What is the difference between Open and Closed headphones?
Looking for a new pair of headphones can be very confusing, there are so many to choose from – how do you know you are getting the best for your money?
There are lots of things you can look at when deciding, and the main place to start is whether you will benefit from Open or Closed Back headphones. It’s easy for some people to say that one is better then the other, but this isn’t the case – it really depends on how you will use them. If you are looking for a pair of headphones to commute to work with then an open back design won’t be ideal, unless you want the whole carriage to listen to your guilty pleasures. So here is a quick run down on the differences between Open and Closed back headphones.
Closed back headphones
The main benefit you get from a closed back headphone is sound isolation, this reduces the amount of sound that leaks out for others to hear and it also helps block outside noises so they won’t interfere with your listening. This is something that is very important when using headphones in public e.g. commute to work, travelling or even at home with other people in the room. Generally closed back headphones have a narrower soundstage (compared to open back) but you tend to get a punchier sound with heavier bass from a closed back headphone. One downside of closed back headphones is that your ears can get warm very easily, especially compared to open backed headphones – using velour earpads instead of leather can reduce this but this will reduce the amount of sound that is isolated.
These headphones certainly don’t isolate sound, being open back the sounds comes out from them like mini speakers – some more than others. They will also allow you to hear what’s going on around you, so this won’t be ideal for noisy environments. The benefit from this is that you get a very natural sound, your ears will keep cool due to the air flow and they give a wide soundstage – this is particularly good for live recordings as you really feel like you’re right there. Being open backed you will sometimes notice a loss of bass compared to a closed back alternative, however the bass has a more natural feel to it because the driver housing is vented so the sound can breathe.
The best question to ask yourself first is “how will I use these headphones?” and from there you will know whether to go for open or closed back. So if you’re using them at home and there won’t be anyone else around then open back will be a good place to look, but if there is a chance that you will also want to use them on the odd commute to work – then overall a closed back will be the most suitable.
The Stellia are quite bold when it comes to looks, the colour scheme is unlike most high-end headphones. The brown/copper look is quite out there, some will love it, some will hate it. I like how Focal have been bold, and it is definitely refreshing to see something other than black/silver.
The build quality is excellent, using pretty much the same headband as all the other Focal models (bar the Utopia with its carbon fibre yokes). The headband has genuine leather padding, and the cups have spots of tan leather on them. The included cables are great, but do create a little noise when rubbing against clothing. Overall the Stellia is a solidly built headphone.
Accessory wise you get the usual Focal carry case, along with a short single ended cable, and longer 4-pin XLR balanced cable. The manual comes in a leather case and everything just feels luxurious, as it should for this price.
Comfort:
The Stellia are not the lightest of headphones, again due to the excellent build quality. But just like the Clear and Elegia, I do not find them to have enough padding on the headband, and this does create some discomfort for me personally after a short time listening to them. This is not an issue that affects everyone, but I wish the weight was distributed better. The earcups are spacious and the genuine leather earpads feel great.
Sound:
Bass: Those looking for energetic and full lows might want to look elsewhere, however those who appreciate accuracy over quantity will really enjoy these. The lower priced Elegia have more fun factor, the Stellia are more reserved with a focus on clarity. The definition and control down low is superb, they are not lacking in quantity and there is a subtle amount of body being added to the sound, which makes these sound smooth and refined compared to the livelier Elegia.
Midrange: The midrange can be described as natural, open and detailed. Never lacking in any part of the midrange, the resolving capabilities are showcased best in the midrange, with excellent insight into recordings. They work well with all genres, the midrange isn’t pushed forward but it sits perfectly central in the mix, sounding well separated but never detached. The layering really stands out, along with a smooth transition into the treble region.
Treble: The treble is smooth and well extended, I cannot detect any nasty spikes which is a relief. They don’t rely on peaks to create an artificial sense of detail, instead they just have the detail without trying to grab your attention. I cannot find any fault with the treble to be honest, it is well presented but without drawing attention to itself. It’s resolving capabilities are natural rather than forced, and this really shows when listening to them.
The soundstaging capabilities are a little limited on the Stellia, but there is fairly good height compared to the width. Separation and imaging however are superb and the Stellia never lose focus, even with the most complex of mixes. These don’t suffer from a boxed in sound, the engineering that has gone in to remove cup reflections really works well and they don’t have any nasty resonances that I can detect.
Conclusion:
The looks of the Stellia may divide opinion, but the sound is sure to impress anyone looking for a refined and resolving closed back headphone with incredible technical capabilities and an overall easy to listen to sound.
It’s been a while since Audeze released a closed-back model in their LCD range; the XC model was (and is) beautiful but it is a little treble-heavy for this particular listener. So it’s great news that we now have an alternative LCD to play around with!
Design and appearance
The Audeze LCD-2 closed-back takes a slight departure from the XC model in terms of looks; gone is the polished wood, and instead we have black earcups with white chevrons painted on. It’s not unattractive, and gives the headphones a nice update for 2018. The cable is a black and white braided affair, and matches the look of the headphones well.
We’re well used to Audeze treating us with extras such as a carry case and 3.5mm adapter, but this is not how the closed back LCD-2 comes. All we get are the headphones themselves and 3m cable (with 6.35mm jack). To be fair, this could just be a way for Audeze to offer better headphones for less money, and there is always the option to purchase a carry case later if needed.
Durability & build quality
The closed back LCD-2 is pretty rock solid. There are no obvious weak points and with care, these headphones should last a lifetime. The cable is similarly well constructed with strain reliefs at the top and bottom, and Rean connectors for attaching to the headphones.
Comfort
With a weight of 646g, the LCD-2 is not for those with delicate necks. This reviewer is feeling the weight a little bit after 30 minutes, but it’s not a problem. A longer listening session might change this however!
Suitability for intended application
The closed back design may lend itself well to outdoor pursuits, but most smartphones would have difficulty running the LCD-2 closed back. With a 70 ohm impedance and a relatively low sensitivity of 97dB, these headphones are better suited to devices with greater powers of amplification. Having said that, the LG V20 does a fairly good job but the headphones could be powered a lot better with proper gear such as a dedicated headphone amp.
Sound characteristics:
When compared to the open back version, the closed back LCD-2 does of course have the advantage of much greater isolation but there is of course some compromise due to the need to deal with internal sound reflections and resonances. Bass is more present, but with slightly less detail. Midrange is full and syrupy, and high frequency detail takes a slight hit too.
For this review, the closed LCD-2 is powered by the Questyle CMA600i, which provides some very clean audio and won’t make the headphones any warmer-sounding than they already are.
Bass
Sub bass is indeed impressive on the closed LCD-2; it’s very well rendered and has a very wide and deep feeling to it. Bass presence is enough to make its mark, but without causing many problems for higher frequencies. There however the feeling at times that it affects an otherwise spacious feeling within the midrange.
Mids
Generally the midrange has a good speed about it, with a quality which is neither too dry nor too lush. It sits well between the bass and high frequency ranges, making a cohesive sound which is very slightly recessed when compared to the bass level. Vocals are comfortable within the mix and are rich and detailed.
Treble
Perhaps comparison with an open-back LCD-2 is unfair here, but the open back does do better in terms of the high frequency detail. However, the closed back version still has a lot to offer with genres such as classical, with still a good sense of space in the recording. Presence is about as much as it can be, whilst still feeling like a warm headphone. This reviewer is a fan of warm headphones such as the Sennheiser HD650 and Oppo PM-2, and the closed LCD-2 would serve as a good closed-back alternative for those who want a similar sound.
Soundstage & Separation
This LCD-2 is surprisingly good for a closed back model; soundstage is impressive although there’s not so much of an ‘airy’ feeling here. Separation is very good too, with instruments giving a good impression of sitting in their own spaces within recordings.
Music genres good for and why
Given the slightly bass-centric tuning, the closed LCD-2 is well suited for studio genres such as dance, pop and rock. However, it can give a good rendition of a classical or acoustic performance if you’re more fond of a weighty feel within the music as opposed to a light and airy one.
Pros:
There’s now a choice of LCD closed backs (along with LCD-XC)
Good isolation
Great soundstage for a closed back model
Cons:
More utilitarian looking than most designs
Accessories are spartan
Can be heavy for some
Summary
Audeze’s new closed-back LCD-2 promises to offer more privacy and isolation for fans of the warmer sounding Audeze models, and it delivers admirably.
We’ve have some of the best full size hi-fi headphones from under £100 to over £1000 from 2017. The reviews are designed to help you choose from the massive selection of hi-fi and audiophile headphones available with open back and closed back designs. From established brands like Beyerdynamic and Sennheiser, to new creative brands like MrSpeakers and Audeze.
Scroll down for in depth reviews of our favourite full size open back and closed back headphones.
The closed-back Edifier H840 has audio quality which belies its entry-level price. Low-cost headphones can emphasise the bass a little too much but the Edifier H840 has a good balance throughout the frequency range, with midrange and treble coming through with impressive clarity. Bass is there too, and prominent enough to give a bit of weight to those basslines without stealing the show.
Build quality is also impressive for headphones at this price; they are quite rugged, but light and comfortable as well.
They can be used either in the home or as a portable model, since the closed-back design offers good isolation from exterior sounds and the H840 can be powered sufficiently by a phone, or a portable music player.
HiFi Headphones Verdict:
If you’re on a budget, there is no need to compromise on sound quality. For the asking price, the Edifier H840 represents amazing value.
Sennheiser’s HD461 models come in two flavours, depending on whether you have an Apple handset (with a headphone socket!) or an Android handset. Designed primarily for portable use, the HD461 models can also be used with home equipment as they will still work in standard 3.5mm stereo sockets.
Also, the cables are available separately as spares, so if you change your phone from one type to the other, you only need to get the appropriate cable for full functionality with your new handset.
The design is light and comfortable with a sound akin to what Sennheiser generally prefers; a warm comfortable sound with enough sparkle at the treble end to keep things interesting and vibrant, but without any danger of listener fatigue. The HD461 design hsa a little bit of extra bass than usual however, so if you’re a bass fan then these are worth a try.
HiFi Headphones Verdict:
For a bassy accompaniment at home or on the move, the HD461i (or HD461G) will give full functionality with your handset, whether Apple of Android. With spare cables available too, there is no need to change your headphones if you change your phone (iPhone 7 notwithstanding!).
The new HP151 from SoundMAGIC is perfect for those who want to treat themselves to some excellent sound and build quality, but without breaking the bank. The HP151 comes with a sturdy carry case and an extension cable for more options if listening at home, but is otherwise suitable for portable use, being of a closed-back design. Be aware however that whilst the HP151 will work well with commercial genres, classical or similar may require more amplification than a phone/handset can provide on its own, as those music types generally have quieter recordings, with less dynamic compression applied during production.
The HP151 sound has a good amount of well controlled bass from its 53mm drivers, and midrange/treble are clear and present. It’s a comfortable sound, and it is not likely that listener fatigue will set in.
HiFi Headphones Verdict:
The HP151 is a fantastic all-rounder, with a bassy yet crisp sound. It has a spacious and wide presentation considering the closed back design, and it looks really good too!
Final makes some excellent-sounding headphones with great build quality too. Their closed-back Sonorous range encompasses many models, but the Sonorous III is a point of interest as it gives some amazing sound quality for the price. With slightly boosted bass and treble, the Sonorous III gives a little added shine to your tracks without going overboard. The low impedance of this design makes it suitable for using with a portable device or phone, for enjoying your collection in the home, or out and about.
HiFi Headphones Verdict:
The Sonorous III is a favourite here for its relaxed, natural sound. However the Sonorous II is also noteworthy as a more neutral version, giving a more faithful rendition of your recordings and particularly suitable for classical and acoustic performances.
Best Full Size Headphones Under £800
Now we start to enter the price range of diminishing returns; for instance, headphones costing £800 will not sound twice as good as those costing £400, but if you are intent on raising your headphones game, these smaller improvements are still worthwhile to make your music collection come alive again.
Beyerdynamic has impressed us for many years and continues to do so with new models such as the Amiron Home. With sterling build quality and sound quality alike, the open-back Amiron Home does everything well. All frequencies are very well balanced with each other, with treble a little gentler than quite a few of Beyerdynamic’s previous models.
So the sound is natural and smooth; ideal for relaxing at home (where else?), and quite suitable for any music genres that can be thrown at it.
HiFi Headphones Verdict:
The Beyerdynamic Amiron Home is a real treat to use, and is as comfortable to wear as it is to listen to.
A relatively new maker, MrSpeakers has certainly caused a stir with their line of planar-magnetic models recently. Not least with the Aeon, a lightweight design which hits heavy with some excellent sound quality. The design lends itself well to portable uses, although additional amplification may be required if using with a phone.
The sound is fairly well balanced with a little extra bass and lovely clear midrange and treble. The Aeon is well suited for all genres, but a real treat with anything likely to get you moving!
HiFi Headphones Verdict:
If your portable audio game needs updating, the MrSpeakers Aeon is one to look at, although the Aeon is equally enjoyable if you like to stay put.
Focal’s recent additions to their lineup show a slight move away from the generally brighter sound of their previous models, to a gentler more laid-back sound which nevertheless gives detail in spades. The Elear is an exquisitely comfortable model to wear also, and gives the impression of the venerable HD650 but with a little bit of extra treble presence.
The Elear is not a light model at 434g, so this may be worth bearing in mind but the sound is very pleasing indeed.
HiFi Headphones Verdict:
French company Focal has produced a real hit with the Elear, and it is easy to understand how; they’re great fun!
Pioneer’s new SE-Monitor5 is where headphones start to get sumptuous and luxurious! Build quality is like an executive car, and the plush padding is much the same. The SE-Monitor5 may be a little heavy for some at 480g but they are made for relaxing at home and swallow up the sides of the head with their huge earcups.
The sound is as you would expect from Pioneer at this price, with well-controlled bass doing just what it needs to according to the music genre being enjoyed. Higher frequencies follow suit and remain faithful to the music, only to add a little bit of extra excitement and glamour to proceedings, whilst staying very relaxing.
HiFi Headphones Verdict:
The SE-Monitor5 is incredibly comfortable and bound to please anyone who gives them a listen.
If you have got bored of circling Switzerland in your yacht then you’re probably lost, but you may be wealthy enough to consider the following models for your floating games room! These higher priced models may seem as steep as a black route ski slope, but those who accept no compromise will find the following offerings very interesting.
Sennheiser is no stranger to premium headphones, and has followed up on the excellent HD800, released a few years ago. Some felt that the HD800 is incredibly detailed but at the cost of a certain amount of musicality, so Sennheiser now has the HD800S which offers a little more in the way of ‘soul’. Bass is very responsive to what different music genres need without overdoing things, and midrange/treble give some excellent soundstage and imaging with a slightly gentler presentation when compared to the older HD800.
The HD800S is however just as comfortable as its older brother the HD800; these models can be worn for hours on end with no trouble.
HiFi Headphones Verdict:
The HD800S is a very popular model and with good reason; it’s as enjoyable as it is comfortable and has a fair amount of visual impact as well.
Audeze has plenty of models, but at the top of the range we have the planar-magnetic LCD-4. Top notch build quality is to be expected at this price, including unique drivers which feature NASA technology in their nano-scale diaphragms. These light, thin diaphragms can move very quickly with no inertia, making transient response times very fast, and bass precise with nice extension and very good control.
Made from 30 year old Macassar wood, the earcups are set off by bright silver grilles making the LCD-4 a treat to look at as well as to listen to. As well as the excellent bass, midrange and treble follow in good order with a smooth transition between, but with perhaps a slightly recessed midrange, putting bass and treble at the forefront of the presentation.
HiFi Headphones Verdict:
For the last word in headphones, this may need to be your first stop!
Hot on the heels of the Pioneer Master1 , the SE-Monitor5 promises to be a closed-back alternative. It’s a similar design but with a few tweaks here and there, and at a much lower price. So what does a grand get us from Pioneer these days?
Design and appearance (e.g. attractiveness, feel):
Wearing the SE-Monitor 5 certainly makes it known that you’re incommunicado; the earcups are big circular affairs which swallow up the ears and quite a lot of head along with them! Attractive copper rings decorate the earcups on the outside, and the cable bears a couple of rose gold touches.
The Pioneer SE-Monitor5 is built with longevity in mind and will probably last for many years. Everything is solid and premium-feeling with no weak points. The cable is a little unusual in that it’s a fabric-coated type which has been braided or twisted, so it resembles a vintage power cable. The twistings are not fixed so they’re a bit tighter here and not so tight there, making it a bit scruffy looking. Strain reliefs are pretty small, but this is a ‘stay at home’ model so pretty standard for that use. There are three cables included; a 3 metre one, and two shorter cables, one of which is balanced with a 2.5mm jack.
The connectors which go into the headphones are 3.5mm stereo jacks, so there is plenty of scope for aftermarket or DIY cables if that takes your fancy.
When swapping the earpads over, the housings for the drivers were revealed as being of solid magnesium alloy. It’s impressive that this should be found where few will ever venture and actually see it, but it’s probably there for acoustic reasons first and foremost.
Comfort:
The drawback of all this solid construction is the weight, around 480g (17 ounces). This reviewer is of the strong-necked variety, and heavier headphones have been tried but some out there may wish to think twice if they are sensitive to this sort of thing. The weight is quite evenly distributed between the earpads and headband, but the slight pressure from the headband may start making itself known after an hour or two.
Sound characteristics:
The Pioneer SE-Monitor5 comes with two sets of pads; the velour is fitted by default and there are a pair of leatherette earpads too. For this review the leatherette earpads are being used; with the velour pads the sound is a little more focused on the midrange with a lower bass level.
The SE-Monitor5 earpads are quite solid and the seal is affected if glasses are worn; glasses with chunky arms create a gap between the earpads and the head, letting out a fair bit of the low frequencies. Metal-framed glasses may be better. It’s easy to imagine that this issue will resolve itself when the earpads start to wear in.
Bass:
Bass is quite responsive to the music being played; it stays in its place with older genres but is fully present with anything newly produced. The sub bass comes out to play, and we’re treated to a very wide, tight and dazzling bottom end! There is no hint of the bass being elevated above where it should be with any particular thing. There’s a nice clarity and form to it, and it’s clear and well separated even with a lot going on within the midrange.
Mids:
Like the bass, the midrange doesn’t overdo it. The SE-Monitor 5 is a fairly flat and neutral-sounding headphone, but there is a certain warmth and lushness there to keep things sounding appealing. There is no sibilance though, or any sign that the SE-Monitor 5 is having anything other than a great time! It’s all relaxed and effortless.
The midrange hangs with the bass and merges seamlessly; there’s a vast amount of space and reverb trails/effects are clear and well defined all the way to their eventual decay. harmonics are clear and serve to make for a large and well defined sound.
Treble:
Following in the SE-Monitor 5 theme, the treble hits the right note too. It’s neither boosted or recessed; our attention is on the full presentation, and it’s topped off with some really impressive detail given the relaxed and unhurried way in which it appears to be served up. Like the midrange, the treble has an inviting lush quality to it which really appeals and makes for a slightly warm sound, but without compromising on detail.
The width of the presentation is pretty good for a closed-back model. There’s a decent amount of virtual space in which the SE-Monitor 5 has its fun, and a very real impression of the space in which the recording was made too, such as in the case of acoustic music like classical or opera.
The SE-Monitor 5 may be a little warm-sounding but not at the expense of details which give positional cues, preserving the positions and forms of instruments really well. There’s great layering and we’re well aware of players and voices stretching out to the fringes of the space; nice for backing vocals.
Music genres good for and why:
Headphones at this price point should really do everything well, and the Pioneer SE-Monitor 5 doesn’t disappoint. Classical pieces benefit from a certain weightiness without taking the listener away from the midrange detail. Drum and Bass can give its all, and the SE-Monitor 5 serves up sub bass in buckets. Older recordings sound vibrant and musical, whilst at the same time being given sympathetic treatment for any artefacts or hiss they may have.
Pros:
Excellent sound
Premium feel/Solid construction
Short and long cables included
Cons:
Might be a bit heavy for some
cables look untidy (nitpicking!)
Summary:
Pioneer’s new SE-Monitor 5 promises to be a closed-back follow up to the open-backed SE-Master 1; but is it a people pleaser? It goes well with all sorts of music and should put a smile on the face of the most committed curmudgeon!
The Meze 99 Neo are an aesthetically pleasing, warm sounding, easy listening headphone suitable for kicking back and enjoying rather than analysing.
Pros:
Looks
Build quality
Smooth sound
Cons:
Bass is not the tightest
Not the widest soundstage
Aesthetics, Build quality and Accessories
The Meze 99 Neo have a vintage look about them, with silver accents and black cups the colours compliment each other perfectly. There is nothing overly remarkable about the appearance of these headphones, but they do look very sleek and stylish.
They are well built, the cups are plastic the headband is solid metal, the cable and earpads are replaceable, all in all a very well built headphone.
The Meze 99 Neo comes with a great range of accessories, you get a hardcase to transport them in, a 1.2m cable with microphone and a regular 3m cable and a jack adaptor, a great array of accessories and all that is needed.
These headphones are very comfortable, the earpads encapsulate your ears nicely, and are deep enough so that your ear does not touch the driver. I am a big fan of the headband pad as it is elasticated and conforms to the shape of you head better than most headphones out there.
These are closed back, and use pleather pads so your ears will heat up over long listening sessions, but overall they are a very comfortable headphone.
Isolation is fine for general home, office and most portable use, but they are not the best for very noisy environments.
Sound quality
Bass
The bass on these is very full, almost too full sometimes, but manages to keep controlled and not affect the mids too much. The bass manages to dig deep with excellent rumble when called for, the punch is backed up with good body but is not the fastest and struggles to keep up with heavy rock music.
Mids
Male vocals sit a little farther behind in the mix, due to the full nature of the lows, whereas female vocals come across a little more forward and cleaner. Separation and placement is well done, and the tonality is good, and there is no harshness at all in the mids.
Treble
Laid back is how I would describe the treble on these, the treble is well detailed and present, but not in huge quantities.
Soundstage and Separation
The soundstage is not huge, they offer quite an intimate presentation but the separation is very good, and layering is very well done.
Conclusion
The Meze 99 Neo are a relaxed sounding headphone, they are easy to sit back and listen to, the bass sounds a little uncontrolled during certain tracks, but they offer great build quality, looks and good sound quality for the price.
British firm KEF has decided to follow up on its acclaimed KEF M500 on-ear model with a slimmer, lighter version. It’s not easy to follow in the footsteps of a famous sibling, and the work is cut out for the KEF M400 in this regard. However the KEF M400 has form which exceeds its weight class and is a real contender. The M400 would make a terrible boxer as it often remains out for far longer than a ten second count; however it’s got me right hooked.
Pros:
Small and light
Sturdy build and construction
Removable cable with mic/controls
Stylish understated design
Folds up for easy storage
Cons:
Soundstage limited
Design and Appearance
The M400 model maintains a family resemblance with its flat ear cusions and swept back ear cups, but it is definitely a cut down version of the chunkier KEF M500. The headband is much thinner, plus the earcups are constructed from aluminium; they’re misleadingly light!
Durability & Build Quality
Despite the lighter and sleeker construction, the M400 still feels like a solid headphone and a fitting follow-up for KEF. The cable is not thick, but has a hard-wearing feel about it with decent strain reliefs at each end. The mic/controls on the cable have no strain reliefs.
Comfort
First impressions were regarding the headband padding and size – with this reviewer being a bighead, the headband needed to be fully extended in order for the earpads to properly sit on the ears, and the headband makes itself known by applying pressure to the top of the head. having said that, they have remained in position for upwards of an hour now, with no significant discomfort.
Suitability/Portability
As a portable model, the M400 is ideal; it does everything well. It leaks very little sound even with a high volume level, it’s light, can be worn around the neck unobtrusively and goes into the supplied carry pouch very nicely. The earcups are hinged so the M400 can easily be folded up, and it even fits in the case when the earcups are extended fully so the headband sliders don’t need to be adjusted all the time. Perfect!
Sound isolation
The KEF M400 does a fair job of keeping out exterior sounds; don’t expect to be incommunicado as you listen to Marillion, but enough environmental noise is blocked to keep things enjoyable.
Sound characteristics
Overall, the sound is very similar to the M500 model in terms of balance. The M400 is a little lighter-sounding with not so much bass presence and subtler treble, for a slightly more neutral sound.
Bass
Bass is still very much a part of proceedings, strongly underpinning the music without stealing the show; however there is a little looseness up at the top end of the bass end of things. Not enough to impinge on the midrange, however.
Mids
The natural and effortless presentation within the midrange is what makes the M500 great, and the M400 is no different. Instruments jump out at the listener, taking on form and appearing very real without feeling forced. There’s bags of room, and everything is nice and clear even with plenty going on.
Treble
Treble is relaxed but tight and accurate. The M400 is a good choice for those with some sensitivity to higher frequencies, but who do not want to miss any details. Like the midrange, the higher frequencies are not forced but very effective at the same time. The treble puts the cherry on the midrange cake to reveal that last harmonic and render a presentation very convincing.
Soundstage & Separation
Soundstage is fairly good, helped along by the clarity of the midrange. It is perhaps limited by the on-ear design when compared to a full-sized closed back, as the folds of the ear are flattened by the earpads’ design and internal reflections are skewed somewhat. Separation is crisp and clear, with everything in place and well defined.
Music genres good for and why
Pop and rock are very good with the KEF M400; jazz, classical and acoustic may suffer slightly from a lack of soundstage relative to full sized or open headphones but this is a minor drawback. For a fuller bass sound maybe try the M500 model, but the M400 gives a good clean fight and only hugs my head as I enjoy the music!
Summary
A good choice for those who like a smooth and trouble-free model; the KEF M400 is the perfect mixture of stylishness, sound quality and practicality.
Exceptional quality for the price. The Audio-Technica ATH-MSR7 renders every detail clearly and leaves no sonic stone unturned, but steers just clear of being overbearing at the top end of the frequency range.
Pros
3 cables for all scenarios, including one for smartphones
Solid but light construction
Carry pouch
Cons
There must be something..!
The new Audio-Technica ATH-MSR7 has escaped from Japan and has made it to our eager earholes in the UK; but can we expect a bigger version of the M50, or something else? The styling is reminiscent of the M50, but can we expect the recessed mid range that the M50 is known for?
Key Features
The ATH-MSR7 features ‘True Motion’ Hi-Res audio drivers with a diameter of 45mm; this according to Audio-Technica’s website improves response times and minimises distortion for a clearer and and more detailed sound, due to the inclusion of a super-light voice coil and precision diaphragm. Also ‘Dual layer air-control technology’ is described as a method for reducing vibrations within the housing; together with a triple-vent on each side, virtually all extraneous sound can be dealt with. Audio-Technica have been generous with extra cables in the box; there’s both a 3m and 1.2m cable and for those of us with friends, a cable featuring a mic and smartphone controls. For those without, we can always place the plush and well-made carry pouch over our heads.
First Impressions
The headphones don’t inspire much in the way of excitement on first seeing them; they’re pretty standard and much like the M50 with a less broad headband and larger earcups. The build quality is superb however, exuding a feeling of solid reliability. I’m reminded of a Beyerdynamic DT250.
Sound Quality
Under the ATH-MSR7’s dour and business-like appearance beats the heart of a party animal; ready to draw you in for the time of your life! The sound of these cans really must be heard to be believed; for under £200 the ATH-MSR7 represents some amazing value for money. There’s no ‘effortless’ feeling of headphones at the high end of the market, but everything else is there. A very pleasing bass which knows its place but is very impactful and rich, leaves room for a stunningly clear midrange with bright treble extending high, but with a smoothness which does not stray near harshness.
Soundstage is good for a closed back headphone, but it’s the imaging and speed which really makes the ATH-MSR7 shine. It certainly seems that the mysterious techniques that Audio-Technica have implemented here have paid off. I can think of headphones this good which cost twice as much as the ATH-MSR7! Little harmonic details and hard-panned instruments vie for attention, and the ATH-MSR7 demands pretty much all of it!
Summary
All too often we’re forced to find new exciting ways to say something is very good, and this is another of those times. The Audio-Technica ATH-MSR7 just does everything well. Understated enough to be worn in public, vented enough to provide a great sound, but also with a good amount of isolation. The ATH-MSR7 is just heavy enough to give the impression of solid build quality, but light enough to be enjoyed in great comfort. And as above, the sound is immersive.
Score – 9.5/10
Click Below to see our Audio-Technica ATH-MSR7 Unboxing video
As I come to appreciate slightly brighter headphones and presentations, the Shure SRH1540 is one of the guiding lights along the way. The balance of lightness and impactful bass makes for a wonderful sense of space, realism and.. fun! Even the heaviest rock can be made to prance, skip and gambol yet retain its innate power.
Pros
Great comfort
Light
Solid Build
Cons
No carry case as such
Shure’s recently released SRH1540 follows some very good quality headphones and experiences in general with Shure’s products. Does this top notch closed-back deserve to be at the top of this pleasant pile?
Key Features
The Shure SRH1540 comes with a removable cable of good quality, and porous earpads – this may improve soundstage over the more traditional style but it does leak sound a little. Also Shure has provided a spare cable and a further pair of earpads which is always a good touch. A great quality case brings up the rear; this is more of a storage case than a carry case however.
First Impressions
As with most of Shure’s range, the feel of quality is apparent; but not at the expense of weight. It’s a little like a sports car; the available power is hidden away in preference of styling but it’s obviously under the hood, and in spades.
Sound Quality
Straight away, the sports car analogy comes back. The presentation is one of speed, agility and lightness. The Shure SRH1840 is not what I would call top heavy, but the upper frequencies are well represented in relation to the bass. Snares give a good realistic crack, but this doesn’t spill over into anything too bright. The rubber still meets the road in terms of bass however – it’s well controlled, impactful, and goes low if called for. Midrange doesn’t take a backseat exactly, but there is a slight recess in that range. Soundstage and separation are very good, with plenty of space left in the presentation for subtler parts such as reverb tails.
Summary
The Shure SRH1540 has its work cut out when it comes to outshining its esteemed siblings. But for me, the SRH1540 is a current favourite. It gives good weight and rich harmonics are brought out adding realism and depth to vocals and the like. It’s a full-size headphone which thinks it’s a portable, and it’s just as at home in either scenario.
The Audeze LCD-XC is definitely one of the top-tier headphones available now, and is a worthy stablemate to the similarly closed-back but smoother Fostex TH900.
Pros
Exceptionally comfortable
Sumptuous build quality
Amazing detail
Well balanced
Separation and imaging fully immersive
Sturdy travel case
Cons
May be too heavy for some
In the world of headphones we get the odd celebrity now and again; the flagships sail in and are esteemed due to their value if nothing else. But as with everything, a high price needn’t necessarily equate with a good product. Is this particualr celebrity just famous for being famous, or do they actually have some talent?
Key Features
Those shiny wooden earcups are a treat for the eyes, and the build quality is exceptional. Solid is definitely the word, but this may count against the Audeze LCD-XC as some necks may suffer under the 650g/1.4lb weight; those with the fortitude to ‘press a head’ should be well rewarded though. The tough carry case protects them in transit, and the supplied ribbon-type cable is ‘tangle free’. Also in the case is a little bottle of wax for keeping the shine on the earcups.
First Impressions
Having tried Audeze’s offerings before, my appetite was suitably whetted and it was not disappointed. By now the obvious build quality and good looks are meeting with blasé reactions – we all know what to expect from Audeze! The weight issue was in my mind, but since I’ve been enjoying the HifiMAN HE-400 for some time now with no issues I was not worried, and indeed the LDC-XC’s weight did not bother me.
Sound Quality
I first tried the Audeze LCD-XC with a Chord Hugo; both to feed as good a signal in as possible, and to try the Hugo’s resolution with the LCD-XC. The presentation was very accurate and crisp; I found it just a little too far into bright territory for my tastes. Then I tried the LCD-XC with my humble Fiio X3; the X3’s output is a little warmer than that of the Chord Hugo, and this was reflected within the sound of the headphones. Where before it was a little cold and uncompromising with the K120, it came to life and into colour for me with the X3. The LCD-XC is like a mirror for the amp; it brings out the best traits of the available equipment.
The closed-back nature of this model is possibly a down side, if only because so many great headphones in this price range are open and so have an advantage in terms of soundstage. As we all know however, isolation is often necessary if we aren’t to be distracted (and don’t want to disturb others), and the LCD-XC does not sound like a closed headphone. The soundstage is appreciably wider than the physical limits of the headphones, and the closed nature of them does not remain so obvious when in use.
Summary
With the asking price in mind, it’s no surprise to learn that this is an exceptionally competent headphone which can hold its own among some cutting-edge competition. If you are considering a highend closed-back model and you find the Fostex TH900 a little smooth, the Audeze LCD-XC may be just for you.
High quality needn’t be a feature only of high-end, open-backed headphones, as we’ve recently seen with the likes of the KEF M500 and the Musical Fidelity MF100. With their solid but light aluminium construction, yielding earpads and flawless sound, the Beyerdynamic T51i allows you to take true Hi-Fi sound wherever you go.
Pros
Solid build quality
Very comfortable for an on-ear
Exceptional Sound quality
Ideal carry case included
Good isolation
Cons
Fixed cable
Buttons a little small and recessed, may be tricky with gloves on
German headphone company Beyerdynamic’s latest offering, the T51i, features iDevice compatibility for trouble-free calls as well as superior sound quality. The overall impression is that these will last for years; there is simply nothing to fall apart or get loose.
Key Features
Obviously the iControls are what marks this headphone out as different to the T51p; other than that it’s the usual package from Beyerdynamic. Just solid and dependable construction and sound, along with a soft but sturdy case and the usual 6.3mm/flight adaptors. Also included is an adaptor to convert Apple’s preferred CTIA jack terminal spec to OMTP for older handsets. In this market it’s tempting to add a gimmick or two, but Beyerdynamic know that these headphones can easily stand on their own merits.
First Impressions
The build quality is a fine introduction to the general theme here, just pure enjoyment. The Beyerdynamic T51i headphones are lovely to touch; the strong cool metal and leathery earpads definitely give the idea that there’s nothing to worry about and it’s all under control. The cable is more akin to their IEM cables; more suitable for the portable crowd, but non-removeable. Conceivably, they could have had a removeable cable and introduced alternative cables with controls for specific handset types, but that’s just nit-picking.
Sound Quality
Sound quality is about what can be expected from Beyerdynamic’s full size headphones; well represented bass without bloat or bad definition, clean midrange and detailed highs. Some models such as the DT880 can lean toward the bright side, but the T51i has the detail along with smoothness. I’ve been listening at a fair volume for an hour and am quite comfortable.
Summary
Highly esteemed makers with long pedigrees like Beyerdynamic raise one’s expectations accordingly. Nevertheless the Beyerdynamic T51i is still a surprise, and an absolute pleasure to use. The build, feel and sound of them all scream quality; the way they are put together comes from 50 years ago, but the sound is definitely 21st century.
A great newcomer to the Portable Headphone range – The Aedle VK-1 has real punch with weighty bass and cracking midrange. Not only do they sound exciting, they look it too! They are easy enough to drive off a portable device and are very comfortable. So if your looking for a portable on ear headphone with an exciting sound, great bass and stylish looks then look no further.
Pros
Great bass quality
Stylish and well built
Replaceable cable
Cons
Don’t isolate as well as other portable headphones
No headband padding
Key Features
Driver diameter – 40mm
Impedance – 32 Ohms
Weight – 216 g
Replaceable cable (optional smartphone cable – not included)
Aluminium driver housing
Cable length – 1.3m and 2.4m (both included)
First Impressions
Everything about these headphones – including the packaging – oozes style. The VK-1’s come very well packaged, they even have that ‘new shoe’ smell. In the box you get a very smart carry bag, two cables (1.3m and 2.4m), a 3.5 to 6.3mm jack adapter, an airline adapter and an Aedle ID card which allows you to ‘discover surprises’ on their website.
The headphones look great! The aluminium housing and brown leather really compliment each other and they are a perfect portable size – it’s obvious that lots of work has gone into designing the Aedle VK-1. The cables supplied are coated and even though they are a little thicker than some other headphones, they are very flexible.
The headband uses a spring steel structure so it’s very flexible and tough. To adjust it you just bend it into shape – this gives a very secure fit that will perfectly fit your head.
Sound Quality
Straight away you pick up on the quality of bass that comes out of the VK-1 – it’s punchy without being bloated or overkill. The midrange also stands out, especially snare drum crack. There is probably a slight top end roll off, but with such great quality mids you forget about this very quickly. Overall the sound is exciting and edgy and thanks to the venting on the driver housing there is a great sense of space in the sound.
Listening to Dire Straits – Your Latest Trick, the opening trumpet sounds rich and the cymbal comes in effortlessly in the far left. Once the track gets going there is a snare rim shot that really cuts through and the keyboards add the right amount of emotion, then the vocals come in sitting perfectly on top of the instruments. Once the song is in full swing you can pick out every instrument with ease and enjoy every one of them.
Next up was Slipknot’s Duality (obviously). These headphones are made for this track! When the stereo guitars kick in they completely surround you and then the drums… WOW. The snare and kick have real impact and the bat on beer keg sounds as though its being hit right next to you. Metal can sometimes be a tough test for headphones, but these seem to handle it with ease.
Lastly is Break by Jurassic 5 – this one really tests the bass. From the off there’s a massive kick drum and snare sample, the kick drum resonates very naturally and the snare has a great ring to it that comes across perfectly on the VK-1. The vocals come in and there is no confusion, everything has its place.
The Aedle VK-1 is rhythmic, edgy and punchy. They have a wide sound for a closed portable headphone and there is no harshness or sibilance.
Summary
The Aedle VK-1 comes into Sennheiser Momentum territory and it definitely gives you something different. They’re not as relaxed or controlled – they have more oomph and punch without having a harsh top end. The midrange cuts through more and as they are on ear they won’t have the same fit issues that the Momentum has. I would recommend these to anyone who wants a pair of headphones that look great, sound exciting with weighty bass and crisp mids and don’t completely cut you off from your surroundings. If you prefer a more neutral sound with top end detail then I would consider the KEF M500 as an alternative.
KEFs addition to the portable range of headphones is sleek, comfortable and most importantly sounds great! Clear detail with tight bass and crisp mids – They also fold up for easy storage and come with a spare cable for iDevices. The KEF M500 is extremely well built and feels solid, the pads are soft and they isolate very well.
Pros
Foldable
Solidly built
Extra cable with in-line mic and controls for iDevices
Cons
Earpads are fully on the ear so can get warm
Key Features
Driver diameter – 40mm
Impedance – 32 Ohms
Weight – 208 g
Replaceable cable (iDevice cable included)
Foldable headband
Cable length – 1.3m
First Impressions
From the start you can see that KEF have gone for an elegant design. The packaging is simple, and follows the M500s colour pallet of silver and black. Inside you get a hard case – again very simple and well designed, 2 1.3m tangle-free flat cables (one with 3 button remote and microphone for iDevices), a flight adapter and a 6.3mm jack converter.
The M500 is very well built, and thanks to the aluminium frame not only are they light weight but they look great too! The headband padding is very soft and the earpads are made from breathable memory foam – this provides great isolation. KEF has not only designed a headphone that feels good – they also look great and they’re extremely comfortable.
Sound Quality
The KEF M500‘s are well balanced without being boring – clean, clear and crisp with tight bass, well defined mids and lots of top end detail. Having a well balanced sound makes them sound great with all genres and the top end detail works really well with acoustic music or any songs with plenty going on. The separation is superb – you can hear the edge of every instrument, and considering these are fully closed back they have great soundstage.
Summary
For a portable headphone the KEF M500 is gives you everything – stylish, compact, well built, iPhone compatible, comfortable and it sounds great. The sound will suit anyone looking for a clean, balanced and detailed sound – especially in the higher frequencies. For a warmer sound I would suggest the Sennheiser Momentum or for something with more bass impact the Aedle VK-1 would be a good choice.
The Full-size Sennheiser Momentum is the big brother to the smaller on-ear Momentum; the last word in luxurious, portable listening with sumptuous earpads made from real leather. These headphones are fantastic for separation, and they have a very wide soundstage which belies their closed back design. Sound isolation is high; the leather pads excel in keeping unwanted noises out, while social isolation is low due to the handy Apple mic and controls.
Pros
Comfy Earpads
Smart/Stylish
Rich Bass
5 year warranty
Cons
Top end detail
Relatively unforgiving headband
Key Features
Coupling: Over Ear
Transducer principle: Dynamic, closed
Frequency response: 16Hz – 22kHz
Impedance: 18?
Weight: 190g
Cables: (no mic) 1.4m, (Apple mic) 1.3m
First Impressions
The Momentum headphones have a solid feel with a steel and leather construction. At the same time they are quite light to wear; I don’t imagine being fatigued with these during extended periods of use. They have a style reminiscent of Aviator sunglasses; rounded, tinted and very cool with a touch of 80s chic.
As well as the 1.3m Apple-compatible cable, there’s a spare 1.4m cable (without mic) and a semi-solid case for keeping them in good condition whilst on the go. The headband pad could do with plumping up a little, but the earpads are very comfy indeed. For an ‘over-ear’ design however, the spaces in the earpads are limited so comfort may be dependent on an individual’s own ear shape and size.
Sound Quality
The Sennheiser Momentum excels at bass warmth without being bloated, and the soundstage appeared to be shoulder-wide; the ‘breadth’ of the music far exceeds the physical size of the headphones. Separation is very good also with each instrument in its own space. Mid range is involving and enjoyable, but there is a slight lack of high-end detail which some may prefer to keep. I’d summarise the frequency response as akin to the design; very comfortable indeed but not likely to send you to sleep in a hurry!
Dance music is particularly suitable, and although the Momentum can be used straight from a portable device they respond really well to amplification. Sub bass is plentiful, indeed awesome with the Fiio E12‘s bass boost. The Momentums really respond well to EQing.
Summary
If you like to relax in the bath with a box of chocolates, these are the headphones for you! This is not to say that these headphones are suitable for relaxing music only of course. Dance, rap and R&B all come across really well; acoustic music will be good due to the midrange but may lose a little something at the top end. Soundstage and separation will make up for this however; any performance will not feel any less real.
The HifiHeadphones team is pleased to announce the new Closed Back Professional Monitoring Headphone from Sennheiser, the HD7 DJ is now available to be purchased on our website.
Based on the acclaimed HD25, the HD7 DJ is designed as a professional tool for DJs and producers. Fitted with Sennheiser’s proprietary acoustics system, the HD7 DJ delivers excellent, dynamic sound reproduction.
Sennheiser HD7 DJ is focused on the rhythm and beat matching that professionals DJs need. Delivering a mid-low end emphasis, their sound remains tight throughout, with clarity retained in the high frequencies. Impressive sound quality and powerful, accurate bass helps to keep you in the groove all night long.
Constructed of rugged, lightweight parts, the HD7 DJ is built to withstand years of heavy-duty use, and the ear cups can be rotated 210° for easy one-ear monitoring and storage. Soft and durable ear cushions ensure a comfortable fit even after extended periods of use and reduce background noise to a minimum so that you can concentrate on your music.
HD7 DJ is the right choice for those who want to take their creativity and performance to new levels.
Proprietary acoustics system delivering a dynamic, engaging sound.
Elliptical, circumaural design for maximum comfort and isolation
Swivelling ear cups (up to 210°, both ear cups) with three wearing positions
95 ohm impedance for optimum compatibility with DJ equipment
Crafted from durable, high quality parts to guarantee years of use
Single-sided coiled cable can be attached to either ear cup; straight cable included
