Tag Archives: earphone

Brainwavz S5 IEM Headphones Review – It’s A No Brainer?

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Brainwavs S5

Verdict

I once thought that when it comes to budget earphone reviews, a jaded attitude would eventually begin to creep in. Surely there’s a limit to how many of these in-ear headphones one can try before it all gets a bit dull! However, I’m glad to find that I can still get bucket loads of enjoyment out of trying earphones such as this. The Brainwavz S5 are bags of fun with a warm and friendly presentation and they have loads of room with a generous soundstage. For the asking price the Brainwavz S5 is a fantastic sounding headphone; being new does not make it average, as we’ve seen with recent debutants such as DUNU-Topsound and Fidue. There are a couple of minor gripes such as the ‘left’ and ‘right’ markers being tiny and the y-split strain relief on the cable – it looks like a section borrowed from a bridge.

Pros

  • Generous supply of tips including Complyfoam
  • Good solid jack adapter
  • Hard case
  • Involving sound

Cons

  • Left and right markers hard to see
  • Straight jack
  • Cable split strain relief has become a feature

Brainwavz is another relatively new company in the personal audio market. However they are currently making big wavz of their own, and if the Brainwavz S5 is anything to go by a few more products from them can certainly float in this direction!

Key Features

Features are basic with no controls or buttons on the Brainwavz S5 itself, but there are some nice touches like the alternative eartips which give a slightly different sound, together with a pair of Complyfoam tips. A hard case is included which is great for cable longevity, and a rather nice jack adapter.

First Impressions

Initially there were no expectations, having no experience with this brand before. Packaging and presentation are fine for a product in this price range, but the sheer number of similar products diluted our enthusiasm. Initially there was disappointment with the black eartips – the bass was boomy and took up a lot of space in the presentation. But then the translucent eartips were tried.. See the next section – Sound Quality!

These earphones actually caused pain in the eyes as it was so hard looking for ‘left’ and ‘right’. For this review, a folded post-it note was stapled around the cable on the left so this needn’t be repeated. Black characters on a black background need to be several millimeteres in height before they’re legible.

Sound Quality

With my preferred translucent eartips, the presentation is perfect for my tastes. A warm weighty bass underpinning some very spacious mids and present but not overbearing highs. The bass impact stays down low while harmonics higher up give it a gloriously chunky feel which I’m a big fan of. It stays in its place and gives the midrange plenty of chance to show off its own detail. The midrange is slightly recessed, but not as recessed in my opinion as with the black tips. Higher up, things are on the smooth side but by no means dark. Soundstage is good for an in-ear of this type with separation fairly good – there is a bit of a cluttery feel to the percussion in The Bangles’ ‘Walk Like an Egyptian’ but the Brainwavs S5 copes well, considering all that’s going on in that track.

Summary

A very competent and great-sounding offering which begs the question – what are the higher-priced items from Brainwavs going to be like? I found the Brainwavz S5 to be amazing on older instrumental and pop recordings, but there may be a danger with more modern music featuring sub bass and similar with the bass being a bit much.  But then again, fans of those genres will likely be looking for just that type of sound.

Score – 8.5/10

Audio-Technica ATH-CHX7iS Review – Combined Earbud and In-Ear Headphones

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Verdict

Great for those relaxing at home and in the office, the Audio-Technica ATH-CHX7iS is a slight departure from the usual style of in-ears and earbuds. Audio-Technica have mashed the two styles in a way that reminds us of the Final Audio Piano Forte Series. These are not designed for all scenarios; on a motorbike journey for instance, enjoyment is reduced to knowing only when cymbals are being used in a recording. Of course, open-back headphones do not receive low scores for leaking sound and so the snappily named Audio-Technica ATH-CHX7iS is being viewed with a similarly open mind.

Pros

  • Very comfortable
  • Feel secure whilst worn
  • Great open wide sound

Cons

  • Case very small
  • Not for noisy places

Being big in Japan, Audio-Technica have been satisfying the Japanese fetish for personal audio products for some years now and have a huge number of different models. This allows for a little experimentation in the boardroom and some interesting items for us to try.

Key Features

The Audio-Technica ATH-CHX7iS comes with a handy button for smartphone functionality, and a volume control. The volume control does not communicate with the phone, it is a variable resistor only but works very well. The carry case is very small indeed; being hard it will afford some protection but the cable would need to be wound more tightly than perhaps it should. The relatively large size of the driver units doesn’t help either.

First Impressions

We all like something a bit different and the Audio-Technica ATH-CHX7iS is certainly that. Given that portable audio is all about blocking out the outside world, these earphones are a departure from the norm. Perhaps taking a leaf out of Final Audio’s book (their Piano Forte range is similar), Audio-Technica have seen a potential for small, open-backed models for those quieter moments out there, or for casual listening at home.

Sound Quality

As with anything open, the surroundings make a crucial difference and with a design worn like this, people are going to expect to use them outside. Great if it’s quiet, but a bit of road noise will reduce the Audio-Technica ATH-CHX7iS to a tinny irritant by contrast.

At home though, the presentation is as comfortable as the fit and I have the impression of a halfway house between headphones and speakers; it’s like a very cheap alternative to the AKG K1000 speakerphones. Soundstage is the best feature of the Audio-Technica ATH-CHX7iS, along with the natural feel they have.

The sound is very well balanced despite the loss of bass due to the open fit – perfect for lounging around the house while still remaining alert of the surroundings. The sound is on the bright side but this may just be the added soundstage making certain details stand out more, and also the fit. By pushing the capsules gently against my ears the bass is heightened; perhaps it is the design of our ears which might lead to subtle differences here in what we each perceive.

Summary

It would be good to see more models like the Audio-Technica ATH-CHX7iS coming through; we’re in danger of becoming too conventional in the headphones world and being set in our ways. It seems that companies like Audio-Technica and Final Audio don’t want us to get too comfy and are happy to prod us towards a more inclusive attitude. And why not? The headphones concept might be 100 years old, but things are far from predictable; particularly with new technologies being developed and many new ways of using and relating to music to look forward to.

Score – 8.5/10

Dunu DN-2000 Review – High Quality Hybrid

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Verdict

It’s easy to get a bit weighed down amongst all the extra bits and attachments that are included with the Dunu DN-2000, but they are all worth trying for greater comfort and a more ‘bespoke’ sound. The hybrid driver arrangement really works to deliver a very engaging and detailed presentation which never strays into harsh territory, and the case is certainly something we’d like to see included with premium IEMs more in the future.

Pros

  • Exceptionally sweet sound
  • Plenty of accessories
  • Options to tailor the frequency response
  • Options to alter fit
  • Good solid case

Cons

  • Tuning rings can be lost
  • Casing can cause discomfort if earfins not used

If you’ve heard some of Dunu’s entry-level earphones such as the DN-12 Trident you might be curious about how the in-ear Dunu flagship, the DN-2000 measures up. Dunu’s in-ear offerings are as numerous as they are interesting, but the current cherry on the top, the DN-2000, takes the cake.

Key Features

Like its stablemate the DN-1000, the DN-2000 has a hybrid driver format but packs two balanced armatures and one dynamic driver in per side giving the best of both sonic worlds, like the similarly priced Audiofly AF140.

Accessories are bountiful, with both tuning rings and tips to alter the frequency response, and rubber attachments for improved comfort and fit in the ears. Also included is a pair of earhooks to try and the usual 6.35mm/flight adapters.

First Impressions

Expectations have certainly been raised by the quality of Dunu’s other products, namely the excellent budget model the DN-12 ‘Trident’ and DN-1000; the other hybrid design. For the asking price these have been nothing short of stunning, so the DN-2000 has its work cut out.

Once a preferred combination of tuning rings and tips was found (silver ring, and tip for ‘detail and resolution’), I felt it necessary to try the rubber attachments. These are secured by a small ridge of metal much like a penclip, which ironically can cause a little discomfort if the rubber parts are not used. The rubber parts help to keep the capsules steady in the ear, and certainly make for a comfortable and trouble-free listening session. A down side is the tendancy of the tuning rings to try and escape back to China when the eartips are removed. Just take care and don’t fiddle with the DN-2000 when using ski-lifts for example.

The hard case is also a nice feature. It reminds me of a travelling case for a bar of very valuable soap; it’s very solid and will protect the DN-2000 very well when in transit.

Sound Quality

Bass is fully present and in good proportion to the rest of the presentation with good punch and definition; it stays in place and leaves the midrange and high frequencies free to be the stars of the show for me. Decays are very realistic in terms of perceived space, and the DN-2000 leaves plenty of room in the presentation for these to be followed around by hungry ears! Treble is fairly bright albeit still smooth; mostly the DN-2000 stops short of being too bright but on some tracks there may be a touch of sibilance with female vocals, for instance.

Summary

For the asking price the DN-2000 is a worthy competitor; it will certainly hold its own amongst the other models in that price range and gives a bit more colour to it, given that a majority of alternatives are full balanced-armature models. I welcome the DN-2000 as much as I welcome a further example of a hybrid driver design being implemented so well; loving as I do the different strengths of the different transducer types, it’s a real treat to have both at once. Like a baked Alaska or a sweet and sour stir-fry, there’s a real synergy going on here.

Score: 9/10

Xiaomi Pistons 2 Review and Competition Offer!

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This inevitable creep towards better and better sound from a budget IEM is no surprise, but the quality which the Xiaomi Pistons exude is nothing short of stunning. We’ve come to expect some rough edges from cheaper models along with features we have to lump rather than like; however this new IEM changes (yet again) our view of what’s on offer for our little bit of money.

Thanks to the guys at Merimobiles for sending us this sample for review – they will also supply the Pistons to the four lucky competition winners (details at the bottom of this page).

The packaging and presentation is understated; once past the simple cardboard outer box, the earphones are displayed in a good quality plastic case, nestled in a piece of rubber which acts as a cable winder, although this might be a bit tiring to use every day. The chocolate-coloured rubber, together with the bronzed look of the Pistons makes for a real visual treat; perhaps a gentle lift for the expectations before the Pistons are listened to. It reminds me of novelty erasers which seemed to proliferate when I was at school – it smells like chocolate too!

There are 3 pairs of spare eartips along with those on the Pistons themselves, and a separate clip for the cable which takes a departure from the traditional ‘peg’ design. It’s more like a money clip; to remind us of the money we saved, perhaps?

The earphones themselves have a solid feel about them; this is not painted plastic but real metal. There’s no weight issue however, the Pistons sit still whether the cable is worn over the back of the ear, or straight down.

And the sound? It’s just bright and detailed enough without being harsh, and also smooth and mellow enough without sounding veiled. It’s a perfect balance. Having said that, with this version Xiaomi have elected to go for a vented design which cuts out a lot of internal reflections. It’s not an open design though, very little audible sound leaks out, or in.

Bass is very nicely balanced, it puts weight under kick drums and bass guitar without pumping them up unnecessarily. It stays in its place and leaves the midrange clear to impress with details and decays, while the high frequencies pick up details such as hi-hats and harmonics beautifully.

There is also a mic/control for Android handsets, but be careful not to be rude to whoever interrupts your listening pleasure!

Competition Details

To be in with the chance of winning one of four Xiaomi Pistons all you need to do is send a picture to either our Facebook or Twitter page of your current setup/headphones and explain why you should win a new pair of Pistons – on October 29th we will choose the four people who we feel deserve some new headphones. Be as creative as you want – we will put our favourite pics in our blog!

For more information on the Xiaomi Pistons you can visit the Merimobiles website HERE.

Fidue A31s In Ear Isolating Earphones with Mic

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 Our Verdict

At this price point, you’ll find it very difficult to find an earphone with mic as good as the Fidue A31s. These earphones are extremely light weight, the build quality is superb and most of all the sound is excellent!

Summary

Experience portable high fidelity sound in an affordable package. Fidue A31s embody everything a modern earphone should: superior sound, smartphone compatibility, external noise isolation and long term comfort. High fidelity sound is provided with a balance of strong bass, smooth mids and well defined highs.

With small housing design and long sound tube the A31s differs from conventional earphones in creating big sound in a small space. Micro-dynamic 8mm drivers funnel superior sound directly into the earcanal. Double flange eartips provide excellent noise isolation and offer unparalleled comfort for long-term listening.

Integrated with call answering button compatible with most smartphones, the Fidue A31s will work with iPhone, Android, Window and Symbian devices. The integrated remote control allows the user to have full control of music. Calls can also be answered and ended by using the single button remote.

Experience portable high fidelity sound in an affordable package. Fidue A31s embody everything a modern earphone should: superior sound, smartphone compatibility, external noise isolation and long term comfort. High fidelity sound is provided with a balance of strong bass, smooth mids and well defined highs.

With small housing design and long sound tube the A31s differs from conventional earphones in creating big sound in a small space. Micro-dynamic 8mm drivers funnel superior sound directly into the earcanal. Double flange eartips provide excellent noise isolation and offer unparalleled comfort for long-term listening.

Integrated with call answering button compatible with most smartphones, the Fidue A31s will work with iPhone, Android, Window and Symbian devices. The integrated remote control allows the user to have full control of music. Calls can also be answered and ended by using the single button remote.

– See more at: http://www.hifiheadphones.co.uk/fidue-a31s-in-ear-isolating-earphones-with-mic-red.html#sthash.xn9fLWK6.dpuf

 

Please click the image below to select the colour you would like;-

Price – £19.99 all Models with free Shipping in th UK until Christmas.

Features

  • Call answering button compatible with most smartphones (iOS, Android)
  • Small and lightweight housing and sound tube design
  • Double flange silicone eartips offer high noise isolation
  • Unparalleled comfort for long-term listening
  • Suitable for portable media players with standard 3.5mm connection
  • Balanced sound with strong bass, smooth mids and well defined highs
  • Durable twisted PU coated cable built to last

DUNU DN-900 Earphone Review

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Verdict

The DUNU DN-900 is a well built, hybrid in-ear headphone. The bass is punchy without overcrowding, with spacious mids and smooth highs – these earphones perfectly combine power and detail.

Pros

  • Frequency response can be fine tuned
  • Generous range of extras/accessories
  • Very clear bass and mid-range

Cons

  • High-frequency roll-off (if you like a brighter sound)
  • Case oversized for everyday use
  • Tuning rings easily lost if not careful
  • Cable can get tangled

As with all segments of the headphone market, the £100 – £200 bracket is hotly contested with innovation pushing sales as well as gimmicks. The hybrid drivers within the DUNU DN-900 are becoming commonplace among IEMs, but the tuning rings which are supplied with the DN-900 are not so commonly found. Given that we all have our pet sound signatures and preferred frequency responses, have DUNU released a self-adjustable gem?

Key Features

Perhaps most unusual about the DN-900 is the inclusion of the tuning rings; it’s always nice to have a bit of tweakability and it’s fun to experiment. However, be sure that you are changing the eartips and rings while sat at a table, or similar. The rings can jump off the nozzles and roll out of your life for ever if you aren’t careful. It would have been better to have a more ‘trouser clip’ style ring which stays on the nozzle.

First Impressions

Naturally enough, once out of the packaging, the first thing I noticed was the professional quality Pelican-style case. It’s a lovely item if bright yellow is your thing but it won’t fit in a pocket, nor is having your IEMs packed away in a bag or case the most practical place to have them. I would be utilising another case or pouch from somewhere else, while this case might lie unused in a drawer.

Sound Quality

The sound seems very mid-centric at first, with strong yet well shaped bass response. The most noticeable thing is the higher-frequency roll-off but this takes only a minute to get used to. I tried the rings in turn..

Silver gives a good bass grunt with midrange clear and even, and the higher frequencies rolled off. Blue appears bassier in the mid-bass area with a more pronouced and open midrange, while red is bassier again with some more low-bass creeping in and mellower mids. High frequencies are not affected by any of the rings but the blue’s effect on the midrange sits next to the highs better for me.

After trying the DN-900 with the Astell&Kern K120, I was very happy with the sound. Driving bass underpinned some very fluid and involving mids, with higher frequencies just managing to show their faces enough to keep the party atmosphere going.

The following impressions were gained using the blue rings and the AK120:

Frankie Goes to Hollywood – Two Tribes (Blank and Jones reconstruction)

The bass has good texture and impact going into the sub-bass slightly, mid range works well with male vocals and backing. Soundstage is good and wide with a great sense of space. Imaging is also good. The rolled-off highs did not give any problems.

Dub Syndicate – Mafia

Bass is very full and impactful with good slam. It is quite boomy on this track but dub calls for it! Midrange is still clear and separate – the piano parts are very distinct. Highs lend a touch to harmonics but otherwise linger in the background. Soundstage is as wide as the music requires, delay is headshaking.

Summary

The DUNU DN-900 is perfect for the tracks that were tried with them. They will satisfy any basshead but will not add bass which is not there and cloud things – midrange is spacious and lively. Again, the higher frequencies may be a problem for fans of this part of the frequency spectrum; but if like some you’re a little sensitive to it, the DN-900 should fit like a glove.

Score – 9/10

Audiofly Release Pro In Ear Monitors

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Australian earphone manufacturer Audiofly, have released a range of four beautifully designed Professional In Ear Monitors. Taking on Shure, Westone and Ultimate Ears in this growing corner of the market is a big job, but from what we’ve seen Audiofly are more than up to it!

The Performance series have been designed to be used by touring musicians or music lovers who demand the very best sound in a tiny package. They all feature multi driver arrangements, with the top two models also sporting a super tough replaceable cable and leather carry case.

The Audiofly Performance Series range includes the following models:

AF120 – dual driver (dynamic + balanced armature).

AF140 – triple driver (dynamic + 2x balanced armature).

AF160 – triple driver (3x balanced armature).

AF180 – quad driver (4x balanced armature).

Looks-wise these are some of the prettiest IEMs we’ve seen! Slightly slimmer with a more luxurious finish than most, the shiny coating on the AF160 and AF180 gives them an almost ceramic look. Comfort also benefits from this gently contoured design. Comply tips are supplied in small medium and large for perfect fit and better isolation than silicone. A full compliment of silicone tips are included though, as well as a 6.35mm adaptor, a cleaning tool and an airline adaptor too.

Audiofly developed a special cable for the Performance range called the Audioflex, which they say is roadworthy and built for the stage. As with most of their Premium range, the cables feature Cordura fabric (like that found in extreme climbing gear) with the addition of a heavy duty Y splitter, a low profile twisted section and a mouldable over ear sleeve before the driver housings.

It won’t make any difference to the sound but the packaging deserves an honourable mention. Audiofly have really gone to town with some of the best looking boxes we’ve seen in a long time.

Finally to the sound – this certainly doesn’t disappoint. As you would expect, the whole range has superb detail retrieval and very impressive instrument separation. There is a common sound at work here, the EQ is flat and stable with calm but crisp highs. As you move up the range you find a lot more body and purpose, although the AF140 – featuring a hybrid two balanced armature and one dynamic driver set up – is simply the best earphone we’ve heard for below £250. The quad balanced armature driver AF180 is the flagship model, it has un-flappable bottom and mids and an extremely confident presentation which is very difficult to fault.

 

Dita Audio The Answer IEM Earphones – Truth Edition – Review

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Dita Audio The Answer IEM Earphones – Truth Edition – See more at: http://www.hifiheadphones.co.uk/dita-audio-the-answer-iem-earphones-truth-edition.html#sthash.UQLlq1VS.dpuf
Dita Audio The Answer IEM Earphones – Truth Edition – See more at: http://www.hifiheadphones.co.uk/dita-audio-the-answer-iem-earphones-truth-edition.html#sthash.UQLlq1VS.dpuf

Dita Audio The Answer IEM Earphones – Truth Edition – Review

Summary

The Answer Truth Edition is a dynamically driven IEM with a single 10mm driver; Dita Audio wanted to go for the simplest design in order to deliver the purest audio, according to their literature. Since balanced armature technology requires crossovers, multiple drivers and all the related gubbins, Dita went for the less complicated dynamic route. And why not? We’ve all been shown the power and finesse of the dynamic principle through Sennheiser’s excellent IE800s – they can be every bit as detailed and impactful as any well put together BA based driver.

Price – £599.95

HifiHeadphones rating – 9/10

Dita Audio The Answer IEM Earphones – Truth Edition

New company Dita has made a splash lately with two significant IEMs; ‘The Answer’ and ‘The Answer (Truth edition)’ – the cable being ‘The Truth’. ..and I thought telling lies could get complicated!

If you forgot what the question was, it’s something like ‘what’s the best IEM man can come up with’? I reckon this response is fitting.

A benevolent deity has bestowed a pair of each model upon us and we have dutifully had a go; for this review I have stuck to the pricier ‘Truth Edition’ but for a quick impression of the non-Truth Dita, please scroll down to the ‘verdict’ part.

Pros

  • Well built with solid capsules
  • Weighted to lean into the ear – unlikely to fall out
  • Stout strong cable
  • Good range of eartips which can fine tune frequency response
  • Good extras – 2 quality travel cases included

Cons

  • Cable can be a little stiff but not too bad
  • Some might prefer a removeable cable

Key Features

The cable on the ‘Truth Edition’ is what gives the IEM its name; it is a Van Den Hul cable with whom Dita cooperated in order to get the best signal to the driver. The cable covering has a little window on it so the quality can be seen – it is certainly substantial. Other than that, there are no features other than the end product – the sound. Much like record players, the less you get on them as extras and gadgets, the better the sound will generally be. This is Dita’s philosophy.

First Impressions

The build quality is the first thing to be noticed. These are not heavy or unweildy IEMs, but the impression I have is that they were designed to be used in a war of some kind, or by very careless people. The build quality is very solid.

Sound Quality

The Answer (Truth Edition) lives up to expectations for a premium IEM; detail is exceptional and there is plenty of space in the presentation whether things are busy or not; there’s an effortless quality. Harmonics are not lost on these IEMs, everything is reproduced, and faithfully.

Not to say that these Answer/Truths are neutral; they have a sound which is on the fun side but it is done with real adroitness. There’s an analogue quality which reminds me of the Sennheiser IE800.

Soundstage is generous and imaging is great; it all just hangs together and as per the marketing/literature, the strengths of the single dynamic driver design are right here.

When comparing the two, the IE800 is just a little less forward which suits me. So if you feel that the IE800 is a bit laid back for you, try and dally with the ‘Truth’!

Verdict

Given the quality of Dita’s answers, we should be upping the quality of our questions. ‘How much money have I got?’ might be one such question. The ‘Answer/Truth Edition’ is not cheap, but the best things often aren’t. Given the price, the phrase ‘to be economical with the truth’ may not be so accurate, but there are savings to be made by choosing the ‘Non-Truth’ version which is the same but for a little less detail and a slightly smoother presentation. A very close match for the IE800, and only two thirds of the price at £399.

DUNU DN-12 Earphones Review

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DUNU DN-12 Trident In-Ear Isolating Headphone Review

Summary

The DUNU DN-12 Trident is the entry level in-ear headphone from this exciting brand. DUNU is making waves in the headphone world and I can see why – if they put this amount of work into their low priced headphones then I can only imagine what their high end models are like!

Price – £34.99

HifiHeadphones Rating – 10/10

DUNU DN-12 Trident In Ear Isolating Earphones

DUNU DN-12 Trident In Ear Isolating Earphones
DUNU DN-12 Trident In Ear Isolating Earphones
UNU DN-12 Trident In Ear Isolating Earphone

Pros

  • Value for money
  • Tough cable
  • Punchy, tight bass and crisp detail
  • Titanium driver housing

Cons

  • Bassheads might want more

Key Features

  • Deep Bass, Clear Mids and Lucid Highs
  • Broad Dynamic Frequency ULTRA Driver Unit
  • Mirror Finished Solid Titanium Housing
  • Extensive Accessory Bundle

First Impressions

I had to keep reminding myself that these in-ears were under £50. The packaging is nicely finished and when you get inside you find a good quality leatherette bag, plenty of different eartips, a cable clip and even a carabina. The headphones themselves are extremely well built. The driver housing is made from titanium which feels great and has a good amount of weight. The cable feels tough and isn’t flimsy, this ends in a smartly designed angled jack connection – you even get a cable tidy designed by DUNU included.

DUNU have thought about even the finest details with their entry level earphone so you are totally impressed before you even listen to them!

 

Sound Quality

When I first listened to the DN-12’s I felt that there was a fair amount of bass and that there could be more treble… Then I remembered that they are £35!

Compared to other earphones in their price range they sound more refined with a good amount of bass that doesn’t bleed into the rest of the mix, the mids come through nicely with enough crack and the highs give a great sense of space. The soundstage is very impressive as you feel that you are right in the mix with a wide presentation. I really can’t think of anything negative to say about these great little in-ears!

HifiHeadphones Verdict

Not long ago I would have said that the SoundMAGIC E10 was easily the best in ear for under £40 – now they certainly have stiff competition! The DUNU DN-12 may not have as much weight in the low end as the E10, but for me this is for the best. These earphones feel and sound like something that should be worth somewhere in the £50 region, as not only can they compete with some higher priced models, they have put a lot of effort in the finer details – this for me helps put them at the top of their game

SoundMAGIC E10 S In Ear Headphone Review

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SoundMAGIC E10 S In Ear Isolating Earphones

Summary

What can be better than the award winning SoundMAGIC E10 for under £40? The E10S has the same superb build quality and sound signature as the E10 but with the added function of a universal smartphone in-line microphone – need we say more?

Price – £39.99

SoundMAGIC E10S In Ear Isolating Earphones

Pros

  • Amazing value for money
  • High quality braided cable
  • Weighty bass and crisp detail
  • Universal smartphone microphone (iPhone and Android)

Cons

  • Nothing to fault at this price

Key Features

  • Comfortable fit and distinctive design
  • Made for all smartphones
  • Integrated smart remote and microphone
  • Unique, all metal earphone construction
  • Powerful bass balanced with superb musical detail
  • Robust tangle-free twisted cable design
  • Skype/VOIP adaptor included

First Impressions

From the start it is hard to believe that the E10S is under £40. The packaging is smart and of a very high quality – once opened you find plenty of spare ear tips and an attractive hard case. Holding the earphones you can feel how well made they are and the innovative switch on the jack plug will let you set the earphones to work with any smartphone – you would not expect technology like this on such a modestly priced earphone.

Sound Quality

Once you get over the impressive built quality and actually try them out you will not be disappointed. Like the SoundMAGIC E10, The E10S has tight bass with plenty of weight – the mids are well defined and the top end sparkles. These earphones are perfect for listening on the go as the sound is fun and they will sound great with whatever you throw at them. Soundstage is better than what you would expect from an earphone at this price – it’s engaging and natural.

Verdict

If you have £40 to spend on some new earphones then go for the SoundMAGIC E10 – if you need an in-line microphone then go for the E10S. Easy.

Best headphones under £50 to buy in 2015 – Expert Reviews

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Top 10 Best Headphones Under £50

SoundMAGIC ES18 / ES18S

SoundMAGIC have made a fantastic name for themselves within the budget in-ear market, no wonder they get on the list of top 10 best headphones under £50. The E18 is a great example of just how they do it – designing products which offer exceptional sound quality for the prices asked.

The ES18 has bass which is warm but not overblown, mids which are fluid and engaging, and highs which are slightly recessed. Suitable for those who find percussion and cymbals generally strident and fatiguing.

Also available as the ES18S with a microphone and button for answering/hanging up calls.

Hifiheadphones verdict:

For the asking price these are difficult to beat; try the famous SoundMAGIC sound for under £20!

 

DUNU DN-12 

The DN-12 is a sturdily built IEM with solid metallic housings and a good solid sound also.

Bass is deep and punchy without being boomy, midrange is slightly recessed with high frequencies well balanced; there’s a slight roll-off for those who like a warmer sound signature; normal for IEMs of this price.

A very well put together earphone with a sound signature that is sure to please.

Hifiheadphones verdict:

A great IEM for the price, the DN-12 gives great weight to music and will suit those who like a fun sound.

 

FIDUE A31

Another entrant in the IEM market is FIDUE, and their range starts with the fantastic FIDUE 31 – the capsules are tiny and the sound is big!

Good warm bass and good mid-range detail – there is a slight roll off in the treble region for those who like a warmer presentation.

The earphones are lightweight and tough, perfect for running or in the gym.  Ear tips are designed to keep the earphones in the ear and cables can be worn over the ear for a more secure fit.

Also fitted with a lightweight microphone in case you need to take calls.

Hifiheadphones verdict:

A great budget choice – narrower nozzles may make this a good choice for those with fit issues with other IEMs.  Perfect for sports use.

 

 

Audiofly AF33M

The entry-level AF33 from Audiofly gives a fantastic sound, and the AF33M version gives added functionality with smartphones, offering an answer button for those calls.

Good bass which is tight and well controlled, midrange with a slight recess and treble which has liveliness and sparkle without being fatiguing. When we first tried these we thought that there was a mistake – these sound like IEMs which cost more than £50.

A very capable earphone with a grown up sound signature without the boom, boom of some other budget earphones. Very musical.

Hifiheadphones verdict:

Many are getting a kick out of Australian firm Audiofly’s range in more than one way. The engaging and involving sound of these IEMs will certainly get you waltzing.

 

Sennheiser HD201

Sennheiser’s entry-level full size, the HD201, is incredibly cheap for what you get – anyone looking for a good sound without wanting to part with much cash must be tempted by the HD201.

Good but not bloaty bass, a clear midrange and a slightly forward treble make these superb all rounders. Fantastic for detail, you might hear things with these which are missed on pricier headphones.

This are a ideal everyday headphone that won’t break the bank.

Hifiheadphones verdict:

Probably the best full-size headphone you’ll find for under £20, hands down.

 

Koss PortaPro

The Koss Porta Pro may not be an obvious choice for the top 10 best portable headphones, it is likely older than most of its current users; introduced in the early 1980s, it pre-dates most other lightweight designs and has a real retro charm.

The sound is still very current however, as the PortaPro’s sound signature suits dance music, rap and anything the user can throw at them.

A good level of bass and midrange gives a good grunt with realistic body. The highs are a little rolled off but not to the point where it’s a problem, indeed the roll-off makes them less likely to fatigue the wearer if dance music is played.

Hifiheadphones verdict:

For the money this is amazing value – get yourself a design classic which has stood the test of time.

 

SoundMAGIC P21 / P21S

This portable is certainly a fun-sounding headphone – it also looks fun and feels it too!

They are very light and are a perfect travelling companion when folded into the semi-rigid case.Bass is present but not overblown, midrange is clear and involving, and highs are revealing but not overbearing.The flat cable does not tangle and the 90 degree jack is perfect for placing your music source in a pocket or bag.

If you need mobile phone compatibility try the P21S fitted with microphone and call control button for taking phone calls.

Hifiheadphones verdict:

Look no further if you’re planning to explore! This is the perfect travelling companion for the journey to another continent, or the local park!

 

Grado iGrado

Grado are well known for their trademark wide open and airy sound, and the iGrado follows in this theme. Designed to sit over the ear with a neckband keeping things in place, the iGrado gives a wonderfully natural sound.

They are wide open in design, meaning that there is no isolation. Others will hear your music, and you will be aware of the environment around you. This makes the sound much more realistic in terms of soundstage and imaging, but you may get some odd looks if these are worn on the train, for example.

Hifiheadphones verdict:

The iGrado is very popular with joggers and those who prefer to be aware of the sounds around them, also they are a great low-cost upgrade for anyone wanting a headphone specifically for use in the home.

 

Fostex TH7-BB

For its price, this versatile Fostex model is great value and is great for enjoying music as well as a whole host of professional applications.

Imaging and soundstage are impressive thanks to the semi-open design, but isolation is not lost.

Bass goes low but remains tight, mids are clear and natural, highs are detailed and not rolled off, but not too bright.

The impendence and sensitivity may require a headphone amp for portable uses.

Hifiheadphones verdict:

A good rugged all-rounder for both in and out of doors, the TH7-BB is a great choice for those on a budget.

 

Grado SR60i

Another of Grado’s great value headphones, the SR60i is much like its elder sibling the SR80i, but may be more appropriate for enjoying older recordings or music with less than perfect sound quality. As the SR60i is not as bright sounding as the SR80i, they may be better or you if you find that you get fatigued after listening for a while.

The SR60 has been around for 20 years, which in the fast-moving world of electronic gadgets seems like a lifetime. Apart from the odd tweak, why change something which works so well?

Hifiheadphones verdict:

The look, feel and quality of the SR60i is magnificent for the asking price; why not get yourself a slice of a headphone legend? If you like details and a more forward or bright presentation, consider the SR80i.

 

Beyerdynamic DTX102iE Review

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Beyerdynamic DTX102iE In-Ear Isolating Earphones

Beyerdynamic’s in-ears have always proved to be a reliable and low-cost solution for those who like a detailed and well balanced sound,and the Beyerdynamic DTX102iE in ear Headphones continue in this tradition.

This is the revamped and made-over DTX101iE; there’s no great departure from the sound signature of the DTX101iE (although we have no 101s now for a direct comparison) but there are improvements to other features of the design.

The cables have been made a little thicker and more robust, with less cable noise/microphonics should the wearer prefer them worn down from the ear. They can of course also be worn with the cable over the back of the ear which eliminates a lot of this noise at a stroke.

Also the housing has been made a little more durable, although we don’t recall having many issues with the former model.

To briefly describe the sound, the low end is beefy but not woolly; the mid range is clear and uncluttered whilst the treble is very nice for a sub £100 in-ear. High-frequency roll off is less than what I’d expect for a model in this price range.

Soundstage is fair, with good separation. I found that these are very good for rock and dance music.

Accessories are basic, with the standard 3 sizes of tips and a ‘snappy jaw’ case for the earphones.

For those who like things nice and clear with no clutter, these may be the perfect companions.

 

 

 

New DITA Audio Answer Truth Edition

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DITA Audio The Answer (Truth Edition)

Now availiable, both The Dita Audio Answer, and the Answer Truth Edition are availiable to buy on Hifiheadphones. Or if you need to audition them before purchase, you can book an appointment at our demo room on the south coast near Brighton.

The Answer – Price – £399.95

The Truth Edition Price- £599.95

The Answer (Truth Edition) is a new high end in ear headphone from DITA. They have teamed up with Van Den Hul cables to create the ultimate earphone. “Ultra High Resolution”, “State-of-the-art”, and “Cost-No-Object” were just some of the ideas that went into designing these in-ears and it really shows – these are certainly ones to look out for!

Main Features

  • 1 Ultra-wide Bandwidth 10mm Transducer
  • Impedance – 16 ohms
  • Sensitivity – 102 db
  • Customised cable made by Van den Hul

Earsonics S-EM6 Crystal Limited Edition – Lauri Cular Review

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What is it with the French wanting us to see the insides of things? The Pompidou Centre is all very well, but anyone wanting to fix the air conditioning needs a good head for heights. The Eiffel Tower, although a good effort, could do with a spot of rendering. Some nice Spanish arches and stone cladding would look a treat. And that glass pyramid – no self-respecting Pharaoh would be seen dead in it, I’m sure.

However, if I’d managed to squeeze 6 speakers into a package which fits into the bowl of my ear, maybe I would want to show it off too. Lauri Cular took these transparent treats home for a weekend, but do they sound as good as they look?

The Earsonics S-EM6 comes in a neat little briefcase-type box, but don’t be tempted to assume that these are for the conservative bowler-hatted commuter. These are a little more rock ‘n roll than that!

When I put the E-SM6s in, I was struck by the size compared to what I’m used to – usually 2 BAs are enough, and the housing for this half-dozen did seem relatively bulky. However once in place, they were as unobtrusive as any in-ear, apart of course from the isolation they offered. I live with a very noisy pet, and enjoyed the isolation aspect to the full. With audio coming through it’s very easy to ignore everything else.

One thing I will say is that these are not for the bass-shy. I popped them on and listened through my E12 which is relatively cool-sounding. My first thought was ‘now let’s try it with the bass boost off’ – but it was already off. Most of the time this wasn’t such a problem; the bass doesn’t get in the way of anything else in particular, and only a few tracks offered a problem when it came to bass.

I decided to capitalise on this and tried some rap and dance music. The S-EM6s gave some excellent sub-bass and seemed to suit these genres well. Separation and space is amazing. I’m sitting in the office dancing in my chair as I try to type. The midrange reminds me of the Final Audio Pianoforte X I tried a few months ago; amazingly real and engaging, with a very real sense of the space in which the presentation is contained. Detail is superb, and placement is as good as anything I’ve heard from an in-ear.

Classical music is very involving as well as more jazzy soundtracks. As I type, I’m enjoying the slowly building tension in Lalo Schifrin’s ‘Shifting Gears’ from the Bullitt soundtrack. The bass is of a very low frequency in this track (an alternative version, track 25 on the CD) – but quite voluminous. It threatens to detract from the other instruments but doesn’t quite. Bass boost is not an option here either.

I have found that tracks like this are in the minority however, most well produced music will not offer a problem. But if you hate too much bass, avoid the S-EM6!

There is a bit of a top-end roll off as well, but this is a problem for all of 10 seconds. The mids and high mids are so real-sounding, any desire to have the higher frequencies boosted just gets forgotten. I’m now listening to ‘Beat It’ by Michael Jackson – just before Van Halen’s guitar solo there’s a knocking sound. I knew it was there, but it scared the life out of me!

All in all, the S-EM6 is a very well built and solid model from Earsonics, but I would prefer to see some sort of porting option to ease the bass down a little.

Shure SE846 Quad Balanced Armature In-Ear Monitor Earphones – Announcement

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The HifiHeadphones team is pleased to announce the new Quad Balanced Armature In-Ear Monitor Earphone from Shure, the SE846 is now available to be purchased on our website.

Shure’s SE846 represents the pinnacle of personal monitor technology. Equipped with four dedicated high-definition balanced armature drivers and innovative low-pass filter the SE846 offers unparalleled True Subwoofer bass performance whilst retaining harmonious sound across the entire frequency range.

Shure have configured the SE846 in a three way system with dedicated drivers for bass, midrange and trebles to ensure an even distribution of sound. Advanced low-pass filters enable unequalled True Subwoofer low-end without distortion. User replaceable audio filters offer fine-tuning of the frequency response for a more balanced, warmer or brighter sound stage, making the SE846 a versatile music machine.

To ensure a comfortable listening experience with high sound isolation the SE846 have been ergonomically designed to prevent external noise from tainting the sound. As every ear is different Shure has included a broad array of eartips in different variations to ensures the perfect seal in any ear canal.

With customisable sound, replaceable cables and a wide selection of accessories the Shure SE846 universal monitors are sure to enthral music enthusiasts.

Features

  • Quad High-Definition Balanced Armature MicroDrivers with True Subwoofer
  • Extended high-end clarity and unparalleled low-end performance
  • Removable frequency filters allow adjusting of sound signature
  • Sound isolating sleeves block ambient noise
  • Robust, ergonomic housing with sweat-resistant construction
  • Secure over-the-ear cable configuration
  • Rugged Kevlar reinforced detachable cable
  • MMCX connector with lock-snap mechanism
  • Formable wire ensures secure placement
  • Wide variety of accessories

To purchase the unit, please visit our website:

Buy Shure SE846 Quad Balanced Armature In-Ear Monitor Earphones