Tag Archives: Best Headphones

Bowers and Wilkins P9 Signature Review – Streamlined and Benign

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 Intro:

Bowers and Wilkins have done it again and added to their sequence of odd numbers with the Bowers and Wilkins P9 Signature. However they’ve taken a break from their black and silver theme and gone over to the brown side, giving the P9 even more of an executive feel. But has the sound of the P9 undergone a similar transformation?

Pros:

  • Great versatile and comfortable sound
  • Three cables included
  • High quality construction

Cons:

  • Isolation quite low for a portable
  • Headband needs adjusting for use with case

To Buy Now click the image below.

Bowers And Wilkins P9 signature

Design and appearance:

As mentioned above, the colour of the Bowers and Wilkins P9 Signature has been changed from the familiar black we have all come to know, and the basic design of the headband has changed as well. Gone are the swept back silver yokes of the other black models, with some very solid-feeling forged aluminium ones on the P9 model. There is a nicely put together soft case for storage, although the headband needs to be adjusted to its minimum size for this. The P9 comes with a generous three cables; two of which are short for portable use (one with mic/controls) and a long 3m cable for enjoying music at home.

Durability & build quality:

The new yokes are very strong and together with the firmness of the earpads, the P9 is a very sturdy design. It is a little more hefty than previous models, but the weight is by no means excessive and once in use barely noticable. Cables are similarly solid with good strain relief at the jack end; as with previous models, the cable is attached to the headphones by taking off one of the earpads, where the jack sits within a recessed cavity. The earpads and headband padding are coated with Saffiano leather which not only looks and feels luxurious but also means it last the test of time.

Comfort:

With the right adjustments, clamping force is distributed equally between headband and earpads, and the earpads have enough give in them for glasses to be worn with no trouble or discomfort.

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READ MORE: Grado GS2000e Audiophile Headphone Review

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Sound isolation:

Isolation on the P9 is fairly low; when tried here in the office with no music, the headphones allow pretty much everything through. With music playing, this is of course mitigated against but still those distracting exterior sounds can be a problem; especially during those quieter passages in classical music, for instance.

Sound characteristics:

Overall the Bowers and Wilkins P9 Signature has a very versatile frequency response. The accent is tilted towards the warm but there’s plenty of detail to be had.

Bass:

Down low, there’s good extension as sub-bass is fully present; it’s certainly skull-rattling with tracks with plenty of subby basslines, and a nice amount of weight and drama is added to classical performances. Kick drums decay with a certain unmistakable rumble. Higher up, the mid-bass is slightly pronounced, and together with the sub-bass makes bass a real feature of the P9’s sound. The P9 is no one-trick pony however, as bass moves up into midrange very smoothly and with great definition.

Mids:

In the middle, there’s no hint of bass encroaching on midrange territory, which can certainly hold its own. Here there is a nice amount of clarity and presence giving crisp directional cues and harmonics. Space is there in spades and there is no danger of congestion with more complicated or busy passages.

Treble:

Higher frequencies are well balanced with the rest of the presentation and lead to what most will think of as a comfortable sound. Detail is not sacrificed however and as with the midrange, there is a certain crispness here which grabs the attention. Having said that, the P9 is on the forgiving side when it comes to older recordings, or those whose production might leave something to be desired.

Soundstage & Separation:

Soundstage is impressive; with good width and depth. It’s easy to pinpoint individual instruments and the instruments themselves are very nicely rendered thanks to the clear midrange and treble, enhancing the 3D effect.

Music Genres Good For and Why:

The Bowers and Wilkins P9 Signature has been tried with pretty much everything and provides a nice touch with all genres. Weight for those dramatic strings in classical and for heavy basslines in rock and dance music. Conversely, acoustic performances enjoy a certain lightness and plenty of air. Old music such as Harry Richman’s ‘Puttin on the Ritz’ is most enjoyable on the P9, despite its being recorded over 80 years ago!

Best Headphones Under £150 – 2016

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We have compiled a list of the best headphones under £150. Our list includes full size, on ear, closed and open back headphones from brands like Sennheiser, KEF, Beyerdynamic, Fostex, SoundMAGIC and more.

 

 

Best Headphones Under £150

 

Koss PortaPro

Most portable headphones understandably are closed back so that they can isolate you from your surroundings – the Koss PortaPro is a great open backed option if you want a wide, open sound and want to be able to hear what’s going on around you. The headphone’s lightweight and comfortable design makes them a good sports option too.

 

Thomson WHP3001BK

The Thomson’s are currently our lowest priced wireless headphones – but don’t let that put you off. They fit over the ear, they are closed back and thanks to their floating headband design they are very comfortable – perfect for long listening sessions. Their sound is ideally suited for TV and radio.

 

Sennheiser Urbanite

The Urbanite was Sennheiser’s answer to the popular Beats headphone movement and they have done a great job for a fraction of the price. These headphones have a warm sound with great bass that doesn’t clutter the midrange and smooth, engaging detail. They also fold up and are very comfortable – great for listening on the move.

 

Grado SR80e

Grado’s SR80e is quite possibly the best open back headphone you can get for under £100. Being open backed you wouldn’t want to use them in public – unless you want others to hear your guilty pleasures, but their lightweight build and exciting, detailed sound makes them a great option for home use.

 

Lindy Cromo NCX-100

Lindy is still fairly unknown as a brand but they produce extremely good headphones at a low price. The Cromo NCX-100 is their noise cancelling model and it challenges higher priced offerings from bigger brands. They have superb build quality and comfort with a fun and engaging sound.

 

Fostex T20RP, T40RP, T50RP

Fostex’s recent RP series of headphones give a lot of bang for the buck. They come as either closed, open or semi-open which means there is one to suit all scenarios. They are tough to drive so may need an amp, but will sound superb with a smooth richness and clear detail. The range also boasts replaceable cables and a great comfort.

 

SoundMAGIC HP150

SoundMAGIC has dominated the low priced earphone market for a few years now thanks to the E10 and the HP150 is currently their flagship full sized wired headphone. The HP150’s superb build quality, comfort and fold up design combined with their clear and punchy sound makes them ideal for portable, home or studio use.

 

Beyerdynamic DT770

From one favourite to another – the DT770 can be seen in nearly every recording studio worldwide. This is due to their extremely tough build, great isolation and comfort. In terms of sound they are a superb all rounders with excellent bass and treble emphasis.

 

Sennheiser HD25 II

The HD25 has been around for ever and they still have enough unique points to be current. They are extremely popular, especially with DJs and recording studios. Most of all they deliver great sound, deep bass, isolation, durability and pretty much every part on them can be replaced thanks to the amount of spares available.

 

KEF M400

Finally KEF’s entry level portable offers everything you would want from your headphone on the move. First of all they fold up, have a replaceable cable, are smartphone compatible and come in a range of colours. In addition they also sound great with a well balanced sound that is very enjoyable and easy to listen to.

 

Best in-ear headphones to buy in 2016 – Expert Reviews

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Best In Ear Headphones Of 2016

Our audio gurus have collected the best in0-ear headphones from under £50 to over £500 in 2016 and reviewed them all to help you choose. From established brands like Shure, RHA and Sennheiser, to new kids on the block like DUNU and FIDUE and DITA, below you can check out our best rated headphones from the year so far.

Scroll down for reviews of our favourite in-ear headphones this year so far.

Shop: Visit our in-ear earphones store

More Info: Best full size headphones of 2015

— Scroll to the bottom of this page to watch the video

Best In Ear Headphones Under £50

First in this year’s line-up is the Dunu Detonator, perhaps to reflect the explosion of interest in earphones..

They’re bassy, with a clear midrange and warm treble where perhaps some detail is exchanged for a vibrant sound and a low price. They come with a microphone for taking those important calls, and will suit anyone who is new to earphones other than the generic ones you receive with your new phone.

Being good all-rounders, there is ample scope for the SoundMAGIC E50 to be enjoyed with all genres but the relatively flat response or neutrality of the E50 makes it a perfect earphone for vocals; particularly when accompanied by backing vocals. Percussion gets a nice lift also, as does any distortion effect.

Our full review can be found here: SoundMAGIC E50S In Ear Headphone Review

The A65 gives the impression of a long-lasting earphone which will be a solid performer for a good long while. As for their sound, rock music should be mentioned first as the exceptional midrange is perfect for guitars and vocals. Pop, dance and hip-hop are also well served, with an expansive bass and good detail without any danger of sibilance to get in the way.

Our full review can be found here: Fidue A65 In Ear Headphone

Best In Ear Headphones Under £100

Shure’s SE215 is the oldest design in our line-up, being released in early 2011. However it’s still popular, which means it hits the spot with a great many earphones fans. Styled for on-stage performers, the cable goes over the top, and down the back of the ears. Bass is plentiful and powerful, with midrange and treble more laid back; but still a very fun-sounding model.

Fidue’s new A73 shows that IEMs under £100 are facing challenges unthought of until recent times – there’s fierce competition within the fertile £50 – £100 section of the market and it’s getting better all the time.

The Fidue A73 can do it all, however dance genres can be enhanced very well with the tremendous bass response. Also rap music and pop for the same reasons. Older pop also does very well on the A73 with the clear midrange offering a crisp presentation of tracks which are 50 years old, further enhanced by the clear reproduction of reverb equipment and compressors which were used back in the day.

Our full review can be found here: Fidue A73 In Ear Headphone Review

Best In Ear Headphones Under £200

These great Bluetooth in-ears will give wire-free piece of mind for those with boundless energy. Designed to stay in the ear with the help of supplied ear fins, they should remain in place during the most strenuous workouts. The sound is well implemented with a well controlled impactful bass, a midrange which is present and clear and a treble which is detailed but smooth so your ears don’t get fatigued along with you!

If you fancy a glint in your ear as well as your eye, the T20 from Glasgow-based RHA has a lot to offer. Both the build quality and the sound are solid.  The T20 was tried with a varied range of genres and does well with them all. They are as good with dance as they are with rock music with a good balance between bass presence and midrange action. Soundstage and separation prowess also lets genres such as jazz and classical shine. The T20 is a worthy successor to the T10, with several sonic improvements.

Our full review can be found here: RHA T20 In Ear Headphone Review

Best In Ear Headphones Over £300

Soundstage and separation are as good as I’ve heard from a BA in-ear model, and the added clarity in the AF180 makes the space portrayed in the music very lifelike. Bass is just right in terms of power and placement – sub bass is present and gives just enough without threatening to take over. Mids are sharp and edgy but not breaking into a sweat, there is an air of effortlessness here. Detail is brought out and reverb decays can be followed right to the end, clearly heard within the mix.

Another of our favourite models, Dita’s ‘The Answer’ doesn’t wait for any questions, and gets straight on with providing some truly immersive sounds. Bass is rich and weighty, with an astonishing midrange. Treble is smooth but with clear and crisp detail, making for a wide soundstage with fantastic imaging.

Unlike the more neutral Final Audio Heaven VII, the Heaven VIII is tuned with a richer and more vibrant frequency response for a lusher sound. Like all of the Heaven range, there’s virtually no stridence or discomfort for sensitive ears, but detail is reproduced with no compromise. Bass is fully represented (thanks to Final Audio’s ‘BAM’ technology) without getting too big for its boots, midrange is crystal clear and uncluttered, with treble as smooth as silk, yet superbly detailed.

Our full review can be found here: Final Heaven VIII In Ear Headphone Review

John from the sales team gives you a visual rundown of our top 10 best in ear headphones 2016:

Sennheiser HD 630VB – Expert Review

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Sennheiser HD 630VB – Expert Review – Pump Out The Bass!

Sennheiser may now be a septuagenarian, but is keen to be ‘down’ with the kids without resorting to giving out Werther’s Originals. Hence the new HD 630VB, which has the facility to alter volume, answer calls and alter bass levels using controls on the right earcup; as hinted at by the ‘VB’ bit of the name. But does the Sennheiser HD 630VB have the panache of an elderly David Niven, or does it come across as a flare-clad grandad at a rave?

 

Design and appearance:

At first glances, the HD 630VB appears to be something which executives are pictured enjoying whilst looking out of aeroplane windows. Much like executives, they are very smart looking with their metallic veneer and slightly hard-edged styling, but they feature generously upholstered earpads and headband padding to offer a more yielding and comfortable experience.

The unique selling point is the variable bass feature; this works on its own (without relying on software in your digital audio player) so can be used with any device or full size amp with a headphone socket, although an extension cable will likely be required. The only thing is that the earcups are very large for a portable, but hey, let’s smash those preconceptions!

Unusually, the cable is worn on the right side of the headphones; this is due to the controls being on the right side for the majority of us who are right-handed.

 

Durability & build quality:

Weight is an issue with a lot of headphones designed for portable use and the HD 630VB is no exception. It’s a lot lighter than it looks but the stress points, such as the bit where the headband extends and the pivot points for the yokes have a good solid feel to them, so there should be plenty of life in the HD 630VB.

The cable is non-removable but has a very solid feel and is quite supple. The jack is straight and the housing is only 5mm wide so not a problem for anyone with a recessed socket in their player or DAC.


Comfort:

As is typical of portables, the Sennheiser HD 630VB does have quite a grip on the head, but the comfy earpads mitigate against this very well. Also they are good with glasses with reasonably chunky frames/arms. After a couple of hours, it may get a bit warm and moist under these earpads however.

 

Suitability for intended application:

These headphones are an obvious choice for portable applications, but are large and comfortable enough to be a good choice for relaxing at home too.

 

Sound isolation:

Isolation is pretty good, as the ears are swallowed up within the luxurious earpads and a fair bit of outside noise is taken care of. Obviously this melts away with music playing so you’re alone with your music. Others nearby will not twig that some particularly loud music is being enjoyed; the HD 630VB will keep your more questionable music preferences hidden.

 

Portability:

The headphones can be taken anywhere with the use of the supplied semi-rigid case; they fold up quite nicely to save space when not in use too.

 

Sound characteristics:

The HD 630VB has that classic Sennheiser tuning; ignoring the variable bass feature for a moment. Warm yet detailed, with clear mids and impactful bass.

 

Bass (e.g. punch, low extension):

The variable bass part of the design alters the bass level by 5dB up or down at 50 Hz, so there’s a good amount of control here. They can be made mean and lean, or can lend some serious welly to proceedings with a twist of the wrist. The trouble is, the temptation is to keep playing with the bass levels rather than just enjoying the music; to a man with a hammer, everything looks like a nail.

Naturally, some sub bass-heavy genres such as drum&bass have been tried and with the bass turned way up, the rumble factor is extreme; though not to the detriment of the midrange. Things are still well controlled, it’s just that there’s a particularly heavy foot beneath it all. Great news for bassheads.

With more midrange-centric genres however, the bass can be a little too much and appear boomy, perhaps as expectations and tastes change depending on what’s expected. You might enjoy salt on your chips, but not so much with cornflakes. The obvious answer is to tame the bass again using the control.

 

Mids (e.g. vocals, acoustic instruments):

Midrange is clear and crisp with good harmonics coming through; vocals are prominent without giving too much in the way of sibilance, and reverbs/space get a good treatment too. It’s smooth yet detailed too, a good balance.

 

Treble (e.g. high hats):

Treble is an extension of midrange you might say; crisp and clean but allowing for the high-frequency sensitivities most of us have. Hi-hats and other percussive sounds cut through the mix, while synths scintillate energetically.

 

Soundstage & Separation:

For a closed-back model, soundstage is excellent on the HD 630VB. You might argue that the earcups are big enough to offer enough room for this, but that’s just mean. Separation is very well preserved too; the HD 630VB is faithful to classical genres and gives a decent sense of an orchestral performance.

 

Music genres good for and why:

With the variable bass feature, the obvious recommendation is for dance music genres and anything which benefits from a good solid kick. Jazz and classical are very well served too, with bass adjusted to suit, of course.

Pros:

Variable bass feature
Volume and call answer buttons mounted on earcup
Great isolation
Good build

Cons:

Earcups are large for a portable model
Fixed cable

Summary

The variable bass control gives a good range of possibilities for those who like a variety of genres and styles, and bass can even be adjusted to mask exterior noise like aeroplane engines or the rumble of a train. The Sennheiser HD 630VB is an excellent gift idea for those who wish to take no chances!

RHA T20 In Ear Headphone Review – Adjusted Lustre

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RHA T20 In Ear Headphone Review

Earlier in the year, esteemed maker RHA gave us a rather well built and very attractive in-ear, the T10, which is reminiscent of T2. The film, that is. Luckily the RHA T20 earphones aren’t on assassination missions; however they are starring in their own sequel which has just as many thrills and spills – even if the bodycount is non-existent.

Pros:

  • Well built
  • Tuneable with filters
  • Good selection of eartips

Cons:

  • Non-removeable cable
  • Some may find them heavy; they’re fine when worn

Design and appearance

Like its forerunner, the T20 has a very attractive pebble-like look and feel. The part of the cable which sits behind the ear (with wire to retain its shape) is coloured black as opposed to the silver of the T10. The driver capsules, yoke and jack housing are all of a stainless steel with a knurled effect on the jack housing and yoke.

Durability and Build Quality

It all gives a very good impression of build quality and durability. RHA’s 3 year warranty period on its products pays testament to this, and the T20 should stand up to a decent amount of abuse. The cable is coated in a soft rubber material which is a little bit grabby but by no means inconvenient to use. Strain reliefs on each end of the cable a excellent, although the yoke in the middle could do with a little bit more  by way of strain relief.

Comfort

All I can think of which may be a problem is the effect of those driver capsules when the earphones are donned on a cold day, although they’ll warm up before long. Other than that, the T20 is very comfortable. This design cannot be worn with the cable hanging straight down from the ear so may not be to everyone’s taste.

Sound isolation

Isolation is as good as any earphone of this design. With music playing, most exterior sound is banished leaving the listener alone with their chosen sounds. Be sure to experiment with the multitude of tips which are included, for the purposes of getting the best isolation and also the best seal with the ear, which vital for a decent sound from earphones.

Sound characteristics:

The RHA T20 includes 3 different filters which can be swapped for emphasised bass, emphasised treble or a reference tuning. For this review the reference filters were used. To check for any differences, a T20 was attached to a Chord Hugo along with a T10 at the same time and one placed in each ear. The same filter type was of course fitted to both models. The T10 has a much greater bass presence, but the new T20 trades that for much better control and definition. Midrange has more presence on the T20.

  • Bass

The T20 still puts out a decent amount of bass for a good ‘heavy foot’ under kick drums and synths. It goes down low, with a decent amount of width. There’s a buttery smoothness to it which makes for a comfortable and musical experience but it’s tight, leaving a little more room for midrange.

  • Mids

Midrange is slightly more prominent on the T20 (compared to the T10) although bass and treble still has a slight emphasis. Like the bass, it has a gentle musical quality and makes for a good feel of space. Reverbs are clear and relaxed, with features like vocal and harmonics very enjoyable indeed.

  • Treble

Treble is smooth which makes for a relatively warm sound overall; however the T20 is still there to pick up the details. Some may prefer a more top-heavy presentation, so the treble filter may well be worth a try.

Soundstage and Separation

There’s a good amount of width and depth here. The improved midrange makes for an excellent sense of space, which is further enhanced by superb separation and imaging. I’ve managed to pick out new instruments which are hard panned and relatively low in the mix in tracks I know well – not bad at all.

Music genres good for and why

The T20 was tried with a varied range of genres and does well with them all. They are as good with dance as they are with rock music with a good balance between bass presence and midrange action. Soundstage and separation prowess also lets genres such as jazz and classical shine, although perhaps use of the treble filter may be more appropriate for fans of these genres.

Summary

If you fancy a glint in your ear as well as your eye, the T20 from Glasgow-based RHA has a lot to offer. Both the build quality and the sound are solid, with superb separation abilities. The T20 is a worthy successor to the T10, with several sonic improvements.

KEF M400 Headphones – Expert Review

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KEF M400 On-Ear Headphone Review – Bantamweight Boogie

British firm KEF has decided to follow up on its acclaimed KEF M500 on-ear model with a slimmer, lighter version. It’s not easy to follow in the footsteps of a famous sibling, and the work is cut out for the KEF M400 in this regard. However the KEF M400 has form which exceeds its weight class and is a real contender. The M400 would make a terrible boxer as it often remains out for far longer than a ten second count; however it’s got me right hooked.

Pros:

  • Small and light
  • Sturdy build and construction
  • Removable cable with mic/controls
  • Stylish understated design
  • Folds up for easy storage

Cons:

  • Soundstage limited

Design and Appearance

The M400 model maintains a family resemblance with its flat ear cusions and swept back ear cups, but it is definitely a cut down version of the chunkier KEF M500. The headband is much thinner, plus the earcups are constructed from aluminium; they’re misleadingly light!

Durability & Build Quality

Despite the lighter and sleeker construction, the M400 still feels like a solid headphone and a fitting follow-up for KEF. The cable is not thick, but has a hard-wearing feel about it with decent strain reliefs at each end. The mic/controls on the cable have no strain reliefs.

Comfort

First impressions were regarding the headband padding and size – with this reviewer being a bighead, the headband needed to be fully extended in order for the earpads to properly sit on the ears, and the headband makes itself known by applying pressure to the top of the head. having said that, they have remained in position for upwards of an hour now, with no significant discomfort.

Suitability/Portability

As a portable model, the M400 is ideal; it does everything well. It leaks very little sound even with a high volume level, it’s light, can be worn around the neck unobtrusively and goes into the supplied carry pouch very nicely. The earcups are hinged so the M400 can easily be folded up, and it even fits in the case when the earcups are extended fully so the headband sliders don’t need to be adjusted all the time. Perfect!

Sound isolation

The KEF M400 does a fair job of keeping out exterior sounds; don’t expect to be incommunicado as you listen to Marillion, but enough environmental noise is blocked to keep things enjoyable.

Sound characteristics

Overall, the sound is very similar to the M500 model in terms of balance. The M400 is a little lighter-sounding with not so much bass presence and subtler treble, for a slightly more neutral sound.

  • Bass

Bass is still very much a part of proceedings, strongly underpinning the music without stealing the show; however there is a little looseness up at the top end of the bass end of things. Not enough to impinge on the midrange, however.

  • Mids

The natural and effortless presentation within the midrange is what makes the M500 great, and the M400 is no different. Instruments jump out at the listener, taking on form and appearing very real without feeling forced. There’s bags of room, and everything is nice and clear even with plenty going on.

  • Treble

Treble is relaxed but tight and accurate. The M400 is a good choice for those with some sensitivity to higher frequencies, but who do not want to miss any details. Like the midrange, the higher frequencies are not forced but very effective at the same time. The treble puts the cherry on the midrange cake to reveal that last harmonic and render a presentation very convincing.

Soundstage & Separation

Soundstage is fairly good, helped along by the clarity of the midrange. It is perhaps limited by the on-ear design when compared to a full-sized closed back, as the folds of the ear are flattened by the earpads’ design and internal reflections are skewed somewhat. Separation is crisp and clear, with everything in place and well defined.

Music genres good for and why

Pop and rock are very good with the KEF M400; jazz, classical and acoustic may suffer slightly from a lack of soundstage relative to full sized or open headphones but this is  a minor drawback. For a fuller bass sound maybe try the M500 model, but the M400 gives a good clean fight and only hugs my head as I enjoy the music!

Summary

A good choice for those who like a smooth and trouble-free model; the KEF M400 is the perfect mixture of stylishness, sound quality and practicality.

OPPO PM-3 Headphone – Planar Magic – Expert Review

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It’s tempting to ignore the relatively diminutive OPPO PM-3 in favour of its two larger siblings, the PM-1 and PM-2; but that would be a mistake. The closed back PM-3 has versatility which the larger models do not, and for the cost of these headphones, an incredible sound quality is available.

Pros:

  • Four different cables included
  • Very comfortable
  • Good Isolation
  • Strong and light construction

Cons:

  • May get a bit sticky under the earpads in hot conditions

Design and Appearance

The PM-3 looks respectable and will melt into the background. It’s the headphone equivalent of the besuited gent in Piccadilly; you wouldn’t look twice but he gets things done. The OPPO PM-3 is a smaller version of the PM-1, with steel headband, earcup yokes and trim, with leather headband and a good solid feel.

Durability and Build Quality

It seems as if the PM-3 is built for many years’ use like its bigger brothers; the headphones would give off a ‘military grade’ feel if they weren’t so light and comfortable. Cables are built for a more portable use as opposed to the premium ‘stay at home’ cable supplied with the PM-1 and PM-2. The 3m cable is decent nonetheless, and together with the other three supplied cables should serve for years to come.

Comfort

The OPPO PM-3 strikes a good balance between clamping force and comfort; the earpads see to that. There’s plenty of give in them and they are reminiscent of a comfy chair which is particularly difficult to get out of.  The addition of glasses doesn’t throw up any problems either; the PM-3 can be worn for long periods and so it should too!

Sound Isolation

With nothing playing, the isolation of the PM-3 could be better but this is the trade-off against the comfort level which, as stated, is very high. However with music playing, exterior sound is masked effectively as the ears are bathed in some very sweet audio. Not much tends to make it out of the earcups, so fellow passengers need not know our peculiar music tastes.

Portability

The OPPO PM-3 is fairly typical in terms of size, being a portable over-ear model. The weight of them is slightly above average for this kind of use but considering what’s on offer within this package, they’re surprisingly light. The provided travel case, like that included with the PM-1 and PM-2 models, means that these headphones can go anywhere and be tucked away safely if needed; the case is padded and offers a good deal of protection.

Sound Characteristics

(Used with Chord Hugo DAC/Amp)

The OPPO PM-3 is tuned to be fun and comfortable; the bass and midrange are where it’s at, and the treble is toned down slightly to allow them to shine. The result is a very natural and powerful sound.

  • Bass

The 55mm drivers certainly pack a low punch in terms of frequency, but they are quick on their feet; the low end is liquid and very responsive. However it knows its place and leaves room for the rest of the sound to astound. The mid-upper bass level has a bit more presence but again, not to excess. It serves to underpin and complement the midrange and higher frequencies very well.

  • Mids (e.g. vocals, acoustic instruments)

Harmonics, vocals guitars and the like are given a very spacious and natural treatment. There appears to be acres of room in the PM-3 as reverb and all those subtle environmental cues can be followed to their conclusions without other instrumentation getting in the way. Guitar distortion, synths and drum parts really give an impression of immediacy and presence.

  • Treble (e.g. high hats)

The OPPO PM-3 is on the warmer side of things; the treble is kept to a level where details are brought to the attention but not at the expense of the rest of the frequency spectrum. Drums have a nice crack and cymbals sizzle, but most would not find any discomfort or fatigue coming their way after a long listening session.

Soundstage and Separation

For a closed-back headphone, the PM-3 has a great soundstage which wraps the listener in the audio so much that it’s hard to escape. From this hapless yet happy position it’s still easy to focus in on individual instruments and follow them along, the imaging giving them a real living, 3D feel.

Music genres good for and why

It’s a job to find anything which does not sound excellent with the PM-3. Hip Hop and Dance are given the benefit of the deep bass, guitar-based rock is given a thrilling mid-range definition and the tuning/separation gives classical music a sharp but gentle edge.

Summary

There have been some very good headphones released recently and we’re getting used to the fact that standards are constantly being exceeded; yet OPPO Digital’s recent foray into the headphone market really impresses us. The PM-3 is definitely recommended for those who have a variety of uses or situations for their headphones, and enjoy a varied taste in musical genres. The PM-3 does it all brilliantly.

Bloc and Roc Galvanize S2 Headphone – Review

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Bloc & Roc are relatively new arrivals in the headphones world; hailing from London, they may have just been delayed in traffic – but they’re here now with models such as the Galvanize S2. Aerospace-grade aluminium and 40mm drivers promise a well-built and impactful experience; so does the Bloc and Roc Galvanize S2 soar like a bird, or blow up during launch?

Pros:

Solid, yet light construction
Fabric cable
Decent quality jack
Sturdy carry case

Cons:

Cable is not detachable
Some may prefer more brightness

Design and appearance

Like those planes and rockets, the Galvanize S2 is designed to be light and functional with a no-nonsense approach and spartan design ethic. Everything within its payload has been justified and the design whittled down, making an incredibly light and comfortable pair of headphones. However for those not intent on staying within their baggage limit, a 24 carat version is available – we have the ‘plane’ black version here for this review.

Durability & build quality

Despite the lightweight construction and materials, the Galvanize S2 gives a strong impression of ruggedness. The fabric cable again gives a nod towards hardiness and the jack has a strong metal construction, much like the best jack plugs out there.

Comfort

A lot of portables either suffer from poor isolation or too much in terms of clamping force, but the Galvanize S2 gets it just right. These headphones can be worn for extended periods without any problem. Those with glasses may have issues much like with any on-ear model, but glasses can be readjusted once the headphones are in position, to avoid any discomfort.

Sound isolation

Very good for an on-ear model – the Galvanize S2 attenuates rather than blocking everything out; but particularly with music playing, the outside world is effectively sealed off. People nearby will not be disturbed by your music. There’s not much sound escaping the earcups even at higher volumes.

Portability

The Galvanize S2 can go wherever you go – Hifiheadphones will stock the version with a strong outer case included, so the headphones are very well protected in a bag or case.

Sound characteristics:

The Bloc and Roc Galvanize S2 is a warm-sounding headphone, but mid-range detail is definitely present with a decent amount of control.

  • Bass

Bass is plentiful but tight and well textured; it doesn’t get on the wrong side of the music and puts in more of an appearance when the music calls for it. It can go down very low too; dance music and similar bass-driven genres will be well enhanced.

  • Mids (e.g. vocals, acoustic instruments):

The relatively smooth top end opens up the midrange for harmonics and vocals; acoustic tracks are a treat along with those featuring wind instruments and strings.

  • Treble (e.g. high hats):

Although the treble end of things is toned down a little, details are not sacrificed. Bells still jingle, and cymbal crashes still smash, but without impinging on the excellent midrange and lower frequencies.

  • Soundstage & Separation

As well as the clear midrange on the Galvanize S2, there’s a tremendous sense of space which goes along with it; reverbs make us almost agoraphobic. Soundstage is very good for a closed-back headphone, and separation is excellent.

Music genres good for and why

As mentioned above, the Bloc & Roc Galvanize S2 is well suited to many genres; dance and rap music both benefit from the midrange and bass emphesis, while acoustic tracks are enhanced by the excellent sense of space and harmonics reproduction within the midrange. Rock music too. Right now I’m trying the Galvanize S2 with some classic Italian cinema music – Armando Trovaioli’s theme to L’Arcidiavolo – and there’s woodwind jumping right out at me. It’s as good as I’ve heard.

Summary

The Bloc and Roc Galvanize S2 is one of those headphones which gets better the longer it’s worn. The way it brings instruments and performances to life is quite something for an on ear portable – quite uplifting! With this sort of power and finesse, the Galvanize S2 can certainly rocket.

 

Headphone Buying Guide

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We get to try out more headphones than most, so this article is where we at Hifiheadphones share some of that experience with you. In a simple World you could buy a set of ‘known brand’ headphones at a certain price point and expect to receive a product that you can be happy with. In other words, you may think that spending a certain amount on headphones will guarantee that you get a product you will like. Unfortunately with headphones it can be a little more complex. In this headphone buying guide is a quick summary of some of the major factors when purchasing a pair of new headphones or earphones.

Audio Quality

The first question asked by many people when buying headphones and earphones is “Do they sound good?”. It’s also often the most difficult question to answer. We human beings are very subjective creatures. What is described by one person as “precise and detailed” will be “lacking in bass and clinical” by another. What one listener likes another will find irritating.

The best advice we can give is to do plenty of research and try to understand what you are purchasing. Search the Internet for reviews of the headphones you like the look of – we have plenty of product reviews in our Blog as well as on our Youtube Channel. Ask for advice on forums where people discuss headphones such as Head-Fi or the AVForums. You will likely find plenty of information and opinions, often from different points of view. If you make your headphone or earphone purchase with good knowledge of what to expect it’s less likely you will be disappointed.

Design and Aesthetics

High up the list for many people is the looks and aesthetics of the headphones. After all you will have to be wearing the headphones you choose on your head for all to see! Unless you plan to use your new headphones alone at home then it’s likely you will be interested in how they look. Of course the quality of sound is also near the top of most lists, but with such a wide selection of good headphones to choose from it’s also likely that you will want your headphones to reflect your style.

Manufacturers such as SoundMAGIC have really gone to town with the styling of their headphones. While not to everyone’s taste SoundMAGIC have a unique look with a wide selection of vibrant colours.

If you are looking for headphones that look a little more sophisticated and refined then OPPO’s range of headphones are a good choice. While only relatively new to the consumer market in the UK, it’s not without reason that OPPO are quickly becoming market leaders. OPPO’s selection of headphones look stunning and perform equally well. The OPPO PM-3 headphones are a highly recommended set of stylish portable headphones with a rich, clear sound.

Ease of Portability

If you are going to be travelling or moving around with your headphones or earphones then the size, weight and ability to pack away (fold or collapse) may be important to you.

Many travellers and commuters like the in-ear earphone type as they can easily be wound up and put into a pouch or pocket. Sound isolating earphones have the added benefit that they can cut down outside noise by -20dB, which can be a godsend when travelling on a train, bus or underground. The Shure range of sound isolating earphones is a good place to start. Also worthy of mention Fidue, RHA and DUNU who all have a good range of the in ear sound isolating variety.

You will also find a good selection of headband headphones that collapse or fold for stowing away when needed. The Sennheiser PX200-II or SoundMAGIC P21 headphones are an example of good quality lightweight travelling headphones that fold away for transporting.

Sound Isolation

When listening to your headphones will you need to block out external noise, or do you need to prevent your music from annoying others around you. Ask yourself where, when and how you will be using your headphones.

If you will be listening to your headphones in an office or on public transport you will probably want to keep your music to yourself. In this case you will want to avoid open-back ear cup designs. Although open back headphones are often sonicly superior to closed back headphones the sound leaks out and people around you will be listening to a tinny version of what you are listening to – very annoying indeed.

If you travel on buses, trains or planes you might be thinking about noise cancelling headphones, but you may also want to consider in-ear sound isolating earphones instead as they are often able to reproduce a clearer more accurate sound. The extra electronics between your audio source and your ears means that noise cancelling headphones often colour the sound and reduce the clarity.

DJs and studio engineers also have a unique set of requirements when it comes to selecting headphones. A good set of DJ headphones should normally provide maximum isolation from outside sounds, so that you can concentrate on the mix you are putting together. Whereas a studio engineer may be more interested in being able to reproduce a good stereo sound image with sonic clarity and may not be so interested in sound isolation.

Summary

When it comes to purchasing headphones there are so many options and possibilities, but at the end of the day your choice will be down to a few key factors. Factors such as budget, design and whether or not you want sound isolation may be more significant than trying to find headphones with the best audio quality possible.

Please feel free to contact us with any questions on 01903 768 910 or you can email us on support@hifiheadphones.co.uk

SoundMAGIC BT20 Bluetooth Headphone – Expert Review

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SoundMAGIC BT20 Bluetooth Headphone Review


It appears that the relative price of wireless gadgets such as Bluetooth headphones is coming down and quality is going ever up, now that manufacturers have spotted the potential of this technology and are implementing it so well. Among them is SoundMAGIC, who have experience making wireless headphones with the full-size WP10, but now have the BT20 Bluetooth on-ear headphone in their repertoire. Now we can block out the world and make calls just as if we were talking to ourselves too.

Design and appearance (e.g. attractiveness, feel)

The SoundMAGIC BT20 is a light and very portable headphone; not a million miles away from previous wired on-ears this company made, but given the technology and battery required to sit in this model and work its magic, there’s no noticeable increase in weight. Also, if your battery is getting a little low then you can use the supplied cable and carry enjoying your music, bypassing the Bluetooth features.

Durability & build quality (e.g. cabling, connectors, materials)

Build quality is what we’d expect for a portable headphone. Just as robust as it needs to be, without going overweight and giving us neck ache. Materials are typical for a decent quality headphone of this type; plastic with a slightly rubberised feel, metal elements in the headband, and a leatherette covering on the headband cushion and earpads.

Comfort

The lightness of the SoundMAGIC BT20 combined with freedom from cable worries makes these headphones particularly fun to wear; there’s a bit of pressure on the ears but no more than is required to keep them in place.

Suitability for intended application

The BT20 boasts Bluetooth version 4.0 for greater battery life, there’s NFC for easy pairing, CVC for clearer calls. Also, the apt-x standard is present, so you’re all set should your handset have this. If not, then the headphones can still use the SBC standard, so will still work.

The mic-equipped arm pokes out along the cheekbone for clearer calls; in fact there are two mics which enable a noise cancelling process which gets rid of a lot of extraneous noise. Perfect – those personal words to your nearest and dearest need not be shouted!

Being wireless, these headphones are perfect for many activities and sporting pursuits; their light yet strong construction means they’ll avoid any loneliness for the long distance runner.

Sound isolation

Isolation is fair; the SoundMAGIC BT20 is not the most isolating of headphones with nothing playing but most of the outside world is very well masked by any music playing. The relative lack of isolation is more than made up for by the comfort aspect; the clamping force applied by most portable headphones can lead to a little discomfort during longer sessions. For others around you however, any music you’re enjoying is reduced to a faint murmur so you needn’t feel self conscious about your more questionable favourites.


Portability (if applicable)

As hinted at above, they offer no trouble when worn on the head and also around the neck. They can be packed away in the semi-circular case they come with, along with a stereo audio cable for those longer trips. It won’t be possible to use the headphones for calls without battery power so the handset’s mic will have to come into play. The Bluetooth 4.0 standard ensures the battery will last longer but it won’t last indefinitely of course!

Sound characteristics:

(Used with a Huawei Ascend handset)

The BT20 has a sound signature which SoundMAGIC is perhaps best known for. They are certainly tuned for a fun sound.

Bass (e.g. punch, low extension):

Bass reaches low and is voluminous when required; it stays put and provides a good solid foundation. It’s well controlled and fairly tight. With sub bass or with a double bass on older tracks it can certainly make its presence felt; quite surprising considering the BT20 is an on-ear model with 40mm drivers.

Mids (e.g. vocals, acoustic instruments):

There’s a great sense of space and despite the elevated levels of bass and treble, the mid-range stands up to be counted. Harmonics are enjoyable and there’s a good sense of balance with the bass level. The two complement each other very well.

Treble (e.g. high hats):

The top end is smooth but there’s plenty of detail to be enjoyed. The SoundMAGIC BT20 is a good time headphone and gives a nice level of representation here without getting fatiguing.

Soundstage & Separation

Soundstage is excellent for a little closed back such as this, and is very well enhanced by the separation of instruments and voices. It’s a very immersive experience.

Music genres good for and why

First of course, the BT20 is great with dance genres, hip-hop, R&B and pop; but that’s not all – older music types are not lost on these headphones. 60s pop, jazz and classical come across very nicely too.

Pros:

Worry-free wireless connection
Cable to conserve power or for when battery is flat
Good no-nonsense styling
Track/Call answer controls on headphones
Good Bluetooth range
Noise cancelling microphone

Cons:

Some may be put off by the mic arm

 

B&W P5 Series 2 Headphone – Expert Review

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Bowers and Wilkins P5 Series 2 – Chrome on your Dome

Bowers and Wilkins has been making world class speakers for just about 50 years now, and are still going strong at their Worthing site, just a stone’s throw from ourselves at hifiheadphones. Not that we find ourselves throwing stones at them very often of course, as apart from anything else we have a few windows of our own. Brought out in 2010, the original P5 model has now been updated to the Bowers & Wilkins P5 Series 2.

Design and appearance:

Designed by Morton Warren, they exude a feeling of graceful simplicity while at the same time feeling very solid and light. The materials give it the same looks as the Oppo PM-1, with plush leather and chrome working together in that classic, opulent pairing.

Durability & build quality (e.g. cabling, connectors, materials:

The B&W P5 Series 2 is very well put together and its lightweight construction belies the fact that nothing rattles or squeaks when the headphones are flexed and placed on the head. Cables are about right for portable use. Both the Apple control cable and plain stereo cables are 1.2 m; they are no thicker than those found used with in-ear headphones. The Apple control/mic itself is very stylish and easy to use despite being just out of sight near the mouth. The earpads are held on by magnets but are unlikely to be removed accidentally; the magnetic force is strong! Changing the cable necessitates the removal of one of the earpads which is a simple process.

Comfort:

Clamping force on portable headphones is always a balance between comfort and the headphones falling off, or needing constant readjustment. On the P5 it’s just slightly on the heavy side, but with time and gentle stretching this should improve. The earpads are made from lambskin and are quite comfortable , offering both a decent amount of isolation and comfort. Glasses wearers may however find themselves adjusting their glasses once the P5 is on, as some discomfort may be encountered over the ears in some cases.

Sound isolation:

Isolation is good, but you are still going to be aware of your surroundings. With music playing however, most exterior noise will melt away. The P5 does leak a little bit of audio but no more than any equivalent headphone. Your fellow train passengers will be all sweetness and light.

Portability:

The B&W P5 Series 2 really hits the mark for portable uses; they can be worn around the neck with minimal fuss, and the pads do block out a fair amount of exterior noise. They’re showy, but not in a way that might cause the wearer to feel self-concious and will fit in with any scenario. They fit the supplied carry case very well which can be stored or carried in a briefcase or bag easily.

Sound characteristics:

The sound of the P5 Series 2 is most agreeable; some people may be expecting accuracy or a neutral tuning but the P5 is squarely aimed at the portable market, with the average music source (read:phones) taken into account.

Bass:

The bass of the P5 Series 2 is fairly powerful considering the driver size. It is well controlled and in proportion, but goes down low and reproduces sub-bass very faithfully. It’s a good match for the typical unamped iDevice with which it will more than likely be paired, bringing up the low end for a more engaging sound.

Mids:

The midrange is free and able to shine quite separate from the bass, and vocals are clear and enjoyable. Acoustic instruments are well rendered and harmonics give a good feel of a performance. Reverb/echo is very enjoyable and not lost during busier parts. It’s all taken in the P5’s stride.

Treble:

The P5 is a little gentle where the higher frequencies are concerned, and this is no bad thing. A lot of people find it frustrating when, because of a headphone’s brightness, high frequencies dictate what volume level a piece of music can be enjoyed at. The P5 gives enough treble to give sparkle and resolution to the music, but it knows its audience and what they’re likely to be doing – they are not listening critically when on the move. Some may want more emphasis at the top end of the frequency spectrum but B&W have gone for the common ground.

Soundstage & Separation:

Soundstage is good for a closed back, with a presentation from far outside the physical confines of the headphones and separation is very good too. A listen to ‘Flight of the Valkyries’ had me convinced that one would collide with me at any moment.

Music genres good for and why:

As implied above, classical music is made very rich and full with the P5, along with jazz, opera and any genre where the space in which the recording is made is part of the enjoyment.

Heavy Metal is pressing and immediate, Disco and more modern Dance Music certainly benefits from the low bass … and something older such as Rock n’ Roll is fully rendered in all its midrange majesty. The P5 is a great all-rounder.

 

Pros:

Stylish and light
Light, removeable mic cable
Spare stereo cable
Good isolation

Cons:

Initial clamping force
Some may expect a brighter sound

Summary:

The Bowers&Wilkins P5 Series 2 makes for perfect company during those long journeys when we’d prefer to be unencumbered by additional amps, DACs and other gadgets needed to get the best from our other equipment. The P5 is designed and tuned to sound amazing straight out of any phone, so that we may travel light!

Soundmagic P30 Travel Headphone – Moving Music Headphones

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Soundmagic P30 Travel Headphone – Moving Music Headphones

Available in both black or white versions.

50% off this Bank Holiday Weekend

Intro

As we head into the holiday season, hearts yearn for the sun, sea and surf of far-flung destinations and ears twitch for suitable sounds. But brains and pockets chime in and mention the likelihood of things getting lost during those carefree moments. With the SoundMAGIC P30 headphones however, excellent quality can be taken along with you which will not cost arms and legs.

Design and appearance

The P30 is built for travel so can fold neatly when not in use and be stored in a rather handsome pouch which is included. When worn, it blends very well and is discreet in terms of looks and sound leakage.

Durability & build quality

For a headphone at this price, the SoundMAGIC P30 is very well put together and will last for many a voyage. The right-angled jack will certainly help when your player/phone is in a pocket or bag as the cable will not undergo much stress or jut out.

Comfort

The P30 is very light and can be nestled on the head with little danger of discomfort. They grip well to the head and don’t cause discomfort with glasses or sunglasses, also they can be worn around the neck without much danger of getting in the way of the candy floss or latte.

Suitability for intended application

Portability and versatility are the watchwords here – so when back from galavanting on foreign shores the P30 is perfect for general use at home and commuting.

Sound isolation

Isolation is good but with music playing, any exterior sounds are banished. The well upholstered earpads prove a good barrier against the droning of jet engines, the whirring of train wheels or the crashing of bumper cars.

Sound characteristics:

Bass (e.g. punch, low extension):

Bass is present in buckets and spades; not to the extent that all other parts are overshadowed but everything has a very solid foundation. There is a little bit of a looseness about it but the mid-range can hold its own.

Mids (e.g. vocals, acoustic instruments):

The mid-range is full and rich, bringing out harmonics and vocals nicely.

Treble (e.g. high hats):

Treble is sharp without being ‘in your face’, allowing the laid-back sound to have great definition. Percussion is not lost on the SoundMAGIC P30 and along with the bass they have, the P30 is well suited to pop and dance music as well as being great all-rounders.

Soundstage & Separation

There’s a good feel of space in the sound and individual instruments can be picked out with ease. At the same time it all hangs together to give an impressively powerful performance when called on to do so.

Pros:

Easy to fold and pack away
Good to keep around the neck
Light and strong 90 degree jack
Sound quality

Cons:

You may not hear that approaching seagull!
Summary

The perfect companion for the traveller or commuter who wants a cheap option but who will not compromise on sound quality. The SoundMAGIC P30 is of strong and light construction and will provide a great soundtrack to any journey.

Available in both black or white versions.

The SoundMAGIC P30S Headphones with microphone and single button music controls are also now available.

 

 

 

OPPO PM1 Planar Magnetic Headphones – Expert Review

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OPPO PM1 Planar Magnetic Headphones – Expert Review

Intro

The name Oppo is perhaps better known for smartphones produced in Asia; but Oppo Digital, which produces these headphones, is a Californian company and quite separate but for its distinctive (and licenced) logo.

An unconventional arrangement then, but does this ‘out of the box’ thinking translate itself to the headphones? Well no – because the headphones do come in a box, albeit a rather fine one. It may be one of the nicest boxes we’ve seen headphones presented in; it’s rather reminiscent of a Jaguar X-Type dashboard, and opens like one too. Well, the glove-box anyway.

It may be worth noting however, that for a considerable saving you can opt for the Oppo PM-2 version which has a few of the extras and details omitted. For instance, where you might have a chrome trim on the PM-1, the PM-2 uses plastic, and it does away with the presentation case.

They do have the same drivers and will have a very similar sound signature, so if you are as happy with good champagne at £30 per bottle as you are with the best champagne at £120 per bottle, then consider the PM-2.

Pictured with the OPPO HA-2 Portable Headphone Amplifier & USB DAC

 

Design and appearance

The good impressions don’t stop with the box; it’s entirely in keeping with the rest of the design and feel of the PM-1. They’ve gone for a chunky yet light feel with plush generously-sized earcups held by large aluminium yokes, and a steel headband tempered by a soft, yielding leather padding.

Durability & build quality

The materials may be plush, but the Oppo PM-1 gives the impression that it’s no rich man’s toy or passing fancy. It means business and can produce the goods.

The cable is a good example; covered in a close-woven black fabric, it’s reminiscent of goods made in a bygone age. They are certainly high quality.

The Oppo PM-1 headphones looks like they’re more at home amid the tantalus cabinets and antique davenports of a West London penthouse; and likewise they have the solid feel of an item which will stand up to years of enjoyment.

Comfort

The earpads are big enough for the appendages of most people, but if earcup size has been an issue before, these may be on the snug side. The earpads are perforated and breath a little, so things shouldn’t get too moist under them.

The Oppo PM-1 headphones are held on by equal pressure between the plump earpads and equally generous headband padding, and wearing glasses doesn’t pose any problems.

Suitability for intended application

The Oppo PM-1 is definitely meant for relaxing and enjoying the music with few distractions coming either from the headphones themselves or from without; the open design will allow audio out and exterior sound to penetrate so a nice quiet space is ideal in which to get totally lost in the music.

Portability

The handsome case which these headphones arrive in is of limited use if travelling as the accent is on quality and presentation, but there is a travel case offered for the PM-1 in the packaging so if you are planning to travel with them you won’t be disappointed. The earcups fold flat on the PM-1 so they can be packed without being too hungry for space.

Also included is a small one metre cable with a 3.5mm jack for enjoying the headphones from smaller players and amps;

Sound characteristics:

(Used with Chord Hugo DAC/Amp & FiiO X3)

Bass:

Bass is as you’d expect from a planar magnetic design; it reaches low and fills the bottom part of the audio spectrum nicely. It’s not overblown; it’s just enough to tickle your eardrums and be felt as much as heard. Higher up, the bass is as strong and impactful as is called for by the audio with all the quality hinted at by the PM-1’s outward design.

Mids (e.g. vocals, acoustic instruments):

The midrange gives the impression that the PM-1 is slightly on the ‘fun’ side of neutral – but it’s subtle. The midrange has as much presence as the bass and treble, but the Oppo PM-1 does not sound neutral, perhaps ‘sumptuous neutral’ is more like it. There is plenty of space and very little congestion amid busier sections of music. Anything here can be paid attention to, and zoomed in on for all those tiny details.

Both male and female vocals are given a slight prominence and backing vocals are just as present in the mix, with definition and details easily giving added realism.

Treble (e.g. high hats):

Treble is smooth. The Oppo PM-1 headphones are not dark (at least when paired with a Chord Hugo) but they allow a comfortable, non-fatiguing listen. There’s enough treble here to add the upper harmonics to instuments and shimmering qualities to percussion and not quite enough to cross the threshold into uncomfortable territory.

Given that the Oppo PM-1 is provided with a smaller 1m 3.5mm cable, the headphones were tried with a similar sound source, the Fiio X3. The slightly warmer nature of the X3 was apparent on the PM-1, but the combination still gives a punchy and involving presentation. The PM-1 does respond well to lower-powered devices but my cheap android phone could have done with going a couple of notches higher in volume. Apple iPhones and brands such as Samsung/HTC should not have any issues though.

PIctured with the OPPO HA-1 Balanced Headphone Amplifier & USB DAC

Soundstage & Separation

There is a lot of room in these headphones! Anything recorded in a studio with separate close miking and mixed is as wide as the producer envisioned, but live and classical recordings are given a real treatment. The listener is virtually surrounded among strings, woodwinds and flutes.

Separation is likewise superb; the Oppo PM-1 is like a pair of opera glasses for the ears. However with a lot of classical recordings, the shuffling of feet and turning of music pages will be noticeable, along with the odd click of a woodwind key.

Music genres good for and why:

Everything was tried with the PM-1 from Harry Richman to Herb Alpert, and it all sounded great. The PM-1 is another one of those all-rounders which doesn’t even blink in the face of audio adversity; the obvious result of good breeding, no doubt.

Pros:

High quality in every way
Comfortable to wear and hear
Exceptional sound quality
Travel pouch

Cons:

Some may prefer more ‘sparkle’ or brightness

 

 


Audeze EL-8 Open-Back – Land of Open Glory – Expert Review

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Audeze EL-8 Open-Back – Land of Open Glory – Expert Review

Intro

Based in Sunny California, Audeze have endeavoured to spread a little spare sunshine around; even to the point of piercing the gloom here in the UK! We’re all aware of the effect The Golden State’s orange juice has on us in the mornings, and it appears that its headphones aren’t far behind in being able to part the clouds, if only in terms of dazzling audio resolution.

The planar magnetic EL-8 Open-Back is a bit of a departure from Audeze’s other designs; it’s smaller, lighter and and more travel friendly with an ability to be folded flat – not that the idea of stopping listening and packing these headphones away is particularly alluring.

Design and appearance (e.g. attractiveness, feel)

I say that the Audeze EL-8 Open-Back is lighter than the other models; and while that may be the case, they still have a fair bit of weight. When compared to the average portable out there they won’t win any Oscars unless there is a strong supporting cast. But if viewed as a headphone for any quiet scenario such as for home use too, the EL-8 Open-Back returns to the podium like something out of Ben-Hur.

They’re decorated with a wood-like veneer design around the edge of the earcups, which looks a little more understated when compared to the LCD range, but still follows the Audeze theme of natural wooden tones.

Durability & build quality (e.g. cabling, connectors, materials)

Despite the initial surprise at the headband which consists of a relatively thin band of steel with a sprung pad in the middle, plus the departure from other Audeze designs where the yokes are concerned (the pivoted parts holding the earspeakers), we were reassured of the solid build quality when handling the headphones. Nothing about the Audeze EL-8 Open-Back goes against Audeze’s pedigree where build quality is concerned.

Even taking the design of the headphones into account, the cable is perhaps the greatest departure from previous designs. It’s ribbon-style and the connectors are more reminiscent of those you might find on a memory card, with 4 separate contacts on each side. Being 2m/6.5 feet long, an extension cable may be required for home use with full-sized amplifiers as the Audeze EL-8 Open-Back was primarily designed for portable players.

Comfort

When nestled on the head the Audeze EL-8 Open-Back is quite comfortable and does not feel heavy, but we all have different opinions where weight is concerned. At 460g (or just over a pound) they are lighter than the LCD range by a fair margin. The headband cushion is comfortable too, but when adjusting the headband back or forward there may be a tendancy for the headband’s rubber coating to pull on the hair.

Suitability for intended application

Being an open-backed portable, this EL-8 version is obviously for those who want a low profile way of taking great quality music to the office or to enjoy in quiet spaces outdoors. These headphones may run into problems in noisy environments, or if the wearer wishes to not cause a nuisance to those nearby. There is a EL-8 Closed Back for such scenarios, so take your pick!

Portability

The earcups on the Audeze EL-8 Open-Back fold down flat and so can reduce the size of the headphones in a bag or case; however the travel case supplied with them could be more substantial, amounting to a soft cloth pouch which will protect the headphones from dust.

Sound characteristics

Bass (e.g. punch, low extension):

Being a planar magentic model, bass comes naturally to the Audeze EL-8 Open-Back! It’s all in proportion of course, there’s no bloat for the sake of it. It’s emphatic when called for and never steals the show. It is tight and detailed, enhanced by harmonics within the unfettered midrange and upper frequencies.

Mids (e.g. vocals, acoustic instruments):

The mid-range can be zoomed in on and enjoyed whether there’s a lot of action or not; it is all taken in the EL-8 Open-Back’s stride. This headphone can certainly keep its head.

Nuance is not lost and every tremelo and vibrato within a vocal performance is faithfully served up along with accompanying reverb trails, making for a very convincing and moving presentation.

Treble (e.g. high hats):

The upper frequencies are a perfect complement to the rest of the range, neither too bright or too dark. This is a personal opinion of course as we all have a differing amount of sensitivity to this region, but Audeze have obviously put some thought into this and hit a perfect balance between sharpness and dullness; they sparkle without glare, and massage auditory systems in a non-drowsy way.

Soundstage & Separation

Soundstage may suffer a little from the grill on each side; the larger earcups of the LCD range give audio a good chance to breath but this should have been scaled down for the EL-8 Open Back along with the earcup size itself, with a greater chance of any otherwise reflected audio escaping.

Separation is as good as any open backed headphone in the EL-8’s price range; even bringing out details I had never conciously noticed before such as that rhythm guitar low down in the mix, or that backing singer who was multi-tracked and not the subject of a delay effect.

Music genres good for and why

Genres from classical to slow and heavy EBM were tested with the EL-8 Open-Back; the headphones are sensitive and precise enough to convey the finer touches and emotion of the Brandenburg Concherto, as well as vibrating the skull with Rhesus Factor’s ‘Commando 242’, an unremitting heavy synth track of little subtlety! The relatively neutral tuning of the Audeze EL-8 makes it a perfect jack of all trades, and a master all of them as well.

Pros:

Removable/replaceable cable
Sounds amazing
Small and light (in comparison to Audeze LCD Series)
Ver comfortable to wear

Cons:

Some may still find them just a little heavy on the head
Carry pouch not as substantial as a hard case
6 foot / 2 metre cable only

Please take a look at our video review for the Audeze EL-8 Headphones below: