SoundMAGIC E50S In-Ear Headphones – Review

Intro

Escaping the shadow of a famous parent or sibling may be a challenge for some, and the SoundMAGIC E50S is in a similar situation. Given the extraordinary success of the E10 model in recent years and the similarities between these two designs, what can the E50S offer to convince us that it both deserves as much attention and can bring something different to the table?

Design and appearance (e.g. attractiveness, feel)

The SoundMAGIC E50S conforms to the same basic design as the E10, with the small barrel-like capsules and glossy braided cable but now instead of the straight connection where the cable meets the jack, the E50S sports a 60 degree angle between them, to cut down on stresses which both straight and 90 degree connections can be susceptible to.

The metal capsules, button enclosure and jack casing are covered by a matt powder coating which gives an attractive impression without being too flashy. The capsules can be worn with the cable going up and over the ear, or down from the ear.

Durability & build quality (e.g. cabling, connectors, materials)

The best thing about this design is its simplicity and its tried and tested ruggedness. The cable is coated with a strong rubber material which is neither sticky or too stiff, allowing the cable to move and flex whilst avoiding tangles.

Everything about the E50S is solid but light, a perfect combination for the purpose these earphones will no doubt be put to. The included carry case will ensure they are safe and dust-free when stored between uses.

Comfort

As with the E10, the SoundMAGIC E50S will offer no limitations for those with non-standard ears who may have run into problems with other designs. The generous selection of eartips included with the E50S should have something to suit anyone, and help them achieve a good fit for as good a sound as the E50S can provide. This includes a pair of Complyfoam tips, consisting of memory foam for an almost custom fit.

The diminutive and stylish design makes the E50S an ideal companion in all scenarios and weathers, with little to worry about in terms of susceptibility to particular conditions and temperatures. the single button and microphone can be used with both Android-based handsets and Apple products – the switch on the cable’s yoke (where left and right cables meet) can be operated for perfect compatibility.

The E50S, like most IEMs sold in Europe now, are subject to regulations limiting the maximum volume from portable devices such as phone handsets. Therefore the E50S (like the more recent E10) has an impedance of around 46 ohms. Most handsets will still offer enough volume with a majority of music, and if more volume is required (some classical music can be very quiet) then there is always the option to get a separate portable amplifier.

Sound isolation:

Being dependent on the fit achievable with the ear, experiences may differ as far as isolation is concerned (as with all in-ear models). But with the wealth of eartips options included, a good level of isolation can be achieved.

Sound characteristics:

Bass (e.g. punch, low extension):

As regards bass, the SoundMAGIC E50S gives as good as it gets and remains faithful to the original music. Where the E10 increased the bass a bit for more volume in the bass region, the E50S gives more impact and provides a richer, mnore immediate impression of basslines, drums and the like.

Mids (e.g. vocals, acoustic instruments):

Being a relatively neutral earphone, the E50S provides a little more of the midrange without any peaks. Harmonics are clear and vocals are pristine and backing vocals are distinct. Atmospheric effects such as reverb can be easily picked out and followed, giving a clear sense of space.

Treble (e.g. high hats):

There is as much detail at the top end as most of us require; it’s never an easy job balancing between a sound which some might think is an overly bright and uncomfortable one, and a sound which others might describe as muddy and dull. However the SoundMAGIC E50S hits the right note and makes a great complement to the midrange for clear and comfortable retreival of detail.

Soundstage & Separation

The increased midrange response makes harmonics shine, bringing instruments to life and giving greater definition. For earphones at this price point, separation is fantastic and with it, soundstage is very good for an in-ear model.

Being good all-rounders, there is ample scope for the SoundMAGIC E50S to be enjoyed with all genres but the relatively flat response or neutrality of the E50S makes it a perfect earphone for vocals; particularly when accompanied by backing vocals. Percussion gets a nice lift also, as does any distortion effect.

Pros:

Simple, modest design
Superb clarity and neutrality
Good range of tips
Sturdy carry case
Angled jack
Switch for greater compatibility with a wider range of smartphones

Cons:

Single button control only, no volume control functionality

Please take a look at our video review below for more details.

The post SoundMAGIC E50S In-Ear Headphones – Review appeared first on HiFiheadphones.

Intro

For some of us, the earbud ushered in an age of smaller headphones (or earphones) in the late 1980s; there was now a choice other than the portable on-ear headphone and we were able to put them in our pocket between uses. They’re not so common now that favoured designs have moved on, but there is still a niche for these classics.

It’s always a good idea to revisit these older designs and check what they’re capable of; particularly when produced by a company which knows a thing or two about wringing every last drop of sound quality from its products – SoundMAGIC.

It has produced three different earbud earphones (as in the title) and trying them was quite a pleasurable experience! Check below for impressions garnered from a brief listen to each in turn.

Sound Quality

Due to their non-sealing design bass response is limited, but I feel the design caters for this. Given a quiet space in which to listen, all three models have bass in good proportion to the rest of the frequency spectrum when the earbuds are worn normally. It is well controlled, leaving the other frequencies space to shine through.

As we go up through the series (EP10, EP20, EP30) the sound becomes a little more refined and better controlled, with a better capability at handling a lot of action; whether percussion, vocals, guitars or all three. With the EP30, subtle details are brought out more.

Soundstage

Given the non-sealing design, all three models have a great soundstage; sounds definitely seem to be coming from a space outside of the physical confines of the earbuds themselves.

Summary

In terms of value for money, the SoundMAGIC EP earbuds series is a real winner – the highest priced SoundMAGIC EP30 is a mere £14.99, with the SoundMAGIC EP10 and SoundMAGIC EP20 at £7.99 and £9.99 respectively. This makes them a good idea for travelling; you can enjoy your time away without the worry of losing them. Also they knock the socks off the standard airline headphones you might find on your flight.

Comfort is perfect, so they’re ideal for enjoying relaxing music in bed; the design allows the earbuds to come out of the ears easily should we drop off with them still in!

They make perfect gifts for kids who may have higher priorities than to care for their earphones; they can be replaced without breaking the bank.

The post SoundMAGIC’s Earbuds – EP10, EP20 and EP30 – Review appeared first on HiFiheadphones.