What is the difference between Open and Closed headphones?
Looking for a new pair of headphones can be very confusing, there are so many to choose from – how do you know you are getting the best for your money?
There are lots of things you can look at when deciding, and the main place to start is whether you will benefit from Open or Closed Back headphones. It’s easy for some people to say that one is better then the other, but this isn’t the case – it really depends on how you will use them. If you are looking for a pair of headphones to commute to work with then an open back design won’t be ideal, unless you want the whole carriage to listen to your guilty pleasures. So here is a quick run down on the differences between Open and Closed back headphones.
Closed back headphones
The main benefit you get from a closed back headphone is sound isolation, this reduces the amount of sound that leaks out for others to hear and it also helps block outside noises so they won’t interfere with your listening. This is something that is very important when using headphones in public e.g. commute to work, travelling or even at home with other people in the room. Generally closed back headphones have a narrower soundstage (compared to open back) but you tend to get a punchier sound with heavier bass from a closed back headphone. One downside of closed back headphones is that your ears can get warm very easily, especially compared to open backed headphones – using velour earpads instead of leather can reduce this but this will reduce the amount of sound that is isolated.
These headphones certainly don’t isolate sound, being open back the sounds comes out from them like mini speakers – some more than others. They will also allow you to hear what’s going on around you, so this won’t be ideal for noisy environments. The benefit from this is that you get a very natural sound, your ears will keep cool due to the air flow and they give a wide soundstage – this is particularly good for live recordings as you really feel like you’re right there. Being open backed you will sometimes notice a loss of bass compared to a closed back alternative, however the bass has a more natural feel to it because the driver housing is vented so the sound can breathe.
The best question to ask yourself first is “how will I use these headphones?” and from there you will know whether to go for open or closed back. So if you’re using them at home and there won’t be anyone else around then open back will be a good place to look, but if there is a chance that you will also want to use them on the odd commute to work – then overall a closed back will be the most suitable.
Our picks for the best over ear headphones – open back and closed back
We know how important it is to find the best headphones for you; whether they are for your smartphone, music player, laptop or hi-fi system.
Here you can see the best of the best full size headphones to buy in 2019, 2020 and beyond.
BEST CLOSED BACK HEADPHONES
1. Beyerdynamic DT770 PRO – £125
Beyerdynamic DT770 Pro
The Beyerdynamic DT770 creates a spacial soundstage more akin to an open-back headphone, and delivers full bass with accurate highs and mids. What’s more, these are profoundly comfortable.
The HD820 is Sennheiser’s first closed back audiophile headphone release and it promises to be quite special. Based on the same design as the HD800S, the HD820 uses Gorilla Glass as its transducer cover and the curved shape of it allows the sound waves to reflect to an absorber – resulting in minimal resistance and creating an open sound that you would normally expect from an open backed headphone.
Focal headphones are not only known for their excellent sound quality – they also look stunning. And the Stellia is no different. The finest materials have been used to create this closed back headphone, including a Beryllium dome electrodynamic driver. With a unique finish, inspired by the colours of cognac and mocha – the Focal Stellia looks as good as it sounds.
The Ether 2 have a great sense of neutrality, at the same time they offer an enjoyable listening experience and they never sound analytical. There is a hint of added body that creates a smooth listening experience that can be enjoyed for hours on end.
The unique construction of the Empyrean was designed with the shape of the human ear in mind. As a result, they enjoy a greater degree of imaging than you’re likely to find anywhere else. Each Empyrean is hand crafted to exacting detail, and that level of precision is not only visible, but audible.
The planar magnetic magnificence of the Final D8000 creates a listening experience without parallel. The unique construction, including a damping system (the same used in condenser microphones) allowing for a sound that surpasses the abilities of most planar magnetic and dynamic equipment. This requires a dedication to exacting detail you can only see in Final.
The B&W PX is the ultimate portable headphone. With the latest aptX HD Bluetooth technology, wireless sound quality is of the highest level. Providing a very well balanced sound with tight bass – bass heads may want to look elsewhere – crystal clear clarity and superb soundstage. The PX also has adaptive noise cancelling and uses six microphones to help block out external sounds – allowing you to focus on the music. Along with the advanced technology – the PX has superb build quality and comfort – making them our go to recommendation for wireless headphones.
Audeze have created a superb all rounder in the Mobius. Whether music, films or gaming is your thing – the Audeze Mobius does it all extremely well. Inside the housings are planar magnetic drivers, providing sound quality that even the audiophiles out there will appreciate. Then the 3D emulation technology delivers a superb surround sound experience, perfect for watching films or playing Fortnite and thanks to the integrated head tracking – you’ll hear sound effects as if they’re really there.
The Ether 2 sport the same styling as the Voce, with a spiderweb-like grill and all black colour scheme. The design is simple but at the same time unique; nothing really stands out, yet they are very much a MrSpeakers headphone by design.
When you first look at the Ether 2, you could be mistaken for thinking they look flimsy and weak. Upon closer inspection, they are built to be solid, and comfortable at the same time. The headband is their signature NiTinol metal that is flexible yet incredibly strong. The cups are machined aluminium and the baffles are carbon fibre. This means the weight is kept to a minimum without compromising on strength. The cable has been updated since the old DUM one, and it is now softer, more flexible and just feels more premium.
Accessory wise you get a hard carry case and the cable. To be honest, there are no other accessories that are needed. The case is of excellent quality and will keep your Ether 2 safe when not in use.
Comfort:
MrSpeakers have focused on making this one of the most comfortable planar headphones out there, and they have done a great job. They feel so light when you hold them in your hand! The earpads are memory foam and the clamping force is just right. The suspension strap evenly distributes the weight over the top of your head making these extremely comfortable headphones for long listening sessions.
Angled view of the MrSpeakers Ether 2.
Sound:
Bass:
The bass on the Ether 2 has a certain fullness down low, that makes them very enjoyable. The bass is articulate and easily flows with any genre you throw at them, with excellent, linear extension down low. Overall the bass adds a slight smoothness to the sound, but it is not overpowering. The bass never steps out of line, staying tight and controlled at all times, yet still having that addictive slight fullness to them.
Midrange:
The midrange cuts through with excellent clarity and are well separated from the lows. There is no bleed from the bass warming up the midrange, yet the transition is coherent. Female vocals have great presence, yet without any peaks that bring out sibilance. The Ether 2 have a neutral tone that does well with all kinds of music, but they bring out the emotion in the music really well.
Treble:
The treble is detailed and extended, but it extends with great linearity without fatigue inducing peaks. Everything is rendered with clarity and relative neutrality yet a subtle warmth stops them from being analytical. The treble does not sit in the background, and it does not lack presence or detail, it is just the sound as a whole is so enjoyable.
The soundstage is wide and deep, it is a highlight of this headphone. The sound is not congested and always expertly separated yet still with an overall coherent sound.
Detailed close-up of the MrSpeakers Ether 2.
Conclusion:
The Ether 2 have a great sense of neutrality, but at the same time they offer an enjoyable listening experience and they never sound analytical. There is a hint of added body that creates a smooth listening experience that can be enjoyed for hours on end. It’s a very technically proficient headphone, but at the same time it’s a joy to listen to, and connects you to the music in a way few other headphones can.
The Focal Clear is, as the name would suggest, clear. With excellent tonal balance, and plenty of detail to boot, Focal have made one incredible headphone.
Aesthetics, Build Quality and Accessories:
The Clear sport a grey and silver colour scheme, which makes them stand out against the mainly black headphones around. They look great in person with the perforated pads and mesh look, they are refined and sophisticated.
The build quality is superb, they are mainly made out of metal with perforated microfibre pads and a mix of leather and microfibre headband. The yokes are aluminium and they just feel extremely well put together when you have them in your hands. They use a recessed 3.5mm detachable cable which means swapping out cables is nice and easy. Overall the Clear are very well put together and I cannot find any weak spots on them.
Accessory wise the Clear comes with a brilliant array of extras. Firstly, they come with a lovely hard case, with heavy duty zip and a leather handle. This case is the perfect size for travel, with room for the headphones and cable.
Comfort:
The Clear are a well built, medium weight headphone. This mean that padding is a must, I find the earpads to be deep and plush and they fit excellently around the ear. But my one minor complaint is the headband padding is a little thin, and this creates a hot spot on the top of my head. But every one has a different shaped head so this will only be an issue for a select few people.
Sound:
Bass: The bass on the Clear is well controlled and only comes out when called for, it is quite impressive how the lows can really morph to the recording. If there is a subtle sub-bass line, you will hear it, if the mix has complex bass lines the Clear will allow you to pick them apart and hear every detail. They are not boosted down low, this means some may find them lacking a little body, but they make up for that by being well balanced and controlled.
Midrange: Like the rest of the sound, the midrange is open and detailed, expertly handling anything you throw at them. Here you can easily distinguish between different vocal tracks, guitars have the right amount of crunch and body. These really don’t try and flatter you by altering the sound, they try and allow you to enjoy your music through a clear window instead.
Treble: The treble isn’t boosted to give you a false sense of clarity, but it is well aligned with the rest of the sound. It is crystal clear, but never fatiguing, they will show up poor recordings but feed them something well recorded and you’ll be astonished by the level of detail these have.
The Clear do not have the widest of soundstages, but where they make up for it is in the separation and layering. Yes, they won’t give you a concert hall like soundstage, but they will accurately place the instruments and let you easily pick apart the recording.
Conclusion:
The Clear have become one of my recent favourites, purely because they offer such a clear and precise sound without fatigue. They allow you to hear all the finer detail in your music, yet at the same time they are easy to listen to and enjoy, exactly what I personally enjoy in a headphone.
Audeze keeps going from strength to strength (the strength of our bank managers, that is). Ever more glitzy offerings are produced which are sure to exceed the last model at least in terms of price, but does the performance match up? We’re sure the folks at Audeze HQ realise that expectations go up along with the levels of cash we’re asked to part with, so they’d better have the trousers to go along with the proverbial mouth they’re exhibiting..
Pros:
Sturdy construction
Great looks
Smooth sound for those who want it
Sub bass is impressive
Cons:
Single-ended cable only
Heavy!
Some may require greater treble presence
Durability and Build Quality
The LCD-4z is built to last, with an all-metal construction. It’s weighty, coming in at 610 grams without the cable attached; so along with your brass, it demands a good neck. The cable itself is strong and well constructed. It’s a single-ended design ; it would have been good to see a balanced option in there too.
The carry case is quite large; much bigger, and we’d have been looking for wheels and a slide out handle for lugging it around. However it’s fitting for such a premium model and offers adequate protection should you wish to take it anywhere.
Comfort
As mentioned above, some may be affected by the weight of the LCD-4z during longer listening sessions. Clamping pressure is fairly high, but mitigated by the leather earpads which are soft and comfortable.
Sound Characteristics
The Audeze LCD-4z was tested with a Chord Hugo mk.1 as DAC and amp; it’s ironic that this is far cheaper than the headphones themselves! A more substantial setup may affect the LCD4z’s response somewhat.
Overall the LCD-4z has a warm feel to its output, with a sound which is comfortable and luxurious.
Bass
Low extension is very good which is well voiced and natural-sounding. If a particular track means to hit us with sub-bass, be sure to have your fillings certified by a qualified mouth doctor prior to listening.
Further up, bass presence may be a little too much for some in relation to mids and treble. This may be a nod toward those who are demanding more in the way of bass presence these days. Definition is very good; there’s a certain rounded quality to it which feels like it’s impinging on the midrange but it doesn’t get in the way of midrange detail.
Mids
Vocals are rich and very detailed; it feels like we’re peering into the singers’ throats with a broad wooden spatula. Backing vocals are very seductive, with some nice separation giving the impression of singers standing about the listener.
With tracks which generally push the limits of comfort in terms of midrange presence (such as with the upper registers of the clarinet), the LCD4z does rein it in a little, so if fatigue is an issue for you the LCD-4z is an option. Overall it’s a gooey, fun midrange and a very alluring one.
Treble
Treble presence is ideal for this self-confessed Sennheiser HD650 fan; some may find it a bit muted for their tastes but it allows the music to ooze out without the feeling that it’s being forced. It continues on from the midrange in a natural and pleasing way.
Fine details are well rendered with subtle harmonics present; trumpets and other brass instruments are really quite enjoyable.
Soundstage and Separation
Soundstage is about average for an open-back model, with imaging and separation doing a decent job whilst maintaining a natural feel.
Music genres good for and why
The warm nature of the LCD-4z complements modern, studio-produced genres such as pop and rock. If you like sub-bass laden offerings such as with rap or drum and bass, then the LCD4z is a sure winner. However those who favour classical, opera or live recordings may require a little more bite where it comes to treble.
Summary
Audeze’s new LCD-4z hits us hard; both with sub-bass and credit card bills. However, relaxing with a set of these in place will certainly mask the insistent knocks on the door from bailiffs.
We’ve have some of the best full size hi-fi headphones from under £100 to over £1000 from 2017. The reviews are designed to help you choose from the massive selection of hi-fi and audiophile headphones available with open back and closed back designs. From established brands like Beyerdynamic and Sennheiser, to new creative brands like MrSpeakers and Audeze.
Scroll down for in depth reviews of our favourite full size open back and closed back headphones.
The closed-back Edifier H840 has audio quality which belies its entry-level price. Low-cost headphones can emphasise the bass a little too much but the Edifier H840 has a good balance throughout the frequency range, with midrange and treble coming through with impressive clarity. Bass is there too, and prominent enough to give a bit of weight to those basslines without stealing the show.
Build quality is also impressive for headphones at this price; they are quite rugged, but light and comfortable as well.
They can be used either in the home or as a portable model, since the closed-back design offers good isolation from exterior sounds and the H840 can be powered sufficiently by a phone, or a portable music player.
HiFi Headphones Verdict:
If you’re on a budget, there is no need to compromise on sound quality. For the asking price, the Edifier H840 represents amazing value.
Sennheiser’s HD461 models come in two flavours, depending on whether you have an Apple handset (with a headphone socket!) or an Android handset. Designed primarily for portable use, the HD461 models can also be used with home equipment as they will still work in standard 3.5mm stereo sockets.
Also, the cables are available separately as spares, so if you change your phone from one type to the other, you only need to get the appropriate cable for full functionality with your new handset.
The design is light and comfortable with a sound akin to what Sennheiser generally prefers; a warm comfortable sound with enough sparkle at the treble end to keep things interesting and vibrant, but without any danger of listener fatigue. The HD461 design hsa a little bit of extra bass than usual however, so if you’re a bass fan then these are worth a try.
HiFi Headphones Verdict:
For a bassy accompaniment at home or on the move, the HD461i (or HD461G) will give full functionality with your handset, whether Apple of Android. With spare cables available too, there is no need to change your headphones if you change your phone (iPhone 7 notwithstanding!).
The new HP151 from SoundMAGIC is perfect for those who want to treat themselves to some excellent sound and build quality, but without breaking the bank. The HP151 comes with a sturdy carry case and an extension cable for more options if listening at home, but is otherwise suitable for portable use, being of a closed-back design. Be aware however that whilst the HP151 will work well with commercial genres, classical or similar may require more amplification than a phone/handset can provide on its own, as those music types generally have quieter recordings, with less dynamic compression applied during production.
The HP151 sound has a good amount of well controlled bass from its 53mm drivers, and midrange/treble are clear and present. It’s a comfortable sound, and it is not likely that listener fatigue will set in.
HiFi Headphones Verdict:
The HP151 is a fantastic all-rounder, with a bassy yet crisp sound. It has a spacious and wide presentation considering the closed back design, and it looks really good too!
Final makes some excellent-sounding headphones with great build quality too. Their closed-back Sonorous range encompasses many models, but the Sonorous III is a point of interest as it gives some amazing sound quality for the price. With slightly boosted bass and treble, the Sonorous III gives a little added shine to your tracks without going overboard. The low impedance of this design makes it suitable for using with a portable device or phone, for enjoying your collection in the home, or out and about.
HiFi Headphones Verdict:
The Sonorous III is a favourite here for its relaxed, natural sound. However the Sonorous II is also noteworthy as a more neutral version, giving a more faithful rendition of your recordings and particularly suitable for classical and acoustic performances.
Best Full Size Headphones Under £800
Now we start to enter the price range of diminishing returns; for instance, headphones costing £800 will not sound twice as good as those costing £400, but if you are intent on raising your headphones game, these smaller improvements are still worthwhile to make your music collection come alive again.
Beyerdynamic has impressed us for many years and continues to do so with new models such as the Amiron Home. With sterling build quality and sound quality alike, the open-back Amiron Home does everything well. All frequencies are very well balanced with each other, with treble a little gentler than quite a few of Beyerdynamic’s previous models.
So the sound is natural and smooth; ideal for relaxing at home (where else?), and quite suitable for any music genres that can be thrown at it.
HiFi Headphones Verdict:
The Beyerdynamic Amiron Home is a real treat to use, and is as comfortable to wear as it is to listen to.
A relatively new maker, MrSpeakers has certainly caused a stir with their line of planar-magnetic models recently. Not least with the Aeon, a lightweight design which hits heavy with some excellent sound quality. The design lends itself well to portable uses, although additional amplification may be required if using with a phone.
The sound is fairly well balanced with a little extra bass and lovely clear midrange and treble. The Aeon is well suited for all genres, but a real treat with anything likely to get you moving!
HiFi Headphones Verdict:
If your portable audio game needs updating, the MrSpeakers Aeon is one to look at, although the Aeon is equally enjoyable if you like to stay put.
Focal’s recent additions to their lineup show a slight move away from the generally brighter sound of their previous models, to a gentler more laid-back sound which nevertheless gives detail in spades. The Elear is an exquisitely comfortable model to wear also, and gives the impression of the venerable HD650 but with a little bit of extra treble presence.
The Elear is not a light model at 434g, so this may be worth bearing in mind but the sound is very pleasing indeed.
HiFi Headphones Verdict:
French company Focal has produced a real hit with the Elear, and it is easy to understand how; they’re great fun!
Pioneer’s new SE-Monitor5 is where headphones start to get sumptuous and luxurious! Build quality is like an executive car, and the plush padding is much the same. The SE-Monitor5 may be a little heavy for some at 480g but they are made for relaxing at home and swallow up the sides of the head with their huge earcups.
The sound is as you would expect from Pioneer at this price, with well-controlled bass doing just what it needs to according to the music genre being enjoyed. Higher frequencies follow suit and remain faithful to the music, only to add a little bit of extra excitement and glamour to proceedings, whilst staying very relaxing.
HiFi Headphones Verdict:
The SE-Monitor5 is incredibly comfortable and bound to please anyone who gives them a listen.
If you have got bored of circling Switzerland in your yacht then you’re probably lost, but you may be wealthy enough to consider the following models for your floating games room! These higher priced models may seem as steep as a black route ski slope, but those who accept no compromise will find the following offerings very interesting.
Sennheiser is no stranger to premium headphones, and has followed up on the excellent HD800, released a few years ago. Some felt that the HD800 is incredibly detailed but at the cost of a certain amount of musicality, so Sennheiser now has the HD800S which offers a little more in the way of ‘soul’. Bass is very responsive to what different music genres need without overdoing things, and midrange/treble give some excellent soundstage and imaging with a slightly gentler presentation when compared to the older HD800.
The HD800S is however just as comfortable as its older brother the HD800; these models can be worn for hours on end with no trouble.
HiFi Headphones Verdict:
The HD800S is a very popular model and with good reason; it’s as enjoyable as it is comfortable and has a fair amount of visual impact as well.
Audeze has plenty of models, but at the top of the range we have the planar-magnetic LCD-4. Top notch build quality is to be expected at this price, including unique drivers which feature NASA technology in their nano-scale diaphragms. These light, thin diaphragms can move very quickly with no inertia, making transient response times very fast, and bass precise with nice extension and very good control.
Made from 30 year old Macassar wood, the earcups are set off by bright silver grilles making the LCD-4 a treat to look at as well as to listen to. As well as the excellent bass, midrange and treble follow in good order with a smooth transition between, but with perhaps a slightly recessed midrange, putting bass and treble at the forefront of the presentation.
HiFi Headphones Verdict:
For the last word in headphones, this may need to be your first stop!
The HifiHeadphones team is pleased to announce the new Professional Reference-Class Open Back Headphone from Shure, the SRH1840 is now available to be purchased on our website.
Let us introduce the flagship of Shure’s reference-class headphone line, the SRH1840. The Shure SRH1840 open back headphones have been developed with premium materials and precision engineering. They are ideally suited to professional recording, mastering and audiophile listening applications.
Shure’s SRH 1840 features individually matched drivers for unparalleled acoustic performance with smooth, extended highs and accurate bass. Custom-crafted, the Shure SRH1840 is extremely lightweight and durable. Steel driver frame with vented centre pole piece improves linearity and eliminates internal resonance for consistent performance at all listening levels. Individually matched 40 mm neodymium drivers for unparalleled acoustic performance with smooth, extended high-end and accurate bass.
An included storage case, replacement set of velour ear pads, and an additional cable ensures years of uninterrupted listening enjoyment.
Open-back, circumaural design for exceptionally natural sound
Lightweight construction featuring aircraft-grade aluminium for enhanced durability.
Steel driver frame improves linearity and eliminates internal resonance
Ergonomic dual-frame, padded headband is lightweight and fully adjustable
Oxygen-free copper cable (OFC) with Kevlar reinforced jacket
Dual-exit cables with gold-plated MMCX connectors
Replaceable velour ear pads with high density, slow recovery foam
Additional cable and zippered storage case included
The HifiHeadphones team is pleased to announce the new Open Back Audiophile Headphone from Audio-Technica, the ATH-AD700X is now available to be purchased on our website.
With overhauled looks and improved driver performance the ATH-AD700X represent Audio Technica’s latest revision of the acclaimed AD700. The soft and relaxed sound, with deep resonating bass and extended vocal projection offers a completely natural listening experience.
As with the predecessor, the AD700X incorporate a lightweight honeycomb aluminium casing, allowing these open-air headphones to produce no sense of pressure on the ears, resulting in a completely natural sensation. Newly designed 53mm drivers with bobbin-wound CCAW voice coils deliver spacious sound with superior highs and mids.
The included flexible raised-fabric earpads of the AD700X are also exceedingly comfortable and guarantee fatigue-free listening. Self-adjusting wing supports automatically adjust to your head size for easy-wearing listening comfort. A straight cord at the left earpiece terminates to a mini plug with included 6.35mm adapter.
Newly designed 53mm drivers reproduce clear treble and midrange
Bobbin-wound CCAW voice coils for superior power handling
Full open-air type headphones produce no sense of pressure on the ears
Lightweight aluminium honeycomb casing with excellent acoustic properties
Self-adjusting 3D Wing Support provides a comfortable listening experience
Flexible raised-fabric earpads offer excellent wearing comfort and durability
Highly conductive OFC single-sided cord with elastic TPE sheath to prevent tangles
Gold-plated stereo 3.5mm connector with 6.35mm adapter
