Hey there audio addicts! If you stopped by CanJam London 2019 you may have seen the Hifiheadphones crew around the Campfire Audio and 64 Audio tables. A few of us also took some time to conduct some on-site interviews! We’ve compiled them here for your enjoyment, so take a look at some of our favourite faces from the world of audio. Check back for each new interview!

The World’s Best Custom IEMs: Vlad Belonozhko and 64 Audio

Used by some of the world’s foremost musical luminaries (Beyonce, Jay-Z, Kanye West, Lauryn Hill, etc) and renowned by audiophiles, 64 Audio has blazed a trail straight to the top. Our good friend Vlad Belonozhko spent some time with us at CanJam 2019 discussing the benefits of staying true to your vision, and knowing when to branch out.

How to Get A Perfect Ear Impression: Gisele Flower, Aid2Hearing

Our interview series continues with Gisele Flower, one of the UK’s premier independent audiologists and the titan behind Aid2Hearing. Gisele is entrusted with the ears of some of the world’s favourite artists, including Stormzy, Jessie J, Sam Smith, and the Spice Girls. Here, she gives us an inside look at her process and tips for getting the best possible impression, whether it be for hearing aids, ear plugs, or custom IEMs for rocking out onstage.

How to Create a DIY Headphone Company: Alex Hyland, Hyland Headphones

Our friend Alex Hyland of Hyland Headphones let us grab him for a few minutes to discuss headphone modding, DIY headphone making, and running his own headphone empire.  Ever wanted to make your own headphones? Have a listen to Alex’s advice on getting started and making a name for himself in the world of high end audiophile headphones.

The Granddaddy of All Custom IEMs: Michelle Dailey, Westone Audio

Michelle Dailey of Westone Audio fame gave us a great rundown of the future of Westone’s custom IEMs, Bluetooth earphones, and the success of the Westone W80. Westone are the world’s foremost experts on in-ear audio science, pioneering IEMs and hearing aids.

Fashion Forward Fun with Focal Audio: Megane Montabonel

Our final video from CanJam 2019 features Megane Montabonel from Focal, who describes the  breadth of Focal’s expertise as well as the newer products they’ve introduced to the world of audiophilia. Focal headphones are, as always, available to try in our demo room, so get in touch to book a time slot!

The post CanJam 2019 London Interviews appeared first on HiFiheadphones.

Focal Elear Open Back Headphone Review

Focal has caused a stir recently with their two new additions; the Utopia and the Focal Elear headphones. In the hunt for a snappy title, we have found that the word ‘Elear’ has no definition in either English or French, so we had to make do with a click-baity title instead.

With the Utopia at a wallet-wilting £3499, the Elear has missed out on a lot of attention due to its less sensational price. However, £899 is still a fair whack for a pair of headphones so let’s see if we can define ‘Elear’ here.

Pros:

• Excellent clear sound
• Strong, well made cable
• Great presentation, beautiful!

Cons:

• Some may find them heavy

Design and Appearance

The Focal Elear comes in a very impressive looking box, although it won’t stand up to much use without starting to look scruffy, as it’s made of paper-coated wood or card. Given the Elear’s intended uses however, we don’t imagine that it will need to go back in very often. The headphones themselves are very well built, with great styling. Imagine the Sennheiser HD600 being designed by a Frenchman and the Elear would not be far off.

Durability and Build Quality

The Elear is of relatively light construction in terms of the way the components fit together. For instance the headband and earcups have a little bit of give to them, but this is down to helping achieve a good fit rather than poor design. Whether these parts loosen in years to come, time will tell but we don’t think so. That’s where the lightness ends though, as the Elear weighs in at a relatively hefty 434 grams (15.3 Oz – nearly a pound!).

Also the cable is quite substantial; it makes most other cables look like spider silk but it’s not cumbersome; ‘reassuringly lavish’ probably fits. It’s a rubber-coated affair and matches the headphones very well.

Comfort

There’s plenty of padding under the headband and with the soft and pliable earpads on the Elear, no particular part of the head registers discomfort. These headphones can be worn for hours depending on your neck muscles; those 434 grams can start imposing themselves after a while.

———————————————————————————————–

READ MORE: Shanling M1 Portable Audio Player Review

———————————————————————————————–

Sound Characteristics

The Focal Elear‘s tuning is pitched slightly warmish, but with a respectable presence in the mid/treble region too. It is good at reproducing the subtle variations in volume offered by acoustic instruments and so excels with live and acoustic performances. Having said that, studio recordings are pretty convincing too. The Elear is fairly forgiving with less than perfect recordings, old records and music files; pops and scratches are there alright, but not brought into sharp relief. Enough fun can be had with old MP3 files without feeling as if we need to rush out and get these in higher resolution in order to enjoy the Elear.

• Bass

Bass is in no short supply, but is well balanced with the rest of the frequencies; it doesn’t tend to dominate unless the music is already bassy. Sub bass gives a pleasant rumble if required, and mid bass is punchy and tight; it’s well behaved up to the midrange and the transition to the higher frequencies is nice and even.

• Mids

Plenty of space here; decays are as long as needed and vocals/backing vocals are clear and well defined. Fans of acoustic and classical music are in for a treat as a strong impression of the recording space is given by the Elear, with the ebb and flow of natural reverb being very well reproduced.

• Treble

Treble is not pushed at us but is very resolving and we find ourselves ‘reaching in’ to the recording to find tiny details which are all the more natural-sounding. Transient speed is excellent with clear, sharp percussive sounds. Also, be ready for unplanned sounds in recordings, such as when a singer opens their mouth, ready to sing. Unplanned perhaps, but fun to spot and enjoy as an added level of realism.

• Soundstage and Separation

Width is great with studio recordings but as noted above, all the more realistic with recordings made within a performance space such as classical or opera. Imaging is impressive, with subtle harmonic details giving a strong impression of instrument shape and form.

Music genres good for and why

The Focal Elear is a good all-round choice; if this is the only headphone you have, it will do everything well but it really shines with classical and opera; anything which is recorded within a performance space really.

Summary

Focal’s Elear may sit in the shade next to Focal’s current flagship headphone (The Utopia) but can really dish up the goods. Prices for top of the range headphones have been pushing up and up recently, but if you wish to keep your feet on the ground then the Focal Elear is one of the best which can be had for under a grand.

The post Focal Elear Audiophile Headphone Review – No Definition appeared first on HiFiheadphones.