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SoundMAGIC Vento P55 v3.0 Review & Video

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SoundMAGIC P55 V3.0

The SoundMAGIC P55 v3.0 are helping SoundMAGIC blaze a trail in the world of portable on-ear headphones, looking to build on their success from the award winning E10 and E11 range of in-ears.

BUILD

The P55 v3.0, as the name suggests, is the third update to this model. The build and design have stayed the same, the big change is to the drivers used. SoundMAGIC has developed a brand new dynamic driver for the P55 v3 – using improved materials to increase performance. Starting with the build quality, SoundMAGIC has done a great job here. The steel headband is tough, and is finished in a way to match the look of the brushed aluminum earcups – materials not normally associated with headphones costing under £100. These headphones can fold flat, which is not only useful for storage – it also makes them comfortable to hang around the neck while not in use… if that’s your thing. Plastic is used around the earcups and on the underside of the headband – the matt black finish adds to the high-quality feel.

COMFORT

To provide comfort, there is soft padding used on the headband and the earcups – all covered with a leatherette finish. The soft foam makes the P55 v3 very comfortable to wear and along with the gentle clamping force on the head – these can be worn for long periods without the risk of fatigue.

FEATURES

Like most portable headphones, these are on-ear – so they’ll sit on the ear as opposed to enclosing the ears completely. Isolation is decent and sound leakage is very low, so others nearby won’t be judging you on your choice of music. The headphones are supplied with two replaceable cables, one standard audio cable and one with inline 3 button controls and microphone – compatible with both Apple and Android devices. Both cables are 1.2m and you also get a hard carry case to keep them safe.

Vento P55 On Case

SPECS

These headphones are designed for portable use, with a low impedance of 35ohms and fairly high sensitivity of 110dB. This makes them well suited to devices with less power output such as phones, laptops and tablets. Saying that – plug them into a high-quality portable player or headphone amp and hear the headphones really come alive.

SOUND QUALITY

  • Bass response
  • Midrange (instrumental/vocals)
  • Treble (extension)
  • Soundstage
  • Imaging (L/R)
  • Microphone

Now for the sound quality, and for me this is where the P55 v3 really shines. Bass is not what you’d normally expect from a sub £100 portable headphone. There’s a maturity here which delivers weight and punch without any boomyness – bass is tight and doesn’t bleed into the midrange. The midrange is superb on the P55 v3. It’s extremely clear and engaging, and thanks to the controlled bass – it doesn’t get lost in the mix. Thanks to the midrange, male and female vocals both shine and the P55 v3 can also handle intricate instrumental music. The treble provides a good amount of space and gives the whole experience a crispness without sibilance or fatigue that can normally come across. Imaging is very impressive, with a very clear sense of left and right with good width. Soundstage is good, instruments all have their place with well-defined separation.

CONCLUSION

  • Alternatives
  • Best uses
  • Recommendation

At £90 there is a fair bit of competition out there, especially from the likes of Sennheiser, AKG and Sony – with a lot of brands offering Bluetooth at this price point. With the P55 v3.0, SoundMAGIC are doing something different to the ret of them. This headphone provides a high-end experience at a very competitive price, something SoundMAGIC has become very well-known and respected for. Suited to those not wanting to sacrifice sound quality for Bluetooth, who appreciate fine build quality and a hi-fi listening experience without breaking the bank. For me, SoundMAGIC have nailed it, and I would recommend these headphones for anyone looking for a new set of wired portable cans.

SoundMAGIC BT20 Bluetooth Headphone – Expert Review

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SoundMAGIC BT20 Bluetooth Headphone Review


It appears that the relative price of wireless gadgets such as Bluetooth headphones is coming down and quality is going ever up, now that manufacturers have spotted the potential of this technology and are implementing it so well. Among them is SoundMAGIC, who have experience making wireless headphones with the full-size WP10, but now have the BT20 Bluetooth on-ear headphone in their repertoire. Now we can block out the world and make calls just as if we were talking to ourselves too.

Design and appearance (e.g. attractiveness, feel)

The SoundMAGIC BT20 is a light and very portable headphone; not a million miles away from previous wired on-ears this company made, but given the technology and battery required to sit in this model and work its magic, there’s no noticeable increase in weight. Also, if your battery is getting a little low then you can use the supplied cable and carry enjoying your music, bypassing the Bluetooth features.

Durability & build quality (e.g. cabling, connectors, materials)

Build quality is what we’d expect for a portable headphone. Just as robust as it needs to be, without going overweight and giving us neck ache. Materials are typical for a decent quality headphone of this type; plastic with a slightly rubberised feel, metal elements in the headband, and a leatherette covering on the headband cushion and earpads.

Comfort

The lightness of the SoundMAGIC BT20 combined with freedom from cable worries makes these headphones particularly fun to wear; there’s a bit of pressure on the ears but no more than is required to keep them in place.

Suitability for intended application

The BT20 boasts Bluetooth version 4.0 for greater battery life, there’s NFC for easy pairing, CVC for clearer calls. Also, the apt-x standard is present, so you’re all set should your handset have this. If not, then the headphones can still use the SBC standard, so will still work.

The mic-equipped arm pokes out along the cheekbone for clearer calls; in fact there are two mics which enable a noise cancelling process which gets rid of a lot of extraneous noise. Perfect – those personal words to your nearest and dearest need not be shouted!

Being wireless, these headphones are perfect for many activities and sporting pursuits; their light yet strong construction means they’ll avoid any loneliness for the long distance runner.

Sound isolation

Isolation is fair; the SoundMAGIC BT20 is not the most isolating of headphones with nothing playing but most of the outside world is very well masked by any music playing. The relative lack of isolation is more than made up for by the comfort aspect; the clamping force applied by most portable headphones can lead to a little discomfort during longer sessions. For others around you however, any music you’re enjoying is reduced to a faint murmur so you needn’t feel self conscious about your more questionable favourites.


Portability (if applicable)

As hinted at above, they offer no trouble when worn on the head and also around the neck. They can be packed away in the semi-circular case they come with, along with a stereo audio cable for those longer trips. It won’t be possible to use the headphones for calls without battery power so the handset’s mic will have to come into play. The Bluetooth 4.0 standard ensures the battery will last longer but it won’t last indefinitely of course!

Sound characteristics:

(Used with a Huawei Ascend handset)

The BT20 has a sound signature which SoundMAGIC is perhaps best known for. They are certainly tuned for a fun sound.

Bass (e.g. punch, low extension):

Bass reaches low and is voluminous when required; it stays put and provides a good solid foundation. It’s well controlled and fairly tight. With sub bass or with a double bass on older tracks it can certainly make its presence felt; quite surprising considering the BT20 is an on-ear model with 40mm drivers.

Mids (e.g. vocals, acoustic instruments):

There’s a great sense of space and despite the elevated levels of bass and treble, the mid-range stands up to be counted. Harmonics are enjoyable and there’s a good sense of balance with the bass level. The two complement each other very well.

Treble (e.g. high hats):

The top end is smooth but there’s plenty of detail to be enjoyed. The SoundMAGIC BT20 is a good time headphone and gives a nice level of representation here without getting fatiguing.

Soundstage & Separation

Soundstage is excellent for a little closed back such as this, and is very well enhanced by the separation of instruments and voices. It’s a very immersive experience.

Music genres good for and why

First of course, the BT20 is great with dance genres, hip-hop, R&B and pop; but that’s not all – older music types are not lost on these headphones. 60s pop, jazz and classical come across very nicely too.

Pros:

Worry-free wireless connection
Cable to conserve power or for when battery is flat
Good no-nonsense styling
Track/Call answer controls on headphones
Good Bluetooth range
Noise cancelling microphone

Cons:

Some may be put off by the mic arm

 

SoundMAGIC E50S In-Ear Headphones – Review

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SoundMAGIC E50S In-Ear Headphones – Review

Intro

Escaping the shadow of a famous parent or sibling may be a challenge for some, and the SoundMAGIC E50S is in a similar situation. Given the extraordinary success of the E10 model in recent years and the similarities between these two designs, what can the E50S offer to convince us that it both deserves as much attention and can bring something different to the table?

Design and appearance (e.g. attractiveness, feel)

The SoundMAGIC E50S conforms to the same basic design as the E10, with the small barrel-like capsules and glossy braided cable but now instead of the straight connection where the cable meets the jack, the E50S sports a 60 degree angle between them, to cut down on stresses which both straight and 90 degree connections can be susceptible to.

The metal capsules, button enclosure and jack casing are covered by a matt powder coating which gives an attractive impression without being too flashy. The capsules can be worn with the cable going up and over the ear, or down from the ear.

Durability & build quality (e.g. cabling, connectors, materials)

The best thing about this design is its simplicity and its tried and tested ruggedness. The cable is coated with a strong rubber material which is neither sticky or too stiff, allowing the cable to move and flex whilst avoiding tangles.

Everything about the E50S is solid but light, a perfect combination for the purpose these earphones will no doubt be put to. The included carry case will ensure they are safe and dust-free when stored between uses.

Comfort

As with the E10, the SoundMAGIC E50S will offer no limitations for those with non-standard ears who may have run into problems with other designs. The generous selection of eartips included with the E50S should have something to suit anyone, and help them achieve a good fit for as good a sound as the E50S can provide. This includes a pair of Complyfoam tips, consisting of memory foam for an almost custom fit.

The diminutive and stylish design makes the E50S an ideal companion in all scenarios and weathers, with little to worry about in terms of susceptibility to particular conditions and temperatures. the single button and microphone can be used with both Android-based handsets and Apple products – the switch on the cable’s yoke (where left and right cables meet) can be operated for perfect compatibility.

The E50S, like most IEMs sold in Europe now, are subject to regulations limiting the maximum volume from portable devices such as phone handsets. Therefore the E50S (like the more recent E10) has an impedance of around 46 ohms. Most handsets will still offer enough volume with a majority of music, and if more volume is required (some classical music can be very quiet) then there is always the option to get a separate portable amplifier.

Sound isolation:

Being dependent on the fit achievable with the ear, experiences may differ as far as isolation is concerned (as with all in-ear models). But with the wealth of eartips options included, a good level of isolation can be achieved.

Sound characteristics:

Bass (e.g. punch, low extension):

As regards bass, the SoundMAGIC E50S gives as good as it gets and remains faithful to the original music. Where the E10 increased the bass a bit for more volume in the bass region, the E50S gives more impact and provides a richer, mnore immediate impression of basslines, drums and the like.

Mids (e.g. vocals, acoustic instruments):

Being a relatively neutral earphone, the E50S provides a little more of the midrange without any peaks. Harmonics are clear and vocals are pristine and backing vocals are distinct. Atmospheric effects such as reverb can be easily picked out and followed, giving a clear sense of space.

Treble (e.g. high hats):

There is as much detail at the top end as most of us require; it’s never an easy job balancing between a sound which some might think is an overly bright and uncomfortable one, and a sound which others might describe as muddy and dull. However the SoundMAGIC E50S hits the right note and makes a great complement to the midrange for clear and comfortable retreival of detail.

 

Soundstage & Separation

The increased midrange response makes harmonics shine, bringing instruments to life and giving greater definition. For earphones at this price point, separation is fantastic and with it, soundstage is very good for an in-ear model.

Being good all-rounders, there is ample scope for the SoundMAGIC E50S to be enjoyed with all genres but the relatively flat response or neutrality of the E50S makes it a perfect earphone for vocals; particularly when accompanied by backing vocals. Percussion gets a nice lift also, as does any distortion effect.

Pros:

Simple, modest design
Superb clarity and neutrality
Good range of tips
Sturdy carry case
Angled jack
Switch for greater compatibility with a wider range of smartphones

Cons:

Single button control only, no volume control functionality

Please take a look at our video review below for more details.