Tag Archives: portable headphones

B&W P5 Series 2 Headphone – Expert Review

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Bowers and Wilkins P5 Series 2 – Chrome on your Dome

Bowers & Wilkins P5 S2

Bowers and Wilkins has been making world class speakers for just about 50 years now, and are still going strong at their Worthing site, just a stone’s throw from ourselves at hifiheadphones. Not that we find ourselves throwing stones at them very often of course, as apart from anything else we have a few windows of our own. Brought out in 2010, the original P5 model has now been updated to the Bowers & Wilkins P5 Series 2.

Design and appearance:

Designed by Morton Warren, they exude a feeling of graceful simplicity while at the same time feeling very solid and light. The materials give it the same looks as the Oppo PM-1, with plush leather and chrome working together in that classic, opulent pairing.

Durability & build quality (e.g. cabling, connectors, materials:

The B&W P5 Series 2 is very well put together and its lightweight construction belies the fact that nothing rattles or squeaks when the headphones are flexed and placed on the head. Cables are about right for portable use. Both the Apple control cable and plain stereo cables are 1.2 m; they are no thicker than those found used with in-ear headphones. The Apple control/mic itself is very stylish and easy to use despite being just out of sight near the mouth. The earpads are held on by magnets but are unlikely to be removed accidentally; the magnetic force is strong! Changing the cable necessitates the removal of one of the earpads which is a simple process.

Comfort:

Clamping force on portable headphones is always a balance between comfort and the headphones falling off, or needing constant readjustment. On the P5 it’s just slightly on the heavy side, but with time and gentle stretching this should improve. The earpads are made from lambskin and are quite comfortable , offering both a decent amount of isolation and comfort. Glasses wearers may however find themselves adjusting their glasses once the P5 is on, as some discomfort may be encountered over the ears in some cases.

Sound isolation:

Isolation is good, but you are still going to be aware of your surroundings. With music playing however, most exterior noise will melt away. The P5 does leak a little bit of audio but no more than any equivalent headphone. Your fellow train passengers will be all sweetness and light.

Portability:

The B&W P5 Series 2 really hits the mark for portable uses; they can be worn around the neck with minimal fuss, and the pads do block out a fair amount of exterior noise. They’re showy, but not in a way that might cause the wearer to feel self-concious and will fit in with any scenario. They fit the supplied carry case very well which can be stored or carried in a briefcase or bag easily.

Sound characteristics:

The sound of the P5 Series 2 is most agreeable; some people may be expecting accuracy or a neutral tuning but the P5 is squarely aimed at the portable market, with the average music source (read:phones) taken into account.

Bass:

The bass of the P5 Series 2 is fairly powerful considering the driver size. It is well controlled and in proportion, but goes down low and reproduces sub-bass very faithfully. It’s a good match for the typical unamped iDevice with which it will more than likely be paired, bringing up the low end for a more engaging sound.

Mids:

The midrange is free and able to shine quite separate from the bass, and vocals are clear and enjoyable. Acoustic instruments are well rendered and harmonics give a good feel of a performance. Reverb/echo is very enjoyable and not lost during busier parts. It’s all taken in the P5’s stride.

Treble:

The P5 is a little gentle where the higher frequencies are concerned, and this is no bad thing. A lot of people find it frustrating when, because of a headphone’s brightness, high frequencies dictate what volume level a piece of music can be enjoyed at. The P5 gives enough treble to give sparkle and resolution to the music, but it knows its audience and what they’re likely to be doing – they are not listening critically when on the move. Some may want more emphasis at the top end of the frequency spectrum but B&W have gone for the common ground.

Soundstage & Separation:

Soundstage is good for a closed back, with a presentation from far outside the physical confines of the headphones and separation is very good too. A listen to ‘Flight of the Valkyries’ had me convinced that one would collide with me at any moment.

Music genres good for and why:

As implied above, classical music is made very rich and full with the P5, along with jazz, opera and any genre where the space in which the recording is made is part of the enjoyment.

Heavy Metal is pressing and immediate, Disco and more modern Dance Music certainly benefits from the low bass … and something older such as Rock n’ Roll is fully rendered in all its midrange majesty. The P5 is a great all-rounder.

 

Pros:

Stylish and light
Light, removeable mic cable
Spare stereo cable
Good isolation

Cons:

Initial clamping force
Some may expect a brighter sound

Summary:

The Bowers&Wilkins P5 Series 2 makes for perfect company during those long journeys when we’d prefer to be unencumbered by additional amps, DACs and other gadgets needed to get the best from our other equipment. The P5 is designed and tuned to sound amazing straight out of any phone, so that we may travel light!

Bang & Olufsen BeoPlay H2 Headphones – Review

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Bang & Olufsen BeoPlay H2 Headphones – Plush Portability

 

 

Pros

  • Impressive sound quality
  • Stylish good looks
  • Soft and pliable earpads

Cons

  • No Storage Pouch
  • Headband covering may get tired

Verdict

We weren’t expecting anything which would impress us this much; Bang & Olufsen’s products were always to cater primarily for the full size hi-fi market and we were guilty of a touch of cynicism where a B&O headphone was concerned. We certainly stand corrected and they say pride comes before a fall; well now we’ve certainly fallen for the H2!

Intro

When the letters ‘B’ and ‘O’ come together the result is usually something that’s less than desirable, but put an ampersand (&) in between and things begin to seem rather more pleasant!

Bang & Olufsen is perhaps best known for its full-sized hi-fi equipment but has produced headphones for the past few years under its B&O PLAY moniker; currently it has an full-sized over-ear model in the H6, the In-Ear H3 and for an on-ear it has brought out the new H2.

Key Features

Things are kept simple as is B&O’s usual brief; we have the headphones themselves, a cable and a generous 3 year warranty (2 if you don’t register the product online with B&O).

The cable features a 3-button arrangement for use with smartphones and iPhones, though functionality may be limited depending on software.

First Impressions

The earpads are have a very well made and opulent cushioning quality like the KEF M500; good thing too, because at first the headband is very unremitting and springy leading to a lot of clamping power. This should clear up after a couple of days of use.

The fabric covering the headband and the outward-facing part of the earcups is a light beige/manilla colour, leading to some concerns about how they might look after some months’ use. Fortunately darker colours are available if this is a worry. It’s a look sported by the Sennheiser Urbanite range; could this be a new trend?

Sound Quality

Tested with an Astell&Kern AK120, the H2 really impresses!

Bass is at the same time voluminous and well controlled; voluminous in the area it occupies within the soundstage. It seems to come from all around! It’s there in quantity as well; giving a definite heavy foot to proceedings, but without damaging the floor.

Midrange is just as big in terms of its depth and width – there’s lots of space in there and the wearer gets a real treat in terms of vocals,details and reverb. They can stray towards peakiness at points but this is heavily dependent on the music and the wearer. B&O have got a nice balance here.

Treble is toned down making for a warm presentation overall, and one which really works for most genres. Details and harmonics are complemented without sacrificing listening comfort.

Soundstage and separation are very good also; hard panned instruments leap out and vie for attention from the shoulders, along with subtle details not usually encountered with on-ear portables.

Summary

With the BeoPlay (B&O Play) H2, Bang & Olufsen stake their claim in the portable headphone market. It’s often attacked as trading on a well-known name rather than great products, but we beg to differ. Having tried the H2 we recognise a B&O headphone by any other name would smell as sweet!

Score 9.5/10

Sennheiser Urbanite XL Wireless Review

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In recent years, Sennheiser has introduced some wildly popular headphones for more portable uses; from the almost ubiquitous PX100 series to the larger closed back Momentum and Urbanite models, both full-size and on-ear.

And never one to sit still, Sennheiser has introduced another flavour for the similarly restless – the Urbanite XL Wireless.

Pros

Wireless operation and track/volume control
Amazing sound
Foldable for easy storage
Comfortable for long periods
Cable can be used to save battery power

Cons

Non-removeable battery
Supplied pouch could be more protective

Verdict

Overall, a very good quality headphone with versatility to match. Perfect for travel and for relaxing at home alike, the Sennheiser Urbanite XL Wireless presents the great Sennheiser sound which anyone can enjoy. A good all-rounder, with which any genre can be enjoyed.

Key Features

The main point of note is the wireless bluetooth feature of course, and there is an intuitive touch-sensitive panel on the right side by which the user can select tracks, alter volume and answer calls. There are no buttons, a more ‘swipey’ approach has been employed, so a tap pauses, a double tap skips to the next track and a swipe up or down changes the volume.

Should the battery become depleted, a universal cable is included with similar functionality so the music needn’t stop.

The battery can be recharged via the supplied Micro-B USB cable, and like its wired forebears the Urbanite XL Bluetooth can be folded up for easy storage.

An audio cable is also supplied to save on battery power or if it is exhausted, and a soft cloth pouch for storage.

First Impressions

Given that we’re no strangers to the previously released Urbanite XL model, the design and extras are no surprise. The stylish looks, solid build and comfortable fit are never a problem to experience again but even so, the extra Bluetooth functionality has stolen the show! With an Android handset playing on one side of the office here, the headphones made it all the way to the other side of the building (some 15 metres) and no drop-outs were encountered.

The control panel on the right side is a very slick feature; however there’s always a chance that a quick touch to adjust the position of the headphones might result in an unintentional track skip but with practice this can be avoided.

Sound Quality

It should go without saying that a certain amount of quality is lost within the Bluetooth transfer method, but the result is still very pleasing; also with the MP3 still being the king of formats for many, this is not a major concern.

The bass is very well controlled and clear with plenty of punch; the micro-velour type earpads may soak up a little of the lower sub-bass region but overall the bass impact is very impressive.

Midrange gives a wonderful sense of space and both male and female vocal are well complimented, with reverb/echo easily cutting through. There’s next to no clutter here and harmonics shine.

Treble is rolled off slightly; the Urbanite XL Wireless does not hold it back, but there are brighter-sounding headphones. As it is, there is enough treble to enhance details such as percussion, but without much chance of fatigue – it’s a good comfortable sound.

Separation and soundstage are excellent; individual instruments can be picked out with the soundstage extending beyond the physical confines of the headphones themselves.

Using the cable, maximum volume was lower although this of course depends on the maximum amplification of the smartphone being used. The Urbanite XL Wireless has an internal amp which only comes into play when used along with its wireless capability.

Isolation is fair, but you may be inadvertantly sharing your music with those nearby if listening at high volume levels.

Summary

It’s a time of year when we are all looking forward to the longer days and warmer temperatures promised by summer (at least in the northern hemisphere!) and we’re to be found making plans and dreaming about lazy days in the sunshine. Snag-free music seems like a great way to enhance that feeling of freedom and those carefree (cable-free?) moments out there. With the Urbanite XL Bluetooth being worn with it’s XL earpads, our ears might be in the dark but at the same time most enlightened!

Fidue A83 Earphones Review – Hybrid Unbridled

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Verdict

What’s not to like about the Fidue A83? From the unassuming ‘try me’ design to the expansive sound, the A83 could take us down many rabbitholes!

Pros

  • Instantly engaging
  • Lovely cable

Cons

  • Case is a little ungainly

Fidue is another of those makers who are peppering the market with all sorts of models at various pricepoints, and the A83 occupies their top spot just now. Despite sharing its name with a minor road up in Scotland, the Fidue A83 is warm, fast and hardly ever congested. The Fidue A83 can however bring you to ‘The Mull of Kintyre’ if you really want to go that far.

Key Features

The left and right sides are denoted by the blue and red housings of the Fidue A83; they simply beg to be worn and seem to offer a fun experience just by looks alone. Supplied tips are what can be expected for a model in this price category; there’s a good range along with the nearly ubiquitous free Comply foam tips, but don’t differ that much from those given away with budget models. The case is of the chunky ‘Pelican’ style and along with the hard foam winder/storage insert will certainly protect the earphones. The case will not easily fit in the pocket however.

First Impressions

The clear translucent red/blue plastic of the housings is matched by the outer-facing housing part which although metallic-looking, is also plastic. However the overall impression is of a solid and well-built IEM along with the best of them. The cable is the most striking feature; it is braided and is coated to avoid too much friction. It’s nice and loose so tangles are unlikely.

Sound Quality

Far from a neutral sound, the Fidue A83 certainly packs a fun punch with deep and powerful bass when called for, adding weight beneath kick drums and basslines, but steering well clear of midrange bleed. There’s no more bass than dictated by the music. Midrange is clear with a lush hint; space is well preserved and harmonics make instruments shine. Up top, the Fidue A83 is not as rolled off as most universal IEMs but there is no hint of anything which might cause fatigue in the ear. Separation and imaging are very good for an in-ear too.

The A83 is amazingly faithful to your chosen genre; trying these with some 1970s production music, the dynamic compression used is beautifully rendered and makes the bass and midrange really work together. Conversley, with some clean and clear Level 42 from the 1980s, the presentation is as fresh and clean as a new pin. The A83 takes what’s good, and makes it even better.

Summary

The Fidue A83 really are as fun as they look; but don’t let this kid you into thinking they cannot be serious too. Think perhaps of looking in a mirror and actually seeing the person you imagine yourself to be – 10 years younger, spritely and in your best light – it’s the Fidue makeover!

Score – 9.5/10

The Fidue A83 features in our BEST HEADPHONES OF 2015 REVIEW

Final Audio Heaven VII Earphones Review

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Verdict

Any Final Audio earphone in the Heaven series is fantastic at its pricepoint, and for the asking price the Final Audio Heaven VII offers angelic audio quality. Soundstage and detail are stunning, while the frequency response gives a presentation which is both delicate and authoritative.

Pros

  • Sounds amazing
  • Looks amazing!
  • Good strong metal case

Cons

  • Microphonics
  • Cable can be worn down from the ear only

Being British here we’re no strangers to what the heavens can provide (lots of rain!); however we’ve been enjoying a few distractions lately. Final Audio’s Heaven series is no less than a perfect fusion of detail and comfort; starting from the entry-level Heaven II. The range leaves us spellbound, and a lot drier as well.

The appearance and sound of the Final Audio Heaven VII is a contrast to its stablemate the Heaven VIII, which is the fuller sounding of the two models. While the Heaven VII lies in neutral-airy territory, the golden Heaven VIII gives a lusher presentation with a little more bass. A review of the Heaven VIII is coming soon.

As well as the Heaven VIII, the Heaven VII is one of the latest in this series; it is based on a similar design to the rest of the Heavens, but borrows the capsule design from the limited edition dual balanced armature ‘LAB-1’ model which is not generally available outside of Japan and the Far East.

Key Features

Using a single full-range balanced armature driver produced by Final Audio themselves, the Heaven VII is detailed but never gets fatiguing. Bass is fully represented, mainly due to both the balanced armature and Final Audio’s BAM (Balanced Air Movement) technology which incorporates some clever tricks to improve the frequency response in the lower region, when compared to other makers’ single BA designs.

Also, the Heaven VII has been designed with ‘resonance dispersion’ in mind. According to Final Audio, this helps prevent vibrations and reflections in the housings which may lead to a detrimental effect on the sound. The casings are made using a metal-plating technique so that the colour won’t wear away or chip.

First Impressions

It’s the styling which is first to be noticed; there’s a medieval feel about them – particularly the black Heaven VII. While the design is of course down to a high-tech process, they still give the impression that they were produced by an enchanted artisan a few hundred years ago!

The jack differs from others in this range however; it’s more like the straight jack which comes with the Final Audio Hope VI full-size headphones.

Sound Quality

With an Astell & Kern K120, the Final Audio Heaven VII gives a totally immersible experience – soundstage is well beyond the physical confines of the housings, and separation is superb. Bass, as already mentioned, is not typical for a single balanced armature design; it is very well balanced with the rest of the sound and is well controlled, allowing the midrange a good amount of space to impress. The sound is very clean and exact; it neither is boosted or recessed and works very nicely. Sense of space is very real, and together with the soundstage, very big! There are moments with the K120 where high frequencies threaten to cross into strident territory, but never do. With a Fiio X3, due to the nature of the player’s sound, the Heaven VII is smoother which I prefer personally.

Summary

We’ve come to expect very high standards from Final Audio – in terms of audio quality, build quality and presentation too. The Heaven VII still pushes the envelope, giving a touch of glamour without ostentatiousness, toughness without bulk, and detail without sharp edges.

Score 9.5/10

 

Audio-Technica ATH-MSR7 Review – The Dark Horse From Tokyo

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Verdict

Exceptional quality for the price. The Audio-Technica ATH-MSR7 renders every detail clearly and leaves no sonic stone unturned, but steers just clear of being overbearing at the top end of the frequency range.

Pros

  • 3 cables for all scenarios, including one for smartphones
  • Solid but light construction
  • Carry pouch

Cons

  • There must be something..!

The new Audio-Technica ATH-MSR7 has escaped from Japan and has made it to our eager earholes in the UK; but can we expect a bigger version of the M50, or something else? The styling is reminiscent of the M50, but can we expect the recessed mid range that the M50 is known for?

Key Features

The ATH-MSR7 features ‘True Motion’ Hi-Res audio drivers with a diameter of 45mm; this according to Audio-Technica’s website improves response times and minimises distortion for a clearer and and more detailed sound, due to the inclusion of a super-light voice coil and precision diaphragm. Also ‘Dual layer air-control technology’ is described as a method for reducing vibrations within the housing; together with a triple-vent on each side, virtually all extraneous sound can be dealt with. Audio-Technica have been generous with extra cables in the box; there’s both a 3m and 1.2m cable and for those of us with friends, a cable featuring a mic and smartphone controls. For those without, we can always place the plush and well-made carry pouch over our heads.

First Impressions

The headphones don’t inspire much in the way of excitement on first seeing them; they’re pretty standard and much like the M50 with a less broad headband and larger earcups. The build quality is superb however, exuding a feeling of solid reliability. I’m reminded of a Beyerdynamic DT250.

Sound Quality

Under the ATH-MSR7’s dour and business-like appearance beats the heart of a party animal; ready to draw you in for the time of your life! The sound of these cans really must be heard to be believed; for under £200 the ATH-MSR7 represents some amazing value for money. There’s no ‘effortless’ feeling of headphones at the high end of the market, but everything else is there. A very pleasing bass which knows its place but is very impactful and rich, leaves room for a stunningly clear midrange with bright treble extending high, but with a smoothness which does not stray near harshness.

Soundstage is good for a closed back headphone, but it’s the imaging and speed which really makes the ATH-MSR7 shine. It certainly seems that the mysterious techniques that Audio-Technica have implemented here have paid off. I can think of headphones this good which cost twice as much as the ATH-MSR7! Little harmonic details and hard-panned instruments vie for attention, and the ATH-MSR7 demands pretty much all of it!

Summary

All too often we’re forced to find new exciting ways to say something is very good, and this is another of those times. The Audio-Technica ATH-MSR7 just does everything well. Understated enough to be worn in public, vented enough to provide a great sound, but also with a good amount of isolation. The ATH-MSR7 is just heavy enough to give the impression of solid build quality, but light enough to be enjoyed in great comfort. And as above, the sound is immersive.

Score – 9.5/10

Click Below to see our Audio-Technica ATH-MSR7 Unboxing video

Sennheiser Momentum In-Ear Review – Shrunk Down Chic

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Verdict

For the asking price, the Sennheiser Momentum In-Ear is incredible value; giving great sound as well as swish styling and all in a very rugged and classy looking case. They are available in versions compatible with Apple devices as well as Android, so you needn’t be cutting down your choice of handsets with the Momentum In-Ear.

Pros

  • Very nice looking
  • Decent well thought-out case
  • Versions for Apple and Android
  • Right Angle Jack

Cons

  • Bundled accessories are high quality but low in number
  • Designed to be worn down from the ear only

Hot off the press at Sennheiser, the Momentum In-Ear promises to give music fans a taste of what this esteemed company is capable of in its 70th year. This particular old man is not doddery in the least however; the old CX300 and similar models have been updated, the new Urbanite is impressing young music fans all over the place and now we have the Momentum In-Ear.

Key Features

The first thing which is noticeable is the case, since the Momentum In-Ears are tucked away in the case when bought. Fishing them out gives a very good impression however – the case is semi-rigid with an internal caddy around which the cable can be wound. This will certainly protect the Momentum In-Ears well when not in use. The nozzles have been updated from previous similar Sennheiser in-ears, with the Momentum In-Ear these are now ‘custom machined stainless steel sound tunnels’ – they give a nice impression of build qulaity. Then there’s the buttons, either for Apple or Android, depending on which version you buy.

First Impressions

In terms of styling, it’s more reminiscent of the Urbanite model. The flat two-tone cable and understated shiny design is attractive but not showy, much like the Momentum In-Ear‘s sound. The case is new too, and is an excellent design as it affords protection against the contents being squashed or stressed. A separate ‘caddy’ comes out, around which the cable can be gently wrapped and it goes back into the case to be zipped up. Very neat.

The capsules themselves remind me somewhat of the Brainwavs S5, with their off-centre nozzles. They fit very well indeed when worn like this, but it may make the ‘up and over’ wearing style a little awkward. It can be done though!

Sound Quality

When it comes to the sound, the Momentum In-Ear compares well with its full-size Momentum sibling. Detail is high without sibilance or discomfort; harmonics are brought out for a very real sense of musicality. Soundstage is surprisingly broad for an in-ear model and imaging is coherent and sharp. Overall, the sound is fairly typical of Sennheiser’s recent offerings; in terms of full size headphones at least. When compared to older lines such as the now axed CX300, the sound is drastically improved and shows that this old dog still has some new tricks!

Summary

A very good in-ear from this venerable old timer. Despite all the in-ear competition coming from young companies keen to impress, Sennheiser can still pull a rabbit from the headphone hat; the Momentum In-Ear is a real treat!

Score – 9/10

Brainwavz S5 IEM Headphones Review – It’s A No Brainer?

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Verdict

I once thought that when it comes to budget earphone reviews, a jaded attitude would eventually begin to creep in. Surely there’s a limit to how many of these in-ear headphones one can try before it all gets a bit dull! However, I’m glad to find that I can still get bucket loads of enjoyment out of trying earphones such as this. The Brainwavz S5 are bags of fun with a warm and friendly presentation and they have loads of room with a generous soundstage. For the asking price the Brainwavz S5 is a fantastic sounding headphone; being new does not make it average, as we’ve seen with recent debutants such as DUNU-Topsound and Fidue. There are a couple of minor gripes such as the ‘left’ and ‘right’ markers being tiny and the y-split strain relief on the cable – it looks like a section borrowed from a bridge.

Pros

  • Generous supply of tips including Complyfoam
  • Good solid jack adapter
  • Hard case
  • Involving sound

Cons

  • Left and right markers hard to see
  • Straight jack
  • Cable split strain relief has become a feature

Brainwavz is another relatively new company in the personal audio market. However they are currently making big wavz of their own, and if the Brainwavz S5 is anything to go by a few more products from them can certainly float in this direction!

Key Features

Features are basic with no controls or buttons on the Brainwavz S5 itself, but there are some nice touches like the alternative eartips which give a slightly different sound, together with a pair of Complyfoam tips. A hard case is included which is great for cable longevity, and a rather nice jack adapter.

First Impressions

Initially there were no expectations, having no experience with this brand before. Packaging and presentation are fine for a product in this price range, but the sheer number of similar products diluted our enthusiasm. Initially there was disappointment with the black eartips – the bass was boomy and took up a lot of space in the presentation. But then the translucent eartips were tried.. See the next section – Sound Quality!

These earphones actually caused pain in the eyes as it was so hard looking for ‘left’ and ‘right’. For this review, a folded post-it note was stapled around the cable on the left so this needn’t be repeated. Black characters on a black background need to be several millimeteres in height before they’re legible.

Sound Quality

With my preferred translucent eartips, the presentation is perfect for my tastes. A warm weighty bass underpinning some very spacious mids and present but not overbearing highs. The bass impact stays down low while harmonics higher up give it a gloriously chunky feel which I’m a big fan of. It stays in its place and gives the midrange plenty of chance to show off its own detail. The midrange is slightly recessed, but not as recessed in my opinion as with the black tips. Higher up, things are on the smooth side but by no means dark. Soundstage is good for an in-ear of this type with separation fairly good – there is a bit of a cluttery feel to the percussion in The Bangles’ ‘Walk Like an Egyptian’ but the Brainwavs S5 copes well, considering all that’s going on in that track.

Summary

A very competent and great-sounding offering which begs the question – what are the higher-priced items from Brainwavs going to be like? I found the Brainwavz S5 to be amazing on older instrumental and pop recordings, but there may be a danger with more modern music featuring sub bass and similar with the bass being a bit much.  But then again, fans of those genres will likely be looking for just that type of sound.

Score – 8.5/10

Audio-Technica ATH-CHX7iS Review – Combined Earbud and In-Ear Headphones

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Verdict

Great for those relaxing at home and in the office, the Audio-Technica ATH-CHX7iS is a slight departure from the usual style of in-ears and earbuds. Audio-Technica have mashed the two styles in a way that reminds us of the Final Audio Piano Forte Series. These are not designed for all scenarios; on a motorbike journey for instance, enjoyment is reduced to knowing only when cymbals are being used in a recording. Of course, open-back headphones do not receive low scores for leaking sound and so the snappily named Audio-Technica ATH-CHX7iS is being viewed with a similarly open mind.

Pros

  • Very comfortable
  • Feel secure whilst worn
  • Great open wide sound

Cons

  • Case very small
  • Not for noisy places

Being big in Japan, Audio-Technica have been satisfying the Japanese fetish for personal audio products for some years now and have a huge number of different models. This allows for a little experimentation in the boardroom and some interesting items for us to try.

Key Features

The Audio-Technica ATH-CHX7iS comes with a handy button for smartphone functionality, and a volume control. The volume control does not communicate with the phone, it is a variable resistor only but works very well. The carry case is very small indeed; being hard it will afford some protection but the cable would need to be wound more tightly than perhaps it should. The relatively large size of the driver units doesn’t help either.

First Impressions

We all like something a bit different and the Audio-Technica ATH-CHX7iS is certainly that. Given that portable audio is all about blocking out the outside world, these earphones are a departure from the norm. Perhaps taking a leaf out of Final Audio’s book (their Piano Forte range is similar), Audio-Technica have seen a potential for small, open-backed models for those quieter moments out there, or for casual listening at home.

Sound Quality

As with anything open, the surroundings make a crucial difference and with a design worn like this, people are going to expect to use them outside. Great if it’s quiet, but a bit of road noise will reduce the Audio-Technica ATH-CHX7iS to a tinny irritant by contrast.

At home though, the presentation is as comfortable as the fit and I have the impression of a halfway house between headphones and speakers; it’s like a very cheap alternative to the AKG K1000 speakerphones. Soundstage is the best feature of the Audio-Technica ATH-CHX7iS, along with the natural feel they have.

The sound is very well balanced despite the loss of bass due to the open fit – perfect for lounging around the house while still remaining alert of the surroundings. The sound is on the bright side but this may just be the added soundstage making certain details stand out more, and also the fit. By pushing the capsules gently against my ears the bass is heightened; perhaps it is the design of our ears which might lead to subtle differences here in what we each perceive.

Summary

It would be good to see more models like the Audio-Technica ATH-CHX7iS coming through; we’re in danger of becoming too conventional in the headphones world and being set in our ways. It seems that companies like Audio-Technica and Final Audio don’t want us to get too comfy and are happy to prod us towards a more inclusive attitude. And why not? The headphones concept might be 100 years old, but things are far from predictable; particularly with new technologies being developed and many new ways of using and relating to music to look forward to.

Score – 8.5/10

Dunu DN-2000 Review – High Quality Hybrid

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Verdict

It’s easy to get a bit weighed down amongst all the extra bits and attachments that are included with the Dunu DN-2000, but they are all worth trying for greater comfort and a more ‘bespoke’ sound. The hybrid driver arrangement really works to deliver a very engaging and detailed presentation which never strays into harsh territory, and the case is certainly something we’d like to see included with premium IEMs more in the future.

Pros

  • Exceptionally sweet sound
  • Plenty of accessories
  • Options to tailor the frequency response
  • Options to alter fit
  • Good solid case

Cons

  • Tuning rings can be lost
  • Casing can cause discomfort if earfins not used

If you’ve heard some of Dunu’s entry-level earphones such as the DN-12 Trident you might be curious about how the in-ear Dunu flagship, the DN-2000 measures up. Dunu’s in-ear offerings are as numerous as they are interesting, but the current cherry on the top, the DN-2000, takes the cake.

Key Features

Like its stablemate the DN-1000, the DN-2000 has a hybrid driver format but packs two balanced armatures and one dynamic driver in per side giving the best of both sonic worlds, like the similarly priced Audiofly AF140.

Accessories are bountiful, with both tuning rings and tips to alter the frequency response, and rubber attachments for improved comfort and fit in the ears. Also included is a pair of earhooks to try and the usual 6.35mm/flight adapters.

First Impressions

Expectations have certainly been raised by the quality of Dunu’s other products, namely the excellent budget model the DN-12 ‘Trident’ and DN-1000; the other hybrid design. For the asking price these have been nothing short of stunning, so the DN-2000 has its work cut out.

Once a preferred combination of tuning rings and tips was found (silver ring, and tip for ‘detail and resolution’), I felt it necessary to try the rubber attachments. These are secured by a small ridge of metal much like a penclip, which ironically can cause a little discomfort if the rubber parts are not used. The rubber parts help to keep the capsules steady in the ear, and certainly make for a comfortable and trouble-free listening session. A down side is the tendancy of the tuning rings to try and escape back to China when the eartips are removed. Just take care and don’t fiddle with the DN-2000 when using ski-lifts for example.

The hard case is also a nice feature. It reminds me of a travelling case for a bar of very valuable soap; it’s very solid and will protect the DN-2000 very well when in transit.

Sound Quality

Bass is fully present and in good proportion to the rest of the presentation with good punch and definition; it stays in place and leaves the midrange and high frequencies free to be the stars of the show for me. Decays are very realistic in terms of perceived space, and the DN-2000 leaves plenty of room in the presentation for these to be followed around by hungry ears! Treble is fairly bright albeit still smooth; mostly the DN-2000 stops short of being too bright but on some tracks there may be a touch of sibilance with female vocals, for instance.

Summary

For the asking price the DN-2000 is a worthy competitor; it will certainly hold its own amongst the other models in that price range and gives a bit more colour to it, given that a majority of alternatives are full balanced-armature models. I welcome the DN-2000 as much as I welcome a further example of a hybrid driver design being implemented so well; loving as I do the different strengths of the different transducer types, it’s a real treat to have both at once. Like a baked Alaska or a sweet and sour stir-fry, there’s a real synergy going on here.

Score: 9/10

Beyerdynamic T51i Review – Premium Portable Perfection

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Verdict

High quality needn’t be a feature only of high-end, open-backed headphones, as we’ve recently seen with the likes of the KEF M500 and the Musical Fidelity MF100. With their solid but light aluminium construction, yielding earpads and flawless sound, the Beyerdynamic T51i allows you to take true Hi-Fi sound wherever you go.

Pros

  • Solid build quality
  • Very comfortable for an on-ear
  • Exceptional Sound quality
  • Ideal carry case included
  • Good isolation

Cons

  • Fixed cable
  • Buttons a little small and recessed, may be tricky with gloves on

German headphone company Beyerdynamic’s latest offering, the T51i, features iDevice compatibility for trouble-free calls as well as superior sound quality. The overall impression is that these will last for years; there is simply nothing to fall apart or get loose.

Key Features

Obviously the iControls are what marks this headphone out as different to the T51p; other than that it’s the usual package from Beyerdynamic. Just solid and dependable construction and sound, along with a soft but sturdy case and the usual 6.3mm/flight adaptors. Also included is an adaptor to convert Apple’s preferred CTIA jack terminal spec to OMTP for older handsets. In this market it’s tempting to add a gimmick or two, but Beyerdynamic know that these headphones can easily stand on their own merits.

First Impressions

The build quality is a fine introduction to the general theme here, just pure enjoyment. The Beyerdynamic T51i headphones are lovely to touch; the strong cool metal and leathery earpads definitely give the idea that there’s nothing to worry about and it’s all under control. The cable is more akin to their IEM cables; more suitable for the portable crowd, but non-removeable. Conceivably, they could have had a removeable cable and introduced alternative cables with controls for specific handset types, but that’s just nit-picking.

Sound Quality

Sound quality is about what can be expected from Beyerdynamic’s full size headphones; well represented bass without bloat or bad definition, clean midrange and detailed highs. Some models such as the DT880 can lean toward the bright side, but the T51i has the detail along with smoothness. I’ve been listening at a fair volume for an hour and am quite comfortable.

Summary

Highly esteemed makers with long pedigrees like Beyerdynamic raise one’s expectations accordingly. Nevertheless the Beyerdynamic T51i is still a surprise, and an absolute pleasure to use. The build, feel and sound of them all scream quality; the way they are put together comes from 50 years ago, but the sound is definitely 21st century.

Score: 9/10

Aedle VK-1 Portable Closed Back Headphone Review

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Verdict

A great newcomer to the Portable Headphone range – The Aedle VK-1 has real punch with weighty bass and cracking midrange. Not only do they sound exciting, they look it too! They are easy enough to drive off a portable device and are very comfortable. So if your looking for a portable on ear headphone with an exciting sound, great bass and stylish looks then look no further.

Pros

  • Great bass quality
  • Stylish and well built
  • Replaceable cable

Cons

  • Don’t isolate as well as other portable headphones
  • No headband padding

Key Features

  • Driver diameter – 40mm
  • Impedance – 32 Ohms
  • Weight – 216 g
  • Replaceable cable (optional smartphone cable – not included)
  • Aluminium driver housing
  • Cable length – 1.3m and 2.4m (both included)

First Impressions

Everything about these headphones – including the packaging – oozes style. The VK-1’s come very well packaged, they even have that ‘new shoe’ smell. In the box you get a very smart carry bag, two cables (1.3m and 2.4m), a 3.5 to 6.3mm jack adapter, an airline adapter and an Aedle ID card which allows you to ‘discover surprises’ on their website.

The headphones look great! The aluminium housing and brown leather really compliment each other and they are a perfect portable size – it’s obvious that lots of work has gone into designing the Aedle VK-1. The cables supplied are coated and even though they are a little thicker than some other headphones, they are very flexible.

The headband uses a spring steel structure so it’s very flexible and tough. To adjust it you just bend it into shape – this gives a very secure fit that will perfectly fit your head.

Sound Quality

Straight away you pick up on the quality of bass that comes out of the VK-1 – it’s punchy without being bloated or overkill. The midrange also stands out, especially snare drum crack. There is probably a slight top end roll off, but with such great quality mids you forget about this very quickly. Overall the sound is exciting and edgy and thanks to the venting on the driver housing there is a great sense of space in the sound.

Listening to Dire Straits – Your Latest Trick, the opening trumpet sounds rich and the cymbal comes in effortlessly in the far left. Once the track gets going there is a snare rim shot that really cuts through and the keyboards add the right amount of emotion, then the vocals come in sitting perfectly on top of the instruments. Once the song is in full swing you can pick out every instrument with ease and enjoy every one of them.

Next up was Slipknot’s Duality (obviously). These headphones are made for this track! When the stereo guitars kick in they completely surround you and then the drums… WOW. The snare and kick have real impact and the bat on beer keg sounds as though its being hit right next to you. Metal can sometimes be a tough test for headphones, but these seem to handle it with ease.

Lastly is Break by Jurassic 5 – this one really tests the bass. From the off there’s a massive kick drum and snare sample, the kick drum resonates very naturally and the snare has a great ring to it that comes across perfectly on the VK-1. The vocals come in and there is no confusion, everything has its place.

The Aedle VK-1 is rhythmic, edgy and punchy. They have a wide sound for a closed portable headphone and there is no harshness or sibilance.

Summary

The Aedle VK-1 comes into Sennheiser Momentum territory and it definitely gives you something different. They’re not as relaxed or controlled – they have more oomph and punch without having a harsh top end. The midrange cuts through more and as they are on ear they won’t have the same fit issues that the Momentum has. I would recommend these to anyone who wants a pair of headphones that look great, sound exciting with weighty bass and crisp mids and don’t completely cut you off from your surroundings. If you prefer a more neutral sound with top end detail then I would consider the KEF M500 as an alternative.

Score – 9/10

KEF M500 Portable Closed Back Headphone Review

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Verdict

KEFs addition to the portable range of headphones is sleek, comfortable and most importantly sounds great! Clear detail with tight bass and crisp mids – They also fold up for easy storage and come with a spare cable for iDevices. The KEF M500 is extremely well built and feels solid, the pads are  soft and they isolate very well.

Pros

  • Foldable
  • Solidly built
  • Extra cable with in-line mic and controls for iDevices

Cons

  • Earpads are fully on the ear so can get warm

Key Features

  • Driver diameter – 40mm
  • Impedance – 32 Ohms
  • Weight – 208 g
  • Replaceable cable (iDevice cable included)
  • Foldable headband
  • Cable length – 1.3m

First Impressions

From the start you can see that KEF have gone for an elegant design. The packaging is simple, and follows the M500s colour pallet of silver and black. Inside you get a hard case – again very simple and well designed, 2 1.3m tangle-free flat cables (one with 3 button remote and microphone for iDevices), a flight adapter and a 6.3mm jack converter.

The M500 is very well built, and thanks to the aluminium frame not only are they light weight but they look great too! The headband padding is very soft and the earpads are made from breathable memory foam –  this provides great isolation. KEF has not only designed a headphone that feels good – they also look great and they’re extremely comfortable.

Sound Quality

The KEF M500‘s are well balanced without being boring – clean, clear and crisp with tight bass, well defined mids and lots of top end detail. Having a well balanced sound makes them sound great with all genres and the top end detail works really well with acoustic music or any songs with plenty going on. The separation is superb – you can hear the edge of every instrument, and considering these are fully closed back they have great soundstage.

Summary

For a portable headphone the KEF M500 is gives you everything – stylish, compact, well built, iPhone compatible, comfortable and it sounds great. The sound will suit anyone looking for a clean, balanced and detailed sound – especially in the higher frequencies. For a warmer sound I would suggest the Sennheiser Momentum or for something with more bass impact the Aedle VK-1 would be a good choice.

Score – 9.5/10

Sennheiser Momentum Full Size Portable Headphone Review

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Verdict

The Full-size Sennheiser Momentum is the big brother to the smaller on-ear Momentum; the last word in luxurious, portable listening with sumptuous earpads made from real leather. These headphones are fantastic for separation, and they have a very wide soundstage which belies their closed back design. Sound isolation is high; the leather pads excel in keeping unwanted noises out, while social isolation is low due to the handy Apple mic and controls.

Pros

  • Comfy Earpads
  • Smart/Stylish
  • Rich Bass
  • 5 year warranty

Cons

  • Top end detail
  • Relatively unforgiving headband

Key Features

  • Coupling: Over Ear
  • Transducer principle: Dynamic, closed
  • Frequency response: 16Hz – 22kHz
  • Impedance: 18?
  • Weight: 190g
  • Cables: (no mic) 1.4m, (Apple mic) 1.3m

First Impressions

The Momentum headphones have a solid feel with a steel and leather construction. At the same time they are quite light to wear; I don’t imagine being fatigued with these during extended periods of use. They have a style reminiscent of Aviator sunglasses; rounded, tinted and very cool with a touch of 80s chic.

As well as the 1.3m Apple-compatible cable, there’s a spare 1.4m cable (without mic) and a semi-solid case for keeping them in good condition whilst on the go. The headband pad could do with plumping up a little, but the earpads are very comfy indeed. For an ‘over-ear’ design however, the spaces in the earpads are limited so comfort may be dependent on an individual’s own ear shape and size.

Sound Quality

The Sennheiser Momentum excels at bass warmth without being bloated, and the soundstage appeared to be shoulder-wide; the ‘breadth’ of the music far exceeds the physical size of the headphones. Separation is very good also with each instrument in its own space. Mid range is involving and enjoyable, but there is a slight lack of high-end detail which some may prefer to keep. I’d summarise the frequency response as akin to the design; very comfortable indeed but not likely to send you to sleep in a hurry!

Dance music is particularly suitable, and although the Momentum can be used straight from a portable device they respond really well to amplification. Sub bass is plentiful, indeed awesome with the Fiio E12‘s bass boost. The Momentums really respond well to EQing.

Summary

If you like to relax in the bath with a box of chocolates, these are the headphones for you! This is not to say that these headphones are suitable for relaxing music only of course. Dance, rap and R&B all come across really well; acoustic music will be good due to the midrange but may lose a little something at the top end. Soundstage and separation will make up for this however; any performance will not feel any less real.

Score – 9/10

HIDIZS AP100 Digital Audio Player (DAP) – HifiHeadphones Mini Review

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RRP – £230-£250

If you like your brand names to look like the first line of an optician’s eye chart, the Hidizs AP100 is certainly worth considering – the name might take some getting used to, but it’s plain to see that this player is getting some covetous glances!

The AP100 has some stiff competition in the low-cost DAP (Digital Audio Player) market, not least from Fiio’s ‘X’ range. The AP100 appears to be a halfway house between the X3 and X5 in terms of size and cost, but how about sound quality?

The same can easily be said – compared to the Fiio X3, the AP100 is a little more accurate and coolish but this is not to say that the Hidizs AP100 is harsh. Listening to unyielding and brittle-sounding early 80s pop such as Duran Duran is fine on the AP100 but the X3 just gives it a bit more warmth and roundness to a presentation – the AP100 wins in terms of detail.

With the default firmware, tracks stood a good chance of having the first second chopped off if selected from the track list on the device, but this was fixed after upgrading to V1.31067. One problem I had after upgrading was that the unit reverted to its native Chinese language – there was no clue how to get it back to English again. Luckily I found the option in the menu as the only item with 2 Chinese characters. Select this and you’ll see ‘English’ in the sub menu.

The buttons on the Hidizs AP100 are lovely to press; there’s a great chunky feel to them and they are good solid buttons which will last. The only problem is that Hidizs saw fit to add separate buttons for ‘fast forward/rewind’ – I’m so used to using the same buttons for track skip and forward/rewind that I keep skipping tracks by accident. Also the ‘back’ button is on the right of the other navigation controls, which makes it feel like a forward/select button; this may lead to a few wrong turns for the uninitiated but it’s easy to get used to.

There’s a little flap in the case which is held shut by velcro. It took a while to figure out but this is for spare micro SD cards; just be aware that you may need tweezers to remove them again. SD cards can be changed simply in the device, however a tool or long fingernail is required to ‘click’ it into place and retrieve it.

I did also notice a problem with the track list on the player – select ‘track 1’ for instance on the track list and skip forward a couple of tracks via the play screen. Then on going back to the track list, ‘track 1’ is still highlighted as if it is still playing. Perhaps this will be addressed in future firmware updates.

Summary

A good little player; I look forward to future firmware updates but in the meantime the UI is quite useable, and the unit gives a clear uncluttered sound with a good amount of power. A great first effort which begs the question: whatever next from Hidizs?