The Aedle VK-1 Headphones are here!

The Aedle VK-1 Headphones

Hifiheadphones is happy to announce that the VK-1,a new Portable On Ear Headphone from Aedle is in stock now.

Price – £299.95

The Aedle VK-1 Valkerie is a closed back, on ear portable headphone with an exciting sound and superb style. The aluminium driver housing and brown leather compliment each other very well, making them very light and comfortable.

Main Features

  • Closed Back
  • Replaceable Cable
  • On Ear
  • Easily Driven

 

FiiO X5 Portable High Resolution Digital Audio Player – Announcement

The Hifiheadphones team is pleased to announce the new Digital Audio Player & DAC from FiiO, the X5 is now available to be purchased on our website.

This is not your ordinary music player. With impressive processing power the portable FiiO X5 digital audio player supports DSD, APE, FLAC, ALAC, WMA and WAV lossless music formats up to 192kHz/24-bit. This is the most complete set of supported formats to date among Hi-Fi DAPs. With the X5, music lovers need not worry about lack of format support or format conversion.

As well as being a high resolution portable music player, FiiO X5 also doubles up as a dedicated digital-to-analogue converter with line or digital output from PC or MAC. The asynchronous USB DAC also supports 192kHz/24bit. Users can adjust the X5’s equalizer according to their preferences, tailoring the X5’s sound output to different headphones and music genres to produce their ideal sound.

Inside the casing the X5 is packing a lot of punch with four Texas Instruments opamps and Burr Brown DAC as well as dual TI Flagship DAC Chip for headphone output. The X5 comes with three output ports: headphone out, line out and coaxial digital output. Apart from connecting directly to headphones, you can also connect it to other DACs and amps. Dual TF card slots offer a storage capacity up to 128GB, with future firmware upgrades supporting up to 1024GB.

TI Flagship DAC Chip
High resolution music playback
WAV, APE, AAC, WMA, ALAC, FLAC lossless music format supported
DSD playback (DSD playback function will be added and optimised in pending firmware upgrade)
USB OTG support (OTG support will be added and optimised in pending firmware upgrade)
Dual TF card slots (up to 1024GB storage capacity with future firmware upgrades)
Asynchronous DAC
Aviation aluminium CNC unibody technology
Headphone out, Line out, coaxial output socket
Japan original imported high resolution IPS screen
3700mAh lithium polymer battery with 12 hours playtime

To purchase the unit, please visit our website:

Buy FiiO X5 Portable High Resolution Digital Audio Player

FiiO E18 Kunlun Portable USB DAC & Headphone Amplifier – Announcement

The Hifiheadphones team is pleased to announce the new DAC & Portable Headphone Amplifier from FiiO, the E18 Kunlun is now available to be purchased on our website.

Enter the world of the professional audio decoder FiiO E18 with the convenience of listening to music from Smartphones, and the pleasure of high fidelity audio.

Reference quality digital-to-analogue audio conversion for music played via compatible Android smartphones. FiiO E18 is compatible with Samsung Galaxy S3/S4/Note2, HTC One, and other Android devices with USB OTG and USB digital audio output capabilities.

FiiO E18 can be used USB DAC and amp as replacement of the on-board soundcard on computers and laptops. FiiO E18 serves as a dedicated headphone amplifier when connected to portable audio players.

The user-friendly volume knob design with symmetrical volume roller is resistant to accidental bumps, yet easy to adjust. When used as power source, the automatic cut-off and self-recovery function of charging current limiter IC on the E18 protects the phone. The 3500mAh Li-polymer battery achieves 25 hours playtime when used as amplifier only, and 12 hours utilising the DAC and amp combination.

  • Performs reference quality digital-to-analogue audio conversion for Android smartphones
  • Compatible with Samsung Galaxy S3/S4/Note2, HTC One and Android devices
  • USB DAC functionality for computers and laptops
  • Works with laptop and desktop computers at up to 24-Bit / 96kHz high definition audio
  • High-end op-amp audio output circuitry with ultra low distortion and noise
  • 3500mAh battery for up to 25 hours of use as an amp-only, or up to 12 hours as DAC+amp
  • Charges in 4 hours with optional 2A USB adapter

To purchase the unit, please visit our website:

Buy FiiO E18 Kunlun Portable USB DAC & Headphone Amplifier

Earsonics S-EM6 Crystal Limited Edition – Lauri Cular Review

What is it with the French wanting us to see the insides of things? The Pompidou Centre is all very well, but anyone wanting to fix the air conditioning needs a good head for heights. The Eiffel Tower, although a good effort, could do with a spot of rendering. Some nice Spanish arches and stone cladding would look a treat. And that glass pyramid – no self-respecting Pharaoh would be seen dead in it, I’m sure.

However, if I’d managed to squeeze 6 speakers into a package which fits into the bowl of my ear, maybe I would want to show it off too. Lauri Cular took these transparent treats home for a weekend, but do they sound as good as they look?

The Earsonics S-EM6 comes in a neat little briefcase-type box, but don’t be tempted to assume that these are for the conservative bowler-hatted commuter. These are a little more rock ‘n roll than that!

When I put the E-SM6s in, I was struck by the size compared to what I’m used to – usually 2 BAs are enough, and the housing for this half-dozen did seem relatively bulky. However once in place, they were as unobtrusive as any in-ear, apart of course from the isolation they offered. I live with a very noisy pet, and enjoyed the isolation aspect to the full. With audio coming through it’s very easy to ignore everything else.

One thing I will say is that these are not for the bass-shy. I popped them on and listened through my E12 which is relatively cool-sounding. My first thought was ‘now let’s try it with the bass boost off’ – but it was already off. Most of the time this wasn’t such a problem; the bass doesn’t get in the way of anything else in particular, and only a few tracks offered a problem when it came to bass.

I decided to capitalise on this and tried some rap and dance music. The S-EM6s gave some excellent sub-bass and seemed to suit these genres well. Separation and space is amazing. I’m sitting in the office dancing in my chair as I try to type. The midrange reminds me of the Final Audio Pianoforte X I tried a few months ago; amazingly real and engaging, with a very real sense of the space in which the presentation is contained. Detail is superb, and placement is as good as anything I’ve heard from an in-ear.

Classical music is very involving as well as more jazzy soundtracks. As I type, I’m enjoying the slowly building tension in Lalo Schifrin’s ‘Shifting Gears’ from the Bullitt soundtrack. The bass is of a very low frequency in this track (an alternative version, track 25 on the CD) – but quite voluminous. It threatens to detract from the other instruments but doesn’t quite. Bass boost is not an option here either.

I have found that tracks like this are in the minority however, most well produced music will not offer a problem. But if you hate too much bass, avoid the S-EM6!

There is a bit of a top-end roll off as well, but this is a problem for all of 10 seconds. The mids and high mids are so real-sounding, any desire to have the higher frequencies boosted just gets forgotten. I’m now listening to ‘Beat It’ by Michael Jackson – just before Van Halen’s guitar solo there’s a knocking sound. I knew it was there, but it scared the life out of me!

All in all, the S-EM6 is a very well built and solid model from Earsonics, but I would prefer to see some sort of porting option to ease the bass down a little.

Lossless Audio – How To Get Started

Lossless Audio – How To Get Started

For a few years now, we have enjoyed the convenience of lossy music files as opposed to carting around a portable CD or cassette player. The drawback of course is that we can only use equipment which does not reveal the flaws within these music files. Try listening to a 128kbps music file with the headphones you received with the player and it’ll sound acceptable. Try again with some Shure 535s, and the appalling drivel you’ve been listening to is revealed in all its wishy washy glory.

These headphones are very kind to low quality audio. Any flaws are likely not noticed by the listener.

So what if you want to get rid of those compression artefacts? If you want to keep those nice headphones, you need to think about raising your game.

Perhaps the simplest solution is to raise the data rate of the music you’re buying or encoding to 320kbps – this will not require any new equipment, other than a larger memory card on your device perhaps. Your media player should not need to be changed.

Lossless formats do not include MP3. However high the settings are, a certain amount of the original information is still lost.

The first lossless format I came across was monkey’s audio (.ape) about 10 years ago. At the time it seemed to be an equivalent of .zip or .rar files; it would squash the music down to half the original size for storage, but my computer could not play it back in real time – it needed to decompress the files again before playing. Even so, after decompression the music files were identical to the original files, with no loss of information. Nowadays, my computer is up to the job and can play back Monkey’s Audio files in real time. I have some ‘Gorillaz’ playing just now.

Other lossless formats include Windows Media Audio Lossless (.wma, but not all .wma versions) and the open-source Apple format (.m4a) along with perhaps the most well-known, FLAC (.flac).

Not all portable music players can handle these filetypes, so do check before committing to a particular filetype, or player. Some are more versatile than others; for instance the Astell & Kern AK100 plays WAV, AIFF, FLAC, ALAC and APE as well as some lossy formats, which is a large range of formats. However my humble Sony Walkman will not bother with anything but .mp3/.mp4/.wma – if I want lossless I have to carry around the full uncompressed .wav file, and with 8Gb memory this is not a great option.

The Astell&Kern AK120 is certainly no slouch when it comes to lossless quality.

Another great player is the Fiio X3, and with the forthcoming X5, Fiio is worth keeping your eye on as regards players. It supports .dsd, .ape, .flac, .alac, .wma and .wav. and can also be used as a DAC.

 

Please check out our youtube video DACs, Sample Rates and how to use Audio Files 

Sennheiser G4ME ZERO Closed Back Gaming Headset – Announcement

The HifiHeadphones team is pleased to announce the new Closed Back Gaming Headset from Sennheiser, the G4ME ZERO is now available to be purchased on our website.

High Fidelity sound, reproduced exactly the way the game developers intended the game to sound. With Sennheiser’s “Ergonomic Acoustic Refinement” technology, the G4ME ZERO delivers the ultimate in sonic accuracy and clarity. The updated closed design provided by the custom-made painted steel earcup grids lets you hear even the faintest detail of your game.

The two transducers in the G4ME ZERO have been developed at Sennheiser’s labs in Germany. They are optimised to provide an extremely accurate reproduction of the gaming audio. Every single unit is mechanically and acoustically tested. Sennheiser technology delivers ultimate sonic accuracy and clarity by channelling signals directly into your ears. The closed earcup design blocks out all outside noise allowing you to focus on your game.

G4ME ZERO features a professional noise-cancelling microphone with intuitive mute function. The pro microphone on the G4ME ZERO gaming headset is in a class of its own. It provides high-end noise cancellation, so you can chat to fellow players with crystal clarity.

G4ME ZERO feature an all new earpad design, which have been further developed from Sennheiser’s professional pilot headsets. The earpads are made from thick leatherette and dual-layered memory foam. With a thicker base, the earpads of the G4ME ZERO close all around the ear, preventing sound from escaping or polluting your game.

  • Highly accurate and clear sound experience
  • Hi-Fi sound reproduced exactly the way game developers intended
  • Supreme sonic accuracy and clarity
  • Thick leatherette and dual-layered memory foam earpads
  • Professional noise-cancelling microphone with mute function
  • Closed earcup design blocks out all outside noise
  • Collapsible design for easy storage and travel

To purchase the unit, please visit our website:

Buy Sennheiser G4ME ZERO Closed Back Gaming Headset

Sennheiser HD7 DJ Closed Back Professional Monitoring Headphones – Announcement

The HifiHeadphones team is pleased to announce the new Closed Back Professional Monitoring Headphone from Sennheiser, the HD7 DJ is now available to be purchased on our website.

Based on the acclaimed HD25, the HD7 DJ is designed as a professional tool for DJs and producers. Fitted with Sennheiser’s proprietary acoustics system, the HD7 DJ delivers excellent, dynamic sound reproduction.

Sennheiser HD7 DJ is focused on the rhythm and beat matching that professionals DJs need. Delivering a mid-low end emphasis, their sound remains tight throughout, with clarity retained in the high frequencies. Impressive sound quality and powerful, accurate bass helps to keep you in the groove all night long.

Constructed of rugged, lightweight parts, the HD7 DJ is built to withstand years of heavy-duty use, and the ear cups can be rotated 210° for easy one-ear monitoring and storage. Soft and durable ear cushions ensure a comfortable fit even after extended periods of use and reduce background noise to a minimum so that you can concentrate on your music.

HD7 DJ is the right choice for those who want to take their creativity and performance to new levels.

  • Proprietary acoustics system delivering a dynamic, engaging sound.
  • Elliptical, circumaural design for maximum comfort and isolation
  • Swivelling ear cups (up to 210°, both ear cups) with three wearing positions
  • 95 ohm impedance for optimum compatibility with DJ equipment
  • Crafted from durable, high quality parts to guarantee years of use
  • Single-sided coiled cable can be attached to either ear cup; straight cable included
  • Comes with a premium protective case
  • Two year warranty

To purchase the unit, please visit our website:

Buy Sennheiser HD7 DJ Closed Back Professional Monitoring Headphones

EarSonics S-EM6 Six Driver Universal In-Ear Monitor Earphones – Announcement

The HifiHeadphones team is pleased to announce the new In-Ear Monitor Earphones from EarSonics, the S-EM6 is now available to be purchased on our website.

EarSonics surpasses the norm with the S-EM6, the first universal IEM to carry six balanced armature drivers in it’s heart. Offering the sound quality and finish of a flagship custom in-ear monitor, the S-EM6 marks a breakthrough in the world of universal monitor earphones.

Based on EarSonics acclaimed EM6 technology, the S-EM6 achieves audio quality never reached before with universal IEM earphones. Two dedicated balanced armature drivers each for low, mid and high frequencies with a 3-way crossover configuration combine to produce true to original sound recording.

With in-ear design and biflange silicone eartips the S-EM6 achieves high levels of noise attenuation keeping the listening experience private. Earpieces designed to sit securely in the ear when on stage or on the move ensures that the S-EM6 stays in place.

Features

  • Cutting-edge sextuple driver universal IEM earphones
  • Six dedicated balanced armature drivers with 3-way crossover
  • Superior bass definition, detailed mids and clear highs
  • Isolating design achieves high levels of noise attenuation
  • Four pairs of biflange silicone eartips
  • Detachable twisted cable design
  • Formable cable section offers secure fit
  • Two storage cases, cleaning tool and wipes included
  • Designed in France – Made in France

To purchase the unit, please visit our website:

Buy EarSonics S-EM6 Six Driver Universal In-Ear Monitor Earphones

Beyerdynamic A200p High-End Portable Apple/Android DAC and Headphone Amplifier – Announcement

The Hifiheadphones team is pleased to announce the new Portable Apple/Android DAC and Headphone Amplifier from Beyerdynamic, the A200p is now available to be purchased on our website.

Detailed audio signal without the loss of sound quality when using portable devices. Compatible with smartphones, tablets and computers, the A200p offers high definition sound that was previously not possible for travelling audiophiles.

Designed to circumvents the internal signal processing, the integrated Wolfson DAC chip of the A200p receives the pure digital music data first. After converting the digital data to analogue music signals, a high-quality amplifier controls the output to the connected headphones. All this results in previously unheard details, better contoured and deeper bass, as well as natural instrument and vocal reproduction.

Beyerdynamic A200p supports iPhone 5, iPad Air, iPad (4th generation), iPad mini and iPod touch (5th generation) and most smartphones with Android 4.1 or higher, which have a digital USB audio output. The A200p is currently the smallest mobile DAC and amplifier that can work with all of these devices on the digital level.

Features

  • Crystal-clear sound with portable players
  • Compatible with Apple and Android devices
  • Digital connection via Apple lightning or Micro-USB
  • 3.5mm mini stereo jack headphone connection
  • Volume control with 135 levels
  • LED display for charging, operation and volume
  • Three buttons for music playback/pause and skipping forward and backward
  • On/off switch with locking function
  • DAC with up to 24 bit resolution at 96 kHz sampling frequency
  • Integrated rechargeable battery with up to 11 hours operating time

To purchase the unit, please visit our website:

Buy Beyerdynamic A200p High-End Portable Apple/Android DAC and Headphone Amplifier

How To Choose Wireless TV Headphones

In my last article I wrote about the different ways you can set up wireless headphones with a TV. This time I will talk about the different types of headphones available and how to choose the correct one for you.

So you’ve determined which outputs your TV has and now it’s time to pick your headphone – here is a list of the best wireless TV headphones for each connection type.

RCA Phono/Jack Plug (analogue)

Thomson WHP3311

This is our most popular wireless TV headphone. Amazing value for money – packaged with a charging dock as well as offering clarity and comfort. the Thomson WHP3311 is the best TV headphone we’ve come across for under £50.

 

Sennheiser RS165

Sennheiser SET 840 TV

The SET 840 TV is the ultimate assistive listening wireless headphone. Great sound quality and three selectable hearing settings on transmitter for optimised speech intelligibility. The volume control has left and right balance settings as well as tone control.

 

Sennheiser RS120-II (DISCONTINUED)

If you’re looking for a sub £100 wireless headphone then you can’t go wrong with the RS120-II. The transmitter can charge the headphones and uses RF (radio frequency) to transmit audio – this gives you a very long range but can be susceptible to interference. The headphones are open back so they will leak sound – but will provide a natural sound with good width.

 

TV Ears 2.3 (DISCONTINUED)

For the hard of hearing, the TV Ears 2.3 is very hard to fault at the very low price of £59.95. They use infra red to transmit audio so you get a clear sound, they are susceptible to interference though. The sound quality is what you’d expect for the price but as they are designed for the hard of hearing their main focus is on the upper frequencies – so for this purpose they work very well.

Coaxial/Optical (digital)

Sennheiser RS175

The RS175 transmits digitally using Sennheiser’s advanced technology, this provides a much clearer sound with no interference. The headphones are extremely comfortable and they are closed back so they isolate sound very well. The transmitter acts as a charging station for the headphones and also provides Dynamic Bass and Surround Sound listening modes and the built in DAC allows a digital connection via Optical cable.

Sennheiser RS185

The RS185 is almost identical to the RS175 except the headphones are open backed. This means that the headphones will leak sound, but you will get a wider and more natural sound from them. You can also adjust the balance for left and right channels separately.

FiiO D03K

If your TV only has digital outputs and you don’t want to go for the Sennheiser RS220, the FiiO D03K can solve your problem. Adding this to the chain between the TV (coaxial or optical output) and wireless headphone means that you can use any of the headphones I have mentioned in this article. A very handy piece of kit!

Sennheiser RS220 (DISCONTINUED)

The Swiss army knife of wireless headphones – The RS220 can connect itself to analogue (RCA) and digital (coaxial and optical) sources. The headphones themselves are open backed and provide an audiophile experience. The transmitter has a built in DAC (digital to analogue converter) so when used with a digital source, the sound is superb! The headphones feature balance control for left and right channels, a charging docking station and Sennheiser offer an extended 5 year warranty.

Shure SRH1840 Professional Reference-Class Open Back Studio Headphones – Announcement

The HifiHeadphones team is pleased to announce the new Professional Reference-Class Open Back Headphone from Shure, the SRH1840 is now available to be purchased on our website.

Let us introduce the flagship of Shure’s reference-class headphone line, the SRH1840. The Shure SRH1840 open back headphones have been developed with premium materials and precision engineering. They are ideally suited to professional recording, mastering and audiophile listening applications.

Shure’s SRH 1840 features individually matched drivers for unparalleled acoustic performance with smooth, extended highs and accurate bass. Custom-crafted, the Shure SRH1840 is extremely lightweight and durable. Steel driver frame with vented centre pole piece improves linearity and eliminates internal resonance for consistent performance at all listening levels. Individually matched 40 mm neodymium drivers for unparalleled acoustic performance with smooth, extended high-end and accurate bass.

An included storage case, replacement set of velour ear pads, and an additional cable ensures years of uninterrupted listening enjoyment.

  • Open-back, circumaural design for exceptionally natural sound
  • Lightweight construction featuring aircraft-grade aluminium for enhanced durability.
  • Steel driver frame improves linearity and eliminates internal resonance
  • Ergonomic dual-frame, padded headband is lightweight and fully adjustable
  • Oxygen-free copper cable (OFC) with Kevlar reinforced jacket
  • Dual-exit cables with gold-plated MMCX connectors
  • Replaceable velour ear pads with high density, slow recovery foam
  • Additional cable and zippered storage case included

To purchase the unit, please visit our website:

Buy Shure SRH1840 Professional Reference-Class Open Back Studio Headphones

Also available

Shure SE846 Quad Balanced Armature In-Ear Monitor Earphones – Announcement

The HifiHeadphones team is pleased to announce the new Quad Balanced Armature In-Ear Monitor Earphone from Shure, the SE846 is now available to be purchased on our website.

Shure’s SE846 represents the pinnacle of personal monitor technology. Equipped with four dedicated high-definition balanced armature drivers and innovative low-pass filter the SE846 offers unparalleled True Subwoofer bass performance whilst retaining harmonious sound across the entire frequency range.

Shure have configured the SE846 in a three way system with dedicated drivers for bass, midrange and trebles to ensure an even distribution of sound. Advanced low-pass filters enable unequalled True Subwoofer low-end without distortion. User replaceable audio filters offer fine-tuning of the frequency response for a more balanced, warmer or brighter sound stage, making the SE846 a versatile music machine.

To ensure a comfortable listening experience with high sound isolation the SE846 have been ergonomically designed to prevent external noise from tainting the sound. As every ear is different Shure has included a broad array of eartips in different variations to ensures the perfect seal in any ear canal.

With customisable sound, replaceable cables and a wide selection of accessories the Shure SE846 universal monitors are sure to enthral music enthusiasts.

Features

  • Quad High-Definition Balanced Armature MicroDrivers with True Subwoofer
  • Extended high-end clarity and unparalleled low-end performance
  • Removable frequency filters allow adjusting of sound signature
  • Sound isolating sleeves block ambient noise
  • Robust, ergonomic housing with sweat-resistant construction
  • Secure over-the-ear cable configuration
  • Rugged Kevlar reinforced detachable cable
  • MMCX connector with lock-snap mechanism
  • Formable wire ensures secure placement
  • Wide variety of accessories

To purchase the unit, please visit our website:

Buy Shure SE846 Quad Balanced Armature In-Ear Monitor Earphones

Westone UM Pro 30 Triple Driver In-Ear Monitor Earphones – Announcement

The HifiHeadphones team is pleased to announce the new Triple Driver In-Ear Monitor Earphone from Westone, the UM Pro 30 is now available to be purchased on our website.

Westone UM Pro 30 professional reference IEM for on-stage monitoring and home or studio recording. Tuned for performing artists, the three-way crossover is matched to individual low, mid and high frequency drivers to make the mix smooth and balanced across all frequencies.

UM Pro 30 uses three balanced armature drivers that are significantly more compact and efficient than traditional dynamic drivers. This enables the UM Pro 30 to provide enhanced sonic detail and frequency range that extends well beyond dynamically driven in-ear monitors.

Individually hand-crafted in the USA, the UM Pro 30 is comfortable and secure with Up and Over cable routing that helps prevent microphonics and keeps your earphone securely in place.

Reinforced with a special braided Aramid fibre, the EPIC cable offers superior durability, acoustic transparency, and isolation from mechanical cable noise. The new audiophile connector makes this cable solution conveniently user-removable, upgradeable and replaceable.

Features

  • Ideal for on-stage monitoring and home or studio recording
  • Triple balanced armature drivers with sophisticated crossover
  • Sound isolating Star and True-Fit tips in multiple sizes
  • EPIC replaceable cable helps prevent microphonics
  • Universal earpiece delivers maximum comfort and ear coupling
  • Designed & Assembled in the USA

Package Includes

  • Westone UM Pro 30 IEM Earphones in Clear
  • Premium comfort tips
  • Mini-monitor vault
  • Cleaning tool

To purchase the unit, please visit our website:

Buy Westone UM Pro 30 Triple Driver In-Ear Monitor Earphones

Also available:

Cypher Labs Theorem 720 Vs. Solo -R / Just Audio AHA-120

Lauri Cular gets his magic towel and liniment ready for The Big Rig Showdown – which is the true mobile music master? The Cypher Labs Theorem 720 vs The Cypher Labs Solo -R / Just Audio AHA-120.

For many a year, we’ve had great fun at the expense of the music fan on the move; what about those roller skaters with half a coconut over each ear? Then of course there’s the Atlas figure with a ghetto blaster and curvature of the spine, and who can forget that legion of listeners with those white buds of mediocrity?

“Darn these Confederate batteries!”

For some however, no compromise is acceptable; great sound quality just has to be paramount. A lump in the trousers causes no embarrassment in such cases. So who exactly is trying to get these big things in our pants?

There’s a wide selection of portable bits and bobs as we all know; with the more static listener, there’s known to be an entry or ‘low’ end of the market and a high end. Portable devices, by the nature of who they’re generally aimed at, are mostly built around price and convenience; some of them only accepting MP3s or similarly lossy file formats.

Apple’s recent impact on the portable audio market is well known, and although their products have a fair reputation for out-of-the-box audio quality, it’s very difficult to satisfy all scrumpers. Due to the success of Apple’s fruits, other manufacturers deem it worthwhile designing ways to improve the sound quality of these devices.

It’s well known that a low-cost cable can be attached to a 30-pin connection which provides a line-out signal; a signal which bypasses the internal amp of the iDevice, to be fed into an external amplifier. This can give sound quality a boost, certainly where less sensitive headphones are involved. Line-out lightning connectors for newer devices are available via Apple, but they ain’t giving them away.

However, this cuts little ice with those who strive for their jive – Apple’s DAC is still doing the conversion to analogue. Perhaps understandably, Apple would not have such a marketable product if all components were as high-spec as possible, and the DAC is no exception. It’s to get the job done adequately.

Apple has been protective in the past when aftermarket manufacturers wanted to get in between their rind and pips; indeed a hefty royalty has been required should anyone want their product to truly interface with the iDevice’s software. This has affected the price of available gadgets greatly; hopefully this is changing.

Fostex’s HPP1 is one example of a DAC which will decode music on an iDevice, but here we will compare two high-end arrangements provided by Cypher Labs and Just Audio.

..The Theorem 720 with iPod Touch

On one side we have the new Theorem 720 from Cypher Labs; an all-in one solution providing both digital-to-analogue conversion and amplification. On the other, we have the Cypher Labs Solo -R, with separate amplification provided by Just Audio’s A-Class AHA-120. How do these compare, and is the extra bulk of a separate amp (and extra connections) worth it?

The headphones I used for this are at a similar level – the effortless Beyerdynamic T1. Being a semi-open headphone, these are not the first choice for portable use but are excellent for judging the subtle differences in sound quality between high-end rigs, and for  illustrating how powerful the amps are.

The Theorem 720 blew me away with its accuracy and power, but the latter depends on the mastering of the recording. For instance Aha’s ‘Take On Me’ (what better to test this against the AHA-120?) was blisteringly loud, but Queen’s ‘Another One Busts the Dust’ needed more headroom. Of course, the T1 headphones are rated at 600 Ohms with 102 dB sensitivity, so the bar’s unrealistically high for portable power requirements. It gives a good comparative impression though.

Bass was present and under good control. The mids had great detail and strength, and the highs were crisp and clean. Soundstage and separation were very immersive, and I was very impressed with what I heard. However, specialist interconnects such as those supplied by ALO Audio were not used, just the standard 30-pin to Micro-B USB connection provided with the Cypher Labs unit.

It’s not hard to imagine that a plethora of high quality interconnects will be available soon for the Theorem.

..Just Audio AHA-120 with the Solo –R and iPod Touch

So then I popped on the T1s with the same 30-pin iPod – now with a Cypherlabs Solo -R, and the Just Audio AHA-120 headphone amp. There was an ALO Audio interconnect between the iPod and Solo -R, and an iBasso 3.5mm to 3.5mm between
the Solo -R and AHA-120. This rig has a slight advantage here.

The bass was a little more present, but by no means excessive. Mids were more recessed than with the Theorem, and high frequencies not so clinically accurate. The soundstage was a little narrower too.

But for all that, I far prefer the Solo -R/AHA-120 combo as it sounds so effortless and natural. The difference is like that of spandex and silk. Spandex is functional, comfortable and easily cared for. Silk on the other hand reqiuires a little more TLC and is expensive. But all that trouble seems unimportant when hitting the town with my silk shirt on – the pleasure of wearing ultra-stylish, comfortable and cool fabrics makes all that seem unimportant.

And so it is with the Solo -R/AHA-120. Even the sound of fingernails scraping the surface of a blackboard would create a large smile across my face when heard through this rig.

Ultrasone Edition 12 Premium Open Back Headphones – Announcement

The HifiHeadphones team is pleased to announce the new Premium Open Back Headphone from Ultrasone, the Edition 12 is now available to be purchased on our website.

Ultrasone Edition 12 luxurious open-back headphones transport to an airy, three dimensional soundscape with extensive presence of trebles, mid-notes and bass. Edition 12 incorporate gold-plated transducers that are responsible for the imposing spatial quality of sound.

Tonally accurate harmonization, combined with the special capsule design, offers a professional sound experience. The acoustically redesigned ear-cups of the Edition 12 and their tonal fine-tuning result in a most neutral sound impression with more vivid perception of voices and instruments. With extensive presence of trebles, mid-notes and basses the Edition 12 exposes you to an impressive range of audio experiences.

These headphones, weighting only 282g caress the ears and head with silky textile and soft leather for superb wearer comfort. The head pad of the aluminium headband is covered with the dark grey leather of the Ethiopian long-haired sheep and the ear pads are covered with specially selected, very fine microvelour. This ultra-soft material blends sleekly into the airy sound reproduction.

  • Luxurious headphones with professional sound
  • S-Logic Plus Natural Surround Sound technology
  • Reduced emissions using the ULE standard (Ultra Low Emission)
  • Ear pads padded with fine micro-velour
  • Ethiopian sheepskin leather ear cup and head pads
  • Hand-crafted in Germany

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Buy Ultrasone Edition 12 Premium Open Back Headphones