bright and uncomfortable one, and a sound which others might describe as muddy and dull. However the SoundMAGIC E50S hits the right note and makes a great complement to the midrange for clear and comfortable retreival of detail.

 

Soundstage & Separation

The increased midrange response makes harmonics shine, bringing instruments to life and giving greater definition. For earphones at this price point, separation is fantastic and with it, soundstage is very good for an in-ear model.

Being good all-rounders, there is ample scope for the SoundMAGIC E50S to be enjoyed with all genres but the relatively flat response or neutrality of the E50S makes it a perfect earphone for vocals; particularly when accompanied by backing vocals. Percussion gets a nice lift also, as does any distortion effect.

Pros:

Simple, modest design
Superb clarity and neutrality
Good range of tips
Sturdy carry case
Angled jack
Switch for greater compatibility with a wider range of smartphones

Cons:

Single button control only, no volume control functionality

Please take a look at our video review below for more details.

 

 

 

Sennheiser RS175 – Review

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Sennheiser RS175 -Review


Pros

  • Very comfortable
  • Easy to operate when worn
  • Optical or analogue input
  • Great sound and soundstage
  • Bass boost and 2 virtual settings
  • Includes rechargeable AAA batteries

Cons

  • Can get slightly cluttered in midrange
  • Some may prefer velour earpads

Verdict

Even while being used to the excellent forerunner, the RS170, the Sennheiser RS175 impresses. Time marches on of course, and Sennheiser has marched along with some even more amazing wireless headphones which have left a right impression with everyone here. We feel that to parade around the house with these headphones would be an ideal use for them. We know the drill!


Intro

Following the popular RS170 closed-back model, Sennheiser have had their work cut out. However they’ve improved functionality and have added some useful features too.

Key Features

Flawless and lossless wireless transfer allows for uninterrupted and interference-free enjoyment of TV and music. Buttons on the headphones alter volume, enable bass boost and control virtual surround. Also, switching the headphones on or off will issue the same instruction to the transmitter, for convenient operation anywhere within the transmission range. The included AAA batteries can be recharged within the headphones while sitting on the transmitter which doubles as a stylish headphone stand.

Both analogue an optical cables can be connected; a switch on the back of the transmitter selects the input source. Working on a 2.4GHz frequency, they are free of interference; even when being used with Wi-Fi signals in close proximity, for instance wireless internet routers.

First Impressions

Once out of the box, the headphones feel lighter than they appear to be, and once on the head they are very comfortable – even when glasses are also worn. The ears are fully enclosed; there’s a generous amount of space within the earcups.

The positions of the buttons are intuitively placed; altering volume and enabling bass boost/virtual surround is a doddle. The Sennheiser RS175 promises to give hours of comfortable and trouble-free operation, allowing the user to concentate on the audio.

Sound Quality

The audio quality itself is certainly comparable to many similarly priced wired headphones; with the standard unaltered settings, bass is well controlled and has plenty of impact. Midrange is more prominent than the older RS170 model, improving speech intelligability with video and harmonics with music. There is a slight danger of clutter here if a lot is going on within the audio however. Treble is crisp and clear, but without getting overbearing. Soundstage is fantastic and separation is as good as any closed back at this price level.

Bass boost is more subtle than the name of the feature implies; it gives a gentle lift to the lower end of the bass without causing any bloating or muddying. It is just as well controlled, allowing the midrange and treble space through without being overpowered.

Virtual surround is a big improvement over the older RS170 model; audio which belongs in the centre of the soundstage stays there, while instruments/voices panned towards the left/right move further out. There are two levels of virtual surround and on the higher setting the presentation is truly immersive! Perfect for TV and films.


Summary

The new Sennheiser RS175 is a far cry from the image of the crackly and noisy wireless headphones of years ago. Sennheiser have hit the right spot with the RS175, and the new range of wireless models, the RS165, RS175, RS185 and RS195 promises to dominate the high quality TV headphones market for some time to come.

Score 9/10

Bang & Olufsen BeoPlay H2 Headphones – Review

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Bang & Olufsen BeoPlay H2 Headphones – Plush Portability

 

 

Pros

  • Impressive sound quality
  • Stylish good looks
  • Soft and pliable earpads

Cons

  • No Storage Pouch
  • Headband covering may get tired

Verdict

We weren’t expecting anything which would impress us this much; Bang & Olufsen’s products were always to cater primarily for the full size hi-fi market and we were guilty of a touch of cynicism where a B&O headphone was concerned. We certainly stand corrected and they say pride comes before a fall; well now we’ve certainly fallen for the H2!

Intro

When the letters ‘B’ and ‘O’ come together the result is usually something that’s less than desirable, but put an ampersand (&) in between and things begin to seem rather more pleasant!

Bang & Olufsen is perhaps best known for its full-sized hi-fi equipment but has produced headphones for the past few years under its B&O PLAY moniker; currently it has an full-sized over-ear model in the H6, the In-Ear H3 and for an on-ear it has brought out the new H2.

Key Features

Things are kept simple as is B&O’s usual brief; we have the headphones themselves, a cable and a generous 3 year warranty (2 if you don’t register the product online with B&O).

The cable features a 3-button arrangement for use with smartphones and iPhones, though functionality may be limited depending on software.

First Impressions

The earpads are have a very well made and opulent cushioning quality like the KEF M500; good thing too, because at first the headband is very unremitting and springy leading to a lot of clamping power. This should clear up after a couple of days of use.

The fabric covering the headband and the outward-facing part of the earcups is a light beige/manilla colour, leading to some concerns about how they might look after some months’ use. Fortunately darker colours are available if this is a worry. It’s a look sported by the Sennheiser Urbanite range; could this be a new trend?

Sound Quality

Tested with an Astell&Kern AK120, the H2 really impresses!

Bass is at the same time voluminous and well controlled; voluminous in the area it occupies within the soundstage. It seems to come from all around! It’s there in quantity as well; giving a definite heavy foot to proceedings, but without damaging the floor.

Midrange is just as big in terms of its depth and width – there’s lots of space in there and the wearer gets a real treat in terms of vocals,details and reverb. They can stray towards peakiness at points but this is heavily dependent on the music and the wearer. B&O have got a nice balance here.

Treble is toned down making for a warm presentation overall, and one which really works for most genres. Details and harmonics are complemented without sacrificing listening comfort.

Soundstage and separation are very good also; hard panned instruments leap out and vie for attention from the shoulders, along with subtle details not usually encountered with on-ear portables.

Summary

With the BeoPlay (B&O Play) H2, Bang & Olufsen stake their claim in the portable headphone market. It’s often attacked as trading on a well-known name rather than great products, but we beg to differ. Having tried the H2 we recognise a B&O headphone by any other name would smell as sweet!

Score 9.5/10

SoundMAGIC’s Earbuds – EP10, EP20 and EP30 – Review

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SoundMAGIC’s Earbuds – EP10, EP20 and EP30 – Review

Intro

For some of us, the earbud ushered in an age of smaller headphones (or earphones) in the late 1980s; there was now a choice other than the portable on-ear headphone and we were able to put them in our pocket between uses. They’re not so common now that favoured designs have moved on, but there is still a niche for these classics.

It’s always a good idea to revisit these older designs and check what they’re capable of; particularly when produced by a company which knows a thing or two about wringing every last drop of sound quality from its products – SoundMAGIC.

It has produced three different earbud earphones (as in the title) and trying them was quite a pleasurable experience! Check below for impressions garnered from a brief listen to each in turn.

Sound Quality

Due to their non-sealing design bass response is limited, but I feel the design caters for this. Given a quiet space in which to listen, all three models have bass in good proportion to the rest of the frequency spectrum when the earbuds are worn normally. It is well controlled, leaving the other frequencies space to shine through.

As we go up through the series (EP10, EP20, EP30) the sound becomes a little more refined and better controlled, with a better capability at handling a lot of action; whether percussion, vocals, guitars or all three. With the EP30, subtle details are brought out more.

Soundstage

Given the non-sealing design, all three models have a great soundstage; sounds definitely seem to be coming from a space outside of the physical confines of the earbuds themselves.

Summary

In terms of value for money, the SoundMAGIC EP earbuds series is a real winner – the highest priced SoundMAGIC EP30 is a mere £14.99, with the SoundMAGIC EP10 and SoundMAGIC EP20 at £7.99 and £9.99 respectively. This makes them a good idea for travelling; you can enjoy your time away without the worry of losing them. Also they knock the socks off the standard airline headphones you might find on your flight.

Comfort is perfect, so they’re ideal for enjoying relaxing music in bed; the design allows the earbuds to come out of the ears easily should we drop off with them still in!

They make perfect gifts for kids who may have higher priorities than to care for their earphones; they can be replaced without breaking the bank.

 

Lindy WHF-45 Wireless TV Headphones – Review

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Lindy WHF-45 Wireless TV Headphones – Review

Pros

  • Lightweight
  • Sounds extraordinary for the price
  • Simple operation
  • Includes DAC (decodes digital audio)

Cons

No included batteries

Quick verdict

A perfect and low cost introduction to the world of wireless audio; now there’s no need to miss any of your favourite show’s dialogue if the cat needs to be put out, or if you need that cup of tea. For the asking price, the Lindy WHF-45 is second to none.

 

Intro

Wireless headphones have been around for a while, but are often to be found at the £100 mark or higher. Step forward Lindy, who have introduced some amazing specimens for almost half that – £54.98! Older transmission methods such as Radio Frequency/FM (used by the Sennheiser RS120-II for instance) have been around for some years and are still popular, but the 2.4GHz digital transmission method employed by the Lindy WHF-45 is less susceptible to interference, even when used near Wi-Fi routers and other similar devices.

 

Key Features

Features are basic with a volume control and ‘connect’ button on the headphones, for helping with connection to the transmitter. The transmitter itself outdoes many higher-priced equivalents in that it doubles as a DAC (digital to analogue converter) for direct connection to a computer for online TV services, or for music. It can also be powered via the same USB connection, or with the supplied mains adapter if an analogue signal is fed into it via the 3.5mm socket.

 

First Impressions

The headphones are very light; they’re obviously designed with comfort in mind, for relaxing in front of a favourite TV show for instance. Pairing is a doddle, transmitter and headphones were able to spot each other straight away when switched on, and music began to play with very little work.

Sound Quality

The headphones perform far above expectations, given the asking price. These are being tested with high quality and well produced music such as Michael Jackson’s ‘Thriller’ and with thrilling results! Soundstage is very wide and immersive, bass is deep. Mid-range and treble are also very good for any headphone at this price, never mind a wireless model.

Some people may be aware that digital wireless headphones can introduce a slight delay while the sound is converted to wireless and back again; with the Lindy WHF-45 this is minimal; certainly when watching somebody speaking, there is no noticeable delay between the video and audio from the headphones.


Summary

It’s great to see digital wireless headphones at this price; and especially with this audio quality. Now there can be no excuse for noisy night time excursions to Hollywood and beyond – for under £60 any long-suffering hubby or housemate can be guaranteed a good night’s sleep with the Lindy WHF-45!
Score 8.5/10

Astell&Kern AK240 – Expert Review

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Astell&Kern AK240 – Expert Review

Pros

  • Fashionable touchscreen operation
  • Very solid build quality
  • Large 256Gb internal memory
  • Audiophile grade sound
  • Very connectable
  • Charges by USB
  • Supplied with high quality leather case

Cons

  • Angular design looks better than it feels
  • Current maximum MicroSD accepted is 128Gb
  • Touchscreen response slower than smartphone equivalent
  • Player feels vulnerable if worn in pocket
  • Volume control feels a bit flimsy
  • Power up a bit slow

Verdict

A uniquely designed high-resolution player that is generally well made. Sound quality is is up there with the best digital audio players available and has plenty of connectivity options. Some may find the touchscreen a little old fashioned with a relatively slow response time.

Intro

Astell&Kern needs no introduction as a leading brand of high end portable players, and many fans of top-notch sound quality hold the players they produce in high esteem. So their flagship model, the AK240, has its work cut out!

Key Features

The AK240’s touchscreen encompasses a lot of possibilities and intuitive control features; for example it’s very simple to fast forward through a long track as the position marker can be dragged as fast as the user’s finger is moved. Also, changing volume can be done on the screen; but beware if you have sensitive IEM’s! Luckily there’s a dedicated volume control for those without steady hands.

Connectability is there in spades; the AK240 has a bluetooth capability so suitable wireless headphones can be used with it, any compromise with sound quality will have to be weighed up with the convenience that bluetooth headphones provide. Also Wi-Fi is featured so music can be sent streaming around the house, and files/folders can be read from and added wirelessly.

Also, the AK240 has an optical output which allows the user to send music data to an external DAC if preferred, and a balanced output for those who will accept no compromise where sound quality is concerned.

 

First Impressions

The Astell&Kern AK240 player looks like a piece of modern architecture at first glance; the screen is partly framed by two very angular bevelled edges which act like an optical illusion of some kind. This does lead to some problems gripping the AK240; care is needed when picking the player up off a flat surface as the right-hand side is relatively thin. The AK240 is supplied along with a high quality leather case, which will go some way to improving this.

Once safely in one hand, the user will likely need the other hand to operate the AK240 as the touchscreen control demands accurate direction by an attentive finger, also the touchscreen requires the user to see what is displayed in order to operate the unit. Volume can be altered by the dedicated control on the right side; this does feel a bit flimsy but offers no trouble during operation.

Once a track is playing, the cover art (if available) is displayed along with the usual artist/track information making a pleasing visual display, until of course the auto-hold feature renders the screen blank. A quick press of the power button brings the display and control capabilities back of course, and this feature can be configured as the user sees fit.

The AK240 does take a couple of minutes to read the contents of a freshly inserted Micro SD card before continuing, so if you’re chopping and changing with multiple cards don’t expect to be listening to your music immediately.

For the asking price, there are going to be some very demanding end-users with some very exacting requirements. We’re happy to say that the AK240 addresses these with aplomb. Any drawbacks mentioned are relatively minor and we mention these as we understand the stringent expectations prospective users may have at this high-end level and price point.

It would have been preferable to have a player which feels as good as it looks. Certainly the AK240 is visually striking but beauty is only skin deep. The attractive sheen may wear thin as the player is used on a day-to-day basis, due to the way it feels in the hand; there is an unyielding quality about it which may alienate some after a while.

Sound Quality

The Audiofly AF180 was used for the listening test, along with a Beyerdynamic T1 to test for available power.

Needless to say, the sound quality is stunning. But in order to gain a bit of perspective we put the AK240 up against a similar high-end player, the Lotoo PAW Gold. The general concensus is that the Astell&Kern AK240 reaches a bit lower and provides a little more ‘rumble’ in the bass department, while the Lotoo PAW Gold has a bit more up top making the tape hiss on Queen’s ‘Another One Bites The Dust’ a bit more apparent.

The feeling was that the AK240 gives a little more atmosphere and space; it’s a very natural and effortless sound. Acoustic and classical tracks are very immersive, with separation which is second to none in terms of portable players. Things seem a little more reined in and controlled when dealing with dynamically compressed pop music. These differences are very subtle of course, and are only mentioned to give the reader a more meaningful explanation of the player’s capabilities rather than those of the headphones used.

Power is plentiful too – the Beyerdynamic T1 was driven very well, the only time more headroom was required was with quieter classical passages with of course no dynamic compression applied within the production.

 

Summary

In terms of sound and functionality, it may come as no surprise that this is perhaps the best player available. The connectivity and versatility really make the Astell&Kern AK240 special; however not everybody likes a touchscreen and this may dampen the enthusiasm of some. Operating the unit may require it to be drawn out of the pocket, and any accidental swipes may lead to some frustrating moments.
Score 9.0

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Lotoo PAW Gold Player – Expert Review

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Lotoo PAW Gold Player Review – Reference Level Audio Player

Pros

  • Quick response to button pushes
  • Solid, sturdy build
  • Navigation simple and quick
  • Huge card capacity
  • Fast power up
  • Recessed yet accessible volume control
  • Great value for money

Cons

  • Golden volume and navigation controls may be on the blingy side for some
  • No digital outputs
  • Charges via mains adapter/wall wart only – not USB
  • Screen seems small amongst those of other DAPs

Verdict

A very capable and well-built unit, the Lotoo PAW Gold Player looks and feels as good as it sounds. The array of buttons make navigation a breeze and they’re all easy to get to. The unit feels right at home in the palm of the hand, and is easy to operate – even in the pocket once the control layout is familiar. It scored a hit with everyone here who tried it, and together with its future-proof SD card capabilities it looks like it is going to be some tough competition for other high end portables out there.

Intro

Joining the ranks of companies entering the portable audio fray with a high-end audio player is a company called Lotoo (pronounced low-to) with the PAW Gold. With audio quality that matches the Astell&Kern AK240 player and a price which is a whole lot lower, you may not need to win the lotto to enjoy this player!

Key Features

The most striking thing about the PAW Gold other than the large golden Mayan-style control on the front is the obvious button-focused control method which is a contrast to the AK240’s touchscreen. And it’s horses for courses; many people love gadgets with touchscreen operation and many people prefer buttons, these offer instant feedback as the user knows that a button has been pushed, and instant access to menus such as the player’s start screen or EQ settings is certainly a bonus.

Lotoo have gone for simplicity in terms of outputs and connectivity; the PAW Gold offers both a headphone output and a 3.5mm line-out. Sound quality is described below, but it’s unlikely that any external DAC is required to be used with the PAW Gold, also this DAP packs a real punch in terms of power so external amping is unlikely to be needed if the user is on the move. Line-out is a nice extra though if connecting to full-size amp and loudspeaker system.

The PAW Gold can accept some giant capacity cards – it’s designed to work with SD cards, but can of course be used with Micro SD cards by means of an adapter. So up-to-date is the Lotoo PAW Gold, the maximum capacity card does not yet exist! This may be a window into the future as the maker has seen fit to add compatibility for 2TB (2 Terabyte) SD cards. The largest sized SD Card available as of this time is 512Gb, so there’s a clue!

The volume control is accessible but nicely recessed at the same time. No need to be nervous when donning sensitive IEMs for example. It has a nice feel to it, neither too stiff nor too loose.

 

First Impressions

The size of the PAW Gold is noticeable when we’re used to ultra-skinny items such as modern phones and media players, but it feels like a solid piece of kit, much like something from the realm of professional audio. Not surprising, as the maker is well known for manufacturing innards for other brands’ high quality audio gadgets.

It feels great in the hand (left or right) and all buttons are easy to reach with the thumb. The screen is comparatively small but this is designed to be listened to after all. On-screen information consists of file audio quality details and track/artist details, with a large stereo level meter.

A moment of confusion was when the ‘key lock’ switch had been operated; this was not immediately obvious to me when I tried to operate the unit. The display showed the ‘power down’ screen leading me to think the battery was low, but a colleague pointed out that the key lock feature had been enabled. Perhaps a future firmware update might address this.

Sound Quality

As may be expected for a player at this price point, sound quality is top notch and can only be compared to similar bits of kit to give any meaningful impression, such as the Astell&Kern AK240. The PAW Gold resolves very well, perhaps a tiny bit better than the AK240, but the AK240 gives a better sense of atmosphere. Much like the difference between valve and solid state amps, although much more subtle.

The audio was tried with the in-ear Audiofly AF180, as well as with full-size headphones such as the Beyerdynamic T1. The PAW Gold gave a vibrant and immersive presentation, and with genres such as classical music, a wonderful richness. Timbre/harmonics are brought out and separation is very realistic with an excellent soundstage.

The amp was certainly put to the test; as well as the Audiofly AF180 IEMs which were used for the critical listening tests, a pair of power-hungry Beyerdynamic T1s were plugged in. The PAW Gold has 2 levels of gain and on the louder setting the T1 was powered very nicely. Only during the quieter parts of dynamically uncompressed classical tracks was any extra headroom called for; it’s safe to say that for any headphones under 600 ohms and with sensitivity equal to or greater than the T1’s 102dB this will not be an issue.

Summary

With portable players, many factors come in to play as the unit is picked up, put down and carried around many times per day; the sound is as important as what the unit is to live with and operate on a day-to-day basis. The PAW Gold certainly passes both tests as, despite its solid chunkiness, it becomes like an old friend very quickly. Once the button layout becomes familiar, the unit can be operated (such as track skip) in the pocket without needing to take it out, and the unit just feels good in the hand.
Score 9.5

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