Tag Archives: in-ear headphones

Oriveti O400 Quad BA Earphone Review

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Oriveti have a new BA based model, the O400, with a subtle sub-bass lift and a focus on clarity and control.

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Fit and Comfort

The Oriveti O400 have a similar shell design as all the newer O and OH series from Oriveti – a hand crafted resin shell that is smooth and very well finished that has a fairly short nozzle which allows for a shallow to medium insertion depth. They fit well in the ear, but the housings are not the smallest and will stick out a little for those with smaller/odd shaped ears like me.

Comfort is good, the housing shape really helps with this as there are no sharp edges that dig in to your ears, also the nozzle is a good angle and lenght to fit most people securely without the insertion depth being too intrusive. The cable has a pre-moulded section of memory wire which is very comfortable, and the cable is soft and comfortable in use.

Compatibility

The O400 uses 4 Balanced Armature drivers, they are Knowles drivers and split between ultra-low/low-mid/mid-high/high frequencies. The O400 have an impedance of 15Ohms and a sensitivity rating of 110+-3dB/mW @1000Hz – this means they are very easy to drive however being an all BA based model it is best to pair them with a source that has less than 1Ohm output impedance to get the best out of them.

Sound

Bass: The O400 have 2 drivers covering the low end, they split up the sub and mid-bass and allow for a subtle sub-bass lift that doesn’t bleed through and affect the midrange or cause any unwanted resonance and bloat. Oriveti have managed to pull off a really impressive tuning down low, one that has a full and deep sub-bass response yet a tight and impactful mid-bass that always sounds controlled. There is never any warming to the lower midrange, allowing vocals and guitars to shine through with ease, these don’t have a high level of bass and it is well aligned with the rest of the frequency response – so they wouldn’t be my pick for bass-heads – however they do handle bass very well without any discernible roll-off.

Midrange: Due to the exceptional control of the low end, the midrange just cuts through with ease and clarity on the O400 – offering up a revealing yet easy to listen to midrange experience without harshness. For the price these extract an impressive amount of detail from the midrange, you won’t miss a thing yet they are very well balanced too. Male vocals don’t sound dull, female vocals are devoid of sibilance or excess presence, the transition into the treble is handled very well and nothing stands out. These have an effortless and clean midrange that seems to handle anything you throw at them without sounding congested.

Treble: The treble rounds off a really great presentation allowing for plenty of air and ambience, along with detail and sparkle without overdoing it and becoming thin/bright sounding. You won’t miss any cymbal taps or crashes, snares are incredibly snappy and violins are presented with finesse and grace. There is no early roll-off, they aren’t muted or splashy, they have great control and this really does help to make the O400 sound refined, open and clean.

Genres and Soundstaging

The O400 work well with pretty much anything you throw at them, they have a controlled and clean sound with a mild sub-bass boost that adds body and reinforces the low end without affecting other frequencies. However these are not bass heavy and would not be my first pick for more bass oriented genres (the OH500 does a better job with those).

Soundstaging isn’t huge, there is great air though and whilst it may be lacking in absolute width and heigh there is good depth to the sound and positional accuracy is a definite strong point of the O400.

Who are they for?

  • Those wanting a clean and transparent sound without the more typical analytical tuning
  • People who want a comfortable and enjoyable daily IEM

Conclusion

Oriveti have created a unique tuning with the O400, they have a clear and open sound that has a slight sub-bass lift that helps give the sound a solid foundation and adds a bit of body without adding bloat or overall warmth. This works really well and the O400 are a comfortable and easy to listen to daily IEM that offer up a lot of detail for their relatively low price, yet another excellent value for money model from Oriveti and one that I can easily recommend you try if you enjoy a more detail oriented earphone.

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64 Audio Universal Model Overview

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U12t:

One of the most popular models, the U12t is in the sweet spot for price/performance. The U12t are a superb all-rounder that have enough bass to satisfy most but have plenty of technical prowess too. Almost like a baby U18t, the U12t are very well balanced and even handed with punchy yet dynamic lows, detailed and open midrange and effortless highs. The lows can be tuned with the apex module, the M20 giving a subtle lift in the sub-bass over the default M15. The bass is fast and articulate yet has body and punch too.

The midrange is crisp and clean, expertly separated from the low end it cuts through the mix with excellent detail retrieval. Layering in the midrange is a highlight, it is very easy to separate different layers in the mix. The highs here are perfectly in line with the rest of the sound, with impact, shimmer and extension all with the signature openness of the tia driver.

The U12t are very well balanced overall and handle anything you throw at them. They have a bit more of an up-front sound stage but with great layering. It’s easy to hear why they are so popular.

 

tia Trió:

This model is probably the one that is most forgotten in the 64 Audio lineup, yet they deserve some recognition. Here we have a very accomplished hybrid design, one that is all about engagement and enjoyment. There is a healthy dose of sub-bass extension helped with great articulation in the mid-bass. This low end gives the Trio a bit of fun factor but without overstepping the line to become fatiguing.

The midrange is present, up front and clean, never masked by the more powerful low end.  The highs come from the signature tia driver, which allows effortless extension but they are by no means up front and bright. The highs take a backseat overall, yet they don’t sound dark, with great detail and impact when called for.

The Trio are made for enjoyment, the lows have real dynamic punch to them yet they don’t drown out the midrange or highs. Perfect for those who listen to music with a good bassline to follow. Sound staging is great too, with a good sense of space and perfect imaging.

U18t:

The U18t are for those who love technicalities, cramming a whole 18 balanced armatures per side, the U18t are somewhat of a statement product. If you listen to the U18t for a while, anything else is going to sound veiled and muddy in comparison. They have such a clean and controlled sound signature that is perfect for those who want neutrality. Everything is cranked up to 11, these have headroom to spare and don’t put a foot wrong, whatever you play through them.

This level of detail does have its downfalls, one being they are very unforgiving so be sure to pair them with a good source and good music files. Once you do this, you will be able to pick apart every recording down to the finest detail, all this information is however delivered in an enjoyable package and the U18t are not fatiguing to listen to.

They don’t have the incredibly wide soundstage of the Fourte, but these are designed as more of a monitor like IEM, whereas the Fourte are geared more towards the audiophile market. If you love a detailed and neutral sound signature, the U18t are incredible and definitely worth a listen.

 

tia Fourté:

This model pushes the boundaries and shows what’s possible with only 4 drivers. This is a hybrid design with an intricate inner shell with chambers that help shape the sound. Nothing sounds overly boosted on the Fourte, but they do have a healthy dose of impact down low. The Fourte are very revealing and will throw up flaws in recordings, but the clarity in the midrange is truly astonishing. What’s even more impressive is how the top end just extends without rolling off at all.

The soundstage is one of the standout qualities of the Fourte, you can pick out the mixing techniques as vocals can be dead centre then shift to the sides a little.

Everything sounds very cleanly separated, yet the width and height of the soundstage are unlike any other IEM I have heard.

If you are looking for a true hi-fi experience, the Fourte deliver; with a more musical yet well balanced sound signature, effortless, crystal clear highs and impeccable soundstaging qualities, they truly are TOTL. Just try to stick to high quality recordings to hear the best these can deliver.

 

Fourté Noir:

These are a limited edition of the original Fourte, and sound very similar so I won’t go into as much detail. They do however come with a more premium 8-core cable that terminates in a 2.5mm balanced plug and has a 2.5mm to 3.5mm adaptor with it too. The Fourte Noir are a bit more refined when compared to the Fourte with a slightly smoother upper midrange and a little extra body in the sub-bass.

These differences are small but noticeable when you A/B them side by side. If you enjoy the original Fourte then the Fourte Noir may sound a little less exciting upon first listen but over time their smoother sound might be to your liking. If you’ve never heard either, both models are excellent. I would say that the Noir have a slight edge when it comes to the soundstaging too, but only slight.

Final B3 Dual BA Earphone Review

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Final B3

Aesthetics and Build Quality:

The B3 have a really interesting aesthetic, with sharp geometrics on the outside, yet rounded and smooth inner lines for comfort. Their matte silver finish looks great with the gold screws and chrome connector barrels. They have a very unique styling, and one that will stand out in the crowd, yet the colour scheme is fairly low key on the B3 (unlike the B1 which we will cover at a later date).

Build quality is superb, Final know how to make a solid IEM and the B3 are no different, although they are going a step further with the new models by including a detachable MMCX connector cable. The cable is silver-plated copper with excellent strain relief, along with great ergonomics and a shiny finish. Everything about the B3 feels solid and well built, I can’t find a fault with the build.

Comfort and Isolation:

The B3’s inner edges are curved and they fit like a glove in my ears, I personally have awkward ear canals and the B3 are one of the best fitting universal models I’ve ever tried. I can imagine that most users will find them to fit snugly with excellent comfort. The fact they don’t have stiff memory wire really helps too, as the cable effortlessly fits over your ear.

Isolation is good, not top levels due to these having a vent (even though they use BA drivers). They block out enough outside noise for general daily use and commuting duties.

Sound:

Bass: The B3 use 2 balanced armature drivers, this is something a bit different as Final used to only use single drivers. The B3 are somewhat of a fuller sounding BA driver earphone, with great depth and extension down low. The lows have excellent texture to them, they don’t have the sheer slam of some dynamic based models but they have great control and fullness that make them a pleasure to listen to. In terms of balance the lows are quite linear with no specific focus on mid or sub-bass, having good punch that is backed up with rumble and body. The low end is slightly thick, yet well controlled and punchy.

 

Midrange: The B3 have a mild U-shaped sound signature, but vocals have a way of being very well separated within the soundstage. They don’t jump out at you; however, they have great clarity and refinement. Tonality is excellent here, the lower midrange has enough body to sound realistic, yet the upper midrange has a slight lift to bring out a little air without becoming shouty or grating. Overall the midrange has a good level of accuracy, if not ever so slightly behind the lows and highs in absolute presence.

 

Treble: The treble is nice and detailed with great air and extension, the transition from the upper midrange to the treble is smooth and sibilance free. There is a slight boost in the lower treble which brings out a little extra energy however the overall presentation isn’t bright. It’s the air and extension that is most impressive up top, along with the fact they they have accurate tonality in the treble.

 

The soundstaging is really impressive, throwing out a wide soundstage with excellent separation and accurate imaging. The B3 really do excel when it comes to presenting a wide and accurate soundstage, never sounding congested or too up front.

Conclusion:

The B3 are one of those IEM’s that shows driver count is not as important as how you tune the sound. With only 2 drivers, the B3 has excellent top to bottom extension, a wide soundstage, coherency and transparency with a little added energy. They are a great all-rounder with a fairly well-balanced sound and an easy to listen sound that is engaging yet surprisingly accurate.

 

Sound:  4/5

Comfort: 5/5

Build: 4/5

Value: 4/5

Meze Rai Penta 5 Driver Hybrid Earphone Review

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Meze Rai Penta

Aesthetics and Build Quality:

IEM build quality is really on the rise, and the Rai Penta show off how good well CNC machined shells can look. The Campfire Audio line-up have been using this technology for a while and they have their own twist on styling, whereas Meze have gone for a more rounded look with an understated colour scheme.

The detail on the shells is incredible and you can see a lot of work has gone in to getting the finish as flawless as possible. The small vent for the dynamic driver is a work of art and these feel and look very premium.

Build quality is very good as you would expect, the shells being made out of aluminium are solid and sturdy, the MMCX connectors are tight and rhodium plated for durability. The cable is silver plated copper, with a high strand count helping with ergonomics. You can see the solder joints in the clear MMCX connector strain relief which is a nice touch. The 3.5mm jack is also rhodium plated, and there is good strain relief all round.

Comfort and Isolation:

The Rai Penta has a very ergonomic housing with rounded edges and a soft and flexible cable, this all leads to a very comfortable fit. Once you find the right size tips, you can leave these in and forget about them, they should fit most people’s ears well.

 

The Rai Penta are vented due to the use of a dynamic driver, this means there is no driver flex but the isolation is affected a little. They don’t leak, but isolation is not quite as good as fully sealed BA based designs.

Sound:

Bass: The lows on the Rai Penta has very impressive reach and linearity down low, they hit with authority yet extend without rolling off early. You can easily hear the sub-bass however it is not boosted and only comes out when it’s in the recording. They are very transparent and revealing and will bring out the bass when called for, they do however remain incredibly well controlled at all times and never sound congested or slow. The lows have the ability to be full when needed without affecting the midrange at all, and as they are so transparent the amount of body will change depending on the source.

 

Midrange: The midrange is remarkably well controlled and the lows never bleed in to the lower midrange. This leaves male vocals to cut through with excellent clarity and layering without added body congesting the sound. The tonality is spot on though and the Rai Penta are never lacking in natural timbre. Both male and female vocals excel with perfect presence, falling perfectly in line with the rest of the frequency response. It doesn’t matter how busy the mix gets, the midrange cuts through and is never left behind.

 

Treble: The highs extend effortlessly into the black background of the Rai Penta, yet they have great impact and energy without distortion or fatigue inducing peaks. The transition from the midrange to the treble is smooth with no emphasis so they are devoid of sibilance unless it is in the recording. The highs do nothing wrong, perfectly aligned with the bass and mids, they add great air and openness to the sound. Getting rid of sound tubes, and using CNC machining for the sound bores goes a long way in helping the high frequencies breathe and sound as open as these do. They don’t quite reach Andromeda levels of presence and air, but they are not lacking by any stretch.

 

The soundstaging is very good, with great depth and impressive width as you would expect for the price. Separation is a real strong point due to how controlled the Rai Penta sound, they never lag or sound congested no matter how busy the track gets.

Conclusion:

There are so many great models out at the moment that it is hard to pick which are best and thus we always recommend listening before purchasing. What the Rai Penta delivers are impressive dynamics and a level playing field for all the frequencies. Their transparency allows them to play well with all genres and bring out the best in all of them, it is not a jack of all trades, master of none experience either. Even at low volumes you get the full range and impressive dynamics, yet play them a little louder and they hold the same signature with nothing stepping out of line. The Rai Penta is a high-end IEM in all aspects, and delivers a balanced yet musical and natural listening experience.

 

Sound:  4/5

Comfort: 5/5

Build: 5/5

Value: 4/5

Lypertek PurePlay Z3 True Wireless Earphone Review

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Lypertek PurePlay Z3

Aesthetics and Build Quality:

The PurePlay Z3 (formerly known as TEVI) are a smooth and discreet, nothing really stands out on them with a small logo and silver trim ring on the faceplate. They smooth black finish looks great, there is a slight difference in colour between the 2 sections of the body but it doesn’t detract from the overall look.

Build quality is excellent, the joins in the housings are very smooth and they are finished to a high standard. The charging case is fabric coated and solid, and the buttons on the faceplates have a very positive click. Overall everything feels very well put together and durable for long term use. They are also IPX7 rated which means they are fine for your daily run and gym use.

Features:

The PurePlay Z3 use the latest Bluetooth 5.0 technology along with support for aptX, AAC and SBC codecs. Pair them with an aptX compatible device and you’ll get slightly better sound quality of course, but AAC also sounds very good.

The controls are easy to learn and intuitive, two click on the right to increase volume, two on the left to decrease. Three clicks on the right to skip track forward, three on the left to skip backwards. Single tap on either will pause the music, and a 2s press on the left will bring up Siri/Google assistant. You can also pick up calls and there are built in microphones that work very well.

Battery is rated at 10hrs per charge (SBC 50% volume), and I would say that figure is quite accurate from testing, using aptX will decrease this slightly but the increase in sound quality is worth the trade-off. The charging case supports another 6 whole charges, making these very impressive compared to the current competition.

Connectivity and signal stability are excellent, they pair easily and only cut out if you go out of range or add objects within the transmitting path (walls etc..). Overall, they work as advertised and don’t cut out if your phone is in your pocket or within a reasonable distance.

 

Comfort and Isolation:

The shape of the PurePlay Z3 is ergonomic with soft rounded edges and the perfect angle nozzle to provide a comfortable and secure fit without sticking out too far. The housings are a little on the larger size, but they never feel cumbersome when in use.

Isolation is pretty good; they do a very reasonable job at muting outside noises and are perfect for daily use and commuting.

Sound:

Bass: The bass on the PurePlay Z3 is full yet well controlled, it has a way of adding body without becoming the centre of attention. In terms of presence they are slightly north of neutral but they always sound very well balanced. There is good extension and kicks are backed up with body. The lows really are impressive, preventing the PurePlay Z3 from sounding thin but without making them sound bloated. They handle most genres with ease and have good articulation, lacking only a little speed during complex mixes.

 

Midrange: The lows are slightly north of neutral in terms of presence, but this does not mask the midrange and make vocals sound pushed back or congested. The midrange is well separated, lower male vocals do have a tiny bit of added body, and female vocals cut through with a little more detail but the overall midrange performance is very well balanced. Most consumer true wireless models have a habit of boosting the bass and treble, whereas the PurePlay Z3 comes across a lot more even handed and more suitable for a wide range of genres. There is great separation and layering, yet the coherency between frequencies is also excellent.

 

Treble: The treble is slightly laid back but luckily there is enough presence to prevent the PurePlay Z3 from sounding overly dark. The thing about the treble is that the tonality is just right, they don’t sound splashy or metallic and have great extension and detail. They have good accuracy when it comes to imaging too and they fit well into the frequency range. I would never call these bright though, and the treble is smooth enough that even the most treble sensitive users won’t have any issues with fatigue.

 

Soundstaging is good, not huge but very acceptable as most TW earphones sound very closed in. The detail present here is excellent and the separation between instruments is great.

Conclusion:

The PurePlay Z3 are very impressive, especially considering their sub £100 price point. Offering up a smooth and detailed sound signature that is well balanced yet slightly full. Add to that great stability and functionality and you have a TW earphone that is so easy to recommend, go out and grab one now as they are a game changer in the TW market.

 

Sound: 5/5

Comfort:5/5

Features: 5/5

Value: 5/5

Oriveti OH300 Review

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Oriveti OH300

Aesthetics and Build Quality:

The OH300 are constructed by hand from acrylic and the new finish is flawless. Smooth rounded edges and an all-black finish make them look professional and understated. The Oriveti logo and name is in silver lettering on the faceplate, and doesn’t stand out too much, I really do love the sleek and smooth look Oriveti have gone for.

Build quality is superb, the housings feel durable, the MMCX connectors are tight and don’t swivel freely which is great. The cable uses 8-cores of silver-plated copper and feels incredible with great strain relief too, I’m very impressed by the quality for the price.

 

Comfort and Isolation:

The rounded edges of the housing, combined with the size and comfortable cable all contributes to a superb fit, once you have found the right size tips. I did find that foam tips tend to make them fit more securely.

The OH300 isolate well, even though the housing is vented I have not found this to negatively affect the isolation. Perfect for daily commuting and general use.

 

Sound:

Bass: The OH300 are a hybrid model, and there is a single dynamic driver looking after the low end. Luckily, they have tuned this driver to be tight and fast, perfectly complimenting the detail of the BA drivers. There is still a little bit of added warmth from the dynamic driver, but this is well controlled and never causes any congestion. There is excellent articulation down low, along with great extension and punch. All in good measure and never becoming the main focus of the sound.

 

Midrange: The mids on the OH300 are spot on, perfectly balanced in the mix with natural yet clean tonality. Vocals are rendered with texture and emotion, yet they are also clear and detailed. Electric guitars have power yet during slower acoustic tracks they exhibit excellent reverberation and subtle detail retrieval. There is a no-nonsense approach to the midrange, it is where it should be with correct tonality and really does just get out of the way.

 

Treble: The treble is airy and extended, with great impact but not a hint of harshness. Cymbals are rendered with great impact and shimmer, yet they don’t have nasty peaks that induce fatigue. They are not toned down to make these a full sounding earphone, but they have an incredibly lively yet smooth treble response that is truly impressive for the price. There is plenty of detail and resolution up top too, it is this mix of resolution yet refinement that really impresses.

 

The separation is really impressive, along with the layering. The soundstage is not huge, but there are plenty of out of head experiences to be had, along with the fact that the imaging is pinpoint accurate.

 

Conclusion:

The OH300 really does a lot right, especially when you take in to account the £299 price tag. With a detailed and even-handed sound signature that is tonally accurate yet not boring. There is power when needed, yet they always have a controlled and refined approach to rendering your favourite tracks.

 

Sound:  5/5

Comfort: 4/5

Build: 5/5

Value: 5/5

 

Test playlist

Campfire Audio Polaris 2 Review

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Campfire Audio Polaris

Aesthetics and Build Quality:

Much like all other Campfire models, the Polaris are a thing of beauty. The precision CNC’s machined housings look perfect, the blue really does stand out against the black screws and smoky cable. Even the case compliments the colour scheme. Campfire, in my opinion, make some of the best-looking IEM’s out there.

Build quality is another strong point, the metal housings are perfectly finished, and the MMCX sockets are some of the best I have ever come across. The cable is a silver plated litz cable that is twisted, with good strain relief on the 3.5mm angled jack. I can see the anodised finish showing scratches in the long run, but I personally find that adds character to them.

Comfort and Isolation:

The housings may look uncomfortable but the inner sides have softer edges and once you find the right tips the Polaris are incredibly secure and comfortable to use. I found them to fit and sound best with foam tips, but this is down to personal preference. The cable now uses pre-moulded ear-hooks which I find to sit much better than stiff memory wire, it’s great to see more brands using this. My one tiny gripe here is driver flex, which is quite present when you first insert them.

Isolation is very good, perfect for daily use and commuting, even though the housing is vented for the dynamic driver, I don’t find this impacting isolation much.

 

Sound:

Bass: This is the part that is immediately noticeable when you first try the Polaris, and for good reason. These are made to deliver a very full and powerful sound, and they do that without fault. The bass carries real weight and impact, you feel as well as hear the notes. The bass may be the prominent frequency band on these, but they do this without totally masking the rest of the frequency response. They are not a dark, bloated mess, yet they still have a bass-heavy signature which is very impressive and a lot of fun. The sheer weight and power of the low end is quite astonishing, yet it manages to steer clear from masking the mid-range too much, only giving the lower midrange a hint of warmth.

 

Midrange: The midrange is clear and detailed, yet does come across a little behind the bass in terms of absolute presence. The lows do give a little body to the lower midrange, but the upper midrange is quite up front. The transition from the upper midrange to the lower treble is not the smoothest, bringing out a bit of sibilance in the recording. They do not suffer badly from sibilance, but it is there nonetheless, and more present than a few other IEM’s that are a little smoother. The Polaris trade off a little refinement for fun factor, and I honestly am fine with that. They are engaging, the midrange is clear and well defined, especially when you compare it to the bass.

 

Treble: Due to the T.A.E.C technology, the Polaris has an incredibly open and airy top end. The treble extends effortlessly with excellent tonality and presence, however is it not peaky or harsh. The openness of the top end really aids the soundstaging capabilities of the Polaris, offering a really spacious sound that is not congested or closed in. There is plenty of detail up top and the energy is what mainly prevents the Polaris from sounding too dark. I really do enjoy the treble performance of the Polaris, providing the perfect balance between being there and clearly audible, but not bright and overbearing. Campfire don’t need to artificially boost the top end to give a sense of extra detail, because the detail is there and audible.

Conclusion

The Polaris are one hell of an IEM, with a very powerful and engaging sound signature. The bass is there by the bucketload, yet the midrange is detailed and only slightly behind when it comes to presence. The highs are effortlessly extended and packed full of detail, giving them a sense of space and air that really opens the Polaris up. Overall a great buy if you want an engaging and powerful IEM.

 

Sound:  4/5

Comfort: 5/5

Build: 5/5

Value: 5/5

 

Final E4000 Review & Video

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Final E4000 Review & Video

Hailing from Japan, Final have been in the audio game since the 1970’s, where they started off designing and manufacturing high-end hifi equipment. Recently, they have focused on portable audio, and the E4000 is part of their E Series of earphones. Coming in at £120, the Final E4000 sits in the middle of the range and hits a very nice price-to-performance sweet spot.

BUILD

It’s very clear that Final take great pride in what they do, and the E4000 is no exception. The earphone housings are made from aluminium with an alumite coating for added resistances, and then finished in matte black, which I really like. The cable is replaceable and uses MMCX connectors. It’s also flexible and soft to touch, with good strain relief on the 3.5mm jack. The MMCX connectors on the cable could do with a bit more strain relief, however they seem to be pretty durable.

COMFORT

The E4000 is pretty standard when it comes to fit. The earphones are designed to be worn with the cable going straight down, and there are a good amount of eartips supplied to get the best fit. Final design the eartips in house, and their silicone tips are my favourite out of any I have tried. (And I have tried a lot.) For those that are sensitive to cable noise or prefer a cable-over-the-ear fit, Final have supplied the E4000 with ear hooks. These allow you to wear the earphones so the cable goes up and behind your ears. This can provide a more secure fit and will greatly reduce the amount of cable noise; it’s quite a rare thing to have both options.

SPECS

The E4000 houses a small scale 6.4mm dynamic driver, developed by Final themselves. With an impedance of 15ohms and sensitivity of 97dB, the E4000 can be used with a phone or laptop – however they will really benefit from a dedicated headphone amplifier or portable audio player. The extra power will open up the earphones more, improving soundstage and separation.

SOUND QUALITY

When it comes to sound quality, Final’s experience in the world of high end hifi really shows. There is a real musicality with the E4000 and sound comes across smooth and silky. Bass goes deep, and has an organic and rich quality to it. The mids sit nicely in the mix and carry on with that richness. Then up top, the treble provides sparkle and sizzle. Overall, the V shaped signature is smooth and easy to listen to, reminiscent to a lot of hifi setups I’ve heard and very much enjoyed. The E4000 has a big sound and part of this comes from the impressive soundstage, with space and air you wouldn’t normally expect from earphones.

CONCLUSION

Around £100 there are earphones out there from Shanling, Shure, Beyerdynamic and Westone to name a few. None manage to give the same hifi listening experience that the Final E4000 delivers. The E4000 is best suited to be used with a dedicated portable audio player or a setup with a headphone amp. If this is you and you’re looking for some wired earphones for some easy listening, have a go on the Final E4000.

Shanling ME100 Review & Video

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Shanling ME100 Video Review

OVERVIEW

The ME100 is Shanling’s first step into the world of earphones. Their history goes back a long way, starting off making high-end hifi equipment and then more recently becoming very well known for their portable music players. Now they’ve decided to apply their years of experience to the earphone market.

BUILD

It’s clear to see that Shanling mean business with the ME100. The housings are made using aluminium with a tempered glass outer coating. The aluminium has a matt black finish, which is a nice contrast to the glossy finish of the tempered glass. giving the earphones a very stylish look and feeling like they are built to last. Inside the housing is a 10mm dynamic driver. The drivers have been developed by Shanling themselves, with a nanocomposite diaphragm and a lightweight voice coil, providing more control and speaker efficiency.

COMFORT

Due to the size, weight and finish of the housings, comfort is very good with the ME100. They fit with the cable going over the ear: a typical in-ear monitor design. This provides a secure fit as well as deep insertion into the ear canal which helps with the sound performance and isolation. You also get a range of different eartips, with silicone and foam options. There’s a range of different sized silicone tips; the foam tips are supplied in medium size only. The large range of tips help to ensure that you’re getting a good seal, which is extremely important. I recommend you try all of the tips to make sure you are getting the most from the earphones, as a poor seal will result in a lack of bass and a tinny sound, which nobody wants.

FEATURES

Shanling haven’t scrimped when it comes to the accessories. The replacement cable is made using high purity oxygen free copper, with 8 wires all made up of 18 conductors each. The cable is coated in a TPE material which helps reduce microphonics, meaning cable noise is kept to a minimum. You also get a hard carry case which looks very posh. it’s a shame there isn’t a smaller pouch as well as the case supplied is fairly large. Once you’ve found the best fitting eartips, isolation is decent with the ME100.

SPECS

At 16ohms, the ME100 is designed to be driven well by portable devices, and the 111dB sensitivity means that they can go nice and loud from a phone or laptop. Plug them into a high quality player or amplifier, and the ME100 brings even more in terms of dynamics and soundstage, showing just how well the ME100 has been designed and built.

SOUND QUALITY

Now for the sound quality! The ME100 has really impressed me here. Bass is full and deep with a really enjoyable warmth. The bass stays where it needs to. It re-enforces the midrange without getting in the way. Shanling have nailed the midrange. It’s clear and crisp with a musical tone that’s on the brighter side, so it’s not as rich sounding as some other models out there, yet they do work well with both male and female vocals. There’s a good amount of body there and for me, I experienced no fatigue or sibilance. Up top, the treble extends far and keeps things exciting. Soundstage is very impressive. There’s a lot of space with well defined separation and clear imaging going from left to right.

CONCLUSION

For just under £100, I think the Shanling ME100 is extremely competitive, if not a bit of a steal. There are millions of earphones out there for under £100, including models from big brands like Shure, SoundMAGIC, RHA, Beyerdynamic and more. I think you’d struggle to find another earphone at this price that has the same level of build, with a replaceable cable, and sound verging on audiophile quality. The ME100 isn’t going to please bass heads, or those who want Bluetooth (even though you could attach a Bluetooth cable to the ME100’s MMCX connectors). The Shanling ME100 is well worth considering. You may not have heard of the brand before, but don’t let that put you off. You’ll thank me for it.

Sennheiser Momentum True Wireless Review

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Momentum True Wireless

Aesthetics and Build Quality:

The Momentum True Wireless look great, with a matte black body and textured aluminium faceplates. A lot of the lower end true wireless models look very generic and cheap, whereas Sennheiser have made sure these have a modern and simplistic look to them.

The build quality feels excellent too, with a sturdy body and great case there is nothing to go wrong. Providing you don’t drop them too often; I have a feeling these will last you a while.

Features and Comfort:

The little case they come with is really compact and charges them securely, with magnets holding the earphones in. It takes a while to get used to how the touch features work, but the manual explains it all and once you have used them for a bit, they become quite easy to use. The main thing is that the connection is stable, I haven’t had any drop-outs when in use unless I am a long way away from the transmitting device.

Comfort is great once you find the right ear tips, they stay securely in my ears and are very comfortable due to the rounded edges of the housing.

Sound:

Bass: The Momentum TW has quite impressive bass response, with a nice dose of added body which gives the sound a pleasant warmth. The bass is not necessarily the tightest out there, but it does a respectable job of keeping up with more complex tracks, along with having enough extension and impact to keep most people happy. The added body these have is great as when you use them in noisy environments you will still be able to hear every beat.

 

Midrange: The midrange is a little bit recessed, but there is enough presence to stop them from sounding overly V-shaped. Guitars have great tonality to them; however, vocals don’t quite grab your attention, lacking a bit of clarity. The midrange doesn’t really do anything overly wrong, but they do lack detail and come across a little muffled at times.

 

Treble: The treble comes across with good clarity but in a polite manner, never becoming overwhelming. They have quite good presence without any nasty peaks, there is a smooth and controlled nature to the treble that is very easy to listen to. They have just enough bite to prevent them from sounding overly dark, and they do extend with relative ease but this is hindered by Bluetooth codecs somewhat.

 

Conclusion:

The Momentum true wireless are the best true wireless headphones I have tested so far, with stable connectivity and good sound quality. Wired earphones at this price do still offer better sound, but at the cost of convenience. With a full-bodied sound that still offers a good level of detail, the Momentum True Wireless are actually quite impressive considering all that goes in to them.

Sound:  4/5

Features: 5/5

Comfort: 5/5

Build: 4/5

Value: 4/5

Effect Audio Ares II vs Eros II Comparison Review

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Effect Audio Ares II vs Eros II Comparison Review

 

If you are having a hard time trying to decide between the Ares II and the Eros II, we have written up a little comparison between the two. You cannot go wrong with either cable.

 

Aesthetics and Build:

These cables look superb, they finish is perfect and the braid is even, they are an excellent accessory for every on the go audiophile. They are not all about the looks though, the sound offered by both the Eros II and the Ares II is truly excellent for the price.

Both Effect Audio cables are built the same, with excellent quality jacks, a lightweight and slim y-split and soft over ear moulds that are much more comfortable than regular memory wire. The 2-pin connectors are sturdy, and the braid is tight and even, overall an expertly finished product.

Sound:

The Ares II is a lively and fun cable, the lows are still impactful and full but well controlled and not over the top. The midrange retains clarity and is not overshadowed by the slight increase in bass fullness. Where the Ares II goes against the typical copper sound is in the upper midrange/lower treble section, where it injects a little extra spakle and presence.
This makes this cable well detailed, but also fun and engaging to listen to. It pairs well with multiple IEM’s and if you are looking to get into the world of custom cables, the Ares II is the perfect place to start.

 

The Eros II paints quite a different picture, it leans towards the neutral side of sound and doesn’t go in to change anything drastic about the sound signature. What the Eros II does is increase the air between instruments, adding an extra layer of separation and allows the finer detail to shine through. The Eros II does add a tiny bit of presence in the treble, but it is not what I would consider a brighter sounding cable. The Eros II is clear, transparent and refined with excellent soundstaging.

Conclusion:

So there you have it, two beautiful cables both with different sound signatures. Which will be for you depends on synergy and what differences you want out of your current IEM’s. If you are in need of any cable pairing advice, give us a call!

Optoma Nuforce BE6i – Trendy Transmission

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Optoma Nuforce BE6i – Trendy Transmission

Wireless earphones are commonplace now; so much so, it’s not necessary to draw undue attention to the fact these days. However, it’s nice to see differing styles coming along and the Optoma Nuforce BE6i is a smart addition to this earphone category.

Pros:

  • Nice case included
  • Many eartips and fitting accessories
  • Well tuned for many genres
  • Good build

Cons:

  • Charging port is a bit fiddly

Design and appearance

First impressions last, and in this case, the impression is definitely of a well-heeled smartness; these are the sort of earphones you can listen to during a job interview. The backs of the capsules are magnetic, so the earphones can be worn securely around the neck between uses.

The design lends itself to the ‘down from the ear’ wearing style so anyone wanting to have the cable going up, over the ear will need to consider an alternative model.

The case is a very practical, semi-rigid affair which is perfect for use with the BE6i.

Durability & build quality

Cable and control/battery construction is good with no obvious weak points. The capsules feel quite solid as well, without being too heavy.

Comfort

There’s not much to say here; once in, the earphones can more or less be forgotten about provided you have a good fit with the supplied eartips and accessories. There’s plenty to play around with, including some ‘fins’ which sit in one of the various folds of the ear and help keep the earphones in place.

Sound characteristics:

The Optoma Nuforce BE6i has a warm sound with a bit of non-intrusive treble presence, good as an all-rounder.

  • Bass

Bass has some emphasis, but the BE6i isn’t a bassy model per se. It extends well with good sub-bass at a realistic level and perhaps a bit more of a boost in the mid-bass region.

  • Mids

Mids on the BE6i are very clear and unaffected by the bass. Harmonics and other directional cues are well rendered and vocals are sweet and well textured.

  • Treble

There is a bit of sparkle about the BE6i; it’s not likely to cause any discomfort though. Cymbals are shimmery without straying into strident territory, and muted trumpets are just raspy enough. Detail here is very good for a wireless model.

  • Soundstage & Separation

Lower frequencies benefit from very good separation and give a good impression of bass width; this continues up the frequency spectrum making an impressive presentation for a wireless model. Harmonics are largely preserved, making for an engaging and enjoyable time with the BE6i!

Music genres good for and why

As noted above, the Optoma Nuforce BE6i is a good all-rounder. Some may prefer more bass than the BE6i has to offer, but this depends on previous earphones and expectations. The BE6i is great with current studio music such as pop and rock, with more refined genres such as classical doing very well also since the midrange is so clear.

 

Summary

The new wireless BE6i from Optoma Nuforce is as smart as it is nice-sounding, giving a good impression of your music and complementing your outfit a treat. With a large range of accessories to get a perfect fit, the BE6i is a superb wireless choice.

Etymotic ER3-SE and ER3-XR Earphone Review

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Etymotic ER3-SE and ER3-XR Review

 

Not content with the splash it’s made with its updated ER4 designs of late, Etymotic is back with more! Or is it less? The ER3 models cost a good chunk less than their ER4 counterparts, so what does this mean in terms of value?

Pros:

  • Classic Etys for the price
  • Removable cable
  • Crystal clarity
  • Carry case

Cons:

  • Basic selection of tips
  • Etymotic deep fit not for everyone

Design and appearance

The ER3 versions are slightly more sensitive than the ER4 versions, with half the impedance too. This may have been done with an eye on the portable market, where some handsets may have struggled to get up to a good volume with the ER4 type.

Accessories are minimal with the ER3-SE and ER3-XR; along with the earphones themselves, we get a case and three pairs of tips. The two sizes of Etymotic triple flange, and a pair of ER38-14F type foam eartips.

Durability & build quality

The capsules are the most obvious change, with plastic-coated aluminium being used instead of the glossy metal look of the ER4. The cable has a good strong, but pliable feel to it, but it is a bit thinner and is not braided at the top. Apart from the slightly lighter weight and less glossy look of the ER3-version capsules, things are much as we’d expect from the ER4-XR and ER4-SR.

Comfort

No change here; Etymotics need to be inserted deeply to be at their best, and people either love the isolation they bring or hate the deep insertion of the eartips. Fortunately we love the isolation enough to ignore any initial discomfort, and the eartips seem to settle into place after a few seconds.

Sound characteristics:

Like the ER4 designs, there are two flavours of ER3. The Etymotic ER3-SE is the more strait-laced and neutral of the two, with the ER3-XR giving a little more bass warmth. Both however sound a little more gentle in terms of the midrange than their ER4 brethren. Where we sometimes get the feeling of jeopardy with the ER4 models, with an errant xylophone or female vocalist threatening to poke us in the ear, the ER3 versions are a little more laid back. Etymotic’s clarity has not been sacrificed though; the midrange presence is just a little more humane.

Bass

Sub bass on the ER3-SE gives a nice bit of wobble which is low in the mix, but there alright. The rest of the bass is as well controlled as expected, but understated; bass junkies need not apply. There’s some great control here though. Meanwhile, the ER3-XR has more of that skull-rattling sub bass and more slam generally. We’re still not in basshead territory, but if you like your sound a little warmer with more weight given to cellos and drums then the ER3-XR may be for you.

Mids

Mids are always a treat as far as Etymotic’s offerings are concerned, and the ER3-SE does not disappoint. While the midrange level is slightly lowered when compared to the ER4-SR, all the other attractive features are there along with a wonderful sense of spaciousness. Details are well rendered, though not with the sharp relief of the ER4-SR. Many will feel the ER3-SE has more comfortable sound when compared to the ER4-SR in terms of the sound, but with all its harmonic and spatial treats largely intact.

With the ER3-XR the extra bass presence vies for attention along with the midrange, so the midrange seems to lose its power slightly. The spaciousness of the ER3-SE is tempered, and the extra bass warmth takes its place. The ER3-XR is still excellent when it comes to midrange action and detail, but is arguably the better all-rounder of the two as the tuning works well with genres such as modern dance music.

Treble

The ER3-SE does not sound treble-heavy but there is some nice extension up top. If your recordings were made on analogue tape, you’ll probably know about it from the tape hiss coming through. Treble is at around the same level as the midrange after a smooth transition, and consequently does its job well whilst keeping the midrange in the spotlight.

The ER3-XR has the same treble presence as the ER3-SE, but the fatter low end gives the tuning a warmer feel.

Soundstage & Separation

With the detail and midrange clarity on offer from both these models, we can say that both soundstage and separation are a treat. The sound has a nice ‘out of the head’ feel without seeming unnatural and with good depth too. Separation and imaging are near perfect, if a bit toned down when compared to the dazzling ER4 designs.

Music genres good for and why

The ER3-SE is a great choice for acoustic music, classical and opera. With modern pop and dance genres, it can depend on your sensitivity to the upper midrange frequencies as to whether they work or not, along with your taste for bass. The ER3-XR is good for any genre you can throw at it, and we went through many!

Summary

Etymotic’s ER4 models are now available for cheap (albeit under the ER3 moniker), but their character is largely intact. Those who like to hear the smallest thing within their music needn’t study the fine print of credit card agreements in order to afford the ER3-SE and ER3-XR.

Whizzer A15 Earphone Review

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Whizzer A15 Earphone Review

The Whizzer A15 are well worth considering for their £69.99 price; detailed and fun sounding, with great build quality make them a winner.

Pros:

  • Well balanced
  • Detailed
  • Separation
  • Soundstage

Cons

  • Highs are not the most refined
  • Cable is a little thin (replaceable)

Aesthetics, Build Quality and Accessories

The Whizzer A15 is an interesting IEM, with a brushed metal outer shell and the company logo stamped in black on it. They look and feel excellent for the price and have a nice slim profile.

Build quality is very good, especially considering the price. The outer housing is metal, the cable has a soft and flexible section of memory wire and is sheathed in fabric below the y-split. The cable is detachable and uses the popular MMCX connection, so you can use aftermarket cables should you wish. The cable has good strain relief, my only concern is it is a little on the thin side where it enters the section of memory wire.

Accessory wise you get plenty of added extras, first off you get a nice faux leather carry pouch which is small and perfect for storing the IEM’s in. Next you get a metal tip holder with a variety of ear-tips. You get S, M and L in 2 different types of single flange tips, and also a pair of S and L foam tips. The A15 have removable dust filters, and come with a pair of tweezers to remove the old foam, and 5 pairs of new foam filters. Overall everything you need is included, along with some bonus extras.

Comfort, Isolation, Cable noise and Driver flex

The A15 are really comfy, the housing has no sharp edges and the memory wire is supple and easy to shape. Once in they are secure and comfortable for all round usage. I do find the angle of the cable does slightly push them out of your ear and foam tips offer a more secure fit.

Isolation is quite average on the A15, due to the large vent on the inside of the housing. They would be fine for most general usage, but if you are looking to block out loud noises, a fully sealed IEM would be better.

Cable noise is not an issue due to the behind the ear cable routing.

Driver flex is not an issue, I believe this is due to the venting of the housing.

Sound

Bass

The A15 are tuned for fun listening, with a strong and punchy low end but without excess or bloat. The bass will satisfy most people and lends its hand to all genres well. The bass is well controlled; during rock tracks bass guitars are easy to follow, and kick drums hit with authority and good body. Acoustic has excellent body and warmth with good tonality, and EDM is just fun and energetic. The bass does not bleed into the midrange, and extends right down to the sub-bass regions with ease.

Midrange

The midrange has excellent bite and clarity, as stated the bass does not cause excessive warmth to the midrange adding only a hint of warmth to the lower midrange. The midrange is also not pushed back in the mix which can happen with some of the more fun sounding headphones out there. A highlight of the midrange is the air and separation, allowing everything to shine through with delicacy and detail. Luckily there isn’t an upper midrange peak, allowing them to be fatigue free with no sibilance.

Treble

The treble is well presented in the mix, not being subdued or left behind. There is a slight peak which gives greater presence to the lower treble region and they don’t quite extend as effortlessly as some more expensive models. But putting them up against similarly priced models, you will find these sound more complete than the usual warm bassy sound of others. Initial cymbal hits have excellent energy but are not sharp, and do not become too bright and fatiguing.

Instrument separation is excellent, the A15 never becomes congested through faster more complex tracks, and the soundstage is above average with great width. Imaging is convincing with good spatial cues and directionality.

Conclusion

The Whizzer A15 lends its hand to all music, and does a great job at being a good all rounder. Stick on some rock and they are energetic and fun, well recorded acoutstic and you can hear subtle detail and warmth. Presenting a well balanced sound across the frequency range, the A15 is a well built IEM for the price with excellent sound to boot.

Sennheiser IE80s Earphone Review

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Sennheiser IE80S – An Old Classic Reborn

Sennheiser is a company which seems to have painted itself into a corner in recent years; how do they improve on the models they’ve had on sale for the past few years? It’s either a testament to their design teams of years past, or a damning indictment of the design team they have now. They’re recycling old designs, and adding an ‘S’ so we can’t pluralise without causing confusion. What trickery is this?

Pros:

  • Nice warm sound
  • Good assortment of tips and accessories
  • Carry case

Cons:

  • Could have more midrange clarity
  • Straight jack on cable

Design and appearance

A new version of an old classic is simple enough to achieve; round off the corners a bit more and you’re done! There’s probably more to it than that, but this new IE80S bears more than a passing resemblance to the original IE80. However it’s a good look, and Sennheiser obviously knows that it’s not necessary to have flashy designs or gimmicks to impress their fans.

The supplied case is sturdy and sleek, with a non-removeable foam insert which houses the earphones when not in use. Also there are plenty of eartips and accessories, such as a pair of earhooks if your cable keeps popping over your ears.

Durability & build quality

There’s nothing bad to write here, the Sennheiser IE80S is as expected with excellent build quality. The jack on the cable is a straight one which may be a problem for some; if you want a right-angle jack then spare cables for the IE80 will fit just as well.

Sound characteristics:

The tuning is what we expect from Sennheiser; there’s no drastic departure from the typical Sennheiser sound which is warm, with a smattering of treble to keep things interesting but staying comfortable.

Bass

Bass is fairly plentiful and should please lightweight bassheads; however the dials on the sides of the capsules can be adjusted to give a bit more grunt. Control is pretty good, but where it’s loose it feels as if that’s the way it should be. It’s loose with a touch of panache! Subbass is quite powerful if it’s in the music, and you’ll be in no doubt

Mids

The level of the midrange is lower than the bass, but pretty clear and enjoyable nonetheless. Harmonics are clear enough and there is no congestion here, but there is the feeling that the IE80S could do better; at least with the supplied eartips. Aftermarket eartips (such as Blackbird) seem to improve things in this regard.

Treble

Treble is gentle; we’re fond of a warmer sound but the IE80S still takes some getting used to. If you’re a fan of an airy, shimmery sort of presentation then the IE80S is not for you. If however you’re a fan of laid-back music then the IE80S is a contender. Plenty of detail is present though; it comes across as an extension of the midrange with a smooth transition.

Soundstage & Separation

Soundstage on the IE80S is pretty good for an IEM but there’s a lack of depth to the sound, apart from the bass which appears to spread out in front of the listener. Separation is good, but limited with the supplied tips. If you’re splashing out on the IE80S, then try some tips such as Blackbird or Spinfit.

Music genres good for and why

Due to the bass presence, the IE80S is best suited to dance music, pop and rap. Fans of classical, jazz and opera may still enjoy those genres with the IE80S but they will likely miss the airiness and the reverb ‘feel’ of the space the recording was made in.

Summary

Sennheiser’s souped-up IE80 design is here, and it’s an enjoyable listen for many modern genres but some may find the sound lacking air and space for genres such as classical.