The Beyerdynamic T51i is one of the best portable headphones out there. Now they have gone a step further by adding an in-line microphone and smartphone controls – making them the ultimate portable headphone!
HifiHeadphones are happy to announce that the Beyerdynamic T51i is now in stock.
The P21S version with Mic and MFB might be better if you’re chatty
Summary
The SoundMAGIC P21 is a new lightweight on ear headphone from the multi-award winning SoundMAGIC brand. It’s a small foldable unit with a 3.5mm connector, a perfect companion to a Dab radio, Smartphone or Tablet computer.
A foldable headband and soft carry pouch make these portable gems a must for travelling music andfilm lovers.
First Impressions
Featuring super soft pads and a non tangle cable, this is a simple product with everything you need included. Comfy on the head, there isn’t much pressure applied by the light frame but the generous ear pads keep the P21 in place even whilst walking around. You forget you’re wearing them right away and Isolation is impressive too.
Sound Quality
Famed for creating products which perform sonic feats unexpected at their price, SoundMAGIC have done it again with this budget beauty. These practical cans have sparkling mids, impressive soundstage with both detail and bass depth. Realistic instrument separation gives an accomplished musical feel.
Because SoundMAGIC have not been tempted to make the bass huge, the P21 really work across most genres. There is plenty of impact and rhythm for Dance and Rock lovers, but the top end sparkle will make classical fans equally happy. The sense of space and solidity will shame much higher priced portables!
Verdict
SoundMAGIC takes a lot of beating in this price category. Ideal for travel and holidays, these will fit right in to any bag or backpack when stored in their low profile travel case.
Even having tried much more serious and high value portables, I’m still really impressed while listening to this little SoundMAGIC on-ear. If you would rather have a budget headphone than an earphone, the P21 is probably what you’re looking for.
Engaging and fun-sounding, the SoundMAGIC P21 will make the absolute most of the output from any portable player.
Please take a look at our video review of the SoundMAGIC P21S below for more details.
We’ve collected our favourite on ear headphones from under £50 to over £500 from 2015. The reviews are designed to help you choose from the massive selection of headphones available. From trusted brands like KEF and Sennheiser, to the newest brands like SoundMAGIC and Aedle. Below you can check out our best rated on ear headphones from the year so far.
Scroll down for in depth reviews of our favourite on-ear headphones.
The Koss Porta Pro may not be an obvious choice for the top 10 best portable on ear headphones , it is likely older than most of its current users; introduced in the early 1980s, it pre-dates most other lightweight designs and has a real retro charm.
The sound is still very current however, as the Porta Pro’s sound signature suits dance music, rap and anything the user can throw at them.
A good level of bass and midrange gives a good grunt with realistic body. The highs are a little rolled off but not to the point where it’s a problem, indeed the roll-off makes them less likely to fatigue the wearer if dance music is played.
Hifiheadphones verdict:
For the money this is amazing value – get yourself a design classic which has stood the test of time.
SoundMAGIC takes a lot of beating in this price category – the brand is a natural at making low cost headphones which sound much pricier.
The P21 model is a lightweight portable with a flat tangle-free cable and good isolation. Ideal for travel and holidays, these will fit right in to any bag or backpack when stored in their low profile travel case.
Sound is impressive for this price point, with plenty of detail and a good kick to the bass without overpowering the mid range.
Hifiheadphones verdict:
Engaging and fun-sounding, the P21 will make the absolute most of the output from any portable player.
Without doubt the best pair of street style headphones currently on the market are the incredible sounding Grado iGrado headphones (with a reasonably RRP of £49.95). The drivers used in the iGrado are the same as those used in the Grado SR60, so you can expect a lively delivery of your music across the entire frequency range. The iGrado’s sound every bit as good as their home listening cousins. The styling of the iGrado’s is not too everyone’s taste, but who cares what you look like when the music sounds this good!
The only downside for commuters is that the iGrado’s have open backs, so sound leaks out and in. This is fine for walking on the street (as long as the traffic isn’t too loud), but is no good for travelling on underground trains or while sitting next to someone on a bus.
HiFi Headphones Verdict:
If you can live with the open back design the Grado iGrado is the best portable headphone you can own. Very highly recommended.
The first incarnation of this headphone (the P30 – without the S) was a little underwhelming, but SoundMAGIC have really pulled out all the stops for this new revised edition, now with Smartphone compatible controls.
Sound is truly superb for an on-ear headphone under £100. In fact we think this is the best on-ear headphone costing less than £100. Bass is punchy and tight, while the mids and highs are natural and well balanced.
The build quality is excellent, with metal internals to the headband and nice quality plastics. Comfort on the ears is good, with soft earpads and a light clamping force on the head. This headphone is compatible with the vast majority of
Hifiheadphones verdict:
Brilliant sound performance and typical SoundMAGIC levels of build quality make the P30S a winner under £100.
Grado iGrado Headphones £50
Without doubt the best pair of street style headphones currently on the market are the incredible sounding Grado iGrado headphones (with a reasonably RRP of £49.95). The drivers used in the iGrado are the same as those used in the Grado SR60, so you can expect a lively delivery of your music across the entire frequency range. The iGrado’s sound every bit as good as their home listening cousins. The styling of the iGrado’s is not too everyone’s taste, but who cares what you look like when the music sounds this good!
The only downside for commuters is that the iGrado’s have open backs, so sound leaks out and in. This is fine for walking on the street (as long as the traffic isn’t too loud), but is no good for travelling on underground trains or while sitting next to someone on a bus.
HiFi Headphones Verdict:
If you can live with the open back design the Grado iGrado is the best portable headphone you can own. Very highly recommended.
– See more at: http://hifiheadphones.co.uk/reviews/best-headphones-types/#sthash.CoBqOD3D.dpuf
Grado iGrado Headphones £50
Without doubt the best pair of street style headphones currently on the market are the incredible sounding Grado iGrado headphones (with a reasonably RRP of £49.95). The drivers used in the iGrado are the same as those used in the Grado SR60, so you can expect a lively delivery of your music across the entire frequency range. The iGrado’s sound every bit as good as their home listening cousins. The styling of the iGrado’s is not too everyone’s taste, but who cares what you look like when the music sounds this good!
The only downside for commuters is that the iGrado’s have open backs, so sound leaks out and in. This is fine for walking on the street (as long as the traffic isn’t too loud), but is no good for travelling on underground trains or while sitting next to someone on a bus.
HiFi Headphones Verdict:
If you can live with the open back design the Grado iGrado is the best portable headphone you can own. Very highly recommended.
– See more at: http://hifiheadphones.co.uk/reviews/best-headphones-types/#sthash.CoBqOD3D.dpuf
The supra counterpart to the full-size Momentum, this on-ear version packs a punch just like its bigger brother. Full and warm bass which stays controlled, mids which are slightly recessed but still engaging – these headphones would suit those who favour a slight ‘V’ shape in their sound signature.
Supplied with a sturdy travel case, these are great for foreign adventures or just for enjoying whilst at work. The remote on the cable ensures that no calls need be missed with these immersive headphones.
They are well powered by portable devices such as phones, and are really suitable for this purpose.
Hifiheadphones verdict:
If supra-aural headphones appeal to you, the On-Ear Momentum is definitely worth a punt. They are fantastic all-rounders which can do any genre justice, anywhere.
Beyerdynamic are known for some wonderfully put together and sturdy headphones, with the Custom One Pro being a good example.
The character of the frequency response can be changed whilst the headphones are being worn by means of the adjustable bass ports on each side. Mids are slightly recessed and highs are clear but not too forward/bright.
They are primarily a portable headphone but are useful at home too; isolation is good and they can be adequately powered from any device, although an amp may be required for quieter tracks if going mobile.
Hifiheadphones verdict:
This good looking and sturdy headphone can be further customised but will sound good however they look.
Portable headphones are really getting some attention again, and the M500 is a great example of the type of quality which has entered this market recently. They are designed to hug the shape of the head and look very cool when worn, although the wearer may well be grinning like an idiot!
The sound is of amazing quality and it really is a strange feeling to be enjoying such a presentation whilst walking in the street, for example. They are solidly constructed without being heavy, and feel very comfortable. The earcups consist of a very soft cushion which provides good isolation without causing discomfort, so the high quality sound these deliver can be fully enjoyed.
The sound is wonderfully balanced; the bass is handled very well and is tight without sitting too far back; midrange is clear and unforced, and treble is crisp and grabs attention without getting harsh.
Hifiheadphones verdict:
For the price, these headphones are incredible value; they are the perfect travel companion for anyone who does not like to compromise when on the go.
Sennheiser’s Momentum are a stylish portable Hifi model designed to look and feel good wherever you use them. Available in two colour ways, Dark brown leather and black leather with red stitching, few headphones offer the same luxury in this travel size.
With plenty of detail and excellent instrument separation they never step into fatiguing territory, soundstage is short but imaging is impressive considering the size of the cups. The sound is exciting with plenty of bottom end available when needed, the Momentums are smooth without becoming sluggish.
Included with the Momentum is a headphone cable with mic and smart controls, a travel adaptor, a second standard headphone cable, an attractive hard carrying case and a 6.35mm jack adapter.
Hifieadphones Verdict:
The size, carry case and sound work well for commuters and business travellers and anyone who likes warm clean reproduction, this type of sound signature generally works well across all genres of music.
You’d be forgiven for assuming that these headphones are from one hundred years ago; from a distance the design harkens back to headphones which might be used to listen to morse code.
Try them however and you’ll realise that these are every bit as sophisticated as their modern-day counterparts; only the build quality is from yesteryear.
Bass is fully present but knows its limits, midrange is clear and fluid, with highs rolled off slightly to avoid fatigue. The VK-1 is a very musical headphone and suits many styles while being very stylish itself.
Hifiheadphones verdict:
These are remarkably beautiful headphones which pack a sonic punch their genteel appearance just does not hint at. High quality leather earpads ensure great comfort, while the sound is vibrant enough to rival any competition on the street. ( Availiable now, contact 01903 768910 )
It is tempting to think nowadays that smaller is better, cheaper and easier to carry around; but when it comes to headphones there are differences between large and small which are not all that obvious.
One of the relatively new developments in portable audio is the in-ear headphone, as opposed to the ‘earbud’ which goes back 25 years or so. The earbud sits in the ear’s concha and rests up against the ear canal (sort of), whereas the in-ear headphone sits in the ear canal itself and ideally creates a seal, for far better isolation and bass response when compared to the earbud.
In-ear (Intraaural)
This coupling method between speaker and ear gives a much more intimate presentation – indeed, more intimate than the producer or mastering engineer perhaps intended. This brings a danger of fatigue with certain recordings, and the soundstage is typically narrower making any spatial effects less pronounced.
One of the important parts of getting the most out of the in-ear headphone is the seal created when the right eartips are used. Everybody’s ears differ, and it is likely that some experimentation is necessary with the tips before the right effect is achieved.
Not everyone can comfortably wear in-ear headphones; some also prefer to keep the presentation as close to the intended ‘2 speakers in a room’ sound as possible. Full-size headphones replicate this better.
On-ear (Circumaural and Supraaural)
This is the style everyone surely thinks of when they hear the word ‘headphone’ – speakers sitting on or over the ears, connected by a headband.
The Circum-aural style encloses the ear and is the most likely to give the ‘2 speakers in a room’ effect; the entire ear is subject to sound coming from the headphone driver, and this gives the outside ear or ‘pinna’ a chance to bounce the sound around a bit before it enters, much like natural environmental sounds.
Also, headphone designers have much better opportunity to treat the headphones, or make minor adjustments to ensure that they have the required frequency response. For example, holes or ‘ports’ can be created to reduce bass frequencies, and bumps in any frequency response graph can be dealt with by membranes which block certain frequencies and allow others to penetrate. There are fewer opportunities to tinker with in-ears before the design has to go back to the drawing board.
To a lesser extent, there’s a better chance of the left ear picking up sounds from the right speaker and vice-versa; mirroring what happens in real life. Sound passes through the head and is also filtered by it; the resulting sound is therefore attenuated and with a lot of high-mid frequency detail lost. Together with a slight delay (the time taken for sound to cross from one ear to another is around 3 thousandths of a second), the brain converts these subtle details into information on sound placement.
This is why binaural recordings are so lifelike; given that the technique involves small microphones placed in the ears of a real human head or dummy, any recorded audio has the artefacts lent to it by the head on which it is recorded.
The circumaural style is considered to be the most comfortable generally; the intended use for circumaural headphones is that the wearer stays relatively still, perhaps seated, and so the headphones rest gently on the head and ears.
Supraaural headphones are a little smaller and are designed to sit on the ears, against the pinna. This often makes them more practical for the purpose of portability, but often at the expense of comfort when it comes to extended listening sessions. This design tends to press harder on the ears, both to increase the chances of a good seal and to prevent the headphones’ headband from slipping as the head moves. Supraaural headphones are generally designed for outdoors with more active uses in mind, and so tend to be closed-back to offer better isolation.
It is perhaps easy to choose between circumaural and supraaural headphones; do you wish to remain at home and listen, or go out, for instance? In-ear headphones are less clear-cut. They are being designed now for all scenarios it seems. Our habits may have yet to catch up, but in-ear headphones such as the sumptuous Final Audio Piano Forte range are now being designed for the armchair listener, so the choice from now on may be less clear, but it will have increased, which is no bad thing.
Verdict – Good for pop, great with hip hop and dance music.
Pro’s – Big contemporary warm sound from these lightweight but sturdy on ear headphones. Perfect for commuting or travelling.
Cons – On ear headphones just do not work for some ears – they can become painful after long periods but there is an obvious advantage to this smaller style over full size headphones. Not for most Classical music fans unless you like more bass than average.
In-Depth Review
Introduction – Audio Technica was established in 1962, Audio-Technica is a worldwide group devoted to the design, manufacture, marketing and distribution of problem-solving audio equipment. They started out making phonograph cartridges and now create microphones, mixers and electronic products for home and professional use. Winner of numerous industry awards, Audio-Technica manufactures quality products that are used in professional and personal audio around the world.
Description -The ATH-ES55 is available in White and Black and has a closed back design, therefore cutting out external noises which may distract from your listening. Although they have impressive sound isolation this has the effect of reducing the sound stage and stereo image width and gives a slightly warm tone with an elevated bottom end.
Included peripherals – Both White and Black versions come with a carry pouch to help with transporting them.
Application – The ES55 are excellent everyday use headphones. Sturdy with decent sized pads, very comfy for an on ear, these would make sense for commuting, listening whilst working or as headphones for someone who does not like in ear headphones but wants to keep their portable audio small and light.
Describe the sound – Contemporary feel, warm as with most closed backs, they are relaxed but feel detailed and exciting too, the overall sound is slightly laid back but not dull. Nice and easy to power from an iPod/MP3 player or Laptop so no volume problems.
Verdict – Based on the ever so popular DJ headphones, the HD 25-1, the Sennheiser Amperior provide a consumer oriented alternative with their balanced audio reproduction, warm mids, deep powerful bass and smartphone features.
Pro’s – Impressive bass and excellent portable size.
Con’s – On-Ear headphones always become a bit uncomfortable during long listening sessions.
In-Depth Review
Introduction – The Amperior are essentially an update on the legendary HD25 DJ and soundman headphone of choice. Almost ubiquitous in some industries due to it’s superb design, diminutive size (considering the sound quality) and freely available spare parts. We live in a world filled with reboots and sequels so what have Sennheiser done to justify this cover version of a classic?
Description – Aside from a looks makeover, which is actually more than skin deep, there is real attention to the voicing of the Amperior – underneath the classy new paint colours are aluminium cups, making this headphone tougher and aiding with the improved sounds available. The earpads are velour, rather than pleather, giving extra comfort, the headband is nearly identical to the original HD25 split band but also has velour padding. Build quality is at least as good, if not better due to the new metal cups.
Included peripherals – The Sennheiser Amperior come with two sets of cables. The detachable bottom section comes in plain and iDevice compatible version.
Application – As previously mentioned, the size and shape of the Amperiors makes them a practical everyday set of cans. Comfort levels are pretty good although On-Ear headphones are never as comfy as their circumaural counterparts. The ability to swivel and the give in the connection of the cups to the headband means they are very adjustable. The closed-back design gives decent isolation making the Amperior a good choice for the commuter.
Describe the sound – The Amperior comes with a copper cable, part of the reason sound is bigger, warmer and less scratchy at the top end when compared to the steel cabled HD25. The EQ is less flat than the monitoring ready HD25 and has more character, really decent instrument separation and stereo imaging. The Amperior is a great headphone for the contemporary music lover on the move. Practical with smart but not over-designed looks are complimented with refined but current sound – should be considered by any regular traveler.
Beyerdynamic are just about to launched the T50p in the UK – a new portable headphone that is set to compete head to head with the B&W P5. Matt from Polar Audio (Beyerdynamic’s UK distributor) visited HiFi Headphones HQ today to give us a first listen.
It appears that the high end portable headphone market has recently become the target for the established serious audio brands, with the B&W P5 gaining some very positive reviews and plenty of high profile press. Beyerdynamic have obviously done their homework and with the launch of the T50p they look set to make their mark with a stylish design and high end audio performance.
Below are some initial impressions of the T50p. We’ve also included comparisons with the B&W P5 that we recently had on loan for evaluation.
Sound
Well balanced with plenty of accuracy, the T50p will appeal to those who love to hear all the detail in their music. The clarity is really very impressive, with excellent instrument separation and wide soundstage for a closed back portable headphone. Bass response is well defined and punchy – much less warm and fuzzy than the B&W P5.
The T50p’s sound signature is no surprise when compared with the rest of the Beyerdynamic line up. We are big fans of the Beyer sound.
Comfort
The headphones themselves weigh very little and the headband has a soft leather pad that runs over the top of the head to keep the headphones comfortably in place. The T50p is an on-ear design, but pressure is actually quite light and the pads are soft. Not as comfortable as a fully over ear (circumaural) headphones, but a lot more practical for using out and about.
Compared with the B&W P5 the Beyer T50p is a little less soft on the ears (the P5 has large, flat, ultra soft ear pads), but we don’t see comfort being a major issue with the T50p.
Noise Isolation
Listening to the T50p in a noisy office with people chattering nearby the sound isolation is good. The ear pads are sufficiently thick and soft to ensure a good seal on the ears. The T50p would be fine to use as a travel headphone because the closed back design prevents sound leakage in and out of the ear cups.
Design
We love the industrial design of the T50p and prefer it over the more reserved design of the B&W P5. The T50p is designed and built by hand in Germany, with the quality of workmanship being very evident when you hold the headphones in your hands.
