It’s been 5 years since Etymotic released its flagship model, The ER4-XR. The EVO is Etymotic’s first ever multi-driver earphone. AV Forums have spent time with Etymotic’s newest creation and are enthusiastic with the results. The Evo, they claim, “is a very accomplished earphone that warrants enthusiastic Recommendation”.
Integrating three balanced armature drivers into a specially designed acoustic module, Etymotic claims that the EVO gives the truest sound stage and sound signature you will ever hear.
AV Forums review is brief and concise. In addition, they analyse the performance of the Evo in a very easy to read, roundabout way. Their justification for giving the Etymotic Evo a “Recommended” award can be seen here: Evo Review
If you want something a bit more epic in terms of word count and analysis breakdown, then do not hesitate in reading Ryan Soo’s engaging review of the Evo from Everyday Listening. That is accessed here: Etymotic Evo- Time Capsule
Oscar seems to agree. “Etymotic have done a brilliant job with the Evo. It still retains that signature Etymotic clarity and control yet adds body, widens the soundstage and increases the dynamics. In addition, this is a superb everyday IEM that fits securely and is very well built too. For those who enjoyed the XR series from Etymotic, The Evo should be considered if you are looking for a step up in the IEM world.” His full review of the Evo is here.
It’s been 5 years since Etymotic released its flagship model, The ER4-XR. Their latest model, the EVO, is the company’s first multi-driver earphone and quite clearly the next “evolution” in their sound design. Etymotic proudly claims that the EVO is the culmination of 30 years of earphone engineering and research technology. Brian from Super*Review gets his hands on a set to find out more…
By integrating three balanced armature drivers into a specially designed acoustic module, it is claimed by Etymotic that the EVO gives the truest sound stage and sound signature you have ever heard (or will hear)!
Oscar seems to agree. He concludes his extensive review by writing “Etymotic have done a brilliant job with the Evo, it still retains that signature Etymotic clarity and control yet adds a little body, widens the soundstage and increases the dynamics. This is a superb everyday IEM that fits securely and is very well built too, those who enjoyed the XR series from Etymotic should consider the Evo if they are looking for a step up in the IEM world.” You can read his full review here.
So, back to Brian and his live stream. What is in the box and how does it measure and compare to the ER4-XR? Find out via Super*Review’s live Youtube video here: First Look Etymotic EVO *
*You are going to have to wait a few weeks for Brian’s full review as he needs to spend a couple more weeks living with them to give them a proper evaluation.
The Evo are unlike any other Etymotic model, they have gone for a more traditional in-ear monitor fit with the cable looping behind your ear and the shell filling the concha. The nozzles are however the same length and width as the ER series, and they include plenty of tips to get the right fit. I am a big fan of the new bi-flange tips and these still favour a medium to deep insertion to get the best isolation and sound along with a secure fit. The cable is very thin, however being a linum one it should hold up well over time, this does help with the fit.
Comfort is good, again they like a slightly deeper fit than other similar earphones, but they are not quite as bad as the ER series if you hate the fit of those. The housings are smooth and comfortable, only the weight of them could cause issues with some people over long sessions.
Compatibility
The Evo are pretty easy to drive, at 47 Ohms and 99dB SPL @0.1v, they should work well out of most devices. However they have very good resolution and will definitely benefit from being used with a good source, they should make it easy to distinguish between sources as they are quite a revealing earphone.
Sound
Bass: These follow a similar trend to the XR series that Etymotic released, giving a subtle low frequency boost that is noticeable but never causes the bass to become overbearing or too full. These have better depth than their single driver counterparts, with a noticeable yet subtle additional body to the sound overall that still isn’t enough to make them sound full as such. For a daily driver this amount of additional low end is superb, and makes these just a little bit more enjoyable over the accuracy of the ER4-SR for example. The low end is responsive and keeps up with complex mixes without putting a foot wrong, it also cuts through when required yet always maintains a controlled and balanced nature.
Midrange: The Evo has a very crisp and insightful midrange, the low end doesn’t bleed in to the lower midrange which allows male vocals and guitars to cut through the mix with excellent clarity and faithful tonality. They don’t have any boost in the upper midrange to try and make them sound exciting or artificial, instead they opt for a more linear approach which means you never lose track of any part of the mix. The thing that sets these apart from the other models from Etymotic is the separation and dynamic range, these have a sense of scale and space that the single driver models struggle with. They have that same accuracy but with a bit more power and drive, better space and overall they are more engaging.
Treble: The top end is very smooth and refined, with accuracy high up on Etymotics priorities they sound very realistic up top which isn’t something a lot of earphones do right. Cymbals crash and decay with impressive realism, every detail well presented without being pushed forward in the mix. Never fatiguing the treble is devoid of any nasty peaks, the extension is superb and they don’t miss a thing, yet the body down low makes sure the sound is never bright. The treble does a wonderful job of rounding off a superb tuning, and is definitely one of the most realistic sounding earphones when it comes to tonality.
Genres and Soundstaging
The Evo lend themselves to all genres, they have a very well rounded sound that is detailed, balanced yet also dynamic and engaging. They are however quite revealing of bad recordings and sources, so pair them carefully.
The soundstaging is really impressive, there is a real sense of air and width to the Evo that is slightly lacking on the ER series. These have better dynamics and separation, they are less flat and more engaging but without sounding too coloured either.
Conclusion
Etymotic have done a brilliant job with the Evo, it still retains that signature Etymotic clarity and control yet adds a little body, widens the soundstage and increases the dynamics. This is a superb everyday IEM that fits securely and is very well built too, those who enjoyed the XR series from Etymotic should consider the Evo if they are looking for a step up in the IEM world.
Etymotic has announced the release of the Etymotic EVO multi-driver earphones, a culmination of 30 years of earphone engineering research and innovation.
The Etymotic EVO has Triple Balanced Armature Drivers: Dual low and single midrange/treble. They feature Estron Linum BaX T2™ low impedance cable and Estron T2 Talon connectors.
The Etymotic EVO has a two-way design with three balanced armature drivers in a moulded stainless-steel shell. The Etymotic engineering team, employing years of research on the physiology of the ear, designed a shell that fits comfortably in the concha of the ear making for a semi-custom design that fits the majority of people.
Commenting on the new release, Tal Kocen, Director of Consumer Product Development at Lucid Audio said: “We waited so long to put out a multi-driver earphone because we wanted to make sure that it was the best it could be and held to our exacting standards for earphone design and sonic qualities. The EVO is truly where precision meets audio and you’ll immediately hear it the first time you listen”
Etymotic have entered the Bluetooth market, with a brilliant cable that uses a Qualcomm chip and AKM AK4331 DAC/Amp, just a shame it has micro-USB for charging still.
The Etymotion cable is simple in design, with a basic cable, 3-button remote and battery pack. It uses MMCX connectors for the ER2/3/4 series but it will also work with most MMCX equipped IEM’s, the angled connectors however are not always ergonomic with all earphones (I would have preferred them to use more universal straight MMCX connectors). The battery pack isn’t small but if you wear it with the cable behind your neck it sits well, there are 2 included clips to help support it too which is good. Overall it’s not too clunky, and it has to house more electronics than most for optimal sound quality, one thing to note is the use of the outdated micro-USB for charging, most devices have now moved on to USB-C.
Functionality is good, it’s simple and easy to use with the middle button acting as the power button as well as play/pause/skip tracks, paired with volume up/down buttons too. There are not really any special features to the Etymotion cable, its a basic Bluetooth cable that focusses on sound quality over gimmicks. Battery life is around 8-10hrs depending on the volume, and it supports Aptx, Aptx HD and Aptx LL which is welcome.
Interestingly Etymotic have taken the approach of having a Qualcomm Bluetooth receiver chip, which passes the incoming digital signal to an AKM4331 which then decodes and amplifies it. This is usually a much better approach to bluetooth implementation and should result in better audio quality along with higher volume output.
Sound
I mainly used the Etymotion cable with the ER2SE as the neutrality of these should bring out any weaknesses of the cable. Firstly the Etymotion doesn’t take away that classic Ety sound you would expect from the ER2SE, instead it really compliments them. You get the same controlled low end, open and honest midrange and great treble presentation and extension. It doesn’t really take anything away from the sound and the usual “Bluetooth compressed” sound is gone, it’s open, spacious and articulate. The Etymotion cable knows how to deliver the sound to your earphones as it was intended, with help from that little AKM chip.
I don’t find myself wanting to plug the cable back in and go wired when using with a mobile phone, arguably when paired with a device that uses Aptx HD you likely get better quality than if you were to plug them in to the phone directly. Initially I was sceptical, as we have great Bluetooth cables from Shanling in the form of the MW200, but I prefer the cable of the Etymotic over the neckband of the Shanling and the sound of the Etymotic cable is a little more neutral to my ears. If you are already an Etymotic fan but want something that is wireless, this really is the answer, I personally love the ER2SE and with this option to go wireless it is something that is really enjoyable and convenient when out and about.
Conclusion
Etymotic focussed on the sound, and you can hear that, the Etymotion is a really good Bluetooth cable when it comes to sound. Feature wise it has all you need, and the 8+hr battery life is fine, but it can’t be used with all MMCX IEM’s due to the angled connectors and the micro-USB charging port feels outdated. Overall though, if you are looking for a wireless solution for Etymotic earphones, the Etymotion is the best and most logical solution, albeit at a cost.
People don’t tend to buy Etymotic for comfort, they get them for their isolation and sound quality. The best sound, in my opinion, comes from using the triple-flange tips. These take some getting used to, due to their deep insertion fit, but once you get used to them I don’t find them to cause any discomfort over long listening sessions. Their deep insertion also means they fit narrow canals quite well, and the fit is more flush and low key.
The ER2XR have an impedance of 15Ohms, but with a sensitivity of 96dB (@1kHz – 0.1v) they are not the most sensitive IEM’s around and should pair well with most low output impedance sources. They should not suffer from hiss from most devices, but their low impedance does mean you should try and stick with a source that has lower than 1.8Ohm output impedance.
The single dynamic micro-driver can be powered by most portable sources to loud enough levels, couple that with the excellent isolation and these are truly excellent for loud environments.
Sound Quality
Bass: The bass has a slight lift in the sub-bass region allowing you to really hear the rumble, but without bloating the mid-bass area. The mid-bass has plenty of punch, but it is a tight and controlled response. For those who find the ER2SR to sound a little bass light, the XR should suit your needs, Etymotic have managed to add some presence and body down low without throwing off the balanced overall sound. They have added bass without taking away detail, or control. They are now just a little easier to listen to on a day to day basis, being a little more fun yet retaining that essential Etymotic character. Being a micro-dynamic driver, the bass has a little more texture than the drier sounding balanced armature based ER3 and ER4 series.
Midrange: Here again we witness how well controlled the low end is, if you look at the graph you will see that the bass tapers off and the lower midrange is left with space to shine through with unwanted additional body or bloat. You don’t have to listen for long to figure out that Etymotic carefully tuned these to have a fun and engaging sound but without sacrificing the essentials. The tonality in the midrange is pretty spot on, with good timbre and definition, whilst details are easy to pick out. They don’t favour male, nor female vocals, allowing both to cut through the mix with authority.
Treble: Not lacking here, the ER2XR don’t seem to put a lot of focus on the treble, instead they just let it do its thing and that is just fine. Due to the increased bass of the XR version, the do sound less treble happy than the SE, however that doesn’t mean they are absent. There is a very smooth treble response that doesn’t have and added emphasis to grab your attention, instead it is there to add some air and ambience without sounding grating or fatiguing. Whilst a bit more energy would not go amiss, these are very enjoyable and there is a little lift in the upper treble so as not to sound too rolled off in the upper regions. Give them some well recorded music and you will be surprised how real they get the timbre up top too, clean and clear without any unwanted edginess or unnatural tones.
Genres and Soundstaging
The ER2XR would not necessarily be my first pick for any bass heavy genres like hip-hop or rap, where they tend to shine is faster paced rock music due to their controlled sound along with jazz and acoustic where their accuracy yet warm overall sound is thoroughly enjoyable. Vocals really do sound hauntingly good, whilst they have enough power behind the low end to kick hard when listening to rock music.
The soundstaging on the ER2XR isn’t excellent, their diffuse field tuning limits this slightly. However the stereo imaging more than makes up for this, with pinpoint accuracy as to instrument placement, along with great coherency across the frequency range.
The ER2XR are an impressive earphone, and definitely one of the more interesting releases from Etymotic over the last couple of years. They are low priced yet give you that signature Etymotic controlled and detailed sound backed up with a helping of extra bass to keep things fun and enjoyable.
They have the typical diffuse field target response you come to expect from Etymotic, but with an added bit of low end power and impact. These are by no means a bass oriented earphone, but they will probably appeal to more people than the ER2SE Studio Edition version.
Below we have the frequency graph, which shows a slight emphasis on the sub-bass leaning into a largely neutral midrange, a slightly tapered off treble response but with a lift around 10kHz to give them some air.
The newest release from Campfire Audio comes in the form of the Campfire Audio IO, a garnet-coloured IEM with dual balanced armature drivers. The IO features a detachable silver-plated copper cable with smoky tangle-resistant jacket and updated Beryllium copper MMCX connectors. You can also expect the array of accessories you expect from Campfire Audio.
Campfire Audio Polaris (2019 Edition)
Campfire have updated the legendary Polaris IEM for 2019, aptly titled… yes, you guessed it: the Polaris 2019 Edition. Campfire kept the basic setup of the dual drivers, but everything else has been reworked from the floor up, including the drivers themselves.
Campfire Audio Andromeda
Campfire’s iconic green anodized IEMs, the Andromeda, have gotten a few tweaks for spring 2019, including a cable update, fresh new accessories, and a change to the connectors. Also given a boost is the earhook design which sees Campfire rid itself of the memory wire previously housed in the cable itself.
Etymotic ER2-XR
The Etymotic ER2-XR extended response in-ear isolating earphones deliver Etymotic’s iconic passive isolation to block out up to 35dB of background noise. This means you won’t have to blast the volume to appreciate the ER2-XR’s full bass response and detailed sound.
Etymotic ER2-SE
These guys look similar to their cousins, but the ER2-SE is a powerful flat-response in-ear perfect for studio professionals. It’s called the ‘Studio Edition’ for a reason! No range is altered, giving a crystal clear representation of the original sound.
Oriveti OH300
Oriveti is dropping two shiny new IEMs, the first of which is the Oriveti OH300. These triple driver IEMs give a beautiful clear, balanced, neutral sound and look incredibly sleek and impressive. Probably the IEMs Batman would own, if he needed to hear crystal clear audio of himself delivering brutal one-liners.
Oriveti OH500
The Oriveti OH500 houses five drivers (quad balanced, single dynamic) within its gorgeous resin exterior. With those, you get an unfailingly smooth response with some strong low end. Their handcrafted cable of eight-strand braided silver plated wire is second to none, but still detachable for your convenience.
Not content with the splash it’s made with its updated ER4 designs of late, Etymotic is back with more! Or is it less? The ER3 models cost a good chunk less than their ER4 counterparts, so what does this mean in terms of value?
Pros:
Classic Etys for the price
Removable cable
Crystal clarity
Carry case
Cons:
Basic selection of tips
Etymotic deep fit not for everyone
Design and appearance
The ER3 versions are slightly more sensitive than the ER4 versions, with half the impedance too. This may have been done with an eye on the portable market, where some handsets may have struggled to get up to a good volume with the ER4 type.
Accessories are minimal with the ER3-SE and ER3-XR; along with the earphones themselves, we get a case and three pairs of tips. The two sizes of Etymotic triple flange, and a pair of ER38-14F type foam eartips.
Durability & build quality
The capsules are the most obvious change, with plastic-coated aluminium being used instead of the glossy metal look of the ER4. The cable has a good strong, but pliable feel to it, but it is a bit thinner and is not braided at the top. Apart from the slightly lighter weight and less glossy look of the ER3-version capsules, things are much as we’d expect from the ER4-XR and ER4-SR.
Comfort
No change here; Etymotics need to be inserted deeply to be at their best, and people either love the isolation they bring or hate the deep insertion of the eartips. Fortunately we love the isolation enough to ignore any initial discomfort, and the eartips seem to settle into place after a few seconds.
Sound characteristics:
Like the ER4 designs, there are two flavours of ER3. The Etymotic ER3-SE is the more strait-laced and neutral of the two, with the ER3-XR giving a little more bass warmth. Both however sound a little more gentle in terms of the midrange than their ER4 brethren. Where we sometimes get the feeling of jeopardy with the ER4 models, with an errant xylophone or female vocalist threatening to poke us in the ear, the ER3 versions are a little more laid back. Etymotic’s clarity has not been sacrificed though; the midrange presence is just a little more humane.
Bass
Sub bass on the ER3-SE gives a nice bit of wobble which is low in the mix, but there alright. The rest of the bass is as well controlled as expected, but understated; bass junkies need not apply. There’s some great control here though. Meanwhile, the ER3-XR has more of that skull-rattling sub bass and more slam generally. We’re still not in basshead territory, but if you like your sound a little warmer with more weight given to cellos and drums then the ER3-XR may be for you.
Mids
Mids are always a treat as far as Etymotic’s offerings are concerned, and the ER3-SE does not disappoint. While the midrange level is slightly lowered when compared to the ER4-SR, all the other attractive features are there along with a wonderful sense of spaciousness. Details are well rendered, though not with the sharp relief of the ER4-SR. Many will feel the ER3-SE has more comfortable sound when compared to the ER4-SR in terms of the sound, but with all its harmonic and spatial treats largely intact.
With the ER3-XR the extra bass presence vies for attention along with the midrange, so the midrange seems to lose its power slightly. The spaciousness of the ER3-SE is tempered, and the extra bass warmth takes its place. The ER3-XR is still excellent when it comes to midrange action and detail, but is arguably the better all-rounder of the two as the tuning works well with genres such as modern dance music.
Treble
The ER3-SE does not sound treble-heavy but there is some nice extension up top. If your recordings were made on analogue tape, you’ll probably know about it from the tape hiss coming through. Treble is at around the same level as the midrange after a smooth transition, and consequently does its job well whilst keeping the midrange in the spotlight.
The ER3-XR has the same treble presence as the ER3-SE, but the fatter low end gives the tuning a warmer feel.
Soundstage & Separation
With the detail and midrange clarity on offer from both these models, we can say that both soundstage and separation are a treat. The sound has a nice ‘out of the head’ feel without seeming unnatural and with good depth too. Separation and imaging are near perfect, if a bit toned down when compared to the dazzling ER4 designs.
Music genres good for and why
The ER3-SE is a great choice for acoustic music, classical and opera. With modern pop and dance genres, it can depend on your sensitivity to the upper midrange frequencies as to whether they work or not, along with your taste for bass. The ER3-XR is good for any genre you can throw at it, and we went through many!
Summary
Etymotic’s ER4 models are now available for cheap (albeit under the ER3 moniker), but their character is largely intact. Those who like to hear the smallest thing within their music needn’t study the fine print of credit card agreements in order to afford the ER3-SE and ER3-XR.
Etymotic ER4XR – Review – Microscopes for the Ears
Intro:
Veteran earphone fans out there will certainly recognise this brand! Etymotic has had an excellent reputation with its single balanced-armature designs; particularly amongst professionals within the audio industry. With the Etymotic ER4XR we see that Etymotic’s famous and long-standing ER4 design has had a tweak to add a little more bass to the mix.
Pros:
Very accurate and resolving
Simple no-nonsense design
Nicely designed and replaceable cable
Carry case
Extra bass is restrained and well balanced
Cons:
Not recommended for poor quality recordings
Deeply inserted tips will not suit everybody (foam tips included)
Design and appearance:
There are few changes to the look of the ER4XR when compared to previous versions; it has the same styling, it’s still black and the eartips are the same. However, when something works so well, why fix it? With earphones such as this, Etymotic is right to feel that purchasing decisions will be made on sound quality requirements alone, rather than gimmicks such as styling and colour.
Durability & build quality:
Again, there are minimal changes here, if any. The cable is sturdy but flexible, and where it splits we have braided cable going into each driver. The cable is replaceable, being attached using MMCX connectors. The impression is definitely of a product which is built to last in demanding environments.
Accessories are decent enough, with a selection of eartips (standard triple flange, a larger size triple flange and a few memory foam tips), a few extra filters with a changing tool and shirt clip/jack adaptor. Also there is a carry case which is semi-rigid, and roomy enough to keep a few extra bits in as well as the earphones.
Comfort:
Due to Etymotic’s triple flange tips and the need to insert the ER4XR deeply in the ear, some may have comfort issues with the fit of this design. There are some memory-foam eartips included also, and a plethora of after-market tips should this be a problem.
That aside, the Etymotic ER4XR is very stable and comfortable; users can concentrate 100% on the audio.
Suitability for Intended Application:
Etymotic has long enjoyed a dedicated user base of audio professionals, and the ER4XR will not disappoint. However, more and more end-users have found Etymotic’s products as ideal for enjoying their music, and the Etymotic ER4XR is sure to please this group with some added bass when compared with the older ER4S. Mercifully, Etymotic have been quite measured with this additional bass; it’s balanced well with the rest of the sound and does not threaten to upstage the famous midrange of the ER4 design.
Sound isolation:
Isolation is fairly good; a reduction of around 30dB is quoted on the box which is certainly good enough. With the triple-flange tips, exterior sounds are deadened enough to avoid distractions but it’s still possible to hold a conversation with the earphones still in position (without music on, of course).
Sound characteristics:
The Etymotic ER4XR compares well to the other newly released ER4, the ER4SR. Both are very similar in terms of their sound, with a little bit more bottom end on the ER4XR. The accent is on the words ‘little bit’; these are not for bass fans, so please look elsewhere if you’re all about that bass! Etymotic have stayed true to their loyal followers, as the increased bass of the ER4XR does not impinge on the midrange detail and clarity that this design is famous for.
Bass:
A good seal with the eartips is still important, but not quite as important as it was with the older ER4S! There is an appreciable amount of extra bass which starts quite low, adding a nice weight to the presentation. Given the popularity of previous designs, both with audio professionals and music fans, perhaps this is a nod towards the second group. The additional bass adds more than a hint of musicality, warmth and vigour.
As might be expected, bass is very nicely controlled and well balanced with the rest of the frequency spectrum, working perfectly with midrange which adds some very realistic harmonics..
Mids:
Midrange frequencies foster a blend of revelation and adventure. Revelation, due to the relentless way it exposes details within the audio, and adventure for the same reason; some older or badly made recordings might be difficult to listen to, and low-bitrate encoded tracks will not do well. Additionally, there are unexpected things to be discovered within music collections everywhere. Listening to a German film theme from 1971 (Peter Schirmann – Fluchtweg St. Pauli), it’s possible to hear what was on the tape before they recorded! Always make sure your tape is properly erased – German music producers of the early 1970s, take note.
Those who have a sensitivity to high-midrange frequencies might wish to think carefully as the onset of listener fatigue may be quick for some. The rewards more than outweigh these paltry pitfalls however, as music can be laid bare and almost deconstructed by the quality on offer here. No sonic stone is unturned! Things are handled well; even with a chaotic amount of action going on in the music, the ER4XR does it standing on its head.
Treble:
Next to the power of the midrange, the treble settles for second fiddle. There are no sharp edges here. Treble is tuned to provide support for higher harmonics and percussion, but there is a chance of the ER4XR sounding a little strident in terms of lower treble/upper mids. Female vocals and trumpet sections can be a little hard-edged on occasion, depending on the production quality.
Soundstage & Separation:
With the accuracy on offer from the Etymotic ER4XR (and ER4SR), it’s no surprise that separation and imaging are very impressive indeed. It’s difficult not to be distracted by that oboe player skulking on the far left of the presentation, or percussion which gives a vibraslap round the face.
Soundstage is good; the music appears to be coming from further out than the deeply inserted ER4XR’s physical limits but the near-neutral tuning and accuracy of the ER4XR does impose limits on this, making more distant instruments appear closer.
Music Genres Good For and Why:
The ER4XR is perfect for well-produced music of all types, so long as it is encoded well (in the case of digital music). Older recordings may be a hit or miss affair with music from the 1960s and earlier, depending on the production and mastering quality. Frequency peaks in the wrong place will become very apparent, and of course artefacts from the original recording medium (such as record pops and scratches) will not escape undetected.
