Tag Archives: Chord

CanJam London 2022: News, Sale and Best Headphones Guide

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CanJam London 2022

canjam london 2022 news and products guide

CanJam London 2022 Update: It’s that time of year again!

We are very excited to be attending CanJam London 2022 on July 30th and 31st at Park Plaza, Westminster Bridge.

We will of course be attending with some of our favourite brands and showcasing some of their amazing products. From new releases to old favourites, it is going to be a blast.

Undoubtably, this will be a CanJam to remember. Due to the Covid pandemic, we have been without the show for the last few years (check out our review/ interviews from the last one in 2019 here). We are absolutely frothing at the bit to get amongst the action again! Indeed, CanJam is the place to try all of the best headphones, earphones, DACs, AMPs, DAPs and IEMs under one roof with likeminded people. Obviously we are all there to discover how best to listen to our favourite recordings.

To celebrate, we are running a sale on our brands that are going to CanJam London 2022! Make sure to check out our sale page over on Hifiheadphones for big discounts for a limited time only:

Hifiheadphones CanJam London 2022 Sale

Not only is this a chance to try out these amazing products. It’s also your chance to meet the people behind your favourite brands. Here is a list of just a few brands attending CanJam London 2022:

Audeze, 64 Audio, Focal, HifiMan, Campfire Audio, final, Rupert Neve, Burson, Westone, Chord, Roon, dCS, Meze, Rosson Audio and many many more.

CanJam Sneak Peek Time with Important Updates

As a matter of fact, the reason for this is to give you an idea of what brands we will be representing at CanJam 2022. Below are also some of the products you can expect to see.

Audeze

Audeze are going big this year. In addition to six tables of goods (SIX!) showcasing lots of favourites, there is also a very special newcomer! On show will be LCD-5. CRBN, LCD-X, LCD-XC, LCD-3, LCD-2 Classic. Euclid, Penrose and the brand new MM-500. All products will be powered by some of the finest equipment from the likes of Chord, Burson, Weiss and Eksonic.

Campfire Audio

This year, Campfire Audio is all about the Trifecta! Don’t worry though. There will be enough for everyone to try this new, completely unique IEM from one of the most interesting audio brands of today. For those that want to try other legendary favourites, we will also have Andromeda, Holocene and Supermoon samples there too.

final / Hifonix

Also, our friends over at Hifonix will be showcasing the brand new final D8000 Pro Limited edition. In all of it’s stunning, goldlike lovlyness, it is going to be a crowd pelaser. Certainly make sure to make your way over to their table to check out this rare, majestic work of headphone art!

64 Audio

You can meet the 64 Audio team this year as well as and try some of their finest IEMs. Absolutely make sure to check out the U6t, DUO, U12t, Tia Fourte, U18s, Nio and even more (these are only the universals) from the worlds best pro and custom IEM specialists.

Burson

Burson will be supplying headphone amps and DACs to a number of our brands this year. So you will not only get the chance to try out their incredible products, they will be paired with some of the best headphones in the world!

Westone Audio

With the recent release of the MACH Series of IEMs. Westone Audio will be showcasing the full range at this years CanJam. This is a rare opportunity to test out all 8 models in this impressive and diverse line-up.

Lastly but not Finally..

To celebrate the return of CanJam London, we will also be having a special CanJam 2022 page setup on Hifiheadphones with exclusive offers on some of the best products showing at this years event. Be sure to check out the CanJam 2022 Special page on Hifiheadphones from 30th July to 1st August to get some amazing deals on the best audio gear out there!

Chord Cable Interconnects – To The Test

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The overriding opinion of those who stick with their free RCA interconnects (often provided with Hi-Fi seperates) is that any money spent on upgrading them is wasted. Quality cabling is a slightly alien concept to be fair; the signal passes from A to B anyway, why spend money on cables which will achieve the same end?

Speaking as someone who has thought exactly this in their time, I was interested to know the actual difference between some of Chord’s offerings, and the skinflint equivalent. Is any improvement noticeable at all, how is it better, and is it worthwhile?

To determine this, my colleague John set up a blind test between a studio grade RME audio interface taking a signal from a computer, and a Graham Slee Solo Ultra Linear. These great amplifiers can switch between two inputs using a control on the front of the unit so is perfect for A/B tests. The inputs of the Slee amp came from the same source but using either the high end Chord Anthem Reference cable, or the entry-level Crimson cable.

Being an informal and quick test, rigorous procedures were not followed; I was aware of the cables being compared and it was just me doing the test. I operated the switch myself to select the cables, but I did not know which cable was feeding which input.

Feeling a little nervous, I noted down some of the impressions I got from listening to Level 42’s ‘Something About You’ through a Fostex TH900, with a Grado PS1000 ready for another listen later. I was encouraged to find that perceived differences were quite easy to spot.

  • Bell sounds which are pure and stand clear of the mix sound flatter and harder to pick out.
  • A synth with a bit of distortion on it (starts on beat 3 of the song) sounds as if it is going through a bit-depth reduction effect or ‘bitcrusher’.
  • The bass is slightly muddier with less definition.
  • Backing vocals are blended together and less distinct; voices are cleanly separated with the Anthem Reference cables.
  • Hi-Hats are more splashy and ill-defined.

Not surprisingly I guessed the correct channel for the cheaper Crimson cable; the blind test showed very clearly the differences between the cables.

I then swapped headphones to the Grado PS1000 – an open headphone of similar quality to the TH900. I found that the PS1000 made it more of a challenge to spot differences but they were still there. Another thing I noticed was a loss of soundstage height with the PS1000 when listening to audio through the cheaper Crimson cable.

In the spirit of further thorough experimentation, the “free with hifi separates” cable was tried. Predictably, the differences were more marked.

  • The bells sounds are flat and dull.
  • The distorted synth sound requires focused attention to hear through the mix.
  • Bass is flatter and flabbier.
  • Backing vocals are more blended; both blended together and with the rest of the music.
  • Hi-Hats sound more like brief bursts of white noise than cymbals.

The overall impression was of an old cassette recording, relatively speaking. The soundstage was practically limited to the width of the headphones , and high frequencies are messy and splashy. There was a large portion of distortion throughout.

Verdict

Although premium cables like the ‘Anthem Reference’ cables may be out of immediate reach for the average listener, I found that the entry-level ‘Crimson’ model is certainly a worthwhile improvement over the generic black/grey RCA cables. At £55, it is clear to see that this represents great value considering the sonic improvements it offers.

Chord Electronics Hugo review

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Chord Electronics Hugo review

Introducing the unassuming Hugo from Chord Electronics; the company which is now causing ripples in the portable audio world with this fantastic device.

Time and again we hear that headphones can mean a huge leap in sound quality; but equal to that is the process by which a particular signal reaches the headphones. Get both right and the effect is no less than sublime.

The Hugo is both a DAC and an amp, with a battery which can last a good while between charges, considering the processes it has to power. There are numerous options when it comes to connectivity, even a bluetooth input is available among the more traditional ins and outs.

The Hugo is built from aircraft-grade aluminium and it almost feels as if it designed for military purposes. Also the input controls are in keeping with this theme; they are obviously built to last also, particularly the large recessed volume control which is hard to knock or move accidentally.

 

 

The sound of the Hugo is probably better than a lot of people can imagine; the level of detail and sense of space one can glean from a given recording is out of this world. This is due to the DAC in the Hugo being designed for the Hugo; other designs take pre-existing DAC chips and implement them the best they can.

It consists of a field-programmable gate array, which is configured from the ground up by Chord. Basically it is a custom-made computer which specialises in the highest quality signal conversion.

Inputs include Optical/Toslink, Coaxial, bluetooth, and USB; with an extra HD USB input for operation to 384kHz in PCM format. Outputs feature 2 x 3.5mm sockets (these are slightly recessed and may give trouble, for instance with Earsonics in-ears), one 6.35mm socket and stereo RCA outs. Chord is aware that the Hugo is likely to be used as a DAC for full-size systems and accordingly it is possible to set the output volume to line-level for this purpose.

The effect of all this extra detail (even with 44.1kHz/16-bit recordings) is to vastly increase the sense of space and movement within the performace or recording, making it so much more realistic and captivating. Frequency response is virtually unchanged, so your favourite headphones should not take any rapid departures from their usual sound if used with the Hugo.

 

 

It is difficult to get across how much better music sounds with the Hugo, while nobody is a stranger to the potential benefit of the money this item costs! Therefore we welcome enquiries about our listening room; we are confident that the sound of the Hugo will alter your perceptions..!