Author Archives: Oscar

Periodic Audio Ni (Nickel) Headphone Amplifier Review

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Periodic Ni (Nickel) Review

Aesthetics and Build Quality:

The Ni is about the size of a 9v battery, and looks very plain. All black but with the company branding in white on it along with white arrows showing the input/output sockets; sitting between these sockets is an LED. On the other end you have a micro-USB for charging, and that is it, no buttons or switches, just a block with sockets on it.

The build quality is superb, it may be made out of polycarbonate, but it sure is well put together. Tolerances are incredibly tight and the housing is very well put together, along with the fact that the 3.5mm sockets are tight and of very high quality. All of this put together makes the Ni a solid little amp that should easily be up to the task of daily use.

Features:

The Ni does not have an on/off switch or volume control, the sockets sense when a source and headphone are connected and power the amp on. Volume is controlled by the source, and the Ni has a fixed gain of 6.5dB. It will supply 150 mW into 50 Ohms, 250 mW into 32 Ohms, and 270 mW into 16 Ohms. This makes it suitable for most headphones that are used for portable use, and some harder to drive models too.

The battery charges from flat to full in only 30 minutes, and you can expect around 9hrs of battery life from a single charge. The input impedance is very high which means it almost totally bypasses the internal amp of your source. The sockets are TRRS so when you are using it with a mobile phone, mic and controls will still pass through to the phone. The Ni is also engineered to be nearly completely RF and noise interference free.

 

Sound:

Well Periodic have put a lot of thought into this tiny little amp, so you would hope the results pay off.

Well rest assured all that work didn’t go to waste, the Ni does exactly what it sets out to do without fault. Phone outputs are usually pretty poor, and this little amp really does bring an improvement, and not just in terms of volume.

 

It goes beyond that and you get a nice quiet background with very low noise, alongside an increased sense of control and responsiveness. Lows sound tighter and more articulate, the midrange sounds better separated and airy, along with effortless extension up top. Of course, a lot of this will depend on the headphones you plug in, but with the Ni you can use a wide range of earphones to headphones and get the same quality performance that a phone simple cannot give on its own.

 

The Ni doesn’t inject a signature of its own, it does not have any additional bells or whistles, it purely amplifies the signal. But it does so in a very clean and precise manner that is perfect for those with low powered sources or poor headphone outputs.

 

Conclusion:

If you are looking for a boost in power, or a step up from your phone’s headphones output, the Ni is the perfect solution for on the go use. With great battery life, quick charging time and excellent sound quality, what’s not to love?

 

Sound:  5/5

Features: 3/5

Build: 4/5

Value: 4/5

Campfire Audio Polaris 2 Review

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Campfire Audio Polaris

Aesthetics and Build Quality:

Much like all other Campfire models, the Polaris are a thing of beauty. The precision CNC’s machined housings look perfect, the blue really does stand out against the black screws and smoky cable. Even the case compliments the colour scheme. Campfire, in my opinion, make some of the best-looking IEM’s out there.

Build quality is another strong point, the metal housings are perfectly finished, and the MMCX sockets are some of the best I have ever come across. The cable is a silver plated litz cable that is twisted, with good strain relief on the 3.5mm angled jack. I can see the anodised finish showing scratches in the long run, but I personally find that adds character to them.

Comfort and Isolation:

The housings may look uncomfortable but the inner sides have softer edges and once you find the right tips the Polaris are incredibly secure and comfortable to use. I found them to fit and sound best with foam tips, but this is down to personal preference. The cable now uses pre-moulded ear-hooks which I find to sit much better than stiff memory wire, it’s great to see more brands using this. My one tiny gripe here is driver flex, which is quite present when you first insert them.

Isolation is very good, perfect for daily use and commuting, even though the housing is vented for the dynamic driver, I don’t find this impacting isolation much.

 

Sound:

Bass: This is the part that is immediately noticeable when you first try the Polaris, and for good reason. These are made to deliver a very full and powerful sound, and they do that without fault. The bass carries real weight and impact, you feel as well as hear the notes. The bass may be the prominent frequency band on these, but they do this without totally masking the rest of the frequency response. They are not a dark, bloated mess, yet they still have a bass-heavy signature which is very impressive and a lot of fun. The sheer weight and power of the low end is quite astonishing, yet it manages to steer clear from masking the mid-range too much, only giving the lower midrange a hint of warmth.

 

Midrange: The midrange is clear and detailed, yet does come across a little behind the bass in terms of absolute presence. The lows do give a little body to the lower midrange, but the upper midrange is quite up front. The transition from the upper midrange to the lower treble is not the smoothest, bringing out a bit of sibilance in the recording. They do not suffer badly from sibilance, but it is there nonetheless, and more present than a few other IEM’s that are a little smoother. The Polaris trade off a little refinement for fun factor, and I honestly am fine with that. They are engaging, the midrange is clear and well defined, especially when you compare it to the bass.

 

Treble: Due to the T.A.E.C technology, the Polaris has an incredibly open and airy top end. The treble extends effortlessly with excellent tonality and presence, however is it not peaky or harsh. The openness of the top end really aids the soundstaging capabilities of the Polaris, offering a really spacious sound that is not congested or closed in. There is plenty of detail up top and the energy is what mainly prevents the Polaris from sounding too dark. I really do enjoy the treble performance of the Polaris, providing the perfect balance between being there and clearly audible, but not bright and overbearing. Campfire don’t need to artificially boost the top end to give a sense of extra detail, because the detail is there and audible.

Conclusion

The Polaris are one hell of an IEM, with a very powerful and engaging sound signature. The bass is there by the bucketload, yet the midrange is detailed and only slightly behind when it comes to presence. The highs are effortlessly extended and packed full of detail, giving them a sense of space and air that really opens the Polaris up. Overall a great buy if you want an engaging and powerful IEM.

 

Sound:  4/5

Comfort: 5/5

Build: 5/5

Value: 5/5

 

What are custom in-ear monitors?

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What are custom in-ear monitors?

Essentially custom in-ear monitors are, as the title suggests, custom made earphones that are moulded to the shape of your ear. Everyone’s ears are different, and to really achieve the most comfortable fit, along with the best isolation, you have to go down the custom route.

 

Where to start?

So, you are thinking about going down the custom route, first up is the usual research and reading of reviews to shortlist some potential models. The custom industry has grown massively in the last few years, and they are no longer reserved for touring musicians, and there are easily as many audiophile models as there are pro-audio models now.

 

A few of the main brands are:

  • 64 Audio
  • JH Audio
  • Ultimate Ears
  • Empire Ears
  • Cosmic Ears
  • Custom Art

 

Once you have shortlisted some, it is worth looking to see if anywhere near you has demo models you can go and try out. As once you have the custom version, you won’t be able to return them.

 

Next you will need to get some ear impressions done, this is one of the most important parts of the process, due to this we would advise you spend a little more and get them done by someone who is highly qualified in taking ear impressions for musicians. Alternatively most brands will have a list of recommended audiologists, the process is not painful, but it is a bit odd if you have never had it done before.

 

First, they will check your ear canals are clean enough to take the impressions, and then they will insert a foam stopper past the 2nd bend of your ear canal. Then a 2-part silicone mixture is mixed and inserted into a syringe. You are usually given a bite block to take an open mouth impression (recommended for custom monitors) and the mixture is then injected into your ear and fully filling the outer part too. The silicone takes about 5-10 minutes to cure, then the impression will be removed and you are done.

 

 

Now you have your impressions, it’s time to design your monitors (or vice versa)

 

To be fair, you can order your monitors and then get ear impressions, either way the end result is the same. It is however best to send the impressions sooner rather than later as they do change if kept in storage, reducing the likelihood of getting a good fit the first time round.

 

You can go on to most manufacturers websites and design your monitors with their online design tools, these are great fun to use and the number of options varies depending on the brand. A lot of them also allow you to upload artwork if you want a specific logo on them. Take your time and make sure you pick a design you love. There are companies like Custom Art that are happy to surprise you if you don’t know what design to go for, they do some incredible pieces.

 

 

Now the wait…..

 

Your customs arrive, you are keen to try them out, but wait, how do they fit in?

 

Most brands include a leaflet to help you, but there is a technique to inserting custom monitors, you have to twist them in until they lock into place. Here is a great guide on the fitment of Custom monitors: https://theheadphonelist.com/custom-in-ear-monitors-fit-guide/

 

Now you have your own unique earphones that with some care will last you years and give you excellent sound quality, along with increased isolation and comfort when compared to universal models. Happy listening!

Effect Audio Leonidas II Upgrade Cable Review

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Effect Audio Leonidas II

 

Aesthetics and Build quality:

The Leonidas II is one pretty cable, with a soft outer jacket and silver colouration it looks really amazing in the flesh. The jack has a carbon fibre housing, the y-split is silver and leather, and the 2-pin connectors are just sleek silver. I really do love the look of the cable; it definitely stands out as the silver has quite a unique sparkle in the sunlight.

Build quality is superb, from the PSquared jack to the 2-pin connectors everything is flawless. The braid is consistent and everything just feels really premium and well made.

 

Comfort:

The Leonidas II uses 26awg wires in a soft jacket, along with a consistent braid and moulded earhooks rather than stiff memory wire. All of this makes the Leonidas II an extremely comfortable cable in use, it is also a very quiet cable, with minimal if any cable noise.

Sound:

The Leonidas II is not a cable that brings noticeable changes in the lows/mids/highs, rather it focusses on how the detail and soundstaging effects are portrayed. The Leonidas II places a firm focus on creating a very accurate and wide soundstage, yet it also manages to add an element of increased resolution.

This increase in resolution doesn’t come across as added brightness though, it still remains a smooth a natural sounding cable. The Leonidas II will pair with many different monitors, with a black background and impeccable imaging and soundstaging. This cable never makes you feel like anything has been sacrificed to create the improvements, it keeps all the core elements of the sound of your monitors, but the increase in detail and spaciousness are instantly recognisable.

This is definitely a cable you can hook up and forget about, it doesn’t jump out at you with exciting elements, however it has a very mature and resolving sound that is about pure enjoyment.

Conclusion:

The Leonidas II is a perfectly balanced, highly resolving and all-round excellent cable. It is one that will pair well with most IEM’s, bringing out the best of their technical capabilities without making anything stand out.

Sound:  5/5

Comfort: 5/5

Build: 5/5

Value: 4/5

 

You can find our whole range of Effect Audio cables here

 

Sennheiser Momentum True Wireless Review

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Momentum True Wireless

Aesthetics and Build Quality:

The Momentum True Wireless look great, with a matte black body and textured aluminium faceplates. A lot of the lower end true wireless models look very generic and cheap, whereas Sennheiser have made sure these have a modern and simplistic look to them.

The build quality feels excellent too, with a sturdy body and great case there is nothing to go wrong. Providing you don’t drop them too often; I have a feeling these will last you a while.

Features and Comfort:

The little case they come with is really compact and charges them securely, with magnets holding the earphones in. It takes a while to get used to how the touch features work, but the manual explains it all and once you have used them for a bit, they become quite easy to use. The main thing is that the connection is stable, I haven’t had any drop-outs when in use unless I am a long way away from the transmitting device.

Comfort is great once you find the right ear tips, they stay securely in my ears and are very comfortable due to the rounded edges of the housing.

Sound:

Bass: The Momentum TW has quite impressive bass response, with a nice dose of added body which gives the sound a pleasant warmth. The bass is not necessarily the tightest out there, but it does a respectable job of keeping up with more complex tracks, along with having enough extension and impact to keep most people happy. The added body these have is great as when you use them in noisy environments you will still be able to hear every beat.

 

Midrange: The midrange is a little bit recessed, but there is enough presence to stop them from sounding overly V-shaped. Guitars have great tonality to them; however, vocals don’t quite grab your attention, lacking a bit of clarity. The midrange doesn’t really do anything overly wrong, but they do lack detail and come across a little muffled at times.

 

Treble: The treble comes across with good clarity but in a polite manner, never becoming overwhelming. They have quite good presence without any nasty peaks, there is a smooth and controlled nature to the treble that is very easy to listen to. They have just enough bite to prevent them from sounding overly dark, and they do extend with relative ease but this is hindered by Bluetooth codecs somewhat.

 

Conclusion:

The Momentum true wireless are the best true wireless headphones I have tested so far, with stable connectivity and good sound quality. Wired earphones at this price do still offer better sound, but at the cost of convenience. With a full-bodied sound that still offers a good level of detail, the Momentum True Wireless are actually quite impressive considering all that goes in to them.

Sound:  4/5

Features: 5/5

Comfort: 5/5

Build: 4/5

Value: 4/5

What are USB earphones?

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Some of you may have seen that there are a few earphones sporting a USB-C connector, or even a Lightning connector for Apple devices, but how do these actually work?

 

 

Well, all devices that have a headphone jack have internal circuitry that uses a DAC (digital to analogue converter) and then a headphone amplifier. The quality of these components varies a lot between devices, but most suffer from a certain amount of noise and hiss that is detrimental to the overall sound quality.

USB-C or Lightning earphones have this circuitry built into the connector itself, meaning the phone sends the digital data to the earphones and the conversion is done there. This gives the earphone maker a chance to match the specific circuit to a specific pair of earphones/headphones for optimal power and quality. This also means that the circuit is detached from the main board which is a common source for interference and noise.

Whilst not as common as Bluetooth models, USB earphones are on the rise and are an excellent choice if you have a device that has no headphone jack. They offer better sound quality than Bluetooth models along with being more convenient than using a dongle or external DAC/Amp.

Within our range of headphones, we have the new SoundMAGIC E11D which includes a 24bit capable DAC, along with a 4-core cable for balanced signal transmission. These have been getting great reviews in the press, being some of the best USB-C earphones available on the market.

 

 

If you don’t mind adding an extra device to get that extra bit of quality out of your regular wired earphones, then take a look at the Cyrus SoundKey. This little DAC/Amp gives you a great step up in clarity and control.

Oriveti OH300 and OH500 First Impressions

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Oriveti OH300 and OH500 First Impressions

These 2 new models from Oriveti have just arrived in our office and will be available very soon. Due to the popularity of the New Primacy, we thought we should give you guys a quick first impression of them.

The OH300 is set to replace the New Primacy, sporting a new dynamic driver, along with the familiar dual Knowles balanced armature drivers. The OH500 is the new flagship model, sporting a dynamic driver along with 4 balanced armature drivers. Both come with a new 8-core braided silver-plated copper cable and leather carry case.

Both come with a cleaning tool, airplane adaptor, 3.5mm to 6.3mm adaptor along with an assortment of tips: S, M and L single flange silicone tips in 2 styles, along with 2 pairs of bi-flange tips and 2 pairs of M foam tips. Overall an excellent array of accessories.

Build quality is very impressive, Oriveti have now changed to a resin housing which is super smooth and makes them feel like a really premium product. The new 8-core cable is excellent and feels really durable, along with nice tight MMCX connectors. There really isn’t anything to fault here, both look and feel excellent.

The New Primacy always was quite a sensitive monitor, and these are no different so you may get slight hiss with certain sources, but it should be minimal. Pairing them with a good clean DAP is best though.

Sound:

The OH300 has a more neutral leaning sound signature, with excellent clarity and resolution. These are set to be priced around £300 and for that you get a really superb IEM. The midrange clarity is one of the main things that grabs your attention, with details coming across easily and effortlessly. The lows are tight and controlled but fill out the low end when required. They don’t bleed into the midrange, but they sound more coherent when compared to the New Primacy. These are not lacking when it comes to punch and extension, but they are those who like a bit of extra bass might want to look elsewhere. Up top you get great energy and sparkle, but they are a little less bright when compared to the New Primacy. They sound a little more refined without taking away the extension and detail that the New Primacy was famed for.

 

The OH500 has a slightly more organic tilt, favouring smoothness and slightly full tonality over a more analytical approach. The OH500 are one of those monitors you can put in and just relax, without missing out on technicalities. On the low end you get more pronounced sub-bass than the OH-300, but still a quick and tight mid-bass region preventing too much bleed into the lower midrange. The sub-bass is powerful and comes out of a black background when called for. The midrange is clean and has excellent layering, but it is presented in a natural way, without being pushed up front. There are no real peaks favouring male or female vocals, and the transition into the treble is incredibly smooth. The treble has a rise in the upper region creating a more airy, refined and extended sound rather than being more energetic and in your face. The soundstaging on the OH500 is truly superb, there is a really excellent sense of space with great placement of instruments.

 

These 2 models are definitely worth keeping an eye on, with the OH300 giving you a more neutral yet coherent sound, and the OH500 offering up a slightly lush but well extended and detailed sound. Oriveti are one of those brands who know how to tune a great earphone, so the competition better watch out.

Focal Stellia Review

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Focal Stellia

 

Aesthetics, Build Quality and Accessories:

The Stellia are quite bold when it comes to looks, the colour scheme is unlike most high-end headphones. The brown/copper look is quite out there, some will love it, some will hate it. I like how Focal have been bold, and it is definitely refreshing to see something other than black/silver.

 

The build quality is excellent, using pretty much the same headband as all the other Focal models (bar the Utopia with its carbon fibre yokes). The headband has genuine leather padding, and the cups have spots of tan leather on them. The included cables are great, but do create a little noise when rubbing against clothing. Overall the Stellia is a solidly built headphone.

 

Accessory wise you get the usual Focal carry case, along with a short single ended cable, and longer 4-pin XLR balanced cable. The manual comes in a leather case and everything just feels luxurious, as it should for this price.

Comfort:

The Stellia are not the lightest of headphones, again due to the excellent build quality. But just like the Clear and Elegia, I do not find them to have enough padding on the headband, and this does create some discomfort for me personally after a short time listening to them. This is not an issue that affects everyone, but I wish the weight was distributed better. The earcups are spacious and the genuine leather earpads feel great.

Sound:

Bass: Those looking for energetic and full lows might want to look elsewhere, however those who appreciate accuracy over quantity will really enjoy these. The lower priced Elegia have more fun factor, the Stellia are more reserved with a focus on clarity. The definition and control down low is superb, they are not lacking in quantity and there is a subtle amount of body being added to the sound, which makes these sound smooth and refined compared to the livelier Elegia.

 

Midrange: The midrange can be described as natural, open and detailed. Never lacking in any part of the midrange, the resolving capabilities are showcased best in the midrange, with excellent insight into recordings. They work well with all genres, the midrange isn’t pushed forward but it sits perfectly central in the mix, sounding well separated but never detached. The layering really stands out, along with a smooth transition into the treble region.

 

Treble: The treble is smooth and well extended, I cannot detect any nasty spikes which is a relief. They don’t rely on peaks to create an artificial sense of detail, instead they just have the detail without trying to grab your attention. I cannot find any fault with the treble to be honest, it is well presented but without drawing attention to itself. It’s resolving capabilities are natural rather than forced, and this really shows when listening to them.

 

The soundstaging capabilities are a little limited on the Stellia, but there is fairly good height compared to the width. Separation and imaging however are superb and the Stellia never lose focus, even with the most complex of mixes. These don’t suffer from a boxed in sound, the engineering that has gone in to remove cup reflections really works well and they don’t have any nasty resonances that I can detect.

Conclusion:

The looks of the Stellia may divide opinion, but the sound is sure to impress anyone looking for a refined and resolving closed back headphone with incredible technical capabilities and an overall easy to listen to sound.

SoundMAGIC P55 V3.0 Review

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SoundMAGIC P55 V3.0

 

Aesthetics, Build Quality and Accessories:

The new P55 V3.0 have quite a mature and sophisticated look that is sleek and understated. The design is similar to a lot of on-ear headphones, they are not flashy but they have a fairly high end feel to them.

 

The build quality is top notch, with a mainly metal frame and detachable 3.5mm cable these are perfect for your daily commute. The cable uses a standard 3.5mm jack, so replacements will be easy to come by, along with the P55 V3.0 coming with 2 cables in the box anyway. These are a really solid on-ear headphone, especially for the price.

 

The P55 V.30 come with a carry case to keep them safe in your bag along with 2 cables, one with a mic and controls, one that is audio only. Also included is a Skype adapter for using them with a PC that has separate mic and headphone sockets.

 

Comfort:

These are not light due to the metal construction, but they are also not what I would call heavy. The clamping force strikes the right balance between providing a secure fit and not being tight and uncomfortable. The earpads are plus, and the headband doesn’t dig into the top of your head. These are not the kind of headphones you sit back for hours in a comfy chair with, but they are excellent for general use and I can easily wear them for a couple of hours.

 

Sound:

Bass: The bass on the P55 V3.0 is really punchy and has excellent body to it. It really does an excellent job of allowing you to hear and focus on the bass line of tracks, without masking details. Yes, the bass is slightly emphasised, but for on the go use this is an advantage, and the fact they never sound bloated is a huge bonus. The don’t just punch hard, they also dig deep into the sub-bass with ease. These are about fun, and they deliver on that promise, with a dynamic and engaging sound.

 

Midrange: The midrange sits slightly behind the bass in absolute presence, but it is far from being recessed. Vocals cut through the mix with great clarity, guitars have good tonality and everything is quite well presented. There is a little bleed from the bass which does affect the lower midrange a tiny bit but this is easily overlooked when the overall sound is this good. Female vocals do have a slight edge, due to a slight uplift in the upper midrange, but the transition into the treble region is fairly smooth with only a hint of sibilance.

 

Treble: The treble has not been forced to take a backseat on these, giving them a good sense of balance overall. The great thing about the treble on these is the way they are not boosted in the lower treble. There is not a focus on bringing out the initial impact, but more on bringing out air and extension in music. Every cymbal tap and crash is well defined, without sounding sharp.

 

The P55 V3.0 manage to handle everything you throw at them, they do not have a massive soundstage but the separation and spatial imaging makes up for this.

Conclusion:

SoundMAGIC have created a rugged, stylish and great sounding on-ear headphone for less than £100. The sound is full, fun and engaging. There is a bit of emphasis on the bass, but there is enough detail in the midrange, and presence up top to make them well balanced overall. These could be the best sub £100 on-ear headphone out at the moment.

Bowers & Wilkins Roundup

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Bowers & Wilkins Roundup

 

We start off with the P3 Series 2 from Bowers & Wilkins, this is their entry level model but don’t be fooled by the price. These headphones come in a stylish and durable design that is perfect for everyday use. The lightweight build along with leather earpads means they are very comfortable, and the replaceable cable means you’ll get years of use out of them.

 

But the main thing that stands out is the big sound they produce from such a small headphone. Offering up a warm velvety sound that is effortless and enjoyable. They may not have the last word in detail, but what they do offer is pure pleasure, they immerse you in the music. Definitely a headphone to consider if you are looking for something low priced, lightweight and easy going.

 

 

Next up we have the P5 wireless, keeping the sound quality of the original P5 Series 2 but with the added bonus of no wires. The P5 Wireless are still the perfect size for everyday portable use, they just don’t fold up like the P3 Series 2. All their headphones share a similar mainly metal build, with leather earpads meaning the P5 wireless are still an extremely comfortable headphone. The Bluetooth is easy to pair and the button layout is intuitive, they also come with a cable in case you run out of battery.

 

The sound is big and bold, this used to be the house sound for Bowers & Wilkins before the Px was released. Plenty of punch and warmth down low, but with good detail throughout. The dynamics really standout and these will grab your attention and draw you in to the music. There is also greater depth with regards to sound staging over their smaller siblings, a worthy contender for your go to headphone of choice.

 

 

If you are looking for the ultimate travelling headphone, look no further than the Px. Released last year, Bowers & Wilkins packed a ton of tech into this stylish over-ear headphone. Active noise cancelling with the ability to tune what you want to cancel out via an App on your phone, sensors to automatically pause and play the music along with an excellent power saving feature. The Px really are quite impressive when it comes to features, but all of that means nothing if the sound quality isn’t there.

 

Luckily, they didn’t cut corners here, these are possibly the most detailed and clean headphones Bowers & Wilkins have made. Gone is the full-bodied sound of the P5/P7, and in comes the audiophile grade sound that a headphone of this calibre should have. Offering up plenty of detail with precision, but without a sense of fatigue, these really do bring out everything in the recording without skipping a beat.

 

JDS Labs Atom Review

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Review: The JDS Labs Atom

 

Aesthetics and Build Quality:

The Atom is sort of built to be the new Objective2, and it sure looks better from an aesthetic point of view. The Atom is very simplistic, yet the curved edges make it look quite premium for the price. The overall finish and attention to detail is excellent, and it looks really neat sat on a desk.

 

The build quality is really good, it may not have a nice CNC machined chassis but everything is well finished and put together. The push buttons, volume control, inputs and outputs all feel great. I have no complaints about the build quality whatsoever.

 

 

 

Features:

The Atom incorporates everything the Objective2 should have had. Rear power socket and RCA inputs, front gain and input switch along with a ¼” headphone output. On the back you have both RCA and 3.5mm inputs, along with RCA outputs so you can use the Atom as a pre-amp when you don’t have headphones plugged in.

 

 

 

Sound:

As I have said the Atom was conceived as the next generation Objective2, so is it worthy of that title? In short, Yes, it is.

 

First off, we have the fact that the Atom is more powerful, nearly twice as powerful at 32 Ohms, so it can drive a wider range of headphones. But with this could come more noise, luckily the Atom shares the same black background and pure reference sound of the Objective2. The output impedance remains less than 1Ohm, so there are no issues using sensitive IEM’s with the Atom.

 

It is really difficult to describe the Atom, as it really doesn’t anything apart from amplify the sound. It doesn’t add its own character, and this is what JDS Labs were aiming for. Feed it with a good source and you have an excellent system on a budget. Either the EL or OL DAC would be the perfect partner for the Atom.

 

Lets just face the fact that the Atom does a lot right for the price, and I personally cannot pick any flaws in the design or sound of this little amp. I do not think anything comes close if you are looking for a neutral, uncoloured headphone amp under £200.

 

 

 

Conclusion:

The Atom sets a new standard when it comes to budget headphone amps, it has a clean and reference sound, with plenty of power on tap, it does justice to most headphones. All neatly wrapped up in a well-thought-out chassis, the Atom really is hard to beat.

Shanling M5s Review

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Shanling M5s

 

The new M5s from Shanling has all the features you could need, yet it doesn’t cut corners when it comes to the sound quality.

 

 

Aesthetics, Build Quality and UI:

 

The M5s is a sleek looking DAP with well thought out placement of buttons and ports. The front panel is mainly filled by the touch screen; however, the screen doesn’t fill the whole panel, there is a space at the bottom that is blank. The rear panel is glass, the right-hand side has the volume knob/power button on it and the left side has playback controls and the microSD card slot. On the bottom you have the 3.5mm single-ended headphone out, 2.5mm TRRS balanced headphone output and the USB-C connector.

 

The overall build quality is excellent, but with all that glass I would advise you get a case and possibly a screen protector for the front. The main chassis is made out of aluminium, the buttons and sockets all feel sturdy and it has a reassuring weight to it.

 

The M5s uses Shanling’s own MTouch firmware which is super intuitive and easy to use. It is based around swiping certain directions to go back and forth between menus, you can customise the home screen and overall it is bug free and smooth in use. There are plenty of sound tuning options, digital filter/EQ/Gain etc… When you dig deep into the settings you can really set it up to how you want it to work, but even out of the box it is really easy to get used to. The now playing screen shows the album art along with the track title and artist, if you want to see the bit rate and other info you can click on the album art and scroll across to the detailed info. Overall the MTouch firmware is sleek, fast and easy to use.

 

 

Features:

 

The M5s has Bluetooth, with which is can be used as a transmitter or receiver, it supports LDAC/AptX/AAC. You can use it as a USB DAC, you can use the USB-C as USB Audio out into an external DAC making the M5s a transport only.

There is WiFi for DLNA, Airplay & OTA update for now, with more features possibly coming in the near future.

16 hours playback in single ended, 9 hours balanced is pretty good for a player of this calibre and price. There are a few more settings and features when you dig into the player, but the above should give you a brief overview of some of the key features.

 

Sound:

 

The M5s upon first listen sounds like any good DAP should, clean and detailed without any obvious colouration going on. When you spend a little more time with it you begin the discover that it has a hint of warmth to it with a fairly easy to listen to sound signature. The M5s is a really easy DAP to get on with during day to day life, it just kind of does its thing in a very easy and effortless way. There is no noticeable roll off, there is also no real colouration anywhere even if it does err slightly on the smoother side over a more analytical sound signature. There is no loss of detail, soundstaging and separation are excellent and the main thing that comes to mind is just natural. The M5s sounds natural, not strained, not trying to throw every little detail at you. It wants you to forget about it and listen to the music.

 

Power wise the M5s is really impressive, it has a pitch-black background with sensitive IEM’s and the low output impedance means it plays well with multi BA setups, yet the high gain setting means you will get enough volume and most likely power for all but the most demanding of headphones.

 

 

Conclusion:

 

The M5s is a great DAP for the price, packing tons of features into a solid and aesthetically pleasing device. The UI is snappy and responsive, the sound quality is neutral and balanced without being too analytical.

iFi xCAN Review

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Review: The iFi xCAN

 

Aesthetics and Build Quality:

The xCAN is built much the same as the xDSD, with a metal housing that is a bit of a fingerprint magnet and a plastic rear cap where the Bluetooth circuitry is located. The xCAN looks superb in person with a great size and shape.

 

The build quality is superb and the volume control does not stick out, meaning it is well protected and all the sockets are tight. Everything just feels very solid.

 

Features:

Unlike the xDSD, the xCAN only have analogue inputs along with Bluetooth capability. You get a regular 3.5mm line-input, along with a 2.5mm TRRS balanced line-input. Outputs are the same, one 3.5mm and one 2.5mm TRRS balanced.

 

The xCAN has the XBass II and 3D+ adjustments. The XBass II is a completely analogue bass correction curve and can be switched to boost low frequencies or to correct the presence region, or both. The 3D+ is also an analogue circuit that aims to correct the holographic soundstage, making headphones sounds less like the music is coming from inside your head.

 

The volume knob changes colour depending on the volume, starting at blue for low volume going up to red at full output. The xCAN delivers more power from its balanced output as you would expect, so it is recommended to use balanced if you can.

 

 

Sound:

 

Well, as the xCAN is mainly an amplifier, the quality of sound will largely depend on what you are feeding it. But feed it with a high-quality source and it will do its job of amplifying the signal without adding too much flavour. The xCAN is neutral and detailed. It may be a tiny bit on the smoother side so as to prevent it from sounding overly analytical, but it is not coloured to my ears.

 

When using it with Bluetooth you are relying on both devices; when using an AptX-enabled device, you get excellent audio quality. I really don’t know how iFi do it, but you really do not lose much in terms of sound quality when using this with an AptX device.

 

The xCANs dual mono amplification stage really is impressive, hiss free with sensitive IEM’s yet at a push it can power the Beyerdynamic T1 2nd Gen with good results (Volume on red). Not that anyone would buy this solely for use with the T1 I don’t think, but it is still a very impressive feat from this tiny amp.

 

 

The XBass is a really handy boost for when out and about in noisy environments or just for slightly brighter sounding headphones. The 3D+ works wonders for more closed in sounding headphones giving you a more realistic soundstage. The ability to choose between bass and presence on the XBass setting is actually really handy and allows you a little finer tuning than a standard bass boost.

 

 

Conclusion:

The xCAN has all you need from a portable amp, perfect size, good battery life and easy to use. Add to that excellent Bluetooth implementation, balanced circuitry and overall sound quality is the only portable amp you will ever need. Another superb product from iFi that has our seal of approval.

MrSpeakers Ether 2 Review

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MrSpeakers Ether 2

 

Side view of the MrSpeakers Ether 2.

 

Aesthetics, Build Quality and Accessories:

The Ether 2 sport the same styling as the Voce, with a spiderweb-like grill and all black colour scheme. The design is simple but at the same time unique; nothing really stands out, yet they are very much a MrSpeakers headphone by design.

 

When you first look at the Ether 2, you could be mistaken for thinking they look flimsy and weak. Upon closer inspection, they are built to be solid, and comfortable at the same time. The headband is their signature NiTinol metal that is flexible yet incredibly strong. The cups are machined aluminium and the baffles are carbon fibre. This means the weight is kept to a minimum without compromising on strength.  The cable has been updated since the old DUM one, and it is now softer, more flexible and just feels more premium.

 

Accessory wise you get a hard carry case and the cable. To be honest, there are no other accessories that are needed. The case is of excellent quality and will keep your Ether 2 safe when not in use.

 

 

Comfort:

 

MrSpeakers have focused on making this one of the most comfortable planar headphones out there, and they have done a great job. They feel so light when you hold them in your hand! The earpads are memory foam and the clamping force is just right. The suspension strap evenly distributes the weight over the top of your head making these extremely comfortable headphones for long listening sessions.

 

Angled view of the MrSpeakers Ether 2.

 

 

Sound:

 

Bass:

The bass on the Ether 2 has a certain fullness down low, that makes them very enjoyable. The bass is articulate and easily flows with any genre you throw at them, with excellent, linear extension down low. Overall the bass adds a slight smoothness to the sound, but it is not overpowering. The bass never steps out of line, staying tight and controlled at all times, yet still having that addictive slight fullness to them.

 

Midrange:

The midrange cuts through with excellent clarity and are well separated from the lows. There is no bleed from the bass warming up the midrange, yet the transition is coherent. Female vocals have great presence, yet without any peaks that bring out sibilance. The Ether 2 have a neutral tone that does well with all kinds of music, but they bring out the emotion in the music really well.

 

Treble:

The treble is detailed and extended, but it extends with great linearity without fatigue inducing peaks. Everything is rendered with clarity and relative neutrality yet a subtle warmth stops them from being analytical. The treble does not sit in the background, and it does not lack presence or detail, it is just the sound as a whole is so enjoyable.

 

 

The soundstage is wide and deep, it is a highlight of this headphone. The sound is not congested and always expertly separated yet still with an overall coherent sound.

 

Detailed close-up of the MrSpeakers Ether 2.

 

 

Conclusion:

The Ether 2 have a great sense of neutrality, but at the same time they offer an enjoyable listening experience and they never sound analytical. There is a hint of added body that creates a smooth listening experience that can be enjoyed for hours on end. It’s a very technically proficient headphone, but at the same time it’s a joy to listen to, and connects you to the music in a way few other headphones can.

Focal Elegia Review

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Review: The Focal Elegia

Focal have entered the high-end closed back market, and they clearly know what they are doing.

 

Aesthetics, Build Quality and Accessories:

The Elegia sport a black and silver colour scheme with textured cups and a nice logo in the middle. The earpads are black on the outside with a silver inner lining, the same as the headband. The logo in the middle of the cups really stands out. These are headphones that like to stand out in the crowd. They are not understated and reserved; they want to draw attention, but in a respectable way.

 

The build quality is great. The cups are hard plastic, the logo is metal and mesh and there is a mix of leather and microfibre in the headband. The yokes are aluminium, and they just feel extremely well put together when you have them in your hands. They use a recessed 3.5mm detachable cable that is easy to replace. I really like the build quality of the Elegia, but over time the cups are going to show some signs of use.

 

Accessory-wise, they come with a lovely hard case with heavy duty zip and leather handle. Also included is the cable, which is 1.3m long and terminates in a 3.5mm jack with a 6.3mm screw on adaptor. They included everything you need to get them up and running.

 

 

Comfort:

The Elegia are a well-built headphone. This comes at the expense of a little bit of weight, though. Padding is key to keeping them comfortable, and whilst the earpads are nice and plush, with good padding, the headband could be improved. I know that comfort has a lot to do with individual head shapes, so this won’t affect everyone, but the headband padding is not thick enough. I personally found them to create a hot spot on the top of my head, but not everyone will have this issue.

 

 

Bass: The Elegia have excellent bass response that is tight and controlled, yet at the same time full and fun. It is slightly elevated overall with a bit of added impact. This makes you want to crank them up a little from time to time. They are a headphone that enjoy slightly louder volumes to really come alive. Bass guitar lines are incredibly articulate, and the kicks hit with authority.

 

Midrange: You would think with the slightly fuller low end that the midrange might be pushed back a bit. And whilst they are not mid-forward, they still strike a good balance in the mix. Vocals never sound distant; they cut through with great detail and presence. Guitars have power and crunch when needed, yet sound intricate and detailed during other tracks. Overall, they sit well balanced in the mix, with great clarity and separation. The transition is smooth into the treble and there is no large dip like on the Elear.

 

Treble: The treble is slightly laid back compared to the rest of the sound, but it is not lacking in detail and extension. The treble is always present, but in a slightly lower quantity than the bass and midrange, thus creating a headphone that is easy to enjoy. They lack any hint of brightness, but this does mean that they lose out on a little sparkle. This partly contributes to the ability to crank these up a bit without issue, whilst still being able to hear everything in the recording clearly.

 

The Elegia don’t have a huge soundstage, but the separation and accuracy of the placement of instruments makes up for this easily.

 

 

Conclusion:

The Elegia are a fun, full and detailed headphone that really get you tapping your feet along with the music. They like to be played a little louder than normal, so please do take care of your hearing. These put a big smile on my face with certain songs, due to the sheer fun factor, without missing out on technicalities.