Tag Archives: headphones

Westone W40 V2 Review

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Aesthetics and Build Quality:

The W40 V2 are pretty sleek yet you can change up the colours with the interchangeable faceplates. They come in a variety of colours allowing you to choose which fits your style the best. The Bluetooth cable is black, but the normal cable is silver plated and looks great with the black housing.

The build quality is great, the new silver-plated cable has good strain relief and the IEM’s themselves have a high-quality plastic housing with metal faceplates. The MMCX connectors feel solid when you click the cable into place, and everything is very well put together.

Comfort and Isolation:

Westone know how to make a comfy IEM and the W40 V2 are no different. With a smooth housing and perfect angles for the nozzle to enter your ear, they fit like a glove. Find the right tips and you will enjoy hours of comfort from them. The cable doesn’t have stiff memory wire, instead it has soft, pre-moulded earhooks.

Isolation is a real strong point with these, as they are a fully sealed, multi BA driver design they are perfect for use in noisy environments.

Sound:

Bass: The bass on the W40 V20 is nice and tight yet it still has a fullness to the sound that makes them accurate yet easy to listen to. There is good extension and a little emphasis on the sub-bass, but the speed of the lows means they can keep up with complex mixes with ease. There is great articulation and bass lines are super easy to follow. This style of slightly emphasised low end without bloat works well for an everyday IEM.

Midrange: There is a little dip in the lower midrange which can make certain vocals sound a little masked, however there is great presence and clarity throughout the midrange. The intimacy of the midrange is really pleasant, vocals are up front and centre whilst everything comes in from around them, giving a good sense of space and layering. These do really well with vocal based music.

Treble: The highs don’t let these down, these are not a dark or boring IEM. They have great energy up top bringing out plenty of detail and sparkle, yet they also extend with ease. The transition from the upper midrange to the treble is pretty smooth and devoid of harsh sibilance. Positioning of the highs is great with good directionality and pinpoint accuracy. The W40 V2 are an energetic IEM that want you to enjoy the music, without missing any part of it.

Soundstaging is very good, with a wide stage and excellent layering and separation the W40 V2 really allows you to pick apart the mix.

Conclusion:

If you are looking for a good all-rounder, the W40 V2 are well worth considering. With flexibility and excellent comfort, paired with a warm/neutral sound signature they handle most genres with ease and add a little energy down low for a bit of added enjoyment.

 

Sound: 4/5

Comfort: 5/5

Build Quality: 4/5

Value: 3.5/5

64 Audio Universal Model Overview

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U12t:

One of the most popular models, the U12t is in the sweet spot for price/performance. The U12t are a superb all-rounder that have enough bass to satisfy most but have plenty of technical prowess too. Almost like a baby U18t, the U12t are very well balanced and even handed with punchy yet dynamic lows, detailed and open midrange and effortless highs. The lows can be tuned with the apex module, the M20 giving a subtle lift in the sub-bass over the default M15. The bass is fast and articulate yet has body and punch too.

The midrange is crisp and clean, expertly separated from the low end it cuts through the mix with excellent detail retrieval. Layering in the midrange is a highlight, it is very easy to separate different layers in the mix. The highs here are perfectly in line with the rest of the sound, with impact, shimmer and extension all with the signature openness of the tia driver.

The U12t are very well balanced overall and handle anything you throw at them. They have a bit more of an up-front sound stage but with great layering. It’s easy to hear why they are so popular.

 

tia Trió:

This model is probably the one that is most forgotten in the 64 Audio lineup, yet they deserve some recognition. Here we have a very accomplished hybrid design, one that is all about engagement and enjoyment. There is a healthy dose of sub-bass extension helped with great articulation in the mid-bass. This low end gives the Trio a bit of fun factor but without overstepping the line to become fatiguing.

The midrange is present, up front and clean, never masked by the more powerful low end.  The highs come from the signature tia driver, which allows effortless extension but they are by no means up front and bright. The highs take a backseat overall, yet they don’t sound dark, with great detail and impact when called for.

The Trio are made for enjoyment, the lows have real dynamic punch to them yet they don’t drown out the midrange or highs. Perfect for those who listen to music with a good bassline to follow. Sound staging is great too, with a good sense of space and perfect imaging.

U18t:

The U18t are for those who love technicalities, cramming a whole 18 balanced armatures per side, the U18t are somewhat of a statement product. If you listen to the U18t for a while, anything else is going to sound veiled and muddy in comparison. They have such a clean and controlled sound signature that is perfect for those who want neutrality. Everything is cranked up to 11, these have headroom to spare and don’t put a foot wrong, whatever you play through them.

This level of detail does have its downfalls, one being they are very unforgiving so be sure to pair them with a good source and good music files. Once you do this, you will be able to pick apart every recording down to the finest detail, all this information is however delivered in an enjoyable package and the U18t are not fatiguing to listen to.

They don’t have the incredibly wide soundstage of the Fourte, but these are designed as more of a monitor like IEM, whereas the Fourte are geared more towards the audiophile market. If you love a detailed and neutral sound signature, the U18t are incredible and definitely worth a listen.

 

tia Fourté:

This model pushes the boundaries and shows what’s possible with only 4 drivers. This is a hybrid design with an intricate inner shell with chambers that help shape the sound. Nothing sounds overly boosted on the Fourte, but they do have a healthy dose of impact down low. The Fourte are very revealing and will throw up flaws in recordings, but the clarity in the midrange is truly astonishing. What’s even more impressive is how the top end just extends without rolling off at all.

The soundstage is one of the standout qualities of the Fourte, you can pick out the mixing techniques as vocals can be dead centre then shift to the sides a little.

Everything sounds very cleanly separated, yet the width and height of the soundstage are unlike any other IEM I have heard.

If you are looking for a true hi-fi experience, the Fourte deliver; with a more musical yet well balanced sound signature, effortless, crystal clear highs and impeccable soundstaging qualities, they truly are TOTL. Just try to stick to high quality recordings to hear the best these can deliver.

 

Fourté Noir:

These are a limited edition of the original Fourte, and sound very similar so I won’t go into as much detail. They do however come with a more premium 8-core cable that terminates in a 2.5mm balanced plug and has a 2.5mm to 3.5mm adaptor with it too. The Fourte Noir are a bit more refined when compared to the Fourte with a slightly smoother upper midrange and a little extra body in the sub-bass.

These differences are small but noticeable when you A/B them side by side. If you enjoy the original Fourte then the Fourte Noir may sound a little less exciting upon first listen but over time their smoother sound might be to your liking. If you’ve never heard either, both models are excellent. I would say that the Noir have a slight edge when it comes to the soundstaging too, but only slight.

Final B1 Hybrid Earphone Review

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Final B1

 

Aesthetics and Build Quality:

The new B range from Final all share the same shape, but with different finishes. The B1 is rose gold with the signature angular outer and smooth inner shell design. I really like the look of the B1, but they are a fingerprint magnet. Also, I do know that rose gold is not everyone’s cup of tea when it comes to colour but I think it looks pretty classy on these.

The build quality really is superb, the B1 are perfectly finished without a single blemish or flaw. The cable is silver plated and uses regular MMCX connectors, it has great strain relief and feels built to last. The housing is metal, but I do fear the shiny rose gold finish will scratch over time.

Comfort and Isolation:

The inner edges of the B1 are smooth and this makes them extremely comfortable to wear. The angle of the nozzle, matched with the angle of the cable, make these of one the most comfortable IEM’s I have tried. I can’t see anyone having issues with the fit of these.

Isolation is really good; they block out more than enough outside noise for general daily use and commuting. Whilst they don’t quite reach fully sealed BA driver levels of isolation, they have more than enough for daily use.

Sound:

Bass: The dynamic driver of the B1 handles the low frequencies, and does a really good job of filling out the sound yet retaining the speed and control to blend well with the faster BA drivers. The bass is tight yet full when needed, it punches with authority yet when slowed down it has great tonality for acoustic and jazz tracks. Articulate and well layered, the low end injects a sense of energy without becoming over the top. These won’t really suit those looking for a bass heavy sound, but they have enough to suit most people’s needs.

 

Midrange: The midrange is clean with great detail, they have more clarity when compared to the B3, but in presence it is still slightly behind the lows and highs. The lower midrange has a slight dip but it isn’t masked by the bass, and the upper midrange is a little forward which can bring out some sibilance in certain recordings. Despite all of this, the midrange is very open and detailed, with great separation and imaging. Even though the lower midrange is every so slightly dipped, the sound doesn’t come across as V or U-shaped.

 

Treble: The upper midrange forwardness also trails into the lower treble and brings out a lot of energy in the initial crash of cymbals. This is backed up with great extension, but this added energy could be a little too much for more treble sensitive listeners. They have plenty of bite up top which leads to an exciting listen, not one for those who prefer a smoother, more laid-back sound signature. The B1 is packed full of energy, the treble never gets lost in the mix and has great accuracy when it comes to placement within the soundstage and tonality.

 

The soundstaging is good, but I find the B3 to create a more convincing sense of width whereas the B1 does better in terms of height. Coherency is excellent and the imaging is very accurate.

Conclusion:

The B1 are not for the faint hearted, they have an energetic and impactful sound signature that requires your attention. They have heaps of detail, excellent separation and speed along with great comfort. Be sure to give these a listen, as they are incredibly well tuned for a triple driver earphone.

 

Sound: 4/5

Comfort: 5/5

Build: 4/5

Value: 4/5

CanJam 2019 London Interviews

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CanJam London 2019

Hey there audio addicts! If you stopped by CanJam London 2019 you may have seen the Hifiheadphones crew around the Campfire Audio and 64 Audio tables. A few of us also took some time to conduct some on-site interviews! We’ve compiled them here for your enjoyment, so take a look at some of our favourite faces from the world of audio. Check back for each new interview!

The World’s Best Custom IEMs: Vlad Belonozhko and 64 Audio

Used by some of the world’s foremost musical luminaries (Beyonce, Jay-Z, Kanye West, Lauryn Hill, etc) and renowned by audiophiles, 64 Audio has blazed a trail straight to the top. Our good friend Vlad Belonozhko spent some time with us at CanJam 2019 discussing the benefits of staying true to your vision, and knowing when to branch out.

How to Get A Perfect Ear Impression: Gisele Flower, Aid2Hearing

Our interview series continues with Gisele Flower, one of the UK’s premier independent audiologists and the titan behind Aid2Hearing. Gisele is entrusted with the ears of some of the world’s favourite artists, including Stormzy, Jessie J, Sam Smith, and the Spice Girls. Here, she gives us an inside look at her process and tips for getting the best possible impression, whether it be for hearing aids, ear plugs, or custom IEMs for rocking out onstage.

How to Create a DIY Headphone Company: Alex Hyland, Hyland Headphones

Our friend Alex Hyland of Hyland Headphones let us grab him for a few minutes to discuss headphone modding, DIY headphone making, and running his own headphone empire.  Ever wanted to make your own headphones? Have a listen to Alex’s advice on getting started and making a name for himself in the world of high end audiophile headphones.

The Granddaddy of All Custom IEMs: Michelle Dailey, Westone Audio

Michelle Dailey of Westone Audio fame gave us a great rundown of the future of Westone’s custom IEMs, Bluetooth earphones, and the success of the Westone W80. Westone are the world’s foremost experts on in-ear audio science, pioneering IEMs and hearing aids.

Fashion Forward Fun with Focal Audio: Megane Montabonel

Our final video from CanJam 2019 features Megane Montabonel from Focal, who describes the  breadth of Focal’s expertise as well as the newer products they’ve introduced to the world of audiophilia. Focal headphones are, as always, available to try in our demo room, so get in touch to book a time slot!

Video Review: The Difference Between Wireless and True Wireless

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Wireless Vs True Wireless

Hey everyone, John here. We’re all moving into a wire free world. You can get a wireless version of most gadgets now, and to make things confusing, you can even choose whether you want wireless or true wireless. What’ll be next… really true wireless? Or the truest wireless? Anyway, we’re going to explain the differences between wireless and true wireless.

The term wireless, when it comes to headphones, has been around since the late 60’s. Back then, wireless headphones needed their own transmitter in order to get a wire free signal to them. These transmitters used radio frequencies and were mainly used to watch TV with. Earphones were also used in this way but were not very common. The early wireless earphones had a stethoscope design and were mainly used for those who were hard of hearing and needed some assistance, again mainly to watch TV with or listen to the radio.

Then something amazing happened. Bluetooth. This technology named after the 10th century king of Denmark (King Harald Bluetooth) changed the world of wireless listening, and opened it up to everyone to be used anywhere.

With the help of Bluetooth, wireless earphones have become extremely popular. Now the name would suggest that there are no wires, but this is not the case. Wireless earphones can connect to your device wirelessly, however there is always a wire that connects the two ear pieces together.

Wireless Earphones

There are three main design choices for wireless earphones. Possibly the most common type is where the wire is designed to fall behind the back of the head, with a cable tightener used to fit the wire as tight as you like. This design is very good for active users, as the tight fit means there is less chance of the wire moving around while in use, and helps provide a secure fit of the earphones.

Another style of wireless earphone is where the cable is designed to rest along the back of the neck, using a longer wire with a looser fit. This design is potentially more comfortable as you don’t have a wire tight behind your head, it does however move around more as there is nothing securing it in place.

Lastly and recently gaining popularity is the neckband design. Similar to the previous, but these earphones have a solid neck band which holds the wire in place, achieving the best of both worlds. Having the wire secure around the neck is also useful when not in use, as you can just let the earphones dangle without the risk of losing them.

Having a wire between the earphones not only allows them to connect to each other, it also provides space for a microphone, controls and batteries to be placed. This means that the ear pieces can be smaller, controls are easy to use, call quality is very good due to the microphone being placed close to your mouth and battery life is very impressive, with some models achieving up to 30 hours from a single charge.

Now, how do you get more wireless than wireless? You go true wireless.

True Wireless

With true wireless earphones, not only do they connect wirelessly to your device, the ear pieces themselves connect wirelessly to each other. So, no wires at all.

It’s obvious why true wireless earphones have become so popular, as there are many benefits. The main one being: no wires. You get complete freedom. This makes true wireless earphones ideal for active use, as much as general portable use; they can do it all. Having no wires makes them extremely comfortable, so much so that sometimes it’s easy to forget they’re in your ears. No wires also means that there is nothing to get tangled. Hurrah!

True wireless earphones are supplied with their own carry case, which also acts as a portable charger. So when you’re done using them, not only will the case keep them safe, it will also charge the batteries up for when you next need them.

True wireless earphones aren’t all perfect though, there are a few compromises to be made for all of the practical benefits.

As there are no wires, everything needs to be packed into the ear pieces. Speaker driver, amp, DAC, battery, controls, microphone and all the other techy bits needed for them to work. This means that the ear pieces are bigger than normal wireless earphones and there isn’t much space. Batteries are smaller giving less usage time, with around 10 hours being the maximum on a single charge. The microphone is further away from your mouth, which effects call speech quality. Sound quality is compromised, as the drivers need to share space with everything else and there is less power to work with. They are also a lot easier to lose, being so small means they can easily be dropped or misplaced without being careful.

True wireless earphones are still new, and the quality, performance and value for money is constantly improving. So even though it is easy for me to pick at the problems. I can see why the benefits of convenience, comfort, functionality and style outweigh the negatives. Me personally, I’m still a wired earphone kinda guy. But with the rate at which the true wireless technology is advancing, that could one day change.

July Instagram Contest Rules and T&Cs

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HOW TO ENTER

We’re giving away a set of Lyper Tek Tevi True Wireless earphones! To win, you must be following us on Instagram (click here or follow us @hifiheadphonesuk on Instagram), comment as prescribed on the contest post, and like the post.

CONTEST TERMS, RULES AND REGULATIONS

  1. TERMS AND CONDITIONS
    1. Instagram’s Terms of Service must be adhered to at all times. Breach of these terms will result in the entrant’s disqualification.
    2. Hifiheadphones’ Terms and Conditions must be adhered to at all times. Breach of these terms will result in the entrant’s disqualification.
    3. Hifiheadphones are solely responsible for the content, facilitation, and fulfillment of this contest.
    4. Neither Instagram nor any of their affiliates or subsidiaries are involved in any way with this competition or with Hifiheadphones.
  2. CONTEST PROCEDURE
    1. To be entered into consideration to win, users must complete BOTH:
      1. Follow the Hifiheadphones UK Instagram
      2. Leave a comment as prescribed by the contest post on Instagram.
      3. Like the comment post on Instagram.
    2. Contest will commence with this video going live and will terminate on 30/07/2019.
    3. On the 31st of July, a winner will be randomly selected out of all entrants who have completed all requirements. Only one entry will be accepted per user. Should no entrants fulfill the requirements, no winner will be selected.
    4. Winner will be publically acknowledged by one or more of the following: Instagram post, newsletter email, or another method of our choosing.
    5. Winner will be given instructions to claim their prize via the Hifiheadphones Instagram account.
  3. DATA USAGE
    1. Only personal data collected for use will be the shipping information of the winner in order to send prize. No other entrants will have personal information stored.
    2. Shipping details will remain in our sales system as per data protection laws, to be used for the express purpose of providing prize to winning entrant.
    3. No third party software will be utilized to influence results.

Headphone Unboxing Video Compilation

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Headphone Unboxing Video Masterpost

Greetings, headphone enthusiasts! Is there anything better than cracking open a fresh new bit of audio kit? We propose that there is not.

That’s why we’re gathering all our new unboxing videos under one roof, for those times when you just want to curl up with a good bit of vicarious audio product consumption.

Let us know if you have a suggestion for a future unboxing! We want to open everything we can get our grubby hands on.

04/09/2019

It’s been a hot minute! Today John unboxes the Shanling ME500 Hybrid Triple Driver IEM Earphones.  If you’d like more information about them, check out our review right here on the blog.

17/07/2019

John is back and today he’s unboxing the Final B3 Dual Drivers IEMs in beautiful frost silver.

11/07/2019

John unboxes the beautiful, polished Oriveti OH500 Hybrid 5 Drivers IEM earphones.

Oriveti OH300 Review

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Oriveti OH300

Aesthetics and Build Quality:

The OH300 are constructed by hand from acrylic and the new finish is flawless. Smooth rounded edges and an all-black finish make them look professional and understated. The Oriveti logo and name is in silver lettering on the faceplate, and doesn’t stand out too much, I really do love the sleek and smooth look Oriveti have gone for.

Build quality is superb, the housings feel durable, the MMCX connectors are tight and don’t swivel freely which is great. The cable uses 8-cores of silver-plated copper and feels incredible with great strain relief too, I’m very impressed by the quality for the price.

 

Comfort and Isolation:

The rounded edges of the housing, combined with the size and comfortable cable all contributes to a superb fit, once you have found the right size tips. I did find that foam tips tend to make them fit more securely.

The OH300 isolate well, even though the housing is vented I have not found this to negatively affect the isolation. Perfect for daily commuting and general use.

 

Sound:

Bass: The OH300 are a hybrid model, and there is a single dynamic driver looking after the low end. Luckily, they have tuned this driver to be tight and fast, perfectly complimenting the detail of the BA drivers. There is still a little bit of added warmth from the dynamic driver, but this is well controlled and never causes any congestion. There is excellent articulation down low, along with great extension and punch. All in good measure and never becoming the main focus of the sound.

 

Midrange: The mids on the OH300 are spot on, perfectly balanced in the mix with natural yet clean tonality. Vocals are rendered with texture and emotion, yet they are also clear and detailed. Electric guitars have power yet during slower acoustic tracks they exhibit excellent reverberation and subtle detail retrieval. There is a no-nonsense approach to the midrange, it is where it should be with correct tonality and really does just get out of the way.

 

Treble: The treble is airy and extended, with great impact but not a hint of harshness. Cymbals are rendered with great impact and shimmer, yet they don’t have nasty peaks that induce fatigue. They are not toned down to make these a full sounding earphone, but they have an incredibly lively yet smooth treble response that is truly impressive for the price. There is plenty of detail and resolution up top too, it is this mix of resolution yet refinement that really impresses.

 

The separation is really impressive, along with the layering. The soundstage is not huge, but there are plenty of out of head experiences to be had, along with the fact that the imaging is pinpoint accurate.

 

Conclusion:

The OH300 really does a lot right, especially when you take in to account the £299 price tag. With a detailed and even-handed sound signature that is tonally accurate yet not boring. There is power when needed, yet they always have a controlled and refined approach to rendering your favourite tracks.

 

Sound:  5/5

Comfort: 4/5

Build: 5/5

Value: 5/5

 

Test playlist

Periodic Audio Ni (Nickel) Headphone Amplifier Review

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Periodic Ni (Nickel) Review

Aesthetics and Build Quality:

The Ni is about the size of a 9v battery, and looks very plain. All black but with the company branding in white on it along with white arrows showing the input/output sockets; sitting between these sockets is an LED. On the other end you have a micro-USB for charging, and that is it, no buttons or switches, just a block with sockets on it.

The build quality is superb, it may be made out of polycarbonate, but it sure is well put together. Tolerances are incredibly tight and the housing is very well put together, along with the fact that the 3.5mm sockets are tight and of very high quality. All of this put together makes the Ni a solid little amp that should easily be up to the task of daily use.

Features:

The Ni does not have an on/off switch or volume control, the sockets sense when a source and headphone are connected and power the amp on. Volume is controlled by the source, and the Ni has a fixed gain of 6.5dB. It will supply 150 mW into 50 Ohms, 250 mW into 32 Ohms, and 270 mW into 16 Ohms. This makes it suitable for most headphones that are used for portable use, and some harder to drive models too.

The battery charges from flat to full in only 30 minutes, and you can expect around 9hrs of battery life from a single charge. The input impedance is very high which means it almost totally bypasses the internal amp of your source. The sockets are TRRS so when you are using it with a mobile phone, mic and controls will still pass through to the phone. The Ni is also engineered to be nearly completely RF and noise interference free.

 

Sound:

Well Periodic have put a lot of thought into this tiny little amp, so you would hope the results pay off.

Well rest assured all that work didn’t go to waste, the Ni does exactly what it sets out to do without fault. Phone outputs are usually pretty poor, and this little amp really does bring an improvement, and not just in terms of volume.

 

It goes beyond that and you get a nice quiet background with very low noise, alongside an increased sense of control and responsiveness. Lows sound tighter and more articulate, the midrange sounds better separated and airy, along with effortless extension up top. Of course, a lot of this will depend on the headphones you plug in, but with the Ni you can use a wide range of earphones to headphones and get the same quality performance that a phone simple cannot give on its own.

 

The Ni doesn’t inject a signature of its own, it does not have any additional bells or whistles, it purely amplifies the signal. But it does so in a very clean and precise manner that is perfect for those with low powered sources or poor headphone outputs.

 

Conclusion:

If you are looking for a boost in power, or a step up from your phone’s headphones output, the Ni is the perfect solution for on the go use. With great battery life, quick charging time and excellent sound quality, what’s not to love?

 

Sound:  5/5

Features: 3/5

Build: 4/5

Value: 4/5

Summer Sounds Guide & Video

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Our Guide to Summer Sounds and Gear

iFi Audio xCAN Portable Wireless Headphone Amplifier

Perfect for those travelers looking to get the best audio while on the move. The iFi Audio xCAN can wirelessly connect to your audio device via Bluetooth, whether you listen to music on your phone, laptop or tablet. The xCAN adds iFi Audio’s high quality amplifier expertise to your setup, able to power some of the more difficult to drive cans with no extra wires. Just plug your favourite earphones or headphones into the xCAN to get the very best out of them.

SoundMAGIC E11BT Wireless In Ear Isolating Earphones

Widely considered to be this year’s best wireless earphones for under £100, the SoundMAGIC E11BT brings years of budget perfection to a Bluetooth neckband design. We’re certain that the E11BT delivers the best sound quality at this price point, with top features like Bluetooth v5.0 technology, AAC audio compatibility and IPX4 water resistance. Then to top it all off, the E11BT has the most impressive battery life going. We’ve experienced over 30 hours of continuous playback from one full charge, which should cover most of your travel needs there and back.

Bowers & Wilkins PX Wireless Full Size Noise Cancelling Headphones

B&W’s PX Bluetooth headphone is still our favourite sounding wireless noise canceler out there. The classic design is tasteful and attractive, showing off the B&W heritage with a modern edge. The earpads are soft and comfortable. They fully enclose the ears and isolation is impressive, blocking out a lot of background noise passively. Then, when you need complete silence, the built-in noise cancelling does wonders. When used with the dedicated app, the PX can be customised to suit most environments. They do it all!

Shanling M0 Portable Wireless Hi Res Audio Player

If you fancy getting better sound on the move, but don’t want to add a large device to your setup, the Shanling M0 could be just what you’re looking for. This tiny player delivers top quality Hi-Res audio and can be used in two different ways. The SD card slot allows you to store your own library of tunes, from MP3 to DSD. It can handle it all. The M0 can also act as a Bluetooth amp and DAC for your headphones. So, if you prefer using Spotify or Tidal on your phone, then wirelessly connect to the M0 to boost the audio quality while using an interface you are comfortable with.

Sennheiser Momentum TW True Wireless In Ear Isolating Earphones

For those that value design and build quality along with great sound, then the Sennheiser Momentum True Wireless earphones are worth checking out. Relatively expensive for a true wireless earphone, considering there are plenty of cheaper options available, we believe that the Momentum True Wireless is worth the money. From the supplied charging case, with its fabric outer coating, to the earphones themselves: attractive, stylish and extremely comfortable. Sennheiser have put a lot of work into their True Wireless flagship, and it has truly paid off.

Remember to subscribe to our channel for more weekly content and click the links for information on all of the products mentioned. Thanks for watching and happy sunny listening.

Campfire Audio Polaris 2 Review

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Campfire Audio Polaris

Aesthetics and Build Quality:

Much like all other Campfire models, the Polaris are a thing of beauty. The precision CNC’s machined housings look perfect, the blue really does stand out against the black screws and smoky cable. Even the case compliments the colour scheme. Campfire, in my opinion, make some of the best-looking IEM’s out there.

Build quality is another strong point, the metal housings are perfectly finished, and the MMCX sockets are some of the best I have ever come across. The cable is a silver plated litz cable that is twisted, with good strain relief on the 3.5mm angled jack. I can see the anodised finish showing scratches in the long run, but I personally find that adds character to them.

Comfort and Isolation:

The housings may look uncomfortable but the inner sides have softer edges and once you find the right tips the Polaris are incredibly secure and comfortable to use. I found them to fit and sound best with foam tips, but this is down to personal preference. The cable now uses pre-moulded ear-hooks which I find to sit much better than stiff memory wire, it’s great to see more brands using this. My one tiny gripe here is driver flex, which is quite present when you first insert them.

Isolation is very good, perfect for daily use and commuting, even though the housing is vented for the dynamic driver, I don’t find this impacting isolation much.

 

Sound:

Bass: This is the part that is immediately noticeable when you first try the Polaris, and for good reason. These are made to deliver a very full and powerful sound, and they do that without fault. The bass carries real weight and impact, you feel as well as hear the notes. The bass may be the prominent frequency band on these, but they do this without totally masking the rest of the frequency response. They are not a dark, bloated mess, yet they still have a bass-heavy signature which is very impressive and a lot of fun. The sheer weight and power of the low end is quite astonishing, yet it manages to steer clear from masking the mid-range too much, only giving the lower midrange a hint of warmth.

 

Midrange: The midrange is clear and detailed, yet does come across a little behind the bass in terms of absolute presence. The lows do give a little body to the lower midrange, but the upper midrange is quite up front. The transition from the upper midrange to the lower treble is not the smoothest, bringing out a bit of sibilance in the recording. They do not suffer badly from sibilance, but it is there nonetheless, and more present than a few other IEM’s that are a little smoother. The Polaris trade off a little refinement for fun factor, and I honestly am fine with that. They are engaging, the midrange is clear and well defined, especially when you compare it to the bass.

 

Treble: Due to the T.A.E.C technology, the Polaris has an incredibly open and airy top end. The treble extends effortlessly with excellent tonality and presence, however is it not peaky or harsh. The openness of the top end really aids the soundstaging capabilities of the Polaris, offering a really spacious sound that is not congested or closed in. There is plenty of detail up top and the energy is what mainly prevents the Polaris from sounding too dark. I really do enjoy the treble performance of the Polaris, providing the perfect balance between being there and clearly audible, but not bright and overbearing. Campfire don’t need to artificially boost the top end to give a sense of extra detail, because the detail is there and audible.

Conclusion

The Polaris are one hell of an IEM, with a very powerful and engaging sound signature. The bass is there by the bucketload, yet the midrange is detailed and only slightly behind when it comes to presence. The highs are effortlessly extended and packed full of detail, giving them a sense of space and air that really opens the Polaris up. Overall a great buy if you want an engaging and powerful IEM.

 

Sound:  4/5

Comfort: 5/5

Build: 5/5

Value: 5/5

 

Do You Need A Headphone Amplifier?

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Do I Need A Headphone Amplifier?

What is a headphone amplifier?

Simply put, every device that allows you to plug in headphones has an amp built in. The amp takes the audio signal and boosts it, allowing us to hear sound through the headphones. Amps don’t only boost volume; they can add and improve qualities like soundstage and separation. Adding an amp to a setup can also bring extra warmth or clarity. This all depends on the quality of the amp and how it has been designed.

The reality is that most people won’t need an external headphone amp. That’s not to say that they wouldn’t benefit from one, though. Smartphones are now a very common music source, and with the technology getting better and better, they do a decent job of delivering good quality sound to most portable headphones and earphones.

There are plenty of headphones designed to be used with mobile phones and other low powered portable devices. These headphones generally have a low impedance of up to 32ohm, and high sensitivity of around 100db, so they are very easy to drive and are more likely to go louder. Remember though: not only do amps add extra power but they can also improve the quality of the sound. So, once you start looking at higher quality headphones, improving your amp will start to make more sense as you will want to get the most out of them. No matter how good your headphones are, the sound quality will be limited by how good the amp is.

Choosing a headphone amp

If you’ve decided to go for a headphone amp, you now need to decide which one to go for. There are many to choose from, and they go for anything between £20 to £2000 and more. Amps can be split into two main groups: portable and desktop.

If you want to add some power to your phone or laptop, then you will want to look for a portable amp. These amps can be charged, and will run off batteries, making them ideal for using on the move. They are also small in size, and there are some out there (like the iFi Audio xCAN) which can connect to the source wirelessly using Bluetooth.

 If you only use your headphones at home, or intend to use headphones that are particularly hard to drive, then you will probably want to go for a desktop amp as they are generally more powerful. Not only are they more powerful, they also tend to have a larger amount of inputs and outputs, making them very versatile. They will need to be plugged it at all times, so will need a power socket to work.

As amps can bring their own character to the overall sound quality, it’s worth making sure you choose wisely and pick an amp that will compliment your headphones. For example, if your headphones have a warm or bassy sound then it’s a good idea to go for a neutral or bright sounding amp. This also works the other way around; a warm sounding amp will complement bright headphones and help to balance the sound out.

Get in touch!

If you have any questions about choosing the right amplifier then please feel free to comment below! We’ll be happy to offer advice on this.

What are custom in-ear monitors?

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What are custom in-ear monitors?

Essentially custom in-ear monitors are, as the title suggests, custom made earphones that are moulded to the shape of your ear. Everyone’s ears are different, and to really achieve the most comfortable fit, along with the best isolation, you have to go down the custom route.

 

Where to start?

So, you are thinking about going down the custom route, first up is the usual research and reading of reviews to shortlist some potential models. The custom industry has grown massively in the last few years, and they are no longer reserved for touring musicians, and there are easily as many audiophile models as there are pro-audio models now.

 

A few of the main brands are:

  • 64 Audio
  • JH Audio
  • Ultimate Ears
  • Empire Ears
  • Cosmic Ears
  • Custom Art

 

Once you have shortlisted some, it is worth looking to see if anywhere near you has demo models you can go and try out. As once you have the custom version, you won’t be able to return them.

 

Next you will need to get some ear impressions done, this is one of the most important parts of the process, due to this we would advise you spend a little more and get them done by someone who is highly qualified in taking ear impressions for musicians. Alternatively most brands will have a list of recommended audiologists, the process is not painful, but it is a bit odd if you have never had it done before.

 

First, they will check your ear canals are clean enough to take the impressions, and then they will insert a foam stopper past the 2nd bend of your ear canal. Then a 2-part silicone mixture is mixed and inserted into a syringe. You are usually given a bite block to take an open mouth impression (recommended for custom monitors) and the mixture is then injected into your ear and fully filling the outer part too. The silicone takes about 5-10 minutes to cure, then the impression will be removed and you are done.

 

 

Now you have your impressions, it’s time to design your monitors (or vice versa)

 

To be fair, you can order your monitors and then get ear impressions, either way the end result is the same. It is however best to send the impressions sooner rather than later as they do change if kept in storage, reducing the likelihood of getting a good fit the first time round.

 

You can go on to most manufacturers websites and design your monitors with their online design tools, these are great fun to use and the number of options varies depending on the brand. A lot of them also allow you to upload artwork if you want a specific logo on them. Take your time and make sure you pick a design you love. There are companies like Custom Art that are happy to surprise you if you don’t know what design to go for, they do some incredible pieces.

 

 

Now the wait…..

 

Your customs arrive, you are keen to try them out, but wait, how do they fit in?

 

Most brands include a leaflet to help you, but there is a technique to inserting custom monitors, you have to twist them in until they lock into place. Here is a great guide on the fitment of Custom monitors: https://theheadphonelist.com/custom-in-ear-monitors-fit-guide/

 

Now you have your own unique earphones that with some care will last you years and give you excellent sound quality, along with increased isolation and comfort when compared to universal models. Happy listening!

Headphones Vs Earphones Guide & Video

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Headphones vs Earphones

Hey everyone, John here. This may seem like an obvious topic, but there are a lot of differences between headphones and earphones… some of which are not as obvious as you may think.

Headphones

Starting with the shape and size. Headphones, as the name suggests, fit on your head, and have a headband that sits on top of your head. At either side of the headband, you have the speaker housings or earcups. The earcups hold the speaker drivers, and are designed in one of two ways: on-ear and over-ear. On-ear headphones have the earcups sitting on the ear and tend to be smaller in size, making them ideal for portable use. Over-ear headphones are larger and have the earcups completely surround the ear. Because of this, they tend to be used mainly indoors or where there isn’t much movement needed.

Earphones

Earphones are a lot smaller, and sit in the ear or in the ear canal. There are three main types of earphones:

Earpods / Earbuds

The older earphone design, or newer earpods, rest in the ear without going into the ear canal. This fit means that you are less likely to create a good seal between the earphone and your ear, resulting in an open sound that can tend to be a bit bass light. This fit also means that they will not isolate sound very well, meaning you are more likely to hear what is going on around you and people nearby will be able to listen to your music. Not ideal for public transport, but liked by sports users as it can be useful to hear your surroundings.

In Ear Earphones

In-ear isolating earphones have a deeper fit and will go into the ear canal, they also have eartips installed. This not only helps to keep the earphones in place, they also help create a good seal which improves isolation and sound quality, especially bass performance. In-ear earphones are the most common fit, and there are two ways of wearing them depending on the design. Cable straight down, and cable over the ear. The cable-over-the-ear design tends to provide a more secure fit and deeper insertion into the ear canal. This way, you will benefit from better isolation. Still, a lot of people prefer the cable-straight-down design as they are easier to use.

A quick note on bass performance. It is very important to make sure that you achieve a good seal when using in-ear isolating earphones. If you do not do this, the main effect to the sound will be a loss of bass… and nobody wants that. When this happens, the sound can come across very tinny and flat, so make sure you try all of the supplied eartips to ensure you’re getting the best sound possible from your new earphones.

Custom In Ears

Lastly, you have custom in-ears. These earphones are customised to fit your ear specifically. This is the best way of achieving a perfect seal, which hugely improves isolation and sound quality. This is done by having a mould of your ear taken, and then used to make an earphone that perfectly fits the shape of your ear. This is a more expensive option and is currently only offered by a small number of manufacturers.

Sound

There is also a big difference between how headphones and earphones sound. I wouldn’t say that one is better than the other. The overall experience is different and people will favour one over the other.

Headphones tend to deliver a more natural listening experience. What I mean by this is that with the speakers being away from the ears, sound is delivered in a more natural way. With our ears playing a part in capturing the sound, similar to how we hear day to day. Headphones can also deliver a bigger or wider sound due to the size of the drivers used and them being away from our ears.

With the speakers being so close to the ear, or even inside the ear canal, the experience from earphones is very different and can take a while for some people to get used to. Due to the fit being so close to the ear, and much smaller speakers being used, earphones are capable of delivering a very high amount of clarity and detail. Sometimes this can be overwhelming, especially for those who have never used earphones before. The close fit also means that sound can come across narrower and feel like it is coming from inside the head when compared to a headphone.

Conclusion

Ultimately, it comes down to taste and how you want to listen to your music. Both headphones and earphones can be used in a large number of situations, and whether you prefer using headphones or earphones – there will be a model out there for you.

ER2-SE and ER2-XR Review & Video

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INTRO

Hey everyone, John here. Etymotic is possibly a brand that a lot of you haven’t heard. Don’t be mistaken, though: Etymotic has been in the audio game for over 35 years. They are acoustic research and hearing aid specialists, and this always comes across in their products. The scientists of the world of portable audio, Etymotic strive to create earphones that deliver clean and undistorted audio as well as market leading isolation and hearing protection. Introducing the ER2-SE and ER2-XR earphones.

BUILD

As you may have guessed from my intro, Etymotic are not ones to cut corners. The build quality on the ER2s is superb. The housings are made of anodized metal with a blue finish; this makes them feel good to touch, and I really like the blue finish. The ER2s come with replaceable cables, which connect using MMCX connectors and have obviously been built to last. Both strain reliefs on the connectors and 3.5mm jack are solid, and the cable itself is flexible with a nice smooth finish. The yoke, or y-split, is covered in the same metal as the housings, which adds to the durability and looks pretty good too.

COMFORT

Comfort is an area that will split opinion when it comes to Etymotic earphones. The ER2s are no exception. These earphones are designed to be inserted deep into your ear canal; this is how you will get the most from the 35dB of isolation that can be achieved. The ER2s come supplied with a selection of different ear tips including Etymotic’s own triple flange and foam eartips. For me, the foam tips work the best, but I recommend you try all of them to find the best fit for you. Once your chosen tips are fitted, this is where it can get tricky. And for some… uncomfortable. The ER2s have a long sound tube which is designed to go deep into your ear. With the foam tips, I pinch them so they go as flat as possible, then gently ease them into my ear and follow my ear canal as deep as they can go.  (You’d be surprised how far they can go.) When the foam expands, it creates a perfect seal and along with the built in isolation of the earphones. The ER2 provides the best isolation I have experienced from a universal earphone. The trade-off here is that you have an earphone stuck deep in your ear, which can take a while to get used to.  Even though I am fine with it, I can imagine a lot of people will find it too uncomfortable. Fear not, you can wear these earphones without jamming them far into your ears. Just be aware that you won’t be getting as much isolation and therefore the full potential of the ER2.

SPECS

The ER2 earphones have a fairly low impedance of 15ohms and a sensitivity of 96dB, making them easy enough to drive from a laptop or smartphone. In my experience the ER2 sounded great out of my laptop, but when used with a dedicated portable audio player or headphone amplifier, the extra power and quality provided better soundstage and dynamic range overall. Etymotic has used custom-tuned dynamic drivers for the ER2 models, a change from the balanced armature drivers used in the previous ER3 and ER4 models. This to me suggests that Etymotic are looking to appeal to a wider audience and along with the £170 price tag. I think they have achieved this. The high isolation rating of 35dB means that you don’t need to play your music as loud as some other earphone models. Background noise is greatly reduced, and having such a good seal means that no audio is lost.

 

 SOUND QUALITY

Now onto the sound quality, another thing about the ER2 that will split opinion. Technically, both the ER2-SE and XR are faultless in terms of sound. This isn’t a quality everyone wants, though. The Etymotic signature has always been flat and neutral, and even with the use of a dynamic driver as opposed to a balanced armature used in both the ER3 and ER4 models. There may not be enough boom and sizzle for lots of people out there. For me, the sound is amazing. It comes across extremely effortless allowing you to hear what I can imagine to be as close to what was made in the studio as possible. Both models provide bass when there’s meant to be, and just the right amount. It manages to go very low without being pushed up. The XR version does, however, give a slight boost to the low end, just enough for those that prefer a warmer sound with more bass presence. Because of the low end control, mids ease through the mix, never sounding too harsh or recessed, providing an uncluttered and dynamic listening experience. Then the treble extends endlessly and brings space and definition. Soundstage is also very impressive, and with no particular frequency being pushed; you get a clean, engaging and intricate sound with no distortion.

CONCLUSION

At £170, there isn’t much competition out there for the ER2s in terms of sound quality, and if sound is your priority then I would highly recommend these. Due to their unique design and fit, they won’t be for everyone, and brands like Shure, Final and Flare Audio are making some very good earphones at this price with a more conventional design.

The Etymotic ER2-SE and XR are very much a Marmite earphone: you’ll either love them or hate them. The fit won’t be for everyone and I think that you will need to have a real appreciation of good sound quality to be willing to get used to the unique fit. Saying that, if you do get used to it, you will be one of the lucky ones.