Lindy BNX-60 Review – Noise Cancelling Wirelessness for under £90!

Lindy BNX-60 Wireless Noise Cancelling Headphone Review

Lindy’s talent for providing low-cost alternatives for items which sometimes run into hundreds of pounds is perhaps a well kept secret, given that they don’t advertise as prominently. Maybe they’re hoping to capitalise on the Lindy Hop phenomenon, but there’s no sign of any ‘jitter bug’ here.

Lindy BNX-60

Pros:

  • Low price for all these features
  • Rugged and sensible design
  • Good all-round sound
  • Comfortable

Cons:

  • Hard to drive (quiet) in passive mode
  • Volume control wheel placement

Design and Appearance

The Lindy BNX-60 has a utilitarian look; there’s no fashion statement to be made with these other than ‘I’m pragmatic’. They don’t have a premium feel such as more expensive models have, but the coating is of a grippy type of rubber which is better than bare plastic.

Volume is controlled in two ways; there is a button control on the left earcup for interacting with the volume controls within a smartphone, and a wheel on the right earcup for operating the BNX-60’s internal amp. It’s sensible to have this latter control at close to maximum, as there’s a small chance of touching the wheel when it comes to removing the headphones and inadvertently increasing the volume to maximum.

There are also some call handling features built in; so as well as the obvious call answer and hang up functions here, the BNX-60 supports voice dialling and last number redial among other features.

Durability and Build Quality

These headphones are well constructed and don’t feel cheap like budget headphones might; a little care is required of course, but the headband is quite twisty and forgiving should any passing lummox wish to try them out.

The cable is optional of course, but should you wish to eschew the wireless feature and go wired, the included cable is sturdy and quite adequate with good strain reliefs and a 90 degree jack.

The price also includes a semi-rigid carry case for when you’re on the move and don’t feel the need to have the Lindy BNX-60 on your head, the ubiquitous 6.35mm and flight adapters, and of course a USB cable for recharging the internal battery.

Comfort

The earpads and headband padding are dense but springy, giving comfort which is quite good considering the BNX-60’s low weight of 200 grams (or just over 7 ounces). If you’re a glasses wearer, the earpads give decent enough comfort for short sessions but this may get to be a problem if worn for hours on end. However the smallish earpads will allow most to just rest the arms of the glasses on them without altering the angle of the lenses too much.

The internal dimensions of the earcups are large enough for most ears at 6cm (from top to bottom) but as with any closed-backed design with leatherette earpads, it might get a bit sweaty in there if worn for long periods.

Suitability for intended application

The noise-cancelling feature is reasonably good; the all-pervading rumble of the lithographic printers next door is a feature of life here and the BNX-60 does a fair job of cutting it out. With no music on it can still be heard, but one needn’t turn up the music volume very much for it to be blotted out completely.

Sound Characteristics

There are four different ways the BNX-60 can sound, depending on whether it is fully wireless or wired/with ANC enabled, or off. With ANC off, the sound seems comparatively indistinct and foggy whether the cable is used or not. with the ANC enabled, the midrange is more present and the overall volume rises significantly so watch out if you’re listening at a high volume and wish to turn on the ANC feature.

For this review, we’re sticking to the intended method of the design which is using both the bluetooth and ANC features.

  • Bass

Bass extension gives a fairly good hint of that sub bass, but if you like a lot of sub bass then look elsewhere. Mid bass and upper bass is fully present and provides a good bit of warmth here but is a bit flabby with some tracks.

  • Mids

The midrange is not affected by the bass very much, and provides a decent amount of detail. It’s quite a hard-sounding and dry midrange with some good detail there; decays give a nice idea of space in the recording and vocals are well textured and convincing. Those who have a sensitivity to midrange frequencies needn’t fear; the BNX-60 is a comfortable listen.

  • Treble

Up at the top, treble gives a little bit of glitter but not too much; it serves as an even extension to the midrange and doesn’t draw much attention to itself. In terms of detail it could be bettered; but given that we’re reviewing a wireless, noise-cancelling set of headphones at this price, we won’t expect the moon on a stick!

  • Soundstage and Separation

Depending on the recording, the Lindy BNX-60 gives some nice surprises in terms of the width of a presentation. Sounds can appear to be emanating from outside of the closed-back earcups, giving a feeling of being enclosed by the music rather than the headphones themselves. Separation is decent; individual instruments can easily be picked out, yet they tend to meld together if the listener wants to just enjoy a presentation as a whole.

Music genres good for and why

This reviewer has caught himself enjoying a good range of tracks on the Lindy BNX-60; dance music and similar commercial genres such as pop and rock come across with a good amount of power, and live or acoustic recordings benefit from the midrange presence.

Summary

Lindy’s BNX-60 is pretty top-notch for under £100. If you want better, you’ll be looking at spending a lot more for such a fully featured noise cancelling headphone.

Pioneer SE-MS7BT Bluetooth Headphone Review

Pioneer SE-MS7BT Wireless Headphone Review

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The Pioneer SE-MS7BT are a great performer for the price, they offer an engaging, upfront sound that is sure to please fans of rock music.

Pros:

  • Balanced sound
  • Great separation
  • Fast and energetic

Cons:

  • May be lacking bass for some

Design and Appearance

The Pioneer SE-MS7BT have an understated, simplistic design with an all black colour scheme, metal faceplates and a simple headband. They use an over the ear, closed back design and will blend in seamlessly with your daily routine.

Durability and Build Quality

The SE-MS7BT feel sturdy; the headband is metal, the cups are plastic and they feel like they will last with some care. All the sockets and buttons feel great, the arms that hold the cups on are a little on the thin side however.

Easy of use

Pairing these is easy, and there were no transmission issues, however they do use a long press to change the volume and short press to change track. This does mean it is not as easy to fine tune the volume level but is something that you get used to.

Comfort

The earpads offer plenty of room which leads to evenly distributed pressure, along with a well padded headband makes these a very comfortable headphone and perfect for long commutes.

Sound Isolation

The closed back nature of these headphones means they effectively block outside noise, they do not have any noise cancelling feature, but they do a good job of drowning out the world around you.

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Sound

Now with a name like Pioneer, you would expect a dark, bass oriented headphone, yet the SE-MS7BT lean towards a more neutral and balanced sound.

  • Bass

The bass is tight and fast, hitting hard when called for but always under good control. The bass can keep up with heavy metalcore, yet is equally at home providing a base for modern pop recordings. These are not for those who like big pounding bass, but are great for those who appreciate quality over quantity. Kick drums do however have a slightly flat feel, and could use a bit more punch.

  • Mids

Due to the well controlled bass, the mids on these cut straight through the mix with excellent clarity and presence, there is a slight hint of sibilance in the upper regions but it is not problematic. The mids have good detail retrieval, and impressive separation, there is very little to fault in the mids for the price.

  • Treble

The treble is well presented with good presence and definition, yes they lack the refinement of more expensive models, but for the price it is refreshing to hear a pair that does not lack treble energy. They are not piercing, but the treble is always audible and with good positioning.

  • Soundstage and Separation

The soundstage is wider than average, not huge but some out of head moments to be had when listening to these.

Separation is very good, even during the fastest tracks you can still easily separate the different instruments. The layering in the mids is excellent, and the overall placement of instruments is very precise.

Genres good for and why

The SE-MS7BT is at home with all genres, but tends to lend its hand to rock best, with a fairly aggressive and up front sound it really helps bring out the best during faster, more complex tracks.

B&W P7 Wireless Headphone Review

Bowers&Wilkins P7 Wireless Headphone Review

With the B&W P7 Wireless, Bowers have made a great little portable headphone, with a fun and engaging sound signature in an understated, yet executive look.

Pros:

  • Engaging sound
  • Superior build quality
  • Comfortable

Cons:

  • Bass may be too strong for some

Design and Appearance

Bowers & Wilkins have stuck with their understated black and silver colour scheme for the B&W P7 Wireless, retaining luxury leather earpads and headband, along with brushed metal faceplates and sliders.

These headphones are the perfect size for a portable over the ear headphone, and they look fantastic, the included carry case will help keep them looking pristine.

Durability and Build Quality

The P7 Wireless look and feel very well built, being made out of leather and metal gives you confidence in their build, along with good strain relief on the included cable.

Ease of use

Pairing these headphones is quick and easy, and once paired they connect instantly, no issues with Bluetooth transmission were encountered.

Comfort

The memory foam, leather earpads are not the biggest but fit snugly around your ears with good cushioning. The clamping force is quite tight but not uncomfortably so, the headband is well padded and evenly distributes the weight over the top of your head, all qualities of a brilliant portable headphone.

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Sound Isolation

These headphones isolate well, perfect for general out and about usage along with commutes, they also don’t leak sound so you won’t annoy people nearby.

Sound

The B&W P7 Wireless lean towards a darker, bassier sound whilst still giving you detailed sound.

  • Bass

This is the first thing you will notice when you put these on, it digs deep with pulsating sub-bass lines, and punchy mid bass. It makes these really good fun to listen to, and also means they keep good bass presence when in noisy environments. The bass is not just there in quantity, the quality is superb and does not overwhelm the rest of the sound.

  • Mids

The mids cut through well separated from the bass, with details in vocals being very easy to pick up on. Surprisingly these do not suffer from bleed from the lows, meaning they cut through cleanly, and the layering between instruments and different vocals is spot on.

  • Treble

These are not bright headphones, they do not have a lot of energy in the treble but what they do have is well positioned highs. They are pinpoint accurate in positioning, and are void of any fatiguing properties, but do take a back seat in the mix.

  • Soundstage and Separation

The soundstage is not huge, but it is very accurate with the ability to hear where instruments are placed in the mix easily.
Separation is good, these are a full sounding headphone so they do not fare so well during overly complex pieces of music.

Genres good for and why

The B&W P7 Wireless is perfect for modern pop recordings, along with some EDM, R&B and even some acoustic tracks. This is due to the slightly elevated bass keeping things exciting, and also well textured, and the mids having excellent detail retrieval.

Take a look also at the Sennheiser Momentum 2.0 Wireless, with a similar smooth, bass oriented sound and sleek aesthetic.

Studios Series LX-10 Bluetooth Headphone Review

Studio Series is a brand name created by Manchester-based firm Editors Keys which primarily supplies equipment for various creative industries whether audio or visual. We got a chance to try one of their Bluetooth headphones, the LX-10, and it’s a pretty good one too!

Pros:

  • Wireless
  • Light and strong build
  • Good sound for the price

Cons:

  • No pouch or bag supplied
  • Bass can overpower proceedings

Design and Appearance

The LX-10’s black and silver finish is reminiscent of far higher value models such as those made by Bowers&Wilkins, and would certainly share the same market, but for their diminutive price tag; the LX-10 is a status symbol only if the purchase price is kept secret. The buttons for volume adjustment and track-skip are shared between the two functions, so any minor volume changes are tricky without changing the track.

Durability and Build quality

Out of the box, the movement of the earcups and headband is smooth and solid when adjusted. Headband/earpad padding is generous.  The supplied 1.2m cable is good if a little thin, but it’s certainly in keeping with the portable flavour of the LX-10.

Comfort

Clamping pressure is not high, but the headphones stay in place very well and the full earpads make the LX-10 very comfortable. Ears are fully enveloped in the earpads’ marshmallow-like softness and should be well protected from the winter wind!

Sound isolation

With no audio playing, isolation is fair – exterior sounds are muted but not to any great degree. However with music on, the LX-10 steals the aural limelight and the outside can be virtually ignored.

Portability

By their nature, the LX-10 headphones can be taken wherever the wearer wants them; however there is no pouch included and although the headphones can be worn around the neck and the earcups folded so they’re flat, they only fold with the pads facing upwards. Not a bad thing, just unusual.

Sound characteristics

The LX-10 is tuned for the end user rather than anything specifically studio based, with accentuated bass and a warm presentation overall. They are still very well detailed however, and will suit many.

  • Bass

Bass is plentiful, and will please bass fans. It starts low, and will certainly suit genres such as dance or hip hop. There is a danger of it encroaching into midrange territory however as it is a bit unruly at times.

  • Mids

When left to its own devices, the midrange is clear and vocal performances are smooth and uncluttered. Guitar distortion and other harmonics are good; it’s involving with with plenty of detail.

  • Treble

Treble is muted slightly when compared to some higher cost headphones, but is in good balance with the rest of the presentation in a headphone of this type. It provides a decent amount of detail but avoids any chance of listening fatigue – the sound is involving and invigorating without tiring the listener.

Soundstage and Separation

Soundstage is good for an on-ear portable, with a decent breadth and depth; the sound envelopes the head very nicely. Separation is pretty good too, with a clear sense of spacing between instruments.

Music genres good for and why

The LX-10 is perfect for pop, dance and hip-hop genres, but is a good all-rounder for those of varied tastes.

Summary

Studio Series’ LX-10 is a decent Bluetooth model for those on the move and provide a very good value immersive sound considering the modest asking price.