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Brand Story: Audeze

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We’re all looking for acoustic perfection and that is something Audeze has strived to achieve from the very beginning. Their first headphone, the LCD-2, received high praise worldwide and the word Audeze became synonymous with any sentence including the word Audiophile. The LCD-2 was and still is heralded in some quarters as the greatest headphones ever made. But Audeze was never never going to be a one hit wonder and stop there. Where there is room for improvement, so too is the strive to create that end-game perfection. That’s the defining characteristic of Audeze: The strive to innovate. With now over 20 products out there it is nearly impossible to not find an Audeze headphone that is 100% tailored to your listening style.

Audeze CRBN

All About Audeze

As you are well aware, Audeze is a California based high-end audio manufacturer known for delivering some of the most accurate sound reproduction products available today. In other words, they specialise in making luxury high-end planar magnetic headphones. Founded in circa 2009 by Alexander Rosson and Sankar Thiagasamudram, their products are designed from the ground up and engineered with the latest innovations in materials & technology. This is paired with precision craftsmanship to produce products with an astonishingly dynamic and immersive sound. Audeze’s commitment to research and development is reflected in every one of their products from the CRBN, LCD-5 to the Maxwell, Euclid and beyond.

What Does Audeze Mean?

Everyone

Audeze’s mission is to “create the best headphones in the world”, that much is clear. But everyone hears differently, so how can there possibly be “The One Headphone to Rule Them All” so to speak? Drumroll…. There’s not! Audeze’s real mission is to create the best headphone in the world for everyone out there, this is why there is not one Flagship Model but 4 and all manner of products in between.

Audeze LCD-5 Earcup Elements

Making Planar Magnetic Fashionable Again

Audeze’s continued innovation in planar magnetic driver technology has produced plenty of options for audiophiles, gamers, music makers alike. A popular thing in the 70’s, Audeze has managed to bring back / reinvent this technology not only as a USP but with the belief that Planar Magnetic is the way to go for great sounding headphones. This hunch, or commitment has been justified by not only the brand’s success but how others are now emulating what Audeze does day to day. Audeze’s continued innovation in planar magnetic driver technology in open or closed back, over-the-ear & in-ear products has produced plenty of options for everyone, with both small and large budgets.

Just what are planar magnetic drivers? Instead of a coil of wire, there is a thin membrane separated by an array of magnets in front and behind. When electrical sound signals are sent to the membrane it starts to move/ vibrate, thanks to the magnetic field and as a result it produces sound. For the benefits and negatives of this technology, you will need to go down a rabbit hole on the internet.

The Odyssey of Audeze: How do you pronounce it?
…is it Awwdeez or Awe-de-ze or Oh-de-sea?

Please let us know in the comments, we would really like to know!

Flagship Models

Just what are they? “The culmination of decades of research and development. Featuring our Nano-scale or carbon nanotube diaphragms, Fluxor™ magnet arrays, and Uniforce™ voice coils, Audeze’s Flagship series represents the pinnacle of audiophile technology.

LCD-5 – “The very definition of Uncompromised Audio. Representing more than 40 years of research and development in planar magnetic headphone technology, the LCD-5 stands in a class of its own.”

LCD-4Z – “Experience the unrivaled audio quality of our Flagship LCD-4 without the need for an amplifier. No other headphone in the world features such a robust and musically engaging sound signature in such an efficient package.”

CRBN ELECTROSTATIC – “Featuring the most advanced electrostatic technology in decades, the CRBN electrostatic headphone features a new Patent-pending polymer film with suspended carbon nanotubes for sparkling clarity, incredible transparency, transient speed, and bass response.”

LCD-i4 – “Represents the pinnacle of both audio quality and technological innovation for In Ear Monitoring. This groundbreaking in-ear headphone features the same Nano-Scale Uniforce diaphragm found in our LCD-4 and 4z. Paired with our powerful Fluxor magnet array to offer one of the most responsive, detailed, engaging, and immersive listening experiences in the world.”

Audeze LCD-5
LCD-i4

Audeze Artists

You will find Audze’s reference series models in world-class studios and listening rooms all over the world. Audeze Artists and listeners everywhere use words like neutral, trustworthy and game-caning to describe them. So you know you will be hearing exactly what the artists themselves intended. The models in their reference series are the LCD-X, LCD-XC, LCD-MX4 & the MM-500. They are trusted and well reviewed around the entire world and if you’re a sound producer needing an upgrade, look no further!

You can read more about Audeze Artists, watch reviews, explanation videos and find out exactly why Audeze headphones are the professional’s go to choice here.

Gaming

It is safe to say that Audeze have been expanding their headphone product line a lot within the past few years. Not only is there an Origins Series; LCD-2, LCD-2 classic, LCD-2 Closed & the LCD-3. There is also an In-Ear Series featuring the Euclid, LCDi4 & the LCDi3. On top of these wonderful products there is a whole other beast in Gaming. Gaming is a fast rising market trend and has become an explosive market in the last 10 years. Audeze have managed to tap into this gaming-orientated audiophile quality headphone market, where hearing footsteps is the one thing between life and death (online).

Some of the top gaming headphones out there!

Both the Mobius and the LCD-GX are very different gaming headsets from each other, but that’s part of the beauty of them. Not only have both been considered some of the top gaming headphones out there (thanks to their state-of-the-art technology, design and that remarkable Audeze sound quality). They are both designed with specific uses and people budgets in mind. So gamers can really get the best quality possible within their means.

Introducing Maxwell

Maxwell is an evolved (and seriously upgraded) successor to the Audeze Penrose gaming headset. The great news for gamers out there is that all their feedback from the Penrose/ Penrose X has been absorbed by Audeze and the changes made with the Maxwell are considerable. It has a chassis made of aluminum and steel (longevity +++). The integrated battery will also last up to 80 hours and if you forget to charge your headset, a 20 minute charge will get the headset to work for a full day (Battery +++! In addition to this, a new noise filter has been integrated (FILTER™ is Audeze tech).

Dolby Atmos is also supported, but this only applies to the Xbox version or for use on the PC. The microphone is also detachable. It is a boom microphone with hypercardioid characteristics (think broadcasting microphones) that has 5 beamforming mics integrated too. So yes, when it gets sweaty on the battlefield, you will still sound clear as day. More info here

Audeze Mobius
Audeze LCD-GX
Audeze Maxwell

Timeline of Releases

  • 2009: LCD-1 and LCD-2 prototypes revealed at CanJam
  • 2010: LCD-2 launched
  • 2011: LCD-3 Launched
  • 2012: LCD-2 gets updated connectors and cable
  • 2013: LCD-X Launched, LCD-3 & LCD-2 get Fazors
  • 2014: product of the year awarded to LCD-2 by headphone.guru
  • 2015: LCD-4 Released
  • 2016: LCD-X LCD-2/ LCD-3/LCD-4 get new drivers, iSine 10 released
  • 2017: LCD-MX4 / LCD-2 Classic, LCD-i4, iSine 10 Black/Steel Edition released. Sine headphones win Red Dot award
  • 2018: LCD-4z launched
  • 2019: Limited Edition LCD-24, LCD-GX gaming headphone, LCD-1, LCD i3, Audeze Mobius wireless PC gaming headset come to market
  • 2019: LCDi3 wins best UIEM from Headfonia
  • 2020: Penrose / Penrose X launched. LCD-5 wins best open headphone award from headfonia, LCD-1 wins best portable over ear from Tech Radar
  • 2021: Limited Edition LCD-R, CRBN Electrostatic, LCD-5, Euclid, LCD-XC are released
  • 2022: MM-500, FILTER Bluetooth Conference Speakerphone released
  • 2023: Maxwell drops in Q1 23

Our Top 5 Audeze Product Picks

1.Audeze LCD-5 – £3,999.00

For the price you would expect these to be some of the best headphones on the market. Guess what? They absolutely are indeed. The LCD-5 have that gorgeous textured and full Audeze bass response you would expect, but it is so much more controlled now. The midrange is open, clear and detailed and the treble extends effortlessly without ever becoming harsh. These are resolving yet enjoyable. They have a reference like tuning without coming across clinical. They have an honest presentation without too much colouration or sweetness to the sound. Their greatest attribute is that they can simply play whatever you throw at them with ease.

2.Audeze LCD- X – £1,149.00

If you want to give yourself or someone you know a birthday or Christmas present, you can safely consider surprising yourself/them with the Audeze LCD-X. The Audeze LCD-X is a real eye-catching headphone. For a retail price that seems crazy at first glance, the bottom line is that the price-performance ratio of this headphones is absolutely fantastic. Not only due to the impeccable manufacture, but also a robust construction, use of high-quality materials and wonderful, detailed sound Loved by Audiophiles and sound engineers alike.

3. Audeze CRBN Electrostatic– £4,500.00

Watch our video review of the CRBN here.

4. Audeze LCD-2 Classic – £649.00

The LCD-2 Classic are a well controlled, but ultimately warm sounding headphone. They offer up a fatigue free sound with good width and height. If you listen to electronic centred music, old school rap/hip-hop and smoother more acoustic music they are a joy to listen to. Full Review

5. Audeze Maxwell – £319.00-£349.00

“After years of relentless innovation building the world’s best wireless gaming headset, Audeze presents Maxwell, designed from the ground up for serious gamers. Sound quality, wireless performance, and battery life are all pushed to new extremes, along with the latest spatial audio features and multi-platform compatibility.” – We cannot wait to get our hands on them in Q1 2023.

Latest Audeze Updates and News:

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Brand Story: Final

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Coming from Japan, Final is a High-end audio brand with a minimalist style and an aim to give their customers the best in class when it comes to audio quality. No matter the price point. Well loved and with a loyal fan base in its native Japan, Fnal has been making strides into Europe and the USA over the last decade. Becoming a household name for Audiophiles, they have recently broken into the more mainstream consumer markets with their Wireless product range. Winning awards for their affordability, style and sound quality along the way.

About Final

Established in 2007, Final’s first earphones were released onto the market in 2009 and their first Final branded headphone was released in 2013. They are a very modern company, making use of high precision Japanese engineering and adopting cutting edge technology such as 3D printing. This in turn aids their now famous and unrivalled focus on finesse and accuracy. 

A name for itself amongst the audiophile world over the last 10 years

This company wide attention to detail, alongside their stylistic minimalist approach to their products has resulted in Final carving a name for itself amongst the audiophile world over the last 10 years. In addition to this, further recognition amongst the general consumer market, most recently with their “Best Most Affordable Wireless Headphone 2022” award from TechRadar for their UX3000 has further enhanced the brands image in the western world’s mainstream.

They are finally starting to get the recognition they deserve in this general consumer space. This is because their products in all price categories from £19.99 to £4000+ fulfil their mission to provide the highest quality of audio design. That “Final magic” reviewers often write about is something very real, and it would be remiss to not try out what they offer.

Final D8000 Pro Limited Edition

Collaboration series

As Final gained more renown worldwide and a reputation for producing great audio devices, they have begun to collaborate with other Japanese cultural exports to create unique products. Without a doubt, these are as collectable as they come and they are great “Final” products themselves. For example, the collaboration between Final and the anime show Evangelion uses the characters Mechas as a motif. So each model (there are now 6 in the wild!) are totally unique with the earphone chassis and case. Not only can people get something that reflects their favourite character, the voice signals in each device, such as “power on” are also recorded by the actors that play the characters these devices represent.

Final have taken this approach further with a recent collaboration with Ultraman and in the coming months, there is sure to be even more collaborations with other Japanese cultural icons that are already popular culture in the western world. As big as Naruto or Pokémon? Hold your breath, because it is going to blow your mind.

Final UX3000
Final Collaboration Series: EVA2020 x Evangelion

Fun FACT

Final has a state-of-the-art “Final STORE” located in Kawasaki, Japan. This is open to all music lovers and audio enthusiasts to come in and experience Final’s range of headphones & earphones. You can even reserve a table or even a soundproof room to try out their products. In addition to this, they offer on the spot, repair / support consultations on your Final products.

Furthermore, they offer various events such as limited edition sales or “The MAKE series tuning experience”. The MAKE series is a DIY earphone kit that allows you to find “your own sound” by changing the internal tuning with the included kit. As well as the option to be able to purchase the kit on the spot, the experience includes staff recommended tunings and advice on how to get the earphone to create more of the sound you desire. Worth a visit if you ever find yourself in Tokyo, Japan!

Ethos

Final strongly believe in creating products that are highly revered by people. They design and build their products with the intention for the customer to have an affinity towards them and continue to use in the same way as for example with mechanical wristwatches; The kind of products that will continue to be valued and seen as antiques in the future.

Final aspire to make their name synonymous with Earphones/Headphones. Much like the countries Switzerland being famous for wristwatches or Germany for their cars. To that end, Final embody the design of their products with their core values and mission, unrivalled craftsmanship precision and accuracy.

Milestones

  • 2007: Founded.
  • 2009: The manufacture and sales of earphones under the Final audio design brand began in conjunction with the beginning of an earphone. / headphone OEM / ODM business.
  • 2011: Sales of Final audio design branded products began overseas focused in Europe and Asia.
  • 2013: The first headphones under the Final brand were released onto the market.
  • 2014: The brand name was standardized to “final”, and the company logo was revamped. Joint development of LAB I, the first earphones with a titanium housing created using a 3D printer.
  • 2015: The company’s head office expanded and relocated from Shinagawa, Tokyo to Kawasaki, Kanagawa Prefecture.
  • 2016: LAB II, earphones with a titanium housing, were developed in collaboration with NTT Data Engineering Systems using a 3D metal printer.
  • 2017: Released the bestseller the E3000, the result of research on the correlation between hearing and physical characteristics. The D8000 planar magnetic headphone is also released.
  • 2018: Scaled down ODM and OEM businesses in line with the growth of the Final brand.
  • 2019: Created the ag brand that handles wireless products and opened a directly managed Final store
  • 2020: Name changed from S’NEXT Co., Ltd. to Final Co., Ltd.
  • 2021: Head office and directly managed Final store expanded and relocated to Nakasaiwai-cho, Saiwai-ku, Kawasaki.
  • 2022: Released Final wireless range the UX3000 and ZE3000 to critical success. Major review platforms such as Trusted Reviews, T3 Magazine, Techradar and Hi-Fi Choice chose the UX3000 as one of the best affordable headphones 2022.
  • Late 2022: A limited edition of the D8000 pro is released.

Our Top 5 Final Product Picks

1. Final UX3000 ANC Wireless Headphones – £119.00

Final have really worked their “magic” here. Solid build quality, paired with great sound and effective ANC for under £120 is something rarely heard of. Add to that fantastic mic quality and you have an absolute bargain on offer. The Final UX3000 can be recommended to absolutely anyone looking for a portable over-ear headphone. You will only see smiles on their faces.

2. Final A8000 Audiophile Custom-Driver Earphones – £1,999.00

With the A8000, Final prove that multiple drivers aren’t necessary for producing mind blowing audio. One driver is all that’s needed! Final don’t settle with any old drivers either. For the A8000, Final has developed their custom made ultra thin Beryllium foil driver. Along with Final’s four chamber housing design, the A8000 gives high resolution a whole new meaning. These need to be heard to be believed.

3. Final E500 Wired Earphones – £19.99

Designed with gaming and VR users in mind, the E500 delivers impressive spatial awareness and pin point accuracy. These qualities don’t only favour gamers. They give music an edge with clear imaging and a soundstage that brings you right into the mix. All of this for under £20 makes them a no brainer for those looking for a budget wired earphone.

4. Final VR3000 – £69.98

Final VR3000 gaming earphones enable complete immersion into the VR and gaming world by reproducing the acoustic spatial sound as intended by the game creator. Most earphones for games and 3D sounds are made with exaggerated low and high frequencies, emphasising the surprise when you listen to them. VR3000 is very different.

5. Final D8000 Pro Limited Edition Planar Magnetic Headphones – £4,789.00

Final have released a Limited Model of the flagship D8000 Pro Edition headphones, with a new stylish finishing concept and further upgrades. A luxurious and authentic matte black finish is applied throughout, and dry gold-plated perforated metal is used for the AFDS driver. The structural and acoustic design of the driver, and dedicated housing construction which optimizes sound, have been retained.

Latest Final Updates and News:

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Review- Audeze LCD-2 Closed Back Headphones

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Audeze LCD-2 Closed Back Review

It’s been a while since Audeze released a closed-back model in their LCD range; the XC model was (and is) beautiful but it is a little treble-heavy for this particular listener. So it’s great news that we now have an alternative LCD to play around with!

Design and appearance

The Audeze LCD-2 closed-back takes a slight departure from the XC model in terms of looks; gone is the polished wood, and instead we have black earcups with white chevrons painted on. It’s not unattractive, and gives the headphones a nice update for 2018. The cable is a black and white braided affair, and matches the look of the headphones well.

We’re well used to Audeze treating us with extras such as a carry case and 3.5mm adapter, but this is not how the closed back LCD-2 comes. All we get are the headphones themselves and 3m cable (with 6.35mm jack). To be fair, this could just be a way for Audeze to offer better headphones for less money, and there is always the option to purchase a carry case later if needed.

 

Durability & build quality

The closed back LCD-2 is pretty rock solid. There are no obvious weak points and with care, these headphones should last a lifetime. The cable is similarly well constructed with strain reliefs at the top and bottom, and Rean connectors for attaching to the headphones.

Comfort

With a weight of 646g, the LCD-2 is not for those with delicate necks. This reviewer is feeling the weight a little bit after 30 minutes, but it’s not a problem. A longer listening session might change this however!

Suitability for intended application

The closed back design may lend itself well to outdoor pursuits, but most smartphones would have difficulty running the LCD-2 closed back. With a 70 ohm impedance and a relatively low sensitivity of 97dB, these headphones are better suited to devices with greater powers of amplification. Having said that, the LG V20 does a fairly good job but the headphones could be powered a lot better with proper gear such as a dedicated headphone amp.

 

Sound characteristics:

When compared to the open back version, the closed back LCD-2 does of course have the advantage of much greater isolation but there is of course some compromise due to the need to deal with internal sound reflections and resonances. Bass is more present, but with slightly less detail. Midrange is full and syrupy, and high frequency detail takes a slight hit too.

For this review, the closed LCD-2 is powered by the Questyle CMA600i, which provides some very clean audio and won’t make the headphones any warmer-sounding than they already are.

Bass

Sub bass is indeed impressive on the closed LCD-2; it’s very well rendered and has a very wide and deep feeling to it. Bass presence is enough to make its mark, but without causing many problems for higher frequencies. There however the feeling at times that it affects an otherwise spacious feeling within the midrange.

Mids

Generally the midrange has a good speed about it, with a quality which is neither too dry nor too lush. It sits well between the bass and high frequency ranges, making a cohesive sound which is very slightly recessed when compared to the bass level. Vocals are comfortable within the mix and are rich and detailed.

Treble

Perhaps comparison with an open-back LCD-2 is unfair here, but the open back does do better in terms of the high frequency detail. However, the closed back version still has a lot to offer with genres such as classical, with still a good sense of space in the recording. Presence is about as much as it can be, whilst still feeling like a warm headphone. This reviewer is a fan of warm headphones such as the Sennheiser HD650 and Oppo PM-2, and the closed LCD-2 would serve as a good closed-back alternative for those who want a similar sound.

Soundstage & Separation

This LCD-2 is surprisingly good for a closed back model; soundstage is impressive although there’s not so much of an ‘airy’ feeling here. Separation is very good too, with instruments giving a good impression of sitting in their own spaces within recordings.

 

Music genres good for and why

Given the slightly bass-centric tuning, the closed LCD-2 is well suited for studio genres such as dance, pop and rock. However, it can give a good rendition of a classical or acoustic performance if you’re more fond of a weighty feel within the music as opposed to a light and airy one.

Pros:

  • There’s now a choice of LCD closed backs (along with LCD-XC)
  • Good isolation
  • Great soundstage for a closed back model

Cons:

  • More utilitarian looking than most designs
  • Accessories are spartan
  • Can be heavy for some

Summary

Audeze’s new closed-back LCD-2 promises to offer more privacy and isolation for fans of the warmer sounding Audeze models, and it delivers admirably.

Audeze LCD-4Z Audiophile Headphone Review – Groovy Smoothy

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Audeze LCD-4Z Headphone Review

Audeze keeps going from strength to strength (the strength of our bank managers, that is). Ever more glitzy offerings are produced which are sure to exceed the last model at least in terms of price, but does the performance match up? We’re sure the folks at Audeze HQ realise that expectations go up along with the levels of cash we’re asked to part with, so they’d better have the trousers to go along with the proverbial mouth they’re exhibiting..

Pros:

  • Sturdy construction
  • Great looks
  • Smooth sound for those who want it
  • Sub bass is impressive

Cons:

  • Single-ended cable only
  • Heavy!
  • Some may require greater treble presence

Durability and Build Quality

The LCD-4z is built to last, with an all-metal construction. It’s weighty, coming in at 610 grams without the cable attached; so along with your brass, it demands a good neck. The cable itself is strong and well constructed. It’s a single-ended design ; it would have been good to see a balanced option in there too.

The carry case is quite large; much bigger, and we’d have been looking for wheels and a slide out handle for lugging it around. However it’s fitting for such a premium model and offers adequate protection should you wish to take it anywhere.

Comfort

As mentioned above, some may be affected by the weight of the LCD-4z during longer listening sessions. Clamping pressure is fairly high, but mitigated by the leather earpads which are soft and comfortable.

Sound Characteristics

The Audeze LCD-4z was tested with a Chord Hugo mk.1 as DAC and amp; it’s ironic that this is far cheaper than the headphones themselves! A more substantial setup may affect the LCD4z’s response somewhat.

Overall the LCD-4z has a warm feel to its output, with a sound which is comfortable and luxurious.

  • Bass

Low extension is very good which is well voiced and natural-sounding. If a particular track means to hit us with sub-bass, be sure to have your fillings certified by a qualified mouth doctor prior to listening.

Further up, bass presence may be a little too much for some in relation to mids and treble. This may be a nod toward those who are demanding more in the way of bass presence these days. Definition is very good; there’s a certain rounded quality to it which feels like it’s impinging on the midrange but it doesn’t get in the way of midrange detail.

  • Mids

Vocals are rich and very detailed; it feels like we’re peering into the singers’ throats with a broad wooden spatula. Backing vocals are very seductive, with some nice separation giving the impression of singers standing about the listener.

With tracks which generally push the limits of comfort in terms of midrange presence (such as with the upper registers of the clarinet), the LCD4z does rein it in a little, so if fatigue is an issue for you the LCD-4z is an option. Overall it’s a gooey, fun midrange and a very alluring one.

  • Treble

Treble presence is ideal for this self-confessed Sennheiser HD650 fan; some may find it a bit muted for their tastes but it allows the music to ooze out without the feeling that it’s being forced. It continues on from the midrange in a natural and pleasing way.

Fine details are well rendered with subtle harmonics present; trumpets and other brass instruments are really quite enjoyable.

  • Soundstage and Separation

Soundstage is about average for an open-back model, with imaging and separation doing a decent job whilst maintaining a natural feel.

Music genres good for and why

The warm nature of the LCD-4z complements modern, studio-produced genres such as pop and rock. If you like sub-bass laden offerings such as with rap or drum and bass, then the LCD4z is a sure winner. However those who favour classical, opera or live recordings may require a little more bite where it comes to treble.

Summary

Audeze’s new LCD-4z hits us hard; both with sub-bass and credit card bills. However, relaxing with a set of these in place will certainly mask the insistent knocks on the door from bailiffs.

Effect Audio Ares II vs Eros II Comparison Review

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Effect Audio Ares II vs Eros II Comparison Review

 

If you are having a hard time trying to decide between the Ares II and the Eros II, we have written up a little comparison between the two. You cannot go wrong with either cable.

 

Aesthetics and Build:

These cables look superb, they finish is perfect and the braid is even, they are an excellent accessory for every on the go audiophile. They are not all about the looks though, the sound offered by both the Eros II and the Ares II is truly excellent for the price.

Both Effect Audio cables are built the same, with excellent quality jacks, a lightweight and slim y-split and soft over ear moulds that are much more comfortable than regular memory wire. The 2-pin connectors are sturdy, and the braid is tight and even, overall an expertly finished product.

Sound:

The Ares II is a lively and fun cable, the lows are still impactful and full but well controlled and not over the top. The midrange retains clarity and is not overshadowed by the slight increase in bass fullness. Where the Ares II goes against the typical copper sound is in the upper midrange/lower treble section, where it injects a little extra spakle and presence.
This makes this cable well detailed, but also fun and engaging to listen to. It pairs well with multiple IEM’s and if you are looking to get into the world of custom cables, the Ares II is the perfect place to start.

 

The Eros II paints quite a different picture, it leans towards the neutral side of sound and doesn’t go in to change anything drastic about the sound signature. What the Eros II does is increase the air between instruments, adding an extra layer of separation and allows the finer detail to shine through. The Eros II does add a tiny bit of presence in the treble, but it is not what I would consider a brighter sounding cable. The Eros II is clear, transparent and refined with excellent soundstaging.

Conclusion:

So there you have it, two beautiful cables both with different sound signatures. Which will be for you depends on synergy and what differences you want out of your current IEM’s. If you are in need of any cable pairing advice, give us a call!

Sennheiser IE80s Earphone Review

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Sennheiser IE80S – An Old Classic Reborn

Sennheiser is a company which seems to have painted itself into a corner in recent years; how do they improve on the models they’ve had on sale for the past few years? It’s either a testament to their design teams of years past, or a damning indictment of the design team they have now. They’re recycling old designs, and adding an ‘S’ so we can’t pluralise without causing confusion. What trickery is this?

Pros:

  • Nice warm sound
  • Good assortment of tips and accessories
  • Carry case

Cons:

  • Could have more midrange clarity
  • Straight jack on cable

Design and appearance

A new version of an old classic is simple enough to achieve; round off the corners a bit more and you’re done! There’s probably more to it than that, but this new IE80S bears more than a passing resemblance to the original IE80. However it’s a good look, and Sennheiser obviously knows that it’s not necessary to have flashy designs or gimmicks to impress their fans.

The supplied case is sturdy and sleek, with a non-removeable foam insert which houses the earphones when not in use. Also there are plenty of eartips and accessories, such as a pair of earhooks if your cable keeps popping over your ears.

Durability & build quality

There’s nothing bad to write here, the Sennheiser IE80S is as expected with excellent build quality. The jack on the cable is a straight one which may be a problem for some; if you want a right-angle jack then spare cables for the IE80 will fit just as well.

Sound characteristics:

The tuning is what we expect from Sennheiser; there’s no drastic departure from the typical Sennheiser sound which is warm, with a smattering of treble to keep things interesting but staying comfortable.

Bass

Bass is fairly plentiful and should please lightweight bassheads; however the dials on the sides of the capsules can be adjusted to give a bit more grunt. Control is pretty good, but where it’s loose it feels as if that’s the way it should be. It’s loose with a touch of panache! Subbass is quite powerful if it’s in the music, and you’ll be in no doubt

Mids

The level of the midrange is lower than the bass, but pretty clear and enjoyable nonetheless. Harmonics are clear enough and there is no congestion here, but there is the feeling that the IE80S could do better; at least with the supplied eartips. Aftermarket eartips (such as Blackbird) seem to improve things in this regard.

Treble

Treble is gentle; we’re fond of a warmer sound but the IE80S still takes some getting used to. If you’re a fan of an airy, shimmery sort of presentation then the IE80S is not for you. If however you’re a fan of laid-back music then the IE80S is a contender. Plenty of detail is present though; it comes across as an extension of the midrange with a smooth transition.

Soundstage & Separation

Soundstage on the IE80S is pretty good for an IEM but there’s a lack of depth to the sound, apart from the bass which appears to spread out in front of the listener. Separation is good, but limited with the supplied tips. If you’re splashing out on the IE80S, then try some tips such as Blackbird or Spinfit.

Music genres good for and why

Due to the bass presence, the IE80S is best suited to dance music, pop and rap. Fans of classical, jazz and opera may still enjoy those genres with the IE80S but they will likely miss the airiness and the reverb ‘feel’ of the space the recording was made in.

Summary

Sennheiser’s souped-up IE80 design is here, and it’s an enjoyable listen for many modern genres but some may find the sound lacking air and space for genres such as classical.

Build your own Grado style headphones

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Build your own Grado style headphones tutorial with Symphones V8 drivers

  • Do you have a pair of Grados?
  • Have you upgraded them to wood cups?
  • Are you looking to build your own Grado style headphones?

If the answer to any of these is yes, then read ahead.

So who are Symphones? Symphones started off modifying Grado headphones with their original Magnum modifications. They then went on to develop Grado style drivers that slot right into most Grado cups and aftermarket cups. Today we are looking at the V8 drivers, their latest offering that are very different in design to the V7.
A big part of driver tuning is adding dampening materials to the diaphragm and magnet, and the new V8 have a completely new driver coating.

The V8 drivers in this review are installed in Rholupat spalted tamarind cups with a Grado SR60e headband and SMC connectors to allow for detachable cables. The cable used is made from Van Damme minature starquad.

So what do you need?

Some Symphones V8 Drivers: https://www.symphones.com/shop/symphones-v8

You will then need suitable cups to install the drivers in, the drivers will fit into all Grado cups excluding the PS/GS series. Please take care when removing the old drivers as to not damage the cups you will be installing the drivers into.

Alternatively you can buy wooden cups from a couple of places:

https://www.etsy.com/shop/ShipiboAudio

http://www.rholupat.com/

http://www.ellevenacoustica.com/

https://wabisabiheadphones.wordpress.com/

Once you have the cups you need a headband with gimbals from your old Grados, or a Sony MDR7506 headband. Alternatively Rholupat and Shipibo offer nice leather headbands and also aluminium gimbals and rodblocks.

The Symphones drivers will need soldering to your cable of choice and installing into the cups, to make sure they press fit tightly you may need a strip of insultion tape around the edge of the driver. I have installed SMC connectors into the cups so I can change cables if I need to.

Now you come to earpad selection, Grado OEM pads, or generic cheap eBay ones, take your pick but they all change the sound.

Symphones have tuned the V8 drivers to be used with OEM G-Cush pads, and the main review will be based using those.

Generic G-Cush pads add a little more body to the sound, but are not as detailed and clean sounding as the OEM G-Cush pads.

OEM L-Cush pads also work very well with these drivers, giving them the more aggressive Grado style sound, over the more spacious G-Cush sound.

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READ MORE: Grado SR80e Headphone Review

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Sound:

  • Bass:

The bass is not as full as the newer E series of Grado, but it is more controlled and also extends lower, digging right down into the sub-bass with ease. The bass is still quite Grado like being about quality over quantity but it is cleaner and more separated. The bass never encroaches on the midrange, and the punch is really good on the V8 drivers. Changing the earpads affects the bass the most, with generic G-Cush and OEM L-Cush pads adding a few extra dB’s of bass which may appeal to some people. The bass is more dynamic and full on the V8 drivers than the lower end Grados, sounding more realistic in tone.

  • Midrange:

The midrange sounds like a veil has been lifted, comparing to the Grado lineup you need to go to the PS500e at least to get this level of detail however the V8 are more spacious sounding. They still have the slightly aggressive tone to them, but are far more open soundstage wise. The upper midrange is not quite as upfront as Grados, leading to a slightly less fatiguing sound and also very minimal sibilance unless the recording has it. The midrange sits ever so slightly behind the lows and highs quantity wise, but not enough for it to be classed as recessed. The clarity and separation of the V8’s is what sets them apart from the original Grado drivers.

  • Treble:

The treble from the V8’s is smoother and more refined than the peakier Grado drivers. In terms of quantity it is still up there with most Grados however they are better separated and airy, with less peaks and more effortless extension. I never find them to be grating and they compliment the rest of the sound perfectly. If you are used to more bassy headphones, yes these will sound a little bright, however I find the highs to be quite well balanced with the rest of the range.

  • Soundstage and Imaging

More precise and also quite a lot wider than original Grados which are more direct and in your face. There is a lot of air between intruments and percussion comes through with excellent tone and control.

Conclusion:

These are an excellent upgrade for your current Grados or for a scratch build, they offer a more vivid and dynamic sound over original drivers. They sound as if a veil has been lifted from the whole sound, and the soundstage and imaging is far superior to lower end Grados. Articulate and dynamic lows, crystal clear midrange and sparkly highs, all that you love from Grados but supercharged.

Best Full Size Headphones To Buy In 2017 – Expert Reviews

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Best Full Size Over-Ear Headphones 2017

We’ve have some of the best full size hi-fi headphones from under £100 to over £1000 from 2017. The reviews are designed to help you choose from the massive selection of hi-fi and audiophile headphones available with open back and closed back designs. From established brands like Beyerdynamic and Sennheiser, to new creative brands like MrSpeakers and Audeze.

Scroll down for in depth reviews of our favourite full size open back and closed back headphones.

Shop: Visit our Full Size Headphones Store

Read More: Best On-Ear Headphones Buying Guide

Best Full Size Headphones Under £50

Edifier H840

The closed-back Edifier H840 has audio quality which belies its entry-level price. Low-cost headphones can emphasise the bass a little too much but the Edifier H840 has a good balance throughout the frequency range, with midrange and treble coming through with impressive clarity. Bass is there too, and prominent enough to give a bit of weight to those basslines without stealing the show.

Build quality is also impressive for headphones at this price; they are quite rugged, but light and comfortable as well.

They can be used either in the home or as a portable model, since the closed-back design offers good isolation from exterior sounds and the H840 can be powered sufficiently by a phone, or a portable music player.

HiFi Headphones Verdict:

If you’re on a budget, there is no need to compromise on sound quality. For the asking price, the Edifier H840 represents amazing value.

Best Full Size Headphones Under £150

Sennheiser HD461G (Android) or HD461i (Apple)

Sennheiser’s HD461 models come in two flavours, depending on whether you have an Apple handset (with a headphone socket!) or an Android handset. Designed primarily for portable use, the HD461 models can also be used with home equipment as they will still work in standard 3.5mm stereo sockets.

Also, the cables are available separately as spares, so if you change your phone from one type to the other, you only need to get the appropriate cable for full functionality with your new handset.

The design is light and comfortable with a sound akin to what Sennheiser generally prefers; a warm comfortable sound with enough sparkle at the treble end to keep things interesting and vibrant, but without any danger of listener fatigue. The HD461 design hsa a little bit of extra bass than usual however, so if you’re a bass fan then these are worth a try.

HiFi Headphones Verdict:

For a bassy accompaniment at home or on the move, the HD461i (or HD461G) will give full functionality with your handset, whether Apple of Android. With spare cables available too, there is no need to change your headphones if you change your phone (iPhone 7 notwithstanding!).

SoundMAGIC HP151

The new HP151 from SoundMAGIC is perfect for those who want to treat themselves to some excellent sound and build quality, but without breaking the bank. The HP151 comes with a sturdy carry case and an extension cable for more options if listening at home, but is otherwise suitable for portable use, being of a closed-back design. Be aware however that whilst the HP151 will work well with commercial genres, classical or similar may require more amplification than a phone/handset can provide on its own, as those music types generally have quieter recordings, with less dynamic compression applied during production.

The HP151 sound has a good amount of well controlled bass from its 53mm drivers, and midrange/treble are clear and present. It’s a comfortable sound, and it is not likely that listener fatigue will set in.

HiFi Headphones Verdict:

The HP151 is a fantastic all-rounder, with a bassy yet crisp sound. It has a spacious and wide presentation considering the closed back design, and it looks really good too!

READ MORE: SoundMAGIC HP151 Full Review

Best Full Size Headphones Under £350

Final Sonorous III

Final makes some excellent-sounding headphones with great build quality too. Their closed-back Sonorous range encompasses many models, but the Sonorous III is a point of interest as it gives some amazing sound quality for the price. With slightly boosted bass and treble, the Sonorous III gives a little added shine to your tracks without going overboard. The low impedance of this design makes it suitable for using with a portable device or phone, for enjoying your collection in the home, or out and about.

HiFi Headphones Verdict:

The Sonorous III is a favourite here for its relaxed, natural sound. However the Sonorous II is also noteworthy as a more neutral version, giving a more faithful rendition of your recordings and particularly suitable for classical and acoustic performances.

Best Full Size Headphones Under £800

Now we start to enter the price range of diminishing returns; for instance, headphones costing £800 will not sound twice as good as those costing £400, but if you are intent on raising your headphones game, these smaller improvements are still worthwhile to make your music collection come alive again.

Beyerdynamic Amiron Home

Beyerdynamic has impressed us for many years and continues to do so with new models such as the Amiron Home. With sterling build quality and sound quality alike, the open-back Amiron Home does everything well. All frequencies are very well balanced with each other, with treble a little gentler than quite a few of Beyerdynamic’s previous models.

So the sound is natural and smooth; ideal for relaxing at home (where else?), and quite suitable for any music genres that can be thrown at it.

HiFi Headphones Verdict:

The Beyerdynamic Amiron Home is a real treat to use, and is as comfortable to wear as it is to listen to.

READ MORE: Beyerdynamic Amiron Home Full Review

MrSpeakers Aeon

A relatively new maker, MrSpeakers has certainly caused a stir with their line of planar-magnetic models recently. Not least with the Aeon, a lightweight design which hits heavy with some excellent sound quality. The design lends itself well to portable uses, although additional amplification may be required if using with a phone.

The sound is fairly well balanced with a little extra bass and lovely clear midrange and treble. The Aeon is well suited for all genres, but a real treat with anything likely to get you moving!

HiFi Headphones Verdict:

If your portable audio game needs updating, the MrSpeakers Aeon is one to look at, although the Aeon is equally enjoyable if you like to stay put.

READ MORE: MrSpeakers Aeon Full Review

Best Full Size Headphones Under £1000

Focal Elear

Focal’s recent additions to their lineup show a slight move away from the generally brighter sound of their previous models, to a gentler more laid-back sound which nevertheless gives detail in spades. The Elear is an exquisitely comfortable model to wear also, and gives the impression of the venerable HD650 but with a little bit of extra treble presence.

The Elear is not a light model at 434g, so this may be worth bearing in mind but the sound is very pleasing indeed.

HiFi Headphones Verdict:

French company Focal has produced a real hit with the Elear, and it is easy to understand how; they’re great fun!

READ MORE: Focal Elear Full Review

Pioneer SE-Monitor5

Pioneer’s new SE-Monitor5 is where headphones start to get sumptuous and luxurious! Build quality is like an executive car, and the plush padding is much the same. The SE-Monitor5 may be a little heavy for some at 480g but they are made for relaxing at home and swallow up the sides of the head with their huge earcups.

The sound is as you would expect from Pioneer at this price, with well-controlled bass doing just what it needs to according to the music genre being enjoyed. Higher frequencies follow suit and remain faithful to the music, only to add a little bit of extra excitement and glamour to proceedings, whilst staying very relaxing.

HiFi Headphones Verdict:

The SE-Monitor5 is incredibly comfortable and bound to please anyone who gives them a listen.

READ MORE: Pioneer SE-Monitor5 Full Review

Best Full Size Headphones Over £1000!

If you have got bored of circling Switzerland in your yacht then you’re probably lost, but you may be wealthy enough to consider the following models for your floating games room! These higher priced models may seem as steep as a black route ski slope, but those who accept no compromise will find the following offerings very interesting.

Sennheiser HD800S

Sennheiser is no stranger to premium headphones, and has followed up on the excellent HD800, released a few years ago. Some felt that the HD800 is incredibly detailed but at the cost of a certain amount of musicality, so Sennheiser now has the HD800S which offers a little more in the way of ‘soul’. Bass is very responsive to what different music genres need without overdoing things, and midrange/treble give some excellent soundstage and imaging with a slightly gentler presentation when compared to the older HD800.

The HD800S is however just as comfortable as its older brother the HD800; these models can be worn for hours on end with no trouble.

HiFi Headphones Verdict:

The HD800S is a very popular model and with good reason; it’s as enjoyable as it is comfortable and has a fair amount of visual impact as well.

READ MORE: Sennheiser HD800S Full Review

Audeze LCD-4

Audeze has plenty of models, but at the top of the range we have the planar-magnetic LCD-4. Top notch build quality is to be expected at this price, including unique drivers which feature NASA technology in their nano-scale diaphragms. These light, thin diaphragms can move very quickly with no inertia, making transient response times very fast, and bass precise with nice extension and very good control.

Made from 30 year old Macassar wood, the earcups are set off by bright silver grilles making the LCD-4 a treat to look at as well as to listen to. As well as the excellent bass, midrange and treble follow in good order with a smooth transition between, but with perhaps a slightly recessed midrange, putting bass and treble at the forefront of the presentation.

HiFi Headphones Verdict:

For the last word in headphones, this may need to be your first stop!

Pioneer SE-Monitor5 – Expert Review

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Pioneer SE-Monitor5 – Expert Review

Intro

Hot on the heels of the Pioneer Master1 , the SE-Monitor5 promises to be a closed-back alternative. It’s a similar design but with a few tweaks here and there, and at a much lower price. So what does a grand get us from Pioneer these days?

Design and appearance (e.g. attractiveness, feel):

Wearing the SE-Monitor 5 certainly makes it known that you’re incommunicado; the earcups are big circular affairs which swallow up the ears and quite a lot of head along with them! Attractive copper rings decorate the earcups on the outside, and the cable bears a couple of rose gold touches.

Durability & build quality (e.g. cabling, connectors, materials):

The Pioneer SE-Monitor5 is built with longevity in mind and will probably last for many years. Everything is solid and premium-feeling with no weak points. The cable is a little unusual in that it’s a fabric-coated type which has been braided or twisted, so it resembles a vintage power cable. The twistings are not fixed so they’re a bit tighter here and not so tight there, making it a bit scruffy looking. Strain reliefs are pretty small, but this is a ‘stay at home’ model so pretty standard for that use. There are three cables included; a 3 metre one, and two shorter cables, one of which is balanced with a 2.5mm jack.

The connectors which go into the headphones are 3.5mm stereo jacks, so there is plenty of scope for aftermarket or DIY cables if that takes your fancy.

When swapping the earpads over, the housings for the drivers were revealed as being of solid magnesium alloy. It’s impressive that this should be found where few will ever venture and actually see it, but it’s probably there for acoustic reasons first and foremost.

Comfort:

The drawback of all this solid construction is the weight, around 480g (17 ounces). This reviewer is of the strong-necked variety, and heavier headphones have been tried but some out there may wish to think twice if they are sensitive to this sort of thing. The weight is quite evenly distributed between the earpads and headband, but the slight pressure from the headband may start making itself known after an hour or two.

Sound characteristics:

The Pioneer SE-Monitor5 comes with two sets of pads; the velour is fitted by default and there are a pair of leatherette earpads too. For this review the leatherette earpads are being used; with the velour pads the sound is a little more focused on the midrange with a lower bass level.

The SE-Monitor5 earpads are quite solid and the seal is affected if glasses are worn; glasses with chunky arms create a gap between the earpads and the head, letting out a fair bit of the low frequencies. Metal-framed glasses may be better. It’s easy to imagine that this issue will resolve itself when the earpads start to wear in.

Bass:

Bass is quite responsive to the music being played; it stays in its place with older genres but is fully present with anything newly produced. The sub bass comes out to play, and we’re treated to a very wide, tight and dazzling bottom end! There is no hint of the bass being elevated above where it should be with any particular thing. There’s a nice clarity and form to it, and it’s clear and well separated even with a lot going on within the midrange.

Mids:

Like the bass, the midrange doesn’t overdo it. The SE-Monitor 5 is a fairly flat and neutral-sounding headphone, but there is a certain warmth and lushness there to keep things sounding appealing. There is no sibilance though, or any sign that the SE-Monitor 5 is having anything other than a great time! It’s all relaxed and effortless.

The midrange hangs with the bass and merges seamlessly; there’s a vast amount of space and reverb trails/effects are clear and well defined all the way to their eventual decay. harmonics are clear and serve to make for a large and well defined sound.

Treble:

Following in the SE-Monitor 5 theme, the treble hits the right note too. It’s neither boosted or recessed; our attention is on the full presentation, and it’s topped off with some really impressive detail given the relaxed and unhurried way in which it appears to be served up. Like the midrange, the treble has an inviting lush quality to it which really appeals and makes for a slightly warm sound, but without compromising on detail.

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READ MORE: Fostex TH7BK Closed Back Headphone Review

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Soundstage & Separation:

The width of the presentation is pretty good for a closed-back model. There’s a decent amount of virtual space in which the SE-Monitor 5 has its fun, and a very real impression of the space in which the recording was made too, such as in the case of acoustic music like classical or opera.

The SE-Monitor 5 may be a little warm-sounding but not at the expense of details which give positional cues, preserving the positions and forms of instruments really well. There’s great layering and we’re well aware of players and voices stretching out to the fringes of the space; nice for backing vocals.

Music genres good for and why:

Headphones at this price point should really do everything well, and the Pioneer SE-Monitor 5 doesn’t disappoint. Classical pieces benefit from a certain weightiness without taking the listener away from the midrange detail. Drum and Bass can give its all, and the SE-Monitor 5 serves up sub bass in buckets. Older recordings sound vibrant and musical, whilst at the same time being given sympathetic treatment for any artefacts or hiss they may have.

 

Pros:

  • Excellent sound
  • Premium feel/Solid construction
  • Short and long cables included

Cons:

  • Might be a bit heavy for some
  • cables look untidy (nitpicking!)

Summary:

Pioneer’s new SE-Monitor 5 promises to be a closed-back follow up to the open-backed SE-Master 1; but is it a people pleaser? It goes well with all sorts of music and should put a smile on the face of the most committed curmudgeon!

Beyerdynamic Amiron Home Headphone Review

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Beyerdynamic Amiron Home Audiophile Headphone

Beyerdamic have hit a home run with the Amiron Home; it is beautifully detailed yet smooth and easy to enjoy. It gets out of the way of the music and lets you enjoy pure sonic bliss.

Pros:

  • Excellent detail retrival
  • Smooth sound
  • Comfort

Cons:

  • Earpads may be a little shallow for some.

Aesthetics, Build Quality and Accessories

The Beyerdynamic Amiron Home are a great looking headphone; the cups are grey with a fabric mesh on the outside, the arms are aluminium and the headband is alcantara, a very simple and elegant design.

The build quality is great, they feature a dual sided detachable cable (balanced cable available separately), the cups are plastic but feel very well made, the headband is metal and everything is very well put together.

The Amiron Home come with a hard carry case and a 3.5 to 6.3mm adaptor, all the accessories you need really.

Comfort and Amp Pairing

The Amiron Home are one of the most comfortable headphones around; the alcantara pads are super soft, as is the headband padding. The weight and clamping force means they sit securely but not uncomfortably tight. My only slight gripe is the earpads are a little shallow, so your ears may touch the inner fabric covering the drivers.

Regarding amplifiers, these do require a bit of power behind them and I personally found them to work very well with OTL tube amps as they bring out the best qualities in this headphone.

Sound

  • Bass

The bass on these has incredible texture and control; they are quick in attack and decay at just the right speed. Snappy and quick when called for, yet also full and articulate during other tracks. The bass blends with the rest of the frequencies, without ever affecting them; perfect in quantity, and superb in quality.

  • Mids

The mids are natural and crystal clear, vocals come across with the emotion of the original recording, this headphone does not add its own flavour. I would say the mids are well placed, being perfectly centered in the mix. Timbre here is what stands out, along with the amount of detail present but not thrown in your face.

  • Treble

Beyerdynamic used to be know for peaky treble, and that has been fixed; now the treble is still well present and in good quantity, however it is not peaky or fatiguing anymore. It reaches way up high, but with finesse and control without a hint of grain; the treble is superbly refined.

  • Soundstage and Separation

The soundstage is smaller than that of some other open back models, they have a slightly more intimate sound for an open headphone but the imaging is excellent and accurate. Separation is very good as is to be expected, all separate instruments are easily distinguished.

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READ MORE: Master & Dynamic MW60 Bluetooth Headphone Review

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Conclusion

With the Amiron Home Beyerdynamic have made one of their best headphones to date; beautifully balanced sound, excellent control and resolution yet without fatigue, the perfect headphone for home listening.

 

Grado RS1e Audiophile Headphone Review – Who Woodn’t?

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Grado RS1e Audiophile Headphone Review

Grado needs no introduction; they’ve been producing headphones since 1990 and have stuck to the same design ethic since then, making their headphones one of the most recognisable out there. Of course, there have been changes going on within the headphones themselves, not least with the ‘e’ range which was released a while back.

The Grado RS1e is one of these, with mahogany earcups and a very retro headband which makes us think of radio operators during World War II. Had their headphones sounded this good at that time, would the Allies have still won? It’s a real enigma.

Pros:

  • Good clear Grado sound
  • Attractive construction
  • Good quality extension cable included

Cons:

  • Cable’s a bit serpentine

Design and Appearance

The headband design is as simple as possible; pins and gimbals allow for size adjustment and that’s all. They say the best designs are the simplest, so this is not meant as a criticism! The quality of the headband and stitching is definitely something which needs to be remarked upon, even just from a retro-appreciation standpoint.

The mahogany earcups carry this theme very well too. They match the headband very well and go against the ‘shiny and new’ look that a lot of headphone makers strive for with their models. The Grado RS1e might have been introduced decades ago; this is testament to the fact that Grado is happy to rely on the tried and tested, rather than push designs that might be gimmicky and fashionable.

Durability and Build Quality

The RS1e is not designed for use anywhere other than at home or work, so we have no problems with its light and relatively barebones quality. The headband assembly won’t take kindly to being sat on though! The cable is a thick PVC coated affair much like the rest of their range; it would be nice to see a change here. It is supplemented by a 450cm Grado extension cable however.

There are no strain reliefs on the cable where it meets the headphones, so just ensure your foot is not on the cable when you stand up.

The wooden earcups are well turned and finished, and together with the leather headband they do look good.

Comfort

The Grado RS1e may look good, but padding is relatively spartan. Given the weight of this model, it’s not an immediate issue but pressure points may announce themselves during longer sessions, on the ears and over the top of the head.

Sound Characteristics

Grado is known for a fairly bright and airy sound from their headphones and the RS1e fits right in. There is bass in good proportion however, and the RS1e appears well balanced without any obvious peaks.

Note: There are reports that the RS1e improves after a certain burn-in period which pays no heed to review deadlines. If possible, this reviewer will return and update these impressions if necessary.

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MORE INFO: Grado GS2000e Audiophile Headphone Review

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  • Bass

Sub-bass is there but fairly muted; it’s there if we look for it, but it may easily be missed in unfamiliar pieces. Low/Mid bass is more prominent with a nice width; it’s well controlled too and gives an impression of effortlessness, like it’s just pouring into the ears.

It has a well defined form and there are no concerns here; lots of space is left for those higher frequencies for which the Grado name is known.

  • Mids

The midrange is extremely clear and crisp-sounding which is a two-edged sword. With well produced and more ropey recordings alike, we get everything warts and all. Needle noise and pops on your digitised vinyl collection will be apparent, but older recordings are generally very well rendered.

Vocals may get a bit peaky here and there; particularly female vocals which can reach towards the piercing at times. Also, certain sounds such as bells, resonance on an electric piano or anything like that can cause issues depending on your particular sensitivity to these frequencies.

  • Treble

Faithful to the Grado sound, treble is fully present and is well balanced with the midrange. There is no obvious trouble between these areas of the frequency response, and so the midrange just seems to continue on up into the treble naturally. It makes for an airy and intricate sound, with plenty of fine details.

  • Soundstage and Separation

Soundstage is about average for an open-back; the sound seems to be coming from without, but the listener is not surrounded as such. Similarly, imaging and separation does not benefit from the clear midrange harmonics as much as expected, so maybe the wooden earcups are having an effect here, or this particular headphone needs a bit of running in before reaching its potential.

Music genres good for and why

The Grado RS1e is a real toe-tapper with any genre; however if you’re fond of sub bass in your tunes, you may miss this a bit. As mentioned though, it may improve as the headphones receive more use.

Summary

Grado’s RS1e is a graceful and svelte looking piece of kit, and sounds it too. It’s not bass light though, with a good balance between the various frequencies. There is a low bass rolloff so extremely low bass may be attenuated a bit.

Grado GS2000e Audiophile Headphone Review

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Grado GS2000e Open Back Headphone Review

Grado has enjoyed tremendous success over the years with various models, but has never departed from their basic headphone design as illustrated by the Grado GS2000e. It’s unusual in this world of fashions and fads that Grado has kept so faithful to this design but it’s obviously working for them! So is the GS2000e without match, or is it matchwood?

Pros:

  • Nice neutral sound
  • Fantastic imaging and soundstage
  • Comfortable

Cons:

  • Ungainly standard cable which cannot be removed or replaced

 

 

Design and Appearance

Indeed there are no surprises here; we may as well expect our US cousins to drive on the proper side of the road as revise this design. There is a tweak though; the GS2000e is a slightly different shade of brown. The slightly differing colour is due to the mixture of woods in this model. Mahogany to give the sound a bit of a polish, and maple which makes it more syrupy.

..Or perhaps the maple gives a brighter presentation which is held in check by the mohogany, for a clear and well-balanced sound.

The cable is still a non-removeable serpent-like affair which threatens to restrict the oxygen of careless music lovers, so there’s no change there.

Durability and Build Quality

Despite our gentle teasing, the cable is up to the job and there are no concerns regarding quality. The cable is stout with a heavy duty coating; it might have come off the Brooklyn Bridge itself. The 1/4 inch jack is military grade and the headphones themselves, while being light and comfortable, are made to last. They probably won’t appreciate being sat on though.

Comfort

Some have complained about comfort issues with some other Grado models, but the GS2000e benefits from the large earcups; any clamping force is distributed over a wider area. Also with glasses, there are no points of pressure which are making themselves known. However, after a couple of hours things might start to feel a bit claustrophobic in there!

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VIDEO REVIEW: The Best Headphones You’ve Never Heard Of

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Suitability for intended application

The Grado GS2000e is definitely one to keep at home; they isolate exterior noise as if they weren’t there at all, and your music will be broadcast as if you’re a Public Access TV show. But for those quiet moments at home, they are just perfect.

 

 

Sound Characteristics

The GS2000e has a slightly understated sound when compared to the GS1000e; the emphasis on bass and treble is reduced, which makes the midrange more of a centrepiece. Harmonics and therefore imaging will be a little stronger on the GS2000e, thanks to the relatively present midrange.

These were tested using a Chord Hugo.

  • Bass :

Bass goes deep, and is clear. It’s not there in quantities to make fans of dance music jump, but does a good job of reproducing what’s there. It is also very detailed and well controlled.

  • Mids:

This is the focus of the GS2000e’s sound; they do come across as reasonably neutral with perhaps a tad of extra presence at the upper end of the midrange. There is generally no sign of sibilance here however, although the odd recording may give a bit of trouble depending on the mastering.

Detail is superb, further enhancing soundstage and imaging. The sense of space with acoustic or classical recordings is wonderous.

  • Treble:

That feeling of ‘air’ we know from the entry-level Grados is not so forced but is still there, and the detail is amazing. However it’s not pushed at us so much; we need to peer inside and dig it out, which is much more enjoyable.

  • Soundstage and Separation

Soundstage is excellent and much the same as the GS1000e; however separation/imaging is slightly enhanced on the GS2000e, due to the relatively present midrange.

Music genres good for and why

The GS2000e is probably better for acoustic music, classical recordings and the like; the neutral sound does not lend itself well to dance and pop genres when compared to other lower-cost headphones, but these can easily be enjoyed when the wearer gets used to this setup.

Also, older recordings are given good treatment; the smooth treble is quite forgiving which makes the Grado GS2000e perfect for fans of vintage music and old vinyl.

Summary

Grado’s GS2000e is a worthy addition to their lineup, and a good idea for those who fancy a more neutral version of the GS1000e.

 

Sennheiser HD 630VB – Expert Review

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Sennheiser HD 630VB – Expert Review – Pump Out The Bass!

Sennheiser may now be a septuagenarian, but is keen to be ‘down’ with the kids without resorting to giving out Werther’s Originals. Hence the new HD 630VB, which has the facility to alter volume, answer calls and alter bass levels using controls on the right earcup; as hinted at by the ‘VB’ bit of the name. But does the Sennheiser HD 630VB have the panache of an elderly David Niven, or does it come across as a flare-clad grandad at a rave?

 

Design and appearance:

At first glances, the HD 630VB appears to be something which executives are pictured enjoying whilst looking out of aeroplane windows. Much like executives, they are very smart looking with their metallic veneer and slightly hard-edged styling, but they feature generously upholstered earpads and headband padding to offer a more yielding and comfortable experience.

The unique selling point is the variable bass feature; this works on its own (without relying on software in your digital audio player) so can be used with any device or full size amp with a headphone socket, although an extension cable will likely be required. The only thing is that the earcups are very large for a portable, but hey, let’s smash those preconceptions!

Unusually, the cable is worn on the right side of the headphones; this is due to the controls being on the right side for the majority of us who are right-handed.

 

Durability & build quality:

Weight is an issue with a lot of headphones designed for portable use and the HD 630VB is no exception. It’s a lot lighter than it looks but the stress points, such as the bit where the headband extends and the pivot points for the yokes have a good solid feel to them, so there should be plenty of life in the HD 630VB.

The cable is non-removable but has a very solid feel and is quite supple. The jack is straight and the housing is only 5mm wide so not a problem for anyone with a recessed socket in their player or DAC.


Comfort:

As is typical of portables, the Sennheiser HD 630VB does have quite a grip on the head, but the comfy earpads mitigate against this very well. Also they are good with glasses with reasonably chunky frames/arms. After a couple of hours, it may get a bit warm and moist under these earpads however.

 

Suitability for intended application:

These headphones are an obvious choice for portable applications, but are large and comfortable enough to be a good choice for relaxing at home too.

 

Sound isolation:

Isolation is pretty good, as the ears are swallowed up within the luxurious earpads and a fair bit of outside noise is taken care of. Obviously this melts away with music playing so you’re alone with your music. Others nearby will not twig that some particularly loud music is being enjoyed; the HD 630VB will keep your more questionable music preferences hidden.

 

Portability:

The headphones can be taken anywhere with the use of the supplied semi-rigid case; they fold up quite nicely to save space when not in use too.

 

Sound characteristics:

The HD 630VB has that classic Sennheiser tuning; ignoring the variable bass feature for a moment. Warm yet detailed, with clear mids and impactful bass.

 

Bass (e.g. punch, low extension):

The variable bass part of the design alters the bass level by 5dB up or down at 50 Hz, so there’s a good amount of control here. They can be made mean and lean, or can lend some serious welly to proceedings with a twist of the wrist. The trouble is, the temptation is to keep playing with the bass levels rather than just enjoying the music; to a man with a hammer, everything looks like a nail.

Naturally, some sub bass-heavy genres such as drum&bass have been tried and with the bass turned way up, the rumble factor is extreme; though not to the detriment of the midrange. Things are still well controlled, it’s just that there’s a particularly heavy foot beneath it all. Great news for bassheads.

With more midrange-centric genres however, the bass can be a little too much and appear boomy, perhaps as expectations and tastes change depending on what’s expected. You might enjoy salt on your chips, but not so much with cornflakes. The obvious answer is to tame the bass again using the control.

 

Mids (e.g. vocals, acoustic instruments):

Midrange is clear and crisp with good harmonics coming through; vocals are prominent without giving too much in the way of sibilance, and reverbs/space get a good treatment too. It’s smooth yet detailed too, a good balance.

 

Treble (e.g. high hats):

Treble is an extension of midrange you might say; crisp and clean but allowing for the high-frequency sensitivities most of us have. Hi-hats and other percussive sounds cut through the mix, while synths scintillate energetically.

 

Soundstage & Separation:

For a closed-back model, soundstage is excellent on the HD 630VB. You might argue that the earcups are big enough to offer enough room for this, but that’s just mean. Separation is very well preserved too; the HD 630VB is faithful to classical genres and gives a decent sense of an orchestral performance.

 

Music genres good for and why:

With the variable bass feature, the obvious recommendation is for dance music genres and anything which benefits from a good solid kick. Jazz and classical are very well served too, with bass adjusted to suit, of course.

Pros:

Variable bass feature
Volume and call answer buttons mounted on earcup
Great isolation
Good build

Cons:

Earcups are large for a portable model
Fixed cable

Summary

The variable bass control gives a good range of possibilities for those who like a variety of genres and styles, and bass can even be adjusted to mask exterior noise like aeroplane engines or the rumble of a train. The Sennheiser HD 630VB is an excellent gift idea for those who wish to take no chances!

SoundMAGIC Vento P55 Closed Back Headphones – Review

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SoundMAGIC Vento P55 On Ear Headphones – Review

 

Intro:

SoundMAGIC has been on the scene for 10 years now, and it’s remarkable how much the headphones market has changed in that time; possibly pushed along by SoundMAGIC’s esteemed offerings. The way that headphones are used (and their popularity) has really come on, and they are often seen in pretty much everywhere now, when both indoors and out.

SoundMAGIC’s new Vento P55 is designed to address the need for a good looking, versatile and sturdy on-ear model for any scenario, so how does it measure up?

Design and appearance:

At first glances, the Vento P55 has a certain prosaic chic about it; attention is not demanded and so the wearer may not feel as self-conscious as with other, more showy models. The Vento P55 is a nice functional piece of design and has a well-heeled and restrained look about it. There are two 1.2m cables; these are removable and the socket of the Vento P55 will accept any 3.5mm jack – there is no special recessed socket which requires a specific cable replacement.

 

Durability & build quality (e.g. cabling, connectors, materials):

The Vento P55 headphones are certainly sturdy, with a stainless steel headband and aluminium earcups which lend an air of something military grade, but without the weight! Cables are what might be expected for a portable design; thick enough to bear the stresses and strains of an itinerant life on the road but thin and supple enough to not get cumbersome. SoundMAGIC’s new angled jack design (which its recent earphones have adopted) has been included, to reduce any stress on the jack when players or phones are placed in pockets when users are on the move.

Comfort:

Despite being an on-ear portable, the gentle grip of the Vento P55 puts them on the right side of tight, but they have a firm hold and they are quite comfortable during longer periods of use. The earpads are soft and yielding and offer no problems, even when worn over glasses.

Suitability for intended application:

As alluded to above, the demure and reserved character of the Vento P55’s design allows it to fit in anywhere without drawing any undue attention. Along with the comfortable fit, the Vento P55 is a perfect tool for commuting or casual use when out and about.

Sound isolation (if applicable):

Isolation is fair but the wearer is not rendered incommunicado; it is still possible to aware of your surroundings which may be no bad thing if the Vento P55 is put to more portable uses. Of course, with music playing the effect of isolation is more marked.

Portability:

Included is a light but rigid carry case which will protect the Vento well if taken with you unused, and the headphones can be worn around the neck without restricting movement too much.

 

Sound characteristics:

Overall the Vento P55 has a detailed yet warm sound, with plenty of room between bass and treble for harmonics and vocal performances to make a good impression. These headphones were tested with a Fiio X3 using a Chord Hugo as DAC/amp.

Bass (e.g. punch, low extension):

Bass is reserved and restrained in contrast to many similar models on the market. The Vento P55 is not bass light however; it starts low and provides authority to a track without taking over, allowing the midrange to make its mark.

Mids (e.g. vocals, acoustic instruments):

Midrange is very present for a non-neutral headphone; it makes a sense of space more pronounced, and harmonics stand out. This has a good effect on imaging and the attention is easily grabbed by certain instruments.

Treble (e.g. high hats):

Treble is rolled off slightly but still stands up to be counted; it’s there just enough to give details and add definition but backs off well before there’s any danger of sibilance.

Soundstage & Separation:

Soundstage is fair for a closed-back portable; the head is well enveloped within the sound. Separation is helped along by the clear and distinct midrange, and is very good. Again, the midrange helps this along and brings out most instruments and voices in clear relief.

Music genres good for and why:

The SoundMAGIC Vento P55 excels at dance music, funk and Hip Hop, while its strong midrange suits genres such as classical and jazz particularly well.

Pros:

Strong, light metal construction
Removable cables, one with mic/controls
Sturdy carry case
Adaptor for greater compaitiblity with handsets
Adaptor for use with computers

Cons:

Some may prefer more recessed midrange

Summary:

The SoundMAGIC Vento P55 is a good strong design for taking out and about, with decent isolation once music is playing. The removable stereo cable can be swapped for a control/microphone cable for skipping tracks and taking calls on the go. Its steely good looks will not draw attention from anyone but the user, who will be treated to some great comfort and engaging sounds.

OPPO PM1 Planar Magnetic Headphones – Expert Review

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OPPO PM1 Planar Magnetic Headphones – Expert Review

Intro

The name Oppo is perhaps better known for smartphones produced in Asia; but Oppo Digital, which produces these headphones, is a Californian company and quite separate but for its distinctive (and licenced) logo.

An unconventional arrangement then, but does this ‘out of the box’ thinking translate itself to the headphones? Well no – because the headphones do come in a box, albeit a rather fine one. It may be one of the nicest boxes we’ve seen headphones presented in; it’s rather reminiscent of a Jaguar X-Type dashboard, and opens like one too. Well, the glove-box anyway.

It may be worth noting however, that for a considerable saving you can opt for the Oppo PM-2 version which has a few of the extras and details omitted. For instance, where you might have a chrome trim on the PM-1, the PM-2 uses plastic, and it does away with the presentation case.

They do have the same drivers and will have a very similar sound signature, so if you are as happy with good champagne at £30 per bottle as you are with the best champagne at £120 per bottle, then consider the PM-2.

Pictured with the OPPO HA-2 Portable Headphone Amplifier & USB DAC

 

Design and appearance

The good impressions don’t stop with the box; it’s entirely in keeping with the rest of the design and feel of the PM-1. They’ve gone for a chunky yet light feel with plush generously-sized earcups held by large aluminium yokes, and a steel headband tempered by a soft, yielding leather padding.

Durability & build quality

The materials may be plush, but the Oppo PM-1 gives the impression that it’s no rich man’s toy or passing fancy. It means business and can produce the goods.

The cable is a good example; covered in a close-woven black fabric, it’s reminiscent of goods made in a bygone age. They are certainly high quality.

The Oppo PM-1 headphones looks like they’re more at home amid the tantalus cabinets and antique davenports of a West London penthouse; and likewise they have the solid feel of an item which will stand up to years of enjoyment.

Comfort

The earpads are big enough for the appendages of most people, but if earcup size has been an issue before, these may be on the snug side. The earpads are perforated and breath a little, so things shouldn’t get too moist under them.

The Oppo PM-1 headphones are held on by equal pressure between the plump earpads and equally generous headband padding, and wearing glasses doesn’t pose any problems.

Suitability for intended application

The Oppo PM-1 is definitely meant for relaxing and enjoying the music with few distractions coming either from the headphones themselves or from without; the open design will allow audio out and exterior sound to penetrate so a nice quiet space is ideal in which to get totally lost in the music.

Portability

The handsome case which these headphones arrive in is of limited use if travelling as the accent is on quality and presentation, but there is a travel case offered for the PM-1 in the packaging so if you are planning to travel with them you won’t be disappointed. The earcups fold flat on the PM-1 so they can be packed without being too hungry for space.

Also included is a small one metre cable with a 3.5mm jack for enjoying the headphones from smaller players and amps;

Sound characteristics:

(Used with Chord Hugo DAC/Amp & FiiO X3)

Bass:

Bass is as you’d expect from a planar magnetic design; it reaches low and fills the bottom part of the audio spectrum nicely. It’s not overblown; it’s just enough to tickle your eardrums and be felt as much as heard. Higher up, the bass is as strong and impactful as is called for by the audio with all the quality hinted at by the PM-1’s outward design.

Mids (e.g. vocals, acoustic instruments):

The midrange gives the impression that the PM-1 is slightly on the ‘fun’ side of neutral – but it’s subtle. The midrange has as much presence as the bass and treble, but the Oppo PM-1 does not sound neutral, perhaps ‘sumptuous neutral’ is more like it. There is plenty of space and very little congestion amid busier sections of music. Anything here can be paid attention to, and zoomed in on for all those tiny details.

Both male and female vocals are given a slight prominence and backing vocals are just as present in the mix, with definition and details easily giving added realism.

Treble (e.g. high hats):

Treble is smooth. The Oppo PM-1 headphones are not dark (at least when paired with a Chord Hugo) but they allow a comfortable, non-fatiguing listen. There’s enough treble here to add the upper harmonics to instuments and shimmering qualities to percussion and not quite enough to cross the threshold into uncomfortable territory.

Given that the Oppo PM-1 is provided with a smaller 1m 3.5mm cable, the headphones were tried with a similar sound source, the Fiio X3. The slightly warmer nature of the X3 was apparent on the PM-1, but the combination still gives a punchy and involving presentation. The PM-1 does respond well to lower-powered devices but my cheap android phone could have done with going a couple of notches higher in volume. Apple iPhones and brands such as Samsung/HTC should not have any issues though.

PIctured with the OPPO HA-1 Balanced Headphone Amplifier & USB DAC

Soundstage & Separation

There is a lot of room in these headphones! Anything recorded in a studio with separate close miking and mixed is as wide as the producer envisioned, but live and classical recordings are given a real treatment. The listener is virtually surrounded among strings, woodwinds and flutes.

Separation is likewise superb; the Oppo PM-1 is like a pair of opera glasses for the ears. However with a lot of classical recordings, the shuffling of feet and turning of music pages will be noticeable, along with the odd click of a woodwind key.

Music genres good for and why:

Everything was tried with the PM-1 from Harry Richman to Herb Alpert, and it all sounded great. The PM-1 is another one of those all-rounders which doesn’t even blink in the face of audio adversity; the obvious result of good breeding, no doubt.

Pros:

High quality in every way
Comfortable to wear and hear
Exceptional sound quality
Travel pouch

Cons:

Some may prefer more ‘sparkle’ or brightness