final UX3000 : final’s foray into the world of wireless audio kicked off in 2022 with a bang. Adopting a rarely used Hybrid ANC system and featuring dynamic drivers that deliver clear and accurate details with rich and vast soundstage. The final UX3000 is an absolute bargain at £120. With a stylish, soft touch “Shibo” finish and support for AAC, SBC, aptX and aptX LL Codecs, this headphone is amazing for any situation. Whether gaming, listening to your favourite tunes, or even just to block out the background hum in the library for that blissful silence rarely heard in the modern age.
Before we get to the reviews, the microphone on the final UX3000 is also something that should be talked about. It’s simply incredible for an over-ear headphone. When outside they do a great job at suppressing noise on your end so the other party can hear you loud and clear. With great tone too. When used indoors these are perfect for working from home with very accurate and faithful voice reproduction. It doesn’t sound like you are using the mic from the headphones, they are that good.
Hailing from Japan, Final have been in the audio game since the 1970’s, where they started off designing and manufacturing high-end hifi equipment. Recently, they have focused on portable audio, and the E4000 is part of their E Series of earphones. Coming in at £120, the Final E4000 sits in the middle of the range and hits a very nice price-to-performance sweet spot.
BUILD
It’s very clear that Final take great pride in what they do, and the E4000 is no exception. The earphone housings are made from aluminium with an alumite coating for added resistances, and then finished in matte black, which I really like. The cable is replaceable and uses MMCX connectors. It’s also flexible and soft to touch, with good strain relief on the 3.5mm jack. The MMCX connectors on the cable could do with a bit more strain relief, however they seem to be pretty durable.
COMFORT
The E4000 is pretty standard when it comes to fit. The earphones are designed to be worn with the cable going straight down, and there are a good amount of eartips supplied to get the best fit. Final design the eartips in house, and their silicone tips are my favourite out of any I have tried. (And I have tried a lot.) For those that are sensitive to cable noise or prefer a cable-over-the-ear fit, Final have supplied the E4000 with ear hooks. These allow you to wear the earphones so the cable goes up and behind your ears. This can provide a more secure fit and will greatly reduce the amount of cable noise; it’s quite a rare thing to have both options.
SPECS
The E4000 houses a small scale 6.4mm dynamic driver, developed by Final themselves. With an impedance of 15ohms and sensitivity of 97dB, the E4000 can be used with a phone or laptop – however they will really benefit from a dedicated headphone amplifier or portable audio player. The extra power will open up the earphones more, improving soundstage and separation.
SOUND QUALITY
When it comes to sound quality, Final’s experience in the world of high end hifi really shows. There is a real musicality with the E4000 and sound comes across smooth and silky. Bass goes deep, and has an organic and rich quality to it. The mids sit nicely in the mix and carry on with that richness. Then up top, the treble provides sparkle and sizzle. Overall, the V shaped signature is smooth and easy to listen to, reminiscent to a lot of hifi setups I’ve heard and very much enjoyed. The E4000 has a big sound and part of this comes from the impressive soundstage, with space and air you wouldn’t normally expect from earphones.
CONCLUSION
Around £100 there are earphones out there from Shanling, Shure, Beyerdynamic and Westone to name a few. None manage to give the same hifi listening experience that the Final E4000 delivers. The E4000 is best suited to be used with a dedicated portable audio player or a setup with a headphone amp. If this is you and you’re looking for some wired earphones for some easy listening, have a go on the Final E4000.
Any Final Audio earphone in the Heaven series is fantastic at its pricepoint, and for the asking price the Final Audio Heaven VII offers angelic audio quality. Soundstage and detail are stunning, while the frequency response gives a presentation which is both delicate and authoritative.
Pros
Sounds amazing
Looks amazing!
Good strong metal case
Cons
Microphonics
Cable can be worn down from the ear only
Being British here we’re no strangers to what the heavens can provide (lots of rain!); however we’ve been enjoying a few distractions lately. Final Audio’s Heaven series is no less than a perfect fusion of detail and comfort; starting from the entry-level Heaven II. The range leaves us spellbound, and a lot drier as well.
The appearance and sound of the Final Audio Heaven VII is a contrast to its stablemate the Heaven VIII, which is the fuller sounding of the two models. While the Heaven VII lies in neutral-airy territory, the golden Heaven VIII gives a lusher presentation with a little more bass. A review of the Heaven VIII is coming soon.
As well as the Heaven VIII, the Heaven VII is one of the latest in this series; it is based on a similar design to the rest of the Heavens, but borrows the capsule design from the limited edition dual balanced armature ‘LAB-1’ model which is not generally available outside of Japan and the Far East.
Key Features
Using a single full-range balanced armature driver produced by Final Audio themselves, the Heaven VII is detailed but never gets fatiguing. Bass is fully represented, mainly due to both the balanced armature and Final Audio’s BAM (Balanced Air Movement) technology which incorporates some clever tricks to improve the frequency response in the lower region, when compared to other makers’ single BA designs.
Also, the Heaven VII has been designed with ‘resonance dispersion’ in mind. According to Final Audio, this helps prevent vibrations and reflections in the housings which may lead to a detrimental effect on the sound. The casings are made using a metal-plating technique so that the colour won’t wear away or chip.
First Impressions
It’s the styling which is first to be noticed; there’s a medieval feel about them – particularly the black Heaven VII. While the design is of course down to a high-tech process, they still give the impression that they were produced by an enchanted artisan a few hundred years ago!
The jack differs from others in this range however; it’s more like the straight jack which comes with the Final Audio Hope VI full-size headphones.
Sound Quality
With an Astell & Kern K120, the Final Audio Heaven VII gives a totally immersible experience – soundstage is well beyond the physical confines of the housings, and separation is superb. Bass, as already mentioned, is not typical for a single balanced armature design; it is very well balanced with the rest of the sound and is well controlled, allowing the midrange a good amount of space to impress. The sound is very clean and exact; it neither is boosted or recessed and works very nicely. Sense of space is very real, and together with the soundstage, very big! There are moments with the K120 where high frequencies threaten to cross into strident territory, but never do. With a Fiio X3, due to the nature of the player’s sound, the Heaven VII is smoother which I prefer personally.
Summary
We’ve come to expect very high standards from Final Audio – in terms of audio quality, build quality and presentation too. The Heaven VII still pushes the envelope, giving a touch of glamour without ostentatiousness, toughness without bulk, and detail without sharp edges.
The Final AudioPandora Hope VI may not be able to deal with all the world’s evils, but it can certainly make them appear more approachable and cuddly. 50mm dynamic drivers are coupled with balanced armatures within the Hope VI, so the listener can benefit from a warm and toe-tapping presentation, but needn’t sacrifice detail or presence. The result is as crisp as any IEM working on the balanced armature principal, with similar detail perceived all the way down the frequency spectrum.
Here at HifiHeadphones we’re no strangers to the type of quality products the portable audio industry can put out; however the Pandora Hope VI has surprised us all. From the retro-future ‘Metropolis’ looks of the Hope VI to the weight and the way they feel in the hand, we knew that these headphones weren’t just designed, they were born.
Pros
Unique and gorgeous looks
Lovely to touch
Comfortable and relatively light
That sound!
Cons
Will need running in to be at their best
Key Features
As mentioned, the driver principal is the Pandora’s most notable feature; the balanced armatures working alongside the dynamic drivers. There is no sense that two drivers are operating on each side; the presentation is as smooth and even as it would be with any high-quality wide bandwidth dynamic driver, once worn in.
First Impressions
The Hope VI can’t fail to please with its Buck Rogers looks. Something feels as if it is being wasted once they are worn on the head as they cannot be seen any more! However, the soft comfort of the padding and solid feel of the design keeps the wearer happy enough until a mirror is within reach.
Sound Quality
The Pandoras are consistently referred to as being among the best-sounding headphones around; this by people who are in the know and have tried many headphones and set-ups. My own experience involves gorgeous silky bass which sits just where it’s supposed to be, mids which surround and demand attention, and highs which pierce and shock, but in the most gentle way possible. My ears are sensitive to high frequencies and fatigue is never far away with some headphone/genre combinations, but the Hope VI never strays into that area; it knows exactly when enough is enough, preserving a smoothness which has no right being there but is staying nonetheless.
As mentioned above, there may be a brief period of ‘running in’ required as the two drivers meld together but this will be limited to a weekend.
HifiHeadphones Verdict
Dr Who’s Tardis is famous for being bigger on the inside than the outside. My guess is that Final Audio have been watching from behind the sofa whilst taking notes, as for a closed back headphone (a fact I have to keep reminding myself of) the sound is all-encompassing. Watch out Fostex, your closed-back crown may be about to slip!
Watch our video review of the incredible Final Audio Design FI-BA-SS earphones. With a price tag of over £1000 it is easy to be sceptical about the FI-BA-SS from Final Audio, but this is more than your average earphone. See for yourself in the following review:
Crafted by hand from stainless steel and with a truly innovative approach to the controlling the movement of air in the earphone, it is obvious how much care and attention has gone into developing this earphone.
Press Reviews
HiFi+ Magazine Appraises Final Audio Design FI-BA-SS
“A truly impressive degree of you-are-there clarity, plus an uncanny quality of effortless, top-to-bottom coherency.”
Final Audio Design are a well known high end HiFi manufacturer from Japan. Theybegan developing magnetic cartridges and step-up transformers in 1974. It wasn’t long before they were manufacturing turntables and speakers, which were well ahead of the curve at the time. When Final Audio Design started manufacturing headphones, they wanted to relay the musicians passion for music, as well as their own passion for engineering.
The Adagio III uses a special BAM (Balancing Air Movement) Mechanism, which optimises air movement inside the housing, solving sound leakage and leading to a simpler structure and slimmer body.
The Adagio III have a remarkably clear sound – open, transparent and lively. There’s plenty of bottom end power but it’s measured, this and the amazing instrument separation stop any muddiness from occurring.
The bodies are constructed from a tough ABS material, the 120cm cable is superb quality at this price point and small medium and large tips are included for comfort. We also love the clear differentiation between left and right on the earphone bodies
HiFi Headphones Verdict
Contemporary music fans who want a bit of HiFi legacy, a clean clear audio and change from £100, look no further. The Adagio III unleashes a powerful sound which is vibrant and spatial with impressive width and separation in the stereo image.
Our next episode of our video review series features the Munich HighEnd Show which we were lucky enough to visit this year. We were kindly invited by the Japanese HiFi brand, Final Audio Design for the launch event of their headphones in Europe. We saw plenty of interesting things at the show and also had the chance to have a brief chat with FAD President, Kanemori Takai and FAD Europe representative, Christoph Umbricht.
Stay tuned for some more videos, watch this space!
Final Audio Design‘s new mid-price range is topped with the Final Audio Design Adagio V, a sleek looking and robust in-ear monitor which is designed to be worn down (perhaps earoded?) as opposed to worn over the ear. The driver housings themselves are relatively weighty and feel as though they are likely to fall out of the ears, but when in position this fear is short lived.
I always considered that a shiny barrel of metal going into my ear would lead to trouble, but maybe I’ve watched too many Mafia films. The Italian name Adagio certainly helps to conjure up the picture of a whacking, but the price doesn’t look too much like extortion.
The cable feels like a bit of a mismatch; as while it would not look out of place on other IEMs, the extra weight of the driver housings make it seem a little weedy. The lack of strain relif is a concern too, but I’m thinking that there’s likely some form of reinforcement within the housing. The weight of the Adagio V’s drivers would make it very tempting to use as a bola; fortunately there’s no shortage of people running away from me so I’ll be trying this soon.
When I had figured out the correct sized tip for my ears (which are smaller than average) the drivers sat in the ears happily enough, but I did look a little like my mother had an affair with a soda syphon.
Sound-wise, the Adagio V is forward in the midrange and I find myself tempted to lose a couple of dB in the 2-5k region; this is more a reflection of my own tastes and I feel that a lot of equipment aimed at the audiophile has a similar sound signature. The bass is there and extends very low, but there is no accentuation or bloating, if anything it is understated (again, my tastes are speaking here).
The soundstage is impressive, and it can sometimes really feel as if the sound is emanating from without, with some good instrument separation.
There is plenty of air, and a little play with an EQ shows a lot of response in the 14kHz region where a lot of earphones give very little difference. This is definitely an earphone for those who like detail over bass.
