Tag Archives: headphone blog

Do You Need A Headphone Amplifier?

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Do I Need A Headphone Amplifier?

What is a headphone amplifier?

Simply put, every device that allows you to plug in headphones has an amp built in. The amp takes the audio signal and boosts it, allowing us to hear sound through the headphones. Amps don’t only boost volume; they can add and improve qualities like soundstage and separation. Adding an amp to a setup can also bring extra warmth or clarity. This all depends on the quality of the amp and how it has been designed.

The reality is that most people won’t need an external headphone amp. That’s not to say that they wouldn’t benefit from one, though. Smartphones are now a very common music source, and with the technology getting better and better, they do a decent job of delivering good quality sound to most portable headphones and earphones.

JDS Labs Objective 2

There are plenty of headphones designed to be used with mobile phones and other low powered portable devices. These headphones generally have a low impedance of up to 32ohm, and high sensitivity of around 100db, so they are very easy to drive and are more likely to go louder. Remember though: not only do amps add extra power but they can also improve the quality of the sound. So, once you start looking at higher quality headphones, improving your amp will start to make more sense as you will want to get the most out of them. No matter how good your headphones are, the sound quality will be limited by how good the amp is.

Choosing a headphone amp

If you’ve decided to go for a headphone amp, you now need to decide which one to go for. There are many to choose from, and they go for anything between £20 to £2000 and more. Amps can be split into two main groups: portable and desktop.

If you want to add some power to your phone or laptop, then you will want to look for a portable amp. These amps can be charged, and will run off batteries, making them ideal for using on the move. They are also small in size, and there are some out there (like the iFi Audio xCAN) which can connect to the source wirelessly using Bluetooth.

 If you only use your headphones at home, or intend to use headphones that are particularly hard to drive, then you will probably want to go for a desktop amp as they are generally more powerful. Not only are they more powerful, they also tend to have a larger amount of inputs and outputs, making them very versatile. They will need to be plugged it at all times, so will need a power socket to work.

As amps can bring their own character to the overall sound quality, it’s worth making sure you choose wisely and pick an amp that will compliment your headphones. For example, if your headphones have a warm or bassy sound then it’s a good idea to go for a neutral or bright sounding amp. This also works the other way around; a warm sounding amp will complement bright headphones and help to balance the sound out.

Get in touch!

If you have any questions about choosing the right amplifier then please feel free to comment below! We’ll be happy to offer advice on this.

What are custom in-ear monitors?

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What are custom in-ear monitors?

Essentially custom in-ear monitors are, as the title suggests, custom made earphones that are moulded to the shape of your ear. Everyone’s ears are different, and to really achieve the most comfortable fit, along with the best isolation, you have to go down the custom route.

 

Where to start?

So, you are thinking about going down the custom route, first up is the usual research and reading of reviews to shortlist some potential models. The custom industry has grown massively in the last few years, and they are no longer reserved for touring musicians, and there are easily as many audiophile models as there are pro-audio models now.

 

A few of the main brands are:

  • 64 Audio
  • JH Audio
  • Ultimate Ears
  • Empire Ears
  • Cosmic Ears
  • Custom Art

 

Once you have shortlisted some, it is worth looking to see if anywhere near you has demo models you can go and try out. As once you have the custom version, you won’t be able to return them.

 

Next you will need to get some ear impressions done, this is one of the most important parts of the process, due to this we would advise you spend a little more and get them done by someone who is highly qualified in taking ear impressions for musicians. Alternatively most brands will have a list of recommended audiologists, the process is not painful, but it is a bit odd if you have never had it done before.

 

First, they will check your ear canals are clean enough to take the impressions, and then they will insert a foam stopper past the 2nd bend of your ear canal. Then a 2-part silicone mixture is mixed and inserted into a syringe. You are usually given a bite block to take an open mouth impression (recommended for custom monitors) and the mixture is then injected into your ear and fully filling the outer part too. The silicone takes about 5-10 minutes to cure, then the impression will be removed and you are done.

 

 

Now you have your impressions, it’s time to design your monitors (or vice versa)

 

To be fair, you can order your monitors and then get ear impressions, either way the end result is the same. It is however best to send the impressions sooner rather than later as they do change if kept in storage, reducing the likelihood of getting a good fit the first time round.

 

You can go on to most manufacturers websites and design your monitors with their online design tools, these are great fun to use and the number of options varies depending on the brand. A lot of them also allow you to upload artwork if you want a specific logo on them. Take your time and make sure you pick a design you love. There are companies like Custom Art that are happy to surprise you if you don’t know what design to go for, they do some incredible pieces.

 

 

Now the wait…..

 

Your customs arrive, you are keen to try them out, but wait, how do they fit in?

 

Most brands include a leaflet to help you, but there is a technique to inserting custom monitors, you have to twist them in until they lock into place. Here is a great guide on the fitment of Custom monitors: https://theheadphonelist.com/custom-in-ear-monitors-fit-guide/

 

Now you have your own unique earphones that with some care will last you years and give you excellent sound quality, along with increased isolation and comfort when compared to universal models. Happy listening!

Headphones Vs Earphones Guide & Video

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Headphones vs Earphones

Hey everyone, John here. This may seem like an obvious topic, but there are a lot of differences between headphones and earphones… some of which are not as obvious as you may think.

Headphones

Starting with the shape and size. Headphones, as the name suggests, fit on your head, and have a headband that sits on top of your head. At either side of the headband, you have the speaker housings or earcups. The earcups hold the speaker drivers, and are designed in one of two ways: on-ear and over-ear. On-ear headphones have the earcups sitting on the ear and tend to be smaller in size, making them ideal for portable use. Over-ear headphones are larger and have the earcups completely surround the ear. Because of this, they tend to be used mainly indoors or where there isn’t much movement needed.

Earphones

Earphones are a lot smaller, and sit in the ear or in the ear canal. There are three main types of earphones:

Earpods / Earbuds

The older earphone design, or newer earpods, rest in the ear without going into the ear canal. This fit means that you are less likely to create a good seal between the earphone and your ear, resulting in an open sound that can tend to be a bit bass light. This fit also means that they will not isolate sound very well, meaning you are more likely to hear what is going on around you and people nearby will be able to listen to your music. Not ideal for public transport, but liked by sports users as it can be useful to hear your surroundings.

In Ear Earphones

In-ear isolating earphones have a deeper fit and will go into the ear canal, they also have eartips installed. This not only helps to keep the earphones in place, they also help create a good seal which improves isolation and sound quality, especially bass performance. In-ear earphones are the most common fit, and there are two ways of wearing them depending on the design. Cable straight down, and cable over the ear. The cable-over-the-ear design tends to provide a more secure fit and deeper insertion into the ear canal. This way, you will benefit from better isolation. Still, a lot of people prefer the cable-straight-down design as they are easier to use.

A quick note on bass performance. It is very important to make sure that you achieve a good seal when using in-ear isolating earphones. If you do not do this, the main effect to the sound will be a loss of bass… and nobody wants that. When this happens, the sound can come across very tinny and flat, so make sure you try all of the supplied eartips to ensure you’re getting the best sound possible from your new earphones.

Custom In Ears

Lastly, you have custom in-ears. These earphones are customised to fit your ear specifically. This is the best way of achieving a perfect seal, which hugely improves isolation and sound quality. This is done by having a mould of your ear taken, and then used to make an earphone that perfectly fits the shape of your ear. This is a more expensive option and is currently only offered by a small number of manufacturers.

Sound

There is also a big difference between how headphones and earphones sound. I wouldn’t say that one is better than the other. The overall experience is different and people will favour one over the other.

Headphones tend to deliver a more natural listening experience. What I mean by this is that with the speakers being away from the ears, sound is delivered in a more natural way. With our ears playing a part in capturing the sound, similar to how we hear day to day. Headphones can also deliver a bigger or wider sound due to the size of the drivers used and them being away from our ears.

With the speakers being so close to the ear, or even inside the ear canal, the experience from earphones is very different and can take a while for some people to get used to. Due to the fit being so close to the ear, and much smaller speakers being used, earphones are capable of delivering a very high amount of clarity and detail. Sometimes this can be overwhelming, especially for those who have never used earphones before. The close fit also means that sound can come across narrower and feel like it is coming from inside the head when compared to a headphone.

Conclusion

Ultimately, it comes down to taste and how you want to listen to your music. Both headphones and earphones can be used in a large number of situations, and whether you prefer using headphones or earphones – there will be a model out there for you.

ER2-SE and ER2-XR Review & Video

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INTRO

Hey everyone, John here. Etymotic is possibly a brand that a lot of you haven’t heard. Don’t be mistaken, though: Etymotic has been in the audio game for over 35 years. They are acoustic research and hearing aid specialists, and this always comes across in their products. The scientists of the world of portable audio, Etymotic strive to create earphones that deliver clean and undistorted audio as well as market leading isolation and hearing protection. Introducing the ER2-SE and ER2-XR earphones.

BUILD

As you may have guessed from my intro, Etymotic are not ones to cut corners. The build quality on the ER2s is superb. The housings are made of anodized metal with a blue finish; this makes them feel good to touch, and I really like the blue finish. The ER2s come with replaceable cables, which connect using MMCX connectors and have obviously been built to last. Both strain reliefs on the connectors and 3.5mm jack are solid, and the cable itself is flexible with a nice smooth finish. The yoke, or y-split, is covered in the same metal as the housings, which adds to the durability and looks pretty good too.

COMFORT

Comfort is an area that will split opinion when it comes to Etymotic earphones. The ER2s are no exception. These earphones are designed to be inserted deep into your ear canal; this is how you will get the most from the 35dB of isolation that can be achieved. The ER2s come supplied with a selection of different ear tips including Etymotic’s own triple flange and foam eartips. For me, the foam tips work the best, but I recommend you try all of them to find the best fit for you. Once your chosen tips are fitted, this is where it can get tricky. And for some… uncomfortable. The ER2s have a long sound tube which is designed to go deep into your ear. With the foam tips, I pinch them so they go as flat as possible, then gently ease them into my ear and follow my ear canal as deep as they can go.  (You’d be surprised how far they can go.) When the foam expands, it creates a perfect seal and along with the built in isolation of the earphones. The ER2 provides the best isolation I have experienced from a universal earphone. The trade-off here is that you have an earphone stuck deep in your ear, which can take a while to get used to.  Even though I am fine with it, I can imagine a lot of people will find it too uncomfortable. Fear not, you can wear these earphones without jamming them far into your ears. Just be aware that you won’t be getting as much isolation and therefore the full potential of the ER2.

SPECS

The ER2 earphones have a fairly low impedance of 15ohms and a sensitivity of 96dB, making them easy enough to drive from a laptop or smartphone. In my experience the ER2 sounded great out of my laptop, but when used with a dedicated portable audio player or headphone amplifier, the extra power and quality provided better soundstage and dynamic range overall. Etymotic has used custom-tuned dynamic drivers for the ER2 models, a change from the balanced armature drivers used in the previous ER3 and ER4 models. This to me suggests that Etymotic are looking to appeal to a wider audience and along with the £170 price tag. I think they have achieved this. The high isolation rating of 35dB means that you don’t need to play your music as loud as some other earphone models. Background noise is greatly reduced, and having such a good seal means that no audio is lost.

 

 SOUND QUALITY

Now onto the sound quality, another thing about the ER2 that will split opinion. Technically, both the ER2-SE and XR are faultless in terms of sound. This isn’t a quality everyone wants, though. The Etymotic signature has always been flat and neutral, and even with the use of a dynamic driver as opposed to a balanced armature used in both the ER3 and ER4 models. There may not be enough boom and sizzle for lots of people out there. For me, the sound is amazing. It comes across extremely effortless allowing you to hear what I can imagine to be as close to what was made in the studio as possible. Both models provide bass when there’s meant to be, and just the right amount. It manages to go very low without being pushed up. The XR version does, however, give a slight boost to the low end, just enough for those that prefer a warmer sound with more bass presence. Because of the low end control, mids ease through the mix, never sounding too harsh or recessed, providing an uncluttered and dynamic listening experience. Then the treble extends endlessly and brings space and definition. Soundstage is also very impressive, and with no particular frequency being pushed; you get a clean, engaging and intricate sound with no distortion.

CONCLUSION

At £170, there isn’t much competition out there for the ER2s in terms of sound quality, and if sound is your priority then I would highly recommend these. Due to their unique design and fit, they won’t be for everyone, and brands like Shure, Final and Flare Audio are making some very good earphones at this price with a more conventional design.

The Etymotic ER2-SE and XR are very much a Marmite earphone: you’ll either love them or hate them. The fit won’t be for everyone and I think that you will need to have a real appreciation of good sound quality to be willing to get used to the unique fit. Saying that, if you do get used to it, you will be one of the lucky ones.

Effect Audio Leonidas II Upgrade Cable Review

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Effect Audio Leonidas II

 

Aesthetics and Build quality:

The Leonidas II is one pretty cable, with a soft outer jacket and silver colouration it looks really amazing in the flesh. The jack has a carbon fibre housing, the y-split is silver and leather, and the 2-pin connectors are just sleek silver. I really do love the look of the cable; it definitely stands out as the silver has quite a unique sparkle in the sunlight.

Build quality is superb, from the PSquared jack to the 2-pin connectors everything is flawless. The braid is consistent and everything just feels really premium and well made.

 

Comfort:

The Leonidas II uses 26awg wires in a soft jacket, along with a consistent braid and moulded earhooks rather than stiff memory wire. All of this makes the Leonidas II an extremely comfortable cable in use, it is also a very quiet cable, with minimal if any cable noise.

Sound:

The Leonidas II is not a cable that brings noticeable changes in the lows/mids/highs, rather it focusses on how the detail and soundstaging effects are portrayed. The Leonidas II places a firm focus on creating a very accurate and wide soundstage, yet it also manages to add an element of increased resolution.

This increase in resolution doesn’t come across as added brightness though, it still remains a smooth a natural sounding cable. The Leonidas II will pair with many different monitors, with a black background and impeccable imaging and soundstaging. This cable never makes you feel like anything has been sacrificed to create the improvements, it keeps all the core elements of the sound of your monitors, but the increase in detail and spaciousness are instantly recognisable.

This is definitely a cable you can hook up and forget about, it doesn’t jump out at you with exciting elements, however it has a very mature and resolving sound that is about pure enjoyment.

Conclusion:

The Leonidas II is a perfectly balanced, highly resolving and all-round excellent cable. It is one that will pair well with most IEM’s, bringing out the best of their technical capabilities without making anything stand out.

Sound:  5/5

Comfort: 5/5

Build: 5/5

Value: 4/5

 

You can find our whole range of Effect Audio cables here

 

SoundMAGIC E11BT Wireless Earphone Review

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SoundMAGIC E11BT Earphone Review

SoundMAGIC are on a roll right now with their releases. First the E11 and E11C – already gaining numerous 5 star reviews. Then the E11D – their first USB-C dedicated earphone; and now the E11BT Bluetooth earphones. How do they hold up against the rest of the range?

Aesthetics and Build Quality:

The packaging is pretty standard for SoundMAGIC, with the addition of a front window flap – showing off the earphones along with a nice close up picture of the housing. Inside you get a selection of silicone eartips, USB charging cable and a carry pouch.

SoundMAGIC has gone for a neckband design with the E11BT. The design is neat and feels very well built. The batteries are placed either side of the neckband and there is an inline 3 button control and microphone for playing music and taking calls. The cables are the right length so they don’t flap around, and call quality is also very good as the microphone height is ideal.

SoundMAGIC E11BT

Features and Comfort:

The specs for the E11BT are pretty impressive. You get the latest Bluetooth 5 technology which helps towards the sound quality, a transmission distance of up to 13 meters and improved battery life. The SoundMAGIC E11BT will give you up to around 20 hours of continuous talk time. I have also found out that with general use, battery life lasts and lasts. The manual states that you can expect between 48 and 60 hours of continuous playback and from my experience with the E11BT – this seems to be pretty accurate.

These earphones are AAC compatible which is great news for both Apple and Android users. There is no aptX compatibility. However, like aptX – the AAC codec will transmit your music in CD-like 16bit audio quality.

Connecting the earphones is easy. Once powered on, the E11BT automatically goes into pairing mode, with red and blue lights flashing. Then when the model appears on your device you can connect. I really like the battery level that’s shown on the home screen of my phone – very handy. When you’re not using them, the magnetic housings hang nicely around your neck.

Good news for sporty users. The E11BT has a high water resistance rating of IPX4 – this means that they will be able to withstand water splashes from any direction.

The E11BT is very comfortable to wear. The neckband has a smooth finish and is flexible, sitting nicely behind the neck, and the housings are a good size so no-one should have an issue with fit.

SoundMAGIC E11BT

Sound:

Unlike other earphones at this price point – instrument separation is superb. Every sound comes through clearly and crisp.

  • Bass: There is bass weight and punch coming from the low end – enough to keep the bassheads happy while keeping it controlled so it doesn’t bleed into the higher frequencies.

 

  • Midrange: Mids pop, and cut through effortlessly with an engaging tone. There is a real crispness that is not what you’d normally expect from a lower priced Bluetooth earphone.

 

  • Treble: The treble provides space and clarity and the soundstage is huge. You get a real sense of depth and width from the E11BT.

SoundMAGIC E11BT

Conclusion:

Overall, I can confidently say that these are the best Bluetooth earphones going at this price and possibly even under £100. Their sound quality, technology, design and comfort are normally associated with more expensive models – the SoundMAGIC E11BT should be top of your list when looking for a new Bluetooth earphone.

Sound:  5/5

Features: 5/5

Comfort: 4/5

Build: 4/5

Value: 5/5

Final E4000 Review & Video

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Final E4000 Review & Video

Hailing from Japan, Final have been in the audio game since the 1970’s, where they started off designing and manufacturing high-end hifi equipment. Recently, they have focused on portable audio, and the E4000 is part of their E Series of earphones. Coming in at £120, the Final E4000 sits in the middle of the range and hits a very nice price-to-performance sweet spot.

BUILD

It’s very clear that Final take great pride in what they do, and the E4000 is no exception. The earphone housings are made from aluminium with an alumite coating for added resistances, and then finished in matte black, which I really like. The cable is replaceable and uses MMCX connectors. It’s also flexible and soft to touch, with good strain relief on the 3.5mm jack. The MMCX connectors on the cable could do with a bit more strain relief, however they seem to be pretty durable.

COMFORT

The E4000 is pretty standard when it comes to fit. The earphones are designed to be worn with the cable going straight down, and there are a good amount of eartips supplied to get the best fit. Final design the eartips in house, and their silicone tips are my favourite out of any I have tried. (And I have tried a lot.) For those that are sensitive to cable noise or prefer a cable-over-the-ear fit, Final have supplied the E4000 with ear hooks. These allow you to wear the earphones so the cable goes up and behind your ears. This can provide a more secure fit and will greatly reduce the amount of cable noise; it’s quite a rare thing to have both options.

SPECS

The E4000 houses a small scale 6.4mm dynamic driver, developed by Final themselves. With an impedance of 15ohms and sensitivity of 97dB, the E4000 can be used with a phone or laptop – however they will really benefit from a dedicated headphone amplifier or portable audio player. The extra power will open up the earphones more, improving soundstage and separation.

SOUND QUALITY

When it comes to sound quality, Final’s experience in the world of high end hifi really shows. There is a real musicality with the E4000 and sound comes across smooth and silky. Bass goes deep, and has an organic and rich quality to it. The mids sit nicely in the mix and carry on with that richness. Then up top, the treble provides sparkle and sizzle. Overall, the V shaped signature is smooth and easy to listen to, reminiscent to a lot of hifi setups I’ve heard and very much enjoyed. The E4000 has a big sound and part of this comes from the impressive soundstage, with space and air you wouldn’t normally expect from earphones.

CONCLUSION

Around £100 there are earphones out there from Shanling, Shure, Beyerdynamic and Westone to name a few. None manage to give the same hifi listening experience that the Final E4000 delivers. The E4000 is best suited to be used with a dedicated portable audio player or a setup with a headphone amp. If this is you and you’re looking for some wired earphones for some easy listening, have a go on the Final E4000.

YouTube Contest Terms and Conditions

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HOW TO ENTER

We’re running a giveaway to coincide with the release of our new video on hi res audio! To enter, watch our giveaway video and make sure you’re subscribed to the Hifiheadphones YouTube channel. Then, follow the instructions in the video. Best of luck!

CONTEST TERMS, RULES AND REGULATIONS

  1. TERMS AND CONDITIONS
    1. YouTube’s Community Guidelines must be followed and adhered to at all times. Violation of these terms at any time will result in entrant’s disqualification.
    2. YouTube’s Terms of Service must be adhered to at all times. Violation of the ToS will result in entrant’s disqualification.
    3. Hifiheadphones’ Terms and Conditions must be adhered to at all times. Breach of these terms will result in the entrant’s disqualification.
    4. Hifiheadphones are solely responsible for the content, facilitation, and fulfillment of this contest.
    5. Neither YouTube nor any of their affiliates or subsidiaries are involved in any way with this competition or with Hifiheadphones.
  2. CONTEST PROCEDURE
    1. To be entered into consideration to win, users must complete BOTH:
      1. Be subscribed to the Hifiheadphones YouTube channel
      2. Leave a comment as prescribed by the content of this video.
    2. Contest will commence with this video going live and will terminate on 30/06/2019.
    3. After this date, winner will be randomly selected out of all entrants who have completed both requirements. Only one entry will be accepted per user. Should no entrants fulfill both requirements, no winner will be selected.
    4. Winner will be publically acknowledged by one or more of the following: YouTube comment, in-video acknowledgement, newsletter email.
    5. Winner will be given instructions to claim their prize via the Hifiheadphones YouTube account.
  3. DATA USAGE
    1. Only personal data collected for use will be the shipping information of the winner in order to send prize. No other entrants will have personal information stored.
    2. Shipping details will remain in our sales system as per data protection laws, to be used for the express purpose of providing prize to winning entrant.
    3. No third party software will be utilized to aggregate winner, nor to influence results.

Hi Res Audio Explanation & Video

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What Is Hi-Res Audio – The History of Digital Audio

Hi-Res audio has now become a standard feature when looking for a new audio device, whether that’s headphones, earphones or portable players. It has also become a rating for high quality music files. That little gold logo has become very important… but what does it mean?

Audio Formats

To understand what hi-res audio is, it’s worth having a basic understanding of digital audio and how it’s recorded. The majority of music we listen to these days, at some point during the recording and mastering process, has been made into digital audio. Once upon a time, audio was recorded onto tape and then cut straight onto vinyl, a completely analogue process.

Nowadays music is mainly recorded onto computer drives using software like Protools, Ableton or Logic. Tapes are still sometimes used to record onto, but they tend to be transferred onto the drive as well. The recorded audio is converted into digital audio and then stored on the drive to be edited in the software.

Historically, digital audio has been available in a number of different file types. MP3 and AAC are not hi-res formats. They are early developed file types that compresses audio data in order to achieve small file sizes: convenient for storing on devices with minimal storage, while compromising on sound quality. Nowadays this compression is used on streaming services such as Spotify and Apple Music, so it’s worth knowing that however convenient they are, the sound quality will be compromised.

There are four main file types which are capable of storing hi-res audio. They are WAV, AIFF, FLAC and ALAC. The quality of these file types can range from 16bit CD quality audio up to the highest hi-res audio quality. WAV and AIFF are raw, uncompressed formats which are not commonly used for general listening due to the very large file sizes. FLAC and ALAC are the most common formats for hi-res audio. They are both lossless compression formats, which means the file sizes are much smaller and they can store metadata, which is all the information about the piece of music.

Bit Depth and Sample Rate

Now the complicated part. Before hi-res audio became mainstream, music was typically recorded with a bit depth of 24bits and a sample rate of 44.1khz or 48khz. The bit depth determines the number of bits of information in each sample and the signal to noise ratio, while the sample rate determines the number of samples of audio taken per second. If you want to know more about bit depth and sample rates, I would suggest you do some research online, as there are a lot of articles on this. Alternatively, you can ask us down below and we’ll do our best to answer.

The digital audio on a CD is always 16bits and 44.1khz.  This is a standard process for CD, and was calculated by very smart people to get the best from this format. Before hi-res audio was a format we could easily listen to, CD’s gave us the best digital audio quality, with Super Audio CD’s providing the hi-res audio of its time and an early glimpse of DSD audio.  We’ll save that for another video. Now thanks to portable audio players having high quality DAC chips and also very large, expandable storage, hi-res audio is something we can all experience wherever we want.

Unlike CD quality, hi-res audio has a minimum bit depth of 24bits and a sample rate of up to 192khz. To achieve this, the audio has to be recorded at a much higher sample rate than was done before. This requires a lot more storage, as the data is much larger.

The upside to this is that the higher bit rate provides more dB of dynamic range, meaning the 24bit recording has a dynamic range of 144dB compared to the 96dB provided by the 16bit CD recording. The result is more headroom for peaks at the recording stage, avoiding the risk of clipping. It also gives a greater separation between the recorded audio and the noise floor.

Using a larger sample rate will increase the amount of samples taken of the audio per second, and this is where it gets tricky. The higher the sample rate, the higher frequencies a system can record. So a sample rate of 44.1khz reproduces frequencies of up to roughly 20khz, and increasing the sample rate will increase the frequencies that can be produced. Technically this seems like a no-brainer as more information can be captured during the recording process, making sure to grab all the detail possible.

Conclusion

The argument to this is that we can only hear frequencies up to 20khz, and that’s pushing it. So why would we need more? Well that seems to be a subject where no definite answer has been determined. Please feel free to give your opinions to this below.

Right, here we are. Is hi-res audio worth all the fuss? If you have a very good set of headphones or earphones, and you use them with a very nice portable player or plug them into a high end home system, then I’d say that you will notice the difference between CD and hi-res audio. On the other hand, if you listen to music on your phone using the earphones supplied with it, or you listen to your music wirelessly, CD quality will probably be as good as you need. Saying that, most people still listen to Spotify and seem very happy with it, so what do I know? And don’t even get me started on vinyl or we’ll be here all week.

Bluetooth 5.0 Explanation & Video

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New Video: The History of Bluetooth & 5.0 Explained

Since the invention of Bluetooth, it’s gone through many versions (well, 5 to be exact). But what do they all mean? Before a new version comes out and makes this video old news, here’s a rundown of what makes Bluetooth 5.0 so special.

To fully understand how far the technology has come, here’s a bit of a Bluetooth history lesson.

The History

Bluetooth 1.0

Bluetooth 1.0 was released back in 1999, and as you can imagine, it was pretty limited compared to what we are used to now. Back then, though, it was quite groundbreaking. The technology made it possible for compatible devices to transmit data wirelessly over short distances and using minimal power. It was first used in mobile phones and PC cards, allowing mobiles to connect to Bluetooth headsets for hands-free talking, and for PCs to communicate with wireless mice, keyboards, digital cameras and printers.

Bluetooth 2.0

For all its achievements, Bluetooth 1.0 was limited when it came to audio. Low data speeds meant that speech was just about the limit: transferring music required a higher data transfer speed. Skip to 2004, and we say hello to Bluetooth 2.0 and EDR, or Enhanced Data Rate. The big change here is increased data speeds, from 0.7Mbps to a whopping 3Mbps thanks to the EDR technology. Another improvement was to the maximum wireless range – this was increased from 10m to 30m. To this day, 3Mbps is the maximum connection speed. There have been other improvements over time, though.

Bluetooth 4.0

The next big jump was in 2010 with the release of Bluetooth 4.0, increasing the max range to 60m and introducing the use of Low Energy. This allowed for quick bursts of data transfers to be done with the use of even less power with relatively high data speeds of 1Mbps, opening the doors to Apple and Microsoft: bringing Bluetooth to the big leagues. Version 4.0 went through a few of its own updates, improving security, speed and efficiency until 2016 and the release of Bluetooth 5.0.

Bluetooth 5.0

Bluetooth 5.0 shows how quickly this technology is advancing, with the max range being quadrupled to 240m and Low Energy data speeds doubling to 2Mbps. Boosting the range and reducing power usage has meant that Bluetooth can be used on a larger number of different devices, allowing them to transmit large amounts of data at high speeds with little power being used – and it’s only going to get better. Bluetooth 5.0 also enabled a new dual audio feature – allowing users to stream audio to two different devices at the same time from one source.

Backwards Compatibility

It’s amazing to see how much Bluetooth has improved in just 20 years, and even more impressive is that the smart brains behind it has managed to keep the technology backwards compatible. This means that no matter what version of Bluetooth your devices have – they will be able to communicate with each other. Just remember that being backwards compatible means that you will be getting the benefits of the lowest Bluetooth version – so it’s always worth making sure your devices have the most current version of Bluetooth to get the most out of the technology.

Summary

To summarise, the main improvements gained from Bluetooth 5.0 are:

  • Longer transmission range – Increased to 240m from 60m.
  • Higher data transfer speed – Bluetooth Low Energy speed doubled to 2Mbps, allowing all audio devices to communicate with reduced power usage.
  • Dual Audio – Allowing you to play audio on two devices at the same time from one source.

Shanling ME100 Review & Video

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Shanling ME100 Video Review

OVERVIEW

The ME100 is Shanling’s first step into the world of earphones. Their history goes back a long way, starting off making high-end hifi equipment and then more recently becoming very well known for their portable music players. Now they’ve decided to apply their years of experience to the earphone market.

BUILD

It’s clear to see that Shanling mean business with the ME100. The housings are made using aluminium with a tempered glass outer coating. The aluminium has a matt black finish, which is a nice contrast to the glossy finish of the tempered glass. giving the earphones a very stylish look and feeling like they are built to last. Inside the housing is a 10mm dynamic driver. The drivers have been developed by Shanling themselves, with a nanocomposite diaphragm and a lightweight voice coil, providing more control and speaker efficiency.

COMFORT

Due to the size, weight and finish of the housings, comfort is very good with the ME100. They fit with the cable going over the ear: a typical in-ear monitor design. This provides a secure fit as well as deep insertion into the ear canal which helps with the sound performance and isolation. You also get a range of different eartips, with silicone and foam options. There’s a range of different sized silicone tips; the foam tips are supplied in medium size only. The large range of tips help to ensure that you’re getting a good seal, which is extremely important. I recommend you try all of the tips to make sure you are getting the most from the earphones, as a poor seal will result in a lack of bass and a tinny sound, which nobody wants.

FEATURES

Shanling haven’t scrimped when it comes to the accessories. The replacement cable is made using high purity oxygen free copper, with 8 wires all made up of 18 conductors each. The cable is coated in a TPE material which helps reduce microphonics, meaning cable noise is kept to a minimum. You also get a hard carry case which looks very posh. it’s a shame there isn’t a smaller pouch as well as the case supplied is fairly large. Once you’ve found the best fitting eartips, isolation is decent with the ME100.

SPECS

At 16ohms, the ME100 is designed to be driven well by portable devices, and the 111dB sensitivity means that they can go nice and loud from a phone or laptop. Plug them into a high quality player or amplifier, and the ME100 brings even more in terms of dynamics and soundstage, showing just how well the ME100 has been designed and built.

SOUND QUALITY

Now for the sound quality! The ME100 has really impressed me here. Bass is full and deep with a really enjoyable warmth. The bass stays where it needs to. It re-enforces the midrange without getting in the way. Shanling have nailed the midrange. It’s clear and crisp with a musical tone that’s on the brighter side, so it’s not as rich sounding as some other models out there, yet they do work well with both male and female vocals. There’s a good amount of body there and for me, I experienced no fatigue or sibilance. Up top, the treble extends far and keeps things exciting. Soundstage is very impressive. There’s a lot of space with well defined separation and clear imaging going from left to right.

CONCLUSION

For just under £100, I think the Shanling ME100 is extremely competitive, if not a bit of a steal. There are millions of earphones out there for under £100, including models from big brands like Shure, SoundMAGIC, RHA, Beyerdynamic and more. I think you’d struggle to find another earphone at this price that has the same level of build, with a replaceable cable, and sound verging on audiophile quality. The ME100 isn’t going to please bass heads, or those who want Bluetooth (even though you could attach a Bluetooth cable to the ME100’s MMCX connectors). The Shanling ME100 is well worth considering. You may not have heard of the brand before, but don’t let that put you off. You’ll thank me for it.

New Products Now In Stock

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Newest Audio Releases

 

 

Releases for 09/05/2019

 

Campfire Audio IO

The newest release from Campfire Audio comes in the form of the Campfire Audio IO, a garnet-coloured IEM with dual balanced armature drivers. The IO features a detachable silver-plated copper cable with smoky tangle-resistant jacket and updated Beryllium copper MMCX connectors. You can also expect the array of accessories you expect from Campfire Audio.

 

 

Campfire Audio Polaris (2019 Edition)

Campfire have updated the legendary Polaris IEM for 2019, aptly titled… yes, you guessed it: the Polaris 2019 Edition. Campfire kept the basic setup of the dual drivers, but everything else has been reworked from the floor up, including the drivers themselves.

 

 

Campfire Audio Andromeda

Campfire’s iconic green anodized IEMs, the Andromeda, have gotten a few tweaks for spring 2019, including a cable update, fresh new accessories, and a change to the connectors. Also given a boost is the earhook design which sees Campfire rid itself of the memory wire previously housed in the cable itself.

 

 

Etymotic ER2-XR

The Etymotic ER2-XR extended response in-ear isolating earphones deliver Etymotic’s iconic passive isolation to block out up to 35dB of background noise. This means you won’t have to blast the volume to appreciate the ER2-XR’s full bass response and detailed sound.

 

 

Etymotic ER2-SE

These guys look similar to their cousins, but the ER2-SE is a powerful flat-response in-ear perfect for studio professionals. It’s called the ‘Studio Edition’ for a reason! No range is altered, giving a crystal clear representation of the original sound.

 

 

Oriveti OH300

Oriveti is dropping two shiny new IEMs, the first of which is the Oriveti OH300. These triple driver IEMs give a beautiful clear, balanced, neutral sound and look incredibly sleek and impressive. Probably the IEMs Batman would own, if he needed to hear crystal clear audio of himself delivering brutal one-liners.

 

 

Oriveti OH500

The Oriveti OH500 houses five drivers (quad balanced, single dynamic) within its gorgeous resin exterior. With those, you get an unfailingly smooth response with some strong low end. Their handcrafted cable of eight-strand braided silver plated wire is second to none, but still detachable for your convenience.

 

SoundMAGIC Vento P55 v3.0 Review & Video

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SoundMAGIC P55 V3.0

The SoundMAGIC P55 v3.0 are helping SoundMAGIC blaze a trail in the world of portable on-ear headphones, looking to build on their success from the award winning E10 and E11 range of in-ears.

BUILD

The P55 v3.0, as the name suggests, is the third update to this model. The build and design have stayed the same, the big change is to the drivers used. SoundMAGIC has developed a brand new dynamic driver for the P55 v3 – using improved materials to increase performance. Starting with the build quality, SoundMAGIC has done a great job here. The steel headband is tough, and is finished in a way to match the look of the brushed aluminum earcups – materials not normally associated with headphones costing under £100. These headphones can fold flat, which is not only useful for storage – it also makes them comfortable to hang around the neck while not in use… if that’s your thing. Plastic is used around the earcups and on the underside of the headband – the matt black finish adds to the high-quality feel.

COMFORT

To provide comfort, there is soft padding used on the headband and the earcups – all covered with a leatherette finish. The soft foam makes the P55 v3 very comfortable to wear and along with the gentle clamping force on the head – these can be worn for long periods without the risk of fatigue.

FEATURES

Like most portable headphones, these are on-ear – so they’ll sit on the ear as opposed to enclosing the ears completely. Isolation is decent and sound leakage is very low, so others nearby won’t be judging you on your choice of music. The headphones are supplied with two replaceable cables, one standard audio cable and one with inline 3 button controls and microphone – compatible with both Apple and Android devices. Both cables are 1.2m and you also get a hard carry case to keep them safe.

SPECS

These headphones are designed for portable use, with a low impedance of 35ohms and fairly high sensitivity of 110dB. This makes them well suited to devices with less power output such as phones, laptops and tablets. Saying that – plug them into a high-quality portable player or headphone amp and hear the headphones really come alive.

SOUND QUALITY

  • Bass response
  • Midrange (instrumental/vocals)
  • Treble (extension)
  • Soundstage
  • Imaging (L/R)
  • Microphone

Now for the sound quality, and for me this is where the P55 v3 really shines. Bass is not what you’d normally expect from a sub £100 portable headphone. There’s a maturity here which delivers weight and punch without any boomyness – bass is tight and doesn’t bleed into the midrange. The midrange is superb on the P55 v3. It’s extremely clear and engaging, and thanks to the controlled bass – it doesn’t get lost in the mix. Thanks to the midrange, male and female vocals both shine and the P55 v3 can also handle intricate instrumental music. The treble provides a good amount of space and gives the whole experience a crispness without sibilance or fatigue that can normally come across. Imaging is very impressive, with a very clear sense of left and right with good width. Soundstage is good, instruments all have their place with well-defined separation.

CONCLUSION

  • Alternatives
  • Best uses
  • Recommendation

At £90 there is a fair bit of competition out there, especially from the likes of Sennheiser, AKG and Sony – with a lot of brands offering Bluetooth at this price point. With the P55 v3.0, SoundMAGIC are doing something different to the ret of them. This headphone provides a high-end experience at a very competitive price, something SoundMAGIC has become very well-known and respected for. Suited to those not wanting to sacrifice sound quality for Bluetooth, who appreciate fine build quality and a hi-fi listening experience without breaking the bank. For me, SoundMAGIC have nailed it, and I would recommend these headphones for anyone looking for a new set of wired portable cans.

Sennheiser Momentum True Wireless Review

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Momentum True Wireless

Aesthetics and Build Quality:

The Momentum True Wireless look great, with a matte black body and textured aluminium faceplates. A lot of the lower end true wireless models look very generic and cheap, whereas Sennheiser have made sure these have a modern and simplistic look to them.

The build quality feels excellent too, with a sturdy body and great case there is nothing to go wrong. Providing you don’t drop them too often; I have a feeling these will last you a while.

Features and Comfort:

The little case they come with is really compact and charges them securely, with magnets holding the earphones in. It takes a while to get used to how the touch features work, but the manual explains it all and once you have used them for a bit, they become quite easy to use. The main thing is that the connection is stable, I haven’t had any drop-outs when in use unless I am a long way away from the transmitting device.

Comfort is great once you find the right ear tips, they stay securely in my ears and are very comfortable due to the rounded edges of the housing.

Sound:

Bass: The Momentum TW has quite impressive bass response, with a nice dose of added body which gives the sound a pleasant warmth. The bass is not necessarily the tightest out there, but it does a respectable job of keeping up with more complex tracks, along with having enough extension and impact to keep most people happy. The added body these have is great as when you use them in noisy environments you will still be able to hear every beat.

 

Midrange: The midrange is a little bit recessed, but there is enough presence to stop them from sounding overly V-shaped. Guitars have great tonality to them; however, vocals don’t quite grab your attention, lacking a bit of clarity. The midrange doesn’t really do anything overly wrong, but they do lack detail and come across a little muffled at times.

 

Treble: The treble comes across with good clarity but in a polite manner, never becoming overwhelming. They have quite good presence without any nasty peaks, there is a smooth and controlled nature to the treble that is very easy to listen to. They have just enough bite to prevent them from sounding overly dark, and they do extend with relative ease but this is hindered by Bluetooth codecs somewhat.

 

Conclusion:

The Momentum true wireless are the best true wireless headphones I have tested so far, with stable connectivity and good sound quality. Wired earphones at this price do still offer better sound, but at the cost of convenience. With a full-bodied sound that still offers a good level of detail, the Momentum True Wireless are actually quite impressive considering all that goes in to them.

Sound:  4/5

Features: 5/5

Comfort: 5/5

Build: 4/5

Value: 4/5

Best Over Ear Headphones 2020: Open, Closed, Wireless, Audiophile

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Our picks for the best over ear headphones – open back and closed back

We know how important it is to find the best headphones for you; whether they are for your smartphone, music player, laptop or hi-fi system.

Here you can see the best of the best full size headphones to buy in 2019, 2020 and beyond.

BEST CLOSED BACK HEADPHONES

1. Beyerdynamic DT770 PRO – £125

Beyerdynamic DT770 Pro

The Beyerdynamic DT770 creates a spacial soundstage more akin to an open-back headphone, and delivers full bass with accurate highs and mids. What’s more, these are profoundly comfortable. 

BUY HERE: Beyerdynamic DT770 Pro Studio Headphones

 

2. Sennheiser HD820 – £1999

Sennheiser HD820

The HD820 is Sennheiser’s first closed back audiophile headphone release and it promises to be quite special. Based on the same design as the HD800S, the HD820 uses Gorilla Glass as its transducer cover and the curved shape of it allows the sound waves to reflect to an absorber – resulting in minimal resistance and creating an open sound that you would normally expect from an open backed headphone.

READ MORE: Sennheiser HD 820 Audiophile Headphone Review

 

3. Focal Stellia – £2799

Focal Stellia

Focal headphones are not only known for their excellent sound quality – they also look stunning. And the Stellia is no different. The finest materials have been used to create this closed back headphone, including a Beryllium dome electrodynamic driver. With a unique finish, inspired by the colours of cognac and mocha – the Focal Stellia looks as good as it sounds.

READ MORE: Focal Stellia Closed Back Headphone Review

 

BEST OPEN BACK HEADPHONES

 

4. MrSpeakers Ether 2 – £1900

MrSpeakers Ether 2

The Ether 2 have a great sense of neutrality, at the same time they offer an enjoyable listening experience and they never sound analytical. There is a hint of added body that creates a smooth listening experience that can be enjoyed for hours on end. 

READ MORE: MrSpeakers Ether 2 Open Back Headphone Review

 

5. Meze Empyrean – £2699

Meze Empyrean

The unique construction of the Empyrean was designed with the shape of the human ear in mind. As a result, they enjoy a greater degree of imaging than you’re likely to find anywhere else. Each Empyrean is hand crafted to exacting detail, and that level of precision is not only visible, but audible. 

READ MORE: Meze Empyrean Open Back Headphones Review

6. Final D8000 – £2999

Final D8000

The planar magnetic magnificence of the Final D8000 creates a listening experience without parallel. The unique construction, including a damping system (the same used in condenser microphones) allowing for a sound that surpasses the abilities of most planar magnetic and dynamic equipment. This requires a dedication to exacting detail you can only see in Final. 

BUY HERE: Final D8000 Audiophile Headphones

 

BEST WIRELESS HEADPHONES

7. Bowers & Wilkins PX – £329

Bowers & Wilkins PX

The B&W PX is the ultimate portable headphone. With the latest aptX HD Bluetooth technology, wireless sound quality is of the highest level. Providing a very well balanced sound with tight bass – bass heads may want to look elsewhere – crystal clear clarity and superb soundstage. The PX also has adaptive noise cancelling and uses six microphones to help block out external sounds – allowing you to focus on the music. Along with the advanced technology – the PX has superb build quality and comfort – making them our go to recommendation for wireless headphones.

BUY HERE: Bowers & Wilkins PX Bluetooth Headphones

 

8. Audeze Mobius 3D – £349

Audeze Mobius 3D

Audeze have created a superb all rounder in the Mobius. Whether music, films or gaming is your thing – the Audeze Mobius does it all extremely well. Inside the housings are planar magnetic drivers, providing sound quality that even the audiophiles out there will appreciate. Then the 3D emulation technology delivers a superb surround sound experience, perfect for watching films or playing Fortnite and thanks to the integrated head tracking – you’ll hear sound effects as if they’re really there.

BUY HERE: Audeze Mobius Gaming Headphones

Have We Missed Anything Out?

Please feel free to leave a comment below and let us know…