HiFiheadphones

Expert Earphones and Headphones Reviews

Best DACs & Headphone Amps 2020: USB, Portable, Desktop

Posted on December 17, 2019 by John

Our pick of the Best DAC and Headphone Amplifier for all budgets and uses:

Not to be overlooked, a good quality DAC and amp can do wonders to any setup. We have seen huge growth in interest towards DACs and amps, so it makes sense that we put together our favourite headphone amplifiers and DACs to help make that decision easier.

Whether you want to use them with your TV, computer, laptop, smartphone or hifi system. We’ve gathered our picks for the best DACs and headphone amplifiers that you can buy!

BEST DAC / AMP UNDER £100

1. Shanling UP2 – £79.99

Shanling UP2

The Shanling UP2 is the perfect way to bring added power and audio quality to your smartphone, tablet or computer. Using Bluetooth, the UP2 will connect wirelessly to your phone – or any Bluetooth compatible audio device – and thanks to the on board dedicated headphone amplifier and high quality Sabre DAC chip – you’ll be able to get high fidelity audio wherever you go.

BEST DAC / AMP UNDER £200

2. JDS Labs Atom – £129.99

JDS Labs Atom

JDS Labs has mastered the art of making high quality amplifiers and DACs at affordable prices – and the Atom is their most impressive yet. For just over £100, the Atom desktop headphone amplifier will drive any headphone you throw at it and will bring improved soundstage, depth and dynamics to your setup. All in a neat and tidy desktop design.

3. Periodic Audio Ni (Nickel) – £199

Periodic Audio Nickel

This one’s for the purists out there. On the outside, the Periodic Audio Ni seems like a very simple and basic headphone amplifier – plug it into your source and you’ll soon see that it most definitely isn’t simple or basic. This amp brings added power, punch and improved dynamics to whichever device it gets used with. Those that really appreciate good sound will love the Nickel.

MORE INFO: Periodic Audio Ni (Nickel) Portable Headphone Amplifier Review

BEST DAC / AMP UNDER £500

4. iFi Audio xDSD – £399

iFi Audio xDSD

The xDSD from iFi Audio is a portable amplifier and DAC that can connect to your audio source wirelessly. So if you like to use your phone, but want to plug in some high quality headphones – then the xDSD will allow you to get the most from them, without adding more cables. The xDSD will take over the amp and DAC roles, so you will know that you’re getting the best sound no matter the source device.

MORE INFO: iFi Audio xDSD Portable Bluetooth DAC & Headphone Amplifier Review

5. JDS Labs Element II – £399

JDS Labs Element II

If it is a desktop option you need, then the JDS Labs Element II will not only bring an audio upgrade – it will look great too. Beautifully designed with a simple yet striking look – the Element II will fit into any setup. Historically, JDS Labs has been known for their functional design and great sound – now with the Element II, they have shown that they can make great looking equipment too.

BEST DAC / AMP UNDER £1000

6. iFi Audio Micro iDSD BL – £599

iFi Audio Micro iDSD BL

For the ultimate amp and DAC solution, look no further. The 2 Burr-Brown DAC chips provide a solid foundation for the custom op-amps, which help to deliver an impressive amount of fidelity and power. Using sensitive IEMs? This amp/DAC handles these superbly, with no noise or distortion. Whether used on a desktop or on the move – the iFi Audio Micro iDSD BL does it all… really well.

MORE INFO: iFi Audio Micro iDSD BL Portable DAC & Headphone Amplifier

Have We Missed Anything Out?

Please feel free to leave a comment below and let us know…

Shanling UP2 Bluetooth Receiver / DAC Review

Posted on August 29, 2019 by Oscar

Shanling UP2

Aesthetics and Build Quality:

Well what can I say, Shanling know how to make a great looking product and the UP2 is no different. Tempered glass in the front and back with subtle branding and a machined aluminium shell and volume knob/button. On the bottom you have a single USB-C port for charging and DAC duties, on the top you have the headphone socket and small hole where the internal microphone is located. It is sleek, slim and just looks great in person.

Build quality is great, the tempered glass should hold up well over time, along with the main aluminium body feeling strong. Having a USB-C connector is excellent as most new devices have now moved over to this connector. I really cannot fault the UP2 in terms of build.

Features:

Well the UP2 is first and foremost a Bluetooth receiver, it supports all the latest codecs too including LDAC and AptxHD. This really does make a difference when compared to devices that only support SBC and AAC.

The UP2 can also be used as a USB DAC with a PC and does not require drivers to work. The internal headphone amp is powerful enough for most IEM’s and easy to drive headphones.

You can quite easily control the music via the UP2, the volume wheel can be pressed in to play/pause, double click to skip a track forwards, and triple to skip back. You can pick up phone calls and the UP2 has a built-in microphone for that duty. The UP2 has around 11hrs battery life on SBC, when using LDAC or Aptx it is slightly lower.

Sound:

The UP2 is an excellent sounding Bluetooth receiver, using a separate Bluetooth receiver and DAC chip means you really do get high quality Bluetooth audio. I’ve been using the UP2 with some Campfire Audio Andromedas and there is absolutely zero background hiss, match that with the low output impedance and you have an impressive wireless setup. The UP2 doesn’t really have much of a sound signature of its own, being neutral and detailed depending on what you pair it with.

With LDAC playing it’s getting harder and harder to tell between Bluetooth and CD quality wired from a DAP (of course you have to be playing CD quality over Bluetooth for LDAC to do its magic). No longer do we have to put up with mushy highs, and one tone bass notes over Bluetooth, now we can have excellent dynamics and detail retrieval, it is making me rethink the whole Bluetooth thing, and that’s a £79 product paired with a £1049 pair of earphones.

Of course, there is still an argument to have a dedicated DAP, with a better amplifier and better components, but usually at a much higher cost. For daily use however the Shanling is perfect, the difference in sound quality really isn’t that big and one that is easy to live with if you value convenience. Yes the UP2 + earphones isn’t as slick as a pair of true wireless earphones but the sound quality is superior to all true wireless models we have tested, along with having better battery life.

Conclusion:

Well the UP2 really is a great little device, the sound quality when paired with a device that can transmit LDAC or Aptx HD really is closing the gap between wireless and wired, with no substantial drop in audio quality. The UP2 is the perfect on-the-go partner for a pair of quality earphones or easy to drive headphones, I forgot to add that the UP2 is clean and neutral sounding to boot.

Build Quality: 5/5

Features: 4/5

Sound Quality: 4/5

Value: 5/5

Lypertek PurePlay Z3 True Wireless Earphone Review

Posted on July 16, 2019 by Oscar

Lypertek PurePlay Z3

Aesthetics and Build Quality:

The PurePlay Z3 (formerly known as TEVI) are a smooth and discreet, nothing really stands out on them with a small logo and silver trim ring on the faceplate. They smooth black finish looks great, there is a slight difference in colour between the 2 sections of the body but it doesn’t detract from the overall look.

Build quality is excellent, the joins in the housings are very smooth and they are finished to a high standard. The charging case is fabric coated and solid, and the buttons on the faceplates have a very positive click. Overall everything feels very well put together and durable for long term use. They are also IPX7 rated which means they are fine for your daily run and gym use.

Features:

The PurePlay Z3 use the latest Bluetooth 5.0 technology along with support for aptX, AAC and SBC codecs. Pair them with an aptX compatible device and you’ll get slightly better sound quality of course, but AAC also sounds very good.

The controls are easy to learn and intuitive, two click on the right to increase volume, two on the left to decrease. Three clicks on the right to skip track forward, three on the left to skip backwards. Single tap on either will pause the music, and a 2s press on the left will bring up Siri/Google assistant. You can also pick up calls and there are built in microphones that work very well.

Battery is rated at 10hrs per charge (SBC 50% volume), and I would say that figure is quite accurate from testing, using aptX will decrease this slightly but the increase in sound quality is worth the trade-off. The charging case supports another 6 whole charges, making these very impressive compared to the current competition.

Connectivity and signal stability are excellent, they pair easily and only cut out if you go out of range or add objects within the transmitting path (walls etc..). Overall, they work as advertised and don’t cut out if your phone is in your pocket or within a reasonable distance.

Comfort and Isolation:

The shape of the PurePlay Z3 is ergonomic with soft rounded edges and the perfect angle nozzle to provide a comfortable and secure fit without sticking out too far. The housings are a little on the larger size, but they never feel cumbersome when in use.

Isolation is pretty good; they do a very reasonable job at muting outside noises and are perfect for daily use and commuting.

Sound:

Bass: The bass on the PurePlay Z3 is full yet well controlled, it has a way of adding body without becoming the centre of attention. In terms of presence they are slightly north of neutral but they always sound very well balanced. There is good extension and kicks are backed up with body. The lows really are impressive, preventing the PurePlay Z3 from sounding thin but without making them sound bloated. They handle most genres with ease and have good articulation, lacking only a little speed during complex mixes.

Midrange: The lows are slightly north of neutral in terms of presence, but this does not mask the midrange and make vocals sound pushed back or congested. The midrange is well separated, lower male vocals do have a tiny bit of added body, and female vocals cut through with a little more detail but the overall midrange performance is very well balanced. Most consumer true wireless models have a habit of boosting the bass and treble, whereas the PurePlay Z3 comes across a lot more even handed and more suitable for a wide range of genres. There is great separation and layering, yet the coherency between frequencies is also excellent.

Treble: The treble is slightly laid back but luckily there is enough presence to prevent the PurePlay Z3 from sounding overly dark. The thing about the treble is that the tonality is just right, they don’t sound splashy or metallic and have great extension and detail. They have good accuracy when it comes to imaging too and they fit well into the frequency range. I would never call these bright though, and the treble is smooth enough that even the most treble sensitive users won’t have any issues with fatigue.

Soundstaging is good, not huge but very acceptable as most TW earphones sound very closed in. The detail present here is excellent and the separation between instruments is great.

Conclusion:

The PurePlay Z3 are very impressive, especially considering their sub £100 price point. Offering up a smooth and detailed sound signature that is well balanced yet slightly full. Add to that great stability and functionality and you have a TW earphone that is so easy to recommend, go out and grab one now as they are a game changer in the TW market.

Sound: 5/5

Comfort:5/5

Features: 5/5

Value: 5/5

Sennheiser Momentum True Wireless Review

Posted on April 25, 2019 by Oscar

Momentum True Wireless

Aesthetics and Build Quality:

The Momentum True Wireless look great, with a matte black body and textured aluminium faceplates. A lot of the lower end true wireless models look very generic and cheap, whereas Sennheiser have made sure these have a modern and simplistic look to them.

The build quality feels excellent too, with a sturdy body and great case there is nothing to go wrong. Providing you don’t drop them too often; I have a feeling these will last you a while.

Features and Comfort:

The little case they come with is really compact and charges them securely, with magnets holding the earphones in. It takes a while to get used to how the touch features work, but the manual explains it all and once you have used them for a bit, they become quite easy to use. The main thing is that the connection is stable, I haven’t had any drop-outs when in use unless I am a long way away from the transmitting device.

Comfort is great once you find the right ear tips, they stay securely in my ears and are very comfortable due to the rounded edges of the housing.

Sound:

Bass: The Momentum TW has quite impressive bass response, with a nice dose of added body which gives the sound a pleasant warmth. The bass is not necessarily the tightest out there, but it does a respectable job of keeping up with more complex tracks, along with having enough extension and impact to keep most people happy. The added body these have is great as when you use them in noisy environments you will still be able to hear every beat.

Midrange: The midrange is a little bit recessed, but there is enough presence to stop them from sounding overly V-shaped. Guitars have great tonality to them; however, vocals don’t quite grab your attention, lacking a bit of clarity. The midrange doesn’t really do anything overly wrong, but they do lack detail and come across a little muffled at times.

Treble: The treble comes across with good clarity but in a polite manner, never becoming overwhelming. They have quite good presence without any nasty peaks, there is a smooth and controlled nature to the treble that is very easy to listen to. They have just enough bite to prevent them from sounding overly dark, and they do extend with relative ease but this is hindered by Bluetooth codecs somewhat.

Conclusion:

The Momentum true wireless are the best true wireless headphones I have tested so far, with stable connectivity and good sound quality. Wired earphones at this price do still offer better sound, but at the cost of convenience. With a full-bodied sound that still offers a good level of detail, the Momentum True Wireless are actually quite impressive considering all that goes in to them.

Sound: 4/5

Features: 5/5

Comfort: 5/5

Build: 4/5

Value: 4/5

Lindy BNX-60 Review – Noise Cancelling Wirelessness for under £90!

Posted on June 21, 2018 by Steve

Lindy BNX-60 Wireless Noise Cancelling Headphone Review

Lindy’s talent for providing low-cost alternatives for items which sometimes run into hundreds of pounds is perhaps a well kept secret, given that they don’t advertise as prominently. Maybe they’re hoping to capitalise on the Lindy Hop phenomenon, but there’s no sign of any ‘jitter bug’ here.

Pros:

Low price for all these features
Rugged and sensible design
Good all-round sound
Comfortable

Cons:

Hard to drive (quiet) in passive mode
Volume control wheel placement

Design and Appearance

The Lindy BNX-60 has a utilitarian look; there’s no fashion statement to be made with these other than ‘I’m pragmatic’. They don’t have a premium feel such as more expensive models have, but the coating is of a grippy type of rubber which is better than bare plastic.

Volume is controlled in two ways; there is a button control on the left earcup for interacting with the volume controls within a smartphone, and a wheel on the right earcup for operating the BNX-60’s internal amp. It’s sensible to have this latter control at close to maximum, as there’s a small chance of touching the wheel when it comes to removing the headphones and inadvertently increasing the volume to maximum.

There are also some call handling features built in; so as well as the obvious call answer and hang up functions here, the BNX-60 supports voice dialling and last number redial among other features.

Durability and Build Quality

These headphones are well constructed and don’t feel cheap like budget headphones might; a little care is required of course, but the headband is quite twisty and forgiving should any passing lummox wish to try them out.

The cable is optional of course, but should you wish to eschew the wireless feature and go wired, the included cable is sturdy and quite adequate with good strain reliefs and a 90 degree jack.

The price also includes a semi-rigid carry case for when you’re on the move and don’t feel the need to have the Lindy BNX-60 on your head, the ubiquitous 6.35mm and flight adapters, and of course a USB cable for recharging the internal battery.

Comfort

The earpads and headband padding are dense but springy, giving comfort which is quite good considering the BNX-60’s low weight of 200 grams (or just over 7 ounces). If you’re a glasses wearer, the earpads give decent enough comfort for short sessions but this may get to be a problem if worn for hours on end. However the smallish earpads will allow most to just rest the arms of the glasses on them without altering the angle of the lenses too much.

The internal dimensions of the earcups are large enough for most ears at 6cm (from top to bottom) but as with any closed-backed design with leatherette earpads, it might get a bit sweaty in there if worn for long periods.

Suitability for intended application

The noise-cancelling feature is reasonably good; the all-pervading rumble of the lithographic printers next door is a feature of life here and the BNX-60 does a fair job of cutting it out. With no music on it can still be heard, but one needn’t turn up the music volume very much for it to be blotted out completely.

Sound Characteristics

There are four different ways the BNX-60 can sound, depending on whether it is fully wireless or wired/with ANC enabled, or off. With ANC off, the sound seems comparatively indistinct and foggy whether the cable is used or not. with the ANC enabled, the midrange is more present and the overall volume rises significantly so watch out if you’re listening at a high volume and wish to turn on the ANC feature.

For this review, we’re sticking to the intended method of the design which is using both the bluetooth and ANC features.

Bass

Bass extension gives a fairly good hint of that sub bass, but if you like a lot of sub bass then look elsewhere. Mid bass and upper bass is fully present and provides a good bit of warmth here but is a bit flabby with some tracks.

Mids

The midrange is not affected by the bass very much, and provides a decent amount of detail. It’s quite a hard-sounding and dry midrange with some good detail there; decays give a nice idea of space in the recording and vocals are well textured and convincing. Those who have a sensitivity to midrange frequencies needn’t fear; the BNX-60 is a comfortable listen.

Treble

Up at the top, treble gives a little bit of glitter but not too much; it serves as an even extension to the midrange and doesn’t draw much attention to itself. In terms of detail it could be bettered; but given that we’re reviewing a wireless, noise-cancelling set of headphones at this price, we won’t expect the moon on a stick!

Soundstage and Separation

Depending on the recording, the Lindy BNX-60 gives some nice surprises in terms of the width of a presentation. Sounds can appear to be emanating from outside of the closed-back earcups, giving a feeling of being enclosed by the music rather than the headphones themselves. Separation is decent; individual instruments can easily be picked out, yet they tend to meld together if the listener wants to just enjoy a presentation as a whole.

Music genres good for and why

This reviewer has caught himself enjoying a good range of tracks on the Lindy BNX-60; dance music and similar commercial genres such as pop and rock come across with a good amount of power, and live or acoustic recordings benefit from the midrange presence.

Summary

Lindy’s BNX-60 is pretty top-notch for under £100. If you want better, you’ll be looking at spending a lot more for such a fully featured noise cancelling headphone.

Cowon Plenue D DAP Review – Cowon and Treat Yourself

Posted on March 13, 2018 by Steve

Cowon Plenue D Digital Audio Player Review

Cowon is known as one of the first companies to produce portable digital audio players (predating the iPod by a year with their CW100 model from 2000) and so they have quite a heritage in this area. Is the Plenue D player able to pick up the mantle of its forebears, and does the ‘D’ stand for ‘Dazzling’ or ‘Dunce’? We take a listen…

Pros:

Good, customisable sound
Small size is good for hands and pockets
Attractive look

Cons:

Short delay at power on (music database check)
No case included

Design and Appearance

The Plenue D is a very small player at 2″ x 3″ (52mm x 75mm) and is all black, apart from its silver top and power button, all of which gives an impression of stylish utilitarianism. Edges are slightly bevelled making it comfortable in the hand, and it’s quite easy to operate whether you’re left or right-handed.

Being a touchscreen operated player, the power button can be pushed with music playing which disables the screen. On the right side there are buttons for volume and track skipping with an extra play/pause button. Just remember to disable the ‘button lock’ option within the player so all these buttons function when the player is in use and the screen is disabled.

There is only one slot for a Micro SD card and the Cowon Plenue D can only accept up to a 128Gb capacity at this time, but larger cards may work with future firmware updates. Just now, a 128Gb card is recommended as the Plenue D will hold, but will not allow you to access music which is outside of this 128Gb capacity. However there is also an internal memory of 32Gb on the Plenue D, if you need a reserve.

The Plenue D is a basic player which forgoes Bluetooth, wifi and the installation of apps such as Spotify; it’s a good choice for anyone who just wants a decent player for their own music collection. Why pay for features you’ll not use?

One issue is that the player checks for any new music whenever it’s turned on. This is typically finished after about 10 seconds, but can be a pain if you just want to start the player up and get on with things. Also when scrolling through tracks, the display can lag a little but it’s not a serious problem.

Durability and Build Quality

The Cowon Plenue D is a solid little device; the side buttons have a good ‘clicky’ feel about them and there’s nothing much else to say about build quality. It’s perfect. Perhaps it’s just as well, as there is no protective case included; it would have been nice to see one.

Sound

The Plenue D has a fairly neutral sound, but with a touch of warmth about it. It can help tame models such as the Shure SE846 which can be a bit lively with the bright filters, for example. Extensive EQ settings are available as well, including an almost paragraphic-level EQ section within the settings so you should be able to get the sound you’re after without too much bother.

Being a portable player, the Plenue D is designed for low-impedance earphones and headphones; a separate amp will be required for use with models over about 80 ohms impedance, depending on sensitivity.

Summary

For a basic low-cost player, the Cowon Plenue D is a good choice. It does all that’s needed, and it’s clear that the Plenue D comes from a company which knows its stuff!

Effect Audio Ares II vs Eros II Comparison Review

Posted on February 23, 2018 by Oscar

Effect Audio Ares II vs Eros II Comparison Review

If you are having a hard time trying to decide between the Ares II and the Eros II, we have written up a little comparison between the two. You cannot go wrong with either cable.

Aesthetics and Build:

These cables look superb, they finish is perfect and the braid is even, they are an excellent accessory for every on the go audiophile. They are not all about the looks though, the sound offered by both the Eros II and the Ares II is truly excellent for the price.

Both Effect Audio cables are built the same, with excellent quality jacks, a lightweight and slim y-split and soft over ear moulds that are much more comfortable than regular memory wire. The 2-pin connectors are sturdy, and the braid is tight and even, overall an expertly finished product.

Sound:

The Ares II is a lively and fun cable, the lows are still impactful and full but well controlled and not over the top. The midrange retains clarity and is not overshadowed by the slight increase in bass fullness. Where the Ares II goes against the typical copper sound is in the upper midrange/lower treble section, where it injects a little extra spakle and presence.
This makes this cable well detailed, but also fun and engaging to listen to. It pairs well with multiple IEM’s and if you are looking to get into the world of custom cables, the Ares II is the perfect place to start.

The Eros II paints quite a different picture, it leans towards the neutral side of sound and doesn’t go in to change anything drastic about the sound signature. What the Eros II does is increase the air between instruments, adding an extra layer of separation and allows the finer detail to shine through. The Eros II does add a tiny bit of presence in the treble, but it is not what I would consider a brighter sounding cable. The Eros II is clear, transparent and refined with excellent soundstaging.

Conclusion:

So there you have it, two beautiful cables both with different sound signatures. Which will be for you depends on synergy and what differences you want out of your current IEM’s. If you are in need of any cable pairing advice, give us a call!

Etymotic ER3-SE and ER3-XR Earphone Review

Posted on December 21, 2017 by Steve

Etymotic ER3-SE and ER3-XR Review

Not content with the splash it’s made with its updated ER4 designs of late, Etymotic is back with more! Or is it less? The ER3 models cost a good chunk less than their ER4 counterparts, so what does this mean in terms of value?

Pros:

Classic Etys for the price
Removable cable
Crystal clarity
Carry case

Cons:

Basic selection of tips
Etymotic deep fit not for everyone

Design and appearance

The ER3 versions are slightly more sensitive than the ER4 versions, with half the impedance too. This may have been done with an eye on the portable market, where some handsets may have struggled to get up to a good volume with the ER4 type.

Accessories are minimal with the ER3-SE and ER3-XR; along with the earphones themselves, we get a case and three pairs of tips. The two sizes of Etymotic triple flange, and a pair of ER38-14F type foam eartips.

Durability & build quality

The capsules are the most obvious change, with plastic-coated aluminium being used instead of the glossy metal look of the ER4. The cable has a good strong, but pliable feel to it, but it is a bit thinner and is not braided at the top. Apart from the slightly lighter weight and less glossy look of the ER3-version capsules, things are much as we’d expect from the ER4-XR and ER4-SR.

Comfort

No change here; Etymotics need to be inserted deeply to be at their best, and people either love the isolation they bring or hate the deep insertion of the eartips. Fortunately we love the isolation enough to ignore any initial discomfort, and the eartips seem to settle into place after a few seconds.

Sound characteristics:

Like the ER4 designs, there are two flavours of ER3. The Etymotic ER3-SE is the more strait-laced and neutral of the two, with the ER3-XR giving a little more bass warmth. Both however sound a little more gentle in terms of the midrange than their ER4 brethren. Where we sometimes get the feeling of jeopardy with the ER4 models, with an errant xylophone or female vocalist threatening to poke us in the ear, the ER3 versions are a little more laid back. Etymotic’s clarity has not been sacrificed though; the midrange presence is just a little more humane.

Bass

Sub bass on the ER3-SE gives a nice bit of wobble which is low in the mix, but there alright. The rest of the bass is as well controlled as expected, but understated; bass junkies need not apply. There’s some great control here though. Meanwhile, the ER3-XR has more of that skull-rattling sub bass and more slam generally. We’re still not in basshead territory, but if you like your sound a little warmer with more weight given to cellos and drums then the ER3-XR may be for you.

Mids

Mids are always a treat as far as Etymotic’s offerings are concerned, and the ER3-SE does not disappoint. While the midrange level is slightly lowered when compared to the ER4-SR, all the other attractive features are there along with a wonderful sense of spaciousness. Details are well rendered, though not with the sharp relief of the ER4-SR. Many will feel the ER3-SE has more comfortable sound when compared to the ER4-SR in terms of the sound, but with all its harmonic and spatial treats largely intact.

With the ER3-XR the extra bass presence vies for attention along with the midrange, so the midrange seems to lose its power slightly. The spaciousness of the ER3-SE is tempered, and the extra bass warmth takes its place. The ER3-XR is still excellent when it comes to midrange action and detail, but is arguably the better all-rounder of the two as the tuning works well with genres such as modern dance music.

Treble

The ER3-SE does not sound treble-heavy but there is some nice extension up top. If your recordings were made on analogue tape, you’ll probably know about it from the tape hiss coming through. Treble is at around the same level as the midrange after a smooth transition, and consequently does its job well whilst keeping the midrange in the spotlight.

The ER3-XR has the same treble presence as the ER3-SE, but the fatter low end gives the tuning a warmer feel.

Soundstage & Separation

With the detail and midrange clarity on offer from both these models, we can say that both soundstage and separation are a treat. The sound has a nice ‘out of the head’ feel without seeming unnatural and with good depth too. Separation and imaging are near perfect, if a bit toned down when compared to the dazzling ER4 designs.

Music genres good for and why

The ER3-SE is a great choice for acoustic music, classical and opera. With modern pop and dance genres, it can depend on your sensitivity to the upper midrange frequencies as to whether they work or not, along with your taste for bass. The ER3-XR is good for any genre you can throw at it, and we went through many!

Summary

Etymotic’s ER4 models are now available for cheap (albeit under the ER3 moniker), but their character is largely intact. Those who like to hear the smallest thing within their music needn’t study the fine print of credit card agreements in order to afford the ER3-SE and ER3-XR.

Whizzer A15 Earphone Review

Posted on December 20, 2017 by Oscar

Whizzer A15 Earphone Review

The Whizzer A15 are well worth considering for their £69.99 price; detailed and fun sounding, with great build quality make them a winner.

Pros:

Well balanced
Detailed
Separation
Soundstage

Cons

Highs are not the most refined
Cable is a little thin (replaceable)

Aesthetics, Build Quality and Accessories

The Whizzer A15 is an interesting IEM, with a brushed metal outer shell and the company logo stamped in black on it. They look and feel excellent for the price and have a nice slim profile.

Build quality is very good, especially considering the price. The outer housing is metal, the cable has a soft and flexible section of memory wire and is sheathed in fabric below the y-split. The cable is detachable and uses the popular MMCX connection, so you can use aftermarket cables should you wish. The cable has good strain relief, my only concern is it is a little on the thin side where it enters the section of memory wire.

Accessory wise you get plenty of added extras, first off you get a nice faux leather carry pouch which is small and perfect for storing the IEM’s in. Next you get a metal tip holder with a variety of ear-tips. You get S, M and L in 2 different types of single flange tips, and also a pair of S and L foam tips. The A15 have removable dust filters, and come with a pair of tweezers to remove the old foam, and 5 pairs of new foam filters. Overall everything you need is included, along with some bonus extras.

Comfort, Isolation, Cable noise and Driver flex

The A15 are really comfy, the housing has no sharp edges and the memory wire is supple and easy to shape. Once in they are secure and comfortable for all round usage. I do find the angle of the cable does slightly push them out of your ear and foam tips offer a more secure fit.

Isolation is quite average on the A15, due to the large vent on the inside of the housing. They would be fine for most general usage, but if you are looking to block out loud noises, a fully sealed IEM would be better.

Cable noise is not an issue due to the behind the ear cable routing.

Driver flex is not an issue, I believe this is due to the venting of the housing.

Sound

Bass

The A15 are tuned for fun listening, with a strong and punchy low end but without excess or bloat. The bass will satisfy most people and lends its hand to all genres well. The bass is well controlled; during rock tracks bass guitars are easy to follow, and kick drums hit with authority and good body. Acoustic has excellent body and warmth with good tonality, and EDM is just fun and energetic. The bass does not bleed into the midrange, and extends right down to the sub-bass regions with ease.

Midrange

The midrange has excellent bite and clarity, as stated the bass does not cause excessive warmth to the midrange adding only a hint of warmth to the lower midrange. The midrange is also not pushed back in the mix which can happen with some of the more fun sounding headphones out there. A highlight of the midrange is the air and separation, allowing everything to shine through with delicacy and detail. Luckily there isn’t an upper midrange peak, allowing them to be fatigue free with no sibilance.

Treble

The treble is well presented in the mix, not being subdued or left behind. There is a slight peak which gives greater presence to the lower treble region and they don’t quite extend as effortlessly as some more expensive models. But putting them up against similarly priced models, you will find these sound more complete than the usual warm bassy sound of others. Initial cymbal hits have excellent energy but are not sharp, and do not become too bright and fatiguing.

Instrument separation is excellent, the A15 never becomes congested through faster more complex tracks, and the soundstage is above average with great width. Imaging is convincing with good spatial cues and directionality.

Conclusion

The Whizzer A15 lends its hand to all music, and does a great job at being a good all rounder. Stick on some rock and they are energetic and fun, well recorded acoutstic and you can hear subtle detail and warmth. Presenting a well balanced sound across the frequency range, the A15 is a well built IEM for the price with excellent sound to boot.

Sennheiser IE80s Earphone Review

Posted on December 19, 2017 by Steve

Sennheiser IE80S – An Old Classic Reborn

Sennheiser is a company which seems to have painted itself into a corner in recent years; how do they improve on the models they’ve had on sale for the past few years? It’s either a testament to their design teams of years past, or a damning indictment of the design team they have now. They’re recycling old designs, and adding an ‘S’ so we can’t pluralise without causing confusion. What trickery is this?

Pros:

Nice warm sound
Good assortment of tips and accessories
Carry case

Cons:

Could have more midrange clarity
Straight jack on cable

Design and appearance

A new version of an old classic is simple enough to achieve; round off the corners a bit more and you’re done! There’s probably more to it than that, but this new IE80S bears more than a passing resemblance to the original IE80. However it’s a good look, and Sennheiser obviously knows that it’s not necessary to have flashy designs or gimmicks to impress their fans.

The supplied case is sturdy and sleek, with a non-removeable foam insert which houses the earphones when not in use. Also there are plenty of eartips and accessories, such as a pair of earhooks if your cable keeps popping over your ears.

Durability & build quality

There’s nothing bad to write here, the Sennheiser IE80S is as expected with excellent build quality. The jack on the cable is a straight one which may be a problem for some; if you want a right-angle jack then spare cables for the IE80 will fit just as well.

Sound characteristics:

The tuning is what we expect from Sennheiser; there’s no drastic departure from the typical Sennheiser sound which is warm, with a smattering of treble to keep things interesting but staying comfortable.

Bass

Bass is fairly plentiful and should please lightweight bassheads; however the dials on the sides of the capsules can be adjusted to give a bit more grunt. Control is pretty good, but where it’s loose it feels as if that’s the way it should be. It’s loose with a touch of panache! Subbass is quite powerful if it’s in the music, and you’ll be in no doubt

Mids

The level of the midrange is lower than the bass, but pretty clear and enjoyable nonetheless. Harmonics are clear enough and there is no congestion here, but there is the feeling that the IE80S could do better; at least with the supplied eartips. Aftermarket eartips (such as Blackbird) seem to improve things in this regard.

Treble

Treble is gentle; we’re fond of a warmer sound but the IE80S still takes some getting used to. If you’re a fan of an airy, shimmery sort of presentation then the IE80S is not for you. If however you’re a fan of laid-back music then the IE80S is a contender. Plenty of detail is present though; it comes across as an extension of the midrange with a smooth transition.

Soundstage & Separation

Soundstage on the IE80S is pretty good for an IEM but there’s a lack of depth to the sound, apart from the bass which appears to spread out in front of the listener. Separation is good, but limited with the supplied tips. If you’re splashing out on the IE80S, then try some tips such as Blackbird or Spinfit.

Music genres good for and why

Due to the bass presence, the IE80S is best suited to dance music, pop and rap. Fans of classical, jazz and opera may still enjoy those genres with the IE80S but they will likely miss the airiness and the reverb ‘feel’ of the space the recording was made in.

Summary

Sennheiser’s souped-up IE80 design is here, and it’s an enjoyable listen for many modern genres but some may find the sound lacking air and space for genres such as classical.

Best On Ear Headphones To Buy in 2017 – Expert Reviews

Posted on September 20, 2017 by Oscar

Best On Ear Headphones 2017

Looking for a new pair of on-ear headphones? We’ve collected the best on ear, open back, closed back and portable headphones to buy in 2017 and reviewed them to help you choose.

Shop: Visit our on-ear headphones store

Read More: Best In Ear Headphone Buying Guide

Best On Ear Headphones under £50

SoundMAGIC P22C

SoundMAGIC takes a lot of beating in this price category – the brand is a natural at making low cost headphones which sound much pricier.

The P22C model is a lightweight portable with a flat tangle-free cable and good isolation. Ideal for travel and holidays, these will fit right in to any bag or backpack when stored in their low profile travel case. The P22C included a microphone for phone usage and the remote is compatible with both Android and Apple devices.

Sound is impressive for this price point, with plenty of detail and a good kick to the bass without overpowering the mid range.

Engaging and fun-sounding, the P22C will make the absolute most of the output from any portable player.

Edifier P650

The Edifier P650 is a smartphone friendly, easy to carry portable headphone that punch above their weight and price.

Offering a well balanced sound with a little added kick down low, the midrange is clean and detailed and the treble isn’t far behind. The bass does not have the most sub-bass rumble but for a quick and easy to use, on the go headphone they offer great sound.

What impresses most is their ability to portray the whole frequency range in a well controlled and balanced manner, too many budget headphones overload you with muddy bass, yet these offer plenty of detail but are also easy to listen to; a no brainer at this price point.

Koss PortaPro

The simple design and great sound keeps them viable while the open-back design, whilst not being the best for isolation of course, is perfect for those who wish to be aware of what’s going on around them such as joggers, and muggers.

The sound is generally well balanced between bass and treble, although the midrange can seem a bit distant and mushy. Bass is perhaps a bit on the heavy side, but it will definitely satisfy those who want a bassy sound. The Koss Porta Pro Classics offer a warmish sound overall.

Be aware though that their open-back nature means that they will be of limited use in noisy environments.

READ MORE: Koss PortaPro Full Review

Best On Ear Headphones under £150

B&W P3 Series 2

B&W have a long history of making excellent hifi products, and this has trickled down into their headphones.

The P3 are superbly built with an elegant and sophisticated look, the P3 really do impress. Lucikly they are not all about the look either, as the P3 offer a smooth and effortless sound that is akin to their house speaker sound. Offering excellent full bodied bass response with a non fatiguing and slightly sweet midrange and treble.

Comfortable, well built with a smooth and pleasing sound signature, the P3 are perfect for on-the-go use.

Sennheiser HD25-1 II

The HD25-1 II are one of the most well known on-ear headphones, this is partly due to their popularity as a DJ headphone. Used by DJ’s and sound engineers globally the HD25-1 II are a rugged portable headphone that will last for years.

Offering an immediate and aggressive sound they won’t give you a wide soundstage but will give you an engaging and detailed signature. The bass is tight and digs deep with excellent control and presence, the midrange is smooth yet very detailed and the treble has good extension and is very well placed in the mix.

If you are looking for a smooth laid back sound, the B&W are probably a better choice, but if you want a fun, upfront and engaging listen the HD25-1 II is for you. All parts are easily replaceable too, should anything ever break.

Grado SR80e

The Grado SR80e are a definite improvement over the SR80i, with a slightly warmer, more balanced sound. Their retro styling may not appeal to all, but underneath the looks is a fine sounding open-back headphone. The undisputed king of headphones for rock music, these are sure to get you toe tapping and head banging in no time.

These will not appeal to bass heads, they fair better with music that is played on real instruments. They have long been favourites for people that enjoy rock music due to the speed and control of the sound.

At the price point I still think Grado hold their own with a well balanced, aggressive and detailed sound, there is nothing quite like them.

READ MORE: Grado SR80e Full Review

Best On Ear Headphones under £250

Sennheiser MOMENTUM 2.0i

The Momentum series are hugely popular with on the go commuters, and for good reason. Offering stylish looks, a comfortable fit and a smooth easy to listen to sound.

Built to last with replaceable parts, the Momentum has slightly retro looks and comes in an array of colours. With playback controls on the cable you no longer have to take your phone out of your pocket. The sound is dynamic and punchy, offrering a slightly bass driven sound without sacrificing the midrange and treble. Engaging and fun are the best word to sum up the Momentum 2.0i.

Good looks and great sound, it is easy to see why the Momentum 2.0i is so popular with commuters. For Android users there is also the Sennheiser Momentum 2.0G.

Beyerdynamic T51i

The T51i have been around for a while now and are still excellent on-the-go headphones. They have a sturdy and sophisticated look, and offer a well balanced and detailed sound.

The T51i again tilts towards an easier to listen to sound, with a slight bass boost that gives the whole sound a little added body. There is sufficient detail across the range to keep them from sounding boring and what comes to mind when you put the T51i on is refinement.

With excellent build, comfy fit and refined sound the T51i has a lot to offer.

READ MORE: Beyerdynamic T51i Full Review

Bowers & Wilkins P5 Series 2

Leather earpads and a metal headband, the P5 Series 2 screams quality and luxury. The earpads are soft lambskin leather with memory foam inside, like cushions against your ears.

Like the P3 the P5 Series 2 has the typical B&W house sound, which is smooth and effortless. Offering a well balanced but slightly rich sound with superb separation and articulation, from highs to lows these sound very refined and grown up.

The P5 Series 1 look stunning, have replaceable cables and a smooth effortless sound, what is not to like?

Best On Ear Headphones Over £250

Audeze Sine

Built from leather and metal, the Audeze Sine are built to last and also come with detachable cables. Using planar magnetic drivers they take a little more power than most phones can output, so they are best used with a high quality music player.

Give them a good source and the Sine in return give you excellent audio with snappy dynamics that can keep up with the most demanding of music. The bass is full yet superbly controlled, the midrange is where these excel not allowing the lows to affect them. Guitars have excellent power, and vocals come across with plenty of detail. The highs are present and well defined, but never become too hot and harsh.

The Sine are a mighty fine sounding on-ear headphone when driven well, and give you a full and detailed sound all

Edifier W360BT Bluetooth Earphones Review – Wearable or Terrible?

Posted on September 13, 2017 by Steve

Edifier W360BT Bluetooth Earphones Review

READ MORE: Best Earphones Buying Guide

Edifier is one of those brands which has escaped our attention in recent years; granted, there are a lot of low-cost brands out there but we are quite impressed with what a relatively humble sum of cash can get from this one. For instance, we have recently been getting familiar with the Sennheiser Momentum HD1 and they are very nice too. But how about cutting the cost in half?

Pros:

Superb comfort
Good battery life
Decent sound for pop and the like

Cons:

Vented capsules affect isolation

Design and Appearance

Like the Momentum HD1, the Edifier W360BT consists of a horseshoe-like base which sits around the neck, and this houses all the controls and the batteries, leaving the capsules feeling nice and light in the ear. Controls are on the upper side of the left ‘heel’ of the horseshoe, with charging port and on/off switch underneath.

The capsules have a vent each, and this lets a certain amount of exterior noise in. Great if you are planning to use these for the purposes of exercise and jogging as it’s good to be aware of your surroundings, but the noisy London Underground may cause a few problems if you’re commuting.

It’s not certain if the word ‘attractive’ is suitable for the W360BT as they are not really designed to draw attention to themselves, but they don’t look bad.

Durability and Build Quality

The Edifier W360BT is built for lightness, and due to the way it is worn, has not been made to be particularly rugged. Just comfortable and light. Cables from the neckband part are reasonably protected by strain reliefs, and that’s about it. To be fair, this design sits up out of the way of most things and the light design seems quite suitable.

Comfort

At 46.5 grams, the W360BT can hardly be felt whilst being worn; there is no weight on the capsules going into the ear either, so if you’re always fiddling around to get a decent fit with your current Bluetooth earphones, these may be worth a try.

Suitability for intended application

As mentioned above, there are several uses these can be put to. They are particularly well suited to exercising, considering the way they are worn and the vented capsule design, but the packaging is distinctly aimed at the mobile/commuter market. For general out and about purposes, the Edifier W360BT is fine unless you find yourself in particularly noisy places a lot of the time.

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Sound Characteristics

Generally the sound of the Edifier W360BT conforms to what most people find enjoyable, with a slightly elevated bass and a warm sound signature.

Bass

Low extension is fairly good, and bass makes its mark with enough emphasis for most without going overboard too much. There is a bit of ‘bloom’ here where the bass lacks control slightly. The midrange is not really affected however.

Mids

Midrange is clear enough to enjoy vocals and the like; there’s no obvious disconnect between bass and midrange which is nice. Also there’s a decent bit of space in there, showing that the midrange has some good control. There’s no danger here with any spikes or extra presence causing potential listener-fatigue, it’s a comfortable listen.

Treble

Presence here matches the midrange; hi-hats and cymbals are clear and present, with a certain grainy quality which is not unusual for this type of earphone. Brass and saxophones get a nice raw edginess, and again it’s hard to imagine anyone having problems here with fatigue.

Soundstage and Separation

Soundstage is OK for such a design, although the vented capsules might have improved on this a bit more. Likewise, separation is decent enough with instruments holding their own ground but there’s the sense that they are blending together slightly.

Music genres good for and why

The Edifier W360BT is great with commercial genres like R&B, hip hop and pop, but if you require any more refinement such as with classical music, you might want to consider spending the extra for the Sennheiser HD1 equivalent.

Summary

Edifier’s W360BT is a worthy addition to the current Bluetooth models available, with the neckband taking the weight so we can enjoy music in greater comfort. A good one to take out with you, but try to avoid those very noisy places!

Optoma NuForce uDAC5 Review

Posted on August 16, 2017 by Oscar

NuForce uDAC5 Mobile DAC/Amp Review

The Optoma Nuforce uDAC5 is an excellent little DAC/Amp that cannot be beaten in size or sound for the price. It is a solid unit with a slightly smooth sound that is sure to please.

Pros:

Size
Build
Sound

Cons:

None for the price

Aesthetics, Build Quality and Accessories

The Nuforce uDAC5 is a tiny little thing, that looks great with a clean metal housing and good sized volume knob. The casing is all metal with a LED light on the front indicating it is on, along with the volume knob and headphone socket, inputs and outputs on the back and that is it.

Built quality is excellent, with the all metal case and solid sockets this little thing is built to survive. The volume pot moves smoothly and everthing feels well put together, the finish of the case is impeccable.

Accessories are not really included, all you get is the DAC, USB cable and quick start guide. I would have like to have seen some rubber feet included, maybe a pair of RCA cables too. But most people already have interconnects so not a huge issue.

Ease of use and Features

The uDAC5 is simple and easy to use, with the latest Windows 10 update, it is plug and play with no need to install drivers. Otherwise the drivers are available from the Nuforce website, I had no issues getting the DAC to work and it just started playing music instantly.

The RCA outputs are controlled by the volume pot, and not a fixed line out. This means you can use this with active monitors, but if you are going into an external amp set the volume to 100%.

It can also be used to convert USB signal to a coaxial for use with an external DAC that has no USB input.

Sound Quality

First off I will say the headphone output has fairly high gain and can drive the Beyerdynamic DT990 600 Ohm with ease, it also worked well with less sensitive IEM’s but won’t be the best match with very sensitive IEM’s unless you lower the volume in windows.

Out of the headphone output the uDAC5 has excellent sound throughout the range, it is not bright and clinical yet still brings out the detail in music. It is a big step up from on board audio out of a PC/Laptop, the sound is sightly warm and euphoric with good separation. I do find the internal amp to be fine for casual listening with easy to drive headphones, but you will notice a difference when going to a full size desktop amp with harder to drive headphones.

Everything is well placed in the mix, the lows hit hard and dig deep, vocals have a sweetness to them that is quite pleasing and highs have good definition and extension, lacking only the micro detail and air that higher end equipment offers.

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Shanling H1 Portable Headphone Amplifier Review – A Brawny Baby

Posted on August 1, 2017 by Steve

Shanling H1 Portable Headphone Amplifier Review

We’ve been treated to a few of Shanling’s products lately; as well as the excellent M1 and M2S players, this little amp promises to give brands like Fiio a run for their money! The entry-level portables market has been truly cornered by Fiio in recent years, so it will be interesting to see what impact Shanling can make here.

Pros:

Small, handy unit
Thoughtfully designed volume control
Well constructed

Cons:

None

Design and Appearance

The Shanling H1 amp is a small unit, being 7cm x 6cm and about 1.5cm thick; about half the size of the average mobile handset. The edges are bevelled and the unit feels good in the hand, with enough weight to feel substantial for its size, although the unit is itself not heavy.

Key Features

The main feature is the recessed knurled volume knob which is centred on one side of the amp, which is protected from accidental operation by the amp’s housing. Power/charge lights are on the top, plus there’s a gain switch and micro-USB socket on the rear for charging. That’s it! The H1 is as simple as it gets for an amp, and it’s all that’s needed.

Durability and Build Quality

The Shanling H1 headphone amp is constructed from aluminium and has a pretty solid feel about it. It will probably have no problem being dropped occasionally, but we’ve not tried this here! The volume knob has a smooth, solid feel as it’s turned and it has enough stiffness not to be operated accidentally whilst in the pocket.

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Sound Quality

This amp goes loud for its size; we couldn’t resist pairing it up with a HiFiMAN HE-6 which is notoriously difficult to drive. On the low gain setting, and using an incoming line-level signal, the volume goes up to hearing damage levels with the HE-6 on some pieces. Not bad! Of course, we don’t recommend this pairing for getting the best out of the HE-6!

The H1 is designed for portable use, so was tried versus being directly connected to a cheap phone with portable earphones . The sound is faithful and quite neutral, although there is a little more thump coming through with the sub-bass. Music appears to be more relaxed and natural through the amp, where it sounds a little strained with a direct connection. Listening to this amp with a pair of SoundMAGIC E80 earphones is actually very enjoyable!

Summary

Shanling’s new H1 portable amplifier is a palm-sized affair, but Fiio had better start making room anyway!

Fostex TH7BK Headphone Review – Staying Sober for the Studio

Posted on June 29, 2017 by Steve

Fostex TH7BK Studio Headphone Review

The Fostex TH7BK seems to be a revision of the former model, the TH7BB. However, the older TH7BB had a semi-open design whereas the new TH7BK is closed. This lends itself better to the studio applications it’s designed for, but the 1.2m cable may require an extension cable. The TH7BK can be used for portable applications but will require a little help with amplification if being used with most handsets.

Pros:

Decent low cost studio cans
Good for monitoring

Cons:

Cable could be longer for studio use

Design and Appearance

The Fostex TH7BK is exactly like its older counterpart in terms of looks; it’s a plain design which doesn’t draw attention and doesn’t want it either. There is nothing unattractive about it, but it’s not going to suit you if you are planning on making an impression!

The plastic material has a rubberised coating of some sort, giving a matt finish all over.

Durability and Build Quality

Build quality is satisfactory, but the TH7BK is not designed for particularly heavy use. Sit on these and you’ll be looking for new headphones, but with care these will last for a good while.

Comfort

The TH7BK might be classed as an over-ear model but things are a little snug in there; if your ears are on the large side, they might also be partly on the outside, but most should be fine.

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Sound Characteristics

The Fostex TH7BK is designed to be a low cost solution for project studios and the like; the overall sound signature is fairly flat and dry, but with enough to work as a headphone for listening to music as an end user too.

Bass

Bass is not as emphasised as with most consumer headphones, but is well controlled and fits in with the rest of the presentation. It starts low and gives a bit of a thump, but no bruises are formed.

Mids

The midrange is clear and fully present without any troublesome peaks. Very good for monitoring and spotting details; vocals are clear enough but there is a slight raspy quality to them. Similarly, harmonics are not as clear as with higher priced offerings from Fostex, affecting imaging a little.

Treble:

Treble is clear too, but as with the midrange there is a grainy element to it. These are under £70, so it’s not meant as a criticism so much as a description of the sound. Hi hats and cymbals still sound good, but with an element of ‘rock ‘n roll’ roughness about them.

Soundstage and Separation

Soundstage depends on the production; some genres can seem a little flat and narrow, but others widen out quite a bit, such as classical. Given that these headphones were designed for monitoring and the like, this is not really an issue.

Separation is fairly good; everything has its place in the mix but it’s not completely distinct all the time.

Music genres good for and why

From the standpoint of an end user rather than a studio user, the Fostex TH7BK works well with electronic, dance and similar genres. Live music, classical and acoustic performances may seem a little two-dimensional however.

Summary

The Fostex TH7BK is good value as a tool for use in the studio, and can be used as a general listening headphone too. Any criticisms regarding the sound involve the TH7BK’s perceived use as an ‘end user’ headphone and so should be taken with a grain of salt; this model is not primarily designed for that purpose.

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