Great for those relaxing at home and in the office, the Audio-Technica ATH-CHX7iS is a slight departure from the usual style of in-ears and earbuds. Audio-Technica have mashed the two styles in a way that reminds us of the Final Audio Piano Forte Series. These are not designed for all scenarios; on a motorbike journey for instance, enjoyment is reduced to knowing only when cymbals are being used in a recording. Of course, open-back headphones do not receive low scores for leaking sound and so the snappily named Audio-Technica ATH-CHX7iS is being viewed with a similarly open mind.
Pros
Very comfortable
Feel secure whilst worn
Great open wide sound
Cons
Case very small
Not for noisy places
Being big in Japan, Audio-Technica have been satisfying the Japanese fetish for personal audio products for some years now and have a huge number of different models. This allows for a little experimentation in the boardroom and some interesting items for us to try.
Key Features
The Audio-Technica ATH-CHX7iS comes with a handy button for smartphone functionality, and a volume control. The volume control does not communicate with the phone, it is a variable resistor only but works very well. The carry case is very small indeed; being hard it will afford some protection but the cable would need to be wound more tightly than perhaps it should. The relatively large size of the driver units doesn’t help either.
First Impressions
We all like something a bit different and the Audio-Technica ATH-CHX7iS is certainly that. Given that portable audio is all about blocking out the outside world, these earphones are a departure from the norm. Perhaps taking a leaf out of Final Audio’s book (their Piano Forte range is similar), Audio-Technica have seen a potential for small, open-backed models for those quieter moments out there, or for casual listening at home.
Sound Quality
As with anything open, the surroundings make a crucial difference and with a design worn like this, people are going to expect to use them outside. Great if it’s quiet, but a bit of road noise will reduce the Audio-Technica ATH-CHX7iS to a tinny irritant by contrast.
At home though, the presentation is as comfortable as the fit and I have the impression of a halfway house between headphones and speakers; it’s like a very cheap alternative to the AKG K1000 speakerphones. Soundstage is the best feature of the Audio-Technica ATH-CHX7iS, along with the natural feel they have.
The sound is very well balanced despite the loss of bass due to the open fit – perfect for lounging around the house while still remaining alert of the surroundings. The sound is on the bright side but this may just be the added soundstage making certain details stand out more, and also the fit. By pushing the capsules gently against my ears the bass is heightened; perhaps it is the design of our ears which might lead to subtle differences here in what we each perceive.
Summary
It would be good to see more models like the Audio-Technica ATH-CHX7iS coming through; we’re in danger of becoming too conventional in the headphones world and being set in our ways. It seems that companies like Audio-Technica and Final Audio don’t want us to get too comfy and are happy to prod us towards a more inclusive attitude. And why not? The headphones concept might be 100 years old, but things are far from predictable; particularly with new technologies being developed and many new ways of using and relating to music to look forward to.
It’s easy to get a bit weighed down amongst all the extra bits and attachments that are included with the Dunu DN-2000, but they are all worth trying for greater comfort and a more ‘bespoke’ sound. The hybrid driver arrangement really works to deliver a very engaging and detailed presentation which never strays into harsh territory, and the case is certainly something we’d like to see included with premium IEMs more in the future.
Pros
Exceptionally sweet sound
Plenty of accessories
Options to tailor the frequency response
Options to alter fit
Good solid case
Cons
Tuning rings can be lost
Casing can cause discomfort if earfins not used
If you’ve heard some of Dunu’s entry-level earphones such as the DN-12 Trident you might be curious about how the in-ear Dunu flagship, the DN-2000 measures up. Dunu’s in-ear offerings are as numerous as they are interesting, but the current cherry on the top, the DN-2000, takes the cake.
Key Features
Like its stablemate the DN-1000, the DN-2000 has a hybrid driver format but packs two balanced armatures and one dynamic driver in per side giving the best of both sonic worlds, like the similarly priced Audiofly AF140.
Accessories are bountiful, with both tuning rings and tips to alter the frequency response, and rubber attachments for improved comfort and fit in the ears. Also included is a pair of earhooks to try and the usual 6.35mm/flight adapters.
First Impressions
Expectations have certainly been raised by the quality of Dunu’s other products, namely the excellent budget model the DN-12 ‘Trident’ and DN-1000; the other hybrid design. For the asking price these have been nothing short of stunning, so the DN-2000 has its work cut out.
Once a preferred combination of tuning rings and tips was found (silver ring, and tip for ‘detail and resolution’), I felt it necessary to try the rubber attachments. These are secured by a small ridge of metal much like a penclip, which ironically can cause a little discomfort if the rubber parts are not used. The rubber parts help to keep the capsules steady in the ear, and certainly make for a comfortable and trouble-free listening session. A down side is the tendancy of the tuning rings to try and escape back to China when the eartips are removed. Just take care and don’t fiddle with the DN-2000 when using ski-lifts for example.
The hard case is also a nice feature. It reminds me of a travelling case for a bar of very valuable soap; it’s very solid and will protect the DN-2000 very well when in transit.
Sound Quality
Bass is fully present and in good proportion to the rest of the presentation with good punch and definition; it stays in place and leaves the midrange and high frequencies free to be the stars of the show for me. Decays are very realistic in terms of perceived space, and the DN-2000 leaves plenty of room in the presentation for these to be followed around by hungry ears! Treble is fairly bright albeit still smooth; mostly the DN-2000 stops short of being too bright but on some tracks there may be a touch of sibilance with female vocals, for instance.
Summary
For the asking price the DN-2000 is a worthy competitor; it will certainly hold its own amongst the other models in that price range and gives a bit more colour to it, given that a majority of alternatives are full balanced-armature models. I welcome the DN-2000 as much as I welcome a further example of a hybrid driver design being implemented so well; loving as I do the different strengths of the different transducer types, it’s a real treat to have both at once. Like a baked Alaska or a sweet and sour stir-fry, there’s a real synergy going on here.
This inevitable creep towards better and better sound from a budget IEM is no surprise, but the quality which the Xiaomi Pistons exude is nothing short of stunning. We’ve come to expect some rough edges from cheaper models along with features we have to lump rather than like; however this new IEM changes (yet again) our view of what’s on offer for our little bit of money.
Thanks to the guys at Merimobiles for sending us this sample for review – they will also supply the Pistons to the four lucky competition winners (details at the bottom of this page).
The packaging and presentation is understated; once past the simple cardboard outer box, the earphones are displayed in a good quality plastic case, nestled in a piece of rubber which acts as a cable winder, although this might be a bit tiring to use every day. The chocolate-coloured rubber, together with the bronzed look of the Pistons makes for a real visual treat; perhaps a gentle lift for the expectations before the Pistons are listened to. It reminds me of novelty erasers which seemed to proliferate when I was at school – it smells like chocolate too!
There are 3 pairs of spare eartips along with those on the Pistons themselves, and a separate clip for the cable which takes a departure from the traditional ‘peg’ design. It’s more like a money clip; to remind us of the money we saved, perhaps?
The earphones themselves have a solid feel about them; this is not painted plastic but real metal. There’s no weight issue however, the Pistons sit still whether the cable is worn over the back of the ear, or straight down.
And the sound? It’s just bright and detailed enough without being harsh, and also smooth and mellow enough without sounding veiled. It’s a perfect balance. Having said that, with this version Xiaomi have elected to go for a vented design which cuts out a lot of internal reflections. It’s not an open design though, very little audible sound leaks out, or in.
Bass is very nicely balanced, it puts weight under kick drums and bass guitar without pumping them up unnecessarily. It stays in its place and leaves the midrange clear to impress with details and decays, while the high frequencies pick up details such as hi-hats and harmonics beautifully.
There is also a mic/control for Android handsets, but be careful not to be rude to whoever interrupts your listening pleasure!
Competition Details
To be in with the chance of winning one of four Xiaomi Pistons all you need to do is send a picture to either our Facebook or Twitter page of your current setup/headphones and explain why you should win a new pair of Pistons – on October 29th we will choose the four people who we feel deserve some new headphones. Be as creative as you want – we will put our favourite pics in our blog!
For more information on the Xiaomi Pistons you can visit the Merimobiles website HERE.
If you like your brand names to look like the first line of an optician’s eye chart, the Hidizs AP100 is certainly worth considering – the name might take some getting used to, but it’s plain to see that this player is getting some covetous glances!
The AP100 has some stiff competition in the low-cost DAP (Digital Audio Player) market, not least from Fiio’s ‘X’ range. The AP100 appears to be a halfway house between the X3 and X5 in terms of size and cost, but how about sound quality?
The same can easily be said – compared to the Fiio X3, the AP100 is a little more accurate and coolish but this is not to say that the Hidizs AP100 is harsh. Listening to unyielding and brittle-sounding early 80s pop such as Duran Duran is fine on the AP100 but the X3 just gives it a bit more warmth and roundness to a presentation – the AP100 wins in terms of detail.
With the default firmware, tracks stood a good chance of having the first second chopped off if selected from the track list on the device, but this was fixed after upgrading to V1.31067. One problem I had after upgrading was that the unit reverted to its native Chinese language – there was no clue how to get it back to English again. Luckily I found the option in the menu as the only item with 2 Chinese characters. Select this and you’ll see ‘English’ in the sub menu.
The buttons on the Hidizs AP100 are lovely to press; there’s a great chunky feel to them and they are good solid buttons which will last. The only problem is that Hidizs saw fit to add separate buttons for ‘fast forward/rewind’ – I’m so used to using the same buttons for track skip and forward/rewind that I keep skipping tracks by accident. Also the ‘back’ button is on the right of the other navigation controls, which makes it feel like a forward/select button; this may lead to a few wrong turns for the uninitiated but it’s easy to get used to.
There’s a little flap in the case which is held shut by velcro. It took a while to figure out but this is for spare micro SD cards; just be aware that you may need tweezers to remove them again. SD cards can be changed simply in the device, however a tool or long fingernail is required to ‘click’ it into place and retrieve it.
I did also notice a problem with the track list on the player – select ‘track 1’ for instance on the track list and skip forward a couple of tracks via the play screen. Then on going back to the track list, ‘track 1’ is still highlighted as if it is still playing. Perhaps this will be addressed in future firmware updates.
Summary
A good little player; I look forward to future firmware updates but in the meantime the UI is quite useable, and the unit gives a clear uncluttered sound with a good amount of power. A great first effort which begs the question: whatever next from Hidizs?
At this price point, you’ll find it very difficult to find an earphone with mic as good as the Fidue A31s. These earphones are extremely light weight, the build quality is superb and most of all the sound is excellent!
Summary
Experience portable high fidelity sound in an affordable package. Fidue A31s embody everything a modern earphone should: superior sound, smartphone compatibility, external noise isolation and long term comfort. High fidelity sound is provided with a balance of strong bass, smooth mids and well defined highs.
With small housing design and long sound tube the A31s differs from conventional earphones in creating big sound in a small space. Micro-dynamic 8mm drivers funnel superior sound directly into the earcanal. Double flange eartips provide excellent noise isolation and offer unparalleled comfort for long-term listening.
Integrated with call answering button compatible with most smartphones, the Fidue A31s will work with iPhone, Android, Window and Symbian devices. The integrated remote control allows the user to have full control of music. Calls can also be answered and ended by using the single button remote.
Experience portable high fidelity sound in an affordable package. Fidue A31s embody everything a modern earphone should: superior sound, smartphone compatibility, external noise isolation and long term comfort. High fidelity sound is provided with a balance of strong bass, smooth mids and well defined highs.
With small housing design and long sound tube the A31s differs from conventional earphones in creating big sound in a small space. Micro-dynamic 8mm drivers funnel superior sound directly into the earcanal. Double flange eartips provide excellent noise isolation and offer unparalleled comfort for long-term listening.
Integrated with call answering button compatible with most smartphones, the Fidue A31s will work with iPhone, Android, Window and Symbian devices. The integrated remote control allows the user to have full control of music. Calls can also be answered and ended by using the single button remote.
– See more at: http://www.hifiheadphones.co.uk/fidue-a31s-in-ear-isolating-earphones-with-mic-red.html#sthash.xn9fLWK6.dpuf
Please click the image below to select the colour you would like;-
Price – £19.99 all Models with free Shipping in th UK until Christmas.
Features
Call answering button compatible with most smartphones (iOS, Android)
Small and lightweight housing and sound tube design
Double flange silicone eartips offer high noise isolation
Unparalleled comfort for long-term listening
Suitable for portable media players with standard 3.5mm connection
Balanced sound with strong bass, smooth mids and well defined highs
The DUNU DN-900 is a well built, hybrid in-ear headphone. The bass is punchy without overcrowding, with spacious mids and smooth highs – these earphones perfectly combine power and detail.
Pros
Frequency response can be fine tuned
Generous range of extras/accessories
Very clear bass and mid-range
Cons
High-frequency roll-off (if you like a brighter sound)
Case oversized for everyday use
Tuning rings easily lost if not careful
Cable can get tangled
As with all segments of the headphone market, the £100 – £200 bracket is hotly contested with innovation pushing sales as well as gimmicks. The hybrid drivers within the DUNU DN-900 are becoming commonplace among IEMs, but the tuning rings which are supplied with the DN-900 are not so commonly found. Given that we all have our pet sound signatures and preferred frequency responses, have DUNU released a self-adjustable gem?
Key Features
Perhaps most unusual about the DN-900 is the inclusion of the tuning rings; it’s always nice to have a bit of tweakability and it’s fun to experiment. However, be sure that you are changing the eartips and rings while sat at a table, or similar. The rings can jump off the nozzles and roll out of your life for ever if you aren’t careful. It would have been better to have a more ‘trouser clip’ style ring which stays on the nozzle.
First Impressions
Naturally enough, once out of the packaging, the first thing I noticed was the professional quality Pelican-style case. It’s a lovely item if bright yellow is your thing but it won’t fit in a pocket, nor is having your IEMs packed away in a bag or case the most practical place to have them. I would be utilising another case or pouch from somewhere else, while this case might lie unused in a drawer.
Sound Quality
The sound seems very mid-centric at first, with strong yet well shaped bass response. The most noticeable thing is the higher-frequency roll-off but this takes only a minute to get used to. I tried the rings in turn..
Silver gives a good bass grunt with midrange clear and even, and the higher frequencies rolled off. Blue appears bassier in the mid-bass area with a more pronouced and open midrange, while red is bassier again with some more low-bass creeping in and mellower mids. High frequencies are not affected by any of the rings but the blue’s effect on the midrange sits next to the highs better for me.
After trying the DN-900 with the Astell&Kern K120, I was very happy with the sound. Driving bass underpinned some very fluid and involving mids, with higher frequencies just managing to show their faces enough to keep the party atmosphere going.
The following impressions were gained using the blue rings and the AK120:
Frankie Goes to Hollywood – Two Tribes (Blank and Jones reconstruction)
The bass has good texture and impact going into the sub-bass slightly, mid range works well with male vocals and backing. Soundstage is good and wide with a great sense of space. Imaging is also good. The rolled-off highs did not give any problems.
Dub Syndicate – Mafia
Bass is very full and impactful with good slam. It is quite boomy on this track but dub calls for it! Midrange is still clear and separate – the piano parts are very distinct. Highs lend a touch to harmonics but otherwise linger in the background. Soundstage is as wide as the music requires, delay is headshaking.
Summary
The DUNU DN-900 is perfect for the tracks that were tried with them. They will satisfy any basshead but will not add bass which is not there and cloud things – midrange is spacious and lively. Again, the higher frequencies may be a problem for fans of this part of the frequency spectrum; but if like some you’re a little sensitive to it, the DN-900 should fit like a glove.
Since their recent introduction, the Um Pro series from Westone have proved to be an excellent balanced armature based range of IEMs, but how does the single BA design of the UM Pro 10 stand up? In its favour is the relative simplicity of the design which does not require crossovers, but some might find the frequency response a little too accurate.
Score – 8/10
Pros
Small and comfortable in the ear
Isolation
Soundstage and speed
Accessories
Cons
Requires a good seal for the best sound signature
May be fatiguing to sensitive ears
Summary
Balanced armature drivers by their nature are accurate and fast, but some prefer the warmth of more traditional dynamic drivers. More costly models might have a multitude of balanced armature drivers to more fully represent the frequency spectrum, but crossovers are required to split audio information among these drivers which can complicate matters.
Can the single BA driver win out against the costlier and chunkier competition?
Key Features
Westone are always generous with accessories and the UM Pro 10 is no exception; a pelican style case for the IEMs themselves, 5 pairs of rubber eartips at different sizes, and 5 pairs of silicone tips. The cable is removeable and of a twisted design which is coated behind the ears for extra stability. A tool for cleaning nozzles and tips is also included.
First Impressions
Being more used to IEMs with muliple drivers, my first thought is that these are small! However thay are not fiddly and are easy to get into place; the size of the capsules is not an issue. Once in, they’re comfortable and sit nice and still.
Sound Quality
Predictably, the balanced armature makes short work of replicating higher frequencies accurately, but the real interest is at the low end where single BA IEMs are concerned. Provided a decent seal can be achieved, the bass is in good balance with the rest of the presentation, although bassheads will be wanting more.
The sound is simple and clear, and the presentation has a lot of space which I like. Separation and imaging are superb. Those who are more sensitive to high frequencies may wish to tread carefully, but I have a treble-shy ear and have just enjoyed the UM Pro 10 over the course of half an hour with no ill effects – I don’t listen at very high volume levels however.
Hifiheadphones Verdict
If you fancy the idea of a single balanced armature earphone, but don’t fancy the protruding capsules of the Etymotic designs then the UM Pro 10 is worth a close look. Sometimes the best designs are the simplest and I really think there is something to be said for single-driver IEMs. Makers may be able to tune the sound signature a little more with multiple drivers, but this risks muddying the sound with possible phase/imaging issues as the audio from these different drivers reaches our ears at different times.
In short – choose the simple life and get the UM Pro 10!
Australian earphone manufacturer Audiofly, have released a range of four beautifully designed Professional In Ear Monitors. Taking on Shure, Westone and Ultimate Ears in this growing corner of the market is a big job, but from what we’ve seen Audiofly are more than up to it!
The Performance series have been designed to be used by touring musicians or music lovers who demand the very best sound in a tiny package. They all feature multi driver arrangements, with the top two models also sporting a super tough replaceable cable and leather carry case.
The Audiofly Performance Series range includes the following models:
Looks-wise these are some of the prettiest IEMs we’ve seen! Slightly slimmer with a more luxurious finish than most, the shiny coating on the AF160 and AF180 gives them an almost ceramic look. Comfort also benefits from this gently contoured design. Comply tips are supplied in small medium and large for perfect fit and better isolation than silicone. A full compliment of silicone tips are included though, as well as a 6.35mm adaptor, a cleaning tool and an airline adaptor too.
Audiofly developed a special cable for the Performance range called the Audioflex, which they say is roadworthy and built for the stage. As with most of their Premium range, the cables feature Cordura fabric (like that found in extreme climbing gear) with the addition of a heavy duty Y splitter, a low profile twisted section and a mouldable over ear sleeve before the driver housings.
It won’t make any difference to the sound but the packaging deserves an honourable mention. Audiofly have really gone to town with some of the best looking boxes we’ve seen in a long time.
Finally to the sound – this certainly doesn’t disappoint. As you would expect, the whole range has superb detail retrieval and very impressive instrument separation. There is a common sound at work here, the EQ is flat and stable with calm but crisp highs. As you move up the range you find a lot more body and purpose, although the AF140 – featuring a hybrid two balanced armature and one dynamic driver set up – is simply the best earphone we’ve heard for below £250. The quad balanced armature driver AF180 is the flagship model, it has un-flappable bottom and mids and an extremely confident presentation which is very difficult to fault.
Dita Audio The Answer IEM Earphones – Truth Edition – See more at: http://www.hifiheadphones.co.uk/dita-audio-the-answer-iem-earphones-truth-edition.html#sthash.UQLlq1VS.dpuf
Dita Audio The Answer IEM Earphones – Truth Edition – See more at: http://www.hifiheadphones.co.uk/dita-audio-the-answer-iem-earphones-truth-edition.html#sthash.UQLlq1VS.dpuf
Dita Audio The Answer IEM Earphones – Truth Edition – Review
Summary
The Answer Truth Edition is a dynamically driven IEM with a single 10mm driver; Dita Audio wanted to go for the simplest design in order to deliver the purest audio, according to their literature. Since balanced armature technology requires crossovers, multiple drivers and all the related gubbins, Dita went for the less complicated dynamic route. And why not? We’ve all been shown the power and finesse of the dynamic principle through Sennheiser’s excellent IE800s – they can be every bit as detailed and impactful as any well put together BA based driver.
New company Dita has made a splash lately with two significant IEMs; ‘The Answer’ and ‘The Answer (Truth edition)’ – the cable being ‘The Truth’. ..and I thought telling lies could get complicated!
If you forgot what the question was, it’s something like ‘what’s the best IEM man can come up with’? I reckon this response is fitting.
A benevolent deity has bestowed a pair of each model upon us and we have dutifully had a go; for this review I have stuck to the pricier ‘Truth Edition’ but for a quick impression of the non-Truth Dita, please scroll down to the ‘verdict’ part.
Pros
Well built with solid capsules
Weighted to lean into the ear – unlikely to fall out
Stout strong cable
Good range of eartips which can fine tune frequency response
Good extras – 2 quality travel cases included
Cons
Cable can be a little stiff but not too bad
Some might prefer a removeable cable
Key Features
The cable on the ‘Truth Edition’ is what gives the IEM its name; it is a Van Den Hul cable with whom Dita cooperated in order to get the best signal to the driver. The cable covering has a little window on it so the quality can be seen – it is certainly substantial. Other than that, there are no features other than the end product – the sound. Much like record players, the less you get on them as extras and gadgets, the better the sound will generally be. This is Dita’s philosophy.
First Impressions
The build quality is the first thing to be noticed. These are not heavy or unweildy IEMs, but the impression I have is that they were designed to be used in a war of some kind, or by very careless people. The build quality is very solid.
Sound Quality
The Answer (Truth Edition) lives up to expectations for a premium IEM; detail is exceptional and there is plenty of space in the presentation whether things are busy or not; there’s an effortless quality. Harmonics are not lost on these IEMs, everything is reproduced, and faithfully.
Not to say that these Answer/Truths are neutral; they have a sound which is on the fun side but it is done with real adroitness. There’s an analogue quality which reminds me of the Sennheiser IE800.
Soundstage is generous and imaging is great; it all just hangs together and as per the marketing/literature, the strengths of the single dynamic driver design are right here.
When comparing the two, the IE800 is just a little less forward which suits me. So if you feel that the IE800 is a bit laid back for you, try and dally with the ‘Truth’!
Verdict
Given the quality of Dita’s answers, we should be upping the quality of our questions. ‘How much money have I got?’ might be one such question. The ‘Answer/Truth Edition’ is not cheap, but the best things often aren’t. Given the price, the phrase ‘to be economical with the truth’ may not be so accurate, but there are savings to be made by choosing the ‘Non-Truth’ version which is the same but for a little less detail and a slightly smoother presentation. A very close match for the IE800, and only two thirds of the price at £399.
The DUNU DN-12 Trident is the entry level in-ear headphone from this exciting brand. DUNU is making waves in the headphone world and I can see why – if they put this amount of work into their low priced headphones then I can only imagine what their high end models are like!
I had to keep reminding myself that these in-ears were under £50. The packaging is nicely finished and when you get inside you find a good quality leatherette bag, plenty of different eartips, a cable clip and even a carabina. The headphones themselves are extremely well built. The driver housing is made from titanium which feels great and has a good amount of weight. The cable feels tough and isn’t flimsy, this ends in a smartly designed angled jack connection – you even get a cable tidy designed by DUNU included.
DUNU have thought about even the finest details with their entry level earphone so you are totally impressed before you even listen to them!
Sound Quality
When I first listened to the DN-12’s I felt that there was a fair amount of bass and that there could be more treble… Then I remembered that they are £35!
Compared to other earphones in their price range they sound more refined with a good amount of bass that doesn’t bleed into the rest of the mix, the mids come through nicely with enough crack and the highs give a great sense of space. The soundstage is very impressive as you feel that you are right in the mix with a wide presentation. I really can’t think of anything negative to say about these great little in-ears!
HifiHeadphones Verdict
Not long ago I would have said that the SoundMAGIC E10 was easily the best in ear for under £40 – now they certainly have stiff competition! The DUNU DN-12 may not have as much weight in the low end as the E10, but for me this is for the best. These earphones feel and sound like something that should be worth somewhere in the £50 region, as not only can they compete with some higher priced models, they have put a lot of effort in the finer details – this for me helps put them at the top of their game
What can be better than the award winning SoundMAGIC E10 for under £40? The E10S has the same superb build quality and sound signature as the E10 but with the added function of a universal smartphone in-line microphone – need we say more?
Universal smartphone microphone (iPhone and Android)
Cons
Nothing to fault at this price
Key Features
Comfortable fit and distinctive design
Made for all smartphones
Integrated smart remote and microphone
Unique, all metal earphone construction
Powerful bass balanced with superb musical detail
Robust tangle-free twisted cable design
Skype/VOIP adaptor included
First Impressions
From the start it is hard to believe that the E10S is under £40. The packaging is smart and of a very high quality – once opened you find plenty of spare ear tips and an attractive hard case. Holding the earphones you can feel how well made they are and the innovative switch on the jack plug will let you set the earphones to work with any smartphone – you would not expect technology like this on such a modestly priced earphone.
Sound Quality
Once you get over the impressive built quality and actually try them out you will not be disappointed. Like the SoundMAGIC E10, The E10S has tight bass with plenty of weight – the mids are well defined and the top end sparkles. These earphones are perfect for listening on the go as the sound is fun and they will sound great with whatever you throw at them. Soundstage is better than what you would expect from an earphone at this price – it’s engaging and natural.
Verdict
If you have £40 to spend on some new earphones then go for the SoundMAGIC E10 – if you need an in-line microphone then go for the E10S. Easy.
SoundMAGIC have again pushed the boundaries of what can be expected from an entry level earphone with the SoundMAGIC ES20, which makes this model a strong candidate for the title of best budget in ear headphone. The sound is a quantum leap up from the cheap earbuds supplied with most MP3 players, with warm deep bass and plenty of detail in the trebles.
While you might expect an inexpensive earphone to be poorly made, the ES20 is a part aluminium construction and comes fitted with good quality braided cabling (normally reserved for high end in-ear monitor earphones) with strain relief that is built to last. The quality of the product is truly commendable. The ES20 is like the baby brother of the award winning SoundMAGIC E10 which adds a full metal body and even higher sound quality – for a little more money.
Supplied with a neat carry pouch that is very usable and three size ear tips to get a good seal, the SoundMAGIC ES20 is a very well thought out package.
If you have a little more to spend, consider the SoundMAGIC E10 or SoundMAGIC E50 – also both amazing value at their price points.
HiFi Headphones Verdict:
In times past the Sennheiser CX300 was the first choice for entry level in-ear earphones, but the ES20 has just stolen that spot. Sound quality compares with earphones costing two or three times the price.
Shure’s addition to the sub £50 earphone range is very impressive. They are very well built with a tough cable and solid speaker housing. The sound rolls off slightly at the top which takes away any harsh frequencies and the bottom end has plenty of punch!
The Shure SE112 are a great alternative to the award winning SoundMAGIC E10 – especially if you prefer a mellower presentation.
For a more professional in-ear monitor design we also recommend the Shure SE215 – tight bass, crisp mids and great soundstage.
HiFi Headphones Verdict:
The Shure SE112 has punchy bass and smooth top end detail. They are very comfortable with great isolation and they are tougher than most.
The AF45 is an impressive pair of earphones. We think the AF45 is one of the highlights of the Audiofly premium range and one of the best in ear headphones available at this price.
The AF45 successfully marries fashion conscious design with excellent sound. The earphones are sturdy and the sound is big – full bass and crisp detail.
The cable on the AF45 is made from Audiofly’s Audioflex braided technology and is covered in a Cordura fabric outer sheath for extra durability. There is also an option of an in line microphone with the Audiofly AF45M.
HiFi Headphones Verdict:
The AF45 is a truly superb earphone that excels all round. Big bass and crisp highs makes them ideal for someone looking for big sound and great looks from their in-ears.
Final Audio’s Adagio III is sleek in design and gives a more refined sound than many of it’s competitors. The earphones are very well built with a tough cable and airplane engine like design to the earphone body.
Thanks to the balanced air movement internal speaker design the bass is big yet not bloated and the upper detail is crystal clear – this gives an exciting and refined sound.
Some reviews complain that bass is too powerful, but after running in (this earphone changes a lot during the first 50 hours) we think the Adagio III offers plenty of clarity and detail for the price.
Final Audio Design earphones come with excellent eartips, but as with many better quality earphones they benefit from upgrading with Comply tips.
HiFi Headphones Verdict:
If you like powerful bass, but want a more refined sound then these earphones are for you. Tight and full low end, cracking mids and the top end has real sparkle.
With the RHA MA750 earphones you get a lot for your money. The build quality is extremely solid and you get a 3 year warranty – this shows how confident RHA are with their products. You get a good amount of ear tips supplied and a very nice leather carry case.
The overall sound is warm with great bass quality and lots of energy in the upper frequencies. The soundstage is large and separation is very good. There is also the MA750i for those of you wanting iPhone controls.
HiFi Headphones Verdict:
If you’re after a great all rounder then the MA750 could be the one. Solidly built, comfortable, 3 years warranty, lots of accessories and great sound – a lot for under £100!
The new Westone range of ‘UM Pro’ headphones come with a varying amount of balanced armature drivers to suit all ears and pockets.
The UM Pro 10 model has one balanced armature, so a good seal with the ear is important to benefit from the full frequency range. The sound is extremely accurate and fast-paced, with superb soundstage and imaging. Some may find the design more ergonomic than similar single balanced-armature designs by other makers, as the UM Pro 10 rests in the bowl of the ear as opposed to protruding out of the ear.
Hifiheadphones Verdict:
Sometimes the best designs are the simplest and I really think there is something to be said for single-driver IEMs. Makers may be able to tune the sound signature a little more with multiple drivers, but this risks muddying the sound with possible phase/imaging issues as the audio from these different drivers reaches our ears at different times.
In short – choose the simple life and get the UM Pro 10!
The Heaven II replicates the intense auditory sensation of fast-paced live music with accurate speed and harmonious stereo separation. A truly high end sound at a bargain price.
Final Audio Design’s special Balancing Air Movement mechanism optimises air movement inside the housing that eliminates unwanted sibilant high-frequency sounds. Proprietary balanced armature drivers developed by Final Audio Design (one of only a few manufacturers in the World who make these micro-drivers) deliver concentrated bass performance and perfectly balanced spatial separation.
To replicate the auditory sensation of live music ambiance with speed and accuracy Final Audio Design have crafted the housing of the Heaven II from solid stainless steel. Final Audio Design’s Heaven II is a handmade product, made by Japanese sound engineers with a full-focus on ideal sound with no compromises.
HiFi Headphones Verdict:
It will be hard to find an in-ear headphone that can challenge the Heaven II’s sound quality for under £100. They use a balanced armiture driver, which is uncommon for sub £100 earphones. This gives you great clarity and separation as well as superb soundstage. Using the supplied tips you also get full and rich bass which completes the well balanced sound.
Shure’s SE215 personal monitor earphones are designed to meet the demanding requirements of your audio lifestyle. It features a Dynamic MicroDriver for a detailed, warm, sound with improved bass. With the Shure SE215 you can concentrate on your music, whether you are on-stage, in a train, on the street or working out
Shure’s SE215 earphones features a durable Kevlar reinforced cable that allows easy replacement or customisation. The formable wire ensures secure placement, and over the ear configuration keeps cables out of the way. The gold plated stereo connector has a lock-snap mechanism allowing 360 degree rotation for comfortable fit
Because every ear is different, the Fit Kit of the Shure SE215 includes an assortment of foam and silicone sleeves in different sizes. Experiment with the size and style that creates the best fit for you. A good seal is key to optimising sound isolation and bass response as well as maximising comfort during extended wear
HiFi Headphones Verdict:
For under £100 the Shure SE215 give you the most for your money. You get well detailed sound with crisp highs and tight bass, a removable highly durable cable, a wide selection of eartips including Shure’s own Foam Tip and to seal it off a tough carry case.
Heaven IV achieves the truest possible expression of live concert hall sound.
With the incorporated balancing air movement mechanism the earphone body design has evolved into an uncomplicated, slender structure.
Final Audio Design’s special BAM (Balancing Air Movement) mechanism, optimises air movement inside the housing, has pushed the evolution of earphone body design to the next level with a simpler structure and slimmer body. The result is a balanced, natural sound that reduces unwanted sibilant high-frequency sounds.
The Heaven IV is handmade by Japanese sound engineers with a full-focus on ideal sound with no compromises.
HiFi Headphones Verdict:
Final Audio Design have managed to create an earphone that not only looks great, but sounds it too! You get a refined sound with clear and textured detail as well as deep, tight bass. The flat cable design has also been well thought through, it is very durable and eliminates tangles and microphonics.
Audiofly’s new range of IEMs are exceptional for fit, comfort and sound; available with a hybrid driver arrangement or multiple balanced armatures.
The AF140 model offers both dynamic and balanced armature drivers for a warm, yet detailed presentation. With a slight roll-off at the treble end, the midrange is sweet and smooth with a slightly accentuated bass which is beautifully controlled.
Hifiheadphones Verdict:
As you would expect, the whole Audiiofly range has superb detail retrieval and very impressive instrument separation. As you move up the range you find a lot more body and purpose, although the AF140 – featuring a hybrid two balanced armature and one dynamic driver set up – is simply the best earphone we’ve heard for below £250
Technology taken from EarSonics’ EM series achieves audio quality never reached before with universal IEM earphones. The research and development department of EarSonics worked hard to match sound quality of their custom EM4 and EM6. The result brought forward EarSonics’ Flagship SM64, a new professional audio quality reference model.
With new HQ crossover technology with impedance corrector, the SM64 provide a balanced sound spectrum making it very musical and accurate. Earsonics’ SM64 in-ear monitor earphones were made to handle music of all intensities and all volumes on any device, absolute control of the audio spectrum. Pairing the SM64 with a headphone amplifier unleashes incredible stereo imaging and maximum headroom.
Earpieces, designed to sit securely in the ear when on stage or on the move ensures that the SM64 stays in place. The rugged, non-microphonic twisted cable is detachable and guarantees long lasting pleasure and serviceability.
HiFi Headphones Verdict:
We love these earphones! If you’re looking for an earphone with a balanced and neutral sound then these are a great choice. The bass is tight, mids cut through without being too harsh and the highs extend very well and naturally.
This little brother to the pricier ‘Truth Edition’ model is no stranger to sincerity itself; machined from solid aluminium, the capsules are designed to avoid adding their own colouration to the sound, and are weighted to lean into the ear for greater comfort and a better seal. They aren’t heavy but just weighty enough to let you know they mean business, and the cable is reassuringly stout.
Much like other similarly-priced dynamic driver IEMs, the sound is what you might expect; bright without being sibilant, well balanced mids, well controlled but slightly elevated bass. There’s a smoothness from this type of large diameter driver which I never fail to appreciate, and along with its speed and accuracy, it brings any music to life with aplomb.
Soundstage and imaging are first class, and the use of a headphone amp can really add the cherry to the cake in terms of realism.
HiFi Headphones Verdict:
IEMs like the Dita are showing once again that dynamic drivers can be every bit as fast and vibrant-sounding as their balanced armature counterparts, with added smoothness to give a wonderfully analogue impression.
The IE800 are Sennheisers new flagship audiophile earphones. Featuring a linear-phase driver system that achieves distortion-free audio even at high sound pressure levels. Surely Sennheisers most innovative portable music solution, the IE800 meets the demands of portable audio with truly superb sound and comfort.
The extra wide band transducer system, with a diameter of just 7mm is the smallest wide-band driver system currently available in dynamic earphones. Innovative vent holes in the housing of the IE800 direct the air flow resulting in minimal distortion levels. Sennheiser’s revolutionary dampened two chamber absorbers eliminate the masking of low volume frequencies by absorbing the energy from the louder low-frequency sounds.
Build quality is amazing, scratch-resistant ceramic housing, stainless steel air vents and Kevlar coated audio cable, the IE800 is built to last. Two special meshes protect the IE800 against residue and contamination.
The package includes 5 pairs silicone eartips in different sizes, premium leather carrying case, a cleaning tool and instruction manual.
HiFi Headphones Verdict:
Brimming with ground-breaking technologies the IE800 are the ultimate IEM for bass lovers. Big warm and powerful sounding, beautifully engineered with an ergonomic and attractive design, these are very special IEMs.
At the summit of Shure’s classic range is the 846 – a no compromise IEM with a lot of tech tucked away. They feature an ‘acoustic chamber’ method of producing bass frequencies, creating 4 inches of space within each capsule for that true subwoofer sound.
Together with filters in the nozzles to customise your sound, the SE846 is currently one of the best universal IEMs on the market. Let no detail be missed.
Hifiheadphones Verdict:
For the current king of universal IEMs, get the SE846. Custom earmoulds are not essential, but recommended.
We’ve collected together the best headphones of 2015 and written reviews of our favourites. You will also find more detailed guides to the best headphones for specific types at the following links:
The SoundMAGIC E10 is from the second generation of earphones from SoundMAGIC, and simply must belong in our Best Headphones Top 10, The first generation PL11 and PL30 really pushed the boundaries of what you could expect from an entry level earphone, so SoundMAGIC had quite a task bettering their existing designs. We think they’ve excelled themselves with the E10.
The E10’s sound signature has similarities to the massively popular PL11 (i.e. a powerful, fun sound with plenty of bass), but with a greater level of control and improved musical detail. The E10 is an improvement over the PL11 in every way. Sound quality is exceptional.
The earphone is constructed from a lightweight fully metal frame, which ensures the earphones will survive every day use. Cabling is high quality and the jack plug is very well made. To get the best in-ear fit and sound we recommend T-400 Comply Foam tips – the E10s have quite large nozzles, which is tricky to fit for those with smaller ear canals.
The E10 sounds good, looks good, is very well made and you will struggle to find another earphone to compete with it under £70.
If you need a microphone for use with a mobile phone check out the equally impressive SoundMAGIC E10S.
HiFi Headphones Verdict:
A very nicely designed earphone with sound quality that is sure to impress. The earphone is built to a very high standard and rivals the big brands. Cannot be beaten at this price point.
Final Audio have a fantastic range for all pockets and ears, and this is Heaven too!
Machined from stainless steel, these stylish earphones feature a single balanced armature driver, with bass frequencies assisted with Final Audio’s BAM (Balanced Air Movement) design; this boosts the bass frequencies which are generally seen as weak on single balanced-armature models.
The mid range is neutral sounding, clear and uncluttered, with good detail and presence while higher frequencies are rolled off a little; high hats and crashes will be less prominent but still attention grabbing considering the neutral mid-range.
Soundstage, imaging and separation are of excellent quality for an in-ear of this price. Isolation is good and the Heaven II can be worn with the cable over the ear, although it is designed chiefly to be worn down from the ear.
HiFi Headphones Verdict:
Fantastic quality for well under £100. A full bodied presentation from a single balanced armature which sounds as good as it looks.
Dita – The Answer
This little brother to the pricier ‘Truth Edition’ model is no stranger to sincerity itself; machined from solid aluminium, the capsules are designed to avoid adding their own colouration to the sound, and are weighted to lean into the ear for greater comfort and a better seal. They aren’t heavy but just weighty enough to let you know they mean business, and the cable is reassuringly stout.
Much like other similarly-priced dynamic driver IEMs, the sound is what you might expect; bright without being sibilant, well balanced mids, well controlled but slightly elevated bass. There’s a smoothness from this type of large diameter driver which I never fail to appreciate, and along with its speed and accuracy, it brings any music to life with aplomb.
Soundstage and imaging are first class, and the use of a headphone amp can really add the cherry to the cake in terms of realism.
HiFi Headphones Verdict:
IEMs like the Dita are showing once again that dynamic drivers can be every bit as fast and vibrant-sounding as their balanced armature counterparts, with added smoothness to give a wonderfully analogue impression.
The IE800 Sennheisers new flagship audiophile earphones. Featuring a linear-phase driver system that achieves distortion-free audio even at high sound pressure levels. Surely Sennheisers most innovative portable music solution, the IE800 meets the demands of portable audio with truly superb sound and comfort.
The extra wide band transducer system, with a diameter of just 7mm is the smallest wide-band driver system currently available in dynamic earphones. Innovative vent holes in the housing of the IE800 direct the air flow resulting in minimal distortion levels. Sennheiser’s revolutionary dampened two chamber absorbers eliminate the masking of low volume frequencies by absorbing the energy from the louder low-frequency sounds.
Build quality is amazing, scratch-resistant ceramic housing, stainless steel air vents and Kevlar coated audio cable, the IE800 is built to last. Two special meshes protect the IE800 against residue and contamination.
The package includes 5 pairs silicone eartips in different sizes, premium leather carrying case, a cleaning tool and instruction manual.
HiFi Headphones Verdict:
Brimming with ground-breaking technologies the IE800 are the ultimate IEM for bass lovers. Big warm and powerful sounding, beautifully engineered with an ergonomic and attractive design, these are very special IEMs.
Grado’s full size headphones are famous for their wide open and airy sound – perfect for live recordings, female vocals and percussion. Rock music also.
The clarity and detail which can be purchased for the sub-£100 price of these headphones is staggering; they are perhaps one of the best value headphones available just now.
Bass is tight and not overstated, mids are rich and highs are heavenly. They are as open-sounding as headphones get, and of course leak sound so are to be enjoyed in a relatively quiet space.
Their low 32 ohm impedance means they can be driven by portable devices, but as with many headphones an amp can really help get the best from them.
HiFi Headphones Verdict:
If you are looking at your first quality headphone purchase and you like details and space within music, then look no further than the SR80i.
One of Final Audio’s full size models, the Pandora VI consists of both dynamic driver and balanced armature drivers, to give both a warm and rich presentation, with no compromise on detail.
Sound from the two drivers melds seamlessly into one weighty and accurate. The closed-back and low impedance design makes them perfect for travel, while they are just as enjoyable relaxing at home.
The stainless steel and ABS thermoplastic resin design gives them a timeless vintage look which belies their cutting edge technology. They really look as clean and exciting as they sound.
HiFi Headphones Verdict:
A real contender amongst closed-back headphones, and an exciting new addition to a growing family of hybrid-driver products on the market. These have amazing isolation and detail which can transport you.
The LCD-3 is a headphone which does not compromise in the search for the highest quality audio reproduction. The planar magnetic drivers deliver a very fast and powerful sound, with breathtaking imaging and realism. Your music will come to life.
More than one audiophile has remarked that these are the best headphones they’ve heard, and they certainly live up to their reputation.
Individual instruments are as real to the listener as the spaces they’re recorded in; the effect is a truly immersive listening experience which is hard to find anywhere else outside of full electrostatics.
The LCD3 is a headphone for enjoying at home – the weight and wide open-backed design is not for the street or more strenuous activities; also a headphone amp is recommended.
HiFi Headphones Verdict:
Powerful yet tightly controlled bass, luscious mids and sparkling highs make these a treat without compromise or comparison. The effortlessness with which the LCD-3 delivers audio is testament to their excellent build quality.
The lightweight and portable SoundMAGIC P21 is perfect for the summer and travel; the isolation can keep your music from disturbing your companions and the earcups fold flat for easy storage. The included case will protect them when not in use.
The sound is what you might expect from SoundMAGIC; they have crammed a lot of quality in, considering the low price. Great detail without sibilance, mid-range which is clear and engaging, and bass which is well controlled and in good proportion to the rest of the sound.
Soundstage and imaging certainly make for a immersive experience wherever you go.
HiFi Headphones Verdict:
These are the perfect accompaniment for those who wish to travel light and get away; good isolation and a great sound combine to make a traveller’s joy. Also available with microphone as the P21S.
Without doubt the best pair of street style headphones currently on the market are the incredible sounding Grado iGrado headphones (with a reasonably RRP of £49.95). The drivers used in the iGrado are the same as those used in the Grado SR60, so you can expect a lively delivery of your music across the entire frequency range. The iGrado’s sound every bit as good as their home listening cousins. The styling of the iGrado’s is not too everyone’s taste, but who cares what you look like when the music sounds this good!
The only downside for commuters is that the iGrado’s have open backs, so sound leaks out and in. This is fine for walking on the street (as long as the traffic isn’t too loud), but is no good for travelling on underground trains or while sitting next to someone on a bus.
HiFi Headphones Verdict:
If you can live with the open back design the Grado iGrado is the best portable headphone you can own. Very highly recommended.
Portable headphones are really getting some attention again, and the M500 is a great example of the type of quality which has entered this market recently. They are designed to hug the shape of the head and look very cool when worn, although the wearer may well be grinning like an idiot!
The sound is of amazing quality and it really is a strange feeling to be enjoying such a presentation whilst walking in the street, for example. They are solidly constructed without being heavy, and feel very comfortable. The earcups consist of a very soft cushion which provides good isolation without causing discomfort, so the high quality sound these deliver can be fully enjoyed.
The sound is wonderfully balanced; the bass is handled very well and is tight without sitting too far back; midrange is clear and unforced, and treble is crisp and grabs attention without getting harsh.
HiFi Headphones Verdict:
For the price, these headphones are incredible value; they are the perfect travel companion for anyone who does not like to compromise when on the go.
You’d be forgiven for assuming that these headphones are from one hundred years ago; from a distance the design harkens back to headphones which might be used to listen to morse code.
Try them however and you’ll realise that these are every bit as sophisticated as their modern-day counterparts; only the build quality is from yesteryear.
Bass is fully present but knows its limits, midrange is clear and fluid, with highs rolled off slightly to avoid fatigue. The VK-1 is a very musical headphone and suits many styles while being very stylish itself.
HiFi Headphones Verdict:
These are remarkably beautiful headphones which pack a sonic punch their genteel appearance just does not hint at. High quality leather earpads ensure great comfort, while the sound is vibrant enough to rival any competition on the street.
World Cup 2014 is on its way and now that FIFA have banned branded headphones, we have come up with a list of headphones to help you keep up with all of the matches. Whether you listen to the radio on the go, stream the games on your iPad or just want to watch the football at home without disturbing anyone.
Here is our pick of headphones that will help you enjoy the World Cup and sound great!
Portable Streaming
Ideal for listening on the go with portable devices. These headphones are small, lightweight, they have good isolation and will reduce the amount of sound leaking out.. You can follow the World Cup in style.
If you like using in-ears but want something wireless these are perfect! They use Bluetooth so will be able to connect to most mobile phones and modern portable devices.
If you’re after a bit more luxury then the Momentum On-Ear is for you. They are the portable sized version of the popular full sized Momentum. They have a lush sound with great clarity and soundstage. They are also extremely comfortable and they look great too!
The AF78 uses hybrid technology, so you get a dynamic driver (for rich bass) and a balanced armature driver (for clarity and detail). This combination gives you great punchy sound with clear detail. The M version comes with a universal in-line microphone and one button control.
To fully immerse yourself you can go for the ultimate portable headphone. The MM450-X not only sounds great, they have noise cancelling – this will help block out background noise so you can listen in peace.
Home Streaming
Full size, comfortable and easily driven. Perfect for private listening at home with any source device.
One of the best sub £200 closed back headphones we do. Very good sound isolation and adjustable bass ports lets you customise the sound for your taste. Very comfortable and has a replaceable cable.
This closed back headphone gives you the best of both – a balanced armature driver for crisp top end detail and a dynamic driver for rich, punchy lows. Once burned in these headphones sound amazing – you’ll want to wear them all day long!
The T70p has great clarity and top end detail with tight bass and an overall neutral sound. The P version is designed for portable devices, if you use a headphone amplifier then I would recommend the T70 (non P version).
Watching TV
If you’re going to be watching the games live on TV then you will be doing some late night viewing. These headphones will be able to connect to your TV and get you fully immersed in the World Cup without disturbing anyone else in the house.
The ultimate in TV quiet listening. Both the RS160 and RS170 are closed back and will isolate sound extremely well. The RS160 comes with a portable transmitter which can be powered by batteries whereas the RS170 has a more powerful transmitter that also acts a holder and charging station for the headphones.
Listening on the go is becoming more and more popular – especially that now you can store your whole library of lossless audio on to a compact player like the FiiO X3, FiiO X5 or even the Astell&Kern AK120.
With the potential to have the highest quality audio in your pocket you will want to complement that with the headphones you use. This article will cover how to choose a portable headphone and suggest some of our favourites.
When buying headphones or in ear earphones for a portable player there are 3 main qualities you will be looking for:
Compact
As you will be more than likely using the headphones while travelling you will want them to be small enough to fit into a bag or even fold up for easy storage. You will also want them to be a size that won’t get in the way whilst moving from busy train to busy train.
Closed Back / Sound Isolating
As these headphones will probably be used in public, you won’t want the sound of your guilty pleasures spilling out to the rest of the train carriage – nor will you want to hear the loud music being played by the youths at the back of the bus. Closed back or sound isolating headphones are perfect for this, as they reduce the amount of sound leaking and help block out external noise.
Easily Driven
The majority of portable players such as iPod, iPhone, Samsung, Sony etc. can give great sound quality but they don’t have the most powerful headphone amps on them – when this is the case you want a headphone that is easy to drive so you can get a good volume out of them without maxing out your player.
In ear headphones
The ultimate portable solution are in ear isolating earphones as they tick all the above qualities – here are a selection that I would recommend:
Smooth and fun sounding with great detail. Very comfortable and good isolation for an open back.
Headphone amplifier
And finally… If you have got your heart set on a headphone that is more difficult to drive then do not fear! Adding a portable headphone amplifier into the chain will solve this issue.
Lots of power, bass boost, sturdy build quality and detailed sound.
So hopefully this article has helped you decide on your new headphone – but if you have any questions then do feel free to get in touch and we will be happy to help!
