Tag Archives: portable

Fidue A83 Earphones Review – Hybrid Unbridled

Posted on by
2

Fidue A83

Verdict

What’s not to like about the Fidue A83? From the unassuming ‘try me’ design to the expansive sound, the A83 could take us down many rabbitholes!

Pros

  • Instantly engaging
  • Lovely cable

Cons

  • Case is a little ungainly

Fidue is another of those makers who are peppering the market with all sorts of models at various pricepoints, and the A83 occupies their top spot just now. Despite sharing its name with a minor road up in Scotland, the Fidue A83 is warm, fast and hardly ever congested. The Fidue A83 can however bring you to ‘The Mull of Kintyre’ if you really want to go that far.

Key Features

The left and right sides are denoted by the blue and red housings of the Fidue A83; they simply beg to be worn and seem to offer a fun experience just by looks alone. Supplied tips are what can be expected for a model in this price category; there’s a good range along with the nearly ubiquitous free Comply foam tips, but don’t differ that much from those given away with budget models. The case is of the chunky ‘Pelican’ style and along with the hard foam winder/storage insert will certainly protect the earphones. The case will not easily fit in the pocket however.

First Impressions

The clear translucent red/blue plastic of the housings is matched by the outer-facing housing part which although metallic-looking, is also plastic. However the overall impression is of a solid and well-built IEM along with the best of them. The cable is the most striking feature; it is braided and is coated to avoid too much friction. It’s nice and loose so tangles are unlikely.

Sound Quality

Far from a neutral sound, the Fidue A83 certainly packs a fun punch with deep and powerful bass when called for, adding weight beneath kick drums and basslines, but steering well clear of midrange bleed. There’s no more bass than dictated by the music. Midrange is clear with a lush hint; space is well preserved and harmonics make instruments shine. Up top, the Fidue A83 is not as rolled off as most universal IEMs but there is no hint of anything which might cause fatigue in the ear. Separation and imaging are very good for an in-ear too.

The A83 is amazingly faithful to your chosen genre; trying these with some 1970s production music, the dynamic compression used is beautifully rendered and makes the bass and midrange really work together. Conversley, with some clean and clear Level 42 from the 1980s, the presentation is as fresh and clean as a new pin. The A83 takes what’s good, and makes it even better.

Summary

The Fidue A83 really are as fun as they look; but don’t let this kid you into thinking they cannot be serious too. Think perhaps of looking in a mirror and actually seeing the person you imagine yourself to be – 10 years younger, spritely and in your best light – it’s the Fidue makeover!

Score – 9.5/10

The Fidue A83 features in our BEST HEADPHONES OF 2015 REVIEW

Final Audio Heaven VII Earphones Review

Posted on by
Reply

Verdict

Any Final Audio earphone in the Heaven series is fantastic at its pricepoint, and for the asking price the Final Audio Heaven VII offers angelic audio quality. Soundstage and detail are stunning, while the frequency response gives a presentation which is both delicate and authoritative.

Pros

  • Sounds amazing
  • Looks amazing!
  • Good strong metal case

Cons

  • Microphonics
  • Cable can be worn down from the ear only

Being British here we’re no strangers to what the heavens can provide (lots of rain!); however we’ve been enjoying a few distractions lately. Final Audio’s Heaven series is no less than a perfect fusion of detail and comfort; starting from the entry-level Heaven II. The range leaves us spellbound, and a lot drier as well.

The appearance and sound of the Final Audio Heaven VII is a contrast to its stablemate the Heaven VIII, which is the fuller sounding of the two models. While the Heaven VII lies in neutral-airy territory, the golden Heaven VIII gives a lusher presentation with a little more bass. A review of the Heaven VIII is coming soon.

As well as the Heaven VIII, the Heaven VII is one of the latest in this series; it is based on a similar design to the rest of the Heavens, but borrows the capsule design from the limited edition dual balanced armature ‘LAB-1’ model which is not generally available outside of Japan and the Far East.

Key Features

Using a single full-range balanced armature driver produced by Final Audio themselves, the Heaven VII is detailed but never gets fatiguing. Bass is fully represented, mainly due to both the balanced armature and Final Audio’s BAM (Balanced Air Movement) technology which incorporates some clever tricks to improve the frequency response in the lower region, when compared to other makers’ single BA designs.

Also, the Heaven VII has been designed with ‘resonance dispersion’ in mind. According to Final Audio, this helps prevent vibrations and reflections in the housings which may lead to a detrimental effect on the sound. The casings are made using a metal-plating technique so that the colour won’t wear away or chip.

First Impressions

It’s the styling which is first to be noticed; there’s a medieval feel about them – particularly the black Heaven VII. While the design is of course down to a high-tech process, they still give the impression that they were produced by an enchanted artisan a few hundred years ago!

The jack differs from others in this range however; it’s more like the straight jack which comes with the Final Audio Hope VI full-size headphones.

Sound Quality

With an Astell & Kern K120, the Final Audio Heaven VII gives a totally immersible experience – soundstage is well beyond the physical confines of the housings, and separation is superb. Bass, as already mentioned, is not typical for a single balanced armature design; it is very well balanced with the rest of the sound and is well controlled, allowing the midrange a good amount of space to impress. The sound is very clean and exact; it neither is boosted or recessed and works very nicely. Sense of space is very real, and together with the soundstage, very big! There are moments with the K120 where high frequencies threaten to cross into strident territory, but never do. With a Fiio X3, due to the nature of the player’s sound, the Heaven VII is smoother which I prefer personally.

Summary

We’ve come to expect very high standards from Final Audio – in terms of audio quality, build quality and presentation too. The Heaven VII still pushes the envelope, giving a touch of glamour without ostentatiousness, toughness without bulk, and detail without sharp edges.

Score 9.5/10

 

Audio-Technica ATH-MSR7 Review – The Dark Horse From Tokyo

Posted on by
Reply

Verdict

Exceptional quality for the price. The Audio-Technica ATH-MSR7 renders every detail clearly and leaves no sonic stone unturned, but steers just clear of being overbearing at the top end of the frequency range.

Pros

  • 3 cables for all scenarios, including one for smartphones
  • Solid but light construction
  • Carry pouch

Cons

  • There must be something..!

The new Audio-Technica ATH-MSR7 has escaped from Japan and has made it to our eager earholes in the UK; but can we expect a bigger version of the M50, or something else? The styling is reminiscent of the M50, but can we expect the recessed mid range that the M50 is known for?

Key Features

The ATH-MSR7 features ‘True Motion’ Hi-Res audio drivers with a diameter of 45mm; this according to Audio-Technica’s website improves response times and minimises distortion for a clearer and and more detailed sound, due to the inclusion of a super-light voice coil and precision diaphragm. Also ‘Dual layer air-control technology’ is described as a method for reducing vibrations within the housing; together with a triple-vent on each side, virtually all extraneous sound can be dealt with. Audio-Technica have been generous with extra cables in the box; there’s both a 3m and 1.2m cable and for those of us with friends, a cable featuring a mic and smartphone controls. For those without, we can always place the plush and well-made carry pouch over our heads.

First Impressions

The headphones don’t inspire much in the way of excitement on first seeing them; they’re pretty standard and much like the M50 with a less broad headband and larger earcups. The build quality is superb however, exuding a feeling of solid reliability. I’m reminded of a Beyerdynamic DT250.

Sound Quality

Under the ATH-MSR7’s dour and business-like appearance beats the heart of a party animal; ready to draw you in for the time of your life! The sound of these cans really must be heard to be believed; for under £200 the ATH-MSR7 represents some amazing value for money. There’s no ‘effortless’ feeling of headphones at the high end of the market, but everything else is there. A very pleasing bass which knows its place but is very impactful and rich, leaves room for a stunningly clear midrange with bright treble extending high, but with a smoothness which does not stray near harshness.

Soundstage is good for a closed back headphone, but it’s the imaging and speed which really makes the ATH-MSR7 shine. It certainly seems that the mysterious techniques that Audio-Technica have implemented here have paid off. I can think of headphones this good which cost twice as much as the ATH-MSR7! Little harmonic details and hard-panned instruments vie for attention, and the ATH-MSR7 demands pretty much all of it!

Summary

All too often we’re forced to find new exciting ways to say something is very good, and this is another of those times. The Audio-Technica ATH-MSR7 just does everything well. Understated enough to be worn in public, vented enough to provide a great sound, but also with a good amount of isolation. The ATH-MSR7 is just heavy enough to give the impression of solid build quality, but light enough to be enjoyed in great comfort. And as above, the sound is immersive.

Score – 9.5/10

Click Below to see our Audio-Technica ATH-MSR7 Unboxing video

Sennheiser Momentum In-Ear Review – Shrunk Down Chic

Posted on by
Reply

Verdict

For the asking price, the Sennheiser Momentum In-Ear is incredible value; giving great sound as well as swish styling and all in a very rugged and classy looking case. They are available in versions compatible with Apple devices as well as Android, so you needn’t be cutting down your choice of handsets with the Momentum In-Ear.

Pros

  • Very nice looking
  • Decent well thought-out case
  • Versions for Apple and Android
  • Right Angle Jack

Cons

  • Bundled accessories are high quality but low in number
  • Designed to be worn down from the ear only

Hot off the press at Sennheiser, the Momentum In-Ear promises to give music fans a taste of what this esteemed company is capable of in its 70th year. This particular old man is not doddery in the least however; the old CX300 and similar models have been updated, the new Urbanite is impressing young music fans all over the place and now we have the Momentum In-Ear.

Key Features

The first thing which is noticeable is the case, since the Momentum In-Ears are tucked away in the case when bought. Fishing them out gives a very good impression however – the case is semi-rigid with an internal caddy around which the cable can be wound. This will certainly protect the Momentum In-Ears well when not in use. The nozzles have been updated from previous similar Sennheiser in-ears, with the Momentum In-Ear these are now ‘custom machined stainless steel sound tunnels’ – they give a nice impression of build qulaity. Then there’s the buttons, either for Apple or Android, depending on which version you buy.

First Impressions

In terms of styling, it’s more reminiscent of the Urbanite model. The flat two-tone cable and understated shiny design is attractive but not showy, much like the Momentum In-Ear‘s sound. The case is new too, and is an excellent design as it affords protection against the contents being squashed or stressed. A separate ‘caddy’ comes out, around which the cable can be gently wrapped and it goes back into the case to be zipped up. Very neat.

The capsules themselves remind me somewhat of the Brainwavs S5, with their off-centre nozzles. They fit very well indeed when worn like this, but it may make the ‘up and over’ wearing style a little awkward. It can be done though!

Sound Quality

When it comes to the sound, the Momentum In-Ear compares well with its full-size Momentum sibling. Detail is high without sibilance or discomfort; harmonics are brought out for a very real sense of musicality. Soundstage is surprisingly broad for an in-ear model and imaging is coherent and sharp. Overall, the sound is fairly typical of Sennheiser’s recent offerings; in terms of full size headphones at least. When compared to older lines such as the now axed CX300, the sound is drastically improved and shows that this old dog still has some new tricks!

Summary

A very good in-ear from this venerable old timer. Despite all the in-ear competition coming from young companies keen to impress, Sennheiser can still pull a rabbit from the headphone hat; the Momentum In-Ear is a real treat!

Score – 9/10

The Big Apple Rig Shootout – Which DAC and Amp is the Champ?

Posted on by
Reply

Here at HiFiHeadphones we’re asked regularly about what amp/DAC combo might make the best job of converting and amplifying your Apple binary music collections. Would it be best to get an all in one solution like the Cypherlabs Theorem or Fostex HP-P1, or get a DAC such as the Cypher Labs Algorhythm Solo with a separate amp?

Further, how does the DAC in the Fostex compare with the DAC in the Theorem if both are connected to the same amp?

The proof of the audio pudding is in shoving the thing into your ears, so here’s our thoughts about how each solution compares!

Firstly, why even bother? The Apple iPod/iPhone has a headphone socket (just) so let’s plug straight in right? There’s nothing wrong with this, and most people find the internal DAC/Amp to be quite satisfactory when used along with their stock white earpods, or any low impedance headphone designed for portable use.

However there are those awkward types who require more power for their chosen headphones; more than the iThingy can put out. Others include those with high value in-ear headphones who will not compromise on audio quality when it comes to the digital to analogue conversion.

The wonderful full size Beyerdynamic T5p and in-ear Sennheiser IE800 were used to ascertain what might comprise the best sound and value for the average portable audiophile.

Fostex HP-P1

The original combined dac/amp for Apple; how does it fare with the new available equipment? When tried with both the Beyerdynamic T5p and Sennheiser IE800 the Fostex HP-P1 does a splendid job. Certainly better than the on-board Apple kit, but other makers have been doing their best in the intervening years of course. With this setup, the HP-P1 filter was slightly more natural sounding so assume the filter is in postion one throughout this test. Being the first up in a comparison, there’s not much to be written now but read on..

Cypher Labs Theorem 720

With the Sennheiser IE800, the Theorem gave a much better impression of control and there seemed to be more space within the midrange region. In comparison, the HP-P1 just got a bit cluttered there and the result was a loss of detail and imaging.

The Theorem compared favourably using the Beyerdynamic T5p too – the soundstage was wider and deeper with better imaging leading to a more immersive 3D sound. The detail level appeared to be the same, but with the Theorem this was smoother and more lush sounding; the Fostex HP-P1 was a little brittle next to this.

Cypher Labs Algorythm Solo with Just Audio AHA-120

I’ve compared this Class A amplifier with the Theorem before; I put it as the Theorem’s spandex versus Just Audio’s silk. Not to say the Theorem is a slouch, but when compared to a Class A amp it sounds slightly less good! And that’s the tradeoff – if you want no compromise in sound quality and wish to pick every component you will pay for it, and you will have to carry it around as well!

DACs Compared Only

For this test I decided to get a decent portable amp (Fiio E12) and compare the Line-Out features of the HP-P1 and Theorem. Things were not all that different in comparitive terms.

  • The HP-P1 had good detail but the presentation was flat with a limited soundstage; a bit on the dry side.

 

  • The Theorem had a wider soundstage but was still a little dry sounding. Detail was similar to the HP-P1 but again with more control.

 

  • The Algorythm Solo was a slight let down used in combination with the E12; soundstage was decidedly average with a flat feel to proceedings. Detail was comparitively muddy sounding.

And compared with the E12 amp (with no bass boost), the internal amp of the HP-P1 was slightly darker and more laid back, while the Theorem amp was much fuller and lusher sounding than the Theorem DAC + E12 combo.

Conclusion

The best solution in terms of sound only is the Algorythm Solo/AHA-120 pairing, but this scores lowest in terms of cost, bulk and convenience. Having to keep 3 separate battery operated devices charged is worth considering, and then there’s the interconnects which add cost and lengthen the audio chain. The sound is rich and effortless – a real treat which is earned by those having to carry all that gear!

The Cypher Labs Theorem 720 is the best all-rounder in my opinion – there’s an engaging, exciting energy about the sound from the Theorem which is close to the Solo/AHA-120 combo but it swaps the silky smoothness of the AHA-120 for a more in-your-face powerful sound. Also the amp in the Theorem gives a lushness which is really attractive.

The Fostex HP-P1 is the least impressive of the three; given that it was the first to be introduced this is no surprise. It is still a very competent and fine-sounding unit but has been surpassed since its introduction.

Brainwavz S5 IEM Headphones Review – It’s A No Brainer?

Posted on by
Reply

Verdict

I once thought that when it comes to budget earphone reviews, a jaded attitude would eventually begin to creep in. Surely there’s a limit to how many of these in-ear headphones one can try before it all gets a bit dull! However, I’m glad to find that I can still get bucket loads of enjoyment out of trying earphones such as this. The Brainwavz S5 are bags of fun with a warm and friendly presentation and they have loads of room with a generous soundstage. For the asking price the Brainwavz S5 is a fantastic sounding headphone; being new does not make it average, as we’ve seen with recent debutants such as DUNU-Topsound and Fidue. There are a couple of minor gripes such as the ‘left’ and ‘right’ markers being tiny and the y-split strain relief on the cable – it looks like a section borrowed from a bridge.

Pros

  • Generous supply of tips including Complyfoam
  • Good solid jack adapter
  • Hard case
  • Involving sound

Cons

  • Left and right markers hard to see
  • Straight jack
  • Cable split strain relief has become a feature

Brainwavz is another relatively new company in the personal audio market. However they are currently making big wavz of their own, and if the Brainwavz S5 is anything to go by a few more products from them can certainly float in this direction!

Key Features

Features are basic with no controls or buttons on the Brainwavz S5 itself, but there are some nice touches like the alternative eartips which give a slightly different sound, together with a pair of Complyfoam tips. A hard case is included which is great for cable longevity, and a rather nice jack adapter.

First Impressions

Initially there were no expectations, having no experience with this brand before. Packaging and presentation are fine for a product in this price range, but the sheer number of similar products diluted our enthusiasm. Initially there was disappointment with the black eartips – the bass was boomy and took up a lot of space in the presentation. But then the translucent eartips were tried.. See the next section – Sound Quality!

These earphones actually caused pain in the eyes as it was so hard looking for ‘left’ and ‘right’. For this review, a folded post-it note was stapled around the cable on the left so this needn’t be repeated. Black characters on a black background need to be several millimeteres in height before they’re legible.

Sound Quality

With my preferred translucent eartips, the presentation is perfect for my tastes. A warm weighty bass underpinning some very spacious mids and present but not overbearing highs. The bass impact stays down low while harmonics higher up give it a gloriously chunky feel which I’m a big fan of. It stays in its place and gives the midrange plenty of chance to show off its own detail. The midrange is slightly recessed, but not as recessed in my opinion as with the black tips. Higher up, things are on the smooth side but by no means dark. Soundstage is good for an in-ear of this type with separation fairly good – there is a bit of a cluttery feel to the percussion in The Bangles’ ‘Walk Like an Egyptian’ but the Brainwavs S5 copes well, considering all that’s going on in that track.

Summary

A very competent and great-sounding offering which begs the question – what are the higher-priced items from Brainwavs going to be like? I found the Brainwavz S5 to be amazing on older instrumental and pop recordings, but there may be a danger with more modern music featuring sub bass and similar with the bass being a bit much.  But then again, fans of those genres will likely be looking for just that type of sound.

Score – 8.5/10

Audio-Technica ATH-CHX7iS Review – Combined Earbud and In-Ear Headphones

Posted on by
Reply

Verdict

Great for those relaxing at home and in the office, the Audio-Technica ATH-CHX7iS is a slight departure from the usual style of in-ears and earbuds. Audio-Technica have mashed the two styles in a way that reminds us of the Final Audio Piano Forte Series. These are not designed for all scenarios; on a motorbike journey for instance, enjoyment is reduced to knowing only when cymbals are being used in a recording. Of course, open-back headphones do not receive low scores for leaking sound and so the snappily named Audio-Technica ATH-CHX7iS is being viewed with a similarly open mind.

Pros

  • Very comfortable
  • Feel secure whilst worn
  • Great open wide sound

Cons

  • Case very small
  • Not for noisy places

Being big in Japan, Audio-Technica have been satisfying the Japanese fetish for personal audio products for some years now and have a huge number of different models. This allows for a little experimentation in the boardroom and some interesting items for us to try.

Key Features

The Audio-Technica ATH-CHX7iS comes with a handy button for smartphone functionality, and a volume control. The volume control does not communicate with the phone, it is a variable resistor only but works very well. The carry case is very small indeed; being hard it will afford some protection but the cable would need to be wound more tightly than perhaps it should. The relatively large size of the driver units doesn’t help either.

First Impressions

We all like something a bit different and the Audio-Technica ATH-CHX7iS is certainly that. Given that portable audio is all about blocking out the outside world, these earphones are a departure from the norm. Perhaps taking a leaf out of Final Audio’s book (their Piano Forte range is similar), Audio-Technica have seen a potential for small, open-backed models for those quieter moments out there, or for casual listening at home.

Sound Quality

As with anything open, the surroundings make a crucial difference and with a design worn like this, people are going to expect to use them outside. Great if it’s quiet, but a bit of road noise will reduce the Audio-Technica ATH-CHX7iS to a tinny irritant by contrast.

At home though, the presentation is as comfortable as the fit and I have the impression of a halfway house between headphones and speakers; it’s like a very cheap alternative to the AKG K1000 speakerphones. Soundstage is the best feature of the Audio-Technica ATH-CHX7iS, along with the natural feel they have.

The sound is very well balanced despite the loss of bass due to the open fit – perfect for lounging around the house while still remaining alert of the surroundings. The sound is on the bright side but this may just be the added soundstage making certain details stand out more, and also the fit. By pushing the capsules gently against my ears the bass is heightened; perhaps it is the design of our ears which might lead to subtle differences here in what we each perceive.

Summary

It would be good to see more models like the Audio-Technica ATH-CHX7iS coming through; we’re in danger of becoming too conventional in the headphones world and being set in our ways. It seems that companies like Audio-Technica and Final Audio don’t want us to get too comfy and are happy to prod us towards a more inclusive attitude. And why not? The headphones concept might be 100 years old, but things are far from predictable; particularly with new technologies being developed and many new ways of using and relating to music to look forward to.

Score – 8.5/10

Dunu DN-2000 Review – High Quality Hybrid

Posted on by
Reply

Verdict

It’s easy to get a bit weighed down amongst all the extra bits and attachments that are included with the Dunu DN-2000, but they are all worth trying for greater comfort and a more ‘bespoke’ sound. The hybrid driver arrangement really works to deliver a very engaging and detailed presentation which never strays into harsh territory, and the case is certainly something we’d like to see included with premium IEMs more in the future.

Pros

  • Exceptionally sweet sound
  • Plenty of accessories
  • Options to tailor the frequency response
  • Options to alter fit
  • Good solid case

Cons

  • Tuning rings can be lost
  • Casing can cause discomfort if earfins not used

If you’ve heard some of Dunu’s entry-level earphones such as the DN-12 Trident you might be curious about how the in-ear Dunu flagship, the DN-2000 measures up. Dunu’s in-ear offerings are as numerous as they are interesting, but the current cherry on the top, the DN-2000, takes the cake.

Key Features

Like its stablemate the DN-1000, the DN-2000 has a hybrid driver format but packs two balanced armatures and one dynamic driver in per side giving the best of both sonic worlds, like the similarly priced Audiofly AF140.

Accessories are bountiful, with both tuning rings and tips to alter the frequency response, and rubber attachments for improved comfort and fit in the ears. Also included is a pair of earhooks to try and the usual 6.35mm/flight adapters.

First Impressions

Expectations have certainly been raised by the quality of Dunu’s other products, namely the excellent budget model the DN-12 ‘Trident’ and DN-1000; the other hybrid design. For the asking price these have been nothing short of stunning, so the DN-2000 has its work cut out.

Once a preferred combination of tuning rings and tips was found (silver ring, and tip for ‘detail and resolution’), I felt it necessary to try the rubber attachments. These are secured by a small ridge of metal much like a penclip, which ironically can cause a little discomfort if the rubber parts are not used. The rubber parts help to keep the capsules steady in the ear, and certainly make for a comfortable and trouble-free listening session. A down side is the tendancy of the tuning rings to try and escape back to China when the eartips are removed. Just take care and don’t fiddle with the DN-2000 when using ski-lifts for example.

The hard case is also a nice feature. It reminds me of a travelling case for a bar of very valuable soap; it’s very solid and will protect the DN-2000 very well when in transit.

Sound Quality

Bass is fully present and in good proportion to the rest of the presentation with good punch and definition; it stays in place and leaves the midrange and high frequencies free to be the stars of the show for me. Decays are very realistic in terms of perceived space, and the DN-2000 leaves plenty of room in the presentation for these to be followed around by hungry ears! Treble is fairly bright albeit still smooth; mostly the DN-2000 stops short of being too bright but on some tracks there may be a touch of sibilance with female vocals, for instance.

Summary

For the asking price the DN-2000 is a worthy competitor; it will certainly hold its own amongst the other models in that price range and gives a bit more colour to it, given that a majority of alternatives are full balanced-armature models. I welcome the DN-2000 as much as I welcome a further example of a hybrid driver design being implemented so well; loving as I do the different strengths of the different transducer types, it’s a real treat to have both at once. Like a baked Alaska or a sweet and sour stir-fry, there’s a real synergy going on here.

Score: 9/10

Xiaomi Pistons 2 Review and Competition Offer!

Posted on by
Reply

This inevitable creep towards better and better sound from a budget IEM is no surprise, but the quality which the Xiaomi Pistons exude is nothing short of stunning. We’ve come to expect some rough edges from cheaper models along with features we have to lump rather than like; however this new IEM changes (yet again) our view of what’s on offer for our little bit of money.

Thanks to the guys at Merimobiles for sending us this sample for review – they will also supply the Pistons to the four lucky competition winners (details at the bottom of this page).

The packaging and presentation is understated; once past the simple cardboard outer box, the earphones are displayed in a good quality plastic case, nestled in a piece of rubber which acts as a cable winder, although this might be a bit tiring to use every day. The chocolate-coloured rubber, together with the bronzed look of the Pistons makes for a real visual treat; perhaps a gentle lift for the expectations before the Pistons are listened to. It reminds me of novelty erasers which seemed to proliferate when I was at school – it smells like chocolate too!

There are 3 pairs of spare eartips along with those on the Pistons themselves, and a separate clip for the cable which takes a departure from the traditional ‘peg’ design. It’s more like a money clip; to remind us of the money we saved, perhaps?

The earphones themselves have a solid feel about them; this is not painted plastic but real metal. There’s no weight issue however, the Pistons sit still whether the cable is worn over the back of the ear, or straight down.

And the sound? It’s just bright and detailed enough without being harsh, and also smooth and mellow enough without sounding veiled. It’s a perfect balance. Having said that, with this version Xiaomi have elected to go for a vented design which cuts out a lot of internal reflections. It’s not an open design though, very little audible sound leaks out, or in.

Bass is very nicely balanced, it puts weight under kick drums and bass guitar without pumping them up unnecessarily. It stays in its place and leaves the midrange clear to impress with details and decays, while the high frequencies pick up details such as hi-hats and harmonics beautifully.

There is also a mic/control for Android handsets, but be careful not to be rude to whoever interrupts your listening pleasure!

Competition Details

To be in with the chance of winning one of four Xiaomi Pistons all you need to do is send a picture to either our Facebook or Twitter page of your current setup/headphones and explain why you should win a new pair of Pistons – on October 29th we will choose the four people who we feel deserve some new headphones. Be as creative as you want – we will put our favourite pics in our blog!

For more information on the Xiaomi Pistons you can visit the Merimobiles website HERE.

FiiO E18 Kunlun Portable Smartphone Amp/DAC Review

Posted on by
Reply

Verdict

We are impressed with the sound quality and power which the Fiio E18 provides; together with the mobile DAC functinality and everything else, nothing gives better value for money. However, it would have been much better (and safer) to have that gain switch recessed, or indeed buried into the side of the unit, rather like the E12. There’s no way we would chance using the E18 with an IEM whilst out and about. Either that prominent gain button should be ripped off or the switch covered up with tape, to save our ears from a possible bashing. Similar with the track/play/pause controls on the side of the unit – these can be swithed and operated all too easily.

Pros

  • Great Value
  • Oodles of power
  • Extra functionality with smartphones

Cons

  • Gain switch and track select buttons too prominent

The Swiss have enjoyed enormous success with their pocket knives, they are handy and can do a variety of jobs. However if wishing to hack your way through the jungle, a 3-inch blade is going to keep you busy.

Up until recently, portable headphone amps appear to have been aimed at providing a good level of power, or a lot of features. The Fiio E18 changes this, as it can accept a digital signal from a multitude of handsets as well as PC, and amplify enough to power any less-sensitive headphones up to 600 Ohms! Please check the E18 Kunlun page on Fiio’s site (http://www.fiio.cn) for exact details on compatibility.

Key Features

The E18 is a no-nonsense design like the E12, but with a few more tricks up its sleeve. DAC functionality combined with track select controls make this a versatile and useful addition to any portable set-up. Gain and bass boost controls will help get your preferred sound from a vast array of headphone models.

First Impressions

The track skip/back buttons on the side along with play and pause are handy, but it would have been preferable to have seen these recessed – unrequested track skips are an annoyance. Bass boost and gain switches are placed near the volume pot on the top end, and there’s little to prevent accidental operation of the gain switch. Accidental operation of the gain switch could potentially be quite damaging if wearing sensitive IEMs.

There’s a switch on the opposite end to select the source for the DAC (PC or phone) and also there’s the option of using the E18 as a power source itself; this was tried with Fiio X3 and smartphone – they both started accepting a charge, although this smartphone is not compatible with the DAC.

The outward design is not dissimilar to that of the E12 which is an amplifier only. It has been mentioned that the E12 is a little better in terms of amplifier quality, as well as more powerful. But the question everyone wants to know the answer to is ‘will it power my headphones?’ and the answer is very likely to be yes.

The E18 was tried with the AKG K240 DF (600 ohms, 88dB sensitivity) and the dial wasn’t turned all the way up – it was ear splittingly loud with room to spare! The E18 should be able to drive anything the modern world has to offer, within reason. The manuafacturer states an impedance range of 16 – 150 ohms, but there’s nothing like trying these things. So long as your recording is done well (and not extremely quiet), the E18 is enough to really blast it out.

Sound quality

The Fiio E18 was run from a PC to test DAC functionality and quality. It was up against an X3 and E12 together, which seemed like a fair match. A 600 ohm Sennhieser HD540 was used.

The E18 appeared to give better resolution; sounds were relatively flat and dull on the X3/E12 combination. I decoupled the X3/E12 rig and plugged into the X3 alone; predictably, things improved in terms of details due to fewer connections in the chain, but the relative lack of power took some of the wind out of my X3’s sails. Bass and hats were pushed back a little.

Summary

With the wants and needs of the average portable audio fan growing all the time (in part helped along by just this sort of product!) the Fiio E18 tries to tick as many boxes and cover as may bases as it can, and it does a great job of all of them.

Score: 8/10

Beyerdynamic T51i Review – Premium Portable Perfection

Posted on by
Reply

Verdict

High quality needn’t be a feature only of high-end, open-backed headphones, as we’ve recently seen with the likes of the KEF M500 and the Musical Fidelity MF100. With their solid but light aluminium construction, yielding earpads and flawless sound, the Beyerdynamic T51i allows you to take true Hi-Fi sound wherever you go.

Pros

  • Solid build quality
  • Very comfortable for an on-ear
  • Exceptional Sound quality
  • Ideal carry case included
  • Good isolation

Cons

  • Fixed cable
  • Buttons a little small and recessed, may be tricky with gloves on

German headphone company Beyerdynamic’s latest offering, the T51i, features iDevice compatibility for trouble-free calls as well as superior sound quality. The overall impression is that these will last for years; there is simply nothing to fall apart or get loose.

Key Features

Obviously the iControls are what marks this headphone out as different to the T51p; other than that it’s the usual package from Beyerdynamic. Just solid and dependable construction and sound, along with a soft but sturdy case and the usual 6.3mm/flight adaptors. Also included is an adaptor to convert Apple’s preferred CTIA jack terminal spec to OMTP for older handsets. In this market it’s tempting to add a gimmick or two, but Beyerdynamic know that these headphones can easily stand on their own merits.

First Impressions

The build quality is a fine introduction to the general theme here, just pure enjoyment. The Beyerdynamic T51i headphones are lovely to touch; the strong cool metal and leathery earpads definitely give the idea that there’s nothing to worry about and it’s all under control. The cable is more akin to their IEM cables; more suitable for the portable crowd, but non-removeable. Conceivably, they could have had a removeable cable and introduced alternative cables with controls for specific handset types, but that’s just nit-picking.

Sound Quality

Sound quality is about what can be expected from Beyerdynamic’s full size headphones; well represented bass without bloat or bad definition, clean midrange and detailed highs. Some models such as the DT880 can lean toward the bright side, but the T51i has the detail along with smoothness. I’ve been listening at a fair volume for an hour and am quite comfortable.

Summary

Highly esteemed makers with long pedigrees like Beyerdynamic raise one’s expectations accordingly. Nevertheless the Beyerdynamic T51i is still a surprise, and an absolute pleasure to use. The build, feel and sound of them all scream quality; the way they are put together comes from 50 years ago, but the sound is definitely 21st century.

Score: 9/10

Aedle VK-1 Portable Closed Back Headphone Review

Posted on by
Reply

Verdict

A great newcomer to the Portable Headphone range – The Aedle VK-1 has real punch with weighty bass and cracking midrange. Not only do they sound exciting, they look it too! They are easy enough to drive off a portable device and are very comfortable. So if your looking for a portable on ear headphone with an exciting sound, great bass and stylish looks then look no further.

Pros

  • Great bass quality
  • Stylish and well built
  • Replaceable cable

Cons

  • Don’t isolate as well as other portable headphones
  • No headband padding

Key Features

  • Driver diameter – 40mm
  • Impedance – 32 Ohms
  • Weight – 216 g
  • Replaceable cable (optional smartphone cable – not included)
  • Aluminium driver housing
  • Cable length – 1.3m and 2.4m (both included)

First Impressions

Everything about these headphones – including the packaging – oozes style. The VK-1’s come very well packaged, they even have that ‘new shoe’ smell. In the box you get a very smart carry bag, two cables (1.3m and 2.4m), a 3.5 to 6.3mm jack adapter, an airline adapter and an Aedle ID card which allows you to ‘discover surprises’ on their website.

The headphones look great! The aluminium housing and brown leather really compliment each other and they are a perfect portable size – it’s obvious that lots of work has gone into designing the Aedle VK-1. The cables supplied are coated and even though they are a little thicker than some other headphones, they are very flexible.

The headband uses a spring steel structure so it’s very flexible and tough. To adjust it you just bend it into shape – this gives a very secure fit that will perfectly fit your head.

Sound Quality

Straight away you pick up on the quality of bass that comes out of the VK-1 – it’s punchy without being bloated or overkill. The midrange also stands out, especially snare drum crack. There is probably a slight top end roll off, but with such great quality mids you forget about this very quickly. Overall the sound is exciting and edgy and thanks to the venting on the driver housing there is a great sense of space in the sound.

Listening to Dire Straits – Your Latest Trick, the opening trumpet sounds rich and the cymbal comes in effortlessly in the far left. Once the track gets going there is a snare rim shot that really cuts through and the keyboards add the right amount of emotion, then the vocals come in sitting perfectly on top of the instruments. Once the song is in full swing you can pick out every instrument with ease and enjoy every one of them.

Next up was Slipknot’s Duality (obviously). These headphones are made for this track! When the stereo guitars kick in they completely surround you and then the drums… WOW. The snare and kick have real impact and the bat on beer keg sounds as though its being hit right next to you. Metal can sometimes be a tough test for headphones, but these seem to handle it with ease.

Lastly is Break by Jurassic 5 – this one really tests the bass. From the off there’s a massive kick drum and snare sample, the kick drum resonates very naturally and the snare has a great ring to it that comes across perfectly on the VK-1. The vocals come in and there is no confusion, everything has its place.

The Aedle VK-1 is rhythmic, edgy and punchy. They have a wide sound for a closed portable headphone and there is no harshness or sibilance.

Summary

The Aedle VK-1 comes into Sennheiser Momentum territory and it definitely gives you something different. They’re not as relaxed or controlled – they have more oomph and punch without having a harsh top end. The midrange cuts through more and as they are on ear they won’t have the same fit issues that the Momentum has. I would recommend these to anyone who wants a pair of headphones that look great, sound exciting with weighty bass and crisp mids and don’t completely cut you off from your surroundings. If you prefer a more neutral sound with top end detail then I would consider the KEF M500 as an alternative.

Score – 9/10

KEF M500 Portable Closed Back Headphone Review

Posted on by
Reply

Verdict

KEFs addition to the portable range of headphones is sleek, comfortable and most importantly sounds great! Clear detail with tight bass and crisp mids – They also fold up for easy storage and come with a spare cable for iDevices. The KEF M500 is extremely well built and feels solid, the pads are  soft and they isolate very well.

Pros

  • Foldable
  • Solidly built
  • Extra cable with in-line mic and controls for iDevices

Cons

  • Earpads are fully on the ear so can get warm

Key Features

  • Driver diameter – 40mm
  • Impedance – 32 Ohms
  • Weight – 208 g
  • Replaceable cable (iDevice cable included)
  • Foldable headband
  • Cable length – 1.3m

First Impressions

From the start you can see that KEF have gone for an elegant design. The packaging is simple, and follows the M500s colour pallet of silver and black. Inside you get a hard case – again very simple and well designed, 2 1.3m tangle-free flat cables (one with 3 button remote and microphone for iDevices), a flight adapter and a 6.3mm jack converter.

The M500 is very well built, and thanks to the aluminium frame not only are they light weight but they look great too! The headband padding is very soft and the earpads are made from breathable memory foam –  this provides great isolation. KEF has not only designed a headphone that feels good – they also look great and they’re extremely comfortable.

Sound Quality

The KEF M500‘s are well balanced without being boring – clean, clear and crisp with tight bass, well defined mids and lots of top end detail. Having a well balanced sound makes them sound great with all genres and the top end detail works really well with acoustic music or any songs with plenty going on. The separation is superb – you can hear the edge of every instrument, and considering these are fully closed back they have great soundstage.

Summary

For a portable headphone the KEF M500 is gives you everything – stylish, compact, well built, iPhone compatible, comfortable and it sounds great. The sound will suit anyone looking for a clean, balanced and detailed sound – especially in the higher frequencies. For a warmer sound I would suggest the Sennheiser Momentum or for something with more bass impact the Aedle VK-1 would be a good choice.

Score – 9.5/10

Sennheiser Momentum Full Size Portable Headphone Review

Posted on by
Reply

Verdict

The Full-size Sennheiser Momentum is the big brother to the smaller on-ear Momentum; the last word in luxurious, portable listening with sumptuous earpads made from real leather. These headphones are fantastic for separation, and they have a very wide soundstage which belies their closed back design. Sound isolation is high; the leather pads excel in keeping unwanted noises out, while social isolation is low due to the handy Apple mic and controls.

Pros

  • Comfy Earpads
  • Smart/Stylish
  • Rich Bass
  • 5 year warranty

Cons

  • Top end detail
  • Relatively unforgiving headband

Key Features

  • Coupling: Over Ear
  • Transducer principle: Dynamic, closed
  • Frequency response: 16Hz – 22kHz
  • Impedance: 18?
  • Weight: 190g
  • Cables: (no mic) 1.4m, (Apple mic) 1.3m

First Impressions

The Momentum headphones have a solid feel with a steel and leather construction. At the same time they are quite light to wear; I don’t imagine being fatigued with these during extended periods of use. They have a style reminiscent of Aviator sunglasses; rounded, tinted and very cool with a touch of 80s chic.

As well as the 1.3m Apple-compatible cable, there’s a spare 1.4m cable (without mic) and a semi-solid case for keeping them in good condition whilst on the go. The headband pad could do with plumping up a little, but the earpads are very comfy indeed. For an ‘over-ear’ design however, the spaces in the earpads are limited so comfort may be dependent on an individual’s own ear shape and size.

Sound Quality

The Sennheiser Momentum excels at bass warmth without being bloated, and the soundstage appeared to be shoulder-wide; the ‘breadth’ of the music far exceeds the physical size of the headphones. Separation is very good also with each instrument in its own space. Mid range is involving and enjoyable, but there is a slight lack of high-end detail which some may prefer to keep. I’d summarise the frequency response as akin to the design; very comfortable indeed but not likely to send you to sleep in a hurry!

Dance music is particularly suitable, and although the Momentum can be used straight from a portable device they respond really well to amplification. Sub bass is plentiful, indeed awesome with the Fiio E12‘s bass boost. The Momentums really respond well to EQing.

Summary

If you like to relax in the bath with a box of chocolates, these are the headphones for you! This is not to say that these headphones are suitable for relaxing music only of course. Dance, rap and R&B all come across really well; acoustic music will be good due to the midrange but may lose a little something at the top end. Soundstage and separation will make up for this however; any performance will not feel any less real.

Score – 9/10

HIDIZS AP100 Digital Audio Player (DAP) – HifiHeadphones Mini Review

Posted on by
Reply

RRP – £230-£250

If you like your brand names to look like the first line of an optician’s eye chart, the Hidizs AP100 is certainly worth considering – the name might take some getting used to, but it’s plain to see that this player is getting some covetous glances!

The AP100 has some stiff competition in the low-cost DAP (Digital Audio Player) market, not least from Fiio’s ‘X’ range. The AP100 appears to be a halfway house between the X3 and X5 in terms of size and cost, but how about sound quality?

The same can easily be said – compared to the Fiio X3, the AP100 is a little more accurate and coolish but this is not to say that the Hidizs AP100 is harsh. Listening to unyielding and brittle-sounding early 80s pop such as Duran Duran is fine on the AP100 but the X3 just gives it a bit more warmth and roundness to a presentation – the AP100 wins in terms of detail.

With the default firmware, tracks stood a good chance of having the first second chopped off if selected from the track list on the device, but this was fixed after upgrading to V1.31067. One problem I had after upgrading was that the unit reverted to its native Chinese language – there was no clue how to get it back to English again. Luckily I found the option in the menu as the only item with 2 Chinese characters. Select this and you’ll see ‘English’ in the sub menu.

The buttons on the Hidizs AP100 are lovely to press; there’s a great chunky feel to them and they are good solid buttons which will last. The only problem is that Hidizs saw fit to add separate buttons for ‘fast forward/rewind’ – I’m so used to using the same buttons for track skip and forward/rewind that I keep skipping tracks by accident. Also the ‘back’ button is on the right of the other navigation controls, which makes it feel like a forward/select button; this may lead to a few wrong turns for the uninitiated but it’s easy to get used to.

There’s a little flap in the case which is held shut by velcro. It took a while to figure out but this is for spare micro SD cards; just be aware that you may need tweezers to remove them again. SD cards can be changed simply in the device, however a tool or long fingernail is required to ‘click’ it into place and retrieve it.

I did also notice a problem with the track list on the player – select ‘track 1’ for instance on the track list and skip forward a couple of tracks via the play screen. Then on going back to the track list, ‘track 1’ is still highlighted as if it is still playing. Perhaps this will be addressed in future firmware updates.

Summary

A good little player; I look forward to future firmware updates but in the meantime the UI is quite useable, and the unit gives a clear uncluttered sound with a good amount of power. A great first effort which begs the question: whatever next from Hidizs?