Flares Jet 1 & Jet 2 Review – Here Come the Cool Jets

Flare Audio Flares Jet 1 and Jet 2 Earphone Review

Flare Audio is a British firm which was founded a few years ago by inventor and all-round clever chap Davies Roberts; they’ve been busy developing new patented technology in order to more precisely reproduce the music (see below)..

Flare Audio Flares Jet 1

Pros:

  • Great sound for both with great detail
  • Good construction
  • Light and comfortable

Cons:

  • Grills not present so syringe those ears

Design and Appearance

Both models are very light compared to other in-ear designs; the Jet 1 capsules being constructed of a polymer material and the Jet 2 capsules aluminium. The nozzles or soundports themselves form an attractive shape as they narrow from the capsule to the eartip end, giving them a very unique look. They sport Flare’s patented design called ‘Jet technology’ which apparently both equalises pressure on both sides of the driver, and maximises efficiency.

Durability and Build Quality

Both models sport a light but tough-looking cable which is pliable; the coating is a little bit grippy which can be annoying should the cable become tangled, so no putting into your pocket between uses (a rule which is worth following with any earphone). Strain reliefs are quite adequate, and these are black and red where the cable meets the capsules, for left and right respectively.

There’s also a single button control and mic on each model so the Jets are suitable for phone calls.

One point of concern is the lack of grills on both models; knowing how some earphones can end up after prolonged use, earwax can get in and interfere with the sound, or stop it altogether. The long and narrow design of the nozzles on both the Jet 1 & Jet 2 does lend itself well to a deep-insertion wearing style which could exacerbate the issue, so a shallow fit is recommended unless you’re wax free.

Comfort

The capsule design and placement of the mic/control on the cable suggests that the Flares Jet 1 & 2 are meant to be worn with the cable hanging down from the ear, as opposed to the ‘over the ear’ wearing style. Given how light both models are (Jet 1 is just under 12 grams and Jet 2 is 14 grams), they draw little attention to themselves other than by the sound they provide, although microphonics (vibrations travelling up the cable through movement) can be an issue.

Sound Characteristics

The Jet 1 and Jet 2 are slightly different beasts; the former has a little more emphasis on bass (or rather, a slightly reduced midrange) and the Jet 2 has a more neutral sound to it.

  • Bass

Bass is well controlled on both models; sub bass has good extension and the control factor has it feeling really tangible. Mid and upper bass has good impact and good speed too. These earphones are giving up details down low which seem quite new to me on some tracks, so if you’re a fan of tight and textured bass then these Jets are certainly worth a punt.

  • Mids

This is where the two models diverge in terms of what they offer; the Jet 1 has midrange which is a little more reserved than the Jet 2, so if you’re more a dance music and r&b listener then the Jet 1 may be more your thing. Also if you’re a little bit sensitive to midrange presence as this reviewer is, then the Jet 1 is the one to go for.

The Jet 2 is the more grown up-sounding of the pair, but both are more than capable of rendering strings and rhythm guitars with aplomb. Both models have a very strait-laced midrange sound which is neither too dry nor too luxuriant, though it is slightly on the dry side if we were forced too choose. This is not a criticism, think of dry sherry vs. sweet sherry!

  • Treble

Both Jets are not warm-sounding earphones (in terms of a lack of treble presence) but there is a certain restrained quality about the treble here. It’s not there in any quantity which draws attention to itself, and carries on the midrange’s good work without overshadowing it.

Soundstage and Separation

Soundstage is rather good for both of these models; if an instrument is panned hard left or right in the mix, it seems to stand a good few inches clear of the ear. Imaging and separation is similarly good; with subtle harmonics not lost on the listener.

Music genres good for and why

The Flare Jet 1 and Jet 2 are not fussy regarding the music they handle. However we’d say that the Jet 1 is more for commercial recordings such as pop and similar, whilst the Jet 2 is the more grown-up sibling which may be more appropriate for live recordings and classical genres.

Summary

UK firm Flare is definitely one to watch; matching interesting technology with good manufacturing and resulting in some very good-sounding earphones in the Jets – Jet 1 and Jet 2.

Fostex TH7BK Headphone Review – Staying Sober for the Studio

Fostex TH7BK Studio Headphone Review

The Fostex TH7BK seems to be a revision of the former model, the TH7BB. However, the older TH7BB had a semi-open design whereas the new TH7BK is closed. This lends itself better to the studio applications it’s designed for, but the 1.2m cable may require an extension cable. The TH7BK can be used for portable applications but will require a little help with amplification if being used with most handsets.

Pros:

  • Decent low cost studio cans
  • Good for monitoring

Cons:

  • Cable could be longer for studio use

Design and Appearance

The Fostex TH7BK is exactly like its older counterpart in terms of looks; it’s a plain design which doesn’t draw attention and doesn’t want it either. There is nothing unattractive about it, but it’s not going to suit you if you are planning on making an impression!

The plastic material has a rubberised coating of some sort, giving a matt finish all over.

Durability and Build Quality

Build quality is satisfactory, but the TH7BK is not designed for particularly heavy use. Sit on these and you’ll be looking for new headphones, but with care these will last for a good while.

Comfort

The TH7BK might be classed as an over-ear model but things are a little snug in there; if your ears are on the large side, they might also be partly on the outside, but most should be fine.

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READ MORE: Dunu DK-3001 Hybrid Quad Driver IEM Review

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Sound Characteristics

The Fostex TH7BK is designed to be a low cost solution for project studios and the like; the overall sound signature is fairly flat and dry, but with enough to work as a headphone for listening to music as an end user too.

  • Bass

Bass is not as emphasised as with most consumer headphones, but is well controlled and fits in with the rest of the presentation. It starts low and gives a bit of a thump, but no bruises are formed.

  • Mids

The midrange is clear and fully present without any troublesome peaks. Very good for monitoring and spotting details; vocals are clear enough but there is a slight raspy quality to them. Similarly, harmonics are not as clear as with higher priced offerings from Fostex, affecting imaging a little.

  • Treble:

Treble is clear too, but as with the midrange there is a grainy element to it. These are under £70, so it’s not meant as a criticism so much as a description of the sound. Hi hats and cymbals still sound good, but with an element of ‘rock ‘n roll’ roughness about them.

  • Soundstage and Separation

Soundstage depends on the production; some genres can seem a little flat and narrow, but others widen out quite a bit, such as classical. Given that these headphones were designed for monitoring and the like, this is not really an issue.

Separation is fairly good; everything has its place in the mix but it’s not completely distinct all the time.

Music genres good for and why

From the standpoint of an end user rather than a studio user, the Fostex TH7BK works well with electronic, dance and similar genres. Live music, classical and acoustic performances may seem a little two-dimensional however.

Summary

The Fostex TH7BK is good value as a tool for use in the studio, and can be used as a general listening headphone too. Any criticisms regarding the sound involve the TH7BK’s perceived use as an ‘end user’ headphone and so should be taken with a grain of salt; this model is not primarily designed for that purpose.

Shure SRH1840 Professional Reference-Class Open Back Studio Headphones – Announcement

The HifiHeadphones team is pleased to announce the new Professional Reference-Class Open Back Headphone from Shure, the SRH1840 is now available to be purchased on our website.

Let us introduce the flagship of Shure’s reference-class headphone line, the SRH1840. The Shure SRH1840 open back headphones have been developed with premium materials and precision engineering. They are ideally suited to professional recording, mastering and audiophile listening applications.

Shure’s SRH 1840 features individually matched drivers for unparalleled acoustic performance with smooth, extended highs and accurate bass. Custom-crafted, the Shure SRH1840 is extremely lightweight and durable. Steel driver frame with vented centre pole piece improves linearity and eliminates internal resonance for consistent performance at all listening levels. Individually matched 40 mm neodymium drivers for unparalleled acoustic performance with smooth, extended high-end and accurate bass.

An included storage case, replacement set of velour ear pads, and an additional cable ensures years of uninterrupted listening enjoyment.

  • Open-back, circumaural design for exceptionally natural sound
  • Lightweight construction featuring aircraft-grade aluminium for enhanced durability.
  • Steel driver frame improves linearity and eliminates internal resonance
  • Ergonomic dual-frame, padded headband is lightweight and fully adjustable
  • Oxygen-free copper cable (OFC) with Kevlar reinforced jacket
  • Dual-exit cables with gold-plated MMCX connectors
  • Replaceable velour ear pads with high density, slow recovery foam
  • Additional cable and zippered storage case included

To purchase the unit, please visit our website:

Buy Shure SRH1840 Professional Reference-Class Open Back Studio Headphones

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