The Beyerdynamic T51i is one of the best portable headphones out there. Now they have gone a step further by adding an in-line microphone and smartphone controls – making them the ultimate portable headphone!
HifiHeadphones are happy to announce that the Beyerdynamic T51i is now in stock.
The DUNU DN-900 is a well built, hybrid in-ear headphone. The bass is punchy without overcrowding, with spacious mids and smooth highs – these earphones perfectly combine power and detail.
Pros
Frequency response can be fine tuned
Generous range of extras/accessories
Very clear bass and mid-range
Cons
High-frequency roll-off (if you like a brighter sound)
Case oversized for everyday use
Tuning rings easily lost if not careful
Cable can get tangled
As with all segments of the headphone market, the £100 – £200 bracket is hotly contested with innovation pushing sales as well as gimmicks. The hybrid drivers within the DUNU DN-900 are becoming commonplace among IEMs, but the tuning rings which are supplied with the DN-900 are not so commonly found. Given that we all have our pet sound signatures and preferred frequency responses, have DUNU released a self-adjustable gem?
Key Features
Perhaps most unusual about the DN-900 is the inclusion of the tuning rings; it’s always nice to have a bit of tweakability and it’s fun to experiment. However, be sure that you are changing the eartips and rings while sat at a table, or similar. The rings can jump off the nozzles and roll out of your life for ever if you aren’t careful. It would have been better to have a more ‘trouser clip’ style ring which stays on the nozzle.
First Impressions
Naturally enough, once out of the packaging, the first thing I noticed was the professional quality Pelican-style case. It’s a lovely item if bright yellow is your thing but it won’t fit in a pocket, nor is having your IEMs packed away in a bag or case the most practical place to have them. I would be utilising another case or pouch from somewhere else, while this case might lie unused in a drawer.
Sound Quality
The sound seems very mid-centric at first, with strong yet well shaped bass response. The most noticeable thing is the higher-frequency roll-off but this takes only a minute to get used to. I tried the rings in turn..
Silver gives a good bass grunt with midrange clear and even, and the higher frequencies rolled off. Blue appears bassier in the mid-bass area with a more pronouced and open midrange, while red is bassier again with some more low-bass creeping in and mellower mids. High frequencies are not affected by any of the rings but the blue’s effect on the midrange sits next to the highs better for me.
After trying the DN-900 with the Astell&Kern K120, I was very happy with the sound. Driving bass underpinned some very fluid and involving mids, with higher frequencies just managing to show their faces enough to keep the party atmosphere going.
The following impressions were gained using the blue rings and the AK120:
Frankie Goes to Hollywood – Two Tribes (Blank and Jones reconstruction)
The bass has good texture and impact going into the sub-bass slightly, mid range works well with male vocals and backing. Soundstage is good and wide with a great sense of space. Imaging is also good. The rolled-off highs did not give any problems.
Dub Syndicate – Mafia
Bass is very full and impactful with good slam. It is quite boomy on this track but dub calls for it! Midrange is still clear and separate – the piano parts are very distinct. Highs lend a touch to harmonics but otherwise linger in the background. Soundstage is as wide as the music requires, delay is headshaking.
Summary
The DUNU DN-900 is perfect for the tracks that were tried with them. They will satisfy any basshead but will not add bass which is not there and cloud things – midrange is spacious and lively. Again, the higher frequencies may be a problem for fans of this part of the frequency spectrum; but if like some you’re a little sensitive to it, the DN-900 should fit like a glove.
It’s amazing that with the SoundMAGIC HP150 headphones, SoundMAGIC have yet again shown how they can raise the bar.
The market for full-size headphones costing £200 and below provides more shining examples of incredible sound quality. And helping all this along is SoundMAGIC, which has impressed all and sundry with its offerings of all types and sizes.
Perhaps most notable is the HP100 released in 2012 – a full sized and very comfortable closed back, offering a well balanced sound and good isolation. Summer is no stranger to super sequels however, so will we be jumping for joy in the aisles, or blubbing into our popcorn?
Pros
Superb Comfort
Pristine Sound
Solid Build
Plain Good Looks
Cons
Unique cable connection shared only by the HP100 Headphones
Some sound leakage
Summary
The HP150 headphones remain loyal to the previous HP100 design in terms of headband, padding, drivers and accessories. The most noticeable change is the driver housing; the previous ‘Tron’ style has been superseded by a matt black rubber coating which matches the rest of the HP150’s look.
Key Features
Features are only what’s to be expected from a headphone in this price range – just good sound and the usual accessories. There’s a 3m extension cable for Hi-Fi listening which is a bonus, as well as flight adapter and 6.3mm adapter. The case has undergone an improvement in that it affords greater protection; there’s more space for padding so that the headphones are safer in transit.
First Impressions
As mentioned above, the HP150 headphone is the sleeker, sexier descendant of the HP100. The shiny parts on the earcups and yoke joints are gone, and matt black is now the uniform colour.
The cable has undergone a slight change too, the previous model was shipped with a coiled 1.2m cable. This has been straightened, and together with the 3m extension cable should provide a bit of slack in most tight situations.
Sound Quality
The best bit of the HP150 headphone is of course the sound – heads are scratched and price lables are rechecked – are we sure there’s no mistake? The HP150 sounds like a headphone three times the price! They are well balanced with a little drop in the midrange, but it’s nothing which gets missed. Think of them as giving a little boost to both ends of the frequency spectrum.
Bass is fully representative of what’s there without getting its own ideas, and treble has a brightness which doesn’t cross into strident territory – even for those like myself with a sensitivity to these frequencies.
The soundstage of the HP150 is very impressive for a closed-back headphone. I wouldn’t say that the HP150 has the feel of an open-backed equivalent, but the breadth of the presentation is certainly comparable. Imaging and separation are pristine with details standing up to be counted wherever they are.
SoundMAGIC has stated that the drivers in the HP150 are the same as the HP100 – the change in earcup material has been balanced with padding within the earcup so that the sound is as close to that of the HP100 as possible.
With possible burn-in still to go on the HP150, the bass appears to be a tiny bit higher in volume against the rest of the presentation but with the same qualities. Treble seems to be a little bit smoother but not at the expense of detail. Midrange appears unchanged.
Hifiheadphones Verdict
Even with newly-introduced headphones getting better and cheaper year after year, the models put out by SoundMAGIC seem to thumb their noses at the competition. The HP150 headphone is quick, light and nimble; jester-like in its ability to handle any genre with fun and merriment.
If you have £200 and a need for closed-back full size headphones, a few minutes’ delay is a tragedy. Do your ears a favour and resist no longer!
The Final AudioPandora Hope VI may not be able to deal with all the world’s evils, but it can certainly make them appear more approachable and cuddly. 50mm dynamic drivers are coupled with balanced armatures within the Hope VI, so the listener can benefit from a warm and toe-tapping presentation, but needn’t sacrifice detail or presence. The result is as crisp as any IEM working on the balanced armature principal, with similar detail perceived all the way down the frequency spectrum.
Here at HifiHeadphones we’re no strangers to the type of quality products the portable audio industry can put out; however the Pandora Hope VI has surprised us all. From the retro-future ‘Metropolis’ looks of the Hope VI to the weight and the way they feel in the hand, we knew that these headphones weren’t just designed, they were born.
Pros
Unique and gorgeous looks
Lovely to touch
Comfortable and relatively light
That sound!
Cons
Will need running in to be at their best
Key Features
As mentioned, the driver principal is the Pandora’s most notable feature; the balanced armatures working alongside the dynamic drivers. There is no sense that two drivers are operating on each side; the presentation is as smooth and even as it would be with any high-quality wide bandwidth dynamic driver, once worn in.
First Impressions
The Hope VI can’t fail to please with its Buck Rogers looks. Something feels as if it is being wasted once they are worn on the head as they cannot be seen any more! However, the soft comfort of the padding and solid feel of the design keeps the wearer happy enough until a mirror is within reach.
Sound Quality
The Pandoras are consistently referred to as being among the best-sounding headphones around; this by people who are in the know and have tried many headphones and set-ups. My own experience involves gorgeous silky bass which sits just where it’s supposed to be, mids which surround and demand attention, and highs which pierce and shock, but in the most gentle way possible. My ears are sensitive to high frequencies and fatigue is never far away with some headphone/genre combinations, but the Hope VI never strays into that area; it knows exactly when enough is enough, preserving a smoothness which has no right being there but is staying nonetheless.
As mentioned above, there may be a brief period of ‘running in’ required as the two drivers meld together but this will be limited to a weekend.
HifiHeadphones Verdict
Dr Who’s Tardis is famous for being bigger on the inside than the outside. My guess is that Final Audio have been watching from behind the sofa whilst taking notes, as for a closed back headphone (a fact I have to keep reminding myself of) the sound is all-encompassing. Watch out Fostex, your closed-back crown may be about to slip!
Dita Audio The Answer IEM Earphones – Truth Edition – See more at: http://www.hifiheadphones.co.uk/dita-audio-the-answer-iem-earphones-truth-edition.html#sthash.UQLlq1VS.dpuf
Dita Audio The Answer IEM Earphones – Truth Edition – See more at: http://www.hifiheadphones.co.uk/dita-audio-the-answer-iem-earphones-truth-edition.html#sthash.UQLlq1VS.dpuf
Dita Audio The Answer IEM Earphones – Truth Edition – Review
Summary
The Answer Truth Edition is a dynamically driven IEM with a single 10mm driver; Dita Audio wanted to go for the simplest design in order to deliver the purest audio, according to their literature. Since balanced armature technology requires crossovers, multiple drivers and all the related gubbins, Dita went for the less complicated dynamic route. And why not? We’ve all been shown the power and finesse of the dynamic principle through Sennheiser’s excellent IE800s – they can be every bit as detailed and impactful as any well put together BA based driver.
New company Dita has made a splash lately with two significant IEMs; ‘The Answer’ and ‘The Answer (Truth edition)’ – the cable being ‘The Truth’. ..and I thought telling lies could get complicated!
If you forgot what the question was, it’s something like ‘what’s the best IEM man can come up with’? I reckon this response is fitting.
A benevolent deity has bestowed a pair of each model upon us and we have dutifully had a go; for this review I have stuck to the pricier ‘Truth Edition’ but for a quick impression of the non-Truth Dita, please scroll down to the ‘verdict’ part.
Pros
Well built with solid capsules
Weighted to lean into the ear – unlikely to fall out
Stout strong cable
Good range of eartips which can fine tune frequency response
Good extras – 2 quality travel cases included
Cons
Cable can be a little stiff but not too bad
Some might prefer a removeable cable
Key Features
The cable on the ‘Truth Edition’ is what gives the IEM its name; it is a Van Den Hul cable with whom Dita cooperated in order to get the best signal to the driver. The cable covering has a little window on it so the quality can be seen – it is certainly substantial. Other than that, there are no features other than the end product – the sound. Much like record players, the less you get on them as extras and gadgets, the better the sound will generally be. This is Dita’s philosophy.
First Impressions
The build quality is the first thing to be noticed. These are not heavy or unweildy IEMs, but the impression I have is that they were designed to be used in a war of some kind, or by very careless people. The build quality is very solid.
Sound Quality
The Answer (Truth Edition) lives up to expectations for a premium IEM; detail is exceptional and there is plenty of space in the presentation whether things are busy or not; there’s an effortless quality. Harmonics are not lost on these IEMs, everything is reproduced, and faithfully.
Not to say that these Answer/Truths are neutral; they have a sound which is on the fun side but it is done with real adroitness. There’s an analogue quality which reminds me of the Sennheiser IE800.
Soundstage is generous and imaging is great; it all just hangs together and as per the marketing/literature, the strengths of the single dynamic driver design are right here.
When comparing the two, the IE800 is just a little less forward which suits me. So if you feel that the IE800 is a bit laid back for you, try and dally with the ‘Truth’!
Verdict
Given the quality of Dita’s answers, we should be upping the quality of our questions. ‘How much money have I got?’ might be one such question. The ‘Answer/Truth Edition’ is not cheap, but the best things often aren’t. Given the price, the phrase ‘to be economical with the truth’ may not be so accurate, but there are savings to be made by choosing the ‘Non-Truth’ version which is the same but for a little less detail and a slightly smoother presentation. A very close match for the IE800, and only two thirds of the price at £399.
What can be better than the award winning SoundMAGIC E10 for under £40? The E10S has the same superb build quality and sound signature as the E10 but with the added function of a universal smartphone in-line microphone – need we say more?
Universal smartphone microphone (iPhone and Android)
Cons
Nothing to fault at this price
Key Features
Comfortable fit and distinctive design
Made for all smartphones
Integrated smart remote and microphone
Unique, all metal earphone construction
Powerful bass balanced with superb musical detail
Robust tangle-free twisted cable design
Skype/VOIP adaptor included
First Impressions
From the start it is hard to believe that the E10S is under £40. The packaging is smart and of a very high quality – once opened you find plenty of spare ear tips and an attractive hard case. Holding the earphones you can feel how well made they are and the innovative switch on the jack plug will let you set the earphones to work with any smartphone – you would not expect technology like this on such a modestly priced earphone.
Sound Quality
Once you get over the impressive built quality and actually try them out you will not be disappointed. Like the SoundMAGIC E10, The E10S has tight bass with plenty of weight – the mids are well defined and the top end sparkles. These earphones are perfect for listening on the go as the sound is fun and they will sound great with whatever you throw at them. Soundstage is better than what you would expect from an earphone at this price – it’s engaging and natural.
Verdict
If you have £40 to spend on some new earphones then go for the SoundMAGIC E10 – if you need an in-line microphone then go for the E10S. Easy.
The P21S version with Mic and MFB might be better if you’re chatty
Summary
The SoundMAGIC P21 is a new lightweight on ear headphone from the multi-award winning SoundMAGIC brand. It’s a small foldable unit with a 3.5mm connector, a perfect companion to a Dab radio, Smartphone or Tablet computer.
A foldable headband and soft carry pouch make these portable gems a must for travelling music andfilm lovers.
First Impressions
Featuring super soft pads and a non tangle cable, this is a simple product with everything you need included. Comfy on the head, there isn’t much pressure applied by the light frame but the generous ear pads keep the P21 in place even whilst walking around. You forget you’re wearing them right away and Isolation is impressive too.
Sound Quality
Famed for creating products which perform sonic feats unexpected at their price, SoundMAGIC have done it again with this budget beauty. These practical cans have sparkling mids, impressive soundstage with both detail and bass depth. Realistic instrument separation gives an accomplished musical feel.
Because SoundMAGIC have not been tempted to make the bass huge, the P21 really work across most genres. There is plenty of impact and rhythm for Dance and Rock lovers, but the top end sparkle will make classical fans equally happy. The sense of space and solidity will shame much higher priced portables!
Verdict
SoundMAGIC takes a lot of beating in this price category. Ideal for travel and holidays, these will fit right in to any bag or backpack when stored in their low profile travel case.
Even having tried much more serious and high value portables, I’m still really impressed while listening to this little SoundMAGIC on-ear. If you would rather have a budget headphone than an earphone, the P21 is probably what you’re looking for.
Engaging and fun-sounding, the SoundMAGIC P21 will make the absolute most of the output from any portable player.
Please take a look at our video review of the SoundMAGIC P21S below for more details.
SoundMAGIC have made a fantastic name for themselves within the budget in-ear market, no wonder they get on the list of top 10 best headphones under £50. The E18 is a great example of just how they do it – designing products which offer exceptional sound quality for the prices asked.
The ES18 has bass which is warm but not overblown, mids which are fluid and engaging, and highs which are slightly recessed. Suitable for those who find percussion and cymbals generally strident and fatiguing.
The DN-12 is a sturdily built IEM with solid metallic housings and a good solid sound also.
Bass is deep and punchy without being boomy, midrange is slightly recessed with high frequencies well balanced; there’s a slight roll-off for those who like a warmer sound signature; normal for IEMs of this price.
A very well put together earphone with a sound signature that is sure to please.
Hifiheadphones verdict:
A great IEM for the price, the DN-12 gives great weight to music and will suit those who like a fun sound.
Another entrant in the IEM market is FIDUE, and their range starts with the fantastic FIDUE 31 – the capsules are tiny and the sound is big!
Good warm bass and good mid-range detail – there is a slight roll off in the treble region for those who like a warmer presentation.
The earphones are lightweight and tough, perfect for running or in the gym. Ear tips are designed to keep the earphones in the ear and cables can be worn over the ear for a more secure fit.
Also fitted with a lightweight microphone in case you need to take calls.
Hifiheadphones verdict:
A great budget choice – narrower nozzles may make this a good choice for those with fit issues with other IEMs. Perfect for sports use.
The entry-level AF33 from Audiofly gives a fantastic sound, and the AF33M version gives added functionality with smartphones, offering an answer button for those calls.
Good bass which is tight and well controlled, midrange with a slight recess and treble which has liveliness and sparkle without being fatiguing. When we first tried these we thought that there was a mistake – these sound like IEMs which cost more than £50.
A very capable earphone with a grown up sound signature without the boom, boom of some other budget earphones. Very musical.
Hifiheadphones verdict:
Many are getting a kick out of Australian firm Audiofly’s range in more than one way. The engaging and involving sound of these IEMs will certainly get you waltzing.
Sennheiser’s entry-level full size, the HD201, is incredibly cheap for what you get – anyone looking for a good sound without wanting to part with much cash must be tempted by the HD201.
Good but not bloaty bass, a clear midrange and a slightly forward treble make these superb all rounders. Fantastic for detail, you might hear things with these which are missed on pricier headphones.
This are a ideal everyday headphone that won’t break the bank.
Hifiheadphones verdict:
Probably the best full-size headphone you’ll find for under £20, hands down.
The Koss Porta Pro may not be an obvious choice for the top 10 best portable headphones, it is likely older than most of its current users; introduced in the early 1980s, it pre-dates most other lightweight designs and has a real retro charm.
The sound is still very current however, as the PortaPro’s sound signature suits dance music, rap and anything the user can throw at them.
A good level of bass and midrange gives a good grunt with realistic body. The highs are a little rolled off but not to the point where it’s a problem, indeed the roll-off makes them less likely to fatigue the wearer if dance music is played.
Hifiheadphones verdict:
For the money this is amazing value – get yourself a design classic which has stood the test of time.
This portable is certainly a fun-sounding headphone – it also looks fun and feels it too!
They are very light and are a perfect travelling companion when folded into the semi-rigid case.Bass is present but not overblown, midrange is clear and involving, and highs are revealing but not overbearing.The flat cable does not tangle and the 90 degree jack is perfect for placing your music source in a pocket or bag.
Grado are well known for their trademark wide open and airy sound, and the iGrado follows in this theme. Designed to sit over the ear with a neckband keeping things in place, the iGrado gives a wonderfully natural sound.
They are wide open in design, meaning that there is no isolation. Others will hear your music, and you will be aware of the environment around you. This makes the sound much more realistic in terms of soundstage and imaging, but you may get some odd looks if these are worn on the train, for example.
Hifiheadphones verdict:
The iGrado is very popular with joggers and those who prefer to be aware of the sounds around them, also they are a great low-cost upgrade for anyone wanting a headphone specifically for use in the home.
Another of Grado’s great value headphones, the SR60i is much like its elder sibling the SR80i, but may be more appropriate for enjoying older recordings or music with less than perfect sound quality. As the SR60i is not as bright sounding as the SR80i, they may be better or you if you find that you get fatigued after listening for a while.
The SR60 has been around for 20 years, which in the fast-moving world of electronic gadgets seems like a lifetime. Apart from the odd tweak, why change something which works so well?
Hifiheadphones verdict:
The look, feel and quality of the SR60i is magnificent for the asking price; why not get yourself a slice of a headphone legend? If you like details and a more forward or bright presentation, consider the SR80i.
Beyerdynamic’s in-ears have always proved to be a reliable and low-cost solution for those who like a detailed and well balanced sound,and the Beyerdynamic DTX102iE in ear Headphones continue in this tradition.
This is the revamped and made-over DTX101iE; there’s no great departure from the sound signature of the DTX101iE (although we have no 101s now for a direct comparison) but there are improvements to other features of the design.
The cables have been made a little thicker and more robust, with less cable noise/microphonics should the wearer prefer them worn down from the ear. They can of course also be worn with the cable over the back of the ear which eliminates a lot of this noise at a stroke.
Also the housing has been made a little more durable, although we don’t recall having many issues with the former model.
To briefly describe the sound, the low end is beefy but not woolly; the mid range is clear and uncluttered whilst the treble is very nice for a sub £100 in-ear. High-frequency roll off is less than what I’d expect for a model in this price range.
Soundstage is fair, with good separation. I found that these are very good for rock and dance music.
Accessories are basic, with the standard 3 sizes of tips and a ‘snappy jaw’ case for the earphones.
For those who like things nice and clear with no clutter, these may be the perfect companions.
World Cup 2014 is on its way and now that FIFA have banned branded headphones, we have come up with a list of headphones to help you keep up with all of the matches. Whether you listen to the radio on the go, stream the games on your iPad or just want to watch the football at home without disturbing anyone.
Here is our pick of headphones that will help you enjoy the World Cup and sound great!
Portable Streaming
Ideal for listening on the go with portable devices. These headphones are small, lightweight, they have good isolation and will reduce the amount of sound leaking out.. You can follow the World Cup in style.
If you like using in-ears but want something wireless these are perfect! They use Bluetooth so will be able to connect to most mobile phones and modern portable devices.
If you’re after a bit more luxury then the Momentum On-Ear is for you. They are the portable sized version of the popular full sized Momentum. They have a lush sound with great clarity and soundstage. They are also extremely comfortable and they look great too!
The AF78 uses hybrid technology, so you get a dynamic driver (for rich bass) and a balanced armature driver (for clarity and detail). This combination gives you great punchy sound with clear detail. The M version comes with a universal in-line microphone and one button control.
To fully immerse yourself you can go for the ultimate portable headphone. The MM450-X not only sounds great, they have noise cancelling – this will help block out background noise so you can listen in peace.
Home Streaming
Full size, comfortable and easily driven. Perfect for private listening at home with any source device.
One of the best sub £200 closed back headphones we do. Very good sound isolation and adjustable bass ports lets you customise the sound for your taste. Very comfortable and has a replaceable cable.
This closed back headphone gives you the best of both – a balanced armature driver for crisp top end detail and a dynamic driver for rich, punchy lows. Once burned in these headphones sound amazing – you’ll want to wear them all day long!
The T70p has great clarity and top end detail with tight bass and an overall neutral sound. The P version is designed for portable devices, if you use a headphone amplifier then I would recommend the T70 (non P version).
Watching TV
If you’re going to be watching the games live on TV then you will be doing some late night viewing. These headphones will be able to connect to your TV and get you fully immersed in the World Cup without disturbing anyone else in the house.
The ultimate in TV quiet listening. Both the RS160 and RS170 are closed back and will isolate sound extremely well. The RS160 comes with a portable transmitter which can be powered by batteries whereas the RS170 has a more powerful transmitter that also acts a holder and charging station for the headphones.
Listening on the go is becoming more and more popular – especially that now you can store your whole library of lossless audio on to a compact player like the FiiO X3, FiiO X5 or even the Astell&Kern AK120.
With the potential to have the highest quality audio in your pocket you will want to complement that with the headphones you use. This article will cover how to choose a portable headphone and suggest some of our favourites.
When buying headphones or in ear earphones for a portable player there are 3 main qualities you will be looking for:
Compact
As you will be more than likely using the headphones while travelling you will want them to be small enough to fit into a bag or even fold up for easy storage. You will also want them to be a size that won’t get in the way whilst moving from busy train to busy train.
Closed Back / Sound Isolating
As these headphones will probably be used in public, you won’t want the sound of your guilty pleasures spilling out to the rest of the train carriage – nor will you want to hear the loud music being played by the youths at the back of the bus. Closed back or sound isolating headphones are perfect for this, as they reduce the amount of sound leaking and help block out external noise.
Easily Driven
The majority of portable players such as iPod, iPhone, Samsung, Sony etc. can give great sound quality but they don’t have the most powerful headphone amps on them – when this is the case you want a headphone that is easy to drive so you can get a good volume out of them without maxing out your player.
In ear headphones
The ultimate portable solution are in ear isolating earphones as they tick all the above qualities – here are a selection that I would recommend:
Smooth and fun sounding with great detail. Very comfortable and good isolation for an open back.
Headphone amplifier
And finally… If you have got your heart set on a headphone that is more difficult to drive then do not fear! Adding a portable headphone amplifier into the chain will solve this issue.
Lots of power, bass boost, sturdy build quality and detailed sound.
So hopefully this article has helped you decide on your new headphone – but if you have any questions then do feel free to get in touch and we will be happy to help!
Now availiable, both The Dita Audio Answer, and the Answer Truth Edition are availiable to buy on Hifiheadphones. Or if you need to audition them before purchase, you can book an appointment at our demo room on the south coast near Brighton.
The Answer – Price – £399.95
The Truth Edition Price- £599.95
The Answer (Truth Edition) is a new high end in ear headphone from DITA. They have teamed up with Van Den Hul cables to create the ultimate earphone. “Ultra High Resolution”, “State-of-the-art”, and “Cost-No-Object” were just some of the ideas that went into designing these in-ears and it really shows – these are certainly ones to look out for!
Non-removeable cable – similar in build to that of Shure’s other cables
Good level of bass and detail
Can be worn with the cable up or down
2 year warranty period
Cons
Some may find the cable a little ungainly for a budget in-ear
Capsule housing can stand proud of the ear when worn
Summary
Shure has obviously been looking at how the in-ear market has been developing; the popularity of the sub-£50 in-ear headphone has inspired a new addition to its esteemed lineup in the form of the SE112.
As can be expected, the included accessories are basic and limited in number. There’s 3 pairs of eartips (S,M & L) and a wax loop tool for maintenance. Also there’s a little velour draw-string bag for storage.
Key Features
Impedance 16 Ohms
Sensitivity 105 dB
Dynamic microdriver
The Shure cable features a right-angle jack, much like other higher-value models; strain reliefs are moulded as part of the capsule housings in keeping with the rounded look of the SE112.
First Impressions
Shure has taken a departure from their usual in-ear designs; previous housings have been designed to sit fully in the ears’ conchas. The SE112 is similar in its rounded and shaped style but is appreciably smaller; isolation is not affected however, these really take down the volume of everything around which might compete for the wearer’s attention.
Sound Quality
The SE112 compares favourably to similarly-priced equivalents. They have a warm, smooth bass without being boomy, and have a clear midrange. Higher frequencies are rolled off a little. When compared to the scene-stealing SoundMAGIC E10 of recent years, the SE112 is certainly a contender.
The sound is much like that of the E10 but differs slightly; there’s a little more high-frequency rolloff (but not much), however what appeals to me is the low-mid or upper bass area, there’s a lovely chunky-silky quality to it which I always enjoy when listening to 70s rock and library music.
Verdict
The SE112 is a very likeable earphone for its modest price; the build quality is reminiscent of higher value models and they are very comfortable. The isolation renders me virtually incommunicado.
Shure has stuck with its 2 year warranty which pushes up the value for money aspect somewhat, not that any part of the SE112 is weak or looks vulnerable to accidental damage.
FiiO X5 Lossless Portable Digital Audio Player & DAC
Summary
The FiiO X5 is the new contribution from this great brand; the company which is making a huge name for itself by bringing high quality budget-priced items to the market. Almost a year ago we were all taken aback by the arrival of the X3 which has certainly shaken up the digital audio player (DAP) market, but now FiiO has X-ceeded itself with the X5.
After coming to know the FiiO X3‘s sound quality, it was a little difficult to imagine how it could be bettered; both in terms of sound quality and power. The X5 creates a certain expectation as it’s larger. It is still pocket-sized, but it certainly makes for a pocket which is full.
Unlike the X3, the X5 has no internal storage so a micro SD card is required to get started. However it has 2 slots for these cards, so there’s a potential 128Gb storage capacity with current firmware/size limits.
Appearance takes priority over usability for perhaps the first 30 minutes of use; the buttons are not marked and the user can feel a little helpless initially. This soon passes, but the wheel remains a point of contention; its build does not appear to sit well with the rest of the device. It’s very light and wobbly, with a rubber touch wheel to select options or tracks on the screen. Notches or slight clicks are encountered as the wheel goes round, but these tend not to be linked so much with what is happening on the screen. A ‘two click’ turn of the wheel may not necessarily move you along by two options so watch the screen. It can be frustrating if the required option is just one ‘click’ away; it seems that a gentle turn of the wheel can turn into a few gentle turns, as the selected option doesn’t change, or changes too far. Fortunately the lower two buttons on the front of the X5 can be used to scroll through these items, so it’s not something we’re stuck with using.
Sticking with the wheel, the centre acts as a ‘select’ button for the X5; however it is machined and is uncomfortable to touch with the thick skin on my thumb. It’s worth it though. Also I was a little concerned that there appears not to be a space where I can throw a band over and have it strapped to my FiiO E12 – the X5 is full of buttons, screen and wheel, but I have found that a band can be placed over the wheel area and operation is not affected. Maybe the addition of an E12 is overkill however; having tried the X5 now, my demanding 600 Ohm AKG K240 DF headphones sound fantastic straight out of the headphone socket.
There is no ‘hold’ button on the X5, there is a simple timer function (from 30s to 120s, or off) which renders the screen blank and most of the buttons inoperable, until the power button is pressed. I noticed that the volume buttons turn into ‘track skip’ buttons in this state.
The screen shows a little more of the track titles than the X3 when browsing, for example I am able to read the full title of Duran Duran’s ‘Is There Something I Should Know’ but no band name is present in the filename. Compilations may still require guesswork as to the track title, or you might want to encode your files with the ‘Track Artist’ after the ‘Track Title’ so song names can be read with no problem. Also the screen is less square than that of the X3; it’s wider, but only the top half of any cover art is visible when tracks are playing as it gets stretched to fit across the screen. Not a real issue, but Sweet’s ‘Desolation Boulevard’ cover isn’t the same!
Sound Quality
I tried the X5 against the X3 with the HiFiMAN HE-400; despite their 35 ohm impedance, these are thirsty headphones and can really take some power to get them up to their full potential. The X5 felt a little more relaxed, more analoguish, more controlled. It appeared to go a little louder as well, although the two models are evenly matched. Both the X3 and X5 powered the HE-400 adequately, although a little more headroom (on both players) might be nice with quieter tracks.
Next, a high quality dynamic headphone was tried – the Beyerdynamic T1. With this headphone the differences were harder to spot between the two Fiio players but the X5 appeared to give a slightly wider and more spacious presentation; the X3 had a little more bass impact or ‘slam’ to it.
FiiO has beefed up the bass/treble setting of the X3 with a full equaliser in the X5 model; there are now 10 bands between 31Hz and 16kHz, the frequency bands roughly double in breadth as they move up through the frequency spectrum; ie. 31Hz, 62Hz, 125Hz, etc. The steps in terms of EQ volume are very fine indeed, so this is a useful tool to anyone wanting fuller control.
Verdict
In all, the X5 is a winner if you have headphones which can reveal its audio quality. If you plan to stick with sub-£100 headphones or only have portable uses, you may as well save your money and get the X3. If you’re confident that your equipment can get the best out of the X5, then that is what I recommend – it is a clear improvement over the X3 and the extra money spent will not be in vain.
Hifiheadphones is happy to announce that the VK-1,a new Portable On Ear Headphone from Aedle is in stock now.
Price – £299.95
The Aedle VK-1 Valkerie is a closed back, on ear portable headphone with an exciting sound and superb style. The aluminium driver housing and brown leather compliment each other very well, making them very light and comfortable.
