Tag Archives: Best Headphones

Audeze LCD-XC Review – Take a Shine to Closed Backs!

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audeze lcd-xcVerdict

The Audeze LCD-XC is definitely one of the top-tier headphones available now, and is a worthy stablemate to the similarly closed-back but smoother Fostex TH900.

Pros

  • Exceptionally comfortable
  • Sumptuous build quality
  • Amazing detail
  • Well balanced
  • Separation and imaging fully immersive
  • Sturdy travel case

Cons

  • May be too heavy for some

In the world of headphones we get the odd celebrity now and again; the flagships sail in and are esteemed due to their value if nothing else. But as with everything, a high price needn’t necessarily equate with a good product. Is this particualr celebrity just famous for being famous, or do they actually have some talent?

Key Features

Those shiny wooden earcups are a treat for the eyes, and the build quality is exceptional. Solid is definitely the word, but this may count against the Audeze LCD-XC as some necks may suffer under the 650g/1.4lb weight; those with the fortitude to ‘press a head’ should be well rewarded though. The tough carry case protects them in transit, and the supplied ribbon-type cable is ‘tangle free’. Also in the case is a little bottle of wax for keeping the shine on the earcups.

First Impressions

Having tried Audeze’s offerings before, my appetite was suitably whetted and it was not disappointed. By now the obvious build quality and good looks are meeting with blasé reactions – we all know what to expect from Audeze! The weight issue was in my mind, but since I’ve been enjoying the HifiMAN HE-400 for some time now with no issues I was not worried, and indeed the LDC-XC’s weight did not bother me.

Sound Quality

I first tried the Audeze LCD-XC with a Chord Hugo; both to feed as good a signal in as possible, and to try the Hugo’s resolution with the LCD-XC. The presentation was very accurate and crisp; I found it just a little too far into bright territory for my tastes. Then I tried the LCD-XC with my humble Fiio X3; the X3’s output is a little warmer than that of the Chord Hugo, and this was reflected within the sound of the headphones. Where before it was a little cold and uncompromising with the K120, it came to life and into colour for me with the X3. The LCD-XC is like a mirror for the amp; it brings out the best traits of the available equipment.

The closed-back nature of this model is possibly a down side, if only because so many great headphones in this price range are open and so have an advantage in terms of soundstage. As we all know however, isolation is often necessary if we aren’t to be distracted (and don’t want to disturb others), and the LCD-XC does not sound like a closed headphone. The soundstage is appreciably wider than the physical limits of the headphones, and the closed nature of them does not remain so obvious when in use.

Summary

With the asking price in mind, it’s no surprise to learn that this is an exceptionally competent headphone which can hold its own among some cutting-edge competition. If you are considering a highend closed-back model and you find the Fostex TH900 a little smooth, the Audeze LCD-XC may be just for you.

Score: 9.5/10

Beyerdynamic T51i Review – Premium Portable Perfection

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Verdict

High quality needn’t be a feature only of high-end, open-backed headphones, as we’ve recently seen with the likes of the KEF M500 and the Musical Fidelity MF100. With their solid but light aluminium construction, yielding earpads and flawless sound, the Beyerdynamic T51i allows you to take true Hi-Fi sound wherever you go.

Pros

  • Solid build quality
  • Very comfortable for an on-ear
  • Exceptional Sound quality
  • Ideal carry case included
  • Good isolation

Cons

  • Fixed cable
  • Buttons a little small and recessed, may be tricky with gloves on

German headphone company Beyerdynamic’s latest offering, the T51i, features iDevice compatibility for trouble-free calls as well as superior sound quality. The overall impression is that these will last for years; there is simply nothing to fall apart or get loose.

Key Features

Obviously the iControls are what marks this headphone out as different to the T51p; other than that it’s the usual package from Beyerdynamic. Just solid and dependable construction and sound, along with a soft but sturdy case and the usual 6.3mm/flight adaptors. Also included is an adaptor to convert Apple’s preferred CTIA jack terminal spec to OMTP for older handsets. In this market it’s tempting to add a gimmick or two, but Beyerdynamic know that these headphones can easily stand on their own merits.

First Impressions

The build quality is a fine introduction to the general theme here, just pure enjoyment. The Beyerdynamic T51i headphones are lovely to touch; the strong cool metal and leathery earpads definitely give the idea that there’s nothing to worry about and it’s all under control. The cable is more akin to their IEM cables; more suitable for the portable crowd, but non-removeable. Conceivably, they could have had a removeable cable and introduced alternative cables with controls for specific handset types, but that’s just nit-picking.

Sound Quality

Sound quality is about what can be expected from Beyerdynamic’s full size headphones; well represented bass without bloat or bad definition, clean midrange and detailed highs. Some models such as the DT880 can lean toward the bright side, but the T51i has the detail along with smoothness. I’ve been listening at a fair volume for an hour and am quite comfortable.

Summary

Highly esteemed makers with long pedigrees like Beyerdynamic raise one’s expectations accordingly. Nevertheless the Beyerdynamic T51i is still a surprise, and an absolute pleasure to use. The build, feel and sound of them all scream quality; the way they are put together comes from 50 years ago, but the sound is definitely 21st century.

Score: 9/10

Aedle VK-1 Portable Closed Back Headphone Review

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Verdict

A great newcomer to the Portable Headphone range – The Aedle VK-1 has real punch with weighty bass and cracking midrange. Not only do they sound exciting, they look it too! They are easy enough to drive off a portable device and are very comfortable. So if your looking for a portable on ear headphone with an exciting sound, great bass and stylish looks then look no further.

Pros

  • Great bass quality
  • Stylish and well built
  • Replaceable cable

Cons

  • Don’t isolate as well as other portable headphones
  • No headband padding

Key Features

  • Driver diameter – 40mm
  • Impedance – 32 Ohms
  • Weight – 216 g
  • Replaceable cable (optional smartphone cable – not included)
  • Aluminium driver housing
  • Cable length – 1.3m and 2.4m (both included)

First Impressions

Everything about these headphones – including the packaging – oozes style. The VK-1’s come very well packaged, they even have that ‘new shoe’ smell. In the box you get a very smart carry bag, two cables (1.3m and 2.4m), a 3.5 to 6.3mm jack adapter, an airline adapter and an Aedle ID card which allows you to ‘discover surprises’ on their website.

The headphones look great! The aluminium housing and brown leather really compliment each other and they are a perfect portable size – it’s obvious that lots of work has gone into designing the Aedle VK-1. The cables supplied are coated and even though they are a little thicker than some other headphones, they are very flexible.

The headband uses a spring steel structure so it’s very flexible and tough. To adjust it you just bend it into shape – this gives a very secure fit that will perfectly fit your head.

Sound Quality

Straight away you pick up on the quality of bass that comes out of the VK-1 – it’s punchy without being bloated or overkill. The midrange also stands out, especially snare drum crack. There is probably a slight top end roll off, but with such great quality mids you forget about this very quickly. Overall the sound is exciting and edgy and thanks to the venting on the driver housing there is a great sense of space in the sound.

Listening to Dire Straits – Your Latest Trick, the opening trumpet sounds rich and the cymbal comes in effortlessly in the far left. Once the track gets going there is a snare rim shot that really cuts through and the keyboards add the right amount of emotion, then the vocals come in sitting perfectly on top of the instruments. Once the song is in full swing you can pick out every instrument with ease and enjoy every one of them.

Next up was Slipknot’s Duality (obviously). These headphones are made for this track! When the stereo guitars kick in they completely surround you and then the drums… WOW. The snare and kick have real impact and the bat on beer keg sounds as though its being hit right next to you. Metal can sometimes be a tough test for headphones, but these seem to handle it with ease.

Lastly is Break by Jurassic 5 – this one really tests the bass. From the off there’s a massive kick drum and snare sample, the kick drum resonates very naturally and the snare has a great ring to it that comes across perfectly on the VK-1. The vocals come in and there is no confusion, everything has its place.

The Aedle VK-1 is rhythmic, edgy and punchy. They have a wide sound for a closed portable headphone and there is no harshness or sibilance.

Summary

The Aedle VK-1 comes into Sennheiser Momentum territory and it definitely gives you something different. They’re not as relaxed or controlled – they have more oomph and punch without having a harsh top end. The midrange cuts through more and as they are on ear they won’t have the same fit issues that the Momentum has. I would recommend these to anyone who wants a pair of headphones that look great, sound exciting with weighty bass and crisp mids and don’t completely cut you off from your surroundings. If you prefer a more neutral sound with top end detail then I would consider the KEF M500 as an alternative.

Score – 9/10

KEF M500 Portable Closed Back Headphone Review

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Verdict

KEFs addition to the portable range of headphones is sleek, comfortable and most importantly sounds great! Clear detail with tight bass and crisp mids – They also fold up for easy storage and come with a spare cable for iDevices. The KEF M500 is extremely well built and feels solid, the pads are  soft and they isolate very well.

Pros

  • Foldable
  • Solidly built
  • Extra cable with in-line mic and controls for iDevices

Cons

  • Earpads are fully on the ear so can get warm

Key Features

  • Driver diameter – 40mm
  • Impedance – 32 Ohms
  • Weight – 208 g
  • Replaceable cable (iDevice cable included)
  • Foldable headband
  • Cable length – 1.3m

First Impressions

From the start you can see that KEF have gone for an elegant design. The packaging is simple, and follows the M500s colour pallet of silver and black. Inside you get a hard case – again very simple and well designed, 2 1.3m tangle-free flat cables (one with 3 button remote and microphone for iDevices), a flight adapter and a 6.3mm jack converter.

The M500 is very well built, and thanks to the aluminium frame not only are they light weight but they look great too! The headband padding is very soft and the earpads are made from breathable memory foam –  this provides great isolation. KEF has not only designed a headphone that feels good – they also look great and they’re extremely comfortable.

Sound Quality

The KEF M500‘s are well balanced without being boring – clean, clear and crisp with tight bass, well defined mids and lots of top end detail. Having a well balanced sound makes them sound great with all genres and the top end detail works really well with acoustic music or any songs with plenty going on. The separation is superb – you can hear the edge of every instrument, and considering these are fully closed back they have great soundstage.

Summary

For a portable headphone the KEF M500 is gives you everything – stylish, compact, well built, iPhone compatible, comfortable and it sounds great. The sound will suit anyone looking for a clean, balanced and detailed sound – especially in the higher frequencies. For a warmer sound I would suggest the Sennheiser Momentum or for something with more bass impact the Aedle VK-1 would be a good choice.

Score – 9.5/10

Sennheiser Momentum Full Size Portable Headphone Review

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Verdict

The Full-size Sennheiser Momentum is the big brother to the smaller on-ear Momentum; the last word in luxurious, portable listening with sumptuous earpads made from real leather. These headphones are fantastic for separation, and they have a very wide soundstage which belies their closed back design. Sound isolation is high; the leather pads excel in keeping unwanted noises out, while social isolation is low due to the handy Apple mic and controls.

Pros

  • Comfy Earpads
  • Smart/Stylish
  • Rich Bass
  • 5 year warranty

Cons

  • Top end detail
  • Relatively unforgiving headband

Key Features

  • Coupling: Over Ear
  • Transducer principle: Dynamic, closed
  • Frequency response: 16Hz – 22kHz
  • Impedance: 18?
  • Weight: 190g
  • Cables: (no mic) 1.4m, (Apple mic) 1.3m

First Impressions

The Momentum headphones have a solid feel with a steel and leather construction. At the same time they are quite light to wear; I don’t imagine being fatigued with these during extended periods of use. They have a style reminiscent of Aviator sunglasses; rounded, tinted and very cool with a touch of 80s chic.

As well as the 1.3m Apple-compatible cable, there’s a spare 1.4m cable (without mic) and a semi-solid case for keeping them in good condition whilst on the go. The headband pad could do with plumping up a little, but the earpads are very comfy indeed. For an ‘over-ear’ design however, the spaces in the earpads are limited so comfort may be dependent on an individual’s own ear shape and size.

Sound Quality

The Sennheiser Momentum excels at bass warmth without being bloated, and the soundstage appeared to be shoulder-wide; the ‘breadth’ of the music far exceeds the physical size of the headphones. Separation is very good also with each instrument in its own space. Mid range is involving and enjoyable, but there is a slight lack of high-end detail which some may prefer to keep. I’d summarise the frequency response as akin to the design; very comfortable indeed but not likely to send you to sleep in a hurry!

Dance music is particularly suitable, and although the Momentum can be used straight from a portable device they respond really well to amplification. Sub bass is plentiful, indeed awesome with the Fiio E12‘s bass boost. The Momentums really respond well to EQing.

Summary

If you like to relax in the bath with a box of chocolates, these are the headphones for you! This is not to say that these headphones are suitable for relaxing music only of course. Dance, rap and R&B all come across really well; acoustic music will be good due to the midrange but may lose a little something at the top end. Soundstage and separation will make up for this however; any performance will not feel any less real.

Score – 9/10

RHA SA950i On Ear Portable Headphones

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RHA SA950i On Ear Portable Headphones

The Scots again show their pragmitism and fondness for finely distilled qualities with the RHA SA950i; an on-ear portable model which is perfect for those with short arms and long sporrans.

 

 

Pros

Lightweight yet sturdy
Removeable cable
Great Sound Quality

 

Cons

No case or any other accessories included
They do not fold down

 

Hifiheadphones verdict

The RHA950i On Ear Portable Headphones  arefantastic portable headphones for the price; and good thing too as there are no included accessories. If you want to grab and go without any worries, the SA950i fits the bill. Light, sturdy and ready for any Highland fling.

 

 Key Features

 

Given its pricepoint, the SA950i is unsurprisingly bare of features other than the iDevice-compatible controls. There is no case or pouch; nor is there any flight adapter or otherwise ubiquitous 6.35mm adapter.

 

First Impressions

 

The first thought which stuck me was the dour and sensible design; we’re not at the point yet where funeral directors wear headphones on the job, but surely this would be their preferred design. Smart, stylish, but never showy. The sober theme continues as no accessories are included, but at least we know that all the value is in the headphones.

 

Sound Quality

 

Once the RHA SA950i is donned, the formality ends. The sound is fun but with a good midrange too; the bass doesn’t take over. High up, detail is good and things are relatively smooth. There’s a good bit of space for decaying reverbs and soundstage is good. Separation is surprisingly good too.

Things are impaired slightly as the earcups will not pivot side to side, and a decent seal with the ears is not immediately easy to get. The strong headband and yokes may bend to the shape of my ears after a few flexes, but I do not wish to alter this borrowed pair.
Score – 8/10

 

Summary

 

At this price, the RHA SA950i is very good value, and the sound will not disappoint. Aside from a problem with fit which should be easy to fix, the SA950i will suit anyone who can get away with wearing black!

 

 

 

HIDIZS AP100 Digital Audio Player (DAP) – HifiHeadphones Mini Review

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RRP – £230-£250

If you like your brand names to look like the first line of an optician’s eye chart, the Hidizs AP100 is certainly worth considering – the name might take some getting used to, but it’s plain to see that this player is getting some covetous glances!

The AP100 has some stiff competition in the low-cost DAP (Digital Audio Player) market, not least from Fiio’s ‘X’ range. The AP100 appears to be a halfway house between the X3 and X5 in terms of size and cost, but how about sound quality?

The same can easily be said – compared to the Fiio X3, the AP100 is a little more accurate and coolish but this is not to say that the Hidizs AP100 is harsh. Listening to unyielding and brittle-sounding early 80s pop such as Duran Duran is fine on the AP100 but the X3 just gives it a bit more warmth and roundness to a presentation – the AP100 wins in terms of detail.

With the default firmware, tracks stood a good chance of having the first second chopped off if selected from the track list on the device, but this was fixed after upgrading to V1.31067. One problem I had after upgrading was that the unit reverted to its native Chinese language – there was no clue how to get it back to English again. Luckily I found the option in the menu as the only item with 2 Chinese characters. Select this and you’ll see ‘English’ in the sub menu.

The buttons on the Hidizs AP100 are lovely to press; there’s a great chunky feel to them and they are good solid buttons which will last. The only problem is that Hidizs saw fit to add separate buttons for ‘fast forward/rewind’ – I’m so used to using the same buttons for track skip and forward/rewind that I keep skipping tracks by accident. Also the ‘back’ button is on the right of the other navigation controls, which makes it feel like a forward/select button; this may lead to a few wrong turns for the uninitiated but it’s easy to get used to.

There’s a little flap in the case which is held shut by velcro. It took a while to figure out but this is for spare micro SD cards; just be aware that you may need tweezers to remove them again. SD cards can be changed simply in the device, however a tool or long fingernail is required to ‘click’ it into place and retrieve it.

I did also notice a problem with the track list on the player – select ‘track 1’ for instance on the track list and skip forward a couple of tracks via the play screen. Then on going back to the track list, ‘track 1’ is still highlighted as if it is still playing. Perhaps this will be addressed in future firmware updates.

Summary

A good little player; I look forward to future firmware updates but in the meantime the UI is quite useable, and the unit gives a clear uncluttered sound with a good amount of power. A great first effort which begs the question: whatever next from Hidizs?

Beyerdynamic T51i Portable Headphones With Mic – Announcement

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The Beyerdynamic T51i is one of the best portable headphones out there. Now they have gone a step further by adding an in-line microphone and smartphone controls – making them the ultimate portable headphone!

HifiHeadphones are happy to announce that the Beyerdynamic T51i is now in stock.

Buy Beyerdynamic T51i Closed Back Headphones with Apple Controls & Mic here

Price – £245.95

Features

  • Convenient 3-button remote control and microphone for phone calls and media playback
  • Outstanding balanced and powerful sound quality
  • Brilliant treble and deep bass reproduction
  • Tesla technology with highest efficiency
  • Excellent ambient noise attenuation
  • Swivelling earcups 90°
  • Foldable headband design
  • Made in Germany

DUNU DN-900 Earphone Review

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Verdict

The DUNU DN-900 is a well built, hybrid in-ear headphone. The bass is punchy without overcrowding, with spacious mids and smooth highs – these earphones perfectly combine power and detail.

Pros

  • Frequency response can be fine tuned
  • Generous range of extras/accessories
  • Very clear bass and mid-range

Cons

  • High-frequency roll-off (if you like a brighter sound)
  • Case oversized for everyday use
  • Tuning rings easily lost if not careful
  • Cable can get tangled

As with all segments of the headphone market, the £100 – £200 bracket is hotly contested with innovation pushing sales as well as gimmicks. The hybrid drivers within the DUNU DN-900 are becoming commonplace among IEMs, but the tuning rings which are supplied with the DN-900 are not so commonly found. Given that we all have our pet sound signatures and preferred frequency responses, have DUNU released a self-adjustable gem?

Key Features

Perhaps most unusual about the DN-900 is the inclusion of the tuning rings; it’s always nice to have a bit of tweakability and it’s fun to experiment. However, be sure that you are changing the eartips and rings while sat at a table, or similar. The rings can jump off the nozzles and roll out of your life for ever if you aren’t careful. It would have been better to have a more ‘trouser clip’ style ring which stays on the nozzle.

First Impressions

Naturally enough, once out of the packaging, the first thing I noticed was the professional quality Pelican-style case. It’s a lovely item if bright yellow is your thing but it won’t fit in a pocket, nor is having your IEMs packed away in a bag or case the most practical place to have them. I would be utilising another case or pouch from somewhere else, while this case might lie unused in a drawer.

Sound Quality

The sound seems very mid-centric at first, with strong yet well shaped bass response. The most noticeable thing is the higher-frequency roll-off but this takes only a minute to get used to. I tried the rings in turn..

Silver gives a good bass grunt with midrange clear and even, and the higher frequencies rolled off. Blue appears bassier in the mid-bass area with a more pronouced and open midrange, while red is bassier again with some more low-bass creeping in and mellower mids. High frequencies are not affected by any of the rings but the blue’s effect on the midrange sits next to the highs better for me.

After trying the DN-900 with the Astell&Kern K120, I was very happy with the sound. Driving bass underpinned some very fluid and involving mids, with higher frequencies just managing to show their faces enough to keep the party atmosphere going.

The following impressions were gained using the blue rings and the AK120:

Frankie Goes to Hollywood – Two Tribes (Blank and Jones reconstruction)

The bass has good texture and impact going into the sub-bass slightly, mid range works well with male vocals and backing. Soundstage is good and wide with a great sense of space. Imaging is also good. The rolled-off highs did not give any problems.

Dub Syndicate – Mafia

Bass is very full and impactful with good slam. It is quite boomy on this track but dub calls for it! Midrange is still clear and separate – the piano parts are very distinct. Highs lend a touch to harmonics but otherwise linger in the background. Soundstage is as wide as the music requires, delay is headshaking.

Summary

The DUNU DN-900 is perfect for the tracks that were tried with them. They will satisfy any basshead but will not add bass which is not there and cloud things – midrange is spacious and lively. Again, the higher frequencies may be a problem for fans of this part of the frequency spectrum; but if like some you’re a little sensitive to it, the DN-900 should fit like a glove.

Score – 9/10

Pioneer SE-MX9 Review

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Pioneer SE-MX9 – Review – Superior Club Sound

Thanks to certain headphone brands’ marketing campaigns of late, the perception by users and manufacturers alike is that people want a heavy bass in the sound as well as something that looks good on the street. And the response from Pioneer is the Pioneer SE-MX9, a good solid headphone with a bass response which, although it’s heightened, doesn’t dominate the presentation.

Pros

Solid build, yet light
Comfortable
Various options for cable

Cons

Ear pads may be an awkward size for some
Pouch offers little protection
Isolation could be better

Summary

When looking at headphones produced by large long-established companies it is easy to expect a product which is the result of committee meetings rather than the vision of a gifted and talented individual or team, and although the SE-MX9 headphones do appear to have had some influence from Pioneer’s marketing division I think they offer as much excitement as any equivalent from a specialist headphone maker.

Key Features

Features and accessories are basic with no frills – a curly 2m cable (3m extended) is included to give the option of listening at home, as well as the iPhone cable with volume/track control. The usual flight adapter and 6.3mm jack adapter is also present. A travel pouch is included; although the earcups fold flat the filled pouch still has some size to it, and the pouch will afford little protection should any knocks or bangs be encountered in transit. Admittedly however, it should take quite some impact to damage these headphones.

 

First Impressions

Of course, the first thing that springs to mind is the similarity to the almost ubiquitous ‘b’ headphones for which the young and under informed are clamouring. However any similarity ends when they are donned; this is the sound I was expecting when I first tried that other brand! Boosted bass frequencies needn’t affect the midrange you’ll be glad to hear.

Sound Quality

I’ve been checking around for a genre which the SE-MX9 doesn’t get on with, and all I can offer is anything which might have heightened bass already. Given that those who might want to listen to dance music etc. will not have a problem with this, I think Pioneer have got it about right. The midrange is very clear and revealing; decays are very enjoyable and the sense of space is very real. High frequencies are bright without being strident, and the soundstage is impressive for a closed-back portable.

Hifiheadphone Verdict

These are one of those headphones I like more and more the longer I wear them – power combined with clarity makes everything sound fun and engaging without clutter or fuss. Build quality is great and the ear pads suit me as I can wear glasses or sunglasses without discomfort. Whether the average 17 year old can be convinced to forgo the fashion boost offered by that other brand remains to be seen, but if they had the chance to hear the different brands side by side these Pioneers would be the clear winner.

 

 

 

 

SoundMAGIC HP150 Review

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SoundMAGIC HP150

It’s amazing that with the SoundMAGIC HP150 headphones, SoundMAGIC have yet again shown how they can raise the bar.

The market for full-size headphones costing £200 and below provides more shining examples of incredible sound quality. And helping all this along is SoundMAGIC, which has impressed all and sundry with its offerings of all types and sizes.

Perhaps most notable is the HP100 released in 2012 – a full sized and very comfortable closed back, offering a well balanced sound and good isolation. Summer is no stranger to super sequels however, so will we be jumping for joy in the aisles, or blubbing into our popcorn?

Pros

  • Superb Comfort
    Pristine Sound
    Solid Build
    Plain Good Looks

Cons

  • Unique cable connection shared only by the HP100 Headphones
    Some sound leakage

 

Summary

The HP150 headphones remain loyal to the previous HP100 design in terms of headband, padding, drivers and accessories. The most noticeable change is the driver housing; the previous ‘Tron’ style has been superseded by a matt black rubber coating which matches the rest of the HP150’s look.

Key Features

Features are only what’s to be expected from a headphone in this price range – just good sound and the usual accessories. There’s a 3m extension cable for Hi-Fi listening which is a bonus, as well as flight adapter and 6.3mm adapter. The case has undergone an improvement in that it affords greater protection; there’s more space for padding so that the headphones are safer in transit.

First Impressions

As mentioned above, the HP150 headphone is the sleeker, sexier descendant of the HP100. The shiny parts on the earcups and yoke joints are gone, and matt black is now the uniform colour.

The cable has undergone a slight change too, the previous model was shipped with a coiled 1.2m cable. This has been straightened, and together with the 3m extension cable should provide a bit of slack in most tight situations.

Sound Quality

The best bit of the HP150 headphone is of course the sound – heads are scratched and price lables are rechecked – are we sure there’s no mistake? The HP150 sounds like a headphone three times the price! They are well balanced with a little drop in the midrange, but it’s nothing which gets missed. Think of them as giving a little boost to both ends of the frequency spectrum.

Bass is fully representative of what’s there without getting its own ideas, and treble has a brightness which doesn’t cross into strident territory – even for those like myself with a sensitivity to these frequencies.

The soundstage of the HP150 is very impressive for a closed-back headphone. I wouldn’t say that the HP150 has the feel of an open-backed equivalent, but the breadth of the presentation is certainly comparable. Imaging and separation are pristine with details standing up to be counted wherever they are.

SoundMAGIC has stated that the drivers in the HP150 are the same as the HP100 – the change in earcup material has been balanced with padding within the earcup so that the sound is as close to that of the HP100 as possible.

With possible burn-in still to go on the HP150, the bass appears to be a tiny bit higher in volume against the rest of the presentation but with the same qualities. Treble seems to be a little bit smoother but not at the expense of detail. Midrange appears unchanged.

 

Hifiheadphones Verdict

Even with newly-introduced headphones getting better and cheaper year after year, the models put out by SoundMAGIC seem to thumb their noses at the competition. The HP150 headphone is quick, light and nimble; jester-like in its ability to handle any genre with fun and merriment.

If you have £200 and a need for closed-back full size headphones, a few minutes’ delay is a tragedy. Do your ears a favour and resist no longer!

You can now check out our unboxing video of the Soundmagic HP 150 on our youtube channel.

 

 

 

Final Audio Pandora Hope VI – Review

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Final Audio Pandora Hope VI Review

Summary

The Final Audio Pandora Hope VI may not be able to deal with all the world’s evils, but it can certainly make them appear more approachable and cuddly. 50mm dynamic drivers are coupled with balanced armatures within the Hope VI, so the listener can benefit from a warm and toe-tapping presentation, but needn’t sacrifice detail or presence. The result is as crisp as any IEM working on the balanced armature principal, with similar detail perceived all the way down the frequency spectrum.

Here at HifiHeadphones we’re no strangers to the type of quality products the portable audio industry can put out; however the Pandora Hope VI has surprised us all. From the retro-future ‘Metropolis’ looks of the Hope VI to the weight and the way they feel in the hand, we knew that these headphones weren’t just designed, they were born.

Pros

  • Unique and gorgeous looks
  • Lovely to touch
  • Comfortable and relatively light
  • That sound!

Cons

  • Will need running in to be at their best

Key Features

As mentioned, the driver principal is the Pandora’s most notable feature; the balanced armatures working alongside the dynamic drivers. There is no sense that two drivers are operating on each side; the presentation is as smooth and even as it would be with any high-quality wide bandwidth dynamic driver, once worn in.

First Impressions

The Hope VI can’t fail to please with its Buck Rogers looks. Something feels as if it is being wasted once they are worn on the head as they cannot be seen any more! However, the soft comfort of the padding and solid feel of the design keeps the wearer happy enough until a mirror is within reach.

Sound Quality

The Pandoras are consistently referred to as being among the best-sounding headphones around; this by people who are in the know and have tried many headphones and set-ups. My own experience involves gorgeous silky bass which sits just where it’s supposed to be, mids which surround and demand attention, and highs which pierce and shock, but in the most gentle way possible. My ears are sensitive to high frequencies and fatigue is never far away with some headphone/genre combinations, but the Hope VI never strays into that area; it knows exactly when enough is enough, preserving a smoothness which has no right being there but is staying nonetheless.

As mentioned above, there may be a brief period of ‘running in’ required as the two drivers meld together but this will be limited to a weekend.

HifiHeadphones Verdict

Dr Who’s Tardis is famous for being bigger on the inside than the outside. My guess is that Final Audio have been watching from behind the sofa whilst taking notes, as for a closed back headphone (a fact I have to keep reminding myself of) the sound is all-encompassing. Watch out Fostex, your closed-back crown may be about to slip!

HifiHeadphones Rating – 10/10

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Dita Audio The Answer IEM Earphones – Truth Edition – Review

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Dita Audio The Answer IEM Earphones – Truth Edition – See more at: http://www.hifiheadphones.co.uk/dita-audio-the-answer-iem-earphones-truth-edition.html#sthash.UQLlq1VS.dpuf
Dita Audio The Answer IEM Earphones – Truth Edition – See more at: http://www.hifiheadphones.co.uk/dita-audio-the-answer-iem-earphones-truth-edition.html#sthash.UQLlq1VS.dpuf

Dita Audio The Answer IEM Earphones – Truth Edition – Review

Summary

The Answer Truth Edition is a dynamically driven IEM with a single 10mm driver; Dita Audio wanted to go for the simplest design in order to deliver the purest audio, according to their literature. Since balanced armature technology requires crossovers, multiple drivers and all the related gubbins, Dita went for the less complicated dynamic route. And why not? We’ve all been shown the power and finesse of the dynamic principle through Sennheiser’s excellent IE800s – they can be every bit as detailed and impactful as any well put together BA based driver.

Price – £599.95

HifiHeadphones rating – 9/10

Dita Audio The Answer IEM Earphones – Truth Edition

New company Dita has made a splash lately with two significant IEMs; ‘The Answer’ and ‘The Answer (Truth edition)’ – the cable being ‘The Truth’. ..and I thought telling lies could get complicated!

If you forgot what the question was, it’s something like ‘what’s the best IEM man can come up with’? I reckon this response is fitting.

A benevolent deity has bestowed a pair of each model upon us and we have dutifully had a go; for this review I have stuck to the pricier ‘Truth Edition’ but for a quick impression of the non-Truth Dita, please scroll down to the ‘verdict’ part.

Pros

  • Well built with solid capsules
  • Weighted to lean into the ear – unlikely to fall out
  • Stout strong cable
  • Good range of eartips which can fine tune frequency response
  • Good extras – 2 quality travel cases included

Cons

  • Cable can be a little stiff but not too bad
  • Some might prefer a removeable cable

Key Features

The cable on the ‘Truth Edition’ is what gives the IEM its name; it is a Van Den Hul cable with whom Dita cooperated in order to get the best signal to the driver. The cable covering has a little window on it so the quality can be seen – it is certainly substantial. Other than that, there are no features other than the end product – the sound. Much like record players, the less you get on them as extras and gadgets, the better the sound will generally be. This is Dita’s philosophy.

First Impressions

The build quality is the first thing to be noticed. These are not heavy or unweildy IEMs, but the impression I have is that they were designed to be used in a war of some kind, or by very careless people. The build quality is very solid.

Sound Quality

The Answer (Truth Edition) lives up to expectations for a premium IEM; detail is exceptional and there is plenty of space in the presentation whether things are busy or not; there’s an effortless quality. Harmonics are not lost on these IEMs, everything is reproduced, and faithfully.

Not to say that these Answer/Truths are neutral; they have a sound which is on the fun side but it is done with real adroitness. There’s an analogue quality which reminds me of the Sennheiser IE800.

Soundstage is generous and imaging is great; it all just hangs together and as per the marketing/literature, the strengths of the single dynamic driver design are right here.

When comparing the two, the IE800 is just a little less forward which suits me. So if you feel that the IE800 is a bit laid back for you, try and dally with the ‘Truth’!

Verdict

Given the quality of Dita’s answers, we should be upping the quality of our questions. ‘How much money have I got?’ might be one such question. The ‘Answer/Truth Edition’ is not cheap, but the best things often aren’t. Given the price, the phrase ‘to be economical with the truth’ may not be so accurate, but there are savings to be made by choosing the ‘Non-Truth’ version which is the same but for a little less detail and a slightly smoother presentation. A very close match for the IE800, and only two thirds of the price at £399.

DUNU DN-12 Earphones Review

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DUNU DN-12 Trident In-Ear Isolating Headphone Review

Summary

The DUNU DN-12 Trident is the entry level in-ear headphone from this exciting brand. DUNU is making waves in the headphone world and I can see why – if they put this amount of work into their low priced headphones then I can only imagine what their high end models are like!

Price – £34.99

HifiHeadphones Rating – 10/10

DUNU DN-12 Trident In Ear Isolating Earphones

DUNU DN-12 Trident In Ear Isolating Earphones
DUNU DN-12 Trident In Ear Isolating Earphones
UNU DN-12 Trident In Ear Isolating Earphone

Pros

  • Value for money
  • Tough cable
  • Punchy, tight bass and crisp detail
  • Titanium driver housing

Cons

  • Bassheads might want more

Key Features

  • Deep Bass, Clear Mids and Lucid Highs
  • Broad Dynamic Frequency ULTRA Driver Unit
  • Mirror Finished Solid Titanium Housing
  • Extensive Accessory Bundle

First Impressions

I had to keep reminding myself that these in-ears were under £50. The packaging is nicely finished and when you get inside you find a good quality leatherette bag, plenty of different eartips, a cable clip and even a carabina. The headphones themselves are extremely well built. The driver housing is made from titanium which feels great and has a good amount of weight. The cable feels tough and isn’t flimsy, this ends in a smartly designed angled jack connection – you even get a cable tidy designed by DUNU included.

DUNU have thought about even the finest details with their entry level earphone so you are totally impressed before you even listen to them!

 

Sound Quality

When I first listened to the DN-12’s I felt that there was a fair amount of bass and that there could be more treble… Then I remembered that they are £35!

Compared to other earphones in their price range they sound more refined with a good amount of bass that doesn’t bleed into the rest of the mix, the mids come through nicely with enough crack and the highs give a great sense of space. The soundstage is very impressive as you feel that you are right in the mix with a wide presentation. I really can’t think of anything negative to say about these great little in-ears!

HifiHeadphones Verdict

Not long ago I would have said that the SoundMAGIC E10 was easily the best in ear for under £40 – now they certainly have stiff competition! The DUNU DN-12 may not have as much weight in the low end as the E10, but for me this is for the best. These earphones feel and sound like something that should be worth somewhere in the £50 region, as not only can they compete with some higher priced models, they have put a lot of effort in the finer details – this for me helps put them at the top of their game

SoundMAGIC E10 S In Ear Headphone Review

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SoundMAGIC E10 S In Ear Isolating Earphones

Summary

What can be better than the award winning SoundMAGIC E10 for under £40? The E10S has the same superb build quality and sound signature as the E10 but with the added function of a universal smartphone in-line microphone – need we say more?

Price – £39.99

SoundMAGIC E10S In Ear Isolating Earphones

Pros

  • Amazing value for money
  • High quality braided cable
  • Weighty bass and crisp detail
  • Universal smartphone microphone (iPhone and Android)

Cons

  • Nothing to fault at this price

Key Features

  • Comfortable fit and distinctive design
  • Made for all smartphones
  • Integrated smart remote and microphone
  • Unique, all metal earphone construction
  • Powerful bass balanced with superb musical detail
  • Robust tangle-free twisted cable design
  • Skype/VOIP adaptor included

First Impressions

From the start it is hard to believe that the E10S is under £40. The packaging is smart and of a very high quality – once opened you find plenty of spare ear tips and an attractive hard case. Holding the earphones you can feel how well made they are and the innovative switch on the jack plug will let you set the earphones to work with any smartphone – you would not expect technology like this on such a modestly priced earphone.

Sound Quality

Once you get over the impressive built quality and actually try them out you will not be disappointed. Like the SoundMAGIC E10, The E10S has tight bass with plenty of weight – the mids are well defined and the top end sparkles. These earphones are perfect for listening on the go as the sound is fun and they will sound great with whatever you throw at them. Soundstage is better than what you would expect from an earphone at this price – it’s engaging and natural.

Verdict

If you have £40 to spend on some new earphones then go for the SoundMAGIC E10 – if you need an in-line microphone then go for the E10S. Easy.