Just when the heat of summer starts to loosen an Englishman’s resolve to keep a upper lip stiff, along comes something to turn it completely to mush, and give the thermostat a good twist to boot.
Fidue’s new A73 shows that IEMs under £100 are facing challenges unthought of until recent times – there’s fierce competition within the fertile £50 – £100 section of the market and it’s getting better all the time.
Design and appearance (e.g. attractiveness, feel)
The A73 is silver to the A83’s gold – literally. Well we’re talking about aluminium in this case, but the A73 bears a striking resemblance to its more expensive stablemate. Designed to fit in the ear ‘monitor style’ with cable trailing down the back of the ear, the A73 is relatively petite with one balanced armature rather than the A83’s two, along with a dynamic driver of course. Both ‘left and ‘right’ capsules are composed of the same translucent red plastic.
The cable is rubber coated with braided or twisted cable within. It has the feel of rubber at least, but does not stick to itself. It’s very well behaved.
Strain reliefs are composed of stout rubber sheaths which match the colour of the ear capsules. The straight jack may not be favoured by some but one gets the feeling that the build is sturdy enough to last very well. The jack, mic/button casing and cable join/Y-split are composed of a ridged cylinder which, along with the rest of the design, puts one in mind of the 1950s; in build quality as well as style. The cable is not of the detachable variety which isn’t unusual for an IEM under £100 but some users prefer them.
Comfort
Everyone’s different of course, but this design should suit everyone except those who really must have the cable dangling straight down from the ears. The small capsule size should be a good fit for all but the tiniest of ears.
Sound isolation
There’s a few eartips to try included in the box, and it is recommended that they be experimented with. I found the change in frequency response can be quite dramatic depending on whether the eartips are right for the ears or not. When a suitable fit is found, sound isolation is fair but not dramatic. Using Comply tips a little bit, and the sound is further enhanced (The Comply 200 range is correct for this model).
Portability
In the box, there’s a a decent case for the Fidue A73, with a near-rigid construstion which will protect the earphones in most scenarios. There is webbing within it so a few alternative tips may be carried without jumping out once the case is opened.
Sound characteristics:
Bass:
Bass is both tight and slightly elevated in volume compared to the midrange; there’s a real power to it which underpins kick drums and bass guitars, for example. It extends low so sub bass is not lost on the listener. There’s a good width to it as well, as there is across all frequencies here. It’s further enhanced by some very clear harmonics coming through from higher up in the frequency spectrum..
Mids:
As above, mid-range is pristine with very subtle details not at all lost on the A73. There’s a wonderful sense of space from vocals with a bit of reverb treatment in the production; it’s really involving, along with the harmonics which creates a real immersive 3D effect. I’ve noticed harmonics on synth basslines that I’ve not come across before – I’d probably be able to pick them out with other IEMs if listening for them, but the Fidue A73 serves them up on a plate.
Treble:
Treble is all there, it’s perhaps a little smoother than some would like but probably hits the mark with most people, without causing the discomfort of an all-too-present brightness. Details are laid bare, but bask in a tuneful glow.
Soundstage & Separation
This is another thing the A73 does really well! As alluded to earlier, the experience is involving and riveting. Soundstage is great for a closed IEM, and is as wide as your sense of disbelief will allow you to grasp! Separation is also excellent, as details are always there to be picked out by the discerning listener. Everything hangs together but individual elements can stand up and be counted at the same time.
Music genres good for and why
The Fidue A73 can do it all, however dance genres can be enhanced very well with the tremendous bass response. Also rap music and pop for the same reasons. Older pop also does very well on the A73 with the clear midrange offering a crisp presentation of tracks which are 50 years old, further enhanced by the clear reproduction of reverb equipment and compressors which were used back in the day.
Pros:
Great quality at this price
Good tuning
Wide soundstage
Sturdy build quality
Cons:
Cable not detachable
Lack of slider on cable
Our video review of the Fidue A73 IEM can be found below, happy viewing.
Escaping the shadow of a famous parent or sibling may be a challenge for some, and the SoundMAGIC E50S is in a similar situation. Given the extraordinary success of the E10 model in recent years and the similarities between these two designs, what can the E50S offer to convince us that it both deserves as much attention and can bring something different to the table?
Design and appearance (e.g. attractiveness, feel)
The SoundMAGIC E50S conforms to the same basic design as the E10, with the small barrel-like capsules and glossy braided cable but now instead of the straight connection where the cable meets the jack, the E50S sports a 60 degree angle between them, to cut down on stresses which both straight and 90 degree connections can be susceptible to.
The metal capsules, button enclosure and jack casing are covered by a matt powder coating which gives an attractive impression without being too flashy. The capsules can be worn with the cable going up and over the ear, or down from the ear.
The best thing about this design is its simplicity and its tried and tested ruggedness. The cable is coated with a strong rubber material which is neither sticky or too stiff, allowing the cable to move and flex whilst avoiding tangles.
Everything about the E50S is solid but light, a perfect combination for the purpose these earphones will no doubt be put to. The included carry case will ensure they are safe and dust-free when stored between uses.
Comfort
As with the E10, the SoundMAGIC E50S will offer no limitations for those with non-standard ears who may have run into problems with other designs. The generous selection of eartips included with the E50S should have something to suit anyone, and help them achieve a good fit for as good a sound as the E50S can provide. This includes a pair of Complyfoam tips, consisting of memory foam for an almost custom fit.
The diminutive and stylish design makes the E50S an ideal companion in all scenarios and weathers, with little to worry about in terms of susceptibility to particular conditions and temperatures. the single button and microphone can be used with both Android-based handsets and Apple products – the switch on the cable’s yoke (where left and right cables meet) can be operated for perfect compatibility.
The E50S, like most IEMs sold in Europe now, are subject to regulations limiting the maximum volume from portable devices such as phone handsets. Therefore the E50S (like the more recent E10) has an impedance of around 46 ohms. Most handsets will still offer enough volume with a majority of music, and if more volume is required (some classical music can be very quiet) then there is always the option to get a separate portable amplifier.
Sound isolation:
Being dependent on the fit achievable with the ear, experiences may differ as far as isolation is concerned (as with all in-ear models). But with the wealth of eartips options included, a good level of isolation can be achieved.
Sound characteristics:
Bass (e.g. punch, low extension):
As regards bass, the SoundMAGIC E50S gives as good as it gets and remains faithful to the original music. Where the E10 increased the bass a bit for more volume in the bass region, the E50S gives more impact and provides a richer, mnore immediate impression of basslines, drums and the like.
Mids (e.g. vocals, acoustic instruments):
Being a relatively neutral earphone, the E50S provides a little more of the midrange without any peaks. Harmonics are clear and vocals are pristine and backing vocals are distinct. Atmospheric effects such as reverb can be easily picked out and followed, giving a clear sense of space.
Treble (e.g. high hats):
There is as much detail at the top end as most of us require; it’s never an easy job balancing between a sound which some might think is an overly bright and uncomfortable one, and a sound which others might describe as muddy and dull. However the SoundMAGIC E50S hits the right note and makes a great complement to the midrange for clear and comfortable retreival of detail.
Soundstage & Separation
The increased midrange response makes harmonics shine, bringing instruments to life and giving greater definition. For earphones at this price point, separation is fantastic and with it, soundstage is very good for an in-ear model.
Being good all-rounders, there is ample scope for the SoundMAGIC E50S to be enjoyed with all genres but the relatively flat response or neutrality of the E50S makes it a perfect earphone for vocals; particularly when accompanied by backing vocals. Percussion gets a nice lift also, as does any distortion effect.
Pros:
Simple, modest design Superb clarity and neutrality Good range of tips Sturdy carry case Angled jack Switch for greater compatibility with a wider range of smartphones
Cons:
Single button control only, no volume control functionality
Please take a look at our video review below for more details.
The DUNU TITAN 1 earphone is a lightweight and stylish medium priced IEM with some innovative design features. The DUNU brand appeared about three years ago with a small range of IEMs that instantly impressed. Cleverly built housings and a compelling grip on balanced yet engaging sound instantly caught our attention. DUNU have actually been building earphones and acoustic equipment for other brands since 1994, which goes a long way to explaining this Chinese manufacturers depth of knowledge and design skill. TITAN 1 are a great example of this new brands dedication to moving earphone design forward. Containing a 13mm Titanium coated driver with an angled nozzle surrounded by innovatively placed venting – which may well be the first design of its kind. We’re expecting to see similar designs in the future, as we’ll confirm later on in this review the results for an earphone at this price are sonically spectacular.
Build quality
From the moment you touch the metal driver housing it becomes apparent that the TITAN 1 has been engineered incredibly well. In terms of a sturdy build metal is a no brainer but if implemented badly an earphone can either be far too heavy – leading to fit problems – or if too thin, actually less durable than plastic. DUNU have this balance just right. The shiny and beautifully finished conical earpieces are ringed by metallic red and blue markers for left and right. With high quality 2 ply silicone tips on the nozzle side and well though out strain relief on the other, it’s very hard to pick any fault with practicality or looks here. The top portion of the cable has a soft rubberised coating which is not particularly microphonic when moving around. The Y splitter is attractive and practical with more metal and a wonderfully clever toggle (should you wish to wear them cable up) that caps the splitter like a bottle top when out of use. The remainder of the cable has a very tight nylon weave cover leading to a small and handy cable tidy and eventually a metal capped gold plated right angle jack unit. The strain relief here and at the Y slitter looks and feels sturdy without becoming obstructive.
Fit and Isolation
Fit, as always, is very much down to the users ears. Having said that, the conical housings and angled nozzle sat inside the ear snugly, feeling comfortable and anchored whilst protruding very little. I would not be surprised if this were the case for the vast majority of users. The angled nozzle prevents you from rotating the housings in the ear but the lengthy strain relief means the cable is happy curving round over the top of the ear or dangling down. Unfortunately the clever venting (we will get round to talking about how impressive that is later) does mean there is a little more leakage of sound, in and out, than traditionally expected. We found the supplied silicone ear tips provide an excellent seal and are comfortable too.
Sound
The TITAN 1 has a balanced type EQ which doesn’t purposely favour top or bottom end. There is a sense of the typical gentle smile curve with lightly recessed mids, a bit of bass punch and thump and some lovely air and silver to the top end.
Lows
Despite giving the feel that they can reach really low this isn’t overplayed, bass roll off is really well managed. Bass is deep but textured and subtle, there really isn’t much flab to speak of. Free of mud and cardboard tones as they transition to the lower mids, it’s all clean and well defined at the bottom. It’s a good balance which compliments contemporary music whilst gently stroking acoustic instruments and older dynamic recordings.
Mids
The mids are simply superb. Vocals and instruments in this region feel realistic and natural, there’s warmth but it’s handled with care. The outcome is a really pleasant and engaging vibe that defines the characteristics of this quick and nimble earphone.
Highs
There is plenty of energy in the highs but it rolls off comfortably, you couldn’t really describe the TITAN 1 as bright but that Titanium driver is performing a bit of magic here. There’s good air and space and just enough metallic brightness to deliver a fresh realistic feel with a bit more fine detail than you would normally expect from a dynamic driver.
Soundstage, Imaging and Separation
Soundstage is surprisingly wide and a bit further back than most in ears. This gives a bit of an upside down U shape to the image adding a taller broader scale than expected.
Sound Conclusions
The TITAN 1 have weight and authority but also enough bright power to sound refreshing and airy. Imaging better than more expensive earphones, they could still have a darker background and better detail retrieval but the combination of the Titanium driver and the completely individual venting system seems to be performing a minor sonic miracle. This venting is the subject of much discussion online, some believe the sound escaping here is vibrating the surface of the outer ear mirroring the way the ear receives normal room sound. The superb EQ and natural yet fun presentation prevents you from noticing the finer shortcomings. Sound-wise they conjure an exciting, easy going and vibrant presentation which is hard to criticise.
Accessories and Packaging
Packaged in a sturdy and attractive box, DUNU include some interesting information about themselves and their manufacturing ideas. Accessories are generous with three pairs of narrow bored silicone ear tips with red cores and three pairs of wide bored tips with blue cores and three pairs of what look like Sony hybrid tip clones. There’s also a 3.5mm to 6.3mm jack adaptor, a useful shirt clip and a smart hard case to keep it all in.
Conclusion
The TITAN 1 are shockingly good for their price. They’re a superb example of how far medium priced headphones can be pushed by an innovative manufacturer with big ideas. Although they don’t scale the heady heights of today’s crop of high end IEMs, they more than hold their own in the under £100 category. With their good looks, a beautifully implemented Titanium driver and totally individual take on venting, the TITAN 1 finds a natural, exciting and fluid sound which may make them the very best buy for anyone shopping at this price point.
Best in-ear headphones to buy in 2015 – Expert Reviews – See more at: http://www.hifiheadphones.co.uk/reviews/best-in-ear-headphones-2015-review-2015/#sthash.SkMK3Ygf.dpuf
What’s not to like about the Fidue A83? From the unassuming ‘try me’ design to the expansive sound, the A83 could take us down many rabbitholes!
Pros
Instantly engaging
Lovely cable
Cons
Case is a little ungainly
Fidue is another of those makers who are peppering the market with all sorts of models at various pricepoints, and the A83 occupies their top spot just now. Despite sharing its name with a minor road up in Scotland, the Fidue A83 is warm, fast and hardly ever congested. The Fidue A83 can however bring you to ‘The Mull of Kintyre’ if you really want to go that far.
Key Features
The left and right sides are denoted by the blue and red housings of the Fidue A83; they simply beg to be worn and seem to offer a fun experience just by looks alone. Supplied tips are what can be expected for a model in this price category; there’s a good range along with the nearly ubiquitous free Comply foam tips, but don’t differ that much from those given away with budget models. The case is of the chunky ‘Pelican’ style and along with the hard foam winder/storage insert will certainly protect the earphones. The case will not easily fit in the pocket however.
First Impressions
The clear translucent red/blue plastic of the housings is matched by the outer-facing housing part which although metallic-looking, is also plastic. However the overall impression is of a solid and well-built IEM along with the best of them. The cable is the most striking feature; it is braided and is coated to avoid too much friction. It’s nice and loose so tangles are unlikely.
Sound Quality
Far from a neutral sound, the Fidue A83 certainly packs a fun punch with deep and powerful bass when called for, adding weight beneath kick drums and basslines, but steering well clear of midrange bleed. There’s no more bass than dictated by the music. Midrange is clear with a lush hint; space is well preserved and harmonics make instruments shine. Up top, the Fidue A83 is not as rolled off as most universal IEMs but there is no hint of anything which might cause fatigue in the ear. Separation and imaging are very good for an in-ear too.
The A83 is amazingly faithful to your chosen genre; trying these with some 1970s production music, the dynamic compression used is beautifully rendered and makes the bass and midrange really work together. Conversley, with some clean and clear Level 42 from the 1980s, the presentation is as fresh and clean as a new pin. The A83 takes what’s good, and makes it even better.
Summary
The Fidue A83 really are as fun as they look; but don’t let this kid you into thinking they cannot be serious too. Think perhaps of looking in a mirror and actually seeing the person you imagine yourself to be – 10 years younger, spritely and in your best light – it’s the Fidue makeover!
Our audio gurus have collected the best in ear headphones from under £50 to over £500 in 2015 and reviewed them all to help you choose. From established brands like Shure and Sennheiser, to new kids on the block like DUNU and FIDUE, below you can check out our best rated headphones from the year so far.
Scroll down for in depth reviews of our favourite in-ear headphones this year so far.
We had to keep reminding ourselves that the DUNU DN-12 in-ears cost less than £50. The packaging is nicely finished and when you get inside you find a good quality leatherette bag, plenty of different eartips, a cable clip and even a Karabina belt clip.
The headphones themselves are extremely well built. The driver housing is made from titanium which feels great and has a good amount of weight. The cable feels tough and isn’t flimsy, this ends in a smartly designed angled jack connection – you even get a cable tidy designed by DUNU included
Bass is deep and punchy without being boomy, midrange is slightly recessed with high frequencies well balanced; there’s a slight roll-off for those who like a warmer sound signature.
Hifiheadphones verdict:
Punchy with tight bass and crisp detail, the DUNU DN-12 looks and sounds incredible for the price. A real budget winner!
DUNU DN-12 Trident In-Ear Isolating Headphone Review – See more at: http://www.hifiheadphones.co.uk/reviews/dunu-dn-12-trident-in-ear-isolating-earphones-review/#sthash.k4fb5q4C.dpuf
DUNU DN-12 Trident In Ear Isolating Earphones – Review – See more at: http://www.hifiheadphones.co.uk/reviews/dunu-dn-12-trident-in-ear-isolating-earphones-review/#sthash.k4fb5q4C.dpuf
DUNU DN-12 Trident In Ear Isolating Earphones – Review – See more at: http://www.hifiheadphones.co.uk/reviews/dunu-dn-12-trident-in-ear-isolating-earphones-review/#sthash.k4fb5q4C.dpuf
From the start it is hard to believe that the E10S is under £40. The packaging is smart and of a very high quality – once opened you find plenty of spare ear tips and an attractive hard case. Holding the earphones you can feel how well made they are and the innovative switch on the jack plug will let you set the earphones to work with any smartphone – you would not expect technology like this on such a modestly priced earphone.
The E10S comes with ‘Smart Switch’ (Hense the added S to the Model Number) making it compatible with all smartphones, the E10S incorporates this ingenious user adjustable switch enabling control of Apple as well as Android smartphones. Owners of multiple smartphones can easily swap between devices to control call answer and end functions without compromise, and to top it all it comes in a choice of colours.
And for those with a little more to spend, consider the new SoundMAGIC E50. The E50 is a very similar design, but with improved driver (giving more detailed sound) and Comply tips supplied as standard.
HiFi Headphones Verdict:
If you have £40 to spend on some new earphones then go for the SoundMAGIC E10 – if you need an in-line microphone then go for the E10S. Easy! These earphones are our default recommendation at this price point.
Shure’s addition to the sub £50 earphone range is very impressive. They are very well built with a tough cable and solid speaker housing. The sound rolls off slightly at the top which takes away any harsh frequencies and the bottom end has plenty of punch!
The Shure SE112 are a great alternative to the award winning SoundMAGIC E10 – especially if you prefer a mellower presentation.
For a more professional in-ear monitor design we also recommend the Shure SE215 – tight bass, crisp mids and great soundstage.
HiFi Headphones Verdict:
The Shure SE112 has punchy bass and smooth top end detail. They are very comfortable with great isolation and they are tougher than most. IF you ned a built in Mic you Shure have now produced the Shure SE 112M+ for all smartphone options.
When it comes to the sound, the Momentum In-Ear compares well with its full-size Momentum sibling. Detail is high without sibilance or discomfort; harmonics are brought out for a very real sense of musicality.
Soundstage is surprisingly broad for an in-ear model and imaging is coherent and sharp. Overall, the sound is fairly typical of Sennheiser’s recent offerings; in terms of full size headphones at least. When compared to older lines such as the soon to be axed CX300, the sound is drastically improved and shows that this old dog still has some new tricks!
HiFi Headphones Verdict:
Momentum in-ear – For the asking price, the Sennheiser Momentum In-Ear is incredible value; giving great sound as well as swish styling and all in a very rugged and classy looking case.
This is a very special earphone that challenges the big brands with both finish and sound quality. We think the DUNU Titan 1 is arguably the best in ear headphone available under £100.
An ideal solution for fans of the wide sound of open-backed headphones, but who require more isolation. The bass is tight and solid, providing thumping drive when needed.
Soundstage is greatly enhanced by the innovative vented design. One theory is that the energy coming through the holes in the earphone housing (not through the eartip) is felt by the concha, or bowl of the ear. Just as in real life, when sound energy is focused by the ear into the ear canal, it creates a light sensation on that part of the ear which the Titan 1 design mimics with great success.
HiFi Headphones Verdict:
Yet another triumph from DUNU-Topsound. Bright crisp and clear with big bass. These shiny little IEMs are comfy as well as crisp and airy sounding, The finish and materials are high end making this earphone a solid choice for those looking for something special.
Heaven IV achieves the truest possible expression of live concert hall sound.With the incorporated balancing air movement mechanism the earphone body design has evolved into an uncomplicated, slender structure.
Final Audio Design’s special BAM (Balancing Air Movement) mechanism, optimises air movement inside the housing, has pushed the evolution of earphone body design to the next level with a simpler structure and slimmer body. The result is a balanced, natural sound that reduces unwanted sibilant high-frequency sounds.
The Heaven IV is handmade by Japanese sound engineers with a full-focus on ideal sound with no compromises.
HiFi Headphones Verdict:
Final Audio Design have managed to create an earphone that not only looks great, but sounds it too! You get a refined sound with clear and textured detail as well as deep, tight bass. The flat cable design has also been well thought through, it is very durable and eliminates tangles and microphonics.
Fidue is another of those makers who are peppering the market with all sorts of models at various pricepoints, and the A83 occupies their top spot just now. Despite sharing its name with a minor road up in Scotland, the Fidue A83 is warm, fast and hardly ever congested. The Fidue A83 can however bring you to ‘The Mull of Kintyre’ as well if you really want to go that far.
The left and right sides are denoted by the blue and red housings of the Fidue A83; they simply beg to be worn and seem to offer a fun experience just by looks alone. Supplied tips are what can be expected for a model in this price category; there’s a good range along with the nearly ubiquitous free Complyfoam tips and the accompanying carry case is a chunky ‘Pelican’ style along with a hard foam winder/storage insert that will certainly protect the earphones.
HiFi Headphones Verdict:
Great sound quality, superb cabling- this hybrid driver earphone has come from nowhere to capture the hearts of audiophile listeners in 2015.
Machined from solid aluminium, the capsules are designed to avoid adding their own colouration to the sound, and are weighted to lean into the ear for greater comfort and a better seal. They aren’t heavy but just weighty enough to let you know they mean business, and the cable is reassuringly stout.
The Answer Truth Edition is a dynamically driven IEM with a single 10mm driver; Dita Audio wanted to go for the simplest design in order to deliver the purest audio. Since balanced armature technology requires crossovers, multiple drivers and all the related gubbins, Dita went for the less complicated dynamic route. And why not? We’ve all been shown the power and finesse of the dynamic principle through Sennheiser’s excellent IE800s.
Soundstage and imaging are first class, and the use of a headphone amp can really add the cherry to the cake in terms of realism.
HiFi Headphones Verdict:
The Truth Edition is not cheap, but then the best things in life often aren’t, these are incredible earphones with a crazy over engineered cable. Aluminium monsters that are powerful yet precise.
Also available is the Dita Audio Answer IEM, using the same driver and housing as the Dita Truth Edition but with a simpler cable option.
This is a very special earphone that pushes the boundaries of in-ear headphone design.
The FAD Heaven VIII is tuned with a rich and vibrant frequency response for a lusher sound. Like all of the Heaven range, there’s virtually no stridence or discomfort for sensitive ears, but detail is reproduced with no compromise.
Bass is fully represented (thanks to Final Audio’s ‘BAM’ technology) without getting too big for its boots; midrange is crystal clear and uncluttered, with treble as smooth as silk, yet superbly detailed.
A special effort is required to keep any dignity the wearer might want to hang on to; the temptation to start dancing is great with the Heaven VIII! Soundstage too is incredible; for IEMs, the Heaven VIII comes close to full-size headphones. Imaging and separation are razor sharp also, instruments leap out and reverb decays really give an idea of real space.
Also check out the Heaven VIII’s little brother the Heaven VII.
HiFi Headphones Verdict:
Final Audio has earned itself a fanbase the world over, thanks to the wonderful IEMs and full size headphones it produces; the Heaven VIII is a shining example (literally) of the sort of talent they have. Both stunning to look at and even prettier to hear, these handcrafted beauties are among the best earphones you will ever be able to buy.
The IE800 are Sennheisers new flagship audiophile earphones. Featuring a linear-phase driver system that achieves distortion-free audio even at high sound pressure levels. Surely Sennheisers most innovative portable music solution, the IE800 meets the demands of portable audio with truly superb sound and comfort.
The extra wide band transducer system, with a diameter of just 7mm is the smallest wide-band driver system currently available in dynamic earphones. Innovative vent holes in the housing of the IE800 direct the air flow resulting in minimal distortion levels. Sennheiser’s revolutionary dampened two chamber absorbers eliminate the masking of low volume frequencies by absorbing the energy from the louder low-frequency sounds.
Build quality is amazing, scratch-resistant ceramic housing, stainless steel air vents and Kevlar coated audio cable, the IE800 is built to last. Two special meshes protect the IE800 against residue and contamination.
The package includes 5 pairs silicone eartips in different sizes, premium leather carrying case, a cleaning tool and instruction manual.
HiFi Headphones Verdict:
Brimming with ground-breaking technologies the IE800 are the ultimate IEM for bass lovers. Big warm and powerful sounding, beautifully engineered with an ergonomic and attractive design, these are very special IEMs.
John from the sales team gives you a visual rundown of our top 10 best in ear headphones of 2015:
Any Final Audio earphone in the Heaven series is fantastic at its pricepoint, and for the asking price the Final Audio Heaven VII offers angelic audio quality. Soundstage and detail are stunning, while the frequency response gives a presentation which is both delicate and authoritative.
Pros
Sounds amazing
Looks amazing!
Good strong metal case
Cons
Microphonics
Cable can be worn down from the ear only
Being British here we’re no strangers to what the heavens can provide (lots of rain!); however we’ve been enjoying a few distractions lately. Final Audio’s Heaven series is no less than a perfect fusion of detail and comfort; starting from the entry-level Heaven II. The range leaves us spellbound, and a lot drier as well.
The appearance and sound of the Final Audio Heaven VII is a contrast to its stablemate the Heaven VIII, which is the fuller sounding of the two models. While the Heaven VII lies in neutral-airy territory, the golden Heaven VIII gives a lusher presentation with a little more bass. A review of the Heaven VIII is coming soon.
As well as the Heaven VIII, the Heaven VII is one of the latest in this series; it is based on a similar design to the rest of the Heavens, but borrows the capsule design from the limited edition dual balanced armature ‘LAB-1’ model which is not generally available outside of Japan and the Far East.
Key Features
Using a single full-range balanced armature driver produced by Final Audio themselves, the Heaven VII is detailed but never gets fatiguing. Bass is fully represented, mainly due to both the balanced armature and Final Audio’s BAM (Balanced Air Movement) technology which incorporates some clever tricks to improve the frequency response in the lower region, when compared to other makers’ single BA designs.
Also, the Heaven VII has been designed with ‘resonance dispersion’ in mind. According to Final Audio, this helps prevent vibrations and reflections in the housings which may lead to a detrimental effect on the sound. The casings are made using a metal-plating technique so that the colour won’t wear away or chip.
First Impressions
It’s the styling which is first to be noticed; there’s a medieval feel about them – particularly the black Heaven VII. While the design is of course down to a high-tech process, they still give the impression that they were produced by an enchanted artisan a few hundred years ago!
The jack differs from others in this range however; it’s more like the straight jack which comes with the Final Audio Hope VI full-size headphones.
Sound Quality
With an Astell & Kern K120, the Final Audio Heaven VII gives a totally immersible experience – soundstage is well beyond the physical confines of the housings, and separation is superb. Bass, as already mentioned, is not typical for a single balanced armature design; it is very well balanced with the rest of the sound and is well controlled, allowing the midrange a good amount of space to impress. The sound is very clean and exact; it neither is boosted or recessed and works very nicely. Sense of space is very real, and together with the soundstage, very big! There are moments with the K120 where high frequencies threaten to cross into strident territory, but never do. With a Fiio X3, due to the nature of the player’s sound, the Heaven VII is smoother which I prefer personally.
Summary
We’ve come to expect very high standards from Final Audio – in terms of audio quality, build quality and presentation too. The Heaven VII still pushes the envelope, giving a touch of glamour without ostentatiousness, toughness without bulk, and detail without sharp edges.
For the asking price, the Sennheiser Momentum In-Ear is incredible value; giving great sound as well as swish styling and all in a very rugged and classy looking case. They are available in versions compatible with Apple devices as well as Android, so you needn’t be cutting down your choice of handsets with the Momentum In-Ear.
Pros
Very nice looking
Decent well thought-out case
Versions for Apple and Android
Right Angle Jack
Cons
Bundled accessories are high quality but low in number
Designed to be worn down from the ear only
Hot off the press at Sennheiser, the Momentum In-Ear promises to give music fans a taste of what this esteemed company is capable of in its 70th year. This particular old man is not doddery in the least however; the old CX300 and similar models have been updated, the new Urbanite is impressing young music fans all over the place and now we have the Momentum In-Ear.
Key Features
The first thing which is noticeable is the case, since the Momentum In-Ears are tucked away in the case when bought. Fishing them out gives a very good impression however – the case is semi-rigid with an internal caddy around which the cable can be wound. This will certainly protect the Momentum In-Ears well when not in use. The nozzles have been updated from previous similar Sennheiser in-ears, with the Momentum In-Ear these are now ‘custom machined stainless steel sound tunnels’ – they give a nice impression of build qulaity. Then there’s the buttons, either for Apple or Android, depending on which version you buy.
First Impressions
In terms of styling, it’s more reminiscent of the Urbanite model. The flat two-tone cable and understated shiny design is attractive but not showy, much like the Momentum In-Ear‘s sound. The case is new too, and is an excellent design as it affords protection against the contents being squashed or stressed. A separate ‘caddy’ comes out, around which the cable can be gently wrapped and it goes back into the case to be zipped up. Very neat.
The capsules themselves remind me somewhat of the Brainwavs S5, with their off-centre nozzles. They fit very well indeed when worn like this, but it may make the ‘up and over’ wearing style a little awkward. It can be done though!
Sound Quality
When it comes to the sound, the Momentum In-Ear compares well with its full-size Momentum sibling. Detail is high without sibilance or discomfort; harmonics are brought out for a very real sense of musicality. Soundstage is surprisingly broad for an in-ear model and imaging is coherent and sharp. Overall, the sound is fairly typical of Sennheiser’s recent offerings; in terms of full size headphones at least. When compared to older lines such as the now axed CX300, the sound is drastically improved and shows that this old dog still has some new tricks!
Summary
A very good in-ear from this venerable old timer. Despite all the in-ear competition coming from young companies keen to impress, Sennheiser can still pull a rabbit from the headphone hat; the Momentum In-Ear is a real treat!
Tiësto is a DJ and Musician who has transcended musical genres to create the global “Tiësto” brand and now he has his own headphones. His achievements include: a Grammy nomination, numerous MTV awards, performing at the opening ceremony of the 2004 Athens Olympic Games to an audience of billions, he even has a wax statue at Madame Tussauds!
With over 18 million friends on Facebook, 3 million followers on Twitter, over 500 million views (and 1.5 million subscribers) on YouTube, Tiësto is truly a universal phenomenon. Voted ‘The Greatest DJ Of All Time’ by Mixmag and the #1 DJ by Rolling Stone Magazine, Tiësto has worked with superstars such as Kanye West, Coldplay, Katy Perry, Nelly Furtado, Yeah Yeah Yeahs, Goldfrapp and many more.
By partnering with Audiofly, Tiësto has drawn on a company whose expertise in product design and audio engineering sits atop the industry. The results of this partnership are pretty amazing.
Every track is a journey of emotions, packed with the ear candy you crave. Paradise boasts a full, balanced sound to capture the feel of the club and take you there everyday.
Engulfing and larger than life, Maximal is your sonic entourage. Be transported and experience detailed layers of texture, effortless precision and a punchy bass for that explosive drop.
Powered by dual driver technology, Adagio is your VIP access to a place where extraordinary things happen. Immerse your senses in an eternity pool of mindblowing sound, where stunning detail meets heart-pounding exhilaration.
I once thought that when it comes to budget earphone reviews, a jaded attitude would eventually begin to creep in. Surely there’s a limit to how many of these in-ear headphones one can try before it all gets a bit dull! However, I’m glad to find that I can still get bucket loads of enjoyment out of trying earphones such as this. The Brainwavz S5 are bags of fun with a warm and friendly presentation and they have loads of room with a generous soundstage. For the asking price the Brainwavz S5 is a fantastic sounding headphone; being new does not make it average, as we’ve seen with recent debutants such as DUNU-Topsound and Fidue. There are a couple of minor gripes such as the ‘left’ and ‘right’ markers being tiny and the y-split strain relief on the cable – it looks like a section borrowed from a bridge.
Pros
Generous supply of tips including Complyfoam
Good solid jack adapter
Hard case
Involving sound
Cons
Left and right markers hard to see
Straight jack
Cable split strain relief has become a feature
Brainwavz is another relatively new company in the personal audio market. However they are currently making big wavz of their own, and if the Brainwavz S5 is anything to go by a few more products from them can certainly float in this direction!
Key Features
Features are basic with no controls or buttons on the Brainwavz S5 itself, but there are some nice touches like the alternative eartips which give a slightly different sound, together with a pair of Complyfoam tips. A hard case is included which is great for cable longevity, and a rather nice jack adapter.
First Impressions
Initially there were no expectations, having no experience with this brand before. Packaging and presentation are fine for a product in this price range, but the sheer number of similar products diluted our enthusiasm. Initially there was disappointment with the black eartips – the bass was boomy and took up a lot of space in the presentation. But then the translucent eartips were tried.. See the next section – Sound Quality!
These earphones actually caused pain in the eyes as it was so hard looking for ‘left’ and ‘right’. For this review, a folded post-it note was stapled around the cable on the left so this needn’t be repeated. Black characters on a black background need to be several millimeteres in height before they’re legible.
Sound Quality
With my preferred translucent eartips, the presentation is perfect for my tastes. A warm weighty bass underpinning some very spacious mids and present but not overbearing highs. The bass impact stays down low while harmonics higher up give it a gloriously chunky feel which I’m a big fan of. It stays in its place and gives the midrange plenty of chance to show off its own detail. The midrange is slightly recessed, but not as recessed in my opinion as with the black tips. Higher up, things are on the smooth side but by no means dark. Soundstage is good for an in-ear of this type with separation fairly good – there is a bit of a cluttery feel to the percussion in The Bangles’ ‘Walk Like an Egyptian’ but the Brainwavs S5 copes well, considering all that’s going on in that track.
Summary
A very competent and great-sounding offering which begs the question – what are the higher-priced items from Brainwavs going to be like? I found the Brainwavz S5 to be amazing on older instrumental and pop recordings, but there may be a danger with more modern music featuring sub bass and similar with the bass being a bit much. But then again, fans of those genres will likely be looking for just that type of sound.
Great for those relaxing at home and in the office, the Audio-Technica ATH-CHX7iS is a slight departure from the usual style of in-ears and earbuds. Audio-Technica have mashed the two styles in a way that reminds us of the Final Audio Piano Forte Series. These are not designed for all scenarios; on a motorbike journey for instance, enjoyment is reduced to knowing only when cymbals are being used in a recording. Of course, open-back headphones do not receive low scores for leaking sound and so the snappily named Audio-Technica ATH-CHX7iS is being viewed with a similarly open mind.
Pros
Very comfortable
Feel secure whilst worn
Great open wide sound
Cons
Case very small
Not for noisy places
Being big in Japan, Audio-Technica have been satisfying the Japanese fetish for personal audio products for some years now and have a huge number of different models. This allows for a little experimentation in the boardroom and some interesting items for us to try.
Key Features
The Audio-Technica ATH-CHX7iS comes with a handy button for smartphone functionality, and a volume control. The volume control does not communicate with the phone, it is a variable resistor only but works very well. The carry case is very small indeed; being hard it will afford some protection but the cable would need to be wound more tightly than perhaps it should. The relatively large size of the driver units doesn’t help either.
First Impressions
We all like something a bit different and the Audio-Technica ATH-CHX7iS is certainly that. Given that portable audio is all about blocking out the outside world, these earphones are a departure from the norm. Perhaps taking a leaf out of Final Audio’s book (their Piano Forte range is similar), Audio-Technica have seen a potential for small, open-backed models for those quieter moments out there, or for casual listening at home.
Sound Quality
As with anything open, the surroundings make a crucial difference and with a design worn like this, people are going to expect to use them outside. Great if it’s quiet, but a bit of road noise will reduce the Audio-Technica ATH-CHX7iS to a tinny irritant by contrast.
At home though, the presentation is as comfortable as the fit and I have the impression of a halfway house between headphones and speakers; it’s like a very cheap alternative to the AKG K1000 speakerphones. Soundstage is the best feature of the Audio-Technica ATH-CHX7iS, along with the natural feel they have.
The sound is very well balanced despite the loss of bass due to the open fit – perfect for lounging around the house while still remaining alert of the surroundings. The sound is on the bright side but this may just be the added soundstage making certain details stand out more, and also the fit. By pushing the capsules gently against my ears the bass is heightened; perhaps it is the design of our ears which might lead to subtle differences here in what we each perceive.
Summary
It would be good to see more models like the Audio-Technica ATH-CHX7iS coming through; we’re in danger of becoming too conventional in the headphones world and being set in our ways. It seems that companies like Audio-Technica and Final Audio don’t want us to get too comfy and are happy to prod us towards a more inclusive attitude. And why not? The headphones concept might be 100 years old, but things are far from predictable; particularly with new technologies being developed and many new ways of using and relating to music to look forward to.
It’s easy to get a bit weighed down amongst all the extra bits and attachments that are included with the Dunu DN-2000, but they are all worth trying for greater comfort and a more ‘bespoke’ sound. The hybrid driver arrangement really works to deliver a very engaging and detailed presentation which never strays into harsh territory, and the case is certainly something we’d like to see included with premium IEMs more in the future.
Pros
Exceptionally sweet sound
Plenty of accessories
Options to tailor the frequency response
Options to alter fit
Good solid case
Cons
Tuning rings can be lost
Casing can cause discomfort if earfins not used
If you’ve heard some of Dunu’s entry-level earphones such as the DN-12 Trident you might be curious about how the in-ear Dunu flagship, the DN-2000 measures up. Dunu’s in-ear offerings are as numerous as they are interesting, but the current cherry on the top, the DN-2000, takes the cake.
Key Features
Like its stablemate the DN-1000, the DN-2000 has a hybrid driver format but packs two balanced armatures and one dynamic driver in per side giving the best of both sonic worlds, like the similarly priced Audiofly AF140.
Accessories are bountiful, with both tuning rings and tips to alter the frequency response, and rubber attachments for improved comfort and fit in the ears. Also included is a pair of earhooks to try and the usual 6.35mm/flight adapters.
First Impressions
Expectations have certainly been raised by the quality of Dunu’s other products, namely the excellent budget model the DN-12 ‘Trident’ and DN-1000; the other hybrid design. For the asking price these have been nothing short of stunning, so the DN-2000 has its work cut out.
Once a preferred combination of tuning rings and tips was found (silver ring, and tip for ‘detail and resolution’), I felt it necessary to try the rubber attachments. These are secured by a small ridge of metal much like a penclip, which ironically can cause a little discomfort if the rubber parts are not used. The rubber parts help to keep the capsules steady in the ear, and certainly make for a comfortable and trouble-free listening session. A down side is the tendancy of the tuning rings to try and escape back to China when the eartips are removed. Just take care and don’t fiddle with the DN-2000 when using ski-lifts for example.
The hard case is also a nice feature. It reminds me of a travelling case for a bar of very valuable soap; it’s very solid and will protect the DN-2000 very well when in transit.
Sound Quality
Bass is fully present and in good proportion to the rest of the presentation with good punch and definition; it stays in place and leaves the midrange and high frequencies free to be the stars of the show for me. Decays are very realistic in terms of perceived space, and the DN-2000 leaves plenty of room in the presentation for these to be followed around by hungry ears! Treble is fairly bright albeit still smooth; mostly the DN-2000 stops short of being too bright but on some tracks there may be a touch of sibilance with female vocals, for instance.
Summary
For the asking price the DN-2000 is a worthy competitor; it will certainly hold its own amongst the other models in that price range and gives a bit more colour to it, given that a majority of alternatives are full balanced-armature models. I welcome the DN-2000 as much as I welcome a further example of a hybrid driver design being implemented so well; loving as I do the different strengths of the different transducer types, it’s a real treat to have both at once. Like a baked Alaska or a sweet and sour stir-fry, there’s a real synergy going on here.
This inevitable creep towards better and better sound from a budget IEM is no surprise, but the quality which the Xiaomi Pistons exude is nothing short of stunning. We’ve come to expect some rough edges from cheaper models along with features we have to lump rather than like; however this new IEM changes (yet again) our view of what’s on offer for our little bit of money.
Thanks to the guys at Merimobiles for sending us this sample for review – they will also supply the Pistons to the four lucky competition winners (details at the bottom of this page).
The packaging and presentation is understated; once past the simple cardboard outer box, the earphones are displayed in a good quality plastic case, nestled in a piece of rubber which acts as a cable winder, although this might be a bit tiring to use every day. The chocolate-coloured rubber, together with the bronzed look of the Pistons makes for a real visual treat; perhaps a gentle lift for the expectations before the Pistons are listened to. It reminds me of novelty erasers which seemed to proliferate when I was at school – it smells like chocolate too!
There are 3 pairs of spare eartips along with those on the Pistons themselves, and a separate clip for the cable which takes a departure from the traditional ‘peg’ design. It’s more like a money clip; to remind us of the money we saved, perhaps?
The earphones themselves have a solid feel about them; this is not painted plastic but real metal. There’s no weight issue however, the Pistons sit still whether the cable is worn over the back of the ear, or straight down.
And the sound? It’s just bright and detailed enough without being harsh, and also smooth and mellow enough without sounding veiled. It’s a perfect balance. Having said that, with this version Xiaomi have elected to go for a vented design which cuts out a lot of internal reflections. It’s not an open design though, very little audible sound leaks out, or in.
Bass is very nicely balanced, it puts weight under kick drums and bass guitar without pumping them up unnecessarily. It stays in its place and leaves the midrange clear to impress with details and decays, while the high frequencies pick up details such as hi-hats and harmonics beautifully.
There is also a mic/control for Android handsets, but be careful not to be rude to whoever interrupts your listening pleasure!
Competition Details
To be in with the chance of winning one of four Xiaomi Pistons all you need to do is send a picture to either our Facebook or Twitter page of your current setup/headphones and explain why you should win a new pair of Pistons – on October 29th we will choose the four people who we feel deserve some new headphones. Be as creative as you want – we will put our favourite pics in our blog!
For more information on the Xiaomi Pistons you can visit the Merimobiles website HERE.
At this price point, you’ll find it very difficult to find an earphone with mic as good as the Fidue A31s. These earphones are extremely light weight, the build quality is superb and most of all the sound is excellent!
Summary
Experience portable high fidelity sound in an affordable package. Fidue A31s embody everything a modern earphone should: superior sound, smartphone compatibility, external noise isolation and long term comfort. High fidelity sound is provided with a balance of strong bass, smooth mids and well defined highs.
With small housing design and long sound tube the A31s differs from conventional earphones in creating big sound in a small space. Micro-dynamic 8mm drivers funnel superior sound directly into the earcanal. Double flange eartips provide excellent noise isolation and offer unparalleled comfort for long-term listening.
Integrated with call answering button compatible with most smartphones, the Fidue A31s will work with iPhone, Android, Window and Symbian devices. The integrated remote control allows the user to have full control of music. Calls can also be answered and ended by using the single button remote.
Experience portable high fidelity sound in an affordable package. Fidue A31s embody everything a modern earphone should: superior sound, smartphone compatibility, external noise isolation and long term comfort. High fidelity sound is provided with a balance of strong bass, smooth mids and well defined highs.
With small housing design and long sound tube the A31s differs from conventional earphones in creating big sound in a small space. Micro-dynamic 8mm drivers funnel superior sound directly into the earcanal. Double flange eartips provide excellent noise isolation and offer unparalleled comfort for long-term listening.
Integrated with call answering button compatible with most smartphones, the Fidue A31s will work with iPhone, Android, Window and Symbian devices. The integrated remote control allows the user to have full control of music. Calls can also be answered and ended by using the single button remote.
– See more at: http://www.hifiheadphones.co.uk/fidue-a31s-in-ear-isolating-earphones-with-mic-red.html#sthash.xn9fLWK6.dpuf
Please click the image below to select the colour you would like;-
Price – £19.99 all Models with free Shipping in th UK until Christmas.
Features
Call answering button compatible with most smartphones (iOS, Android)
Small and lightweight housing and sound tube design
Double flange silicone eartips offer high noise isolation
Unparalleled comfort for long-term listening
Suitable for portable media players with standard 3.5mm connection
Balanced sound with strong bass, smooth mids and well defined highs
The DUNU DN-900 is a well built, hybrid in-ear headphone. The bass is punchy without overcrowding, with spacious mids and smooth highs – these earphones perfectly combine power and detail.
Pros
Frequency response can be fine tuned
Generous range of extras/accessories
Very clear bass and mid-range
Cons
High-frequency roll-off (if you like a brighter sound)
Case oversized for everyday use
Tuning rings easily lost if not careful
Cable can get tangled
As with all segments of the headphone market, the £100 – £200 bracket is hotly contested with innovation pushing sales as well as gimmicks. The hybrid drivers within the DUNU DN-900 are becoming commonplace among IEMs, but the tuning rings which are supplied with the DN-900 are not so commonly found. Given that we all have our pet sound signatures and preferred frequency responses, have DUNU released a self-adjustable gem?
Key Features
Perhaps most unusual about the DN-900 is the inclusion of the tuning rings; it’s always nice to have a bit of tweakability and it’s fun to experiment. However, be sure that you are changing the eartips and rings while sat at a table, or similar. The rings can jump off the nozzles and roll out of your life for ever if you aren’t careful. It would have been better to have a more ‘trouser clip’ style ring which stays on the nozzle.
First Impressions
Naturally enough, once out of the packaging, the first thing I noticed was the professional quality Pelican-style case. It’s a lovely item if bright yellow is your thing but it won’t fit in a pocket, nor is having your IEMs packed away in a bag or case the most practical place to have them. I would be utilising another case or pouch from somewhere else, while this case might lie unused in a drawer.
Sound Quality
The sound seems very mid-centric at first, with strong yet well shaped bass response. The most noticeable thing is the higher-frequency roll-off but this takes only a minute to get used to. I tried the rings in turn..
Silver gives a good bass grunt with midrange clear and even, and the higher frequencies rolled off. Blue appears bassier in the mid-bass area with a more pronouced and open midrange, while red is bassier again with some more low-bass creeping in and mellower mids. High frequencies are not affected by any of the rings but the blue’s effect on the midrange sits next to the highs better for me.
After trying the DN-900 with the Astell&Kern K120, I was very happy with the sound. Driving bass underpinned some very fluid and involving mids, with higher frequencies just managing to show their faces enough to keep the party atmosphere going.
The following impressions were gained using the blue rings and the AK120:
Frankie Goes to Hollywood – Two Tribes (Blank and Jones reconstruction)
The bass has good texture and impact going into the sub-bass slightly, mid range works well with male vocals and backing. Soundstage is good and wide with a great sense of space. Imaging is also good. The rolled-off highs did not give any problems.
Dub Syndicate – Mafia
Bass is very full and impactful with good slam. It is quite boomy on this track but dub calls for it! Midrange is still clear and separate – the piano parts are very distinct. Highs lend a touch to harmonics but otherwise linger in the background. Soundstage is as wide as the music requires, delay is headshaking.
Summary
The DUNU DN-900 is perfect for the tracks that were tried with them. They will satisfy any basshead but will not add bass which is not there and cloud things – midrange is spacious and lively. Again, the higher frequencies may be a problem for fans of this part of the frequency spectrum; but if like some you’re a little sensitive to it, the DN-900 should fit like a glove.
Australian earphone manufacturer Audiofly, have released a range of four beautifully designed Professional In Ear Monitors. Taking on Shure, Westone and Ultimate Ears in this growing corner of the market is a big job, but from what we’ve seen Audiofly are more than up to it!
The Performance series have been designed to be used by touring musicians or music lovers who demand the very best sound in a tiny package. They all feature multi driver arrangements, with the top two models also sporting a super tough replaceable cable and leather carry case.
The Audiofly Performance Series range includes the following models:
Looks-wise these are some of the prettiest IEMs we’ve seen! Slightly slimmer with a more luxurious finish than most, the shiny coating on the AF160 and AF180 gives them an almost ceramic look. Comfort also benefits from this gently contoured design. Comply tips are supplied in small medium and large for perfect fit and better isolation than silicone. A full compliment of silicone tips are included though, as well as a 6.35mm adaptor, a cleaning tool and an airline adaptor too.
Audiofly developed a special cable for the Performance range called the Audioflex, which they say is roadworthy and built for the stage. As with most of their Premium range, the cables feature Cordura fabric (like that found in extreme climbing gear) with the addition of a heavy duty Y splitter, a low profile twisted section and a mouldable over ear sleeve before the driver housings.
It won’t make any difference to the sound but the packaging deserves an honourable mention. Audiofly have really gone to town with some of the best looking boxes we’ve seen in a long time.
Finally to the sound – this certainly doesn’t disappoint. As you would expect, the whole range has superb detail retrieval and very impressive instrument separation. There is a common sound at work here, the EQ is flat and stable with calm but crisp highs. As you move up the range you find a lot more body and purpose, although the AF140 – featuring a hybrid two balanced armature and one dynamic driver set up – is simply the best earphone we’ve heard for below £250. The quad balanced armature driver AF180 is the flagship model, it has un-flappable bottom and mids and an extremely confident presentation which is very difficult to fault.
