Sennheiser HD 630VB – Expert Review – Pump Out The Bass!
Sennheiser may now be a septuagenarian, but is keen to be ‘down’ with the kids without resorting to giving out Werther’s Originals. Hence the new HD 630VB, which has the facility to alter volume, answer calls and alter bass levels using controls on the right earcup; as hinted at by the ‘VB’ bit of the name. But does the Sennheiser HD 630VB have the panache of an elderly David Niven, or does it come across as a flare-clad grandad at a rave?
Design and appearance:
At first glances, the HD 630VB appears to be something which executives are pictured enjoying whilst looking out of aeroplane windows. Much like executives, they are very smart looking with their metallic veneer and slightly hard-edged styling, but they feature generously upholstered earpads and headband padding to offer a more yielding and comfortable experience.
The unique selling point is the variable bass feature; this works on its own (without relying on software in your digital audio player) so can be used with any device or full size amp with a headphone socket, although an extension cable will likely be required. The only thing is that the earcups are very large for a portable, but hey, let’s smash those preconceptions!
Unusually, the cable is worn on the right side of the headphones; this is due to the controls being on the right side for the majority of us who are right-handed.
Durability & build quality:
Weight is an issue with a lot of headphones designed for portable use and the HD 630VB is no exception. It’s a lot lighter than it looks but the stress points, such as the bit where the headband extends and the pivot points for the yokes have a good solid feel to them, so there should be plenty of life in the HD 630VB.
The cable is non-removable but has a very solid feel and is quite supple. The jack is straight and the housing is only 5mm wide so not a problem for anyone with a recessed socket in their player or DAC.
Comfort:
As is typical of portables, the Sennheiser HD 630VB does have quite a grip on the head, but the comfy earpads mitigate against this very well. Also they are good with glasses with reasonably chunky frames/arms. After a couple of hours, it may get a bit warm and moist under these earpads however.
Suitability for intended application:
These headphones are an obvious choice for portable applications, but are large and comfortable enough to be a good choice for relaxing at home too.
Sound isolation:
Isolation is pretty good, as the ears are swallowed up within the luxurious earpads and a fair bit of outside noise is taken care of. Obviously this melts away with music playing so you’re alone with your music. Others nearby will not twig that some particularly loud music is being enjoyed; the HD 630VB will keep your more questionable music preferences hidden.
Portability:
The headphones can be taken anywhere with the use of the supplied semi-rigid case; they fold up quite nicely to save space when not in use too.
Sound characteristics:
The HD 630VB has that classic Sennheiser tuning; ignoring the variable bass feature for a moment. Warm yet detailed, with clear mids and impactful bass.
Bass (e.g. punch, low extension):
The variable bass part of the design alters the bass level by 5dB up or down at 50 Hz, so there’s a good amount of control here. They can be made mean and lean, or can lend some serious welly to proceedings with a twist of the wrist. The trouble is, the temptation is to keep playing with the bass levels rather than just enjoying the music; to a man with a hammer, everything looks like a nail.
Naturally, some sub bass-heavy genres such as drum&bass have been tried and with the bass turned way up, the rumble factor is extreme; though not to the detriment of the midrange. Things are still well controlled, it’s just that there’s a particularly heavy foot beneath it all. Great news for bassheads.
With more midrange-centric genres however, the bass can be a little too much and appear boomy, perhaps as expectations and tastes change depending on what’s expected. You might enjoy salt on your chips, but not so much with cornflakes. The obvious answer is to tame the bass again using the control.
Mids (e.g. vocals, acoustic instruments):
Midrange is clear and crisp with good harmonics coming through; vocals are prominent without giving too much in the way of sibilance, and reverbs/space get a good treatment too. It’s smooth yet detailed too, a good balance.
Treble (e.g. high hats):
Treble is an extension of midrange you might say; crisp and clean but allowing for the high-frequency sensitivities most of us have. Hi-hats and other percussive sounds cut through the mix, while synths scintillate energetically.
Soundstage & Separation:
For a closed-back model, soundstage is excellent on the HD 630VB. You might argue that the earcups are big enough to offer enough room for this, but that’s just mean. Separation is very well preserved too; the HD 630VB is faithful to classical genres and gives a decent sense of an orchestral performance.
Music genres good for and why:
With the variable bass feature, the obvious recommendation is for dance music genres and anything which benefits from a good solid kick. Jazz and classical are very well served too, with bass adjusted to suit, of course.
Pros:
Variable bass feature
Volume and call answer buttons mounted on earcup
Great isolation
Good build
Cons:
Earcups are large for a portable model
Fixed cable
Summary
The variable bass control gives a good range of possibilities for those who like a variety of genres and styles, and bass can even be adjusted to mask exterior noise like aeroplane engines or the rumble of a train. The Sennheiser HD 630VB is an excellent gift idea for those who wish to take no chances!
Now with summer gone and nights getting longer, the temptation is to stay in and relax with the gogglebox. However some of us may have trouble properly hearing everything which is said; others may wish not to disturb others with our nocturnal viewing and still others might just want to keep our questionable viewing habits to ourselves – this is where TV headphones come in! The neighbours need not know about our fondness for ‘Neighbours’.
TV headphones can be wireless or physically connected to the TV by a cable; we’ll start with a couple of low-cost wired models. These require an analogue output on your set, so a headphone socket is required.
A closed-back with a long 5m cable, the Thomson allows for volume adjustment for each ear independently, and is our lowest cost TV headphone and incredible value.
The closed-back HD65 TV comes with a 5.2m extension cable for a total of 6m reach, and the extension cable features a volume control which again can adjust the level for each ear. Also, there’s the open-back HD35 TV model with the same extension cable accessory.
Wireless (Analogue)
Wireless models free us up even more, and allow us to go and put the kettle on without missing any of the action. The transmission can go through walls so there need not be any interruptions!
All the following will require your TV to have an analogue output, ideally the red and white RCA phono connections.
The closed-back WHP3001 is light and comfortable with textile earpads, and the internal battery can be recharged simply by placing the headphones on the supplied transmitter stand between uses.
The closed-back Lindy WHF-45 is useful for the TV and can also be connected directly to a computer via USB for watching videos on Youtube, whatever that is.
The closed-back Sennheiser RS165 is a very comfortable and lightweight model which steps up the quality in terms of build and sound. It includes a combined transmitter and charger for easy charging between uses, just like the remaining models in this article.
The SET 840TV model features a stethoscope-style headset, and can also adjust balance for left and right volume levels. There is also a hearing loop version for those with the appropriate hearing aids – the SET 840S.
Wireless (Digital)
The following models can connect to your TV either by analogue or digital outputs, using the RCA connection or Optical for digital audio.
Boasting both a digital optical and analogue RCA connection, the RS185 open-back model is excellent for use for both the TV and music with a balance control too.
Top of the line is the Sennheiser RS195; this closed-back model features both analogue and digital inputs and sound quality which rivals many premium (and wired) headphones. This model features both a balance control and options to boost certain frequencies and improve speech intelligibility.
Even while being used to the excellent forerunner, the RS170, the Sennheiser RS175 impresses. Time marches on of course, and Sennheiser has marched along with some even more amazing wireless headphones which have left a right impression with everyone here. We feel that to parade around the house with these headphones would be an ideal use for them. We know the drill!
Intro
Following the popular RS170 closed-back model, Sennheiser have had their work cut out. However they’ve improved functionality and have added some useful features too.
Key Features
Flawless and lossless wireless transfer allows for uninterrupted and interference-free enjoyment of TV and music. Buttons on the headphones alter volume, enable bass boost and control virtual surround. Also, switching the headphones on or off will issue the same instruction to the transmitter, for convenient operation anywhere within the transmission range. The included AAA batteries can be recharged within the headphones while sitting on the transmitter which doubles as a stylish headphone stand.
Both analogue an optical cables can be connected; a switch on the back of the transmitter selects the input source. Working on a 2.4GHz frequency, they are free of interference; even when being used with Wi-Fi signals in close proximity, for instance wireless internet routers.
First Impressions
Once out of the box, the headphones feel lighter than they appear to be, and once on the head they are very comfortable – even when glasses are also worn. The ears are fully enclosed; there’s a generous amount of space within the earcups.
The positions of the buttons are intuitively placed; altering volume and enabling bass boost/virtual surround is a doddle. The Sennheiser RS175 promises to give hours of comfortable and trouble-free operation, allowing the user to concentate on the audio.
Sound Quality
The audio quality itself is certainly comparable to many similarly priced wired headphones; with the standard unaltered settings, bass is well controlled and has plenty of impact. Midrange is more prominent than the older RS170 model, improving speech intelligability with video and harmonics with music. There is a slight danger of clutter here if a lot is going on within the audio however. Treble is crisp and clear, but without getting overbearing. Soundstage is fantastic and separation is as good as any closed back at this price level.
Bass boost is more subtle than the name of the feature implies; it gives a gentle lift to the lower end of the bass without causing any bloating or muddying. It is just as well controlled, allowing the midrange and treble space through without being overpowered.
Virtual surround is a big improvement over the older RS170 model; audio which belongs in the centre of the soundstage stays there, while instruments/voices panned towards the left/right move further out. There are two levels of virtual surround and on the higher setting the presentation is truly immersive! Perfect for TV and films.
Summary
The new Sennheiser RS175 is a far cry from the image of the crackly and noisy wireless headphones of years ago. Sennheiser have hit the right spot with the RS175, and the new range of wireless models, the RS165, RS175, RS185 and RS195 promises to dominate the high quality TV headphones market for some time to come.
In recent years, Sennheiser has introduced some wildly popular headphones for more portable uses; from the almost ubiquitous PX100 series to the larger closed back Momentum and Urbanite models, both full-size and on-ear.
And never one to sit still, Sennheiser has introduced another flavour for the similarly restless – the Urbanite XL Wireless.
Pros
Wireless operation and track/volume control
Amazing sound
Foldable for easy storage
Comfortable for long periods
Cable can be used to save battery power
Cons
Non-removeable battery
Supplied pouch could be more protective
Verdict
Overall, a very good quality headphone with versatility to match. Perfect for travel and for relaxing at home alike, the Sennheiser Urbanite XL Wireless presents the great Sennheiser sound which anyone can enjoy. A good all-rounder, with which any genre can be enjoyed.
Key Features
The main point of note is the wireless bluetooth feature of course, and there is an intuitive touch-sensitive panel on the right side by which the user can select tracks, alter volume and answer calls. There are no buttons, a more ‘swipey’ approach has been employed, so a tap pauses, a double tap skips to the next track and a swipe up or down changes the volume.
Should the battery become depleted, a universal cable is included with similar functionality so the music needn’t stop.
The battery can be recharged via the supplied Micro-B USB cable, and like its wired forebears the Urbanite XL Bluetooth can be folded up for easy storage.
An audio cable is also supplied to save on battery power or if it is exhausted, and a soft cloth pouch for storage.
First Impressions
Given that we’re no strangers to the previously released Urbanite XL model, the design and extras are no surprise. The stylish looks, solid build and comfortable fit are never a problem to experience again but even so, the extra Bluetooth functionality has stolen the show! With an Android handset playing on one side of the office here, the headphones made it all the way to the other side of the building (some 15 metres) and no drop-outs were encountered.
The control panel on the right side is a very slick feature; however there’s always a chance that a quick touch to adjust the position of the headphones might result in an unintentional track skip but with practice this can be avoided.
Sound Quality
It should go without saying that a certain amount of quality is lost within the Bluetooth transfer method, but the result is still very pleasing; also with the MP3 still being the king of formats for many, this is not a major concern.
The bass is very well controlled and clear with plenty of punch; the micro-velour type earpads may soak up a little of the lower sub-bass region but overall the bass impact is very impressive.
Midrange gives a wonderful sense of space and both male and female vocal are well complimented, with reverb/echo easily cutting through. There’s next to no clutter here and harmonics shine.
Treble is rolled off slightly; the Urbanite XL Wireless does not hold it back, but there are brighter-sounding headphones. As it is, there is enough treble to enhance details such as percussion, but without much chance of fatigue – it’s a good comfortable sound.
Separation and soundstage are excellent; individual instruments can be picked out with the soundstage extending beyond the physical confines of the headphones themselves.
Using the cable, maximum volume was lower although this of course depends on the maximum amplification of the smartphone being used. The Urbanite XL Wireless has an internal amp which only comes into play when used along with its wireless capability.
Isolation is fair, but you may be inadvertantly sharing your music with those nearby if listening at high volume levels.
Summary
It’s a time of year when we are all looking forward to the longer days and warmer temperatures promised by summer (at least in the northern hemisphere!) and we’re to be found making plans and dreaming about lazy days in the sunshine. Snag-free music seems like a great way to enhance that feeling of freedom and those carefree (cable-free?) moments out there. With the Urbanite XL Bluetooth being worn with it’s XL earpads, our ears might be in the dark but at the same time most enlightened!
Are you looking for headphones with powerful bass? Would you consider yourself a bit of a basshead? Thanks to headphones with emphasised bass like Beats by Dre we’ve noticed that a popular requirement for new headphones is big bass.
Often powerful bass response in headphones comes at the cost of clarity, so we’ve reviewed some models that handle strong bass – well defined, big, punchy bass! With this in mind we’ve compiled a list of our 10 best headphones for bass from the selection that we often recommend to our customers.
The list is in price order (low to high) so there is something for everybody with in-ear headphones and earphones, full size, portable and IEMs all covered.
Scroll down and read our expert reviews of the best bass headphones available in the UK.
This entry level in-ear is the bassiest we have heard! Not only do they have big bass, top end clarity and build quality is great for a sub-£40 earphone.
Fostex have been in the audio business for a long time, and it shows with their entry level headphone. For under £50 you will struggle to find a full size headphone with as much good quality bass and build.
If in-ears aren’t for you then the P30S is the best for the price. Portable, comfortable, great isolation and most importantly – they’ve got that bass!
These dual driver IEM’s go low. Very low! They have a mini sub-woofer as well as a smaller dynamic driver inside each earpiece – supplying not only great bass but lots of detail too.
These beauties are one of our favourites! For under £100 you get extremely sturdy build quality, amazing sound – bass, detail, soundstage, separation and energy. They have it all.
Built like a tank, the RHA T10 is built to last. They come supplied with a filter system which gives you 3 levels of sound – bass, bassier and blow your head off!
Beyerdynamic are best known for their studio headphones – The Custom One Pro has studio build quality but can be used with portable devices. They have superb isolation and most importantly great sound! With the 3 bass port settings on each earcup you can customise your sound to suit your music.
The AF140 gives you three drivers inside each earphone housing – one 9mm dynamic driver for the low end power and two balanced armature drivers for crystal clear detail. The resulting sound has punchy bass and lots of energy.
These are real Beats beaters. Not only do they have lots of bass, it’s good quality bass. It goes as low as you like with no distortion. That’s not all – unlike their competitors they also have great detail and separation.
10. AUROSONICS ASG 1.5
Finally, the ASG-1.5 delivers a full-bodied, warm, organic sound with an incredible and articulate bass response that is captivating and powerful. Each housing holds a 14.2mm dynamic driver and the build quality is what you would expect and more from a high end IEM.
For the asking price, the Sennheiser Momentum In-Ear is incredible value; giving great sound as well as swish styling and all in a very rugged and classy looking case. They are available in versions compatible with Apple devices as well as Android, so you needn’t be cutting down your choice of handsets with the Momentum In-Ear.
Pros
Very nice looking
Decent well thought-out case
Versions for Apple and Android
Right Angle Jack
Cons
Bundled accessories are high quality but low in number
Designed to be worn down from the ear only
Hot off the press at Sennheiser, the Momentum In-Ear promises to give music fans a taste of what this esteemed company is capable of in its 70th year. This particular old man is not doddery in the least however; the old CX300 and similar models have been updated, the new Urbanite is impressing young music fans all over the place and now we have the Momentum In-Ear.
Key Features
The first thing which is noticeable is the case, since the Momentum In-Ears are tucked away in the case when bought. Fishing them out gives a very good impression however – the case is semi-rigid with an internal caddy around which the cable can be wound. This will certainly protect the Momentum In-Ears well when not in use. The nozzles have been updated from previous similar Sennheiser in-ears, with the Momentum In-Ear these are now ‘custom machined stainless steel sound tunnels’ – they give a nice impression of build qulaity. Then there’s the buttons, either for Apple or Android, depending on which version you buy.
First Impressions
In terms of styling, it’s more reminiscent of the Urbanite model. The flat two-tone cable and understated shiny design is attractive but not showy, much like the Momentum In-Ear‘s sound. The case is new too, and is an excellent design as it affords protection against the contents being squashed or stressed. A separate ‘caddy’ comes out, around which the cable can be gently wrapped and it goes back into the case to be zipped up. Very neat.
The capsules themselves remind me somewhat of the Brainwavs S5, with their off-centre nozzles. They fit very well indeed when worn like this, but it may make the ‘up and over’ wearing style a little awkward. It can be done though!
Sound Quality
When it comes to the sound, the Momentum In-Ear compares well with its full-size Momentum sibling. Detail is high without sibilance or discomfort; harmonics are brought out for a very real sense of musicality. Soundstage is surprisingly broad for an in-ear model and imaging is coherent and sharp. Overall, the sound is fairly typical of Sennheiser’s recent offerings; in terms of full size headphones at least. When compared to older lines such as the now axed CX300, the sound is drastically improved and shows that this old dog still has some new tricks!
Summary
A very good in-ear from this venerable old timer. Despite all the in-ear competition coming from young companies keen to impress, Sennheiser can still pull a rabbit from the headphone hat; the Momentum In-Ear is a real treat!
Here at HiFiHeadphones we’re asked regularly about what amp/DAC combo might make the best job of converting and amplifying your Apple binary music collections. Would it be best to get an all in one solution like the Cypherlabs Theorem or Fostex HP-P1, or get a DAC such as the Cypher Labs Algorhythm Solo with a separate amp?
Further, how does the DAC in the Fostex compare with the DAC in the Theorem if both are connected to the same amp?
The proof of the audio pudding is in shoving the thing into your ears, so here’s our thoughts about how each solution compares!
Firstly, why even bother? The Apple iPod/iPhone has a headphone socket (just) so let’s plug straight in right? There’s nothing wrong with this, and most people find the internal DAC/Amp to be quite satisfactory when used along with their stock white earpods, or any low impedance headphone designed for portable use.
However there are those awkward types who require more power for their chosen headphones; more than the iThingy can put out. Others include those with high value in-ear headphones who will not compromise on audio quality when it comes to the digital to analogue conversion.
The wonderful full size Beyerdynamic T5p and in-ear Sennheiser IE800 were used to ascertain what might comprise the best sound and value for the average portable audiophile.
The original combined dac/amp for Apple; how does it fare with the new available equipment? When tried with both the Beyerdynamic T5p and Sennheiser IE800 the Fostex HP-P1 does a splendid job. Certainly better than the on-board Apple kit, but other makers have been doing their best in the intervening years of course. With this setup, the HP-P1 filter was slightly more natural sounding so assume the filter is in postion one throughout this test. Being the first up in a comparison, there’s not much to be written now but read on..
With the Sennheiser IE800, the Theorem gave a much better impression of control and there seemed to be more space within the midrange region. In comparison, the HP-P1 just got a bit cluttered there and the result was a loss of detail and imaging.
The Theorem compared favourably using the Beyerdynamic T5p too – the soundstage was wider and deeper with better imaging leading to a more immersive 3D sound. The detail level appeared to be the same, but with the Theorem this was smoother and more lush sounding; the Fostex HP-P1 was a little brittle next to this.
Cypher Labs Algorythm Solo with Just Audio AHA-120
I’ve compared this Class A amplifier with the Theorem before; I put it as the Theorem’s spandex versus Just Audio’s silk. Not to say the Theorem is a slouch, but when compared to a Class A amp it sounds slightly less good! And that’s the tradeoff – if you want no compromise in sound quality and wish to pick every component you will pay for it, and you will have to carry it around as well!
DACs Compared Only
For this test I decided to get a decent portable amp (Fiio E12) and compare the Line-Out features of the HP-P1 and Theorem. Things were not all that different in comparitive terms.
The HP-P1 had good detail but the presentation was flat with a limited soundstage; a bit on the dry side.
The Theorem had a wider soundstage but was still a little dry sounding. Detail was similar to the HP-P1 but again with more control.
The Algorythm Solo was a slight let down used in combination with the E12; soundstage was decidedly average with a flat feel to proceedings. Detail was comparitively muddy sounding.
And compared with the E12 amp (with no bass boost), the internal amp of the HP-P1 was slightly darker and more laid back, while the Theorem amp was much fuller and lusher sounding than the Theorem DAC + E12 combo.
Conclusion
The best solution in terms of sound only is the Algorythm Solo/AHA-120 pairing, but this scores lowest in terms of cost, bulk and convenience. Having to keep 3 separate battery operated devices charged is worth considering, and then there’s the interconnects which add cost and lengthen the audio chain. The sound is rich and effortless – a real treat which is earned by those having to carry all that gear!
The Cypher Labs Theorem 720 is the best all-rounder in my opinion – there’s an engaging, exciting energy about the sound from the Theorem which is close to the Solo/AHA-120 combo but it swaps the silky smoothness of the AHA-120 for a more in-your-face powerful sound. Also the amp in the Theorem gives a lushness which is really attractive.
The Fostex HP-P1 is the least impressive of the three; given that it was the first to be introduced this is no surprise. It is still a very competent and fine-sounding unit but has been surpassed since its introduction.
With Christmas coming, we thought it would be a good idea to suggest what we think are the best headphone gift ideas our site has to offer. Here is a rundown of our favourite headphones, earphones, portable players (DAP), amps and DAC’s that 2014 has to offer.
Coming in under £30, the ES20 punches well above its weight. The build quality is superb with braided cables and tough speaker housing. The sound quality will blow you away – fun and punchy with great detail!
Shure are famous for their high end IEMs, but their lower priced earphones follow Shure’s high standards. The SE112’s build quality is very solid and comfortable. The sound is rich with plenty of power and smooth detail – these earphones will sound great with whatever you throw at them. There is also the Shure SE112M+ for those who will use them with a smartphone.
SoundMAGIC’s new portable on ear, the P30S, not only sounds great but it can work with any smartphone out there – thanks to their compatibility switch you can manually set the headphones to work with your phone. The P30S is extremely comfortable and folds up nicely for easy storage. The sound is fun and punchy with plenty of detail and great bass!
For the asking price, the Momentum In-Ear is incredible value; giving great sound as well as swish styling and all in a very rugged and classy looking case. They are available in versions compatible with Apple devices as well as Android, so you needn’t be cutting down your choice of handsets with the Momentum In-Ear.
Now that high quality audio is becoming more commonly available, it is time to upgrade your music player. The FiiO X1 supports very high audio (up to 192kHz/24bit) and will play most formats (APE/AAC/FLAC/ALAC/WMA/WAV/MP3) – most devices like mobile phones and more basic players can’t handle the higher quality and different audio formats. There is enough power to drive some of the more demanding headphones and the sound is crystal clear and very well balanced. The X1 will hold one micro SD card – with this you can have up to 128GB of storage.
For anyone who listens to their music or watches films from their android phone, laptop or desktop computer – the FiiO E18 is a must have. Not only is it a powerful headphone amplifer, able to be used with most devices, it is also a DAC. This means that you can connect it to your computer or phone and the E18 will take over all of the audio processing and amplification – giving you extremely high quality sound on the go.
New on the scene, the ATH-OX5 by Audio Technica is possibley the best sounding on-ear portable headphone in it’s price range. For less than £130 you get amazing sound – tight bass, clear detail and lots of energy. The OX5 also has replaceable cables with an option for an in-line mic and controls for smartphones. These are perfect for anyone looking for an affordable on-ear headphone to use with their phone, music player or other portable device.
In-ear headphones are becoming more and more popular, so it makes sense to have an in-ear Bluetooth headphone. Jaybird have done this very well with a great sounding earphone that has a fairly balanced yet warm sound. They are also very comfortable and come with a number of different ear tips. Another great feature is that they are very secure in the ear, so they are popular amongst the more active user too.
Another popular idea is the wireless Sennheiser RS170 full-size headphone. The RS170 can be used all around the home, so that unmissable TV moment might never elude you again! Also the RS170 is excellent for music, and features an enhancing ‘bass boost’ feature for a little extra kick. Being a closed-back design, they afford good privacy and so you need not disturb others while rocking out.
For those that like their bass – look no further! We feel that the Pioneer SE-MX9 truely are Beats beaters. They have the big bass but they also have great detail and an open sound. The quality of the bass is extremely good with no bloatedness or muddyness – you hear every detail in the music. Not only do they sound better, but they are cheaper than Dr Dre’s Beats too!
For this showdown we decided to look for the best portable on ear headphone in the £200 to £300 price range, and for the next month we are offering 10% off all of the headphones mentioned – just add the code ‘showdown2014’ to your checkout for this offer!
For us there were three contenders:
Sennheiser Momentum
Aedle VK-1
KEF M500
We found that they all had their own qualities and sound signatures but there was one that stood out as the overall favourite – here is a break down of our reviews for each headphone:
The Full-size Momentum from Sennheiser is the big brother to the smaller on-ear Momentum; the last word in luxurious, portable listening with sumptuous earpads made from real leather. These headphones are fantastic for separation, and they have a very wide soundstage which belies their closed back design. Sound isolation is high; the leather pads excel in keeping unwanted noises out, while social isolation is low due to the handy Apple mic and controls.
A great newcomer to the Portable Headphone range – The Aedle VK-1 has real punch with weighty bass and cracking midrange. Not only do they sound exciting, they look it too! They are easy enough to drive off a portable device and are very comfortable. So if your looking for a portable on ear headphone with an exciting sound, great bass and stylish looks then look no further.
KEFs addition to the portable range of headphones is sleek, comfortable and most importantly sounds great! Clear detail with tight bass and crisp mids – They also fold up for easy storage and come with a spare cable for iDevices. The KEF M500 is extremely well built and feels solid, the pads are soft and they isolate very well.
Ultra portability with their folding design, tough carry case and great isolation along with clear crisp sound makes them the ultimate portable headphone.
A great newcomer to the Portable Headphone range – The Aedle VK-1 has real punch with weighty bass and cracking midrange. Not only do they sound exciting, they look it too! They are easy enough to drive off a portable device and are very comfortable. So if your looking for a portable on ear headphone with an exciting sound, great bass and stylish looks then look no further.
Pros
Great bass quality
Stylish and well built
Replaceable cable
Cons
Don’t isolate as well as other portable headphones
No headband padding
Key Features
Driver diameter – 40mm
Impedance – 32 Ohms
Weight – 216 g
Replaceable cable (optional smartphone cable – not included)
Aluminium driver housing
Cable length – 1.3m and 2.4m (both included)
First Impressions
Everything about these headphones – including the packaging – oozes style. The VK-1’s come very well packaged, they even have that ‘new shoe’ smell. In the box you get a very smart carry bag, two cables (1.3m and 2.4m), a 3.5 to 6.3mm jack adapter, an airline adapter and an Aedle ID card which allows you to ‘discover surprises’ on their website.
The headphones look great! The aluminium housing and brown leather really compliment each other and they are a perfect portable size – it’s obvious that lots of work has gone into designing the Aedle VK-1. The cables supplied are coated and even though they are a little thicker than some other headphones, they are very flexible.
The headband uses a spring steel structure so it’s very flexible and tough. To adjust it you just bend it into shape – this gives a very secure fit that will perfectly fit your head.
Sound Quality
Straight away you pick up on the quality of bass that comes out of the VK-1 – it’s punchy without being bloated or overkill. The midrange also stands out, especially snare drum crack. There is probably a slight top end roll off, but with such great quality mids you forget about this very quickly. Overall the sound is exciting and edgy and thanks to the venting on the driver housing there is a great sense of space in the sound.
Listening to Dire Straits – Your Latest Trick, the opening trumpet sounds rich and the cymbal comes in effortlessly in the far left. Once the track gets going there is a snare rim shot that really cuts through and the keyboards add the right amount of emotion, then the vocals come in sitting perfectly on top of the instruments. Once the song is in full swing you can pick out every instrument with ease and enjoy every one of them.
Next up was Slipknot’s Duality (obviously). These headphones are made for this track! When the stereo guitars kick in they completely surround you and then the drums… WOW. The snare and kick have real impact and the bat on beer keg sounds as though its being hit right next to you. Metal can sometimes be a tough test for headphones, but these seem to handle it with ease.
Lastly is Break by Jurassic 5 – this one really tests the bass. From the off there’s a massive kick drum and snare sample, the kick drum resonates very naturally and the snare has a great ring to it that comes across perfectly on the VK-1. The vocals come in and there is no confusion, everything has its place.
The Aedle VK-1 is rhythmic, edgy and punchy. They have a wide sound for a closed portable headphone and there is no harshness or sibilance.
Summary
The Aedle VK-1 comes into Sennheiser Momentum territory and it definitely gives you something different. They’re not as relaxed or controlled – they have more oomph and punch without having a harsh top end. The midrange cuts through more and as they are on ear they won’t have the same fit issues that the Momentum has. I would recommend these to anyone who wants a pair of headphones that look great, sound exciting with weighty bass and crisp mids and don’t completely cut you off from your surroundings. If you prefer a more neutral sound with top end detail then I would consider the KEF M500 as an alternative.
The Full-size Sennheiser Momentum is the big brother to the smaller on-ear Momentum; the last word in luxurious, portable listening with sumptuous earpads made from real leather. These headphones are fantastic for separation, and they have a very wide soundstage which belies their closed back design. Sound isolation is high; the leather pads excel in keeping unwanted noises out, while social isolation is low due to the handy Apple mic and controls.
Pros
Comfy Earpads
Smart/Stylish
Rich Bass
5 year warranty
Cons
Top end detail
Relatively unforgiving headband
Key Features
Coupling: Over Ear
Transducer principle: Dynamic, closed
Frequency response: 16Hz – 22kHz
Impedance: 18?
Weight: 190g
Cables: (no mic) 1.4m, (Apple mic) 1.3m
First Impressions
The Momentum headphones have a solid feel with a steel and leather construction. At the same time they are quite light to wear; I don’t imagine being fatigued with these during extended periods of use. They have a style reminiscent of Aviator sunglasses; rounded, tinted and very cool with a touch of 80s chic.
As well as the 1.3m Apple-compatible cable, there’s a spare 1.4m cable (without mic) and a semi-solid case for keeping them in good condition whilst on the go. The headband pad could do with plumping up a little, but the earpads are very comfy indeed. For an ‘over-ear’ design however, the spaces in the earpads are limited so comfort may be dependent on an individual’s own ear shape and size.
Sound Quality
The Sennheiser Momentum excels at bass warmth without being bloated, and the soundstage appeared to be shoulder-wide; the ‘breadth’ of the music far exceeds the physical size of the headphones. Separation is very good also with each instrument in its own space. Mid range is involving and enjoyable, but there is a slight lack of high-end detail which some may prefer to keep. I’d summarise the frequency response as akin to the design; very comfortable indeed but not likely to send you to sleep in a hurry!
Dance music is particularly suitable, and although the Momentum can be used straight from a portable device they respond really well to amplification. Sub bass is plentiful, indeed awesome with the Fiio E12‘s bass boost. The Momentums really respond well to EQing.
Summary
If you like to relax in the bath with a box of chocolates, these are the headphones for you! This is not to say that these headphones are suitable for relaxing music only of course. Dance, rap and R&B all come across really well; acoustic music will be good due to the midrange but may lose a little something at the top end. Soundstage and separation will make up for this however; any performance will not feel any less real.
Dita Audio The Answer IEM Earphones – Truth Edition – See more at: http://www.hifiheadphones.co.uk/dita-audio-the-answer-iem-earphones-truth-edition.html#sthash.UQLlq1VS.dpuf
Dita Audio The Answer IEM Earphones – Truth Edition – See more at: http://www.hifiheadphones.co.uk/dita-audio-the-answer-iem-earphones-truth-edition.html#sthash.UQLlq1VS.dpuf
Dita Audio The Answer IEM Earphones – Truth Edition – Review
Summary
The Answer Truth Edition is a dynamically driven IEM with a single 10mm driver; Dita Audio wanted to go for the simplest design in order to deliver the purest audio, according to their literature. Since balanced armature technology requires crossovers, multiple drivers and all the related gubbins, Dita went for the less complicated dynamic route. And why not? We’ve all been shown the power and finesse of the dynamic principle through Sennheiser’s excellent IE800s – they can be every bit as detailed and impactful as any well put together BA based driver.
New company Dita has made a splash lately with two significant IEMs; ‘The Answer’ and ‘The Answer (Truth edition)’ – the cable being ‘The Truth’. ..and I thought telling lies could get complicated!
If you forgot what the question was, it’s something like ‘what’s the best IEM man can come up with’? I reckon this response is fitting.
A benevolent deity has bestowed a pair of each model upon us and we have dutifully had a go; for this review I have stuck to the pricier ‘Truth Edition’ but for a quick impression of the non-Truth Dita, please scroll down to the ‘verdict’ part.
Pros
Well built with solid capsules
Weighted to lean into the ear – unlikely to fall out
Stout strong cable
Good range of eartips which can fine tune frequency response
Good extras – 2 quality travel cases included
Cons
Cable can be a little stiff but not too bad
Some might prefer a removeable cable
Key Features
The cable on the ‘Truth Edition’ is what gives the IEM its name; it is a Van Den Hul cable with whom Dita cooperated in order to get the best signal to the driver. The cable covering has a little window on it so the quality can be seen – it is certainly substantial. Other than that, there are no features other than the end product – the sound. Much like record players, the less you get on them as extras and gadgets, the better the sound will generally be. This is Dita’s philosophy.
First Impressions
The build quality is the first thing to be noticed. These are not heavy or unweildy IEMs, but the impression I have is that they were designed to be used in a war of some kind, or by very careless people. The build quality is very solid.
Sound Quality
The Answer (Truth Edition) lives up to expectations for a premium IEM; detail is exceptional and there is plenty of space in the presentation whether things are busy or not; there’s an effortless quality. Harmonics are not lost on these IEMs, everything is reproduced, and faithfully.
Not to say that these Answer/Truths are neutral; they have a sound which is on the fun side but it is done with real adroitness. There’s an analogue quality which reminds me of the Sennheiser IE800.
Soundstage is generous and imaging is great; it all just hangs together and as per the marketing/literature, the strengths of the single dynamic driver design are right here.
When comparing the two, the IE800 is just a little less forward which suits me. So if you feel that the IE800 is a bit laid back for you, try and dally with the ‘Truth’!
Verdict
Given the quality of Dita’s answers, we should be upping the quality of our questions. ‘How much money have I got?’ might be one such question. The ‘Answer/Truth Edition’ is not cheap, but the best things often aren’t. Given the price, the phrase ‘to be economical with the truth’ may not be so accurate, but there are savings to be made by choosing the ‘Non-Truth’ version which is the same but for a little less detail and a slightly smoother presentation. A very close match for the IE800, and only two thirds of the price at £399.
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SoundMAGIC have made a fantastic name for themselves within the budget in-ear market, no wonder they get on the list of top 10 best headphones under £50. The E18 is a great example of just how they do it – designing products which offer exceptional sound quality for the prices asked.
The ES18 has bass which is warm but not overblown, mids which are fluid and engaging, and highs which are slightly recessed. Suitable for those who find percussion and cymbals generally strident and fatiguing.
The DN-12 is a sturdily built IEM with solid metallic housings and a good solid sound also.
Bass is deep and punchy without being boomy, midrange is slightly recessed with high frequencies well balanced; there’s a slight roll-off for those who like a warmer sound signature; normal for IEMs of this price.
A very well put together earphone with a sound signature that is sure to please.
Hifiheadphones verdict:
A great IEM for the price, the DN-12 gives great weight to music and will suit those who like a fun sound.
Another entrant in the IEM market is FIDUE, and their range starts with the fantastic FIDUE 31 – the capsules are tiny and the sound is big!
Good warm bass and good mid-range detail – there is a slight roll off in the treble region for those who like a warmer presentation.
The earphones are lightweight and tough, perfect for running or in the gym. Ear tips are designed to keep the earphones in the ear and cables can be worn over the ear for a more secure fit.
Also fitted with a lightweight microphone in case you need to take calls.
Hifiheadphones verdict:
A great budget choice – narrower nozzles may make this a good choice for those with fit issues with other IEMs. Perfect for sports use.
The entry-level AF33 from Audiofly gives a fantastic sound, and the AF33M version gives added functionality with smartphones, offering an answer button for those calls.
Good bass which is tight and well controlled, midrange with a slight recess and treble which has liveliness and sparkle without being fatiguing. When we first tried these we thought that there was a mistake – these sound like IEMs which cost more than £50.
A very capable earphone with a grown up sound signature without the boom, boom of some other budget earphones. Very musical.
Hifiheadphones verdict:
Many are getting a kick out of Australian firm Audiofly’s range in more than one way. The engaging and involving sound of these IEMs will certainly get you waltzing.
Sennheiser’s entry-level full size, the HD201, is incredibly cheap for what you get – anyone looking for a good sound without wanting to part with much cash must be tempted by the HD201.
Good but not bloaty bass, a clear midrange and a slightly forward treble make these superb all rounders. Fantastic for detail, you might hear things with these which are missed on pricier headphones.
This are a ideal everyday headphone that won’t break the bank.
Hifiheadphones verdict:
Probably the best full-size headphone you’ll find for under £20, hands down.
The Koss Porta Pro may not be an obvious choice for the top 10 best portable headphones, it is likely older than most of its current users; introduced in the early 1980s, it pre-dates most other lightweight designs and has a real retro charm.
The sound is still very current however, as the PortaPro’s sound signature suits dance music, rap and anything the user can throw at them.
A good level of bass and midrange gives a good grunt with realistic body. The highs are a little rolled off but not to the point where it’s a problem, indeed the roll-off makes them less likely to fatigue the wearer if dance music is played.
Hifiheadphones verdict:
For the money this is amazing value – get yourself a design classic which has stood the test of time.
This portable is certainly a fun-sounding headphone – it also looks fun and feels it too!
They are very light and are a perfect travelling companion when folded into the semi-rigid case.Bass is present but not overblown, midrange is clear and involving, and highs are revealing but not overbearing.The flat cable does not tangle and the 90 degree jack is perfect for placing your music source in a pocket or bag.
Grado are well known for their trademark wide open and airy sound, and the iGrado follows in this theme. Designed to sit over the ear with a neckband keeping things in place, the iGrado gives a wonderfully natural sound.
They are wide open in design, meaning that there is no isolation. Others will hear your music, and you will be aware of the environment around you. This makes the sound much more realistic in terms of soundstage and imaging, but you may get some odd looks if these are worn on the train, for example.
Hifiheadphones verdict:
The iGrado is very popular with joggers and those who prefer to be aware of the sounds around them, also they are a great low-cost upgrade for anyone wanting a headphone specifically for use in the home.
Another of Grado’s great value headphones, the SR60i is much like its elder sibling the SR80i, but may be more appropriate for enjoying older recordings or music with less than perfect sound quality. As the SR60i is not as bright sounding as the SR80i, they may be better or you if you find that you get fatigued after listening for a while.
The SR60 has been around for 20 years, which in the fast-moving world of electronic gadgets seems like a lifetime. Apart from the odd tweak, why change something which works so well?
Hifiheadphones verdict:
The look, feel and quality of the SR60i is magnificent for the asking price; why not get yourself a slice of a headphone legend? If you like details and a more forward or bright presentation, consider the SR80i.
Looking for wireless headphones? Our headphone experts have collected the best performing wireless headphones available and reviewed them. Whether you are looking for headphones for watching TV, movies or gaming check out our reviews below.
Scroll down for in depth reviews of our favourite wireless headphones.
We’re often asked for a sensibly priced pair of wireless headphones and until the Lindy WHF-45 came along we had trouble giving a satisfactory answer. Many of the cheaper wireless headphones on the market from the big brands like Philips and Sony are cheaply made and of low quality. The Lindy WHF-45 breaks the mould and brings high quality at an affordable price.
The headset is well made and sound quality is impressive for the price. The audio signal can be fed into the transmitter either via 3.5mm stereo connection or by plugging to a computer USB socket (the transmitter will appear as a soundcard audio output on the computer). Combined with a device like the FiiO D3K these headphones can be plugged into modern TVs with digital audio outputs.
Volume can be controlled from the headset, meaning you can stay in your seat.
Hifiheadphones verdict:
Better quality than many of the big name brands, the Lindy WHF-45 is a budget wireless headphone that we can highly recommend. Perfect for watching TV without disturbing others in the room.
The Sennheiser RS120-II is high quality open back analogue wireless headphone, although it leaks very little noise into the environment. This is a great product for those watching TV in a noisy environment or who want to keep the audio level down for others.
Typical Sennheiser levels of build quality and readily available spare parts make this a headphone you can invest in for the long term.
A built-in volume control on the side of the headphones allows control anywhere in your house, while a control on the transmitter lets you fine-tune the wireless reception.
Supplied with rechargeable batteries, the RS120s innovative “easy recharge” function offers the ultimate in convenience when it comes to charging and storing your wireless headphones.
Hifiheadphones verdict:
With a range of up to 100m, through thin walls and ceilings, you can even listen whilst sitting in the garden. making the RS120 an ideal choice for all types of media and TV applications in the household.
Sennheiser RS170 closed back and Sennheiser RS180 open back headphones are Kleer Digital Wireless Systems designed for home listening. These cable-free headsets provide an audiophile quality music or home cinema experience without cluttering your living room floor. These wireless systems are comprised of a single pair of wire free headphones and a multi-purpose transmitter which also functions as an ‘easy-charge’ storage cradle.
Sennheiser’s RS170 and RS180 utilise Kleer’s uncompressed digital wireless audio transmission, the transmitters have an effective range of 80m and can serve up to four pairs of headphones. The leatherette ear pads and headband cushions provide for outstanding comfort even during long listening sessions.
The Sennheiser RS170 closed back headphone offers a weighty, full-bodied and detailed sound, sporting a couple of switchable listening modes – Dynamic Bass and Surround Sound. It will let you enjoy pure thundering bass, a virtual surround sound, or both audio treatments for your music or movies. The leatherette earpads and headband cushions provide great isolation; the circumaural design also prevents sound leakage.
Sennheiser RS180 Sennheiser’s RS180 open back headphone is comparable to some similarly priced wired headphones, making the RS 180 the choice for audiophiles seeking to cut the cord. The sound is big and spacious, fully reproducing a movie’s room filling surround effects. The RS 180 has Automatic Level Control (ALC), which maintains a consistent volume level for movies and TV shows. ALC is very useful when the quieter scenes of a movie are difficult to hear.
Both RS170 and RS180 come equipped with volume controls and include a 3.5mm-male-to-3.5mm-male analogue cable, a female-3.5mm-to-stereo-male RCA connector cable, and a 3.5mm-to-6.3mm adapter plug.
When it comes to wireless headphones, one of the best solutions for those with difficulties understanding speech on TV is the Sennheiser SET 840, a headphone set that can reveal extra detail of what is said.
With selectable options to for optimised speech intelligibility the SET 840 is a headphone that makes technology work for you.
The stethoscope-style fit makes it perfect for use while watching with others; the headset can be easily removed from the ears and a volume wheel on the unit ensures full control.
Hifiheadphones verdict:
If you are finding the television needs to be turned up loud but you still cannot clearly understand the dialogue, the SET 840 will definitely help. You will more clearly hear the elements of the voice that make words distinct.
From Sennheiser’s latest generation of digital wireless headphones comes the RS175. The closed back design ensures external noise from the room is kept out and also that only a little sound leaks from the headphones.
With a theoretical range of 100m (compared with just 30m from the RS165) the RS175 is practical for walking between rooms (depending on the density of wall materials) while enjoying your audio.
Sound quality is very good for a wireless headphone and will put many of the cheaper wireless offerings from Sony and Philips to shame.
Connectivity is good as the RS175 includes both analogue and digital optical input. The digital input is particularly useful for the latest generation of TVs, which often no longer include analogue outs.
Hifiheadphones verdict:
A well thought out wireless headphone with digital signal inputs and high quality audio.
The RS220 is part of a big refresh of Sennheiser higher-end models. Not only is this the top Sennheiser wireless headphone but almost certainly the best and most fully featured wireless headphone anyone has made to date. Rather than the Kleer technology used in previous Sennheiser digital wireless systems, the RS 220 uses DSSS (Direct Sequence Spread Spectrum). The difference is that DSSS transmits using an uncompressed audio signal over 2.4 GHz. Features include an onboard DAC with both optical and coax input and output as well as analogue (RCA) input and output. All functions including source, volume, left and right balance and On/Off can be controlled from the headphone. The design looks great and should be acceptable in even the grandest of living rooms
The Sennheiser RS220 is supplied with the wireless headphone unit, transmitter/ DAC/ charging unit, 6ft RCA cable, RCA to 3.5mm adaptor, coaxial cable, CD and physical instruction manual. The wireless range is good for wandering around the house, perfect for avoiding cabling on the living room or bedroom floor.
Sound quality is really impressive, plenty of well behaved bottom end that never becomes overbearing. From the mids up it is very clear, the EQ seems sensibly placed to work for a whole host of music and watching HD films. Very clean sound which avoids any harshness feels quick and defined. Definitely the most detailed wireless headphones we have heard; the sound stage is wide which helps live recordings feel natural and realistic.
Hifiheadphones verdict:
This is the best and most fully featured wireless headphone on the market at present. Digital and analogue inputs and outputs make this unit very easy to integrate into an existing set up. Not only are the Sennheiser RS220 very serious sonically but they are also well made and extremely well thought out, the controls on the cups work well and the whole unit has a luxurious feel.
Audiophile quality full-size wireless headphones needn’t stay indoors; the WP10 can go wherever you wish with a pocket-sized transmitter (connected via USB to your computer), which is just as home in your hotel room as on your coffee table.
A generously padded headphone provides superb isolation and comfort while the combined transmitter and DAC can do justice to any audio, sourced either from a 3.5mm jack cable or a computer USB socket. The WP10 uses a 2.4GHz CD quality transfer standard so no detail need be lost.
Suitable for watching TV, radio listening, Youtube and a multitude of other uses, you needn’t be tethered again!
Hifiheadphones verdict:
SoundMAGIC once again offers good value with exceptional quality with this wireless model – the fun, engaging sound for which this maker is known is now literally unleashed!
For all their diminutive size these really pack a punch! These days wirelessness and compactness needn’t mean a compromise in the sound, the PX210 BT can testify to that.
They have impactful bass with good midrange presence and sparkly highs which don’t overbear. Great for travel and staying home alike.
Can be used with the included cable should battery life need to be preserved.
Hifiheadphones verdict:
Attitudes towards the sound quality possible from wireless Bluetooth headphones have changed, thanks to models such as this. If you liked the Sennheiser HD-25 and its variations, this is the next logical step.
The Bluebuds X is great for more active pursuits, where wires may otherwise get caught or might just be distracting.
The sound signature is warm and engaging with a slight roll-off on the treble end so that listener fatigue will not set in as you exercise, even if physical fatigue does!
Isolation can be improved still further by using TX-500 Comply tips; these feature a ‘waxguard’ to help increase protection from dirt, wax and sweat.
If you do not have this technology already built into your phone, or if you would like to use these headphones with non-bluetooth enabled devices such as your TV, the Jaybird uSport Universal Bluetooth adapter is available.
Hifiheadphones verdict:
There’s no snags when it comes to sporting these earphones; the earfin design ensures they stay in securely, allowing the wearer full concentration.
The Parrot Zik , designed by Philippe Starck, is a wireless headphone with gesture control, noise cancelling technology and its very own app. Surely designed to be a gadget fan’s dream audio accessory, it has a host of host of features including a sensor that pauses the music when you take the headphones off.
The aesthetics are really impressive, the ear cups are covered with smooth matte rubber, the metal frame is in matte steel finish. Pairing the headphones up using Bluetooth is simple and gives a decent range but the Ziks also feature Near Field Communication (NFC) for quick pairing – a first for headphones – although your music player will need this technology too.The Ziks have their own custom-made Parrot Audio Suite app which is available on iTunes. You can use it to monitor battery life, control noise-cancelling and add a “Concert Hall” effect, which can give the impression of listening in a variety of settings. There’s also EQ so you can fiddle until the sound is just right.
Sound quality is impressive for a Bluetooth wireless set. As mentioned you have a lot of control, so it is hard to describe a distinct sound signature. They are warm with a quite quickly rolled off top end, they have a comfortable and fun sound and in wireless mode have really nice stereo characteristics. They do not retain their character when used with the included cable however, in this passive mode without their technology they are unimpressive.
The Parrot Zik will also enable you to make and receive calls when paired to your phone. They use several microphones along with a bone conduction system to enable your voice to cut through surrounding noise
