Built like a sci-fi tank

The Gravastar Venus is built like a literal sci-fi tank. With a Zinc alloy shell and sturdy rubberized feet, it sits firmly planted on whatever surface you plant it on. It features two rubberized buttons and a total of 6 RGB lights which tie the look of the speaker together.

For such a small speaker, I was surprised at the volume and clarity…

Being such a small unit, weighing in at only 1lb, makes this speaker feel incredibly dense, and this shows in the build quality. There is no creak or moan as you handle the speaker. Even though it offers incredible details, it doesn’t feel fragile.

Remarkable sound quality

For such a small speaker, I am impressed at the volume and clarity of the sound it could produce. Even at higher volumes, it had little to no distortion and could still offer clear vocals whilst also giving the satisfying thump of the bassline.

The Nerd Stuff

As for the numbers, the Gravastar Venus offers a respectable 10 hours of battery life with a full charge achieved in 3 hours. It houses a full-range subwoofer driver which, paired with its vibration chamber allow it to deliver excellent sound clarity. It also utilises Bluetooth 5.0 which gives the speaker a range of around 10 meters.

The shell features 6 RGB lights which cycle to various colours by a button press. These colours dance in rhythm to the music or the setting, adding to the overall robotic feel of the speaker.

The speaker also offers a ‘True wireless stereo’ mode, offering deeper immersion and allowing you to have the edge when playing games. As for connections, the speaker uses USB-C to charge which is a must nowadays. I would have liked to also see a 3.5mm jack, but with the battery life and price point, it’s not a deal breaker.

The post Gravastar Venus Bluetooth Speaker Review appeared first on HiFiheadphones.

The Solaris do not take a low-key approach when it comes to looks, with a gold faceplate and large housing they definitely stand out in the crowd. They do however look great, you can see the craftsmanship in the machining of the shells, and everything feels very premium.

Build quality is superb again, with aluminium shells that are CNC machined, the cable is silver plated and slightly thicker than the one on the Andromeda. Everything is very well built and feels solid, albeit a little on the heavier side.

Comfort and Isolation:

Well there is no escaping just how big the Solaris are, and depending on the size and shape of your ears the fit will vary. I have quite small ears, and the Solaris stick out quite far, but do stay in fine with the right tips. They are not uncomfortable, just a little cumbersome.

Isolation is good on these; they do have a vent for the dynamic driver but this doesn’t seem to affect their isolation and these are great for on-the-go use or commuting and hold up well in loud environments.

Sound:

Bass: Having a single dynamic driver handling bass duties, these have more impact and rumble when compared to a more neutral IEM like their sibling the Andromeda. These have incredible articulation down low, there is a slight increase in presence down low to keep things tilted towards a more fun sound signature. However, the bass does a good job at controlling its body, and it never manages to get in the way of the midrange.

Midrange: The midrange on the Solaris is clean and clear, not suffering from the typical warm lower midrange due to bass bloat. This is where the BA drivers kick in and through out incredibly crisp and detailed mids that sound natural and tonally accurate. The midrange sits perfectly in the mix, without being pushed back, the extra body down low does not translate to a v-shaped sound signature.  The transition from the midrange to the treble is smooth and sibilance is not an issue with the Solaris.

Treble: The treble on the Solaris is very tastefully done, packed full of detail yet with a smooth and effortless extension allowing them to shine yet without fatigue. There is no artificial boosting to create a sense of detail, instead they decide to have a more even-handed approach and allow you to enjoy the music but also the detail is there if you want to listen. The precision of the treble is really impressive and their placement within the soundstage is very accurate.

The soundstaging of the Solaris is a definite highlight, there is great width and height and everything is incredibly well separated.

Conclusion:

The Solaris are incredibly coherent from top to bottom, with a mild emphasis on the bass region. They are a full bodied yet well balanced IEM that handle pretty much anything you throw at them. They may be expensive, but their performance is truly superb.

Sound: 5/5

Comfort: 3/5

Build Quality: 5/5

Value: 4/5

The post Campfire Audio Solaris Review appeared first on HiFiheadphones.

Aesthetics and Build Quality:

Well what can I say, Shanling know how to make a great looking product and the UP2 is no different. Tempered glass in the front and back with subtle branding and a machined aluminium shell and volume knob/button. On the bottom you have a single USB-C port for charging and DAC duties, on the top you have the headphone socket and small hole where the internal microphone is located. It is sleek, slim and just looks great in person.

Build quality is great, the tempered glass should hold up well over time, along with the main aluminium body feeling strong. Having a USB-C connector is excellent as most new devices have now moved over to this connector. I really cannot fault the UP2 in terms of build.

Features:

Well the UP2 is first and foremost a Bluetooth receiver, it supports all the latest codecs too including LDAC and AptxHD. This really does make a difference when compared to devices that only support SBC and AAC.

The UP2 can also be used as a USB DAC with a PC and does not require drivers to work. The internal headphone amp is powerful enough for most IEM’s and easy to drive headphones.

You can quite easily control the music via the UP2, the volume wheel can be pressed in to play/pause, double click to skip a track forwards, and triple to skip back. You can pick up phone calls and the UP2 has a built-in microphone for that duty. The UP2 has around 11hrs battery life on SBC, when using LDAC or Aptx it is slightly lower.

Sound:

The UP2 is an excellent sounding Bluetooth receiver, using a separate Bluetooth receiver and DAC chip means you really do get high quality Bluetooth audio. I’ve been using the UP2 with some Campfire Audio Andromedas and there is absolutely zero background hiss, match that with the low output impedance and you have an impressive wireless setup. The UP2 doesn’t really have much of a sound signature of its own, being neutral and detailed depending on what you pair it with.

With LDAC playing it’s getting harder and harder to tell between Bluetooth and CD quality wired from a DAP (of course you have to be playing CD quality over Bluetooth for LDAC to do its magic). No longer do we have to put up with mushy highs, and one tone bass notes over Bluetooth, now we can have excellent dynamics and detail retrieval, it is making me rethink the whole Bluetooth thing, and that’s a £79 product paired with a £1049 pair of earphones.

Of course, there is still an argument to have a dedicated DAP, with a better amplifier and better components, but usually at a much higher cost. For daily use however the Shanling is perfect, the difference in sound quality really isn’t that big and one that is easy to live with if you value convenience. Yes the UP2 + earphones isn’t as slick as a pair of true wireless earphones but the sound quality is superior to all true wireless models we have tested, along with having better battery life.

Conclusion:

Well the UP2 really is a great little device, the sound quality when paired with a device that can transmit LDAC or Aptx HD really is closing the gap between wireless and wired, with no substantial drop in audio quality. The UP2 is the perfect on-the-go partner for a pair of quality earphones or easy to drive headphones, I forgot to add that the UP2 is clean and neutral sounding to boot.

Build Quality: 5/5

Features: 4/5

Sound Quality: 4/5

Value: 5/5

The post Shanling UP2 Bluetooth Receiver / DAC Review appeared first on HiFiheadphones.

Aesthetics and Build Quality:

The ME500 are shiny, very shiny at that with a polished housing and tempered glass faceplates. They stand out and are not the most low-key IEM’s out there, but they do look great in person and feel substantial too. The cable is a made of SPC OFC and lokos great, overall the ME500 do stand out but in a good way.

Build quality is superb, the brass housings have good weight to them and are very well finished. The cable feels strong and have good strain relief all round, the MMCX connectors are nice and tight and I cannot find any issues with the build of the ME500.

Comfort and Isolation:

The ME500’s are pretty small but slightly heavy, luckily once you find the right tips they fit snug in your ear and stay securely fitted during use. The comfort is great and they can be worn for long periods of time.

Isolation is really good, perfect for commuting and daily use. The vent for the dynamic driver doesn’t seem to affect the isolation on the ME500 much.

Sound:

Bass: The ME500’s bass is tight yet articulate with great transient response. They have tuned the dynamic driver to fit with the snappier response of the BA drivers. This is a controlled and taught response down low, but one that digs down into the sub-bass when required. I have found these to play best with slightly slower instrumental tracks where they fill out nicely. Even though they have the speed to keep up with quick and busy tracks, they sometimes sound a little too flat. The ME500 is not for those who crave warmth and body, they are for those looking for clarity and control.

Midrange: Here is where the clarity shines through with great openness and an airy presentation. Both male and female vocals sound excellent without any major dips or peaks, there is plenty of energy and detail retrieval is superb. The midrange is well layered and the upper midrange doesn’t suffer from sibilance issues. I really like the presentation of female vocals on the ME500, they just sound very natural and effortless. Electric guitars have really power and energy yet the layering means nothing becomes congested. The tonality is a little on the cooler side, but the midrange is never recessed.

Treble: These will appeal to treble heads a bit; the overall sound is borderline bright and the highs can become a little overwhelming on certain tracks. They are present in full force, luckily the midrange and bass prevent them from sounding too thin. During slower tracks that are well recorded the ME500’s present an airy and incredibly detailed top end, but put on anything a bit heavier that isn’t as well mastered and they can become a little too hot, bordering on harsh. So play them good quality recordings and you’ll be greeted with an incredible upper end response, but anything that is recorded a little hot could be troublesome without EQ.

Soundstaging is excellent, a nice wide stage with pinpoint accuracy, great separation and layering all creates a very holographic presentation.

Conclusion:

The ME500 are very transparent and energetic with a snappy sound that has great control. However, they are also ruthless and will not hold back when you play some poorly mastered music. The top end can be borderline harsh however foam tips and EQ are very handy if you find them a little overenthusiastic up top. Or you could pair them with a cable like the Effect Audio Ares II+ to bring out a little more body.

Sound:  3/5

Comfort: 4/5

Build: 5/5

Value: 3.5/5

The post Shanling ME500 Hybrid Earphone Review appeared first on HiFiheadphones.

Aesthetics and Build Quality:

The new B range from Final all share the same shape, but with different finishes. The B1 is rose gold with the signature angular outer and smooth inner shell design. I really like the look of the B1, but they are a fingerprint magnet. Also, I do know that rose gold is not everyone’s cup of tea when it comes to colour but I think it looks pretty classy on these.

The build quality really is superb, the B1 are perfectly finished without a single blemish or flaw. The cable is silver plated and uses regular MMCX connectors, it has great strain relief and feels built to last. The housing is metal, but I do fear the shiny rose gold finish will scratch over time.

Comfort and Isolation:

The inner edges of the B1 are smooth and this makes them extremely comfortable to wear. The angle of the nozzle, matched with the angle of the cable, make these of one the most comfortable IEM’s I have tried. I can’t see anyone having issues with the fit of these.

Isolation is really good; they block out more than enough outside noise for general daily use and commuting. Whilst they don’t quite reach fully sealed BA driver levels of isolation, they have more than enough for daily use.

Sound:

Bass: The dynamic driver of the B1 handles the low frequencies, and does a really good job of filling out the sound yet retaining the speed and control to blend well with the faster BA drivers. The bass is tight yet full when needed, it punches with authority yet when slowed down it has great tonality for acoustic and jazz tracks. Articulate and well layered, the low end injects a sense of energy without becoming over the top. These won’t really suit those looking for a bass heavy sound, but they have enough to suit most people’s needs.

Midrange: The midrange is clean with great detail, they have more clarity when compared to the B3, but in presence it is still slightly behind the lows and highs. The lower midrange has a slight dip but it isn’t masked by the bass, and the upper midrange is a little forward which can bring out some sibilance in certain recordings. Despite all of this, the midrange is very open and detailed, with great separation and imaging. Even though the lower midrange is every so slightly dipped, the sound doesn’t come across as V or U-shaped.

Treble: The upper midrange forwardness also trails into the lower treble and brings out a lot of energy in the initial crash of cymbals. This is backed up with great extension, but this added energy could be a little too much for more treble sensitive listeners. They have plenty of bite up top which leads to an exciting listen, not one for those who prefer a smoother, more laid-back sound signature. The B1 is packed full of energy, the treble never gets lost in the mix and has great accuracy when it comes to placement within the soundstage and tonality.

The soundstaging is good, but I find the B3 to create a more convincing sense of width whereas the B1 does better in terms of height. Coherency is excellent and the imaging is very accurate.

Conclusion:

The B1 are not for the faint hearted, they have an energetic and impactful sound signature that requires your attention. They have heaps of detail, excellent separation and speed along with great comfort. Be sure to give these a listen, as they are incredibly well tuned for a triple driver earphone.

Sound: 4/5

Comfort: 5/5

Build: 4/5

Value: 4/5

The post Final B1 Hybrid Earphone Review appeared first on HiFiheadphones.

Shanling M1 DAP Review

The Shanling M1 is the perfect everyday DAP, also doubling up as the perfect gym companion, offering a clean and detailed sound for under £150, very impressive.

Pros:

• Size
• Features
• Price to performance

Cons:

• Button layout could be more like the M2s

Aesthetics, Accessories and User Interface

The Shanling M1 is a tiny player, it is shaped like the later iPod Nano and is sleek and easily slips into your pocket. The front is glass, the edges are aluminium and the back is plastic, you have a volume wheel (which is also the select button) on the top right hand side and the power button underneath. On the other side you have playback buttons (skip track and back), on the bottom you have the USB C port for charging and also file transfer along with the headphone jack and MicroSD slot. The power button also works to unlock the screen, overall the look and feel of this player is excellent.

The M1 comes with a USB cable, Card reader and 4 screen protectors, all you need is a microSD card with music on. Available separately is a leather case, and you can also purchase extra screen protectors.

The user interface is easy to get around, you have plenty of settings and then when in your music you can either browse by Artist, Album, Genre, Playlist, Favourites or display all tracks. The wheel acts as the scrolling mechanism, and click inwards on the wheel to select. The playing screen displays the album artwork, with the format below and the track name and artist. The button layout is not as intuitive and natural as the M2s, but it doesn’t take long to get used to it.

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READ MORE: Thomson WHP3311 Wireless TV Headphone Review

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This player has some added functions, it can be used as an external USB DAC for your computer.
The USB C port can feed a digital signal to an external DAC too, it has high and low gain settings, EQ, two way Bluetooth (AptX) support and more.

Sound

I would class the Shanling M1 as one of the more neutral sounding players, it’s sibling the M2s has a noticeable warmth to the sound that the M1 doesn’t have. The M1 has plenty of gain, but the actual output power is lower than the M2s, meaning the M1 is best paired with in-ear headphones and easier to drive full size ones.

There is still a slight smoothness to the sound, which makes this an easy listen. The lows are slightly full and easy to follow, they are not lacking in extension are definition but they are slightly fuller than a strictly neutral sound.
The mids are detailed and present, and the highs are well extended with possibly a hint of softness making this a non fatiguing and easy listening player.

Conclusion

The M1 is the perfect player for everyday easy listening and also for sports use. It’s size and aftermarket case allow you to clip it to an armband, and the bluetooth support allows you to go wireless when out jogging.

It has some great features like USB DAC support, USB output support, Bluetooth and more, it may not be the most powerful player but for under £150 you get a surprisingly clean and detailed sound.

The post Shanling M1 Portable Audio Player Review appeared first on HiFiheadphones.

Shanling H1 Portable Headphone Amplifier Review

We’ve been treated to a few of Shanling’s products lately; as well as the excellent M1 and M2S players, this little amp promises to give brands like Fiio a run for their money! The entry-level portables market has been truly cornered by Fiio in recent years, so it will be interesting to see what impact Shanling can make here.

Pros:

• Small, handy unit
• Thoughtfully designed volume control
• Well constructed

Cons:

• None

Design and Appearance

The Shanling H1 amp is a small unit, being 7cm x 6cm and about 1.5cm thick; about half the size of the average mobile handset. The edges are bevelled and the unit feels good in the hand, with enough weight to feel substantial for its size, although the unit is itself not heavy.

Key Features

The main feature is the recessed knurled volume knob which is centred on one side of the amp, which is protected from accidental operation by the amp’s housing. Power/charge lights are on the top, plus there’s a gain switch and micro-USB socket on the rear for charging. That’s it! The H1 is as simple as it gets for an amp, and it’s all that’s needed.

Durability and Build Quality

The Shanling H1 headphone amp is constructed from aluminium and has a pretty solid feel about it. It will probably have no problem being dropped occasionally, but we’ve not tried this here! The volume knob has a smooth, solid feel as it’s turned and it has enough stiffness not to be operated accidentally whilst in the pocket.

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READ MORE: Oriveti New Primacy Hybrid Driver IEM Review

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Sound Quality

This amp goes loud for its size; we couldn’t resist pairing it up with a HiFiMAN HE-6 which is notoriously difficult to drive. On the low gain setting, and using an incoming line-level signal, the volume goes up to hearing damage levels with the HE-6 on some pieces. Not bad! Of course, we don’t recommend this pairing for getting the best out of the HE-6!

The H1 is designed for portable use, so was tried versus being directly connected to a cheap phone with portable earphones . The sound is faithful and quite neutral, although there is a little more thump coming through with the sub-bass. Music appears to be more relaxed and natural through the amp, where it sounds a little strained with a direct connection. Listening to this amp with a pair of SoundMAGIC E80 earphones is actually very enjoyable!

Summary

Shanling’s new H1 portable amplifier is a palm-sized affair, but Fiio had better start making room anyway!

The post Shanling H1 Portable Headphone Amplifier Review – A Brawny Baby appeared first on HiFiheadphones.

RRP – £230-£250

If you like your brand names to look like the first line of an optician’s eye chart, the Hidizs AP100 is certainly worth considering – the name might take some getting used to, but it’s plain to see that this player is getting some covetous glances!

The AP100 has some stiff competition in the low-cost DAP (Digital Audio Player) market, not least from Fiio’s ‘X’ range. The AP100 appears to be a halfway house between the X3 and X5 in terms of size and cost, but how about sound quality?

The same can easily be said – compared to the Fiio X3, the AP100 is a little more accurate and coolish but this is not to say that the Hidizs AP100 is harsh. Listening to unyielding and brittle-sounding early 80s pop such as Duran Duran is fine on the AP100 but the X3 just gives it a bit more warmth and roundness to a presentation – the AP100 wins in terms of detail.

With the default firmware, tracks stood a good chance of having the first second chopped off if selected from the track list on the device, but this was fixed after upgrading to V1.31067. One problem I had after upgrading was that the unit reverted to its native Chinese language – there was no clue how to get it back to English again. Luckily I found the option in the menu as the only item with 2 Chinese characters. Select this and you’ll see ‘English’ in the sub menu.

The buttons on the Hidizs AP100 are lovely to press; there’s a great chunky feel to them and they are good solid buttons which will last. The only problem is that Hidizs saw fit to add separate buttons for ‘fast forward/rewind’ – I’m so used to using the same buttons for track skip and forward/rewind that I keep skipping tracks by accident. Also the ‘back’ button is on the right of the other navigation controls, which makes it feel like a forward/select button; this may lead to a few wrong turns for the uninitiated but it’s easy to get used to.

There’s a little flap in the case which is held shut by velcro. It took a while to figure out but this is for spare micro SD cards; just be aware that you may need tweezers to remove them again. SD cards can be changed simply in the device, however a tool or long fingernail is required to ‘click’ it into place and retrieve it.

I did also notice a problem with the track list on the player – select ‘track 1’ for instance on the track list and skip forward a couple of tracks via the play screen. Then on going back to the track list, ‘track 1’ is still highlighted as if it is still playing. Perhaps this will be addressed in future firmware updates.

Summary

A good little player; I look forward to future firmware updates but in the meantime the UI is quite useable, and the unit gives a clear uncluttered sound with a good amount of power. A great first effort which begs the question: whatever next from Hidizs?

The post HIDIZS AP100 Digital Audio Player (DAP) – HifiHeadphones Mini Review appeared first on HiFiheadphones.

For a few years now, we have enjoyed the convenience of lossy music files as opposed to carting around a portable CD or cassette player. The drawback of course is that we can only use equipment which does not reveal the flaws within these music files. Try listening to a 128kbps music file with the headphones you received with the player and it’ll sound acceptable. Try again with some Shure 535s, and the appalling drivel you’ve been listening to is revealed in all its wishy washy glory.

These headphones are very kind to low quality audio. Any flaws are likely not noticed by the listener.

So what if you want to get rid of those compression artefacts? If you want to keep those nice headphones, you need to think about raising your game.

Perhaps the simplest solution is to raise the data rate of the music you’re buying or encoding to 320kbps – this will not require any new equipment, other than a larger memory card on your device perhaps. Your media player should not need to be changed.

Lossless formats do not include MP3. However high the settings are, a certain amount of the original information is still lost.

The first lossless format I came across was monkey’s audio (.ape) about 10 years ago. At the time it seemed to be an equivalent of .zip or .rar files; it would squash the music down to half the original size for storage, but my computer could not play it back in real time – it needed to decompress the files again before playing. Even so, after decompression the music files were identical to the original files, with no loss of information. Nowadays, my computer is up to the job and can play back Monkey’s Audio files in real time. I have some ‘Gorillaz’ playing just now.

Other lossless formats include Windows Media Audio Lossless (.wma, but not all .wma versions) and the open-source Apple format (.m4a) along with perhaps the most well-known, FLAC (.flac).

Not all portable music players can handle these filetypes, so do check before committing to a particular filetype, or player. Some are more versatile than others; for instance the Astell & Kern AK100 plays WAV, AIFF, FLAC, ALAC and APE as well as some lossy formats, which is a large range of formats. However my humble Sony Walkman will not bother with anything but .mp3/.mp4/.wma – if I want lossless I have to carry around the full uncompressed .wav file, and with 8Gb memory this is not a great option.

The Astell&Kern AK120 is certainly no slouch when it comes to lossless quality.

Another great player is the Fiio X3, and with the forthcoming X5, Fiio is worth keeping your eye on as regards players. It supports .dsd, .ape, .flac, .alac, .wma and .wav. and can also be used as a DAC.

Please check out our youtube video DACs, Sample Rates and how to use Audio Files 

The post Lossless Audio – How To Get Started appeared first on HiFiheadphones.