About iFI Audio & caterting to High-octane audio that takes your breath away.

iFI oversee the design, development and manufacturing of more than 60 products from their headquarters in Southport, UK. To uphold high-quality iFi Audio sources parts for its products from across the globe, including Germany, USA and Japan. Their focus is on creating products that improve sound quality and eradicate noise, distortion and hiss from the source device. In turn this allows you to hear as close as possible the studio-quality audio your favourite artists created.

This dedication to delivering the cleanest, most noise-free signal possible has resulted in iFi Audio also creating a range of power conditioners and isolators that ensure all mains and USB noise is blocked from contaminating the signal. On top of this they have developed a reange of high quality cables to carry those very signals.

iFi loves innovation and catering their products to up and coming technology

Over the last 11 years of research & development, iFi Audio has managed to put out an outstanding line-up of devices that have won many awards for their superior performance. Some of their most successful products include the Hip DAC 2, GO Bar, Zen DAC V2, iSilencer+, GO Blu, Zen Blue V2, the iFi XDSD Gryphon & the GO Link, to name but a few.

iFi loves innovation and catering their products up and coming technology, it does position itself as a “tech” company after all. Every iFi DAC and Amp features some of the best technologies around today. Burr-Brown DAC Chips, Custom Op-Amps and exceptional battery life. Many products even feature iFi’s cutting-edge technologies like 3D+ and XBass and the ability to drive xMEMs drivers.

Portable Audio

If you the type of person who enjoys your music on the go, then iFi has you covered. They are determined to deliver every symbal crash and a each pluck of a string straight into your ears. Their GO range of products has taken 2023 by storm and let’s not forget how successful and popular their Hip-dac2 is and how much new tech they have managed to pack into their iDSD Diablo X.

Home Audio

Another success story is iFi Audios home audio range and in particular the the ZEN series of DAC’s/Amps/Steamers/pre-amps. The most successful USB D/A converter is without a doubt the ZEN DAC V2, which is also available in a signature version (ZEN DAC Signature V2) and a “stripped down” version, the ZEN DAC Air. There is also the ZEN CAN headphone amplifier which is proudly advertised as a fully balanced amp that provides nitro for your headphones. Customers, reviewers and the awards received could not agree more.

Our Top 5 iFi Audio Product Picks

1. iFi Audio ZEN CAN Signature – £299.00

The ZEN CAN Signature is an upgraded version of the original, award-winning ZEN CAN headphone amplifier. Design for IEMs and headphones with audiophile-grade components for superior sound. The ZEN CAN Signature offers more than just power; it also delivers warm and exceptional sound quality. This is thanks to its Class A discrete balanced circuitry, inherited from the flagship Pro iCAN headphone amplifier.

2. iFi Audio GO link – £59.00

GO link from iFi audio – the headphone dongle linking you with your music. Its purpose is twofold. First, to enable corded headphones and earphones to connect to digital devices that don’t have a 3.5mm headphone output. Second, even if a device does have a headphone socket, the GO link delivers a big sonic upgrade. This is because its sophisticated DAC (Digital-to-Analogue Converter) and headphone amp circuitry is superior to the audio tech contained within mobile devices and computers.

3. iSilencer+ & iDefender+ – £59.00

Have a buzz problem from your sources USB? Get the iDefender+. Getting pops, clicks, delays? Fear no more! The iSilencer+ whisks those noises away.

4. Zen DAC V2 – £199.00

Compact enough to use as a USB DAC/amp on your work desk and stylish enough to use at home with your favourite active speakers or amp, it delivers a level of specification and performance that punches above its super-affordable price tag.

5. iFi Audio NEO Stream – £1,299.00

iFi NEO Stream is built to deliver optimal versatility and sonic performance. It combines the latest version of our network streaming engine with our award-winning DAC stage to deliver a level of audio previously unattainable without spending much more than its price tag. Just add your choice of amp and speakers.

Lastest iFi Audio Updates and News:

iFi GO blu Air: Portable Hi-Fi, Made Lighter

August 28, 2025

Say hello to the iFi GO blu Air! This pocket-sized Bluetooth DAC & headphone amp puts premium sound in the…

GO Pod Max: The Wireless Upgrade Your IEMs Deserve

June 25, 2025

Say goodbye to compromise. The iFi GO Pod Max gives your favourite in-ear monitors the freedom of true wireless, without…

Take Off with Better Sound: Meet the iFi UP Travel

May 15, 2025

The iFi UP Travel is built for those who take their sound seriously, even when they’re on the move. Whether…

Go Pod Air : Free Your IEMs

May 15, 2025

The Go Pod Air turns your favourite IEM’s into high preformance TWS earbuds without compromising on sound. Are you are…

The post Brand Story: iFi Audio appeared first on HiFiheadphones.

Shanling H1 Portable Headphone Amplifier Review

We’ve been treated to a few of Shanling’s products lately; as well as the excellent M1 and M2S players, this little amp promises to give brands like Fiio a run for their money! The entry-level portables market has been truly cornered by Fiio in recent years, so it will be interesting to see what impact Shanling can make here.

Pros:

• Small, handy unit
• Thoughtfully designed volume control
• Well constructed

Cons:

• None

Design and Appearance

The Shanling H1 amp is a small unit, being 7cm x 6cm and about 1.5cm thick; about half the size of the average mobile handset. The edges are bevelled and the unit feels good in the hand, with enough weight to feel substantial for its size, although the unit is itself not heavy.

Key Features

The main feature is the recessed knurled volume knob which is centred on one side of the amp, which is protected from accidental operation by the amp’s housing. Power/charge lights are on the top, plus there’s a gain switch and micro-USB socket on the rear for charging. That’s it! The H1 is as simple as it gets for an amp, and it’s all that’s needed.

Durability and Build Quality

The Shanling H1 headphone amp is constructed from aluminium and has a pretty solid feel about it. It will probably have no problem being dropped occasionally, but we’ve not tried this here! The volume knob has a smooth, solid feel as it’s turned and it has enough stiffness not to be operated accidentally whilst in the pocket.

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READ MORE: Oriveti New Primacy Hybrid Driver IEM Review

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Sound Quality

This amp goes loud for its size; we couldn’t resist pairing it up with a HiFiMAN HE-6 which is notoriously difficult to drive. On the low gain setting, and using an incoming line-level signal, the volume goes up to hearing damage levels with the HE-6 on some pieces. Not bad! Of course, we don’t recommend this pairing for getting the best out of the HE-6!

The H1 is designed for portable use, so was tried versus being directly connected to a cheap phone with portable earphones . The sound is faithful and quite neutral, although there is a little more thump coming through with the sub-bass. Music appears to be more relaxed and natural through the amp, where it sounds a little strained with a direct connection. Listening to this amp with a pair of SoundMAGIC E80 earphones is actually very enjoyable!

Summary

Shanling’s new H1 portable amplifier is a palm-sized affair, but Fiio had better start making room anyway!

The post Shanling H1 Portable Headphone Amplifier Review – A Brawny Baby appeared first on HiFiheadphones.

Acoustic Research M2 Review – Android on Steroids

Acoustic Research is one of those old names which has been connected with the world of hi-fi for some 63 years now, although it has changed hands a few times since. Responsible for quite a few innovations over the years, can this brand offer anything new to music fans in 2015? Fully equipped with Wi-Fi capability, the AR-M2 can work with streaming services such as Spotify; so now we’re not limited to the tracks we have stored on our players.

Design and appearance

The M2 is a relatively large and weighty player, with the front side almost completely composed of glass; a fair amount of which is the touchscreen (62mm x 110mm to be exact). The back of the player is bevelled and it settles in the hand well. Its angular form and dark glass screen is reminiscent of a 1980s coffee table, but only a little one.

Key Features

Given the M2 is an android-based player, there’s a fair amount of customisation possible – there’s no bloatware or anything to get in the way, but users can always add items they wish to use. Spotify was installed without a problem, for instance.

Other than the touchscreen, there are 4 buttons on the side for track control and power on/off and a volume wheel on the top. Outputs are limited to headphones and line-level output. There’s a little sliding door for micro SD cards if the internal 64Gb isn’t enough for your music collection, and of course a slot at the bottom for connecting to a computer via USB.

The player can be ‘locked’ for when it’s playing whilst in a pocket or bag; however the buttons on the side still function so there may be some issues there. The volume control wheel on the top is still sensitive when the M2 is locked so again, care is needed.

The player was taken outside on one of the brightest days we have in the UK (we do get bright days) and with the settings adjusted for maximum screen brightness, the screen was clearly legible. The only problem is the fingerprints on the vast expanse of screen which are also clear to see.

The Dac within, a Burr-Brown PCM1794A offers up to 24-bit/192kHz playback and supported formats include DSD, WAV, AIFF, FLAC and ALAC.

Being Android-based, streaming services such as Spotify can be installed on the AR-M2 for use over local wifi networks, making this player more useful still.

Durability & build quality

As alluded to above, the M2 is solidly built and gives the impression of something which will last for a good few years. The back does have a hollow ring to it when tapped with a fingernail, but it doesn’t feel hollow or flex with pressure.

The M2 will be fine in a trouser pocket, but tight trousers might not react too well. Bend over and you might gore yourself – the design is strong and unyielding! The M2 comes with a velvety pouch for protection – ostensibly for the player itself, but it might help avoid the odd nick or scratch elsewhere too.

The buttons on the side of the unit for play controls can be operated even when the unit has gone into standby/hold mode, so fishing the AR-M2 out of a pocket may cause an unintended change of track. Also, the volume control can be operated while in this state. Although it’s firm, it’s loose enough to be operated by material brushing against it in the tight confines of a pocket or bag.

Sound Quality

There’s no question about the power available within the AR-M2; with a HiFiMAN HE-6 attached, volume gets up to a respectable level – even a little too loud for sustained listening, depending on the genre. Likewise with the Audeze LCD-3.

With IEMs such as the Dita Answer (Truth Edition), the AR-M2 is in its element with well controlled bass, excellent space and detail in the midrange, and a rich airiness which brings the best out of both the music and the earphones.

Within the supplied AR player app, EQ settings are possible with many genre-based presets but there’s a limit to the control possible with the rudimentary 5 band on there. This can always change with future updates, however the unadulterated sound of the AR-M2 is perfect.

Pros:

Fast, responsive touchscreen
Large internal memory
Can run apps such as Spotify

Cons:

Side buttons can be pressed while unit is on ‘hold’
Volume control can be accidentally operated

Summary

The Acoustic Research M2 (or AR-M2) is a fantastic sounding player which is well worthy of a position at its price point. Holding it gives the impression that it’s a serious bit of kit, despite all the fun it gives. It has enough power to drive all commonly used headphones well; even 600 ohm cans with sensitivity below 90dB. The large internal memory and the adaptability offered by the Android-based operating system make this a very nice pocketful, although a large one. It’s definitely one for a jacket pocket or bag.

Please take a look at our video review below for more details.

The post Acoustic Research M2 High Resolution Audio Player – Expert Review appeared first on HiFiheadphones.

Earlier this year we were pleased to announce the new Lotoo PAW Gold player, but now there’s a smaller (and a much lower cost) model from Lotoo called the PAW 5000. At half the size, less than half of the weight and less than a quarter of the price of the PAW Gold model, can this upstart bring home the audio bacon?

Design and appearance

The button arrangement on the front is very similar to the earlier model, and the wheel on the 5000 model enables files, folders and options to be selected. The PAW Gold’s frontage was adorned by a little too much of the blingy stuff by all accounts, so the 5000 has been reined in with just a touch of gold on the power button. Very tasteful.

With handheld devices, the trend seems to be towards touchscreens now. This can give greater functionality and versatility, but buttons do offer a more instant tactile feedback. Also the advantages of a button-operated unit present themselves in winter where the PAW 5000 can be used with gloves on, or with gloves off and cold fingers!

Key Features

The PAW 5000 has more connectivity than the PAW Gold, with an optional SPDIF output for attaching to an exterior DAC. There’s a headphone socket of course, and a line-out socket for external amps. Another welcome option is the ability to work with bluetooth headphones via the bluetooth 4.0 standard so you can enjoy your music wirelessly without the possibility of snags.

Durability & build quality

The PAW 5000 is a lot lighter than the PAW Gold, but still feels solid. Buttons feel well made, and the wheel has a free-flowing quality about it while still feeling sturdy. Unlike the PAW Gold model however, a collision with a tiled floor may result in a dented player, rather than a cracked tile. Although the player has no flex or ‘give’ as it’s squeezed in the hand, a tap on the back cover does betray a slight hollowness.

Sound Quality

(Tested with an Audiofly AF180 IEM with EQ off on the player)

We’re used to using earphones such as the Audiofly AF180 with a Chord Hugo (with a Fiio X3 connected via coaxial) and so were expecting a bit of a drop in quality in terms of sound quality. It’s not that easy though.

With EQ disabled, sound is neutral with a nice depth and breadth – soundstage is as good as headphones will portray. The presentation does not have the precise, clinical edge which some high-end players (such as the AK240) have, but that’s no bad thing. Details are not lost; they are there, but just not pushed at the listener so much.

The Lotoo PAW 5000 is a good match for these earphones; the AF180 earphones cost only a little more (at £369.99) and are well served. The PAW 5000 helps to bring out the best in them, and should the listener wish to have a bit more (or less) edge to the sound, the EQ settings should have something to please. These are much the same as the PAW Gold player, featuring both permanent presets and user configurable presets too.

Pros

Digital output (SPDIF)
Balanced output (2.5mm)
Many EQ presets, also user configurable EQ
Bluetooth 4.0

Cons

No internal memory
Supplied SuperSpeed USB cable is quite short

Summary

The Lotoo PAW 5000 does not require deep pockets; in more ways than one. The sound quality and features found on this device rival much higher priced equivalents offered by other makers, and the diminutive size of the PAW 5000 makes it very convenient to keep as a constant companion for those quiet (or noisy!) moments.

The post Lotoo PAW 5000 High Resolution Audio Player – Expert Review appeared first on HiFiheadphones.

FiiO X1 – £99.99

We’ve certainly been spoilt by Fiio’s offerings of recent years; it’s a situation that’s all too easy to get used to. First it was amps which got insanely cheap, then DACs. Now we have to get used to the idea of great quality digital audio players for under £100. What’s the world coming to?

Based on the design of bigger brother the X5, the X1 sports a control wheel on the front and buttons for an alternative means of control. Options and tracks can be scrolled through quite easily, and information is displayed clearly on the generously-sized screen. EQ status and battery can be checked at a glance, and other improvements have been made to the player’s software when compared to Fiio’s other players, such as the X3. For instance when moving around the menu system whilst listening to a track, it is now possible to see on the file list which track is playing; but you will need to find your own way to the exact folder where the file is.

Output options are reduced when compared to the X3 and X5; the X1 has one audio output socket only, but is good for both headphones and line-level output. This needs to be selected within the player options menu while no music plays, so don’t worry about the possibility of damaged equipment!

Another very nice feature is the capacity to detect button presses from a headset. When used with headsets on the newer CTIA wiring standard, the X1 should be able to pause, skip track forward and skip track back. This was tried with the new Sennheiser Momentum in-ear model, and the SoundMAGIC E10S.

The sound is amazing for a player under £100. Compared to the X3, the X1 comes across as slightly cooler-sounding and the quality is what we have come to expect from Fiio. The sound gives a slightly brittle impression when compared to more expensive players such as the AK100; but at a fifth of the price the Fiio X1 is a very credible alternative for the cash-strapped music fan!

Return to : Best high resolution audio players to buy in 2015 – Expert Reviews

The post FiiO X1 Review – Fun For Under A Ton! appeared first on HiFiheadphones.

Verdict

We are impressed with the sound quality and power which the Fiio E18 provides; together with the mobile DAC functinality and everything else, nothing gives better value for money. However, it would have been much better (and safer) to have that gain switch recessed, or indeed buried into the side of the unit, rather like the E12. There’s no way we would chance using the E18 with an IEM whilst out and about. Either that prominent gain button should be ripped off or the switch covered up with tape, to save our ears from a possible bashing. Similar with the track/play/pause controls on the side of the unit – these can be swithed and operated all too easily.

Pros

• Great Value

• Oodles of power

• Extra functionality with smartphones

Cons

• Gain switch and track select buttons too prominent

The Swiss have enjoyed enormous success with their pocket knives, they are handy and can do a variety of jobs. However if wishing to hack your way through the jungle, a 3-inch blade is going to keep you busy.

Up until recently, portable headphone amps appear to have been aimed at providing a good level of power, or a lot of features. The Fiio E18 changes this, as it can accept a digital signal from a multitude of handsets as well as PC, and amplify enough to power any less-sensitive headphones up to 600 Ohms! Please check the E18 Kunlun page on Fiio’s site (http://www.fiio.cn) for exact details on compatibility.

Key Features

The E18 is a no-nonsense design like the E12, but with a few more tricks up its sleeve. DAC functionality combined with track select controls make this a versatile and useful addition to any portable set-up. Gain and bass boost controls will help get your preferred sound from a vast array of headphone models.

First Impressions

The track skip/back buttons on the side along with play and pause are handy, but it would have been preferable to have seen these recessed – unrequested track skips are an annoyance. Bass boost and gain switches are placed near the volume pot on the top end, and there’s little to prevent accidental operation of the gain switch. Accidental operation of the gain switch could potentially be quite damaging if wearing sensitive IEMs.

There’s a switch on the opposite end to select the source for the DAC (PC or phone) and also there’s the option of using the E18 as a power source itself; this was tried with Fiio X3 and smartphone – they both started accepting a charge, although this smartphone is not compatible with the DAC.

The outward design is not dissimilar to that of the E12 which is an amplifier only. It has been mentioned that the E12 is a little better in terms of amplifier quality, as well as more powerful. But the question everyone wants to know the answer to is ‘will it power my headphones?’ and the answer is very likely to be yes.

The E18 was tried with the AKG K240 DF (600 ohms, 88dB sensitivity) and the dial wasn’t turned all the way up – it was ear splittingly loud with room to spare! The E18 should be able to drive anything the modern world has to offer, within reason. The manuafacturer states an impedance range of 16 – 150 ohms, but there’s nothing like trying these things. So long as your recording is done well (and not extremely quiet), the E18 is enough to really blast it out.

Sound quality

The Fiio E18 was run from a PC to test DAC functionality and quality. It was up against an X3 and E12 together, which seemed like a fair match. A 600 ohm Sennhieser HD540 was used.

The E18 appeared to give better resolution; sounds were relatively flat and dull on the X3/E12 combination. I decoupled the X3/E12 rig and plugged into the X3 alone; predictably, things improved in terms of details due to fewer connections in the chain, but the relative lack of power took some of the wind out of my X3’s sails. Bass and hats were pushed back a little.

Summary

With the wants and needs of the average portable audio fan growing all the time (in part helped along by just this sort of product!) the Fiio E18 tries to tick as many boxes and cover as may bases as it can, and it does a great job of all of them.

Score: 8/10

The post FiiO E18 Kunlun Portable Smartphone Amp/DAC Review appeared first on HiFiheadphones.

Enter the world of the professional audio decoder FiiO E18 with the convenience of listening to music from Smartphones, and the pleasure of high fidelity audio.

Reference quality digital-to-analogue audio conversion for music played via compatible Android smartphones. FiiO E18 is compatible with Samsung Galaxy S3/S4/Note2, HTC One, and other Android devices with USB OTG and USB digital audio output capabilities.

FiiO E18 can be used USB DAC and amp as replacement of the on-board soundcard on computers and laptops. FiiO E18 serves as a dedicated headphone amplifier when connected to portable audio players.

The user-friendly volume knob design with symmetrical volume roller is resistant to accidental bumps, yet easy to adjust. When used as power source, the automatic cut-off and self-recovery function of charging current limiter IC on the E18 protects the phone. The 3500mAh Li-polymer battery achieves 25 hours playtime when used as amplifier only, and 12 hours utilising the DAC and amp combination.

• Performs reference quality digital-to-analogue audio conversion for Android smartphones
• Compatible with Samsung Galaxy S3/S4/Note2, HTC One and Android devices
• USB DAC functionality for computers and laptops
• Works with laptop and desktop computers at up to 24-Bit / 96kHz high definition audio
• High-end op-amp audio output circuitry with ultra low distortion and noise
• 3500mAh battery for up to 25 hours of use as an amp-only, or up to 12 hours as DAC+amp
• Charges in 4 hours with optional 2A USB adapter

To purchase the unit, please visit our website:

Buy FiiO E18 Kunlun Portable USB DAC & Headphone Amplifier

The post FiiO E18 Kunlun Portable USB DAC & Headphone Amplifier – Announcement appeared first on HiFiheadphones.

Detailed audio signal without the loss of sound quality when using portable devices. Compatible with smartphones, tablets and computers, the A200p offers high definition sound that was previously not possible for travelling audiophiles.

Designed to circumvents the internal signal processing, the integrated Wolfson DAC chip of the A200p receives the pure digital music data first. After converting the digital data to analogue music signals, a high-quality amplifier controls the output to the connected headphones. All this results in previously unheard details, better contoured and deeper bass, as well as natural instrument and vocal reproduction.

Beyerdynamic A200p supports iPhone 5, iPad Air, iPad (4th generation), iPad mini and iPod touch (5th generation) and most smartphones with Android 4.1 or higher, which have a digital USB audio output. The A200p is currently the smallest mobile DAC and amplifier that can work with all of these devices on the digital level.

Features

• Crystal-clear sound with portable players
• Compatible with Apple and Android devices
• Digital connection via Apple lightning or Micro-USB
• 3.5mm mini stereo jack headphone connection
• Volume control with 135 levels
• LED display for charging, operation and volume
• Three buttons for music playback/pause and skipping forward and backward
• On/off switch with locking function
• DAC with up to 24 bit resolution at 96 kHz sampling frequency
• Integrated rechargeable battery with up to 11 hours operating time

To purchase the unit, please visit our website:

Buy Beyerdynamic A200p High-End Portable Apple/Android DAC and Headphone Amplifier

The post Beyerdynamic A200p High-End Portable Apple/Android DAC and Headphone Amplifier – Announcement appeared first on HiFiheadphones.

The AlgoRhythm Duet headphone amplifier is perhaps the closest yet to true desktop quality in a portable format. Hear the lowest lows and highest highs. Drive both IEM and large planar magnetic headphones. Ultra low deep and clean background, powerful bass, bold, authoritative and expansive.

Cypher Labs AlgoRhythm Duet pairs perfectly with the AlgoRhythm Solo -R or AlgoRhythm -dB. The size, style and colours all match up so now you can have a complete Cypher Labs rig. Three gain settings, balanced input and output using a mini-4 pin connector and single ended 3.5mm input and output.

AlgoRhythm Duet offers volume gain settings optimised for all headphone types, including in-ear monitors and planar magnetic headphones. Markings are laser etched on extruded aluminium for durability.

Features

• Fully balanced high power analogue headphone amplifier
• Matches in size and style with the AlgoRhythm Solo -R and -dB for the ultimate portable rig
• 3 gain settings, balanced input and output and single ended 3.5mm input and output
• Markings are laser etched on extruded aluminium for durability
• Single ended line-level analogue output
• Balanced mini-4 pin input and output (never translated from single ended)
• Output optimised for all headphone types, including in-ears and planar magnetic headphones
• Analogue system does not utilise PC driver
• High capacity lithium-polymer battery – 10-14 hours play time – fast re-charge
• Designed and assembled in the USA

To purchase the unit, please visit our website:

Buy Cypher Labs AlgoRhythm Duet Portable Headphone Amplifier

The post Cypher Labs AlgoRhythm Duet Portable Headphone Amplifier – Announcement appeared first on HiFiheadphones.

Not sure whether to buy a headphone amplifier? This article will inform you of the benefits of adding an amplifier to your existing setup, or buying an amplifier with your new headphones.

When you’re buying some new headphones it’s always good to think about what your source will be; whether it’s an iPhone, Laptop, DAP (Digital Audio Player), your home HiFi or a bit of everything, figure out which has the lowest output and if it can drive your chosen headphone. So if you use a mobile phone as your main source and you’ve decided on some Earsonics SM64 earphones which are very hard to drive, you will need a headphone amp to add some extra power so you can get the most from your new purchase.

There are plenty of headphones designed to be used with mobile phones and other low powered portable devices; these headphones generally have low impedance (up to 32ohm) and high sensitivity (95db and over) so they are very easy to drive. This doesn’t mean that you won’t benefit from an amp; not only do amps add extra power but they can also change the sound by improving sound stage, separation and depending on the amp add warmth or brightness.

Another benefit of getting a headphone amp is that some of them have EQ settings on them, so you can adjust the amount of bass you want depending on what you’re listening to.

If you have decided to go for a headphone amp you now need to decide which one to go for, there are many to choose from and they go for anything between £20 and £1500. Amps can be split into two main groups, portable and desktop. If you are going for a portable amp then you could go for something like the FiiO E11 which is powerful enough to drive most portable headphones, it is a good size and has two EQ settings. If you require more power then you could go for the FiiO E12 or the Just Audio UHA-120. Both of these amps can drive most headphones and they will also improve the sound quality, with the Just Audio being slightly warmer than the E12. For the harder to drive headphones there is the Just Audio AHA-120. This amp has adjustable gain settings and is class A, this provides a less distorted, more accurate sound.

If you only use your headphones at home then you should go for a desktop amplifier as they are generally more powerful. There is a much larger range of desktop amplifiers and you really should know what headphone you will be using before choosing the amp, for example if your headphones have a warm/bassy sound then it’s a good idea to go for a brighter/detailed amplifier. This also works the other way around; a warm sounding amp will compliment bright headphones and balance the sound out.

If you have any questions about choosing the right amplifier then give us a call at Hifi Headphones on 01903 768 910 or you can send an email to support@hifiheadphones.co.uk – we will be more than happy to help.

The post Do I Need A Headphone Amp? appeared first on HiFiheadphones.

The FiiO E12 Mont Blanc is FiiO’s latest addition to their range of Portable Headphone Amplifiers. The E12 is the newer big brother of the superb E11, boasting a new look which is extremely durable with it’s all-over aluminium casing and seamless design. With improvments to the inner circuitry, FiiO have found the perfect balance between high-performance sound fidelity and long lasting durability. The E12 can be charged via USB on your PC, or by using your USB plug adapter. The unit will automatically adjust to the correct charging currency, the full charging time of the E12 is 3 hours.

• Smart Recharging User Friendly charging indicator
• Utilizes LME49710 & LME49600 Op amps, resulting in near-zero distortion at .00003%
• Large capacity Li-polymer battery provides +/- 11 volts, with total output power up to 850mW
• USB smartcharge circuit allow charging from laptop/PC, phone, or tablet
• Ability to drive high-impedance headphones such as planar-magnetic models
• Gain switch, bass boost, and crossfeed
• Durable and attractive aluminium enclosure

To purchase the unit, please visit our website:

Buy FiiO E12 Mont Blanc High Performance Portable Headphone Amplifier

The post FiiO E12 Mont Blanc Headphone Amplifier – Announcement appeared first on HiFiheadphones.

The first thing the new headphone FiiO E12 Headphone amplifier ‘Mont Blanc’ AKA E12 does is impress just with its styling and shape. It is as oblong as it is solid, as it is black, as it is er.. rectangular. The size and shape of the FiiO E12 Headphone Amplifier is perfectly suited to lie against an iPod for instance, to form a nice regular pocketable rig. For me however, the temptation to grab a disused femur and bash the head of a hapless colleague is great indeed. It’s just so black. And oblongtangular.

I eventually shook off my atavistic tendencies; and using logic and reason I connected it to a USB socket for a good charge. The light pulsated slowly while this went on, and remained steady once the E12 was full. The E12 is not a DAC like the E07k or E17, it just amplifies.

The E12 is suitable for IEMs as well as full sized headphones, as there is a gain switch offering an extra 16dB should they be needed. The E12 is listed as being compatible with headphones up to 300 Ohms, but I thought I’d try my good old AKG K240DFs which come in at 600. The K240s were brought up to a good volume, and the bass boost switch on the E12 came in handy with them as they’re a bit bass-light. I’d say they could be driven better, but I could be using an amp which was designed for them so no surpise there. The HE-400 was always only just at an acceptably loud level with the E7, but with the E12 I can turn it up further should I need to.

The bass boost switch can be set to ‘off’ or ‘on’ only, there are no incremental steps. It sounds equivalent to a level ‘3’ setting on the E7’s bass boost, as the effect is large. Whether it improves the sound depends on what music is playing, for me; and how it is produced. Some forms of music can end up sounding a bit boomy and woolly, others are improved no end. I would say that in the former case, bass boost is superfluous anyway.

I tried the crossfeed feature with interest, as there are certain tracks which cannot easily be listened to on headphones. Mainly those early stereo mixes which are still experimental and intended for loudspeakers only, with for instance drums panned hard left, and perhaps rhythm guitar panned hard right. This makes my ears want to do back flips ordinarily, but the crossfeed feature really makes these tracks listenable again. In the past I’ve had to put the signal through a mixing desk and play with the panning, but this does it for me; and very well too. It need hardly be said that its effect on normal stereo mixes is detrimental indeed, so use crossfeed only when required.

The volume is controlled by a small pot on end of the E12, and is stiff enough not to deafen anyone with a nervous twitch. There’s little chance of it being moved by accident, and has a satisfyingly weighty feel to it.

I tried the E12 with my HE-400 full sized headphones and also the Phonak Audeo PFE112. The versatility of the E12 is one of its strengths, but great attention is required if switching from full-size to IEM and back again. It’s a good idea to check the gain control and volume religiously before switching on as there’s nothing to prevent the equipment and eardrums of the careless being damaged!

I think though that Fiio should take more care of their quality control as this appears to be coated in some sort of adhesive. It’s stuck to my hand, and I’m not sure if I can dislodge it before the weekend. I might have to take it home, and that would be dreadful.

Lauri Cular

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