For the asking price, the Sennheiser Momentum In-Ear is incredible value; giving great sound as well as swish styling and all in a very rugged and classy looking case. They are available in versions compatible with Apple devices as well as Android, so you needn’t be cutting down your choice of handsets with the Momentum In-Ear.
Pros
Very nice looking
Decent well thought-out case
Versions for Apple and Android
Right Angle Jack
Cons
Bundled accessories are high quality but low in number
Designed to be worn down from the ear only
Hot off the press at Sennheiser, the Momentum In-Ear promises to give music fans a taste of what this esteemed company is capable of in its 70th year. This particular old man is not doddery in the least however; the old CX300 and similar models have been updated, the new Urbanite is impressing young music fans all over the place and now we have the Momentum In-Ear.
Key Features
The first thing which is noticeable is the case, since the Momentum In-Ears are tucked away in the case when bought. Fishing them out gives a very good impression however – the case is semi-rigid with an internal caddy around which the cable can be wound. This will certainly protect the Momentum In-Ears well when not in use. The nozzles have been updated from previous similar Sennheiser in-ears, with the Momentum In-Ear these are now ‘custom machined stainless steel sound tunnels’ – they give a nice impression of build qulaity. Then there’s the buttons, either for Apple or Android, depending on which version you buy.
First Impressions
In terms of styling, it’s more reminiscent of the Urbanite model. The flat two-tone cable and understated shiny design is attractive but not showy, much like the Momentum In-Ear‘s sound. The case is new too, and is an excellent design as it affords protection against the contents being squashed or stressed. A separate ‘caddy’ comes out, around which the cable can be gently wrapped and it goes back into the case to be zipped up. Very neat.
The capsules themselves remind me somewhat of the Brainwavs S5, with their off-centre nozzles. They fit very well indeed when worn like this, but it may make the ‘up and over’ wearing style a little awkward. It can be done though!
Sound Quality
When it comes to the sound, the Momentum In-Ear compares well with its full-size Momentum sibling. Detail is high without sibilance or discomfort; harmonics are brought out for a very real sense of musicality. Soundstage is surprisingly broad for an in-ear model and imaging is coherent and sharp. Overall, the sound is fairly typical of Sennheiser’s recent offerings; in terms of full size headphones at least. When compared to older lines such as the now axed CX300, the sound is drastically improved and shows that this old dog still has some new tricks!
Summary
A very good in-ear from this venerable old timer. Despite all the in-ear competition coming from young companies keen to impress, Sennheiser can still pull a rabbit from the headphone hat; the Momentum In-Ear is a real treat!
Tiësto is a DJ and Musician who has transcended musical genres to create the global “Tiësto” brand and now he has his own headphones. His achievements include: a Grammy nomination, numerous MTV awards, performing at the opening ceremony of the 2004 Athens Olympic Games to an audience of billions, he even has a wax statue at Madame Tussauds!
With over 18 million friends on Facebook, 3 million followers on Twitter, over 500 million views (and 1.5 million subscribers) on YouTube, Tiësto is truly a universal phenomenon. Voted ‘The Greatest DJ Of All Time’ by Mixmag and the #1 DJ by Rolling Stone Magazine, Tiësto has worked with superstars such as Kanye West, Coldplay, Katy Perry, Nelly Furtado, Yeah Yeah Yeahs, Goldfrapp and many more.
By partnering with Audiofly, Tiësto has drawn on a company whose expertise in product design and audio engineering sits atop the industry. The results of this partnership are pretty amazing.
Every track is a journey of emotions, packed with the ear candy you crave. Paradise boasts a full, balanced sound to capture the feel of the club and take you there everyday.
Engulfing and larger than life, Maximal is your sonic entourage. Be transported and experience detailed layers of texture, effortless precision and a punchy bass for that explosive drop.
Powered by dual driver technology, Adagio is your VIP access to a place where extraordinary things happen. Immerse your senses in an eternity pool of mindblowing sound, where stunning detail meets heart-pounding exhilaration.
I once thought that when it comes to budget earphone reviews, a jaded attitude would eventually begin to creep in. Surely there’s a limit to how many of these in-ear headphones one can try before it all gets a bit dull! However, I’m glad to find that I can still get bucket loads of enjoyment out of trying earphones such as this. The Brainwavz S5 are bags of fun with a warm and friendly presentation and they have loads of room with a generous soundstage. For the asking price the Brainwavz S5 is a fantastic sounding headphone; being new does not make it average, as we’ve seen with recent debutants such as DUNU-Topsound and Fidue. There are a couple of minor gripes such as the ‘left’ and ‘right’ markers being tiny and the y-split strain relief on the cable – it looks like a section borrowed from a bridge.
Pros
Generous supply of tips including Complyfoam
Good solid jack adapter
Hard case
Involving sound
Cons
Left and right markers hard to see
Straight jack
Cable split strain relief has become a feature
Brainwavz is another relatively new company in the personal audio market. However they are currently making big wavz of their own, and if the Brainwavz S5 is anything to go by a few more products from them can certainly float in this direction!
Key Features
Features are basic with no controls or buttons on the Brainwavz S5 itself, but there are some nice touches like the alternative eartips which give a slightly different sound, together with a pair of Complyfoam tips. A hard case is included which is great for cable longevity, and a rather nice jack adapter.
First Impressions
Initially there were no expectations, having no experience with this brand before. Packaging and presentation are fine for a product in this price range, but the sheer number of similar products diluted our enthusiasm. Initially there was disappointment with the black eartips – the bass was boomy and took up a lot of space in the presentation. But then the translucent eartips were tried.. See the next section – Sound Quality!
These earphones actually caused pain in the eyes as it was so hard looking for ‘left’ and ‘right’. For this review, a folded post-it note was stapled around the cable on the left so this needn’t be repeated. Black characters on a black background need to be several millimeteres in height before they’re legible.
Sound Quality
With my preferred translucent eartips, the presentation is perfect for my tastes. A warm weighty bass underpinning some very spacious mids and present but not overbearing highs. The bass impact stays down low while harmonics higher up give it a gloriously chunky feel which I’m a big fan of. It stays in its place and gives the midrange plenty of chance to show off its own detail. The midrange is slightly recessed, but not as recessed in my opinion as with the black tips. Higher up, things are on the smooth side but by no means dark. Soundstage is good for an in-ear of this type with separation fairly good – there is a bit of a cluttery feel to the percussion in The Bangles’ ‘Walk Like an Egyptian’ but the Brainwavs S5 copes well, considering all that’s going on in that track.
Summary
A very competent and great-sounding offering which begs the question – what are the higher-priced items from Brainwavs going to be like? I found the Brainwavz S5 to be amazing on older instrumental and pop recordings, but there may be a danger with more modern music featuring sub bass and similar with the bass being a bit much. But then again, fans of those genres will likely be looking for just that type of sound.
Great for those relaxing at home and in the office, the Audio-Technica ATH-CHX7iS is a slight departure from the usual style of in-ears and earbuds. Audio-Technica have mashed the two styles in a way that reminds us of the Final Audio Piano Forte Series. These are not designed for all scenarios; on a motorbike journey for instance, enjoyment is reduced to knowing only when cymbals are being used in a recording. Of course, open-back headphones do not receive low scores for leaking sound and so the snappily named Audio-Technica ATH-CHX7iS is being viewed with a similarly open mind.
Pros
Very comfortable
Feel secure whilst worn
Great open wide sound
Cons
Case very small
Not for noisy places
Being big in Japan, Audio-Technica have been satisfying the Japanese fetish for personal audio products for some years now and have a huge number of different models. This allows for a little experimentation in the boardroom and some interesting items for us to try.
Key Features
The Audio-Technica ATH-CHX7iS comes with a handy button for smartphone functionality, and a volume control. The volume control does not communicate with the phone, it is a variable resistor only but works very well. The carry case is very small indeed; being hard it will afford some protection but the cable would need to be wound more tightly than perhaps it should. The relatively large size of the driver units doesn’t help either.
First Impressions
We all like something a bit different and the Audio-Technica ATH-CHX7iS is certainly that. Given that portable audio is all about blocking out the outside world, these earphones are a departure from the norm. Perhaps taking a leaf out of Final Audio’s book (their Piano Forte range is similar), Audio-Technica have seen a potential for small, open-backed models for those quieter moments out there, or for casual listening at home.
Sound Quality
As with anything open, the surroundings make a crucial difference and with a design worn like this, people are going to expect to use them outside. Great if it’s quiet, but a bit of road noise will reduce the Audio-Technica ATH-CHX7iS to a tinny irritant by contrast.
At home though, the presentation is as comfortable as the fit and I have the impression of a halfway house between headphones and speakers; it’s like a very cheap alternative to the AKG K1000 speakerphones. Soundstage is the best feature of the Audio-Technica ATH-CHX7iS, along with the natural feel they have.
The sound is very well balanced despite the loss of bass due to the open fit – perfect for lounging around the house while still remaining alert of the surroundings. The sound is on the bright side but this may just be the added soundstage making certain details stand out more, and also the fit. By pushing the capsules gently against my ears the bass is heightened; perhaps it is the design of our ears which might lead to subtle differences here in what we each perceive.
Summary
It would be good to see more models like the Audio-Technica ATH-CHX7iS coming through; we’re in danger of becoming too conventional in the headphones world and being set in our ways. It seems that companies like Audio-Technica and Final Audio don’t want us to get too comfy and are happy to prod us towards a more inclusive attitude. And why not? The headphones concept might be 100 years old, but things are far from predictable; particularly with new technologies being developed and many new ways of using and relating to music to look forward to.
It’s easy to get a bit weighed down amongst all the extra bits and attachments that are included with the Dunu DN-2000, but they are all worth trying for greater comfort and a more ‘bespoke’ sound. The hybrid driver arrangement really works to deliver a very engaging and detailed presentation which never strays into harsh territory, and the case is certainly something we’d like to see included with premium IEMs more in the future.
Pros
Exceptionally sweet sound
Plenty of accessories
Options to tailor the frequency response
Options to alter fit
Good solid case
Cons
Tuning rings can be lost
Casing can cause discomfort if earfins not used
If you’ve heard some of Dunu’s entry-level earphones such as the DN-12 Trident you might be curious about how the in-ear Dunu flagship, the DN-2000 measures up. Dunu’s in-ear offerings are as numerous as they are interesting, but the current cherry on the top, the DN-2000, takes the cake.
Key Features
Like its stablemate the DN-1000, the DN-2000 has a hybrid driver format but packs two balanced armatures and one dynamic driver in per side giving the best of both sonic worlds, like the similarly priced Audiofly AF140.
Accessories are bountiful, with both tuning rings and tips to alter the frequency response, and rubber attachments for improved comfort and fit in the ears. Also included is a pair of earhooks to try and the usual 6.35mm/flight adapters.
First Impressions
Expectations have certainly been raised by the quality of Dunu’s other products, namely the excellent budget model the DN-12 ‘Trident’ and DN-1000; the other hybrid design. For the asking price these have been nothing short of stunning, so the DN-2000 has its work cut out.
Once a preferred combination of tuning rings and tips was found (silver ring, and tip for ‘detail and resolution’), I felt it necessary to try the rubber attachments. These are secured by a small ridge of metal much like a penclip, which ironically can cause a little discomfort if the rubber parts are not used. The rubber parts help to keep the capsules steady in the ear, and certainly make for a comfortable and trouble-free listening session. A down side is the tendancy of the tuning rings to try and escape back to China when the eartips are removed. Just take care and don’t fiddle with the DN-2000 when using ski-lifts for example.
The hard case is also a nice feature. It reminds me of a travelling case for a bar of very valuable soap; it’s very solid and will protect the DN-2000 very well when in transit.
Sound Quality
Bass is fully present and in good proportion to the rest of the presentation with good punch and definition; it stays in place and leaves the midrange and high frequencies free to be the stars of the show for me. Decays are very realistic in terms of perceived space, and the DN-2000 leaves plenty of room in the presentation for these to be followed around by hungry ears! Treble is fairly bright albeit still smooth; mostly the DN-2000 stops short of being too bright but on some tracks there may be a touch of sibilance with female vocals, for instance.
Summary
For the asking price the DN-2000 is a worthy competitor; it will certainly hold its own amongst the other models in that price range and gives a bit more colour to it, given that a majority of alternatives are full balanced-armature models. I welcome the DN-2000 as much as I welcome a further example of a hybrid driver design being implemented so well; loving as I do the different strengths of the different transducer types, it’s a real treat to have both at once. Like a baked Alaska or a sweet and sour stir-fry, there’s a real synergy going on here.
This inevitable creep towards better and better sound from a budget IEM is no surprise, but the quality which the Xiaomi Pistons exude is nothing short of stunning. We’ve come to expect some rough edges from cheaper models along with features we have to lump rather than like; however this new IEM changes (yet again) our view of what’s on offer for our little bit of money.
Thanks to the guys at Merimobiles for sending us this sample for review – they will also supply the Pistons to the four lucky competition winners (details at the bottom of this page).
The packaging and presentation is understated; once past the simple cardboard outer box, the earphones are displayed in a good quality plastic case, nestled in a piece of rubber which acts as a cable winder, although this might be a bit tiring to use every day. The chocolate-coloured rubber, together with the bronzed look of the Pistons makes for a real visual treat; perhaps a gentle lift for the expectations before the Pistons are listened to. It reminds me of novelty erasers which seemed to proliferate when I was at school – it smells like chocolate too!
There are 3 pairs of spare eartips along with those on the Pistons themselves, and a separate clip for the cable which takes a departure from the traditional ‘peg’ design. It’s more like a money clip; to remind us of the money we saved, perhaps?
The earphones themselves have a solid feel about them; this is not painted plastic but real metal. There’s no weight issue however, the Pistons sit still whether the cable is worn over the back of the ear, or straight down.
And the sound? It’s just bright and detailed enough without being harsh, and also smooth and mellow enough without sounding veiled. It’s a perfect balance. Having said that, with this version Xiaomi have elected to go for a vented design which cuts out a lot of internal reflections. It’s not an open design though, very little audible sound leaks out, or in.
Bass is very nicely balanced, it puts weight under kick drums and bass guitar without pumping them up unnecessarily. It stays in its place and leaves the midrange clear to impress with details and decays, while the high frequencies pick up details such as hi-hats and harmonics beautifully.
There is also a mic/control for Android handsets, but be careful not to be rude to whoever interrupts your listening pleasure!
Competition Details
To be in with the chance of winning one of four Xiaomi Pistons all you need to do is send a picture to either our Facebook or Twitter page of your current setup/headphones and explain why you should win a new pair of Pistons – on October 29th we will choose the four people who we feel deserve some new headphones. Be as creative as you want – we will put our favourite pics in our blog!
For more information on the Xiaomi Pistons you can visit the Merimobiles website HERE.
At this price point, you’ll find it very difficult to find an earphone with mic as good as the Fidue A31s. These earphones are extremely light weight, the build quality is superb and most of all the sound is excellent!
Summary
Experience portable high fidelity sound in an affordable package. Fidue A31s embody everything a modern earphone should: superior sound, smartphone compatibility, external noise isolation and long term comfort. High fidelity sound is provided with a balance of strong bass, smooth mids and well defined highs.
With small housing design and long sound tube the A31s differs from conventional earphones in creating big sound in a small space. Micro-dynamic 8mm drivers funnel superior sound directly into the earcanal. Double flange eartips provide excellent noise isolation and offer unparalleled comfort for long-term listening.
Integrated with call answering button compatible with most smartphones, the Fidue A31s will work with iPhone, Android, Window and Symbian devices. The integrated remote control allows the user to have full control of music. Calls can also be answered and ended by using the single button remote.
Experience portable high fidelity sound in an affordable package. Fidue A31s embody everything a modern earphone should: superior sound, smartphone compatibility, external noise isolation and long term comfort. High fidelity sound is provided with a balance of strong bass, smooth mids and well defined highs.
With small housing design and long sound tube the A31s differs from conventional earphones in creating big sound in a small space. Micro-dynamic 8mm drivers funnel superior sound directly into the earcanal. Double flange eartips provide excellent noise isolation and offer unparalleled comfort for long-term listening.
Integrated with call answering button compatible with most smartphones, the Fidue A31s will work with iPhone, Android, Window and Symbian devices. The integrated remote control allows the user to have full control of music. Calls can also be answered and ended by using the single button remote.
– See more at: http://www.hifiheadphones.co.uk/fidue-a31s-in-ear-isolating-earphones-with-mic-red.html#sthash.xn9fLWK6.dpuf
Please click the image below to select the colour you would like;-
Price – £19.99 all Models with free Shipping in th UK until Christmas.
Features
Call answering button compatible with most smartphones (iOS, Android)
Small and lightweight housing and sound tube design
Double flange silicone eartips offer high noise isolation
Unparalleled comfort for long-term listening
Suitable for portable media players with standard 3.5mm connection
Balanced sound with strong bass, smooth mids and well defined highs
The DUNU DN-900 is a well built, hybrid in-ear headphone. The bass is punchy without overcrowding, with spacious mids and smooth highs – these earphones perfectly combine power and detail.
Pros
Frequency response can be fine tuned
Generous range of extras/accessories
Very clear bass and mid-range
Cons
High-frequency roll-off (if you like a brighter sound)
Case oversized for everyday use
Tuning rings easily lost if not careful
Cable can get tangled
As with all segments of the headphone market, the £100 – £200 bracket is hotly contested with innovation pushing sales as well as gimmicks. The hybrid drivers within the DUNU DN-900 are becoming commonplace among IEMs, but the tuning rings which are supplied with the DN-900 are not so commonly found. Given that we all have our pet sound signatures and preferred frequency responses, have DUNU released a self-adjustable gem?
Key Features
Perhaps most unusual about the DN-900 is the inclusion of the tuning rings; it’s always nice to have a bit of tweakability and it’s fun to experiment. However, be sure that you are changing the eartips and rings while sat at a table, or similar. The rings can jump off the nozzles and roll out of your life for ever if you aren’t careful. It would have been better to have a more ‘trouser clip’ style ring which stays on the nozzle.
First Impressions
Naturally enough, once out of the packaging, the first thing I noticed was the professional quality Pelican-style case. It’s a lovely item if bright yellow is your thing but it won’t fit in a pocket, nor is having your IEMs packed away in a bag or case the most practical place to have them. I would be utilising another case or pouch from somewhere else, while this case might lie unused in a drawer.
Sound Quality
The sound seems very mid-centric at first, with strong yet well shaped bass response. The most noticeable thing is the higher-frequency roll-off but this takes only a minute to get used to. I tried the rings in turn..
Silver gives a good bass grunt with midrange clear and even, and the higher frequencies rolled off. Blue appears bassier in the mid-bass area with a more pronouced and open midrange, while red is bassier again with some more low-bass creeping in and mellower mids. High frequencies are not affected by any of the rings but the blue’s effect on the midrange sits next to the highs better for me.
After trying the DN-900 with the Astell&Kern K120, I was very happy with the sound. Driving bass underpinned some very fluid and involving mids, with higher frequencies just managing to show their faces enough to keep the party atmosphere going.
The following impressions were gained using the blue rings and the AK120:
Frankie Goes to Hollywood – Two Tribes (Blank and Jones reconstruction)
The bass has good texture and impact going into the sub-bass slightly, mid range works well with male vocals and backing. Soundstage is good and wide with a great sense of space. Imaging is also good. The rolled-off highs did not give any problems.
Dub Syndicate – Mafia
Bass is very full and impactful with good slam. It is quite boomy on this track but dub calls for it! Midrange is still clear and separate – the piano parts are very distinct. Highs lend a touch to harmonics but otherwise linger in the background. Soundstage is as wide as the music requires, delay is headshaking.
Summary
The DUNU DN-900 is perfect for the tracks that were tried with them. They will satisfy any basshead but will not add bass which is not there and cloud things – midrange is spacious and lively. Again, the higher frequencies may be a problem for fans of this part of the frequency spectrum; but if like some you’re a little sensitive to it, the DN-900 should fit like a glove.
Australian earphone manufacturer Audiofly, have released a range of four beautifully designed Professional In Ear Monitors. Taking on Shure, Westone and Ultimate Ears in this growing corner of the market is a big job, but from what we’ve seen Audiofly are more than up to it!
The Performance series have been designed to be used by touring musicians or music lovers who demand the very best sound in a tiny package. They all feature multi driver arrangements, with the top two models also sporting a super tough replaceable cable and leather carry case.
The Audiofly Performance Series range includes the following models:
Looks-wise these are some of the prettiest IEMs we’ve seen! Slightly slimmer with a more luxurious finish than most, the shiny coating on the AF160 and AF180 gives them an almost ceramic look. Comfort also benefits from this gently contoured design. Comply tips are supplied in small medium and large for perfect fit and better isolation than silicone. A full compliment of silicone tips are included though, as well as a 6.35mm adaptor, a cleaning tool and an airline adaptor too.
Audiofly developed a special cable for the Performance range called the Audioflex, which they say is roadworthy and built for the stage. As with most of their Premium range, the cables feature Cordura fabric (like that found in extreme climbing gear) with the addition of a heavy duty Y splitter, a low profile twisted section and a mouldable over ear sleeve before the driver housings.
It won’t make any difference to the sound but the packaging deserves an honourable mention. Audiofly have really gone to town with some of the best looking boxes we’ve seen in a long time.
Finally to the sound – this certainly doesn’t disappoint. As you would expect, the whole range has superb detail retrieval and very impressive instrument separation. There is a common sound at work here, the EQ is flat and stable with calm but crisp highs. As you move up the range you find a lot more body and purpose, although the AF140 – featuring a hybrid two balanced armature and one dynamic driver set up – is simply the best earphone we’ve heard for below £250. The quad balanced armature driver AF180 is the flagship model, it has un-flappable bottom and mids and an extremely confident presentation which is very difficult to fault.
Dita Audio The Answer IEM Earphones – Truth Edition – See more at: http://www.hifiheadphones.co.uk/dita-audio-the-answer-iem-earphones-truth-edition.html#sthash.UQLlq1VS.dpuf
Dita Audio The Answer IEM Earphones – Truth Edition – See more at: http://www.hifiheadphones.co.uk/dita-audio-the-answer-iem-earphones-truth-edition.html#sthash.UQLlq1VS.dpuf
Dita Audio The Answer IEM Earphones – Truth Edition – Review
Summary
The Answer Truth Edition is a dynamically driven IEM with a single 10mm driver; Dita Audio wanted to go for the simplest design in order to deliver the purest audio, according to their literature. Since balanced armature technology requires crossovers, multiple drivers and all the related gubbins, Dita went for the less complicated dynamic route. And why not? We’ve all been shown the power and finesse of the dynamic principle through Sennheiser’s excellent IE800s – they can be every bit as detailed and impactful as any well put together BA based driver.
New company Dita has made a splash lately with two significant IEMs; ‘The Answer’ and ‘The Answer (Truth edition)’ – the cable being ‘The Truth’. ..and I thought telling lies could get complicated!
If you forgot what the question was, it’s something like ‘what’s the best IEM man can come up with’? I reckon this response is fitting.
A benevolent deity has bestowed a pair of each model upon us and we have dutifully had a go; for this review I have stuck to the pricier ‘Truth Edition’ but for a quick impression of the non-Truth Dita, please scroll down to the ‘verdict’ part.
Pros
Well built with solid capsules
Weighted to lean into the ear – unlikely to fall out
Stout strong cable
Good range of eartips which can fine tune frequency response
Good extras – 2 quality travel cases included
Cons
Cable can be a little stiff but not too bad
Some might prefer a removeable cable
Key Features
The cable on the ‘Truth Edition’ is what gives the IEM its name; it is a Van Den Hul cable with whom Dita cooperated in order to get the best signal to the driver. The cable covering has a little window on it so the quality can be seen – it is certainly substantial. Other than that, there are no features other than the end product – the sound. Much like record players, the less you get on them as extras and gadgets, the better the sound will generally be. This is Dita’s philosophy.
First Impressions
The build quality is the first thing to be noticed. These are not heavy or unweildy IEMs, but the impression I have is that they were designed to be used in a war of some kind, or by very careless people. The build quality is very solid.
Sound Quality
The Answer (Truth Edition) lives up to expectations for a premium IEM; detail is exceptional and there is plenty of space in the presentation whether things are busy or not; there’s an effortless quality. Harmonics are not lost on these IEMs, everything is reproduced, and faithfully.
Not to say that these Answer/Truths are neutral; they have a sound which is on the fun side but it is done with real adroitness. There’s an analogue quality which reminds me of the Sennheiser IE800.
Soundstage is generous and imaging is great; it all just hangs together and as per the marketing/literature, the strengths of the single dynamic driver design are right here.
When comparing the two, the IE800 is just a little less forward which suits me. So if you feel that the IE800 is a bit laid back for you, try and dally with the ‘Truth’!
Verdict
Given the quality of Dita’s answers, we should be upping the quality of our questions. ‘How much money have I got?’ might be one such question. The ‘Answer/Truth Edition’ is not cheap, but the best things often aren’t. Given the price, the phrase ‘to be economical with the truth’ may not be so accurate, but there are savings to be made by choosing the ‘Non-Truth’ version which is the same but for a little less detail and a slightly smoother presentation. A very close match for the IE800, and only two thirds of the price at £399.
The DUNU DN-12 Trident is the entry level in-ear headphone from this exciting brand. DUNU is making waves in the headphone world and I can see why – if they put this amount of work into their low priced headphones then I can only imagine what their high end models are like!
I had to keep reminding myself that these in-ears were under £50. The packaging is nicely finished and when you get inside you find a good quality leatherette bag, plenty of different eartips, a cable clip and even a carabina. The headphones themselves are extremely well built. The driver housing is made from titanium which feels great and has a good amount of weight. The cable feels tough and isn’t flimsy, this ends in a smartly designed angled jack connection – you even get a cable tidy designed by DUNU included.
DUNU have thought about even the finest details with their entry level earphone so you are totally impressed before you even listen to them!
Sound Quality
When I first listened to the DN-12’s I felt that there was a fair amount of bass and that there could be more treble… Then I remembered that they are £35!
Compared to other earphones in their price range they sound more refined with a good amount of bass that doesn’t bleed into the rest of the mix, the mids come through nicely with enough crack and the highs give a great sense of space. The soundstage is very impressive as you feel that you are right in the mix with a wide presentation. I really can’t think of anything negative to say about these great little in-ears!
HifiHeadphones Verdict
Not long ago I would have said that the SoundMAGIC E10 was easily the best in ear for under £40 – now they certainly have stiff competition! The DUNU DN-12 may not have as much weight in the low end as the E10, but for me this is for the best. These earphones feel and sound like something that should be worth somewhere in the £50 region, as not only can they compete with some higher priced models, they have put a lot of effort in the finer details – this for me helps put them at the top of their game
What can be better than the award winning SoundMAGIC E10 for under £40? The E10S has the same superb build quality and sound signature as the E10 but with the added function of a universal smartphone in-line microphone – need we say more?
Universal smartphone microphone (iPhone and Android)
Cons
Nothing to fault at this price
Key Features
Comfortable fit and distinctive design
Made for all smartphones
Integrated smart remote and microphone
Unique, all metal earphone construction
Powerful bass balanced with superb musical detail
Robust tangle-free twisted cable design
Skype/VOIP adaptor included
First Impressions
From the start it is hard to believe that the E10S is under £40. The packaging is smart and of a very high quality – once opened you find plenty of spare ear tips and an attractive hard case. Holding the earphones you can feel how well made they are and the innovative switch on the jack plug will let you set the earphones to work with any smartphone – you would not expect technology like this on such a modestly priced earphone.
Sound Quality
Once you get over the impressive built quality and actually try them out you will not be disappointed. Like the SoundMAGIC E10, The E10S has tight bass with plenty of weight – the mids are well defined and the top end sparkles. These earphones are perfect for listening on the go as the sound is fun and they will sound great with whatever you throw at them. Soundstage is better than what you would expect from an earphone at this price – it’s engaging and natural.
Verdict
If you have £40 to spend on some new earphones then go for the SoundMAGIC E10 – if you need an in-line microphone then go for the E10S. Easy.
SoundMAGIC have again pushed the boundaries of what can be expected from an entry level earphone with the SoundMAGIC ES20, which makes this model a strong candidate for the title of best budget in ear headphone. The sound is a quantum leap up from the cheap earbuds supplied with most MP3 players, with warm deep bass and plenty of detail in the trebles.
While you might expect an inexpensive earphone to be poorly made, the ES20 is a part aluminium construction and comes fitted with good quality braided cabling (normally reserved for high end in-ear monitor earphones) with strain relief that is built to last. The quality of the product is truly commendable. The ES20 is like the baby brother of the award winning SoundMAGIC E10 which adds a full metal body and even higher sound quality – for a little more money.
Supplied with a neat carry pouch that is very usable and three size ear tips to get a good seal, the SoundMAGIC ES20 is a very well thought out package.
If you have a little more to spend, consider the SoundMAGIC E10 or SoundMAGIC E50 – also both amazing value at their price points.
HiFi Headphones Verdict:
In times past the Sennheiser CX300 was the first choice for entry level in-ear earphones, but the ES20 has just stolen that spot. Sound quality compares with earphones costing two or three times the price.
Shure’s addition to the sub £50 earphone range is very impressive. They are very well built with a tough cable and solid speaker housing. The sound rolls off slightly at the top which takes away any harsh frequencies and the bottom end has plenty of punch!
The Shure SE112 are a great alternative to the award winning SoundMAGIC E10 – especially if you prefer a mellower presentation.
For a more professional in-ear monitor design we also recommend the Shure SE215 – tight bass, crisp mids and great soundstage.
HiFi Headphones Verdict:
The Shure SE112 has punchy bass and smooth top end detail. They are very comfortable with great isolation and they are tougher than most.
The AF45 is an impressive pair of earphones. We think the AF45 is one of the highlights of the Audiofly premium range and one of the best in ear headphones available at this price.
The AF45 successfully marries fashion conscious design with excellent sound. The earphones are sturdy and the sound is big – full bass and crisp detail.
The cable on the AF45 is made from Audiofly’s Audioflex braided technology and is covered in a Cordura fabric outer sheath for extra durability. There is also an option of an in line microphone with the Audiofly AF45M.
HiFi Headphones Verdict:
The AF45 is a truly superb earphone that excels all round. Big bass and crisp highs makes them ideal for someone looking for big sound and great looks from their in-ears.
Final Audio’s Adagio III is sleek in design and gives a more refined sound than many of it’s competitors. The earphones are very well built with a tough cable and airplane engine like design to the earphone body.
Thanks to the balanced air movement internal speaker design the bass is big yet not bloated and the upper detail is crystal clear – this gives an exciting and refined sound.
Some reviews complain that bass is too powerful, but after running in (this earphone changes a lot during the first 50 hours) we think the Adagio III offers plenty of clarity and detail for the price.
Final Audio Design earphones come with excellent eartips, but as with many better quality earphones they benefit from upgrading with Comply tips.
HiFi Headphones Verdict:
If you like powerful bass, but want a more refined sound then these earphones are for you. Tight and full low end, cracking mids and the top end has real sparkle.
With the RHA MA750 earphones you get a lot for your money. The build quality is extremely solid and you get a 3 year warranty – this shows how confident RHA are with their products. You get a good amount of ear tips supplied and a very nice leather carry case.
The overall sound is warm with great bass quality and lots of energy in the upper frequencies. The soundstage is large and separation is very good. There is also the MA750i for those of you wanting iPhone controls.
HiFi Headphones Verdict:
If you’re after a great all rounder then the MA750 could be the one. Solidly built, comfortable, 3 years warranty, lots of accessories and great sound – a lot for under £100!
The new Westone range of ‘UM Pro’ headphones come with a varying amount of balanced armature drivers to suit all ears and pockets.
The UM Pro 10 model has one balanced armature, so a good seal with the ear is important to benefit from the full frequency range. The sound is extremely accurate and fast-paced, with superb soundstage and imaging. Some may find the design more ergonomic than similar single balanced-armature designs by other makers, as the UM Pro 10 rests in the bowl of the ear as opposed to protruding out of the ear.
Hifiheadphones Verdict:
Sometimes the best designs are the simplest and I really think there is something to be said for single-driver IEMs. Makers may be able to tune the sound signature a little more with multiple drivers, but this risks muddying the sound with possible phase/imaging issues as the audio from these different drivers reaches our ears at different times.
In short – choose the simple life and get the UM Pro 10!
The Heaven II replicates the intense auditory sensation of fast-paced live music with accurate speed and harmonious stereo separation. A truly high end sound at a bargain price.
Final Audio Design’s special Balancing Air Movement mechanism optimises air movement inside the housing that eliminates unwanted sibilant high-frequency sounds. Proprietary balanced armature drivers developed by Final Audio Design (one of only a few manufacturers in the World who make these micro-drivers) deliver concentrated bass performance and perfectly balanced spatial separation.
To replicate the auditory sensation of live music ambiance with speed and accuracy Final Audio Design have crafted the housing of the Heaven II from solid stainless steel. Final Audio Design’s Heaven II is a handmade product, made by Japanese sound engineers with a full-focus on ideal sound with no compromises.
HiFi Headphones Verdict:
It will be hard to find an in-ear headphone that can challenge the Heaven II’s sound quality for under £100. They use a balanced armiture driver, which is uncommon for sub £100 earphones. This gives you great clarity and separation as well as superb soundstage. Using the supplied tips you also get full and rich bass which completes the well balanced sound.
Shure’s SE215 personal monitor earphones are designed to meet the demanding requirements of your audio lifestyle. It features a Dynamic MicroDriver for a detailed, warm, sound with improved bass. With the Shure SE215 you can concentrate on your music, whether you are on-stage, in a train, on the street or working out
Shure’s SE215 earphones features a durable Kevlar reinforced cable that allows easy replacement or customisation. The formable wire ensures secure placement, and over the ear configuration keeps cables out of the way. The gold plated stereo connector has a lock-snap mechanism allowing 360 degree rotation for comfortable fit
Because every ear is different, the Fit Kit of the Shure SE215 includes an assortment of foam and silicone sleeves in different sizes. Experiment with the size and style that creates the best fit for you. A good seal is key to optimising sound isolation and bass response as well as maximising comfort during extended wear
HiFi Headphones Verdict:
For under £100 the Shure SE215 give you the most for your money. You get well detailed sound with crisp highs and tight bass, a removable highly durable cable, a wide selection of eartips including Shure’s own Foam Tip and to seal it off a tough carry case.
Heaven IV achieves the truest possible expression of live concert hall sound.
With the incorporated balancing air movement mechanism the earphone body design has evolved into an uncomplicated, slender structure.
Final Audio Design’s special BAM (Balancing Air Movement) mechanism, optimises air movement inside the housing, has pushed the evolution of earphone body design to the next level with a simpler structure and slimmer body. The result is a balanced, natural sound that reduces unwanted sibilant high-frequency sounds.
The Heaven IV is handmade by Japanese sound engineers with a full-focus on ideal sound with no compromises.
HiFi Headphones Verdict:
Final Audio Design have managed to create an earphone that not only looks great, but sounds it too! You get a refined sound with clear and textured detail as well as deep, tight bass. The flat cable design has also been well thought through, it is very durable and eliminates tangles and microphonics.
Audiofly’s new range of IEMs are exceptional for fit, comfort and sound; available with a hybrid driver arrangement or multiple balanced armatures.
The AF140 model offers both dynamic and balanced armature drivers for a warm, yet detailed presentation. With a slight roll-off at the treble end, the midrange is sweet and smooth with a slightly accentuated bass which is beautifully controlled.
Hifiheadphones Verdict:
As you would expect, the whole Audiiofly range has superb detail retrieval and very impressive instrument separation. As you move up the range you find a lot more body and purpose, although the AF140 – featuring a hybrid two balanced armature and one dynamic driver set up – is simply the best earphone we’ve heard for below £250
Technology taken from EarSonics’ EM series achieves audio quality never reached before with universal IEM earphones. The research and development department of EarSonics worked hard to match sound quality of their custom EM4 and EM6. The result brought forward EarSonics’ Flagship SM64, a new professional audio quality reference model.
With new HQ crossover technology with impedance corrector, the SM64 provide a balanced sound spectrum making it very musical and accurate. Earsonics’ SM64 in-ear monitor earphones were made to handle music of all intensities and all volumes on any device, absolute control of the audio spectrum. Pairing the SM64 with a headphone amplifier unleashes incredible stereo imaging and maximum headroom.
Earpieces, designed to sit securely in the ear when on stage or on the move ensures that the SM64 stays in place. The rugged, non-microphonic twisted cable is detachable and guarantees long lasting pleasure and serviceability.
HiFi Headphones Verdict:
We love these earphones! If you’re looking for an earphone with a balanced and neutral sound then these are a great choice. The bass is tight, mids cut through without being too harsh and the highs extend very well and naturally.
This little brother to the pricier ‘Truth Edition’ model is no stranger to sincerity itself; machined from solid aluminium, the capsules are designed to avoid adding their own colouration to the sound, and are weighted to lean into the ear for greater comfort and a better seal. They aren’t heavy but just weighty enough to let you know they mean business, and the cable is reassuringly stout.
Much like other similarly-priced dynamic driver IEMs, the sound is what you might expect; bright without being sibilant, well balanced mids, well controlled but slightly elevated bass. There’s a smoothness from this type of large diameter driver which I never fail to appreciate, and along with its speed and accuracy, it brings any music to life with aplomb.
Soundstage and imaging are first class, and the use of a headphone amp can really add the cherry to the cake in terms of realism.
HiFi Headphones Verdict:
IEMs like the Dita are showing once again that dynamic drivers can be every bit as fast and vibrant-sounding as their balanced armature counterparts, with added smoothness to give a wonderfully analogue impression.
The IE800 are Sennheisers new flagship audiophile earphones. Featuring a linear-phase driver system that achieves distortion-free audio even at high sound pressure levels. Surely Sennheisers most innovative portable music solution, the IE800 meets the demands of portable audio with truly superb sound and comfort.
The extra wide band transducer system, with a diameter of just 7mm is the smallest wide-band driver system currently available in dynamic earphones. Innovative vent holes in the housing of the IE800 direct the air flow resulting in minimal distortion levels. Sennheiser’s revolutionary dampened two chamber absorbers eliminate the masking of low volume frequencies by absorbing the energy from the louder low-frequency sounds.
Build quality is amazing, scratch-resistant ceramic housing, stainless steel air vents and Kevlar coated audio cable, the IE800 is built to last. Two special meshes protect the IE800 against residue and contamination.
The package includes 5 pairs silicone eartips in different sizes, premium leather carrying case, a cleaning tool and instruction manual.
HiFi Headphones Verdict:
Brimming with ground-breaking technologies the IE800 are the ultimate IEM for bass lovers. Big warm and powerful sounding, beautifully engineered with an ergonomic and attractive design, these are very special IEMs.
At the summit of Shure’s classic range is the 846 – a no compromise IEM with a lot of tech tucked away. They feature an ‘acoustic chamber’ method of producing bass frequencies, creating 4 inches of space within each capsule for that true subwoofer sound.
Together with filters in the nozzles to customise your sound, the SE846 is currently one of the best universal IEMs on the market. Let no detail be missed.
Hifiheadphones Verdict:
For the current king of universal IEMs, get the SE846. Custom earmoulds are not essential, but recommended.
We’ve collected the best headphones for running and reviewed them for you. Headphones for sports can be used while working out in the gym, out on the street running, cycling or even skiing. With headphones from under £20 to over £100, for iPhone, Andriod or MP3 players – we have it covered.
Scroll down and read our expert reviews where we rate the headphones for sports available in the UK.
Koss is a name which goes back decades and is still one to watch; the sound quality on offer for the modest price of the KCS75 is unparalleled – they give an open airy sound, a good bass punch and clear, forward mids.
The open back design works well for running on the street as it means you can stay aware of your surroundings.
The KCS75 sounds like it should cost much more and some have even compared them to the Grado SR60 model – but at a fraction of the price!
Hifiheadphones Verdict:
If your expectations are far higher than your earnings, the KCS75 is ideal. The wide open design is perfect for situations where you want to remain aware of noise around you, i.e. jogging on the street.
Sennheiser’s PMX60-II is a neckband headphone with an open sound – bass is light, mids are perfect for vocals and highs are good and detailed for this price point.
The design is semi-open and gives awareness of sounds around you. The neckband and over ear clips are very secure and stay on the head securely. Overall weight is light, meaning you can run, cycle or walk and forget you are wearing them.
The usual Sennheiser levels of build quality apply. Highly recommended for everyday use.
Hifiheadphones Verdict:
The PMX60-II is perfect for runners and joggers who need to be aware – the open-back design allows you to be fully aware of your surroundings whilst enjoying your music. The discreet neckband keeps everything in place.
SoundMAGIC have pushed the boundaries of what can be expected from an entry level earphone with the SoundMAGIC ES20 headphones, which makes this model a strong candidate for the title of best budget headphone. The sound is a quantum leap up from the cheap earbuds supplied with most MP3 players, with warm deep bass and plenty of detail in the trebles.
While you might expect a cheap earphone to be badly made, the ES20 is a part aluminium construction and comes fitted with good quality braided cabling (normally reserved for high end in-ear monitor earphones) with strain relief that is built to last. The quality of the product is truly commendable.
Supplied with a neat carry pouch that is very usable and three size ear tips to get a good seal, the SoundMAGIC ES20 is a very well thought out package.
Hifiheadphones verdict:
In times past the Sennheiser CX300 was the first choice for entry level in-ear earphones, but the ES20 has just stolen that spot. Sound and build quality compares with earphones costing two or three times the price.
Another entrant in the IEM market is FIDUE, and their range starts with the fantastic FIDUE 31 – the capsules are tiny and the sound is big!
Good warm bass and good mid-range detail – there is a slight roll off in the treble region for those who like a warmer presentation.
The earphones are super lightweight and very tough, perfect for running or in the gym. Ear tips are designed to keep the earphones securely in the ear and cables can be worn over the ear for a more secure fit.
Also fitted with a lightweight microphone in case you need to take calls.
Hifiheadphones verdict:
A great budget choice – narrower sound nozzles may make this a good choice for those with fit issues with other IEMs. Lightweight and very well made. Perfect for sports use.
A truly value for money earphone is the SoundMAGIC E30, which offers well balanced, accurate sound at a price that is hard to beat. The E30 is an update revision of the still popular PL30 from SoundMAGIC.
The E30 has an in-ear monitor (IEM) design, which is normally reserved for much more expensive earphones (i.e. see earphones from Shure, Westone, etc). The cabling is designed to run up and over the ears to the back of the neck, which means the earbuds stay very securely in your ear. This fit system works very well for sports, on stage in-ear monitoring or any situation where you are active. Although it does take a bit of practice to get the hang of – it really is worth the effort.
The SoundMAGIC E30 is robustly built, with well made cables and good strain relief to protect the cabling from damage. The E30 comes supplied plenty of different size ear tips to ensure you get a good in-ear fit. Comply T-400 Foam Tips work well with this earphone, which gives the best possible comfort and noise isolation.
Hifiheadphones verdict:
Sound quality with the E30 is exceptional considering the price and compares well with earphones costing two or three times as much. A well made, professional in-ear monitor style earphone at a very affordable price.
Sennheiser PMX685i headphones use a neckband design; some people find this stays on more securely than other fit methods. It really is very hard to dislodge the PMX680 from your head, we have had reports from some of our customers in the British Army and Professional Personal Trainers using the PMX680 in training, so these headphones really are built to stay put!
Solidly built with excellent strain relief and chunky well thought out cabling, Sennheiser give a 2 year warranty on all their headphones.
The same comments made above regarding the PMX680’s quality of sound and build apply to the OMX680 , with it being an earbud style headphone with ear clips. If you prefer ear clips to a Neckband design then the OMX680’s.
HiFi Headphones Verdict
PMX680 are an ultra-light comfy neckband solution with an ear clip sister product, the OMX680. Both work well for road running or cycling.
While the retro styling is not to everyone’s taste, the Grado iGrado is a very worthy mention for sports use. The round the neck and over the ear design means the iGrado stays very well attached on most people’s heads.
The sound quality with the iGrado is truly superb and has won a number of awards, including What HiFi? Sound & Vision “Best Portable Headphone” and “Editors Choice”. This probably has something to do with the fact that the drivers (micro-speakers) used in the iGrado are exactly the same as those used in the much more expensive Grado SR60 full size HiFi headphone.
The iGrado is an open back headphone, so it leaks sound and lets in external noise. If you are running this means you can keep some level of awareness with your surroundings. They are a little heavier than other headphones in this review, so we would suggest they are most suitable for walking and cycling.
If you are concerned about the effects of sweat it’s good to know that the ear pads on the iGrado are made from a foam material that can be removed and washed (probably best to wash by hand with just water). Spare iGrado earpads can also be purchased at a reasonable cost, so they can easily be replaced if they start to get a bit grubby.
Hifiheadphones Verdict:
An audiophile sound in an exercise friendly format, great for walking and cycling as the open back allows you to hear traffic or other hazards.
FIDUE is a brand that has been bringing superb earphones to the market over the last year or two. They have a background making earphones for some of the best brands in the business, including the legendary Ultimate Ears, so it’s no surprise their products are so strong.
This is a headphone for those who like bass. The FIDUE A71 packs two dynamic drivers into each earphone body, which gives a sound that is powerful and dynamic. Some may even want to use EQ on their player to tone the bass down a little.
The A71 is very well made, with strong cabling and robust plastic earphone bodies that will withstand the rigours of sports use.
The fit is great for sports as the cabling runs over the ears. We have found that the choice of ear tips makes a big difference to getting a secure fit, so do spend some time trying the supplied tips or invest in some Comply foam tips for a perfect seal in the ear.
HiFi Headphones Verdict:
The A71 earphones from FIDUE pack a solid bass punch for those who like lively, dynamic sound. Tough cabling, rugged earphone bodies and reliable dynamic drivers make this an earphone for use everyday.
Shure’s SE215 personal monitor earphones are designed to meet the demanding requirements of musicians on stage, but are equally good for sports use. With 80 years of on stage experience every Shure product is constructed to withstand the demands of everyday use.
Featuring a dynamic microdriver for a detailed, warm, sound with improved bass, the Shure SE215 helps you enjoy your music, whether you are on-stage, in a train, on the street or working out.
Shure’s SE215 earphones features a durable Kevlar reinforced cable that allows easy replacement or customisation. The formable wire ensures secure placement, and over the ear configuration keeps cables out of the way. The gold plated stereo connector has a lock-snap mechanism allowing 360 degree rotation for comfortable fit.
Because every ear is different, the Fit Kit of the Shure SE215 includes an assortment of foam and silicone sleeves in different sizes. Experiment with the size and style that creates the best fit for you. A good seal is key to optimising sound isolation and bass response as well as maximising comfort during extended wear or training sessions.
HiFi Headphones Verdict:
Fantastic earphone for the gym, running and general sports training, plenty of ear tips for the best fit. Replaceable cables mean your headphones will survive a bad cable accident!
For the ultimate in wireless freedom from snags and tugs, the Jaybird Bluebuds are a definite option and can stay charged for 8 hours; enough time for a marathon! The sound is well balanced with a light bass-end and the iPhoneiPad controls mean the Bluebuds X can be used like any headset.
Hifiheadphones Verdict:
The convenience of a wire-free headset can trump many other features, but battery life and inline controls make the Bluebuds X the go-to headset for those who cannot sit still!
Non-removeable cable – similar in build to that of Shure’s other cables
Good level of bass and detail
Can be worn with the cable up or down
2 year warranty period
Cons
Some may find the cable a little ungainly for a budget in-ear
Capsule housing can stand proud of the ear when worn
Summary
Shure has obviously been looking at how the in-ear market has been developing; the popularity of the sub-£50 in-ear headphone has inspired a new addition to its esteemed lineup in the form of the SE112.
As can be expected, the included accessories are basic and limited in number. There’s 3 pairs of eartips (S,M & L) and a wax loop tool for maintenance. Also there’s a little velour draw-string bag for storage.
Key Features
Impedance 16 Ohms
Sensitivity 105 dB
Dynamic microdriver
The Shure cable features a right-angle jack, much like other higher-value models; strain reliefs are moulded as part of the capsule housings in keeping with the rounded look of the SE112.
First Impressions
Shure has taken a departure from their usual in-ear designs; previous housings have been designed to sit fully in the ears’ conchas. The SE112 is similar in its rounded and shaped style but is appreciably smaller; isolation is not affected however, these really take down the volume of everything around which might compete for the wearer’s attention.
Sound Quality
The SE112 compares favourably to similarly-priced equivalents. They have a warm, smooth bass without being boomy, and have a clear midrange. Higher frequencies are rolled off a little. When compared to the scene-stealing SoundMAGIC E10 of recent years, the SE112 is certainly a contender.
The sound is much like that of the E10 but differs slightly; there’s a little more high-frequency rolloff (but not much), however what appeals to me is the low-mid or upper bass area, there’s a lovely chunky-silky quality to it which I always enjoy when listening to 70s rock and library music.
Verdict
The SE112 is a very likeable earphone for its modest price; the build quality is reminiscent of higher value models and they are very comfortable. The isolation renders me virtually incommunicado.
Shure has stuck with its 2 year warranty which pushes up the value for money aspect somewhat, not that any part of the SE112 is weak or looks vulnerable to accidental damage.
