SoundMAGIC HP151 Headphone Review

SoundMAGIC needs no introduction for many; this brand has had tremendous success in recent years, not least with its full size offerings such as the HP100, HP150 and the open-back HP200. The SoundMAGIC HP151 promises to be a new and improved version of the HP150, with a few changes here and there.

Pros:

• Nice styling and low-key design
• 2.5m cable more suited to indoor listening
• Great sound

Cons:

• Phones/handsets may struggle without amplification

Design and Appearance

Gone is the ‘tactile’ grey covering on the outside of the earcups, yokes and headband which the HP150 had; now it’s plain black plastic. Also the earcup ‘swivel’ feature of the HP150 is gone; the earcups are now fixed. Perhaps it was a bit tricky for those who aren’t DJs? The rest of us shouldn’t need to swivel too much anyway.

Another difference is the cable; it’s still a straight one but comes in at a longer 2.5m, as opposed to the original 1.5m (you can buy the shorter HP150 cables separately which will fit if needed). The extension lead which the HP150 had is no longer included.

Durability and Build Quality

Construction is from plastic and feels very solid, there are no squeezy or squeaky bits. The cable has decent strain reliefs and is rubber coated and slinky, not sticky.

The supplied case is a semi-rigid affair with a little pocket for keeping the supplied aircraft and 6.35mm adapters if needed, and will protect the headphones between uses. Just don’t sit on it.

Comfort

The SoundMAGIC HP151 is a light and comfortable headphone, thanks to its light construction, generously upholstered headband and earpads.

Suitability for intended application

The HP151 can be used quite successfully when on the move, but many handsets will not have sufficient power so a separate headphone amp may be required, or a dedicated player with a little more power than the average phone.

Otherwise it’s one for at home or in the studio.

Sound characteristics

The SoundMAGIC HP151 is a bit of a crowd pleaser; the overall balance is tilted slightly towards the warm but details are quite appreciable, and tape hiss comes through from those old recordings so there’s little roll-off with the treble. Note: for those interested in a comparison with the HP150, there is no difference other than the earcup and headband design; it’s the same great sound.

• Bass

The big 53mm drivers give a nice thump to the HP151’s low bass; it doesn’t steal the show but gives a nice foundation, bass frequencies are given a bit of heft and authority without giving the impression of a bass-heavy headphone. Control is fairly tight; it’s a breezy, carefree bass with fun on its mind, but always makes it home in time for tea.

• Mids

The midrange is all there with a slight dip in the 1kHz -2KHz area; there’s no noticeable holes or gaps in the frequency response as there may be with other models. It’s a gentle lowering to shun any shrillness and makes for an inviting and clear presentation. With the detail here and the aforementioned bass quality, the harmonics here can really bring instruments to life.

Similarly, vocals are clear and rather enjoyable with subtle details giving a really good representation of any performer’s unique character.

• Treble

There’s plenty of sparkle, shimmer and zing here; it’s certainly a clear triple! It’s not overbearing, and gives just the right amount of presence for full enjoyment of those high frequency details. It’s a great balance between brightness and mellowness.

• Soundstage & Separation

The width reaches out beyond the earcups a little way and gives a nice impression of space; both higher frequency detail and bass are able to jump out and give our ears a little tweak when the music dictates it; very nice. Separation is great too; classical pieces are rendered very nicely with clear harmonics preserving the character and positioning of everything, even with a lot going on.

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Music genres good for and why

The HP151 works with everything. Many genres were tried and none failed; bass heavy rap, acoustic, classical, dance; it’s a clear pass for this one.

Summary

If you are looking for a general use headphone with good isolation, look no further. Any and every music type sounds excellent with plenty of space and the feeling that these headphones are enjoying themselves just as much as the listener is!

The post SoundMAGIC HP151 Headphone Review – Going One Better appeared first on HiFiheadphones.

Verdict

For the asking price, the Sennheiser Momentum In-Ear is incredible value; giving great sound as well as swish styling and all in a very rugged and classy looking case. They are available in versions compatible with Apple devices as well as Android, so you needn’t be cutting down your choice of handsets with the Momentum In-Ear.

Pros

• Very nice looking

• Decent well thought-out case

• Versions for Apple and Android

• Right Angle Jack

Cons

• Bundled accessories are high quality but low in number

• Designed to be worn down from the ear only

Hot off the press at Sennheiser, the Momentum In-Ear promises to give music fans a taste of what this esteemed company is capable of in its 70th year. This particular old man is not doddery in the least however; the old CX300 and similar models have been updated, the new Urbanite is impressing young music fans all over the place and now we have the Momentum In-Ear.

Key Features

The first thing which is noticeable is the case, since the Momentum In-Ears are tucked away in the case when bought. Fishing them out gives a very good impression however – the case is semi-rigid with an internal caddy around which the cable can be wound. This will certainly protect the Momentum In-Ears well when not in use. The nozzles have been updated from previous similar Sennheiser in-ears, with the Momentum In-Ear these are now ‘custom machined stainless steel sound tunnels’ – they give a nice impression of build qulaity. Then there’s the buttons, either for Apple or Android, depending on which version you buy.

First Impressions

In terms of styling, it’s more reminiscent of the Urbanite model. The flat two-tone cable and understated shiny design is attractive but not showy, much like the Momentum In-Ear‘s sound. The case is new too, and is an excellent design as it affords protection against the contents being squashed or stressed. A separate ‘caddy’ comes out, around which the cable can be gently wrapped and it goes back into the case to be zipped up. Very neat.

The capsules themselves remind me somewhat of the Brainwavs S5, with their off-centre nozzles. They fit very well indeed when worn like this, but it may make the ‘up and over’ wearing style a little awkward. It can be done though!

Sound Quality

When it comes to the sound, the Momentum In-Ear compares well with its full-size Momentum sibling. Detail is high without sibilance or discomfort; harmonics are brought out for a very real sense of musicality. Soundstage is surprisingly broad for an in-ear model and imaging is coherent and sharp. Overall, the sound is fairly typical of Sennheiser’s recent offerings; in terms of full size headphones at least. When compared to older lines such as the now axed CX300, the sound is drastically improved and shows that this old dog still has some new tricks!

Summary

A very good in-ear from this venerable old timer. Despite all the in-ear competition coming from young companies keen to impress, Sennheiser can still pull a rabbit from the headphone hat; the Momentum In-Ear is a real treat!

Score – 9/10

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