Cypher Labs Theorem 720 Vs. Solo -R / Just Audio AHA-120

Lauri Cular gets his magic towel and liniment ready for The Big Rig Showdown – which is the true mobile music master? The Cypher Labs Theorem 720 vs The Cypher Labs Solo -R / Just Audio AHA-120.

For many a year, we’ve had great fun at the expense of the music fan on the move; what about those roller skaters with half a coconut over each ear? Then of course there’s the Atlas figure with a ghetto blaster and curvature of the spine, and who can forget that legion of listeners with those white buds of mediocrity?

“Darn these Confederate batteries!”

“Darn these Confederate batteries!”

For some however, no compromise is acceptable; great sound quality just has to be paramount. A lump in the trousers causes no embarrassment in such cases. So who exactly is trying to get these big things in our pants?

There’s a wide selection of portable bits and bobs as we all know; with the more static listener, there’s known to be an entry or ‘low’ end of the market and a high end. Portable devices, by the nature of who they’re generally aimed at, are mostly built around price and convenience; some of them only accepting MP3s or similarly lossy file formats.

Apple’s recent impact on the portable audio market is well known, and although their products have a fair reputation for out-of-the-box audio quality, it’s very difficult to satisfy all scrumpers. Due to the success of Apple’s fruits, other manufacturers deem it worthwhile designing ways to improve the sound quality of these devices.

It’s well known that a low-cost cable can be attached to a 30-pin connection which provides a line-out signal; a signal which bypasses the internal amp of the iDevice, to be fed into an external amplifier. This can give sound quality a boost, certainly where less sensitive headphones are involved. Line-out lightning connectors for newer devices are available via Apple, but they ain’t giving them away.

However, this cuts little ice with those who strive for their jive – Apple’s DAC is still doing the conversion to analogue. Perhaps understandably, Apple would not have such a marketable product if all components were as high-spec as possible, and the DAC is no exception. It’s to get the job done adequately.

Apple has been protective in the past when aftermarket manufacturers wanted to get in between their rind and pips; indeed a hefty royalty has been required should anyone want their product to truly interface with the iDevice’s software. This has affected the price of available gadgets greatly; hopefully this is changing.

Fostex’s HPP1 is one example of a DAC which will decode music on an iDevice, but here we will compare two high-end arrangements provided by Cypher Labs and Just Audio.

..The Theorem 720 with iPod Touch

On one side we have the new Theorem 720 from Cypher Labs; an all-in one solution providing both digital-to-analogue conversion and amplification. On the other, we have the Cypher Labs Solo -R, with separate amplification provided by Just Audio’s A-Class AHA-120. How do these compare, and is the extra bulk of a separate amp (and extra connections) worth it?

The headphones I used for this are at a similar level – the effortless Beyerdynamic T1. Being a semi-open headphone, these are not the first choice for portable use but are excellent for judging the subtle differences in sound quality between high-end rigs, and for  illustrating how powerful the amps are.

The Theorem 720 blew me away with its accuracy and power, but the latter depends on the mastering of the recording. For instance Aha’s ‘Take On Me’ (what better to test this against the AHA-120?) was blisteringly loud, but Queen’s ‘Another One Busts the Dust’ needed more headroom. Of course, the T1 headphones are rated at 600 Ohms with 102 dB sensitivity, so the bar’s unrealistically high for portable power requirements. It gives a good comparative impression though.

Bass was present and under good control. The mids had great detail and strength, and the highs were crisp and clean. Soundstage and separation were very immersive, and I was very impressed with what I heard. However, specialist interconnects such as those supplied by ALO Audio were not used, just the standard 30-pin to Micro-B USB connection provided with the Cypher Labs unit.

It’s not hard to imagine that a plethora of high quality interconnects will be available soon for the Theorem.

..Just Audio AHA-120 with the Solo –R and iPod Touch

So then I popped on the T1s with the same 30-pin iPod – now with a Cypherlabs Solo -R, and the Just Audio AHA-120 headphone amp. There was an ALO Audio interconnect between the iPod and Solo -R, and an iBasso 3.5mm to 3.5mm between
the Solo -R and AHA-120. This rig has a slight advantage here.

The bass was a little more present, but by no means excessive. Mids were more recessed than with the Theorem, and high frequencies not so clinically accurate. The soundstage was a little narrower too.

But for all that, I far prefer the Solo -R/AHA-120 combo as it sounds so effortless and natural. The difference is like that of spandex and silk. Spandex is functional, comfortable and easily cared for. Silk on the other hand reqiuires a little more TLC and is expensive. But all that trouble seems unimportant when hitting the town with my silk shirt on – the pleasure of wearing ultra-stylish, comfortable and cool fabrics makes all that seem unimportant.

And so it is with the Solo -R/AHA-120. Even the sound of fingernails scraping the surface of a blackboard would create a large smile across my face when heard through this rig.

Astell and Kern AK100 Portable Digital Audio Player & DAC – Announcement

The HifiHeadphones team is pleased to announce the new Portable Digital Audio Player & DAC from Astell and Kern, the AK100 is now available to be purchased on our website.

Uncompromising high-fidelity music playback at your fingertips: the Astell and Kern AK100 is the pinnacle of modern portable audio playback. Capable of Studio Mastering Quality sound, this portable player offers high-definition lossless music playback well beyond the realms of standard CD quality.

With the Astell&Kern AK100 listeners can enjoy music as it was intended to be heard with all it’s details and subtleties. Equipped with high-quality Wolfson DAC chip, the AK100 offers the highest levels of signal-to-noise ratio and lowest level of harmonic distortion for a highly detailed and realistic sound experience. The Astell&Kern AK100 can also be used as an external DAC via the Optical In/Out function.

The Astell&Kern AK100 is capable of playing all lossless music files offering high-definition music playback. Lossless music files are larger than standard music files and require more storage space. Astell&Kern AK100 carries an on-board memory of 32GB with additional dual micro SD card slots, making the internal memory expandable to 96GB.

An intuitive and responsive touch screen interface combined with traditional control buttons makes using the AK100 fast and easy. The user interface of the Astell&Kern focuses on quickly searching for and listening to songs. Housed in a robust case of black-anodized aluminium with a hairline finish, the AK100 represents a deep and defined craftsmanship

Features

Portable high-fidelity audio system with Mastering Quality Sound (MQS) playback
Up to 24bit/192kHz playback of high resolution audio files
Lossless playback for  WAV, AIFF, FLAC, ALAC, APE, MP3, AAC, WMA and OGG music formats
Meets 100% of Hi-Fi audio specifications
Equipped with high-performance WOLFSON DAC chip
Optical DAC function for PC and MAC
Dual Micro SD card slot supports up to 96GB of total memory
User Interface with intuitive touch screen and control buttons
Digital volume control wheel with traditional analogue feel
Solid machined aluminium casing

To purchase the unit, please visit our website:

Buy Astell&Kern AK100 Portable Digital Audio Player & DAC

Astell and Kern AK120 Portable Digital Audio Player & DAC – Announcement

The HifiHeadphones team is pleased to announce the new Portable Digital Audio Player & DAC from Astell and Kern, the AK120 is now available to be purchased on our website.

The Astell and Kern AK120 plays any music format with high-fidelity Mastering Quality Sound (MQS). Lossless music files no longer need to be confined to big set-ups with this portable audio system. Feel the phenomenal realism of high-definition lossless music through 24bit/192kHz sound processing that cannot be heard through a standard CD.

The incorporated Wolfson WM8740 digital-to-analogue converter chip is the world’s best performing high resolution DAC chip. Equipped with two DAC chips the AK120 independently separates the left and right channels and offer true dual-monaural audio with wide soundstage and full-bodied audio. Astell&Kern AK120 can also be used as an external DAC via USB or Optical In function.

To playback 24bit/192kHz files, it is essential for the Astell&Kern to have high-capacity memory. Astell&Kern AK120 carries an on-board memory of 64GB with additional dual micro SD card slots supporting up to 64GB of memory in each slot , making the internal memory expandable to 192GB.

Intuitive and responsive, the touch screen interface combined with integrated hardware control buttons makes using the AK120 fast and easy. The user interface of the Astell&Kern focuses on quickly searching for and listening to songs. The curved design of the volume wheel guard provides additional protection to the volume wheel.

Features

  • Portable high-fidelity audio system with Mastering Quality Sound (MQS) playback
  • Up to 24bit/192kHz playback of high resolution audio files
  • Lossless playback for WAV, AIFF, FLAC, ALAC, APE, MP3, AAC, WMA, OGG and DSD music formats
  • Meets 100% of Hi-Fi audio specifications
  • Equipped two high-performance Wolfson WM8740 24bit 192kHz DACs in a dual-mono configuration
  • USB / Optical DAC function for PC and MAC
  • Dual Micro SD card slot supports up to 192GB of total memory
  • User Interface with intuitive touch screen and control buttons
  • Digital volume control wheel with traditional analogue feel
  • Volume wheel guard provides protection
  • Elegant design and sturdy build, housed in a brushed aluminium case

To purchase the unit, please visit our website:

Buy Astell&Kern AK120 Portable Digital Audio Player & DAC

Cypher Labs Theorem 720 DAC & Headphone Amplifier – Review

Cypher Labs is well known for producing seemingly military grade gadgets for uncompromising audiophiles on the go, but it looks as if the dedication of such users needn’t grow with the passage of time. With the Cypher Labs Theorem 720, digital to analogue conversion AND amplification are taken care of within one handy unit.

First Impressions

The Theorem comes in much the same packaging as its recent predecessors; good for getting the product to you, but likely to turn dog-eared before long if used for storing the item between sessions. There’s a booklet with a few FAQ-type questions and answers, perfect for those who like to get stuck in. I had this unit for the weekend, but was unable to charge it – it is distributed within the UK along with its default 2-pin US plug. Any orders from hifiheadphones.co.uk will of course be shipped with an extra UK-specific power supply.

As luck would have it though, the battery was well charged enough already and I was able to sample the unit both as an DAC with an iPod, and as a PC DAC. The unit comes with connectors for use with the Apple iPhone 5, iPhone 4(s) and some Android devices; depending on software the Theorem can be a DAC for HTC and Samsung models, for instance. I tried to get some functionality on my Huawei handset, but the recommended software is not compatible with my firmware so that was that. Indeed, for supported devices there is a charge for the full version of the suggested app on the Google play store.

The Theorem is built very well and like other Cypher Labs products, it feels as if it wouldn’t be out of place clipped to the side of an Abrams tank. I was careful not to drop it for fear of damaging the floor.

Uses & Features

Now that amplification is a part of what Cypher Labs does, I was looking forward to trying the Theorem as a plain headphone amp with my Walkman before delving any deeper. However there is no ‘Line-in’ socket which was a tad disappointing, and I returned to the office ipod to provide the audio.

There are 3 gain settings (L,M & H) but with my Phonak PFE 232s, I found myself stuck between the lower two settings. Admittedly the 232s have a 49 ohm impedance which is an unusual number, but the lowest gain setting had me wishing for more headroom, and the medium gain hardly allowed any movement of the volume pot before it got too loud. Also the gain selector switch stands proud slightly – I would feel nervous if using in-ear headphones on the street, it’s easy to imagine the switch getting knocked inadvertently.

The USB input is on the same end of the Theorem as the headphone socket which is a good improvement; should the rig go into a pocket or bag, the cables will not be such a problem.

Sound Quality

With my Phonak PFE 232s the presentation was certainly on the cool side for me, at least with the grey filters in the 232s. I exchanged these for the green filters which cut down a bit on the higher frequencies and tamed the sound. There was an unattractive ‘edge’ to the mid-frequencies which needed attention. Other than this, the presentation was very involving and there was a good amount of soundstage for in-ear headphones.

Leaving the 232s, I tried my old AKG K240 DF studio monitors with a very flat frequency response. I have found these headphones indispensable for mixing and arranging, but generally they aren’t the most fun to listen to. However the Theorem made them sound incredible and brought them up to a decent volume for me. Perhaps a little more headroom would be nice for those quieter recordings, but given that these headphones feature 600 ohms of Austrian intransigence, this is very good going for the Theorem.

Finally I tried the HifiMAN HE-400s which really is a superb match. The relative brightness of the amp (for me) complimented the HE-400’s warm character, and there is more than enough power to drive these orthodynamic headphones to their full potential.

Verdict

An excellent choice for those who will accept no compromise when on the move, and who have headphones which will reveal the extra information which the Theorem can glean. Big pockets are still needed to afford the device and carry it about, but given that it does the same work that two units did formerly, those pockets needn’t get too frayed.

Pros

  • One unit instead of two
  • Headphone cable/USB connections at the same end of the device
  • Good and powerful

Cons

  • Gain selector switch can be knocked accidentally
  • No 3.5mm Line In socket
  • Android devices require a separate app which is not free

Cypher Labs Theorem 720 DAC – Announcement

The HifiHeadphones team is pleased to announce the new DAC & Portable Headphone Amplifier from Cypher Labs, the Theorem 720 is now available to be purchased on our website.

Cypher Labs latest creation, Theorem 720 DAC combines a fully integrated high-quality headphone amplifier with a high-end digital-to-analogue converter for PC, Apple and Android devices.

Delivering clean, high quality audio from iPod, iPhone, Mac or PC, the Theorem 720 DAC offers asynchronous conversion of the USB output, not only a pass through of the line-out. Two headphone outputs support single ended or balanced set-ups while a line level analogue output caters for connection to amplifiers or powered speakers. Volume gain settings optimised for all headphone types make the Theorem capable of driving even very demanding headphones with ease.

The large capacity replaceable Li-polymer battery charges Apple devices while playing up to 18 hours with a fast re-charge time of 4 hours. The battery features AC switching that is totally isolated for a clean power delivery.

  • Headphone amplifier and digital-to-analogue converter in one unit
  • Delivers uncompressed, high quality audio from iPod, iPhone, Mac or PC
  • High resolution audio up to 24bit / 192kHz
  • High-end AKM 24 bit DAC model 4396
  • Automatically detects computers or Apple Devices
  • Two headphone outputs support single ended and balanced set-ups
  • Line level analogue output to connect to amplifiers, powered speakers or home audio equipment
  • Volume gain settings optimised for all headphone types
  • Large capacity replaceable battery charges Apple devices while playing up to 18 hours
  • Fast re-charge time of 4 hours
  • Precision machined all aluminium enclosure for maximum durability
  • Lightweight and compact

To purchase the unit, please visit our website:

Buy Cypher Labs Theorem 720 DAC & Portable Headphone Amplifier

FiiO X3 Lossless Portable DAP & DAC – Announcement

The HifiHeadphones team is pleased to announce the new Digital Audio Player & DAC from FiiO, the X3 is now available to be purchased on our website.

FiiO X3 Portable Digital Audio Player with Lossless Music File Playback and DAC Functionality. One device for all your lossless music, the FiiO X3 plays the five main types of lossless music including APE, FLAC, ALAC, WMA and WAV up to 192kHz/24bit. With incorporated professional DAC chip, inbuilt headphone amplifier, hardware based bass and treble adjustments and 10 hours playback time in a light-weight portable form factor, the X3 is the most versatile high-definition portable music player available.

Different from other consumer music players and smart phones, the X3 does not use the DAC function of its main controller chip; instead, for the best sound effect, it adopts the professional WOLFSON DAC chip WM8740. Instead of using software to achieve bass and treble adjustment, the FiiO X3 uses an adjustable hardware circuit, resulting in more natural sound without influencing other frequencies.

The FiiO X3 is well furnished with multiple output ports which include headphone, lineout and coaxial digital output. Moreover, it also can be regarded as a digital turntable and invites more powerful DAC implementation to improve the sound experience by connecting to audio decode through its coaxial digital output.

  • Most versatile high-definition portable music player available
  • Lossless playback for APE/FLAC/ALAC/WMA/WAV music formats
  • Supports digital master copy source at 192kHz/24bit
  • Employs high-performance WOLFSON DAC chip
  • Can be used as standalone digital-to-analogue converter
  • Main controller amplifier chip achieves A-Class amplification
  • Adjustable hardware based bass and treble adjustments
  • Master control committed exclusively to music
  • 8GB internal memory capacity with 64GB memory upgrade capability
  • Outputs include headphone out, line-out and coaxial digital out
  • 10 hours playback time with standard USB smart charging

To purchase the unit, please visit our website:

Buy FiiO X3 Lossless Portable Digital Audio Player & DAC

To DAC or not to DAC – an introduction to Digital-to-Analogue converters

So you’ve spent time looking for your your new headphones or you already have a pair that you are very happy with, now it’s time to further improve your audio experience.So,To DAC or not to DAC.  The obvious route to go could be to buy or upgrade your headphone amplifier. Whether you are listening through a CD player, mobile phone, portable music player or a computer adding a good headphone amplifier to the chain can do wonders. Something that a lot of people overlook though is using a DAC. With the amount of great quality amplifier/DAC combos out there, most of the time it’s worth going this route.

What a DAC does is to take the digital data, whether it’s an MP3 or movie audio and convert that into an analogue signal so your headphones can pick it up and you can hear the files. The better the DAC, the better the conversion and therefore better sound quality. So if you have a great pair of headphones but a weak DAC, the headphones will only play audio as good as the DAC is putting out – an important part of the chain.

The most common use of a DAC is if you use a computer, all computers have built in DACs (soundcard) but unless you know that you have a particularly good one the quality won’t be great. Even using a cheaper DAC such as the FiiO E17 will greatly improve the sound quality coming from your computer. The reason you would go for a better DAC is if you play high quality audio files (WAV, AIFF, Lossless etc.) and you have a top of the range pair of headphones, this is where the quality of the DAC really shows.

You can either get a stand alone DAC or an amp/DAC combo, which one you get will be based on your intended setup. If you want to use your headphones with a computer and you don’t already have an amplifier then an amp/DAC combo would be ideal, and if you use a laptop then one of the portable sized units are great as you can even use them on the move. If you mainly use your iPhone/iPod then you could get a dedicated amp/DAC combo for iDevices such as the Fostex HP-P1 or the Cypher Labs Theorem 720 this will bypass the devices internal DAC and amplifier so all of the processing will be done by the Fostex. There is a stand alone alternative with the Cypher Labs Algorhythm Solo -dB and -r, but you would also need to have a headphone amplifier for this to work.

Essentially any digital audio device can benefit from upgrading the DAC, now depending on the device you use you will need the right sort of DAC – but there will be something out there for you. If you have any questions about this subject then please feel free to call us, we will be more than happy to help.

Please check out our youtube video DACs, Sample Rates and how to use Audio Files 

Graham Slee Bitzie DAC – Review

Graham Slee has a great reputation for amps and related products, so how does a DAC from this company fare? Lauri Cular gives the Graham Slee Bitzie DAC a look-see.

There’s no shortage of external gizmos out there to improve the output of the average computer, but this is a worthy contender from Mr Slee. It presents itself in a sturdy but light case made of aluminium; small enough to be portable and large enough to handle easily when on the tabletop. It does not have its own power source however, so true portability may be limited to users of larger music sources such as tablets and laptops.

I disconnected my budget Behringer USB soundcard and connected the Bitzie. Unfortunately my copy of windows 7 decided to label the Bitzie ‘Behringer USB’ when detected, making for a furrowed brow; but I got through that by scrawling ‘Behringer’ on the thing. Don’t tell the boss.

There’s some debate over the value of more expensive USB leads such as the recommended Lautus; I’ll admit that I was sceptical. It’s data, right? It goes from A to B and you hear it perfectly.. or not. How can there be an in-between?

I didn’t notice anything much wrong at first whilst trying a cheap USB cable with the Bitzie, I was using full size headphones of one sort of another when trying the DAC, and gave the cable issue no thought at all. Then I tried listening with some in-ear headphones, the classic (and soon to be vintage) Phonak Audeo PFE 232s, expecting great things. With no source audio playing at all and the volume down, I was presented with the unsettling sound of a dozen tiny squealing mice coming from the Bitzie. It appears that even USB cables are susceptible to interference, and whether audible or not this unwanted signal will be affecting all audio coming from the device. It isn’t loud, but it’s bothersome with more sensitive in-ear headphones.

I recorded it to look at the waveform; there’s a very random pattern at around 15kHz and, zooming out, another waveform at 50Hz.

So on to the sound; for my test I chose two bits of soundtrack music, one was the Main Title from the original Taking of Pelham 123 movie soundtrack, and the other from Saturday Night Fever – Night on Disco Mountain. Both by David Shire.

The Pelham 123 tune has a lot of brass; and the Bitzie really brought this to life. I love a low brassy grunt or two, and the detail revealed by the Bitzie made me sit up past my bedtime enjoying the added depth this soundtrack now had to offer. In a comparison with my M-Audio Audiophile 24/96PC soundcard, the Bitzie had a clear edge and didn’t feel as if it was trying very hard either.

Night on Disco Mountain, although cheesy, has a lot going on for the Bitzie to cope with and it did a great job. I wasn’t so much listening as fully immersed. There’s a great sense of space and depth and it’s difficult to turn the thing off and go to bed. The Bitzie is bags of fun, but watch for bags under the eyes.

One thing I would say is that the Bitzie has a limit where it comes to amplification. Perhaps due to the fact it draws power from the attached source or device. My HE-400s are a thirsty pair of headphones, and the Bitzie did not get them up to a decent level. However, for dynamic headphones of 300 Ohms and lower I’d say the Bitzie should be fine without further amplification.

Cypher Labs Algorhythm Solo -dB Review – Lauri Cular

Cypher Labs Algorhythm Solo -dB

So what’s the weakest link? I’m not talking about BBC quiz show tedium here, but something that every headphone enthusiast has probably asked at some point. If upgrading your system, whether it be portable or home-based, there is likely still something which is holding it back. Spending a grand on some sumptuous headphones is all very well, but they may be a waste of money if you are then plugging them straight into an iPod. Sound quality is limited in part to what the iPod can put out, and expensive headphones will simply reveal with greater resolution the flaws and limitations of the standard iPod DAC and amp.

For those who accept no compromise, there are bits of specialised kit which can take digital information from the iPod (from the 30-pin, or new lightning connections on the 5th gen. iPod) and process that into a much better quality analogue signal. This would need to be fed into an amplifier as the Algorhythm Solo -dB puts out a line-level signal only.

So what’s the dB for? This is a newer version of the original Algorhythm Solo which would work exclusively with Apple devices. Cypher Labs has upped the stakes and provided greater functionality by making these units compatible with the USB ports of Apple computers and PCs alike. Once drivers are installed, the computer will be able to use the unit as an external DAC, beating all pre-installed motherboard DACs to a pulp, and most aftermarket DACs as well.

I decided to check for myself what these things can do, so I put the Solo -dB against my M-Audio Audiophile 24bit/96kHz PCI sound card. If not already, this card is nearly ten years old; and although I have investigated upgrading there really is no need. It’s excellent, so the Solo -dB’s work is cut out.

And so was mine; there was likely a weak link in my chain elsewhere which made properly appreciating this level of quality a challenge. Perhaps with the cables/connections or the amps I was trying it with, the Fiio E12 or my old Behringer 802A mixing desk – neither of which are aimed at truly high-end ears. Looks like that’s my next upgrade.

However I did manage to perceive some difference through my HiFiMAN He-400s before fatigue set in, but not by listening to what was there; I listened to what there wasn’t. On The Sweet’s ‘Blockbuster Blitz’ I found it a real challenge to favour one or the other version (both PCI card and Algorhythm Solo going through the mixing desk at the same volume level) but on trying to analyse the space in between the instruments, I found that the glam snare drumroll parts definitely had a more 3D feel coming from the Algorhythm Solo; I could detect space all around them. From the M-Audio PCI card, the same parts had a flatter presentation.

Although the differences may be subtle, I am comparing a PCI card with all its requirements (like a desktop ball and chain) with a self-contained unit which can go in a pocket (albeit not a small one).

So if you are looking at upgrading your sound with some pricey headphones or a similar high-end gadget, just spare a thought for the entire chain. And if you can’t tell the difference between the iPod’s DAC and the Algorhythm Solo, perhaps you’re the weakest link!

Goodbye!

FiiO E07K Andes – Announcement

The HiFi Headphones team is pleased to announce that the new Portable Headphone Amplifier & USB DAC from FiiO, the E07K Andes is now available to be purchased on our website.

Based on the highly successful FiiO E7, the E07K Andes features many improvements. The FiiO E07K portable headphone amplifier with USB audio decoder (DAC) is designed for dual-functionality. It both replaces PC on-board sound cards as the primary audio decoder, which can lead to an increase in audio quality, as well as provide high quality sound amplification and drive high-powered high-end headphones.

  • High performance with excellent resolution and low distortion
  • 96kHz 24-Bit high resolution audio decoding
  • Right and left channel balance can be adjusted to suit users with different ear sensitivity
  • Separate fine bass and treble adjustments with 20 discreet steps from -10 to +20
  • Output bypass feature allows user to output fixed line-level signal when used with E09K
  • Three separate gain levels of 0dB, 6dB, and 12dB
  • Hold switch prevents inadvertent adjustments and key presses
  • Build-in rechargeable 1500mAH Li-ion battery for up to 24 hours of continuous use
  • Dual colour OLED display with automatic key lock and sleep timer function

To purchase the unit, please visit our website:
Buy FiiO E07k Andes Headphone Amplifier & USB DAC

TV wireless headphones – Set up guide

How to set up TV wireless headphones

This is a question that comes up a lot at HiFi Headphones, so here is our easy guide on setting up TV wireless headphones.

Before you go and buy your wireless headphones it is important to find out what audio outputs
your TV has. This is the best starting point as it will determine which wireless headphones are
compatible and if you need any extra devices, such as a DAC.

Based on the type of outputs, there are two types of TV’s:

TVs with analogue output:

Headphone Output/Jack

This is the most commonly known type of audio output, but not necessarily the best. Using the headphone output on your TV will cut the sound from the built in speakers so only you (or anyone else connected to the wireless system) will be able to listen to the TV.

The majority of TV wireless headphones come with a mini jack cable so there won’t be any problems connecting them via the headphone socket.

RCA Phono

This output is generally located at the back of the TV and has two circular sockets, one red and one white. This provides a pure line out signal and therefore won’t interfere with the built in speakers. This is probably the best option as the majority of wireless headphones out there use analogue inputs, and most of them will include appropriate adapters to connect to the RCA phono output.

Even though there will always be a way of connecting TV wireless headphones to the RCA phono socket, some models come with their own adapter to make this easier. Here are a few that I would recommend:

TV Ears Wireless Voice Clarifying Listening System
Sennheiser RS120-II Wireless Stereo Headphones
Sennheiser RS180 Digital Wireless Headphone System
Sennheiser SET 840 S Wireless TV Listening System for Hearing Aids

TVs with digital output:

Optical/Coaxial (Digital)

A lot of modern TVs now only have digital audio outputs, this is either as optical or coaxial. If your wireless headphone transmitter only accepts analogue audio then it’s not the end of the world, you can buy a device called a DAC (Digital to Analogue Converter). This device will sit in the chain between your TV and wireless headphone transmitter. You will need a digital cable to go from the TV to the DAC, this will be either optical or coaxial depending on the output. Then from the DAC you will need an RCA phono cable to feed into the transmitter.

With digital outputs becoming more and more popular, there are now headphones that can take a digital signal and convert it to analogue with their own built in DAC. This way you get a much higher quality of sound. Here are a couple that I would recommend:

SoundMAGIC WP10 Digital Wireless Headphone System with DAC
Sennheiser RS220 Wireless Audiophile Headphone System

With such a wide range of TV wireless headphones and accessories on the market at the moment, it doesn’t matter what TV you have; there will be a wireless headphone out there for your set up.

Cypher Labs AlgoRhythm Solo -dB – New Product Announcement

The Hifiheadphones team is pleased to announce  the Cypher Labs AlgoRhythm Solo -dB  portable DAC from CypherLabs,  is now available to be purchased on our website.

Cypher Labs introduces the AlgoRhythm Solo -dB, combining all the functions of USB line-in accessory for Apple devices, with an audiophile grade 24/192 DAC in a single, portable package. Fully balanced output is included to support world class audio amplifiers.

  • d is for DAC – USB audio from computers and Apple devices
  • B is for Balanced output from source to amplifier
  • Large capacity battery charges while playing, up to 14 hours
  • USB audio resolution up to 16/48 from Apple devices
  • USB audio resolution on Mac or PC up to 24/192
  • Fully balanced analogue line-level output (4-pin)
  • S/PDIF and single ended outputs
  • Volume output optimised for all headphone types, including IEM and planar headphones
  • Fast re-charge time about 3.5 hours
  • Designed and assembled in the USA

To purchase the unit, please visit our website:

Buy CypherLabs Algorhythm Solo -dB

SoundMAGIC WP10 Digital Wireless Headphones with DAC – Product Review

SoundMAGIC WP10 Digital Wireless Headphones with DAC

 

Product Type – Full size Digital Wireless Headphones with built in DAC

Price at the time of review – £239

Product Link – Buy SoundMAGIC WP10

Verdict – A well thought-out wireless set with innovative features at a great price point

Pro’s – The list of features and uses for this wireless headphone with a USB DAC make it a superb all rounder. The headphone itself has the same incredibly comfortable pads as the SoundMAGIC HP100 and HP200 wired Full size headphones, is reasonably lightweight and has a well thought out set of controls placed thoughtfully on the left ear cup.

Cons – It isn’t the most expensive wireless headphone on the market, but not too far off. To make up for the price just about every accessory you could need has been included.

Introduction – SoundMAGIC have been an up and coming headphone brand for the past few years. With a few awards and a lot of recommendations from magazines and gadget blogs, SoundMAGIC have been expanding beyond the low budget – high performance IEMs they are already well known for. Perhaps looking to demonstrate their clear technological know how by producing these advanced wireless headphones. Because of the features, sound quality and comfort the WP10 must be taken seriously, particularly if you have a range of uses in mind for your cable free cans.

Description – Features of the Transmitter include an onboard USB DAC as well as an analogue input – it is tiny and so incredibly portable. The WP10s have a functional look – they look like headphones! – But are by no means un-attractive. Controls are simple and well placed.

Included peripherals – SoundMAGIC WP10 package comes with the wireless headphones themselves, an excellent carry case, the transmitter/DAC unit, USB mains Charger and cable, 3.5mm to RCA cable, 3.5mm to 3.5mm cable and a physical instruction manual.

Application – This is a very clever set of headphones, the transmitter also contains the USB DAC for superior sound from your PC or Mac, connection cables for pocket sized media players and RCA for home HiFi connectivity. Should you run out of battery power while out and about it is possible to use the included cable to keep on listening! SoundMAGIC have really tried to cover every eventuality.

Describe the sound – Sound quality is well above that of any RF headphone and superior to that of Bluetooth headphones as the WP10 uses a 2.4G 16 bit CD quality connection. The sound signature is bright and clean with punchy bottom end. It’s not really fair to compare the sound to a similarly priced cabled headphone; the DAC technology in the transmitter obviously costs a pretty penny. The WP10 gives clean audio with decent sound stage which helps live recordings and film sound and feel realistic.

Comparisons – Similar features to the king of wireless headphones, the Sennheiser RS220, but less luxury oriented and more application rich. Very usable for portable applications they have the edge over the Sennheiser RS160 as the SoundMAGIC transmitter is smaller and more advanced.

Why do I need a headphone amplifier?

What’s the point of a headphone amp?

If you’ve been following the world of headphones you may have noticed that headphone amplifiers seem to be cropping up more often than ever, but what’s the point?  Do they just increase volume, or is there more to it?

Below are a few good reasons to upgrade your audio setup with a headphone amp.

Ability To Power ‘hard to drive’ Headphones

Some headphones are notoriously hard to power.  A headphone amplifier gives your audio source a boost in output power, which gives the headphones a more full sound, improves bass kick and often makes trebles more defined.

For example the Sennheiser HD650, HD600, HD595 and many Beyerdynamic headphones have relatively high impedance ratings, which mean they need more power than most to drive the headphone speakers.

Interestingly, many lower impedance headphones and earphones (normally the high end models) also appear to benefit from the use of a headphone amplifier.  For example the low impedance Grado GS1000 or Grado RS1 can be easily be driven by a humble iPod, but add a headphone amplifier such as the Grado Slee Solo to the equation and the improvement in sound can be very satisfying.

Avoiding Cheap Headphone Outputs

The headphone output on many portable audio sources, such as iPods, iPhones and laptops, can be very poor indeed.  The electronics used often leave much to be desired and are obviously designed with budget, rather than sound quality, as the major design factor.  A headphone amplifier offers ways to avoid the noisy headphone output completely.

The iPod and iPhone headphone socket can be avoided completely by using a Line Out Dock (LOD) cable.  These cables take the un-amplified line out signal from the 30 pin dock connector provide a way to drive a headphone amplifier with this better quality signal.

Laptop and computer owners can avoid the often breathtakingly bad headphone output with the addition of a Digital to Analogue Converter (DAC) and headphone amplifier.  The DAC is connected to the computer’s USB port and the conversion to analogue audio signal is done well away from the noisy electronics inside the computer.  Some products, such as the iBasso D2, combine a DAC and headphone amp into a single unit.

More Information

For a full range of headphone amplifiers & DACs and iPod & iPhone line out dock cables (LODs), please visit the HiFi Headphones online shop.

iBasso D2 headphone amp & DAC – all in one miniature device

Regular visitors to HiFi Headphones may have noticed we’ve listed the iBasso D2 in our headphone amplifier section. Last week we received a couple of samples of each iBasso model to test.  The results were so positive we went ahead and listed them immediately and put our first order in (we’re expecting stock from in approx 3 weeks).

There are other models in the range, including an ultra portable headphone amp called the iBasso T4 (it is VERY small and weighs just 29 grams) and a high end model that comes with various types of Op-Amp to swap over to alter the sound signature (one for the perfectionists).

The iBasso D2 works especially well with higher impedance earphones such as the Sleek Audio SA6 and Klipsch Image X10, where there is good improvement in depth of bass, as well as high frequency detail and soundstage. I’ve yet to test with lower impedance earphones (Ultimate Ears Triple.fi 10’s, etc), but I would guess the effect is similar, but maybe not so pronounced.

Below is a photo of the iBasso D2 with my Sleek Audio SA6’s and an old iPod Nano:

In my opinion the most interesting application for the iBasso D2 is using the DAC with a laptop. With my IBM ThinkPad T62 laptop feeding the D2’s DAC and a pair of Sennheiser HD650’s the difference in overall sound quality is significant compared with the laptop’s standard headphone output. I would say this is the application where the biggest improvement in sound quality is seen.

More Information

For the range of iBasso headphone amps, including the iBasso D2 and iBasso T4, please visit the HiFi Headphones shop.