Lindy’s talent for providing low-cost alternatives for items which sometimes run into hundreds of pounds is perhaps a well kept secret, given that they don’t advertise as prominently. Maybe they’re hoping to capitalise on the Lindy Hop phenomenon, but there’s no sign of any ‘jitter bug’ here.

Pros:

• Low price for all these features
• Rugged and sensible design
• Good all-round sound
• Comfortable

Cons:

• Hard to drive (quiet) in passive mode
• Volume control wheel placement

Design and Appearance

The Lindy BNX-60 has a utilitarian look; there’s no fashion statement to be made with these other than ‘I’m pragmatic’. They don’t have a premium feel such as more expensive models have, but the coating is of a grippy type of rubber which is better than bare plastic.

Volume is controlled in two ways; there is a button control on the left earcup for interacting with the volume controls within a smartphone, and a wheel on the right earcup for operating the BNX-60’s internal amp. It’s sensible to have this latter control at close to maximum, as there’s a small chance of touching the wheel when it comes to removing the headphones and inadvertently increasing the volume to maximum.

There are also some call handling features built in; so as well as the obvious call answer and hang up functions here, the BNX-60 supports voice dialling and last number redial among other features.

Durability and Build Quality

These headphones are well constructed and don’t feel cheap like budget headphones might; a little care is required of course, but the headband is quite twisty and forgiving should any passing lummox wish to try them out.

The cable is optional of course, but should you wish to eschew the wireless feature and go wired, the included cable is sturdy and quite adequate with good strain reliefs and a 90 degree jack.

The price also includes a semi-rigid carry case for when you’re on the move and don’t feel the need to have the Lindy BNX-60 on your head, the ubiquitous 6.35mm and flight adapters, and of course a USB cable for recharging the internal battery.

Comfort

The earpads and headband padding are dense but springy, giving comfort which is quite good considering the BNX-60’s low weight of 200 grams (or just over 7 ounces). If you’re a glasses wearer, the earpads give decent enough comfort for short sessions but this may get to be a problem if worn for hours on end. However the smallish earpads will allow most to just rest the arms of the glasses on them without altering the angle of the lenses too much.

The internal dimensions of the earcups are large enough for most ears at 6cm (from top to bottom) but as with any closed-backed design with leatherette earpads, it might get a bit sweaty in there if worn for long periods.

Suitability for intended application

The noise-cancelling feature is reasonably good; the all-pervading rumble of the lithographic printers next door is a feature of life here and the BNX-60 does a fair job of cutting it out. With no music on it can still be heard, but one needn’t turn up the music volume very much for it to be blotted out completely.

Sound Characteristics

There are four different ways the BNX-60 can sound, depending on whether it is fully wireless or wired/with ANC enabled, or off. With ANC off, the sound seems comparatively indistinct and foggy whether the cable is used or not. with the ANC enabled, the midrange is more present and the overall volume rises significantly so watch out if you’re listening at a high volume and wish to turn on the ANC feature.

For this review, we’re sticking to the intended method of the design which is using both the bluetooth and ANC features.

• Bass

Bass extension gives a fairly good hint of that sub bass, but if you like a lot of sub bass then look elsewhere. Mid bass and upper bass is fully present and provides a good bit of warmth here but is a bit flabby with some tracks.

• Mids

The midrange is not affected by the bass very much, and provides a decent amount of detail. It’s quite a hard-sounding and dry midrange with some good detail there; decays give a nice idea of space in the recording and vocals are well textured and convincing. Those who have a sensitivity to midrange frequencies needn’t fear; the BNX-60 is a comfortable listen.

• Treble

Up at the top, treble gives a little bit of glitter but not too much; it serves as an even extension to the midrange and doesn’t draw much attention to itself. In terms of detail it could be bettered; but given that we’re reviewing a wireless, noise-cancelling set of headphones at this price, we won’t expect the moon on a stick!

• Soundstage and Separation

Depending on the recording, the Lindy BNX-60 gives some nice surprises in terms of the width of a presentation. Sounds can appear to be emanating from outside of the closed-back earcups, giving a feeling of being enclosed by the music rather than the headphones themselves. Separation is decent; individual instruments can easily be picked out, yet they tend to meld together if the listener wants to just enjoy a presentation as a whole.

Music genres good for and why

This reviewer has caught himself enjoying a good range of tracks on the Lindy BNX-60; dance music and similar commercial genres such as pop and rock come across with a good amount of power, and live or acoustic recordings benefit from the midrange presence.

Summary

Lindy’s BNX-60 is pretty top-notch for under £100. If you want better, you’ll be looking at spending a lot more for such a fully featured noise cancelling headphone.

The post Lindy BNX-60 Review – Noise Cancelling Wirelessness for under £90! appeared first on HiFiheadphones.

MrSpeakers Aeon Closed Back Headphone Review

MrSpeakers is one of those small companies which gets some big attention; not content with their excellent Ether models, they’re back with another design! The MrSpeakers Aeon is a slight departure from the norm, as MrSpeakers has elected to go with some teardrop-shaped earcups for this one. Perhaps they’re designed to match the tears currently falling down our cheeks.. but are they tears of pure frisson, or rage?

Pros:

• Light and comfortable
• Excellent sound for a closed back
• Tuning/modding foam included
• Isolation impressive

Cons:

• Nothing worth mentioning!

Design and Appearance

Much like its MrSpeakers forebears, the Aeon is a light and thoughtfully constructed headphone with ‘memory metal’ headband and a decent real leather strap. The earcups are mostly plastic with metal housings for the drivers; it’s all rock solid though, despite the low weight of the Aeon.

Durability and Build Quality

There’s not a lot to go wrong with the design; there are no hinges which can sometimes give trouble eventually, and the sturdy case supplied with the headphones will protect them well between uses. The ‘Dummer’ cable is about 1.8m long and is much like those we’ve seen on the previous Ether models; fabric coated and substantial enough without becoming too cumbersome.

Comfort

Comfort is not an issue with the MrSpeakers Aeon; these are very light for what they do and can be worn for many hours. Clamping force may be more noticeable but the soft pads ensure that no pressure points announce themselves.

Suitability for intended application

The Aeon is primarily intended for the home or office, but wouldn’t look out of place outdoors. The Aeon is a little hard to drive with portable equipment so a separate amp may be required for this, or a capable player. The isolation on the Aeon is quite impressive so it could be a worthwhile thing to try.

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READ MORE: Shanling M2s Digital Audio Player Review

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Sound Characteristics

At first listen the Aeon is quite a neutral-sounding headphone; nothing sticks out too much and there are no obvious dips in the frequency response. After a while though, the Aeon’s character starts to come through. MrSpeakers has also included some small foam pads to modify the sound somewhat; this fills in the upper bass and smooths upper midrange frequencies a bit if needed.

• Bass

Bass starts with a bump, and the sub bass is really rather nice; a lot of what certain tracks require is just waiting in the wings and pops out to make a great bottom end. Further up towards the upper reaches of the bass, there is a feeling that more presence would be good as it meets the midrange but it’s slight. Overall the bass is tight and well behaved, giving a solid feeling to proceedings.

• Mids

Midrange is extremely clear and revealing; it has a natural and loose feel to it which is impressive for a closed-back model. It has a well balanced quality which is not too hard, nor too lush. There’s no issue with sibilance here either, despite the impression that midrange is fully present within the tuning of the MrSpeakers Aeon.

• Treble

Up at the top, there’s good extension and a decent amount of sparkle although there is no obvious emphasis here; treble continues on from midrange without any problem. Cymbals are rendered very well with decent detail, and attacks are good and sharp.

• Soundstage and Separation

We keep needing to remind ourselves that this is a closed-back headphone; the soundstage is very impressive indeed with great depth too. Imaging and separation are excellent, making a very entertaining and enjoyable headphone.

Music genres good for and why

Many genres were tried and none failed to hit the mark. Classical is treated with delicacy, hip hop is thrown down, and jazz gets playful. The MrSpeakers Aeon handles it all equally well!

Summary

MrSpeakers’ Aeon is a very capable headphone which is worthy of the high price, and equally suitable for use outdoors as well as relaxing at home.

The post MrSpeakers Aeon Headphone Review – A new Epoch? appeared first on HiFiheadphones.

Verdict

For the asking price, the Sennheiser Momentum In-Ear is incredible value; giving great sound as well as swish styling and all in a very rugged and classy looking case. They are available in versions compatible with Apple devices as well as Android, so you needn’t be cutting down your choice of handsets with the Momentum In-Ear.

Pros

• Very nice looking

• Decent well thought-out case

• Versions for Apple and Android

• Right Angle Jack

Cons

• Bundled accessories are high quality but low in number

• Designed to be worn down from the ear only

Hot off the press at Sennheiser, the Momentum In-Ear promises to give music fans a taste of what this esteemed company is capable of in its 70th year. This particular old man is not doddery in the least however; the old CX300 and similar models have been updated, the new Urbanite is impressing young music fans all over the place and now we have the Momentum In-Ear.

Key Features

The first thing which is noticeable is the case, since the Momentum In-Ears are tucked away in the case when bought. Fishing them out gives a very good impression however – the case is semi-rigid with an internal caddy around which the cable can be wound. This will certainly protect the Momentum In-Ears well when not in use. The nozzles have been updated from previous similar Sennheiser in-ears, with the Momentum In-Ear these are now ‘custom machined stainless steel sound tunnels’ – they give a nice impression of build qulaity. Then there’s the buttons, either for Apple or Android, depending on which version you buy.

First Impressions

In terms of styling, it’s more reminiscent of the Urbanite model. The flat two-tone cable and understated shiny design is attractive but not showy, much like the Momentum In-Ear‘s sound. The case is new too, and is an excellent design as it affords protection against the contents being squashed or stressed. A separate ‘caddy’ comes out, around which the cable can be gently wrapped and it goes back into the case to be zipped up. Very neat.

The capsules themselves remind me somewhat of the Brainwavs S5, with their off-centre nozzles. They fit very well indeed when worn like this, but it may make the ‘up and over’ wearing style a little awkward. It can be done though!

Sound Quality

When it comes to the sound, the Momentum In-Ear compares well with its full-size Momentum sibling. Detail is high without sibilance or discomfort; harmonics are brought out for a very real sense of musicality. Soundstage is surprisingly broad for an in-ear model and imaging is coherent and sharp. Overall, the sound is fairly typical of Sennheiser’s recent offerings; in terms of full size headphones at least. When compared to older lines such as the now axed CX300, the sound is drastically improved and shows that this old dog still has some new tricks!

Summary

A very good in-ear from this venerable old timer. Despite all the in-ear competition coming from young companies keen to impress, Sennheiser can still pull a rabbit from the headphone hat; the Momentum In-Ear is a real treat!

Score – 9/10

The post Sennheiser Momentum In-Ear Review – Shrunk Down Chic appeared first on HiFiheadphones.

The Beyerdynamic A2 Headphone Amp is now available to purchase from our on-line store. (please call 01903 768910 for further information.

The A2 is Beyerdynamic’s new addition to their range of audiophile headphone amplifiers. Newly developed from scratch and already awarded with the renowned”Red Dot Award: Product Design 2014″, the A2 headphone amplifier does not only impress with its unbelievably natural and powerful airy sound, but also with its clear and high-quality design.

Main Features

• Discrete electronics for best audio reproduction
• Amazingly natural and brilliant sound reproduction with an excellent resolution and spatiality
• Two parallel headphone outputs for two listeners to enjoy music simultaneously
• Convenient remote control for all functions
• Slide switches for selectable gain and impedance
• Headphone stand included (can be mounted to the A2) for compact storage of headphones
• Elegant design with transparent glass cover enabling you to look at the illuminated interior

The post Beyerdynamic A2 Headphone Amp appeared first on HiFiheadphones.