The Beyerdynamic T51i is one of the best portable headphones out there. Now they have gone a step further by adding an in-line microphone and smartphone controls – making them the ultimate portable headphone!
HifiHeadphones are happy to announce that the Beyerdynamic T51i is now in stock.
The DUNU DN-12 Trident is the entry level in-ear headphone from this exciting brand. DUNU is making waves in the headphone world and I can see why – if they put this amount of work into their low priced headphones then I can only imagine what their high end models are like!
I had to keep reminding myself that these in-ears were under £50. The packaging is nicely finished and when you get inside you find a good quality leatherette bag, plenty of different eartips, a cable clip and even a carabina. The headphones themselves are extremely well built. The driver housing is made from titanium which feels great and has a good amount of weight. The cable feels tough and isn’t flimsy, this ends in a smartly designed angled jack connection – you even get a cable tidy designed by DUNU included.
DUNU have thought about even the finest details with their entry level earphone so you are totally impressed before you even listen to them!
Sound Quality
When I first listened to the DN-12’s I felt that there was a fair amount of bass and that there could be more treble… Then I remembered that they are £35!
Compared to other earphones in their price range they sound more refined with a good amount of bass that doesn’t bleed into the rest of the mix, the mids come through nicely with enough crack and the highs give a great sense of space. The soundstage is very impressive as you feel that you are right in the mix with a wide presentation. I really can’t think of anything negative to say about these great little in-ears!
HifiHeadphones Verdict
Not long ago I would have said that the SoundMAGIC E10 was easily the best in ear for under £40 – now they certainly have stiff competition! The DUNU DN-12 may not have as much weight in the low end as the E10, but for me this is for the best. These earphones feel and sound like something that should be worth somewhere in the £50 region, as not only can they compete with some higher priced models, they have put a lot of effort in the finer details – this for me helps put them at the top of their game
What can be better than the award winning SoundMAGIC E10 for under £40? The E10S has the same superb build quality and sound signature as the E10 but with the added function of a universal smartphone in-line microphone – need we say more?
Universal smartphone microphone (iPhone and Android)
Cons
Nothing to fault at this price
Key Features
Comfortable fit and distinctive design
Made for all smartphones
Integrated smart remote and microphone
Unique, all metal earphone construction
Powerful bass balanced with superb musical detail
Robust tangle-free twisted cable design
Skype/VOIP adaptor included
First Impressions
From the start it is hard to believe that the E10S is under £40. The packaging is smart and of a very high quality – once opened you find plenty of spare ear tips and an attractive hard case. Holding the earphones you can feel how well made they are and the innovative switch on the jack plug will let you set the earphones to work with any smartphone – you would not expect technology like this on such a modestly priced earphone.
Sound Quality
Once you get over the impressive built quality and actually try them out you will not be disappointed. Like the SoundMAGIC E10, The E10S has tight bass with plenty of weight – the mids are well defined and the top end sparkles. These earphones are perfect for listening on the go as the sound is fun and they will sound great with whatever you throw at them. Soundstage is better than what you would expect from an earphone at this price – it’s engaging and natural.
Verdict
If you have £40 to spend on some new earphones then go for the SoundMAGIC E10 – if you need an in-line microphone then go for the E10S. Easy.
SoundMAGIC have made a fantastic name for themselves within the budget in-ear market, no wonder they get on the list of top 10 best headphones under £50. The E18 is a great example of just how they do it – designing products which offer exceptional sound quality for the prices asked.
The ES18 has bass which is warm but not overblown, mids which are fluid and engaging, and highs which are slightly recessed. Suitable for those who find percussion and cymbals generally strident and fatiguing.
The DN-12 is a sturdily built IEM with solid metallic housings and a good solid sound also.
Bass is deep and punchy without being boomy, midrange is slightly recessed with high frequencies well balanced; there’s a slight roll-off for those who like a warmer sound signature; normal for IEMs of this price.
A very well put together earphone with a sound signature that is sure to please.
Hifiheadphones verdict:
A great IEM for the price, the DN-12 gives great weight to music and will suit those who like a fun sound.
Another entrant in the IEM market is FIDUE, and their range starts with the fantastic FIDUE 31 – the capsules are tiny and the sound is big!
Good warm bass and good mid-range detail – there is a slight roll off in the treble region for those who like a warmer presentation.
The earphones are lightweight and tough, perfect for running or in the gym. Ear tips are designed to keep the earphones in the ear and cables can be worn over the ear for a more secure fit.
Also fitted with a lightweight microphone in case you need to take calls.
Hifiheadphones verdict:
A great budget choice – narrower nozzles may make this a good choice for those with fit issues with other IEMs. Perfect for sports use.
The entry-level AF33 from Audiofly gives a fantastic sound, and the AF33M version gives added functionality with smartphones, offering an answer button for those calls.
Good bass which is tight and well controlled, midrange with a slight recess and treble which has liveliness and sparkle without being fatiguing. When we first tried these we thought that there was a mistake – these sound like IEMs which cost more than £50.
A very capable earphone with a grown up sound signature without the boom, boom of some other budget earphones. Very musical.
Hifiheadphones verdict:
Many are getting a kick out of Australian firm Audiofly’s range in more than one way. The engaging and involving sound of these IEMs will certainly get you waltzing.
Sennheiser’s entry-level full size, the HD201, is incredibly cheap for what you get – anyone looking for a good sound without wanting to part with much cash must be tempted by the HD201.
Good but not bloaty bass, a clear midrange and a slightly forward treble make these superb all rounders. Fantastic for detail, you might hear things with these which are missed on pricier headphones.
This are a ideal everyday headphone that won’t break the bank.
Hifiheadphones verdict:
Probably the best full-size headphone you’ll find for under £20, hands down.
The Koss Porta Pro may not be an obvious choice for the top 10 best portable headphones, it is likely older than most of its current users; introduced in the early 1980s, it pre-dates most other lightweight designs and has a real retro charm.
The sound is still very current however, as the PortaPro’s sound signature suits dance music, rap and anything the user can throw at them.
A good level of bass and midrange gives a good grunt with realistic body. The highs are a little rolled off but not to the point where it’s a problem, indeed the roll-off makes them less likely to fatigue the wearer if dance music is played.
Hifiheadphones verdict:
For the money this is amazing value – get yourself a design classic which has stood the test of time.
This portable is certainly a fun-sounding headphone – it also looks fun and feels it too!
They are very light and are a perfect travelling companion when folded into the semi-rigid case.Bass is present but not overblown, midrange is clear and involving, and highs are revealing but not overbearing.The flat cable does not tangle and the 90 degree jack is perfect for placing your music source in a pocket or bag.
Grado are well known for their trademark wide open and airy sound, and the iGrado follows in this theme. Designed to sit over the ear with a neckband keeping things in place, the iGrado gives a wonderfully natural sound.
They are wide open in design, meaning that there is no isolation. Others will hear your music, and you will be aware of the environment around you. This makes the sound much more realistic in terms of soundstage and imaging, but you may get some odd looks if these are worn on the train, for example.
Hifiheadphones verdict:
The iGrado is very popular with joggers and those who prefer to be aware of the sounds around them, also they are a great low-cost upgrade for anyone wanting a headphone specifically for use in the home.
Another of Grado’s great value headphones, the SR60i is much like its elder sibling the SR80i, but may be more appropriate for enjoying older recordings or music with less than perfect sound quality. As the SR60i is not as bright sounding as the SR80i, they may be better or you if you find that you get fatigued after listening for a while.
The SR60 has been around for 20 years, which in the fast-moving world of electronic gadgets seems like a lifetime. Apart from the odd tweak, why change something which works so well?
Hifiheadphones verdict:
The look, feel and quality of the SR60i is magnificent for the asking price; why not get yourself a slice of a headphone legend? If you like details and a more forward or bright presentation, consider the SR80i.
The Hifiheadphones team is pleased to announce the new Portable Apple/Android DAC and Headphone Amplifier from Beyerdynamic, the A200p is now available to be purchased on our website.
Detailed audio signal without the loss of sound quality when using portable devices. Compatible with smartphones, tablets and computers, the A200p offers high definition sound that was previously not possible for travelling audiophiles.
Designed to circumvents the internal signal processing, the integrated Wolfson DAC chip of the A200p receives the pure digital music data first. After converting the digital data to analogue music signals, a high-quality amplifier controls the output to the connected headphones. All this results in previously unheard details, better contoured and deeper bass, as well as natural instrument and vocal reproduction.
Beyerdynamic A200p supports iPhone 5, iPad Air, iPad (4th generation), iPad mini and iPod touch (5th generation) and most smartphones with Android 4.1 or higher, which have a digital USB audio output. The A200p is currently the smallest mobile DAC and amplifier that can work with all of these devices on the digital level.
Features
Crystal-clear sound with portable players
Compatible with Apple and Android devices
Digital connection via Apple lightning or Micro-USB
3.5mm mini stereo jack headphone connection
Volume control with 135 levels
LED display for charging, operation and volume
Three buttons for music playback/pause and skipping forward and backward
On/off switch with locking function
DAC with up to 24 bit resolution at 96 kHz sampling frequency
Integrated rechargeable battery with up to 11 hours operating time
Lauri Cular gets his magic towel and liniment ready for The Big Rig Showdown – which is the true mobile music master? The Cypher Labs Theorem 720 vs The Cypher Labs Solo -R / Just Audio AHA-120.
For many a year, we’ve had great fun at the expense of the music fan on the move; what about those roller skaters with half a coconut over each ear? Then of course there’s the Atlas figure with a ghetto blaster and curvature of the spine, and who can forget that legion of listeners with those white buds of mediocrity?
“Darn these Confederate batteries!”
For some however, no compromise is acceptable; great sound quality just has to be paramount. A lump in the trousers causes no embarrassment in such cases. So who exactly is trying to get these big things in our pants?
There’s a wide selection of portable bits and bobs as we all know; with the more static listener, there’s known to be an entry or ‘low’ end of the market and a high end. Portable devices, by the nature of who they’re generally aimed at, are mostly built around price and convenience; some of them only accepting MP3s or similarly lossy file formats.
Apple’s recent impact on the portable audio market is well known, and although their products have a fair reputation for out-of-the-box audio quality, it’s very difficult to satisfy all scrumpers. Due to the success of Apple’s fruits, other manufacturers deem it worthwhile designing ways to improve the sound quality of these devices.
It’s well known that a low-cost cable can be attached to a 30-pin connection which provides a line-out signal; a signal which bypasses the internal amp of the iDevice, to be fed into an external amplifier. This can give sound quality a boost, certainly where less sensitive headphones are involved. Line-out lightning connectors for newer devices are available via Apple, but they ain’t giving them away.
However, this cuts little ice with those who strive for their jive – Apple’s DAC is still doing the conversion to analogue. Perhaps understandably, Apple would not have such a marketable product if all components were as high-spec as possible, and the DAC is no exception. It’s to get the job done adequately.
Apple has been protective in the past when aftermarket manufacturers wanted to get in between their rind and pips; indeed a hefty royalty has been required should anyone want their product to truly interface with the iDevice’s software. This has affected the price of available gadgets greatly; hopefully this is changing.
Fostex’s HPP1 is one example of a DAC which will decode music on an iDevice, but here we will compare two high-end arrangements provided by Cypher Labs and Just Audio.
..The Theorem 720 with iPod Touch
On one side we have the new Theorem 720 from Cypher Labs; an all-in one solution providing both digital-to-analogue conversion and amplification. On the other, we have the Cypher Labs Solo -R, with separate amplification provided by Just Audio’s A-Class AHA-120. How do these compare, and is the extra bulk of a separate amp (and extra connections) worth it?
The headphones I used for this are at a similar level – the effortless Beyerdynamic T1. Being a semi-open headphone, these are not the first choice for portable use but are excellent for judging the subtle differences in sound quality between high-end rigs, and for illustrating how powerful the amps are.
The Theorem 720 blew me away with its accuracy and power, but the latter depends on the mastering of the recording. For instance Aha’s ‘Take On Me’ (what better to test this against the AHA-120?) was blisteringly loud, but Queen’s ‘Another One Busts the Dust’ needed more headroom. Of course, the T1 headphones are rated at 600 Ohms with 102 dB sensitivity, so the bar’s unrealistically high for portable power requirements. It gives a good comparative impression though.
Bass was present and under good control. The mids had great detail and strength, and the highs were crisp and clean. Soundstage and separation were very immersive, and I was very impressed with what I heard. However, specialist interconnects such as those supplied by ALO Audio were not used, just the standard 30-pin to Micro-B USB connection provided with the Cypher Labs unit.
It’s not hard to imagine that a plethora of high quality interconnects will be available soon for the Theorem.
..Just Audio AHA-120 with the Solo –R and iPod Touch
So then I popped on the T1s with the same 30-pin iPod – now with a Cypherlabs Solo -R, and the Just Audio AHA-120 headphone amp. There was an ALO Audio interconnect between the iPod and Solo -R, and an iBasso 3.5mm to 3.5mm between
the Solo -R and AHA-120. This rig has a slight advantage here.
The bass was a little more present, but by no means excessive. Mids were more recessed than with the Theorem, and high frequencies not so clinically accurate. The soundstage was a little narrower too.
But for all that, I far prefer the Solo -R/AHA-120 combo as it sounds so effortless and natural. The difference is like that of spandex and silk. Spandex is functional, comfortable and easily cared for. Silk on the other hand reqiuires a little more TLC and is expensive. But all that trouble seems unimportant when hitting the town with my silk shirt on – the pleasure of wearing ultra-stylish, comfortable and cool fabrics makes all that seem unimportant.
And so it is with the Solo -R/AHA-120. Even the sound of fingernails scraping the surface of a blackboard would create a large smile across my face when heard through this rig.
Cypher Labs is well known for producing seemingly military grade gadgets for uncompromising audiophiles on the go, but it looks as if the dedication of such users needn’t grow with the passage of time. With the Cypher Labs Theorem 720, digital to analogue conversion AND amplification are taken care of within one handy unit.
First Impressions
The Theorem comes in much the same packaging as its recent predecessors; good for getting the product to you, but likely to turn dog-eared before long if used for storing the item between sessions. There’s a booklet with a few FAQ-type questions and answers, perfect for those who like to get stuck in. I had this unit for the weekend, but was unable to charge it – it is distributed within the UK along with its default 2-pin US plug. Any orders from hifiheadphones.co.uk will of course be shipped with an extra UK-specific power supply.
As luck would have it though, the battery was well charged enough already and I was able to sample the unit both as an DAC with an iPod, and as a PC DAC. The unit comes with connectors for use with the Apple iPhone 5, iPhone 4(s) and some Android devices; depending on software the Theorem can be a DAC for HTC and Samsung models, for instance. I tried to get some functionality on my Huawei handset, but the recommended software is not compatible with my firmware so that was that. Indeed, for supported devices there is a charge for the full version of the suggested app on the Google play store.
The Theorem is built very well and like other Cypher Labs products, it feels as if it wouldn’t be out of place clipped to the side of an Abrams tank. I was careful not to drop it for fear of damaging the floor.
Uses & Features
Now that amplification is a part of what Cypher Labs does, I was looking forward to trying the Theorem as a plain headphone amp with my Walkman before delving any deeper. However there is no ‘Line-in’ socket which was a tad disappointing, and I returned to the office ipod to provide the audio.
There are 3 gain settings (L,M & H) but with my Phonak PFE 232s, I found myself stuck between the lower two settings. Admittedly the 232s have a 49 ohm impedance which is an unusual number, but the lowest gain setting had me wishing for more headroom, and the medium gain hardly allowed any movement of the volume pot before it got too loud. Also the gain selector switch stands proud slightly – I would feel nervous if using in-ear headphones on the street, it’s easy to imagine the switch getting knocked inadvertently.
The USB input is on the same end of the Theorem as the headphone socket which is a good improvement; should the rig go into a pocket or bag, the cables will not be such a problem.
Sound Quality
With my Phonak PFE 232s the presentation was certainly on the cool side for me, at least with the grey filters in the 232s. I exchanged these for the green filters which cut down a bit on the higher frequencies and tamed the sound. There was an unattractive ‘edge’ to the mid-frequencies which needed attention. Other than this, the presentation was very involving and there was a good amount of soundstage for in-ear headphones.
Leaving the 232s, I tried my old AKG K240 DF studio monitors with a very flat frequency response. I have found these headphones indispensable for mixing and arranging, but generally they aren’t the most fun to listen to. However the Theorem made them sound incredible and brought them up to a decent volume for me. Perhaps a little more headroom would be nice for those quieter recordings, but given that these headphones feature 600 ohms of Austrian intransigence, this is very good going for the Theorem.
Finally I tried the HifiMAN HE-400s which really is a superb match. The relative brightness of the amp (for me) complimented the HE-400’s warm character, and there is more than enough power to drive these orthodynamic headphones to their full potential.
Verdict
An excellent choice for those who will accept no compromise when on the move, and who have headphones which will reveal the extra information which the Theorem can glean. Big pockets are still needed to afford the device and carry it about, but given that it does the same work that two units did formerly, those pockets needn’t get too frayed.
Pros
One unit instead of two
Headphone cable/USB connections at the same end of the device
Good and powerful
Cons
Gain selector switch can be knocked accidentally
No 3.5mm Line In socket
Android devices require a separate app which is not free
KEF M200 Premium In-Ear Sound Isolating Clip-On HiFi Earphones. Taking on over 50 years experience in speaker design, KEF have re-created their celebrated full size speaker sound and made it portable with the M200 earphones. With KEF’s unique Dual Dynamic Driver technology the M200 offers detailed and engagingly natural sound with tight and controlled bass.
Two dedicated dynamic drivers cleverly placed in the housing combine in two separate chambers to funnel detailed, engagingly natural sound into the ear canal. With a 5.5mm driver devoted to the mid and high frequencies and a dedicated 10mm driver for the bass region, the M200 captures the natural an integrate sounds of live performances. As the drivers encased in a lightweight aluminium housing the M200 offers a tight and resonance-free bass performance.
KEF’s high performance audio cable incorporates an in-line microphone and remote for iPhone and Apple devices, smartphones, computers and other mobile devices. Included in the package of the M200 is a flight adapter, a protective case for storage and three pairs of silicone eartips.
To ensure the perfect fit, the secure arm of frame folds to the shape of the ear while the ergonomic shell the and soft silicone eartips create a tight acoustical seal for an undiluted and private listening.
Unique Dual Dynamic Driver technology
Detailed and engagingly natural sound across the frequency range
Light aluminium housing for tight, resonance-free bass
Secure Arm folds to shape of ear for secure fit
Ergonomic shell and soft silicone eartips form tight acoustic seal
High performance audio cable (1.2m) with gold plated 3.5mm jack
Compatible with smartphones, computers and other mobile devices
In-line microphone and remote for iPhone and other Apple products
Flight adapter, protective pouch and three pairs of silicone eartips
Taking the celebrated KEF M500 Closed Back Apple Compatible Headphones sound to the streets, the M500 headphones offer balanced and natural sound with intense clarity and detail united with comfortable design and Smartphone compatibility.
KEF M500 headphones incorporate fine-tuned 40mm neodymium drivers that deliver an extended high definition frequency response. Precise driver alignment in the acoustic chamber optimises clarity, dynamics and bass performance. Special acoustic sealing rings in the earcups allows for full isolation from external sounds while minimising sound leakage to the outside maintaining a private listening experience.
With KEF’s unique multi-directional Smart Hinge that make sure the earcups are positioned perfectly. Breathable memory foam earpads, lightweight design and comfortable headband together make the M500 a pleasure to wear, even for extended listening sessions.
KEF’s high performance audio cable incorporates an in-line microphone and remote for iPhone and other Apple devices, smartphones, computers and other mobile devices. To make sure the headphones are protected when not in use, KEF include an elegant storage case that matches the M500 design and build quality.
Neodymium driver tuned to deliver full range high definition response
Acoustic chamber is precisely positioned to optimise clarity, dynamics and bass
Copper-clad aluminium wire voice coil improves response to enhance musical subtleties and detail
Precision engineered in aluminium alloy lightweight frame
Multi-directional Smart Hinge on frame conforms to head shape
Memory foam earpads mould to the shape of the ear
Breathable earpad material maximises bass performance and comfort
Acoustic sealing ring isolates from external noise and minimises sound leakage
In-line microphone and remote for iPhone and other Apple products
