Well all Audeze headphones have a certain styling, and the LCD-2 Classic are very much an Audeze headphone. However instead of wood you get nylon rings with metal grills, the look is smoother and sleeker than older models. The headband is steel with a suspension strap that is more comfortable than the original. Overall they don’t stand as much as the original LCD-2, but they won’t have any wood issues either, so that’s a bonus.
Build quality is excellent, they are still using sturdy 4-pin mini XLR connectors on the headphones and the cable is thick and has good strain relief. The earpads are huge and made of protein leather rather than the genuine leather of their higher end models. The headband is steel and feels strong, the suspension strap is protein leather like the pads, which makes these vegan friendly. Overall I can see the LCD-2 Classic lasting a long time, the pads are glued on however they are fairly easy to replace. The LCD-2 Classic no longer come with the big carry case the higher end models have, but this has helped keep the cost down.
Again here we have the typical heaviness of the Audeze models, due to their excellent build quality sadly they are quite heavy. The newer headband helps alleviate the pressure better than the old one, but if you are not used to the weight it can become tiring. the earpads are extremely comfortable and deep though, and once you get used to it they are good for fairly long listening sessions.
Compatibility
The LCD-2 Classic are quite efficient for a planar headphone (Efficiency: 101dB / 1mW) but it doesn’t mean they can’t handle extra power. Out of a low powered source they can sound a little constrained and flat, but hook them up to a powerful solid state amplifier and you will be greeted with the smooth yet powerful sound that these are capable of.
Sound
Audeze wanted to bring back the sound of the original LCD-2 in a more modern package, so they got rid of the fazors, redesigned the headphones a bit and here we are. Back to a time where people wanted to sit back and relax, and not worry about the resolving capabilities or micro-details. A time where few audiophile headphones had enough bass response for most people.
Bass: Audeze built their name on this part of the frequency response, a high-end headphone with warmth and body. The LCD-2 Classic are effortlessly smooth down low, with plenty of warmth and punch all backing up the rest of the sound. However the LCD-2 Classic don’t have the headshaking, skull thumping impact of the original. Make no doubt about it, the LCD-2 Classic have more than enough body and warmth to their sound, but they are more restrained and controlled and never become overbearing. If you are fed up of the more clinical and sometimes cold sound of some high-end headphones, the LCD-2 Classic are a sobering listen and a great addition to a more neutral tuned collection.
Midrange: The transition into the midrange is smooth, giving them enough body and warmth to sound pleasant without colouring the midrange too much. There is good tonality in the midrange, vocals cut through without every becoming shouty or peaky, husky male vocals are such a pleasure to listen to on these. Female vocals don’t quite have the required bite in the upper midrange, remaining smooth and sweet throughout and they are not the most aggressive sounding headphones when it comes to playing faster rock music. These are more suited to smoother genres, or electronic based music.
Treble: Much like the midrange the top end is tuned for smooth listening, and they do roll off a little early. These do not have the best extension or shimmer, however they are very easy to listen to and peak free. There isn’t too much to say about the treble on these, apart from if you are sensitive to sharp treble these are perfect.
Genres and Soundstaging
Being a bit of a laid back and smooth headphone these are easy to just kick back and listen to without any fatigue. They are not the most exciting headphones, but they handle most genres with ease. They don’t really stand out with any particular style of music, but that extra helping of bass does help certain EDM and hip-hop tracks.
The soundstage is great on these, with great width and height. Instruments are easy to pinpoint and you can easily pick apart the layers of the recording.
Conclusion
The LCD-2 Classic are a well controlled, but ultimately warm sounding headphone. They offer up a fatigue free sound with good width and height. If you listen to electronic centred music, old school rap/hip-hop and smoother more acoustic music they are a joy to listen to. However they lack a little aggression for faster paced music.
The Next are a very well made headphone with a mainly aluminium and leather finish, the arms have good adjustment to fit various head sizes and the earcups are deep enough for most ears. The fit is firm and secure but they don’t clamp overly hard.
Comfort wise I feel the headband could be a little more padded, but the earpads are spacious and soft. They are also a little on the heavier side in terms of weight, which does restrict listening sessions somewhat. Again everyone’s tolerance is different so most probably won’t have too much of an issue with these.
The Next are surprisingly easy to drive for a full size headphone, whilst I wouldn’t recommend you run them out of a portable device, you definitely can. They do however scale up with more powerful amps and pair well with most solid state desktop amps, having a more detailed and controlled sound. The Next are an open back headphone, more suited to private listening than portable use.
Sound
Bass: The Next have a good amount of body down low, but the impact is always controlled and without any bloat. There’s a bit of a peak in the sub-bass and the mid-bass misses out on a little bit of impact, which renders some kicks a little dry sounding but nevertheless the lows are well controlled and enjoyable. They come out when needed but never overwhelm the overall sound. The lows can handle anything you throw at them, they have excellent timing and never get bogged down with complex mixes.
Midrange: Detailed and open the midrange portrays vocals with great timbre and accuracy, layers are finely separated yet presented as a coherent whole. They are not warmed by any bleeding from the bass, and these give and honest yet detailed portrayal of the midrange. Guitars really do sound great and are really well separated from the vocals, it doesn’t matter what you play through them, this quality remains. Female vocals work well having excellent clarity and detail without any sharpness to them.
Treble: The treble of the Next is notably subdued in the upper regions, compared to the bass and midrange the top end is just a bit flat, there is little energy or sparkle up top leaving them sound a little boring and uninspiring. Snares are snappy, but high-hats don’t have any energy and cymbal crashes get pushed to the background. EQ definitely helps here, and they would suit people who are treble sensitive, but for those used to a brighter or more neutral sound may find the Next a little too polite.
Genres and Soundstaging
The slight dip up top means the Next are fairly versatile but lack a bit of bite during more energetic tracks, they suit genres like acoustic and country well.
Soundstage wise though they are pretty impressive with a well focussed centre image and great layering and space between the rest of the instruments. It’s quite easy to tell where they are placed within the soundstage.
The Next are snappy and controlled yet they are also a little rolled off in the treble which means they sound a little soft and dull at times. They are not lacking detail, and true to the brands name they sound very clear. Overall they are enjoyable for the treble sensitive listeners but those looking for a bit more energy should look elsewhere.
The Aeon II come in a new colour in my opinion they look great, the finish on the cups is perfect with a similar leather headband strap and headband as the original. The grills are also very similar to the original, but the arms now allow the Aeon II to fold up into a more compact size, although being open back I’m not sure how handy it’ll be for this model. It’s certainly a good feature for their closed back sibling.
Build quality is excellent as always, the supplied cable is soft and the connectors are solid. The headband is flexible and it all feels very well put together. Nothing here feels cheap, Dan Clark Audio have thought carefully about the materials used, and it shows.
Comfort:
The Aeon II are lightweight with a suspension strap and deep earpads, this all leads to a super comfortable headphone that is a pleasure to wear for extended periods. The earpads are however made of leather, so you may find your ears getting a little hot during extended listening sessions.
Sound:
Bass: For an open back headphone the Aeon II really do deliver down low, with plenty of body and adequate punch. They have a slightly full bodied sound to them but with better extension over their predecessor, they are also very well controlled as is the case with most planar headphones. The body comes out when called for and lends a lovely tone to acoustic recording, yet throw on something heavier and they can easily keep up. There is good layering down low and nuances are easily picked out, these are not bass heavy but they are a slightly warm and full bodied headphone.
Midrange: The midrange now has better detail retrieval and spaciousness, there is more air around vocals, yet everything is delivered with a pleasant smoothness. The midrange is effortless and natural, instruments sound real and sibilance is very well controlled. For those who want a little more bite, the Aeon II might be a little too safe sounding, but for those who enjoy a relaxed listen these are great to kick back and listen with.
Treble: The treble has good extension and air, but it is quite safe with regards to quantity, they have enough bite to bring out good detail however they do not jump out at you. They do however hit the mark with their tonality, reproducing the top end with a fairly realistic tone that is sure to please a lot of people. Placement within the soundstage is very accurate in the treble region, and the transition from midrange to treble is smooth, if not a little subdued.
The soundstaging on the Aeon II is good, with plenty of width and good height, the positioning of instruments is what stands out the best though with excellent layering.
Conclusion:
The new Aeon II are a technically excellent headphone with a warm, refined and smooth sound and plenty of detail to boot. Great build quality and comfort add to the overall package, but those who want a more punchy and exciting sound may want to look elsewhere.
We’ve have some of the best full size hi-fi headphones from under £100 to over £1000 from 2017. The reviews are designed to help you choose from the massive selection of hi-fi and audiophile headphones available with open back and closed back designs. From established brands like Beyerdynamic and Sennheiser, to new creative brands like MrSpeakers and Audeze.
Scroll down for in depth reviews of our favourite full size open back and closed back headphones.
The closed-back Edifier H840 has audio quality which belies its entry-level price. Low-cost headphones can emphasise the bass a little too much but the Edifier H840 has a good balance throughout the frequency range, with midrange and treble coming through with impressive clarity. Bass is there too, and prominent enough to give a bit of weight to those basslines without stealing the show.
Build quality is also impressive for headphones at this price; they are quite rugged, but light and comfortable as well.
They can be used either in the home or as a portable model, since the closed-back design offers good isolation from exterior sounds and the H840 can be powered sufficiently by a phone, or a portable music player.
HiFi Headphones Verdict:
If you’re on a budget, there is no need to compromise on sound quality. For the asking price, the Edifier H840 represents amazing value.
Sennheiser’s HD461 models come in two flavours, depending on whether you have an Apple handset (with a headphone socket!) or an Android handset. Designed primarily for portable use, the HD461 models can also be used with home equipment as they will still work in standard 3.5mm stereo sockets.
Also, the cables are available separately as spares, so if you change your phone from one type to the other, you only need to get the appropriate cable for full functionality with your new handset.
The design is light and comfortable with a sound akin to what Sennheiser generally prefers; a warm comfortable sound with enough sparkle at the treble end to keep things interesting and vibrant, but without any danger of listener fatigue. The HD461 design hsa a little bit of extra bass than usual however, so if you’re a bass fan then these are worth a try.
HiFi Headphones Verdict:
For a bassy accompaniment at home or on the move, the HD461i (or HD461G) will give full functionality with your handset, whether Apple of Android. With spare cables available too, there is no need to change your headphones if you change your phone (iPhone 7 notwithstanding!).
The new HP151 from SoundMAGIC is perfect for those who want to treat themselves to some excellent sound and build quality, but without breaking the bank. The HP151 comes with a sturdy carry case and an extension cable for more options if listening at home, but is otherwise suitable for portable use, being of a closed-back design. Be aware however that whilst the HP151 will work well with commercial genres, classical or similar may require more amplification than a phone/handset can provide on its own, as those music types generally have quieter recordings, with less dynamic compression applied during production.
The HP151 sound has a good amount of well controlled bass from its 53mm drivers, and midrange/treble are clear and present. It’s a comfortable sound, and it is not likely that listener fatigue will set in.
HiFi Headphones Verdict:
The HP151 is a fantastic all-rounder, with a bassy yet crisp sound. It has a spacious and wide presentation considering the closed back design, and it looks really good too!
Final makes some excellent-sounding headphones with great build quality too. Their closed-back Sonorous range encompasses many models, but the Sonorous III is a point of interest as it gives some amazing sound quality for the price. With slightly boosted bass and treble, the Sonorous III gives a little added shine to your tracks without going overboard. The low impedance of this design makes it suitable for using with a portable device or phone, for enjoying your collection in the home, or out and about.
HiFi Headphones Verdict:
The Sonorous III is a favourite here for its relaxed, natural sound. However the Sonorous II is also noteworthy as a more neutral version, giving a more faithful rendition of your recordings and particularly suitable for classical and acoustic performances.
Best Full Size Headphones Under £800
Now we start to enter the price range of diminishing returns; for instance, headphones costing £800 will not sound twice as good as those costing £400, but if you are intent on raising your headphones game, these smaller improvements are still worthwhile to make your music collection come alive again.
Beyerdynamic has impressed us for many years and continues to do so with new models such as the Amiron Home. With sterling build quality and sound quality alike, the open-back Amiron Home does everything well. All frequencies are very well balanced with each other, with treble a little gentler than quite a few of Beyerdynamic’s previous models.
So the sound is natural and smooth; ideal for relaxing at home (where else?), and quite suitable for any music genres that can be thrown at it.
HiFi Headphones Verdict:
The Beyerdynamic Amiron Home is a real treat to use, and is as comfortable to wear as it is to listen to.
A relatively new maker, MrSpeakers has certainly caused a stir with their line of planar-magnetic models recently. Not least with the Aeon, a lightweight design which hits heavy with some excellent sound quality. The design lends itself well to portable uses, although additional amplification may be required if using with a phone.
The sound is fairly well balanced with a little extra bass and lovely clear midrange and treble. The Aeon is well suited for all genres, but a real treat with anything likely to get you moving!
HiFi Headphones Verdict:
If your portable audio game needs updating, the MrSpeakers Aeon is one to look at, although the Aeon is equally enjoyable if you like to stay put.
Focal’s recent additions to their lineup show a slight move away from the generally brighter sound of their previous models, to a gentler more laid-back sound which nevertheless gives detail in spades. The Elear is an exquisitely comfortable model to wear also, and gives the impression of the venerable HD650 but with a little bit of extra treble presence.
The Elear is not a light model at 434g, so this may be worth bearing in mind but the sound is very pleasing indeed.
HiFi Headphones Verdict:
French company Focal has produced a real hit with the Elear, and it is easy to understand how; they’re great fun!
Pioneer’s new SE-Monitor5 is where headphones start to get sumptuous and luxurious! Build quality is like an executive car, and the plush padding is much the same. The SE-Monitor5 may be a little heavy for some at 480g but they are made for relaxing at home and swallow up the sides of the head with their huge earcups.
The sound is as you would expect from Pioneer at this price, with well-controlled bass doing just what it needs to according to the music genre being enjoyed. Higher frequencies follow suit and remain faithful to the music, only to add a little bit of extra excitement and glamour to proceedings, whilst staying very relaxing.
HiFi Headphones Verdict:
The SE-Monitor5 is incredibly comfortable and bound to please anyone who gives them a listen.
If you have got bored of circling Switzerland in your yacht then you’re probably lost, but you may be wealthy enough to consider the following models for your floating games room! These higher priced models may seem as steep as a black route ski slope, but those who accept no compromise will find the following offerings very interesting.
Sennheiser is no stranger to premium headphones, and has followed up on the excellent HD800, released a few years ago. Some felt that the HD800 is incredibly detailed but at the cost of a certain amount of musicality, so Sennheiser now has the HD800S which offers a little more in the way of ‘soul’. Bass is very responsive to what different music genres need without overdoing things, and midrange/treble give some excellent soundstage and imaging with a slightly gentler presentation when compared to the older HD800.
The HD800S is however just as comfortable as its older brother the HD800; these models can be worn for hours on end with no trouble.
HiFi Headphones Verdict:
The HD800S is a very popular model and with good reason; it’s as enjoyable as it is comfortable and has a fair amount of visual impact as well.
Audeze has plenty of models, but at the top of the range we have the planar-magnetic LCD-4. Top notch build quality is to be expected at this price, including unique drivers which feature NASA technology in their nano-scale diaphragms. These light, thin diaphragms can move very quickly with no inertia, making transient response times very fast, and bass precise with nice extension and very good control.
Made from 30 year old Macassar wood, the earcups are set off by bright silver grilles making the LCD-4 a treat to look at as well as to listen to. As well as the excellent bass, midrange and treble follow in good order with a smooth transition between, but with perhaps a slightly recessed midrange, putting bass and treble at the forefront of the presentation.
HiFi Headphones Verdict:
For the last word in headphones, this may need to be your first stop!
Exceptional quality for the price. The Audio-Technica ATH-MSR7 renders every detail clearly and leaves no sonic stone unturned, but steers just clear of being overbearing at the top end of the frequency range.
Pros
3 cables for all scenarios, including one for smartphones
Solid but light construction
Carry pouch
Cons
There must be something..!
The new Audio-Technica ATH-MSR7 has escaped from Japan and has made it to our eager earholes in the UK; but can we expect a bigger version of the M50, or something else? The styling is reminiscent of the M50, but can we expect the recessed mid range that the M50 is known for?
Key Features
The ATH-MSR7 features ‘True Motion’ Hi-Res audio drivers with a diameter of 45mm; this according to Audio-Technica’s website improves response times and minimises distortion for a clearer and and more detailed sound, due to the inclusion of a super-light voice coil and precision diaphragm. Also ‘Dual layer air-control technology’ is described as a method for reducing vibrations within the housing; together with a triple-vent on each side, virtually all extraneous sound can be dealt with. Audio-Technica have been generous with extra cables in the box; there’s both a 3m and 1.2m cable and for those of us with friends, a cable featuring a mic and smartphone controls. For those without, we can always place the plush and well-made carry pouch over our heads.
First Impressions
The headphones don’t inspire much in the way of excitement on first seeing them; they’re pretty standard and much like the M50 with a less broad headband and larger earcups. The build quality is superb however, exuding a feeling of solid reliability. I’m reminded of a Beyerdynamic DT250.
Sound Quality
Under the ATH-MSR7’s dour and business-like appearance beats the heart of a party animal; ready to draw you in for the time of your life! The sound of these cans really must be heard to be believed; for under £200 the ATH-MSR7 represents some amazing value for money. There’s no ‘effortless’ feeling of headphones at the high end of the market, but everything else is there. A very pleasing bass which knows its place but is very impactful and rich, leaves room for a stunningly clear midrange with bright treble extending high, but with a smoothness which does not stray near harshness.
Soundstage is good for a closed back headphone, but it’s the imaging and speed which really makes the ATH-MSR7 shine. It certainly seems that the mysterious techniques that Audio-Technica have implemented here have paid off. I can think of headphones this good which cost twice as much as the ATH-MSR7! Little harmonic details and hard-panned instruments vie for attention, and the ATH-MSR7 demands pretty much all of it!
Summary
All too often we’re forced to find new exciting ways to say something is very good, and this is another of those times. The Audio-Technica ATH-MSR7 just does everything well. Understated enough to be worn in public, vented enough to provide a great sound, but also with a good amount of isolation. The ATH-MSR7 is just heavy enough to give the impression of solid build quality, but light enough to be enjoyed in great comfort. And as above, the sound is immersive.
Score – 9.5/10
Click Below to see our Audio-Technica ATH-MSR7 Unboxing video
SoundMAGIC continues to impress with their full size models. The HP200s have great balance between accuracy and musicality making them a safe choice for home listening. They measure up really well against the best headphones in this price range.
Pro’s
Great build quality and adjustability, comfortable pads, easily driven and the price is right.
Con’s
Aesthetically unadventurous.
In-Depth Review
Introduction
The HP200 is SoundMAGICs first full size open backed headphone. It follows on from their very first full size, the excellent HP100 closed back, with very similar looks and build quality. Because open backed headphones allow sound to bounce around and even move away from the ear they give a more realistic sense of space. This means they do not isolate well but the sonic benefits can be spectacular.
Description
The HP200 is nearly entirely metal with some tough PE materials for the smaller mouldings. The large earpads and headband are extremely soft and comfortable, the unit itself beautifully ergonomic and relatively lightweight. The range of movement and adjustment is very well thought out with a higher than average amount of articulation, so they should work for anybody.
Included peripherals
The single-sided cable is replaceable with a simple locking connector on the left earcup. The cable is 120cm in length and terminates in a 3.5 mm threaded plug with a screw-on 6.35 mm adapter. Supplied with a very nice carry case that holds the 120cm cable, a 3m extension cable and an inflight adaptor, it all fits back into the case with ease.
Application
This airy sounding open back is really designed for Hifi listening at home but due to the foldable frame, carry case and low weight it could easily help save the sanity of a music loving business traveler confined to a basic hotel room for the evening.
Describe the sound
SoundMAGICs HP200 features angled 53mm Neodymium Drivers with a composite surface, are low impedance and quite easy to drive (although they will benefit from a dedicated headphone amplifier). The Sound is quick and bright but reaches down nice and low for thumpy bass when needed. The bass is a really interesting part of the sound – bass heavy instruments articulate extremely well, lower strings have real texture which helps the transparent presentation and dark background. The sound is very measured, no one thing is ruling the roost here, SoundMAGIC have not been tempted to make these overly warm but have also stopped them from sounding too analytical, they don’t fizz, the top end sparkles without being aggressive. Accurate but musical is normally the goal with open backs and thanks to well balanced EQ the HP200 achieve this impressively. Instrument separation is superb and these dynamic and exciting headphones are better than their price would suggest. They would definitely suit people who prefer focus on detail to warmth and clean articulation to big bass.
Ultrasone Germany announces the release of the Edition 10, their first open back special edition headphone and it is their most luxurious to date.
The Edition 10 feature Zebrano wood ear cup inlays, Ethiopian Sheepskin ear pads, Titanium Plated Drivers, Kevlar coated cabling and are limited to a run of 2010 individually numbered units.
The ear cups are a beautifully designed combination of form and function, this low resonance lightweight design is finished in galvanic Ruthenium plating and Zebrano coated with four layers of clear lacquer for protection. The inner cup and headband pad is adorned with reddish brown Ethiopian Sheepskin – the worlds softest leather.
The individually matched (tolerance +/-0.4) and specially tuned 40mm Titanium plated drivers have been designed specially for this open backed design. Cabling is silver-plated oxygen free (99.99%) pure copper with Kevlar casing and is designed to be balanced input ready so you do not have to change the entire cable for balanced configuration.
Edition series headphones have Ultrasone´s newest S-Logic™ Plus technology. Edition 10 headphones also contain MU-Metal shielding that reduces magnetic field emissions by up to 98% as compared to conventional headphones.
Finally each Edition 10 comes with a striking hand crafted Zebrano wood headphone stand and its own wooden storage box.
Ultrasone Edition 10 will be available from November 2010! RRP to be confirmed.
