Sennheiser HD820 Audiophile Headphone – Review

 

Review: The Sennheiser HD820

 

The Sennheiser HD820

 

The newly released HD820 do an awful lot right, so come on down and demo them now!

 

 

Aesthetics, Build Quality and Accessories:

The HD820 are a really good-looking pair of headphones, you can easily tell they belong in the HD8xx series due to their space age, angular design. Where they differ is the fact they are now closed back, with a concave Gorilla Glass plate. The black and silver colour scheme screams luxury, not in a bling way but in a sophisticated and technological way. Overall the HD820 definitely looks the part.

 

 

Build quality is much the same as the other HD8xx headphones, with a mainly plastic build to keep the weight down, but without sacrificing durability. If the HD800 in our demo room are anything to go by, these will last a long time and all parts are quite easily replaceable if they wear out or break. The earpads are now half velour for comfort, with leatherette on the outer part to minimise leakage. The cable is much the same as you get with the rest of the range, which uses high purity OCC copper. The Gorilla glass should be relatively scratch proof too, so overall the design is solid and well throughout whilst remaining lightweight.

 

 

Accessory wise you get a nice display box that the headphones come in, 3 cables (6.3mm 3m, 4.4mm balanced 3m, 4-pin XLR balanced 3m), manual, microfibre cleaning cloth and a USB stick with the frequency graph for that particular pair. Sennheiser really pay attention to detail with the accessories here, and you will find everything you need, and you can tell from the cable choices that these are still geared more towards home listening.

 

 

Comfort and Isolation:

The HD820 are light, with good weight distribution, this means you can comfortably wear them for a long time. The cups are spacious and your ears don’t ever touch the driver, the pads are soft as is the headband. Even though they are closed back, I do not fine my ears heating up as quickly as other closed headphones. I think this is due to the earpads being able to breathe a little along with the amount of space there is around your ears in the cups.

 

Just a quick note, these are very dependent on the fit and seal, so getting them to sit right on your head is really important otherwise they may sound thin and lacking bass.

 

Isolation is actually very average, these are closed back but they do not block out a lot of outside noise. They also leak at moderate to loud volumes, but they leak a lot less than the HD800s. Again, these are not designed for portable use, but would be fine in an office environment or at home when you don’t want to disturb people around you with fully open headphones.

 

 

Sound:

Bass: The HD8xx series are never going to be known for their thunderous bass response, but what they do have is accuracy. And the HD820 are still fuller sounding than the HD800s, with a bit more body and warmth to the sound. They are still extremely well controlled down low, but the mid-bass has a little extra presence and fullness to make them sound less analytical. They decay is still well controlled, and extension is never an issue. There is a slight mid-bass hump on these, but it is carefully executed to not interfere with the lower midrange. The bass is not the hardest hitting, but there is excellent layering and separation., not for bass heads but it should satisfy most listeners.

 

 

Midrange: The midrange is where I find the HD820 to really stand out, they are incredible clean and articulate. But they are also very accurate in tonality, the bass doesn’t affect the lower midrange leaving vocals to come across in a neutral and natural way. The separation between layers and the overall resolution is really impressive in the midrange. They handle all genres here with ease, they have the delicacy to bring out the finer detail in acoustic and jazz, yet have the power to render distorted guitars in metal pitch perfectly. The transient response is excellent meaning they never sound congested.

 

 

Treble: The treble response is very linear on the HD820, it does not have any sharp peaks like the original HD800, and is never overbearing or fatiguing. The transition from the midrange to the treble is quite smooth, and sibilance is only a problem if the recording has it. Overall resolution up top does not quite match that of the HD800s, but the overall tonality is much more pleasing to my ears. The HD820 are not a bright headphone, but they do bring out plenty of detail up top and have plenty of extension and sparkle. I don’t think anyone would ever find the HD820 lacking in treble response, the main standout quality up top really is the tonality.

 

 

Sennheiser have done an amazing job at creating a closed headphone that sounds open, the imaging is pinpoint accurate and the soundstage is wide and deep. They sound much more like an open headphone, so colour me impressed here.

 

 

Conclusion:

When I first tested the HD820, I wasn’t that impressed, they sounded a bit dull and lifeless. I then spent some time with them, swapping between a couple of amps and found myself really enjoying what they had to offer. I wanted to find some design flaws somewhere, I didn’t want to like them as much as I do. The HD820 really nail the balanced sound signature with convincing tonality and outstanding resolution. They truly are the best closed headphones I have had the pleasure of spending some time with. Curse you Sennheiser for doing such a great job of making a closed headphone without the typical drawbacks of this design.

Sennheiser HD 630VB – Expert Review

Sennheiser HD 630VB – Expert Review – Pump Out The Bass!

Sennheiser may now be a septuagenarian, but is keen to be ‘down’ with the kids without resorting to giving out Werther’s Originals. Hence the new HD 630VB, which has the facility to alter volume, answer calls and alter bass levels using controls on the right earcup; as hinted at by the ‘VB’ bit of the name. But does the Sennheiser HD 630VB have the panache of an elderly David Niven, or does it come across as a flare-clad grandad at a rave?

 

Design and appearance:

At first glances, the HD 630VB appears to be something which executives are pictured enjoying whilst looking out of aeroplane windows. Much like executives, they are very smart looking with their metallic veneer and slightly hard-edged styling, but they feature generously upholstered earpads and headband padding to offer a more yielding and comfortable experience.

The unique selling point is the variable bass feature; this works on its own (without relying on software in your digital audio player) so can be used with any device or full size amp with a headphone socket, although an extension cable will likely be required. The only thing is that the earcups are very large for a portable, but hey, let’s smash those preconceptions!

Unusually, the cable is worn on the right side of the headphones; this is due to the controls being on the right side for the majority of us who are right-handed.

 

Durability & build quality:

Weight is an issue with a lot of headphones designed for portable use and the HD 630VB is no exception. It’s a lot lighter than it looks but the stress points, such as the bit where the headband extends and the pivot points for the yokes have a good solid feel to them, so there should be plenty of life in the HD 630VB.

The cable is non-removable but has a very solid feel and is quite supple. The jack is straight and the housing is only 5mm wide so not a problem for anyone with a recessed socket in their player or DAC.


Comfort:

As is typical of portables, the Sennheiser HD 630VB does have quite a grip on the head, but the comfy earpads mitigate against this very well. Also they are good with glasses with reasonably chunky frames/arms. After a couple of hours, it may get a bit warm and moist under these earpads however.

 

Suitability for intended application:

These headphones are an obvious choice for portable applications, but are large and comfortable enough to be a good choice for relaxing at home too.

 

Sound isolation:

Isolation is pretty good, as the ears are swallowed up within the luxurious earpads and a fair bit of outside noise is taken care of. Obviously this melts away with music playing so you’re alone with your music. Others nearby will not twig that some particularly loud music is being enjoyed; the HD 630VB will keep your more questionable music preferences hidden.

 

Portability:

The headphones can be taken anywhere with the use of the supplied semi-rigid case; they fold up quite nicely to save space when not in use too.

 

Sound characteristics:

The HD 630VB has that classic Sennheiser tuning; ignoring the variable bass feature for a moment. Warm yet detailed, with clear mids and impactful bass.

 

Bass (e.g. punch, low extension):

The variable bass part of the design alters the bass level by 5dB up or down at 50 Hz, so there’s a good amount of control here. They can be made mean and lean, or can lend some serious welly to proceedings with a twist of the wrist. The trouble is, the temptation is to keep playing with the bass levels rather than just enjoying the music; to a man with a hammer, everything looks like a nail.

Naturally, some sub bass-heavy genres such as drum&bass have been tried and with the bass turned way up, the rumble factor is extreme; though not to the detriment of the midrange. Things are still well controlled, it’s just that there’s a particularly heavy foot beneath it all. Great news for bassheads.

With more midrange-centric genres however, the bass can be a little too much and appear boomy, perhaps as expectations and tastes change depending on what’s expected. You might enjoy salt on your chips, but not so much with cornflakes. The obvious answer is to tame the bass again using the control.

 

Mids (e.g. vocals, acoustic instruments):

Midrange is clear and crisp with good harmonics coming through; vocals are prominent without giving too much in the way of sibilance, and reverbs/space get a good treatment too. It’s smooth yet detailed too, a good balance.

 

Treble (e.g. high hats):

Treble is an extension of midrange you might say; crisp and clean but allowing for the high-frequency sensitivities most of us have. Hi-hats and other percussive sounds cut through the mix, while synths scintillate energetically.

 

Soundstage & Separation:

For a closed-back model, soundstage is excellent on the HD 630VB. You might argue that the earcups are big enough to offer enough room for this, but that’s just mean. Separation is very well preserved too; the HD 630VB is faithful to classical genres and gives a decent sense of an orchestral performance.

 

Music genres good for and why:

With the variable bass feature, the obvious recommendation is for dance music genres and anything which benefits from a good solid kick. Jazz and classical are very well served too, with bass adjusted to suit, of course.

Pros:

Variable bass feature
Volume and call answer buttons mounted on earcup
Great isolation
Good build

Cons:

Earcups are large for a portable model
Fixed cable

Summary

The variable bass control gives a good range of possibilities for those who like a variety of genres and styles, and bass can even be adjusted to mask exterior noise like aeroplane engines or the rumble of a train. The Sennheiser HD 630VB is an excellent gift idea for those who wish to take no chances!

Sennheiser Urbanite XL Wireless Review

In recent years, Sennheiser has introduced some wildly popular headphones for more portable uses; from the almost ubiquitous PX100 series to the larger closed back Momentum and Urbanite models, both full-size and on-ear.

And never one to sit still, Sennheiser has introduced another flavour for the similarly restless – the Urbanite XL Wireless.

Pros

Wireless operation and track/volume control
Amazing sound
Foldable for easy storage
Comfortable for long periods
Cable can be used to save battery power

Cons

Non-removeable battery
Supplied pouch could be more protective

Verdict

Overall, a very good quality headphone with versatility to match. Perfect for travel and for relaxing at home alike, the Sennheiser Urbanite XL Wireless presents the great Sennheiser sound which anyone can enjoy. A good all-rounder, with which any genre can be enjoyed.

Key Features

The main point of note is the wireless bluetooth feature of course, and there is an intuitive touch-sensitive panel on the right side by which the user can select tracks, alter volume and answer calls. There are no buttons, a more ‘swipey’ approach has been employed, so a tap pauses, a double tap skips to the next track and a swipe up or down changes the volume.

Should the battery become depleted, a universal cable is included with similar functionality so the music needn’t stop.

The battery can be recharged via the supplied Micro-B USB cable, and like its wired forebears the Urbanite XL Bluetooth can be folded up for easy storage.

An audio cable is also supplied to save on battery power or if it is exhausted, and a soft cloth pouch for storage.

First Impressions

Given that we’re no strangers to the previously released Urbanite XL model, the design and extras are no surprise. The stylish looks, solid build and comfortable fit are never a problem to experience again but even so, the extra Bluetooth functionality has stolen the show! With an Android handset playing on one side of the office here, the headphones made it all the way to the other side of the building (some 15 metres) and no drop-outs were encountered.

The control panel on the right side is a very slick feature; however there’s always a chance that a quick touch to adjust the position of the headphones might result in an unintentional track skip but with practice this can be avoided.

Sound Quality

It should go without saying that a certain amount of quality is lost within the Bluetooth transfer method, but the result is still very pleasing; also with the MP3 still being the king of formats for many, this is not a major concern.

The bass is very well controlled and clear with plenty of punch; the micro-velour type earpads may soak up a little of the lower sub-bass region but overall the bass impact is very impressive.

Midrange gives a wonderful sense of space and both male and female vocal are well complimented, with reverb/echo easily cutting through. There’s next to no clutter here and harmonics shine.

Treble is rolled off slightly; the Urbanite XL Wireless does not hold it back, but there are brighter-sounding headphones. As it is, there is enough treble to enhance details such as percussion, but without much chance of fatigue – it’s a good comfortable sound.

Separation and soundstage are excellent; individual instruments can be picked out with the soundstage extending beyond the physical confines of the headphones themselves.

Using the cable, maximum volume was lower although this of course depends on the maximum amplification of the smartphone being used. The Urbanite XL Wireless has an internal amp which only comes into play when used along with its wireless capability.

Isolation is fair, but you may be inadvertantly sharing your music with those nearby if listening at high volume levels.

Summary

It’s a time of year when we are all looking forward to the longer days and warmer temperatures promised by summer (at least in the northern hemisphere!) and we’re to be found making plans and dreaming about lazy days in the sunshine. Snag-free music seems like a great way to enhance that feeling of freedom and those carefree (cable-free?) moments out there. With the Urbanite XL Bluetooth being worn with it’s XL earpads, our ears might be in the dark but at the same time most enlightened!