Aesthetics and Build Quality:

The PurePlay Z3 (formerly known as TEVI) are a smooth and discreet, nothing really stands out on them with a small logo and silver trim ring on the faceplate. They smooth black finish looks great, there is a slight difference in colour between the 2 sections of the body but it doesn’t detract from the overall look.

Build quality is excellent, the joins in the housings are very smooth and they are finished to a high standard. The charging case is fabric coated and solid, and the buttons on the faceplates have a very positive click. Overall everything feels very well put together and durable for long term use. They are also IPX7 rated which means they are fine for your daily run and gym use.

Features:

The PurePlay Z3 use the latest Bluetooth 5.0 technology along with support for aptX, AAC and SBC codecs. Pair them with an aptX compatible device and you’ll get slightly better sound quality of course, but AAC also sounds very good.

The controls are easy to learn and intuitive, two click on the right to increase volume, two on the left to decrease. Three clicks on the right to skip track forward, three on the left to skip backwards. Single tap on either will pause the music, and a 2s press on the left will bring up Siri/Google assistant. You can also pick up calls and there are built in microphones that work very well.

Battery is rated at 10hrs per charge (SBC 50% volume), and I would say that figure is quite accurate from testing, using aptX will decrease this slightly but the increase in sound quality is worth the trade-off. The charging case supports another 6 whole charges, making these very impressive compared to the current competition.

Connectivity and signal stability are excellent, they pair easily and only cut out if you go out of range or add objects within the transmitting path (walls etc..). Overall, they work as advertised and don’t cut out if your phone is in your pocket or within a reasonable distance.

Comfort and Isolation:

The shape of the PurePlay Z3 is ergonomic with soft rounded edges and the perfect angle nozzle to provide a comfortable and secure fit without sticking out too far. The housings are a little on the larger size, but they never feel cumbersome when in use.

Isolation is pretty good; they do a very reasonable job at muting outside noises and are perfect for daily use and commuting.

Sound:

Bass: The bass on the PurePlay Z3 is full yet well controlled, it has a way of adding body without becoming the centre of attention. In terms of presence they are slightly north of neutral but they always sound very well balanced. There is good extension and kicks are backed up with body. The lows really are impressive, preventing the PurePlay Z3 from sounding thin but without making them sound bloated. They handle most genres with ease and have good articulation, lacking only a little speed during complex mixes.

Midrange: The lows are slightly north of neutral in terms of presence, but this does not mask the midrange and make vocals sound pushed back or congested. The midrange is well separated, lower male vocals do have a tiny bit of added body, and female vocals cut through with a little more detail but the overall midrange performance is very well balanced. Most consumer true wireless models have a habit of boosting the bass and treble, whereas the PurePlay Z3 comes across a lot more even handed and more suitable for a wide range of genres. There is great separation and layering, yet the coherency between frequencies is also excellent.

Treble: The treble is slightly laid back but luckily there is enough presence to prevent the PurePlay Z3 from sounding overly dark. The thing about the treble is that the tonality is just right, they don’t sound splashy or metallic and have great extension and detail. They have good accuracy when it comes to imaging too and they fit well into the frequency range. I would never call these bright though, and the treble is smooth enough that even the most treble sensitive users won’t have any issues with fatigue.

Soundstaging is good, not huge but very acceptable as most TW earphones sound very closed in. The detail present here is excellent and the separation between instruments is great.

Conclusion:

The PurePlay Z3 are very impressive, especially considering their sub £100 price point. Offering up a smooth and detailed sound signature that is well balanced yet slightly full. Add to that great stability and functionality and you have a TW earphone that is so easy to recommend, go out and grab one now as they are a game changer in the TW market.

Sound: 5/5

Comfort:5/5

Features: 5/5

Value: 5/5

The post Lypertek PurePlay Z3 True Wireless Earphone Review appeared first on HiFiheadphones.

Initially developed thanks to an ultra-successful kickstarter campaign, the Soundkey by Cyrus promises to upgrade the audio quality of mobile handsets and anything else able to feed it audio data, such as tablets and desktop computers.

Pros:

• Huge audio upgrade for handsets and tablets
• Excellent value
• Tiny!

Cons:

• Camera kit required for use with iPhones

Design and Appearance

This little device is sleek, light and simple; there is nothing much to remark on other than the micro-B USB input and the 3.5mm output. The device is the size of a small cigarette lighter and is available in various colours. Included are two cables (one for micro USB-B and another for USB-A connections); these appear to be decent enough, but are each composed of differing materials. The micro USB-B cable is a fabric covered affair, whilst the USB-A cable is white and plastic coated. Given that this is to be used by Apple users in connection with the often required camera kit, it kind of makes sense.

The Soundkey is powered by the internal battery of the connected device; it does not have its own battery, but its low power consumption will not tax the device’s battery very much.

Durability and Build Quality

The device itself is solid and well constructed; it’s surprising that it only weighs 18 grams. The included cables are robust, and should stand up to a fair bit of use.

Suitability for intended application

The Cyrus Soundkey is designed mainly to be used on the go, and the tiny size reflects this. It used to be that any external DAC would need to be strapped to the handset to keep things simple, but the Soundkey can sit on, and just be treated as part of a slightly extended cable given its diminutive presence.

It provides a boost to volume, so ensure your volume level is low on your handset when initially plugging in your earphones. The Soundkey is designed for portable headphones between 16 and 64 ohms which is a great majority of portable headphone/earphone models.

Sound

The Cyrus Soundkey provides a much cleaner signal than many in-built DACs; many of which prove to be sound quality bottlenecks in any portable audio chain. This will be more apparent on higher quality earphones and headphones, and of course will open the way for anyone wanting to upgrade their earphones as these will no longer be limited by the internal DAC quality of portable devices.

Tighter, better audio control results in more noticeable harmonics to give music more texture, improved imaging and greater impact. It’s a good alternative to a separate, dedicated audio player if you are happier keeping all your tunes in one place, on your phone.

Summary

If you are wanting to upgrade your portable audio but don’t have bottomless pockets, the Cyrus Soundkey is a clear winner.

The post Cyrus Soundkey Review – You Won’t be Fobbed Off appeared first on HiFiheadphones.

Optoma Nuforce BE6i – Trendy Transmission

Wireless earphones are commonplace now; so much so, it’s not necessary to draw undue attention to the fact these days. However, it’s nice to see differing styles coming along and the Optoma Nuforce BE6i is a smart addition to this earphone category.

Pros:

• Nice case included
• Many eartips and fitting accessories
• Well tuned for many genres
• Good build

Cons:

• Charging port is a bit fiddly

Design and appearance

First impressions last, and in this case, the impression is definitely of a well-heeled smartness; these are the sort of earphones you can listen to during a job interview. The backs of the capsules are magnetic, so the earphones can be worn securely around the neck between uses.

The design lends itself to the ‘down from the ear’ wearing style so anyone wanting to have the cable going up, over the ear will need to consider an alternative model.

The case is a very practical, semi-rigid affair which is perfect for use with the BE6i.

Durability & build quality

Cable and control/battery construction is good with no obvious weak points. The capsules feel quite solid as well, without being too heavy.

Comfort

There’s not much to say here; once in, the earphones can more or less be forgotten about provided you have a good fit with the supplied eartips and accessories. There’s plenty to play around with, including some ‘fins’ which sit in one of the various folds of the ear and help keep the earphones in place.

Sound characteristics:

The Optoma Nuforce BE6i has a warm sound with a bit of non-intrusive treble presence, good as an all-rounder.

• Bass

Bass has some emphasis, but the BE6i isn’t a bassy model per se. It extends well with good sub-bass at a realistic level and perhaps a bit more of a boost in the mid-bass region.

• Mids

Mids on the BE6i are very clear and unaffected by the bass. Harmonics and other directional cues are well rendered and vocals are sweet and well textured.

• Treble

There is a bit of sparkle about the BE6i; it’s not likely to cause any discomfort though. Cymbals are shimmery without straying into strident territory, and muted trumpets are just raspy enough. Detail here is very good for a wireless model.

• Soundstage & Separation

Lower frequencies benefit from very good separation and give a good impression of bass width; this continues up the frequency spectrum making an impressive presentation for a wireless model. Harmonics are largely preserved, making for an engaging and enjoyable time with the BE6i!

Music genres good for and why

As noted above, the Optoma Nuforce BE6i is a good all-rounder. Some may prefer more bass than the BE6i has to offer, but this depends on previous earphones and expectations. The BE6i is great with current studio music such as pop and rock, with more refined genres such as classical doing very well also since the midrange is so clear.

Summary

The new wireless BE6i from Optoma Nuforce is as smart as it is nice-sounding, giving a good impression of your music and complementing your outfit a treat. With a large range of accessories to get a perfect fit, the BE6i is a superb wireless choice.

The post Optoma Nuforce BE6i – Trendy Transmission appeared first on HiFiheadphones.

Etymotic ER3-SE and ER3-XR Review

Not content with the splash it’s made with its updated ER4 designs of late, Etymotic is back with more! Or is it less? The ER3 models cost a good chunk less than their ER4 counterparts, so what does this mean in terms of value?

Pros:

• Classic Etys for the price
• Removable cable
• Crystal clarity
• Carry case

Cons:

• Basic selection of tips
• Etymotic deep fit not for everyone

Design and appearance

The ER3 versions are slightly more sensitive than the ER4 versions, with half the impedance too. This may have been done with an eye on the portable market, where some handsets may have struggled to get up to a good volume with the ER4 type.

Accessories are minimal with the ER3-SE and ER3-XR; along with the earphones themselves, we get a case and three pairs of tips. The two sizes of Etymotic triple flange, and a pair of ER38-14F type foam eartips.

Durability & build quality

The capsules are the most obvious change, with plastic-coated aluminium being used instead of the glossy metal look of the ER4. The cable has a good strong, but pliable feel to it, but it is a bit thinner and is not braided at the top. Apart from the slightly lighter weight and less glossy look of the ER3-version capsules, things are much as we’d expect from the ER4-XR and ER4-SR.

Comfort

No change here; Etymotics need to be inserted deeply to be at their best, and people either love the isolation they bring or hate the deep insertion of the eartips. Fortunately we love the isolation enough to ignore any initial discomfort, and the eartips seem to settle into place after a few seconds.

Sound characteristics:

Like the ER4 designs, there are two flavours of ER3. The Etymotic ER3-SE is the more strait-laced and neutral of the two, with the ER3-XR giving a little more bass warmth. Both however sound a little more gentle in terms of the midrange than their ER4 brethren. Where we sometimes get the feeling of jeopardy with the ER4 models, with an errant xylophone or female vocalist threatening to poke us in the ear, the ER3 versions are a little more laid back. Etymotic’s clarity has not been sacrificed though; the midrange presence is just a little more humane.

Bass

Sub bass on the ER3-SE gives a nice bit of wobble which is low in the mix, but there alright. The rest of the bass is as well controlled as expected, but understated; bass junkies need not apply. There’s some great control here though. Meanwhile, the ER3-XR has more of that skull-rattling sub bass and more slam generally. We’re still not in basshead territory, but if you like your sound a little warmer with more weight given to cellos and drums then the ER3-XR may be for you.

Mids

Mids are always a treat as far as Etymotic’s offerings are concerned, and the ER3-SE does not disappoint. While the midrange level is slightly lowered when compared to the ER4-SR, all the other attractive features are there along with a wonderful sense of spaciousness. Details are well rendered, though not with the sharp relief of the ER4-SR. Many will feel the ER3-SE has more comfortable sound when compared to the ER4-SR in terms of the sound, but with all its harmonic and spatial treats largely intact.

With the ER3-XR the extra bass presence vies for attention along with the midrange, so the midrange seems to lose its power slightly. The spaciousness of the ER3-SE is tempered, and the extra bass warmth takes its place. The ER3-XR is still excellent when it comes to midrange action and detail, but is arguably the better all-rounder of the two as the tuning works well with genres such as modern dance music.

Treble

The ER3-SE does not sound treble-heavy but there is some nice extension up top. If your recordings were made on analogue tape, you’ll probably know about it from the tape hiss coming through. Treble is at around the same level as the midrange after a smooth transition, and consequently does its job well whilst keeping the midrange in the spotlight.

The ER3-XR has the same treble presence as the ER3-SE, but the fatter low end gives the tuning a warmer feel.

Soundstage & Separation

With the detail and midrange clarity on offer from both these models, we can say that both soundstage and separation are a treat. The sound has a nice ‘out of the head’ feel without seeming unnatural and with good depth too. Separation and imaging are near perfect, if a bit toned down when compared to the dazzling ER4 designs.

Music genres good for and why

The ER3-SE is a great choice for acoustic music, classical and opera. With modern pop and dance genres, it can depend on your sensitivity to the upper midrange frequencies as to whether they work or not, along with your taste for bass. The ER3-XR is good for any genre you can throw at it, and we went through many!

Summary

Etymotic’s ER4 models are now available for cheap (albeit under the ER3 moniker), but their character is largely intact. Those who like to hear the smallest thing within their music needn’t study the fine print of credit card agreements in order to afford the ER3-SE and ER3-XR.

The post Etymotic ER3-SE and ER3-XR Earphone Review appeared first on HiFiheadphones.

Whizzer A15 Earphone Review

The Whizzer A15 are well worth considering for their £69.99 price; detailed and fun sounding, with great build quality make them a winner.

Pros:

• Well balanced
• Detailed
• Separation
• Soundstage

Cons

• Highs are not the most refined
• Cable is a little thin (replaceable)

Aesthetics, Build Quality and Accessories

The Whizzer A15 is an interesting IEM, with a brushed metal outer shell and the company logo stamped in black on it. They look and feel excellent for the price and have a nice slim profile.

Build quality is very good, especially considering the price. The outer housing is metal, the cable has a soft and flexible section of memory wire and is sheathed in fabric below the y-split. The cable is detachable and uses the popular MMCX connection, so you can use aftermarket cables should you wish. The cable has good strain relief, my only concern is it is a little on the thin side where it enters the section of memory wire.

Accessory wise you get plenty of added extras, first off you get a nice faux leather carry pouch which is small and perfect for storing the IEM’s in. Next you get a metal tip holder with a variety of ear-tips. You get S, M and L in 2 different types of single flange tips, and also a pair of S and L foam tips. The A15 have removable dust filters, and come with a pair of tweezers to remove the old foam, and 5 pairs of new foam filters. Overall everything you need is included, along with some bonus extras.

Comfort, Isolation, Cable noise and Driver flex

The A15 are really comfy, the housing has no sharp edges and the memory wire is supple and easy to shape. Once in they are secure and comfortable for all round usage. I do find the angle of the cable does slightly push them out of your ear and foam tips offer a more secure fit.

Isolation is quite average on the A15, due to the large vent on the inside of the housing. They would be fine for most general usage, but if you are looking to block out loud noises, a fully sealed IEM would be better.

Cable noise is not an issue due to the behind the ear cable routing.

Driver flex is not an issue, I believe this is due to the venting of the housing.

Sound

Bass

The A15 are tuned for fun listening, with a strong and punchy low end but without excess or bloat. The bass will satisfy most people and lends its hand to all genres well. The bass is well controlled; during rock tracks bass guitars are easy to follow, and kick drums hit with authority and good body. Acoustic has excellent body and warmth with good tonality, and EDM is just fun and energetic. The bass does not bleed into the midrange, and extends right down to the sub-bass regions with ease.

Midrange

The midrange has excellent bite and clarity, as stated the bass does not cause excessive warmth to the midrange adding only a hint of warmth to the lower midrange. The midrange is also not pushed back in the mix which can happen with some of the more fun sounding headphones out there. A highlight of the midrange is the air and separation, allowing everything to shine through with delicacy and detail. Luckily there isn’t an upper midrange peak, allowing them to be fatigue free with no sibilance.

Treble

The treble is well presented in the mix, not being subdued or left behind. There is a slight peak which gives greater presence to the lower treble region and they don’t quite extend as effortlessly as some more expensive models. But putting them up against similarly priced models, you will find these sound more complete than the usual warm bassy sound of others. Initial cymbal hits have excellent energy but are not sharp, and do not become too bright and fatiguing.

Instrument separation is excellent, the A15 never becomes congested through faster more complex tracks, and the soundstage is above average with great width. Imaging is convincing with good spatial cues and directionality.

Conclusion

The Whizzer A15 lends its hand to all music, and does a great job at being a good all rounder. Stick on some rock and they are energetic and fun, well recorded acoutstic and you can hear subtle detail and warmth. Presenting a well balanced sound across the frequency range, the A15 is a well built IEM for the price with excellent sound to boot.

The post Whizzer A15 Earphone Review appeared first on HiFiheadphones.

Best On Ear Headphones 2017

Looking for a new pair of on-ear headphones?  We’ve collected the best on ear, open back, closed back and portable headphones to buy in 2017 and reviewed them to help you choose.

Shop: Visit our on-ear headphones store

Read More: Best In Ear Headphone Buying Guide

Best On Ear Headphones under £50

SoundMAGIC P22C

SoundMAGIC takes a lot of beating in this price category – the brand is a natural at making low cost headphones which sound much pricier.

The P22C model is a lightweight portable with a flat tangle-free cable and good isolation. Ideal for travel and holidays, these will fit right in to any bag or backpack when stored in their low profile travel case. The P22C included a microphone for phone usage and the remote is compatible with both Android and Apple devices.

Sound is impressive for this price point, with plenty of detail and a good kick to the bass without overpowering the mid range.

Engaging and fun-sounding, the P22C will make the absolute most of the output from any portable player.

Edifier P650

The Edifier P650 is a smartphone friendly, easy to carry portable headphone that punch above their weight and price.

Offering a well balanced sound with a little added kick down low, the midrange is clean and detailed and the treble isn’t far behind. The bass does not have the most sub-bass rumble but for a quick and easy to use, on the go headphone they offer great sound.

What impresses most is their ability to portray the whole frequency range in a well controlled and balanced manner, too many budget headphones overload you with muddy bass, yet these offer plenty of detail but are also easy to listen to; a no brainer at this price point.

Koss PortaPro

The simple design and great sound keeps them viable while the open-back design, whilst not being the best for isolation of course, is perfect for those who wish to be aware of what’s going on around them such as joggers, and muggers.

The sound is generally well balanced between bass and treble, although the midrange can seem a bit distant and mushy. Bass is perhaps a bit on the heavy side, but it will definitely satisfy those who want a bassy sound. The Koss Porta Pro Classics offer a warmish sound overall.

Be aware though that their open-back nature means that they will be of limited use in noisy environments.

READ MORE: Koss PortaPro Full Review

Best On Ear Headphones under £150

B&W P3 Series 2

B&W have a long history of making excellent hifi products, and this has trickled down into their headphones.

The P3 are superbly built with an elegant and sophisticated look, the P3 really do impress. Lucikly they are not all about the look either, as the P3 offer a smooth and effortless sound that is akin to their house speaker sound. Offering excellent full bodied bass response with a non fatiguing and slightly sweet midrange and treble.

Comfortable, well built with a smooth and pleasing sound signature, the P3 are perfect for on-the-go use.

Sennheiser HD25-1 II

The HD25-1 II are one of the most well known on-ear headphones, this is partly due to their popularity as a DJ headphone. Used by DJ’s and sound engineers globally the HD25-1 II are a rugged portable headphone that will last for years.

Offering an immediate and aggressive sound they won’t give you a wide soundstage but will give you an engaging and detailed signature. The bass is tight and digs deep with excellent control and presence, the midrange is smooth yet very detailed and the treble has good extension and is very well placed in the mix.

If you are looking for a smooth laid back sound, the B&W are probably a better choice, but if you want a fun, upfront and engaging listen the HD25-1 II is for you. All parts are easily replaceable too, should anything ever break.

Grado SR80e

The Grado SR80e are a definite improvement over the SR80i, with a slightly warmer, more balanced sound. Their retro styling may not appeal to all, but underneath the looks is a fine sounding open-back headphone. The undisputed king of headphones for rock music, these are sure to get you toe tapping and head banging in no time.

These will not appeal to bass heads, they fair better with music that is played on real instruments. They have long been favourites for people that enjoy rock music due to the speed and control of the sound.

At the price point I still think Grado hold their own with a well balanced, aggressive and detailed sound, there is nothing quite like them.

READ MORE: Grado SR80e Full Review

Best On Ear Headphones under £250

Sennheiser MOMENTUM 2.0i

The Momentum series are hugely popular with on the go commuters, and for good reason. Offering stylish looks, a comfortable fit and a smooth easy to listen to sound.

Built to last with replaceable parts, the Momentum has slightly retro looks and comes in an array of colours. With playback controls on the cable you no longer have to take your phone out of your pocket. The sound is dynamic and punchy, offrering a slightly bass driven sound without sacrificing the midrange and treble. Engaging and fun are the best word to sum up the Momentum 2.0i.

Good looks and great sound, it is easy to see why the Momentum 2.0i is so popular with commuters. For Android users there is also the Sennheiser Momentum 2.0G.

Beyerdynamic T51i

The T51i have been around for a while now and are still excellent on-the-go headphones. They have a sturdy and sophisticated look, and offer a well balanced and detailed sound.

The T51i again tilts towards an easier to listen to sound, with a slight bass boost that gives the whole sound a little added body. There is sufficient detail across the range to keep them from sounding boring and what comes to mind when you put the T51i on is refinement.

With excellent build, comfy fit and refined sound the T51i has a lot to offer.

READ MORE: Beyerdynamic T51i Full Review

Bowers & Wilkins P5 Series 2

Leather earpads and a metal headband, the P5 Series 2 screams quality and luxury. The earpads are soft lambskin leather with memory foam inside, like cushions against your ears.

Like the P3 the P5 Series 2 has the typical B&W house sound, which is smooth and effortless. Offering a well balanced but slightly rich sound with superb separation and articulation, from highs to lows these sound very refined and grown up.

The P5 Series 1 look stunning, have replaceable cables and a smooth effortless sound, what is not to like?

READ MORE: Bowers & Wilkins P5 Series 2 Full Review

Best On Ear Headphones Over £250

Audeze Sine

Built from leather and metal, the Audeze Sine are built to last and also come with detachable cables. Using planar magnetic drivers they take a little more power than most phones can output, so they are best used with a high quality music player.

Give them a good source and the Sine in return give you excellent audio with snappy dynamics that can keep up with the most demanding of music. The bass is full yet superbly controlled, the midrange is where these excel not allowing the lows to affect them. Guitars have excellent power, and vocals come across with plenty of detail. The highs are present and well defined, but never become too hot and harsh.

The Sine are a mighty fine sounding on-ear headphone when driven well, and give you a full and detailed sound all

The post Best On Ear Headphones To Buy in 2017 – Expert Reviews appeared first on HiFiheadphones.

SoundMAGIC E50S In-Ear Headphones – Review

Intro

Escaping the shadow of a famous parent or sibling may be a challenge for some, and the SoundMAGIC E50S is in a similar situation. Given the extraordinary success of the E10 model in recent years and the similarities between these two designs, what can the E50S offer to convince us that it both deserves as much attention and can bring something different to the table?

Design and appearance (e.g. attractiveness, feel)

The SoundMAGIC E50S conforms to the same basic design as the E10, with the small barrel-like capsules and glossy braided cable but now instead of the straight connection where the cable meets the jack, the E50S sports a 60 degree angle between them, to cut down on stresses which both straight and 90 degree connections can be susceptible to.

The metal capsules, button enclosure and jack casing are covered by a matt powder coating which gives an attractive impression without being too flashy. The capsules can be worn with the cable going up and over the ear, or down from the ear.

Durability & build quality (e.g. cabling, connectors, materials)

The best thing about this design is its simplicity and its tried and tested ruggedness. The cable is coated with a strong rubber material which is neither sticky or too stiff, allowing the cable to move and flex whilst avoiding tangles.

Everything about the E50S is solid but light, a perfect combination for the purpose these earphones will no doubt be put to. The included carry case will ensure they are safe and dust-free when stored between uses.

Comfort

As with the E10, the SoundMAGIC E50S will offer no limitations for those with non-standard ears who may have run into problems with other designs. The generous selection of eartips included with the E50S should have something to suit anyone, and help them achieve a good fit for as good a sound as the E50S can provide. This includes a pair of Complyfoam tips, consisting of memory foam for an almost custom fit.

The diminutive and stylish design makes the E50S an ideal companion in all scenarios and weathers, with little to worry about in terms of susceptibility to particular conditions and temperatures. the single button and microphone can be used with both Android-based handsets and Apple products – the switch on the cable’s yoke (where left and right cables meet) can be operated for perfect compatibility.

The E50S, like most IEMs sold in Europe now, are subject to regulations limiting the maximum volume from portable devices such as phone handsets. Therefore the E50S (like the more recent E10) has an impedance of around 46 ohms. Most handsets will still offer enough volume with a majority of music, and if more volume is required (some classical music can be very quiet) then there is always the option to get a separate portable amplifier.

Sound isolation:

Being dependent on the fit achievable with the ear, experiences may differ as far as isolation is concerned (as with all in-ear models). But with the wealth of eartips options included, a good level of isolation can be achieved.

Sound characteristics:

Bass (e.g. punch, low extension):

As regards bass, the SoundMAGIC E50S gives as good as it gets and remains faithful to the original music. Where the E10 increased the bass a bit for more volume in the bass region, the E50S gives more impact and provides a richer, mnore immediate impression of basslines, drums and the like.

Mids (e.g. vocals, acoustic instruments):

Being a relatively neutral earphone, the E50S provides a little more of the midrange without any peaks. Harmonics are clear and vocals are pristine and backing vocals are distinct. Atmospheric effects such as reverb can be easily picked out and followed, giving a clear sense of space.

Treble (e.g. high hats):

There is as much detail at the top end as most of us require; it’s never an easy job balancing between a sound which some might think is an overly bright and uncomfortable one, and a sound which others might describe as muddy and dull. However the SoundMAGIC E50S hits the right note and makes a great complement to the midrange for clear and comfortable retreival of detail.

Soundstage & Separation

The increased midrange response makes harmonics shine, bringing instruments to life and giving greater definition. For earphones at this price point, separation is fantastic and with it, soundstage is very good for an in-ear model.

Being good all-rounders, there is ample scope for the SoundMAGIC E50S to be enjoyed with all genres but the relatively flat response or neutrality of the E50S makes it a perfect earphone for vocals; particularly when accompanied by backing vocals. Percussion gets a nice lift also, as does any distortion effect.

Pros:

Simple, modest design
Superb clarity and neutrality
Good range of tips
Sturdy carry case
Angled jack
Switch for greater compatibility with a wider range of smartphones

Cons:

Single button control only, no volume control functionality

Please take a look at our video review below for more details.

The post SoundMAGIC E50S In-Ear Headphones – Review appeared first on HiFiheadphones.

Verdict

For the asking price, the Sennheiser Momentum In-Ear is incredible value; giving great sound as well as swish styling and all in a very rugged and classy looking case. They are available in versions compatible with Apple devices as well as Android, so you needn’t be cutting down your choice of handsets with the Momentum In-Ear.

Pros

• Very nice looking

• Decent well thought-out case

• Versions for Apple and Android

• Right Angle Jack

Cons

• Bundled accessories are high quality but low in number

• Designed to be worn down from the ear only

Hot off the press at Sennheiser, the Momentum In-Ear promises to give music fans a taste of what this esteemed company is capable of in its 70th year. This particular old man is not doddery in the least however; the old CX300 and similar models have been updated, the new Urbanite is impressing young music fans all over the place and now we have the Momentum In-Ear.

Key Features

The first thing which is noticeable is the case, since the Momentum In-Ears are tucked away in the case when bought. Fishing them out gives a very good impression however – the case is semi-rigid with an internal caddy around which the cable can be wound. This will certainly protect the Momentum In-Ears well when not in use. The nozzles have been updated from previous similar Sennheiser in-ears, with the Momentum In-Ear these are now ‘custom machined stainless steel sound tunnels’ – they give a nice impression of build qulaity. Then there’s the buttons, either for Apple or Android, depending on which version you buy.

First Impressions

In terms of styling, it’s more reminiscent of the Urbanite model. The flat two-tone cable and understated shiny design is attractive but not showy, much like the Momentum In-Ear‘s sound. The case is new too, and is an excellent design as it affords protection against the contents being squashed or stressed. A separate ‘caddy’ comes out, around which the cable can be gently wrapped and it goes back into the case to be zipped up. Very neat.

The capsules themselves remind me somewhat of the Brainwavs S5, with their off-centre nozzles. They fit very well indeed when worn like this, but it may make the ‘up and over’ wearing style a little awkward. It can be done though!

Sound Quality

When it comes to the sound, the Momentum In-Ear compares well with its full-size Momentum sibling. Detail is high without sibilance or discomfort; harmonics are brought out for a very real sense of musicality. Soundstage is surprisingly broad for an in-ear model and imaging is coherent and sharp. Overall, the sound is fairly typical of Sennheiser’s recent offerings; in terms of full size headphones at least. When compared to older lines such as the now axed CX300, the sound is drastically improved and shows that this old dog still has some new tricks!

Summary

A very good in-ear from this venerable old timer. Despite all the in-ear competition coming from young companies keen to impress, Sennheiser can still pull a rabbit from the headphone hat; the Momentum In-Ear is a real treat!

Score – 9/10

The post Sennheiser Momentum In-Ear Review – Shrunk Down Chic appeared first on HiFiheadphones.

Here at HiFiHeadphones we’re asked regularly about what amp/DAC combo might make the best job of converting and amplifying your Apple binary music collections. Would it be best to get an all in one solution like the Cypherlabs Theorem or Fostex HP-P1, or get a DAC such as the Cypher Labs Algorhythm Solo with a separate amp?

Further, how does the DAC in the Fostex compare with the DAC in the Theorem if both are connected to the same amp?

The proof of the audio pudding is in shoving the thing into your ears, so here’s our thoughts about how each solution compares!

Firstly, why even bother? The Apple iPod/iPhone has a headphone socket (just) so let’s plug straight in right? There’s nothing wrong with this, and most people find the internal DAC/Amp to be quite satisfactory when used along with their stock white earpods, or any low impedance headphone designed for portable use.

However there are those awkward types who require more power for their chosen headphones; more than the iThingy can put out. Others include those with high value in-ear headphones who will not compromise on audio quality when it comes to the digital to analogue conversion.

The wonderful full size Beyerdynamic T5p and in-ear Sennheiser IE800 were used to ascertain what might comprise the best sound and value for the average portable audiophile.

Fostex HP-P1

The original combined dac/amp for Apple; how does it fare with the new available equipment? When tried with both the Beyerdynamic T5p and Sennheiser IE800 the Fostex HP-P1 does a splendid job. Certainly better than the on-board Apple kit, but other makers have been doing their best in the intervening years of course. With this setup, the HP-P1 filter was slightly more natural sounding so assume the filter is in postion one throughout this test. Being the first up in a comparison, there’s not much to be written now but read on..

Cypher Labs Theorem 720

With the Sennheiser IE800, the Theorem gave a much better impression of control and there seemed to be more space within the midrange region. In comparison, the HP-P1 just got a bit cluttered there and the result was a loss of detail and imaging.

The Theorem compared favourably using the Beyerdynamic T5p too – the soundstage was wider and deeper with better imaging leading to a more immersive 3D sound. The detail level appeared to be the same, but with the Theorem this was smoother and more lush sounding; the Fostex HP-P1 was a little brittle next to this.

Cypher Labs Algorythm Solo with Just Audio AHA-120

I’ve compared this Class A amplifier with the Theorem before; I put it as the Theorem’s spandex versus Just Audio’s silk. Not to say the Theorem is a slouch, but when compared to a Class A amp it sounds slightly less good! And that’s the tradeoff – if you want no compromise in sound quality and wish to pick every component you will pay for it, and you will have to carry it around as well!

DACs Compared Only

For this test I decided to get a decent portable amp (Fiio E12) and compare the Line-Out features of the HP-P1 and Theorem. Things were not all that different in comparitive terms.

• The HP-P1 had good detail but the presentation was flat with a limited soundstage; a bit on the dry side.

• The Theorem had a wider soundstage but was still a little dry sounding. Detail was similar to the HP-P1 but again with more control.

• The Algorythm Solo was a slight let down used in combination with the E12; soundstage was decidedly average with a flat feel to proceedings. Detail was comparitively muddy sounding.

And compared with the E12 amp (with no bass boost), the internal amp of the HP-P1 was slightly darker and more laid back, while the Theorem amp was much fuller and lusher sounding than the Theorem DAC + E12 combo.

Conclusion

The best solution in terms of sound only is the Algorythm Solo/AHA-120 pairing, but this scores lowest in terms of cost, bulk and convenience. Having to keep 3 separate battery operated devices charged is worth considering, and then there’s the interconnects which add cost and lengthen the audio chain. The sound is rich and effortless – a real treat which is earned by those having to carry all that gear!

The Cypher Labs Theorem 720 is the best all-rounder in my opinion – there’s an engaging, exciting energy about the sound from the Theorem which is close to the Solo/AHA-120 combo but it swaps the silky smoothness of the AHA-120 for a more in-your-face powerful sound. Also the amp in the Theorem gives a lushness which is really attractive.

The Fostex HP-P1 is the least impressive of the three; given that it was the first to be introduced this is no surprise. It is still a very competent and fine-sounding unit but has been surpassed since its introduction.

The post The Big Apple Rig Shootout – Which DAC and Amp is the Champ? appeared first on HiFiheadphones.

Verdict

Great for those relaxing at home and in the office, the Audio-Technica ATH-CHX7iS is a slight departure from the usual style of in-ears and earbuds. Audio-Technica have mashed the two styles in a way that reminds us of the Final Audio Piano Forte Series. These are not designed for all scenarios; on a motorbike journey for instance, enjoyment is reduced to knowing only when cymbals are being used in a recording. Of course, open-back headphones do not receive low scores for leaking sound and so the snappily named Audio-Technica ATH-CHX7iS is being viewed with a similarly open mind.

Pros

• Very comfortable

• Feel secure whilst worn

• Great open wide sound

Cons

• Case very small

• Not for noisy places

Being big in Japan, Audio-Technica have been satisfying the Japanese fetish for personal audio products for some years now and have a huge number of different models. This allows for a little experimentation in the boardroom and some interesting items for us to try.

Key Features

The Audio-Technica ATH-CHX7iS comes with a handy button for smartphone functionality, and a volume control. The volume control does not communicate with the phone, it is a variable resistor only but works very well. The carry case is very small indeed; being hard it will afford some protection but the cable would need to be wound more tightly than perhaps it should. The relatively large size of the driver units doesn’t help either.

First Impressions

We all like something a bit different and the Audio-Technica ATH-CHX7iS is certainly that. Given that portable audio is all about blocking out the outside world, these earphones are a departure from the norm. Perhaps taking a leaf out of Final Audio’s book (their Piano Forte range is similar), Audio-Technica have seen a potential for small, open-backed models for those quieter moments out there, or for casual listening at home.

Sound Quality

As with anything open, the surroundings make a crucial difference and with a design worn like this, people are going to expect to use them outside. Great if it’s quiet, but a bit of road noise will reduce the Audio-Technica ATH-CHX7iS to a tinny irritant by contrast.

At home though, the presentation is as comfortable as the fit and I have the impression of a halfway house between headphones and speakers; it’s like a very cheap alternative to the AKG K1000 speakerphones. Soundstage is the best feature of the Audio-Technica ATH-CHX7iS, along with the natural feel they have.

The sound is very well balanced despite the loss of bass due to the open fit – perfect for lounging around the house while still remaining alert of the surroundings. The sound is on the bright side but this may just be the added soundstage making certain details stand out more, and also the fit. By pushing the capsules gently against my ears the bass is heightened; perhaps it is the design of our ears which might lead to subtle differences here in what we each perceive.

Summary

It would be good to see more models like the Audio-Technica ATH-CHX7iS coming through; we’re in danger of becoming too conventional in the headphones world and being set in our ways. It seems that companies like Audio-Technica and Final Audio don’t want us to get too comfy and are happy to prod us towards a more inclusive attitude. And why not? The headphones concept might be 100 years old, but things are far from predictable; particularly with new technologies being developed and many new ways of using and relating to music to look forward to.

Score – 8.5/10

The post Audio-Technica ATH-CHX7iS Review – Combined Earbud and In-Ear Headphones appeared first on HiFiheadphones.

Verdict

High quality needn’t be a feature only of high-end, open-backed headphones, as we’ve recently seen with the likes of the KEF M500 and the Musical Fidelity MF100. With their solid but light aluminium construction, yielding earpads and flawless sound, the Beyerdynamic T51i allows you to take true Hi-Fi sound wherever you go.

Pros

• Solid build quality

• Very comfortable for an on-ear

• Exceptional Sound quality

• Ideal carry case included

• Good isolation

Cons

• Fixed cable

• Buttons a little small and recessed, may be tricky with gloves on

German headphone company Beyerdynamic’s latest offering, the T51i, features iDevice compatibility for trouble-free calls as well as superior sound quality. The overall impression is that these will last for years; there is simply nothing to fall apart or get loose.

Key Features

Obviously the iControls are what marks this headphone out as different to the T51p; other than that it’s the usual package from Beyerdynamic. Just solid and dependable construction and sound, along with a soft but sturdy case and the usual 6.3mm/flight adaptors. Also included is an adaptor to convert Apple’s preferred CTIA jack terminal spec to OMTP for older handsets. In this market it’s tempting to add a gimmick or two, but Beyerdynamic know that these headphones can easily stand on their own merits.

First Impressions

The build quality is a fine introduction to the general theme here, just pure enjoyment. The Beyerdynamic T51i headphones are lovely to touch; the strong cool metal and leathery earpads definitely give the idea that there’s nothing to worry about and it’s all under control. The cable is more akin to their IEM cables; more suitable for the portable crowd, but non-removeable. Conceivably, they could have had a removeable cable and introduced alternative cables with controls for specific handset types, but that’s just nit-picking.

Sound Quality

Sound quality is about what can be expected from Beyerdynamic’s full size headphones; well represented bass without bloat or bad definition, clean midrange and detailed highs. Some models such as the DT880 can lean toward the bright side, but the T51i has the detail along with smoothness. I’ve been listening at a fair volume for an hour and am quite comfortable.

Summary

Highly esteemed makers with long pedigrees like Beyerdynamic raise one’s expectations accordingly. Nevertheless the Beyerdynamic T51i is still a surprise, and an absolute pleasure to use. The build, feel and sound of them all scream quality; the way they are put together comes from 50 years ago, but the sound is definitely 21st century.

Score: 9/10

The post Beyerdynamic T51i Review – Premium Portable Perfection appeared first on HiFiheadphones.

Verdict

A great newcomer to the Portable Headphone range – The Aedle VK-1 has real punch with weighty bass and cracking midrange. Not only do they sound exciting, they look it too! They are easy enough to drive off a portable device and are very comfortable. So if your looking for a portable on ear headphone with an exciting sound, great bass and stylish looks then look no further.

Pros

• Great bass quality
• Stylish and well built
• Replaceable cable

Cons

• Don’t isolate as well as other portable headphones
• No headband padding

Key Features

• Driver diameter – 40mm
• Impedance – 32 Ohms
• Weight – 216 g
• Replaceable cable (optional smartphone cable – not included)
• Aluminium driver housing
• Cable length – 1.3m and 2.4m (both included)

First Impressions

Everything about these headphones – including the packaging – oozes style. The VK-1’s come very well packaged, they even have that ‘new shoe’ smell. In the box you get a very smart carry bag, two cables (1.3m and 2.4m), a 3.5 to 6.3mm jack adapter, an airline adapter and an Aedle ID card which allows you to ‘discover surprises’ on their website.

The headphones look great! The aluminium housing and brown leather really compliment each other and they are a perfect portable size – it’s obvious that lots of work has gone into designing the Aedle VK-1. The cables supplied are coated and even though they are a little thicker than some other headphones, they are very flexible.

The headband uses a spring steel structure so it’s very flexible and tough. To adjust it you just bend it into shape – this gives a very secure fit that will perfectly fit your head.

Sound Quality

Straight away you pick up on the quality of bass that comes out of the VK-1 – it’s punchy without being bloated or overkill. The midrange also stands out, especially snare drum crack. There is probably a slight top end roll off, but with such great quality mids you forget about this very quickly. Overall the sound is exciting and edgy and thanks to the venting on the driver housing there is a great sense of space in the sound.

Listening to Dire Straits – Your Latest Trick, the opening trumpet sounds rich and the cymbal comes in effortlessly in the far left. Once the track gets going there is a snare rim shot that really cuts through and the keyboards add the right amount of emotion, then the vocals come in sitting perfectly on top of the instruments. Once the song is in full swing you can pick out every instrument with ease and enjoy every one of them.

Next up was Slipknot’s Duality (obviously). These headphones are made for this track! When the stereo guitars kick in they completely surround you and then the drums… WOW. The snare and kick have real impact and the bat on beer keg sounds as though its being hit right next to you. Metal can sometimes be a tough test for headphones, but these seem to handle it with ease.

Lastly is Break by Jurassic 5 – this one really tests the bass. From the off there’s a massive kick drum and snare sample, the kick drum resonates very naturally and the snare has a great ring to it that comes across perfectly on the VK-1. The vocals come in and there is no confusion, everything has its place.

The Aedle VK-1 is rhythmic, edgy and punchy. They have a wide sound for a closed portable headphone and there is no harshness or sibilance.

Summary

The Aedle VK-1 comes into Sennheiser Momentum territory and it definitely gives you something different. They’re not as relaxed or controlled – they have more oomph and punch without having a harsh top end. The midrange cuts through more and as they are on ear they won’t have the same fit issues that the Momentum has. I would recommend these to anyone who wants a pair of headphones that look great, sound exciting with weighty bass and crisp mids and don’t completely cut you off from your surroundings. If you prefer a more neutral sound with top end detail then I would consider the KEF M500 as an alternative.

Score – 9/10

The post Aedle VK-1 Portable Closed Back Headphone Review appeared first on HiFiheadphones.

KEFs addition to the portable range of headphones is sleek, comfortable and most importantly sounds great! Clear detail with tight bass and crisp mids – They also fold up for easy storage and come with a spare cable for iDevices. The KEF M500 is extremely well built and feels solid, the pads are  soft and they isolate very well.

Pros

• Foldable
• Solidly built
• Extra cable with in-line mic and controls for iDevices

Cons

• Earpads are fully on the ear so can get warm

Key Features

• Driver diameter – 40mm

• Impedance – 32 Ohms

• Weight – 208 g

• Replaceable cable (iDevice cable included)

• Foldable headband

• Cable length – 1.3m

First Impressions

From the start you can see that KEF have gone for an elegant design. The packaging is simple, and follows the M500s colour pallet of silver and black. Inside you get a hard case – again very simple and well designed, 2 1.3m tangle-free flat cables (one with 3 button remote and microphone for iDevices), a flight adapter and a 6.3mm jack converter.

The M500 is very well built, and thanks to the aluminium frame not only are they light weight but they look great too! The headband padding is very soft and the earpads are made from breathable memory foam –  this provides great isolation. KEF has not only designed a headphone that feels good – they also look great and they’re extremely comfortable.

Sound Quality

The KEF M500‘s are well balanced without being boring – clean, clear and crisp with tight bass, well defined mids and lots of top end detail. Having a well balanced sound makes them sound great with all genres and the top end detail works really well with acoustic music or any songs with plenty going on. The separation is superb – you can hear the edge of every instrument, and considering these are fully closed back they have great soundstage.

Summary

For a portable headphone the KEF M500 is gives you everything – stylish, compact, well built, iPhone compatible, comfortable and it sounds great. The sound will suit anyone looking for a clean, balanced and detailed sound – especially in the higher frequencies. For a warmer sound I would suggest the Sennheiser Momentum or for something with more bass impact the Aedle VK-1 would be a good choice.

Score – 9.5/10

The post KEF M500 Portable Closed Back Headphone Review appeared first on HiFiheadphones.

Verdict

The Full-size Sennheiser Momentum is the big brother to the smaller on-ear Momentum; the last word in luxurious, portable listening with sumptuous earpads made from real leather. These headphones are fantastic for separation, and they have a very wide soundstage which belies their closed back design. Sound isolation is high; the leather pads excel in keeping unwanted noises out, while social isolation is low due to the handy Apple mic and controls.

Pros

• Comfy Earpads

• Smart/Stylish

• Rich Bass

• 5 year warranty

Cons

• Top end detail

• Relatively unforgiving headband

Key Features

• Coupling: Over Ear

• Transducer principle: Dynamic, closed

• Frequency response: 16Hz – 22kHz

• Impedance: 18?

• Weight: 190g

• Cables: (no mic) 1.4m, (Apple mic) 1.3m

First Impressions

The Momentum headphones have a solid feel with a steel and leather construction. At the same time they are quite light to wear; I don’t imagine being fatigued with these during extended periods of use. They have a style reminiscent of Aviator sunglasses; rounded, tinted and very cool with a touch of 80s chic.

As well as the 1.3m Apple-compatible cable, there’s a spare 1.4m cable (without mic) and a semi-solid case for keeping them in good condition whilst on the go. The headband pad could do with plumping up a little, but the earpads are very comfy indeed. For an ‘over-ear’ design however, the spaces in the earpads are limited so comfort may be dependent on an individual’s own ear shape and size.

Sound Quality

The Sennheiser Momentum excels at bass warmth without being bloated, and the soundstage appeared to be shoulder-wide; the ‘breadth’ of the music far exceeds the physical size of the headphones. Separation is very good also with each instrument in its own space. Mid range is involving and enjoyable, but there is a slight lack of high-end detail which some may prefer to keep. I’d summarise the frequency response as akin to the design; very comfortable indeed but not likely to send you to sleep in a hurry!

Dance music is particularly suitable, and although the Momentum can be used straight from a portable device they respond really well to amplification. Sub bass is plentiful, indeed awesome with the Fiio E12‘s bass boost. The Momentums really respond well to EQing.

Summary

If you like to relax in the bath with a box of chocolates, these are the headphones for you! This is not to say that these headphones are suitable for relaxing music only of course. Dance, rap and R&B all come across really well; acoustic music will be good due to the midrange but may lose a little something at the top end. Soundstage and separation will make up for this however; any performance will not feel any less real.

Score – 9/10

The post Sennheiser Momentum Full Size Portable Headphone Review appeared first on HiFiheadphones.

 Our Verdict

At this price point, you’ll find it very difficult to find an earphone with mic as good as the Fidue A31s. These earphones are extremely light weight, the build quality is superb and most of all the sound is excellent!

Summary

Experience portable high fidelity sound in an affordable package. Fidue A31s embody everything a modern earphone should: superior sound, smartphone compatibility, external noise isolation and long term comfort. High fidelity sound is provided with a balance of strong bass, smooth mids and well defined highs.

With small housing design and long sound tube the A31s differs from conventional earphones in creating big sound in a small space. Micro-dynamic 8mm drivers funnel superior sound directly into the earcanal. Double flange eartips provide excellent noise isolation and offer unparalleled comfort for long-term listening.

Integrated with call answering button compatible with most smartphones, the Fidue A31s will work with iPhone, Android, Window and Symbian devices. The integrated remote control allows the user to have full control of music. Calls can also be answered and ended by using the single button remote.

Please click the image below to select the colour you would like;-

Price – £19.99 all Models with free Shipping in th UK until Christmas.

Features

• Call answering button compatible with most smartphones (iOS, Android)
• Small and lightweight housing and sound tube design
• Double flange silicone eartips offer high noise isolation
• Unparalleled comfort for long-term listening
• Suitable for portable media players with standard 3.5mm connection
• Balanced sound with strong bass, smooth mids and well defined highs
• Durable twisted PU coated cable built to last

The post Fidue A31s In Ear Isolating Earphones with Mic appeared first on HiFiheadphones.

The Beyerdynamic T51i is one of the best portable headphones out there. Now they have gone a step further by adding an in-line microphone and smartphone controls – making them the ultimate portable headphone!

HifiHeadphones are happy to announce that the Beyerdynamic T51i is now in stock.

Buy Beyerdynamic T51i Closed Back Headphones with Apple Controls & Mic here

Price – £245.95

Features

• Convenient 3-button remote control and microphone for phone calls and media playback
• Outstanding balanced and powerful sound quality
• Brilliant treble and deep bass reproduction
• Tesla technology with highest efficiency
• Excellent ambient noise attenuation
• Swivelling earcups 90°
• Foldable headband design
• Made in Germany

The post Beyerdynamic T51i Portable Headphones With Mic – Announcement appeared first on HiFiheadphones.

Summary

The DUNU DN-12 Trident is the entry level in-ear headphone from this exciting brand. DUNU is making waves in the headphone world and I can see why – if they put this amount of work into their low priced headphones then I can only imagine what their high end models are like!

Price – £34.99

HifiHeadphones Rating – 10/10

DUNU DN-12 Trident In Ear Isolating Earphones

Pros

• Value for money

• Tough cable

• Punchy, tight bass and crisp detail

• Titanium driver housing

Cons

• Bassheads might want more

Key Features

• Deep Bass, Clear Mids and Lucid Highs

• Broad Dynamic Frequency ULTRA Driver Unit

• Mirror Finished Solid Titanium Housing

• Extensive Accessory Bundle

First Impressions

I had to keep reminding myself that these in-ears were under £50. The packaging is nicely finished and when you get inside you find a good quality leatherette bag, plenty of different eartips, a cable clip and even a carabina. The headphones themselves are extremely well built. The driver housing is made from titanium which feels great and has a good amount of weight. The cable feels tough and isn’t flimsy, this ends in a smartly designed angled jack connection – you even get a cable tidy designed by DUNU included.

DUNU have thought about even the finest details with their entry level earphone so you are totally impressed before you even listen to them!

Sound Quality

When I first listened to the DN-12’s I felt that there was a fair amount of bass and that there could be more treble… Then I remembered that they are £35!

Compared to other earphones in their price range they sound more refined with a good amount of bass that doesn’t bleed into the rest of the mix, the mids come through nicely with enough crack and the highs give a great sense of space. The soundstage is very impressive as you feel that you are right in the mix with a wide presentation. I really can’t think of anything negative to say about these great little in-ears!

HifiHeadphones Verdict

Not long ago I would have said that the SoundMAGIC E10 was easily the best in ear for under £40 – now they certainly have stiff competition! The DUNU DN-12 may not have as much weight in the low end as the E10, but for me this is for the best. These earphones feel and sound like something that should be worth somewhere in the £50 region, as not only can they compete with some higher priced models, they have put a lot of effort in the finer details – this for me helps put them at the top of their game

The post DUNU DN-12 Earphones Review appeared first on HiFiheadphones.

Summary

What can be better than the award winning SoundMAGIC E10 for under £40? The E10S has the same superb build quality and sound signature as the E10 but with the added function of a universal smartphone in-line microphone – need we say more?

Price – £39.99

SoundMAGIC E10S In Ear Isolating Earphones

Pros

• Amazing value for money
• High quality braided cable
• Weighty bass and crisp detail
• Universal smartphone microphone (iPhone and Android)

Cons

• Nothing to fault at this price

Key Features

• Comfortable fit and distinctive design
• Made for all smartphones
• Integrated smart remote and microphone
• Unique, all metal earphone construction
• Powerful bass balanced with superb musical detail
• Robust tangle-free twisted cable design
• Skype/VOIP adaptor included

First Impressions

From the start it is hard to believe that the E10S is under £40. The packaging is smart and of a very high quality – once opened you find plenty of spare ear tips and an attractive hard case. Holding the earphones you can feel how well made they are and the innovative switch on the jack plug will let you set the earphones to work with any smartphone – you would not expect technology like this on such a modestly priced earphone.

Sound Quality

Once you get over the impressive built quality and actually try them out you will not be disappointed. Like the SoundMAGIC E10, The E10S has tight bass with plenty of weight – the mids are well defined and the top end sparkles. These earphones are perfect for listening on the go as the sound is fun and they will sound great with whatever you throw at them. Soundstage is better than what you would expect from an earphone at this price – it’s engaging and natural.

Verdict

If you have £40 to spend on some new earphones then go for the SoundMAGIC E10 – if you need an in-line microphone then go for the E10S. Easy.

The post SoundMAGIC E10 S In Ear Headphone Review appeared first on HiFiheadphones.

SoundMAGIC ES18 / ES18S

SoundMAGIC have made a fantastic name for themselves within the budget in-ear market, no wonder they get on the list of top 10 best headphones under £50. The E18 is a great example of just how they do it – designing products which offer exceptional sound quality for the prices asked.

The ES18 has bass which is warm but not overblown, mids which are fluid and engaging, and highs which are slightly recessed. Suitable for those who find percussion and cymbals generally strident and fatiguing.

Also available as the ES18S with a microphone and button for answering/hanging up calls.

Hifiheadphones verdict:

For the asking price these are difficult to beat; try the famous SoundMAGIC sound for under £20!

DUNU DN-12 

The DN-12 is a sturdily built IEM with solid metallic housings and a good solid sound also.

Bass is deep and punchy without being boomy, midrange is slightly recessed with high frequencies well balanced; there’s a slight roll-off for those who like a warmer sound signature; normal for IEMs of this price.

A very well put together earphone with a sound signature that is sure to please.

Hifiheadphones verdict:

A great IEM for the price, the DN-12 gives great weight to music and will suit those who like a fun sound.

FIDUE A31

Another entrant in the IEM market is FIDUE, and their range starts with the fantastic FIDUE 31 – the capsules are tiny and the sound is big!

Good warm bass and good mid-range detail – there is a slight roll off in the treble region for those who like a warmer presentation.

The earphones are lightweight and tough, perfect for running or in the gym.  Ear tips are designed to keep the earphones in the ear and cables can be worn over the ear for a more secure fit.

Also fitted with a lightweight microphone in case you need to take calls.

Hifiheadphones verdict:

A great budget choice – narrower nozzles may make this a good choice for those with fit issues with other IEMs.  Perfect for sports use.

Audiofly AF33M

The entry-level AF33 from Audiofly gives a fantastic sound, and the AF33M version gives added functionality with smartphones, offering an answer button for those calls.

Good bass which is tight and well controlled, midrange with a slight recess and treble which has liveliness and sparkle without being fatiguing. When we first tried these we thought that there was a mistake – these sound like IEMs which cost more than £50.

A very capable earphone with a grown up sound signature without the boom, boom of some other budget earphones. Very musical.

Hifiheadphones verdict:

Many are getting a kick out of Australian firm Audiofly’s range in more than one way. The engaging and involving sound of these IEMs will certainly get you waltzing.

Sennheiser HD201

Sennheiser’s entry-level full size, the HD201, is incredibly cheap for what you get – anyone looking for a good sound without wanting to part with much cash must be tempted by the HD201.

Good but not bloaty bass, a clear midrange and a slightly forward treble make these superb all rounders. Fantastic for detail, you might hear things with these which are missed on pricier headphones.

This are a ideal everyday headphone that won’t break the bank.

Hifiheadphones verdict:

Probably the best full-size headphone you’ll find for under £20, hands down.

Koss PortaPro

The Koss Porta Pro may not be an obvious choice for the top 10 best portable headphones, it is likely older than most of its current users; introduced in the early 1980s, it pre-dates most other lightweight designs and has a real retro charm.

The sound is still very current however, as the PortaPro’s sound signature suits dance music, rap and anything the user can throw at them.

A good level of bass and midrange gives a good grunt with realistic body. The highs are a little rolled off but not to the point where it’s a problem, indeed the roll-off makes them less likely to fatigue the wearer if dance music is played.

Hifiheadphones verdict:

For the money this is amazing value – get yourself a design classic which has stood the test of time.

SoundMAGIC P21 / P21S

This portable is certainly a fun-sounding headphone – it also looks fun and feels it too!

They are very light and are a perfect travelling companion when folded into the semi-rigid case.Bass is present but not overblown, midrange is clear and involving, and highs are revealing but not overbearing.The flat cable does not tangle and the 90 degree jack is perfect for placing your music source in a pocket or bag.

If you need mobile phone compatibility try the P21S fitted with microphone and call control button for taking phone calls.

Hifiheadphones verdict:

Look no further if you’re planning to explore! This is the perfect travelling companion for the journey to another continent, or the local park!

Grado iGrado

Grado are well known for their trademark wide open and airy sound, and the iGrado follows in this theme. Designed to sit over the ear with a neckband keeping things in place, the iGrado gives a wonderfully natural sound.

They are wide open in design, meaning that there is no isolation. Others will hear your music, and you will be aware of the environment around you. This makes the sound much more realistic in terms of soundstage and imaging, but you may get some odd looks if these are worn on the train, for example.

Hifiheadphones verdict:

The iGrado is very popular with joggers and those who prefer to be aware of the sounds around them, also they are a great low-cost upgrade for anyone wanting a headphone specifically for use in the home.

Fostex TH7-BB

For its price, this versatile Fostex model is great value and is great for enjoying music as well as a whole host of professional applications.

Imaging and soundstage are impressive thanks to the semi-open design, but isolation is not lost.

Bass goes low but remains tight, mids are clear and natural, highs are detailed and not rolled off, but not too bright.

The impendence and sensitivity may require a headphone amp for portable uses.

Hifiheadphones verdict:

A good rugged all-rounder for both in and out of doors, the TH7-BB is a great choice for those on a budget.

Grado SR60i

Another of Grado’s great value headphones, the SR60i is much like its elder sibling the SR80i, but may be more appropriate for enjoying older recordings or music with less than perfect sound quality. As the SR60i is not as bright sounding as the SR80i, they may be better or you if you find that you get fatigued after listening for a while.

The SR60 has been around for 20 years, which in the fast-moving world of electronic gadgets seems like a lifetime. Apart from the odd tweak, why change something which works so well?

Hifiheadphones verdict:

The look, feel and quality of the SR60i is magnificent for the asking price; why not get yourself a slice of a headphone legend? If you like details and a more forward or bright presentation, consider the SR80i.

The post Best headphones under £50 to buy in 2015 – Expert Reviews appeared first on HiFiheadphones.

Detailed audio signal without the loss of sound quality when using portable devices. Compatible with smartphones, tablets and computers, the A200p offers high definition sound that was previously not possible for travelling audiophiles.

Designed to circumvents the internal signal processing, the integrated Wolfson DAC chip of the A200p receives the pure digital music data first. After converting the digital data to analogue music signals, a high-quality amplifier controls the output to the connected headphones. All this results in previously unheard details, better contoured and deeper bass, as well as natural instrument and vocal reproduction.

Beyerdynamic A200p supports iPhone 5, iPad Air, iPad (4th generation), iPad mini and iPod touch (5th generation) and most smartphones with Android 4.1 or higher, which have a digital USB audio output. The A200p is currently the smallest mobile DAC and amplifier that can work with all of these devices on the digital level.

Features

• Crystal-clear sound with portable players
• Compatible with Apple and Android devices
• Digital connection via Apple lightning or Micro-USB
• 3.5mm mini stereo jack headphone connection
• Volume control with 135 levels
• LED display for charging, operation and volume
• Three buttons for music playback/pause and skipping forward and backward
• On/off switch with locking function
• DAC with up to 24 bit resolution at 96 kHz sampling frequency
• Integrated rechargeable battery with up to 11 hours operating time

To purchase the unit, please visit our website:

Buy Beyerdynamic A200p High-End Portable Apple/Android DAC and Headphone Amplifier

The post Beyerdynamic A200p High-End Portable Apple/Android DAC and Headphone Amplifier – Announcement appeared first on HiFiheadphones.