Well all Audeze headphones have a certain styling, and the LCD-2 Classic are very much an Audeze headphone. However instead of wood you get nylon rings with metal grills, the look is smoother and sleeker than older models. The headband is steel with a suspension strap that is more comfortable than the original. Overall they don’t stand as much as the original LCD-2, but they won’t have any wood issues either, so that’s a bonus.
Build quality is excellent, they are still using sturdy 4-pin mini XLR connectors on the headphones and the cable is thick and has good strain relief. The earpads are huge and made of protein leather rather than the genuine leather of their higher end models. The headband is steel and feels strong, the suspension strap is protein leather like the pads, which makes these vegan friendly. Overall I can see the LCD-2 Classic lasting a long time, the pads are glued on however they are fairly easy to replace. The LCD-2 Classic no longer come with the big carry case the higher end models have, but this has helped keep the cost down.
Again here we have the typical heaviness of the Audeze models, due to their excellent build quality sadly they are quite heavy. The newer headband helps alleviate the pressure better than the old one, but if you are not used to the weight it can become tiring. the earpads are extremely comfortable and deep though, and once you get used to it they are good for fairly long listening sessions.
Compatibility
The LCD-2 Classic are quite efficient for a planar headphone (Efficiency: 101dB / 1mW) but it doesn’t mean they can’t handle extra power. Out of a low powered source they can sound a little constrained and flat, but hook them up to a powerful solid state amplifier and you will be greeted with the smooth yet powerful sound that these are capable of.
Sound
Audeze wanted to bring back the sound of the original LCD-2 in a more modern package, so they got rid of the fazors, redesigned the headphones a bit and here we are. Back to a time where people wanted to sit back and relax, and not worry about the resolving capabilities or micro-details. A time where few audiophile headphones had enough bass response for most people.
Bass: Audeze built their name on this part of the frequency response, a high-end headphone with warmth and body. The LCD-2 Classic are effortlessly smooth down low, with plenty of warmth and punch all backing up the rest of the sound. However the LCD-2 Classic don’t have the headshaking, skull thumping impact of the original. Make no doubt about it, the LCD-2 Classic have more than enough body and warmth to their sound, but they are more restrained and controlled and never become overbearing. If you are fed up of the more clinical and sometimes cold sound of some high-end headphones, the LCD-2 Classic are a sobering listen and a great addition to a more neutral tuned collection.
Midrange: The transition into the midrange is smooth, giving them enough body and warmth to sound pleasant without colouring the midrange too much. There is good tonality in the midrange, vocals cut through without every becoming shouty or peaky, husky male vocals are such a pleasure to listen to on these. Female vocals don’t quite have the required bite in the upper midrange, remaining smooth and sweet throughout and they are not the most aggressive sounding headphones when it comes to playing faster rock music. These are more suited to smoother genres, or electronic based music.
Treble: Much like the midrange the top end is tuned for smooth listening, and they do roll off a little early. These do not have the best extension or shimmer, however they are very easy to listen to and peak free. There isn’t too much to say about the treble on these, apart from if you are sensitive to sharp treble these are perfect.
Genres and Soundstaging
Being a bit of a laid back and smooth headphone these are easy to just kick back and listen to without any fatigue. They are not the most exciting headphones, but they handle most genres with ease. They don’t really stand out with any particular style of music, but that extra helping of bass does help certain EDM and hip-hop tracks.
The soundstage is great on these, with great width and height. Instruments are easy to pinpoint and you can easily pick apart the layers of the recording.
Conclusion
The LCD-2 Classic are a well controlled, but ultimately warm sounding headphone. They offer up a fatigue free sound with good width and height. If you listen to electronic centred music, old school rap/hip-hop and smoother more acoustic music they are a joy to listen to. However they lack a little aggression for faster paced music.
The LCD-1 are a small, portable sized headphone with a mainly plastic build to help keep the weight down. The earpads do go around your ears and are quite snug, the clamping force is moderate to retain a secure fit. There is plenty of adjustment in the headband sliders to fit most head shapes and sizes. They fit well and have an understated look compared to higher end Audeze models.
Comfort wise the moderate clamping force is noticeable during longer listening sessions, and the small-ish earpads are plush and soft but not the most spacious. Being open back they don’t heat up as quickly as a closed back model though. The headband has fairly good padding, but it is a little narrow and does create a small pressure point on the top of my head.
The LCD-1 might look like a portable headphone, but it’s open back nature mean it is better used in environments where you won’t disturb others with sound leakage. Also they are a planar magnetic headphone, and in my opinion fare much better when a powerful source is used. Something like the JDS Labs Element II or Burson Audio Conductor range would be perfect with them. They don’t sound all too good out of a mobile phone, they definitely benefit from a bit more power to get the best out of them.
Sound Quality:
Bass: Whilst Audeze cut their teeth with the LCD-2 and its famous bass, the LCD-1 does not follow in its footsteps. Instead Audeze have created a tool for the sound engineer on the go, or for the travelling audiophile who wants a more reference sound when away from home. The bass hits fast and clean with minimal boost in terms of quantity, there is a tightness to the sound yet with body that is subtle yet pleasant. It is in the bass region where a good amplifier will make or break the LCD-1, don’t give them enough power and they do sound thin and a little anaemic, but when you have a good source behind them the articulation and slam is excellent whilst retaining clarity and control at all times. Full bodied, but not overblown, musicality and technicality mixing in perfect harmony down low.
Midrange: Here is where the LCD-1 really got me, such a clean cut and alluring midrange that has all the detail you could want at this price range. It is natural, with realistic tone and yet it is always crisp and kept clear of any bloom from the bass. In my opinion the midrange is pretty flawless on the LCD-1, it has excellent timing, tonality and overall just sounds accurate and right. No matter the genre, give them a good source and recording and you will hear all the nuances you could want but never in a harsh or annoying way. Much like the bass they manage to mix technical ability with a slight smooth musicality to great effect.
Treble: Here is possible where the smoothness slightly outweighs the technical abilities and they have a bit of that typical Audeze lushness. Not as extended or present as some of the competition, the treble region is where I personally would have preferred a little more energy. Those who are a little more treble sensitive though will welcome the natural and smooth treble, with enough presence to keep the LCD-1 sounding well balanced, but without any fatigue inducing peaks. Luckily the resolution up top is excellent with plenty of detail to be heard in the treble region.
Genres and Soundstaging
Due to their fairly balanced sound signature, the LCD-1 seem to handle most music you throw at them with relative ease. Their presentation is a little more on the engaging side of things so they fare well with more upbeat music than classical for example.
The LCD-1 soundstaging is good, there is plenty of width and good height too, but the layering also stands out. They are an agile headphone and expertly pick apart even the most complex of mixes.
The LCD-1 is an instant classic in my opinion, from the moment you put them on you hear that a lot of work has gone in to making them balanced, technically proficient, yet always slightly musical and enjoyable. The midrange stood out to me, being excellent in terms of clarity and tonality, backed up with by full bodied yet controlled bass and sweet yet detailed treble. All packaged in a small, comfortable and well built package, and for an affordable price. The LCD-1 are a truly excellent headphone.
It probably won’t take many people long to figure out where the LCD-4’s come from, with their big bold look and chrome grills, you guessed it the USA. They are not subtle, they are not low key, they have lovely dark wooden housings, shiny chrome grills and a carbon fibre headband. Big leather pads and a silver/black braided cable, the LCD-4 look stunning if not a little OTT.
Build quality is superb, as would be expected at this price range. They are solid and well put together, with good materials and not a blemish in sight. The included cable is also excellent with great strain relief and thickness. They also come with an excellent case to store them in when not in use, the LCD-4 sure feel like they are built to last.
Comfort
The LCD-4 are heavy, there is no doubting that. But the headband is well made to distribute the pressure well, and the pads are soft and well cushioned. Depending on your resilience to the weight of headphones, the LCD-4 are surprisingly comfortable for relatively long listening sessions. This all comes down to personal thresholds though.
Sound
Bass: Audeze are usually known for making headphones that have a warmer, more bass oriented sound signature, and that is true for a few of their models. The LCD-4 and LCD-X however follow a more reference style tuning, these handle the low end with effortless extension and punch without any bleeding or bloat. The low end is tight and controlled, and very accurate to the source. Every bit of the recording can be heard, the layering down low is expertly handled and they never step out of line. There is always a slight underlying warmth to the LCD-4, but they are not a dark sounding headphone.
Midrange: The LCD-4 don’t tend to accentuate any part of the midrange, allowing them to portray it in an open and natural way. Again the layering really stands out, allowing every instrument and vocal track sit in it’s own space whilst always sounding coherent. Guitars sound exceptionally good, you can hear each finger pick of an acoustic guitar, yet throw on something heavier and they have good crunch and energy. The same goes for vocals, every little detail is present and can be heard without much effort, this does mean they pair best with well recorded material as they do show up compression artefacts.
Treble: Snares snap, cymbals crash, violins sing, the top end is open and extended yet they have an incredibly smooth and fatigue free delivery. They are not exaggerated to sound more detailed or energetic, instead they offer up a refined and open sounding top end that is not distracting yet offers up plenty of insight into the recording. Tonality up top is spot on, they have great control and an excellent sense of space, helping open up the soundstage.
The soundstage is very holographic with good width, depth and height, it also has pinpoint precision.
Conclusion
The LCD-4 are a very impressive high-end headphone, with pinpoint accuracy and overall excellent sound quality. They have a slight warmth overall which is enjoyable, yet they also offer plenty of insight into the recording with excellent detail retrieval. If only they were a bit lighter.
People deciding to work from home is on the rise – and why not? There are lots of perks to be had when working from home, and along with being able to stay in your PJ’s – you can listen to music all day without disturbing the office. Here’s our pick of some the best audio tech that every home office could benefit from.
Lypertek PurePlay Z3
There are many reasons why the Lypertek PurePlay Z3 is a solid favourite for true wireless earbuds under £100, and many of the PurePlay Z3’s features are well suited for use in your home office. The 70 hour battery life means they’re unlikely to die during an important call, and the microphone quality is impressive. The PurePlay Z3 is IPX7 waterproof rated, so they’ll survive if you spill your morning coffee on them and you can give them a full wash if needed – you can even take them into the shower with you! Most importantly, they sound superb with people even describing them as audiophile worthy – so they must be good!
B&W PX7
For the ultimate package, then the B&W PX7 is a complete solution for your audio and isolation needs. These full sized, noise cancelling Bluetooth headphones will give you freedom from wires, able to connect wirelessly to devices supporting Bluetooth. Being B&W, you can expect the sound quality to be up there with the best. The PX7 is energetic and clear, with deep and well controlled bass and a great sense of space. Then the features give you 30 hours of listening, Bluetooth 5, AAC, aptX and aptX-HD codecs and B&W’s leading noise cancelling technology for uninterrupted listening.
JDS Element II
If it’s a desktop option you need, then the JDS Labs Element II will not only bring an audio upgrade – it will look great too. Beautifully designed with a simple yet striking look – the Element II headphone amplifier and DAC will fit into any setup. Historically, JDS Labs has been known for their functional design and great sound – now with the Element II, they have shown that they can make great looking equipment too.
Flare Isolate 2
There will be some of you out there that prefer complete silence when working from home – don’t worry, we have you covered. Flare are leading the way when it comes to hearing protection, and their newest model – the Isolate 2 – is going to be the one we recommend. These are made of aluminium and not only do they do a great job of blocking out unwanted noise – they look stunning too. The Isolate 2 is CE certified and has a high sound protection rating of SNR32, so you can be confident they’ll do a good job.
Campfire Audio Cascade
If you’re not ready to ditch the wires, and you want to listen comfortably with maximum isolation, the Campfire Audio Cascade closed back headphones will do just that. The Cascade is extremely comfortable, which is ideal for wearing for long periods of time while getting your work done. These are closed back headphones, so they will also do a great job of blocking out external noise – allowing you to enjoy your music in peace. Then the sound is what you’d expect from Campfire Audio – engaging, punchy and very enjoyable. The Cascade uses filters which can be changed to suit your taste in sound – allowing you to customise your listening.
Audeze LCD-GX
Those of you who want the very best headphones that can double up as communication headsets may be interested in the Audeze LCD-GX. This is a high end gaming headphone aimed at audiophiles. The attachable microphone will give you superb voice quality and can be used for those all important business calls. Then, when you’re done with work – fire up your favourite game and enjoy the real to life spatial awareness and clarity provided by these all purpose open backed cans.
Final E500
The Final E500 is the ideal earphone for those wanting to upgrade from the ones supplied from your device – without breaking the bank. At £20, these are the best value performers we’ve come across. Sound quality is the E500’s main focus, and their level of detail, separation and imaging challenges models twice the price and more. The earphones themselves are small so they are very comfortable, and the supplied Final eartips will ensure you get a good seal which really helps isolation – blocking out background noise to help you focus.
B&W PI3
If you want some wireless earphones, and true wireless doesn’t appeal to you – then B&W has you covered with the PI3. These hybrid dual driver wireless earphones use a neckband design, and come with all of the latest features including Bluetooth 5, AAC, aptX and aptX-HD codecs, 8 hours of playtime, and very impressive microphone call quality – perfect for those video conferences. The dual hybrid driver setup means you get a 9.2mm dynamic driver and a balanced armature driver inside each housing. This driver combination delivers sound that’s packed with detail and space – with an almost 3D quality.
Kanto YU4
While you’re going to be at home a lot more, you may want to improve your audio setup. The Kanto YU4 is an ideal speaker for desktop use. They are powered speakers, so don’t require a separate amplifier, and they have Bluetooth functionality – so you can connect them to other Bluetooth devices wirelessly. Their compact and stylish design means they’ll fit into most setups and their sound will really impress you. They pack a lot of punch for their size, and deliver a tight and detailed sound. A great all-rounder for those days working from home, and to enjoy once the work is done.
Shanling UP2
Want to go wireless but are not ready to stop using your favourite wired headphones? Fear not. The Shanling UP2 is a Bluetooth headphone amplifier and DAC, meaning that you can plug your headphones in and then connect wirelessly to your Bluetooth compatible device. This is perfect for use with PC’s, laptops, tablets and mobile phones. The UP2 also has a built in microphone, so you can take calls even if your headphones do not have a built in mic. Fully charged you can expect up to 11 hours of playback and the UP2 will support all popular audio codecs including LDAC, aptX, aptX-HD and AAC.
Our picks for the best over ear headphones – open back and closed back
We know how important it is to find the best headphones for you; whether they are for your smartphone, music player, laptop or hi-fi system.
Here you can see the best of the best full size headphones to buy in 2019, 2020 and beyond.
BEST CLOSED BACK HEADPHONES
1. Beyerdynamic DT770 PRO – £125
Beyerdynamic DT770 Pro
The Beyerdynamic DT770 creates a spacial soundstage more akin to an open-back headphone, and delivers full bass with accurate highs and mids. What’s more, these are profoundly comfortable.
The HD820 is Sennheiser’s first closed back audiophile headphone release and it promises to be quite special. Based on the same design as the HD800S, the HD820 uses Gorilla Glass as its transducer cover and the curved shape of it allows the sound waves to reflect to an absorber – resulting in minimal resistance and creating an open sound that you would normally expect from an open backed headphone.
Focal headphones are not only known for their excellent sound quality – they also look stunning. And the Stellia is no different. The finest materials have been used to create this closed back headphone, including a Beryllium dome electrodynamic driver. With a unique finish, inspired by the colours of cognac and mocha – the Focal Stellia looks as good as it sounds.
The Ether 2 have a great sense of neutrality, at the same time they offer an enjoyable listening experience and they never sound analytical. There is a hint of added body that creates a smooth listening experience that can be enjoyed for hours on end.
The unique construction of the Empyrean was designed with the shape of the human ear in mind. As a result, they enjoy a greater degree of imaging than you’re likely to find anywhere else. Each Empyrean is hand crafted to exacting detail, and that level of precision is not only visible, but audible.
The planar magnetic magnificence of the Final D8000 creates a listening experience without parallel. The unique construction, including a damping system (the same used in condenser microphones) allowing for a sound that surpasses the abilities of most planar magnetic and dynamic equipment. This requires a dedication to exacting detail you can only see in Final.
The B&W PX is the ultimate portable headphone. With the latest aptX HD Bluetooth technology, wireless sound quality is of the highest level. Providing a very well balanced sound with tight bass – bass heads may want to look elsewhere – crystal clear clarity and superb soundstage. The PX also has adaptive noise cancelling and uses six microphones to help block out external sounds – allowing you to focus on the music. Along with the advanced technology – the PX has superb build quality and comfort – making them our go to recommendation for wireless headphones.
Audeze have created a superb all rounder in the Mobius. Whether music, films or gaming is your thing – the Audeze Mobius does it all extremely well. Inside the housings are planar magnetic drivers, providing sound quality that even the audiophiles out there will appreciate. Then the 3D emulation technology delivers a superb surround sound experience, perfect for watching films or playing Fortnite and thanks to the integrated head tracking – you’ll hear sound effects as if they’re really there.
Audeze have created a superb all rounder in the Mobius. Whether music, films or gaming is your thing – the Audeze Mobius does it all extremely well. Inside the housings are planar magnetic drivers, providing sound quality that even the audiophiles out there will appreciate. Then the 3D emulation technology delivers a superb surround sound experience, perfect for watching films or playing Fortnite and thanks to the integrated head tracking – you’ll hear sound effects as if they’re really there.
The B&WPX is the ultimate portable headphone. With the latest aptX HD Bluetooth technology, wireless sound quality is of the highest level. Providing a very well balanced sound with tight bass – bass heads may want to look elsewhere – crystal clear clarity and superb soundstage. The PX also has adaptive noise cancelling and uses six microphones to help block out external sounds – allowing you to focus on the music. Along with the advanced technology – the PX has superb build quality and comfort – making them our go to recommendation for wireless headphones.
At under £40 – the SoundMAGIC P22BT Bluetooth headphone provides high quality at a low price. The design is sturdy and comfortable, with a lightweight foldable headband which is great for portable use. These headphones are easy to use with controls conveniently placed on the left earcup. The most impressive feature is the sound quality – audio is crisp and punchy with plenty of energy, making them a lot of fun to listen to.
SoundMAGIC seems to have nailed the under £50 earphone. If you’re looking for a wired earphone and want to keep the price down, then we believe that the E11C is the one. SoundMAGIC have gone for a mature design, and used a silver plated copper cable to deliver superb sound quality which will compete with earphones over £100. The E11C has plenty of energy and punch with a dynamic and well detailed sound. There is also a 3 button inline control and mic, which is fully compatible with Apple and Android smartphones.
Now, if you’re looking for an earphone with a more aggressive sound then the Flares Jet 2 could be the one. These earphones go loud, and they provide thumping bass and sharp clarity. The housings are made of aluminium and are built to last. There is also an in line single button remote to take calls and the cable itself is strong and tough. The design of the Jet 2 definitely stands out and the shape makes them very comfortable.
For those that appreciate their music a bit more and are happy to up their budget, Final’s E4000 is a superb place to start. Final have been in the audio game for a long time, and their E series shows us what they can do. The E4000 is the sweet spot for me – musical and well balanced sound quality that draws you in, great comfort and design and a nicely made replaceable cable – all for just over £100.
For something so small, the ShanlingM0 manages to pack in a load of features. Starting with the design, the M0 looks and feels great. The display is made by LG and is very crisp – and thanks to Shanling’s own MTouch software, the player is extremely easy to use. The sound from the M0 is clear with good bass-weight, punch and fine detail. Thanks to the on board EQ settings, you can add some warmth or sharpness to suit your taste. The M0 can pair with Bluetooth headphones, and the 2-way Bluetooth feature will allow you to connect to your phone to use the player as an external DAC/amp – very clever.
The NuForce BE Sport4 is widely regarded as the go to Bluetooth earphone – and we would agree. At just under £90, they combine good value with superb sound quality – the Graphene coated drivers deliver a crisp and punchy sound with plenty of clarity. The BE Sport4 is IPX5 water resistant and can provide up to 10 hours or battery life. And to top it off, you get 2 hours of charge in just 15 minutes thanks to their Fast Charge feature.
Whether you like to listen to your headphones at home using your computer, laptop or hifi system – the JDS LabsElement will breathe life into your setup. For a long time now, JDS Labs have been making high quality headphone amplifiers and DACs with a simple design and superb value. The Element shows that not only do they have the technical knowhow – they have a great eye for design too. With analogue RCA inputs and digital USB – the Element is extremely versatile and as expected, provides a clean, expressive and powerful sound.
Ever wondered if you could have a high quality headphone amplifier connect to your phone or laptop wirelessly? Well wonder no more. The iFi Audio xDSD is the perfect way for you to get the most from your headphones and chosen device – without adding more wires. Use your phone to listen to Spotify, your favourite podcast or play PUBG and let the xDSD wirelessly drive your headphones, giving them all the power they would need to deliver a balanced and dynamic sound.
It’s been a while since Audeze released a closed-back model in their LCD range; the XC model was (and is) beautiful but it is a little treble-heavy for this particular listener. So it’s great news that we now have an alternative LCD to play around with!
Design and appearance
The Audeze LCD-2 closed-back takes a slight departure from the XC model in terms of looks; gone is the polished wood, and instead we have black earcups with white chevrons painted on. It’s not unattractive, and gives the headphones a nice update for 2018. The cable is a black and white braided affair, and matches the look of the headphones well.
We’re well used to Audeze treating us with extras such as a carry case and 3.5mm adapter, but this is not how the closed back LCD-2 comes. All we get are the headphones themselves and 3m cable (with 6.35mm jack). To be fair, this could just be a way for Audeze to offer better headphones for less money, and there is always the option to purchase a carry case later if needed.
Durability & build quality
The closed back LCD-2 is pretty rock solid. There are no obvious weak points and with care, these headphones should last a lifetime. The cable is similarly well constructed with strain reliefs at the top and bottom, and Rean connectors for attaching to the headphones.
Comfort
With a weight of 646g, the LCD-2 is not for those with delicate necks. This reviewer is feeling the weight a little bit after 30 minutes, but it’s not a problem. A longer listening session might change this however!
Suitability for intended application
The closed back design may lend itself well to outdoor pursuits, but most smartphones would have difficulty running the LCD-2 closed back. With a 70 ohm impedance and a relatively low sensitivity of 97dB, these headphones are better suited to devices with greater powers of amplification. Having said that, the LG V20 does a fairly good job but the headphones could be powered a lot better with proper gear such as a dedicated headphone amp.
Sound characteristics:
When compared to the open back version, the closed back LCD-2 does of course have the advantage of much greater isolation but there is of course some compromise due to the need to deal with internal sound reflections and resonances. Bass is more present, but with slightly less detail. Midrange is full and syrupy, and high frequency detail takes a slight hit too.
For this review, the closed LCD-2 is powered by the Questyle CMA600i, which provides some very clean audio and won’t make the headphones any warmer-sounding than they already are.
Bass
Sub bass is indeed impressive on the closed LCD-2; it’s very well rendered and has a very wide and deep feeling to it. Bass presence is enough to make its mark, but without causing many problems for higher frequencies. There however the feeling at times that it affects an otherwise spacious feeling within the midrange.
Mids
Generally the midrange has a good speed about it, with a quality which is neither too dry nor too lush. It sits well between the bass and high frequency ranges, making a cohesive sound which is very slightly recessed when compared to the bass level. Vocals are comfortable within the mix and are rich and detailed.
Treble
Perhaps comparison with an open-back LCD-2 is unfair here, but the open back does do better in terms of the high frequency detail. However, the closed back version still has a lot to offer with genres such as classical, with still a good sense of space in the recording. Presence is about as much as it can be, whilst still feeling like a warm headphone. This reviewer is a fan of warm headphones such as the Sennheiser HD650 and Oppo PM-2, and the closed LCD-2 would serve as a good closed-back alternative for those who want a similar sound.
Soundstage & Separation
This LCD-2 is surprisingly good for a closed back model; soundstage is impressive although there’s not so much of an ‘airy’ feeling here. Separation is very good too, with instruments giving a good impression of sitting in their own spaces within recordings.
Music genres good for and why
Given the slightly bass-centric tuning, the closed LCD-2 is well suited for studio genres such as dance, pop and rock. However, it can give a good rendition of a classical or acoustic performance if you’re more fond of a weighty feel within the music as opposed to a light and airy one.
Pros:
There’s now a choice of LCD closed backs (along with LCD-XC)
Good isolation
Great soundstage for a closed back model
Cons:
More utilitarian looking than most designs
Accessories are spartan
Can be heavy for some
Summary
Audeze’s new closed-back LCD-2 promises to offer more privacy and isolation for fans of the warmer sounding Audeze models, and it delivers admirably.
Audeze keeps going from strength to strength (the strength of our bank managers, that is). Ever more glitzy offerings are produced which are sure to exceed the last model at least in terms of price, but does the performance match up? We’re sure the folks at Audeze HQ realise that expectations go up along with the levels of cash we’re asked to part with, so they’d better have the trousers to go along with the proverbial mouth they’re exhibiting..
Pros:
Sturdy construction
Great looks
Smooth sound for those who want it
Sub bass is impressive
Cons:
Single-ended cable only
Heavy!
Some may require greater treble presence
Durability and Build Quality
The LCD-4z is built to last, with an all-metal construction. It’s weighty, coming in at 610 grams without the cable attached; so along with your brass, it demands a good neck. The cable itself is strong and well constructed. It’s a single-ended design ; it would have been good to see a balanced option in there too.
The carry case is quite large; much bigger, and we’d have been looking for wheels and a slide out handle for lugging it around. However it’s fitting for such a premium model and offers adequate protection should you wish to take it anywhere.
Comfort
As mentioned above, some may be affected by the weight of the LCD-4z during longer listening sessions. Clamping pressure is fairly high, but mitigated by the leather earpads which are soft and comfortable.
Sound Characteristics
The Audeze LCD-4z was tested with a Chord Hugo mk.1 as DAC and amp; it’s ironic that this is far cheaper than the headphones themselves! A more substantial setup may affect the LCD4z’s response somewhat.
Overall the LCD-4z has a warm feel to its output, with a sound which is comfortable and luxurious.
Bass
Low extension is very good which is well voiced and natural-sounding. If a particular track means to hit us with sub-bass, be sure to have your fillings certified by a qualified mouth doctor prior to listening.
Further up, bass presence may be a little too much for some in relation to mids and treble. This may be a nod toward those who are demanding more in the way of bass presence these days. Definition is very good; there’s a certain rounded quality to it which feels like it’s impinging on the midrange but it doesn’t get in the way of midrange detail.
Mids
Vocals are rich and very detailed; it feels like we’re peering into the singers’ throats with a broad wooden spatula. Backing vocals are very seductive, with some nice separation giving the impression of singers standing about the listener.
With tracks which generally push the limits of comfort in terms of midrange presence (such as with the upper registers of the clarinet), the LCD4z does rein it in a little, so if fatigue is an issue for you the LCD-4z is an option. Overall it’s a gooey, fun midrange and a very alluring one.
Treble
Treble presence is ideal for this self-confessed Sennheiser HD650 fan; some may find it a bit muted for their tastes but it allows the music to ooze out without the feeling that it’s being forced. It continues on from the midrange in a natural and pleasing way.
Fine details are well rendered with subtle harmonics present; trumpets and other brass instruments are really quite enjoyable.
Soundstage and Separation
Soundstage is about average for an open-back model, with imaging and separation doing a decent job whilst maintaining a natural feel.
Music genres good for and why
The warm nature of the LCD-4z complements modern, studio-produced genres such as pop and rock. If you like sub-bass laden offerings such as with rap or drum and bass, then the LCD4z is a sure winner. However those who favour classical, opera or live recordings may require a little more bite where it comes to treble.
Summary
Audeze’s new LCD-4z hits us hard; both with sub-bass and credit card bills. However, relaxing with a set of these in place will certainly mask the insistent knocks on the door from bailiffs.
We’ve have some of the best full size hi-fi headphones from under £100 to over £1000 from 2017. The reviews are designed to help you choose from the massive selection of hi-fi and audiophile headphones available with open back and closed back designs. From established brands like Beyerdynamic and Sennheiser, to new creative brands like MrSpeakers and Audeze.
Scroll down for in depth reviews of our favourite full size open back and closed back headphones.
The closed-back Edifier H840 has audio quality which belies its entry-level price. Low-cost headphones can emphasise the bass a little too much but the Edifier H840 has a good balance throughout the frequency range, with midrange and treble coming through with impressive clarity. Bass is there too, and prominent enough to give a bit of weight to those basslines without stealing the show.
Build quality is also impressive for headphones at this price; they are quite rugged, but light and comfortable as well.
They can be used either in the home or as a portable model, since the closed-back design offers good isolation from exterior sounds and the H840 can be powered sufficiently by a phone, or a portable music player.
HiFi Headphones Verdict:
If you’re on a budget, there is no need to compromise on sound quality. For the asking price, the Edifier H840 represents amazing value.
Sennheiser’s HD461 models come in two flavours, depending on whether you have an Apple handset (with a headphone socket!) or an Android handset. Designed primarily for portable use, the HD461 models can also be used with home equipment as they will still work in standard 3.5mm stereo sockets.
Also, the cables are available separately as spares, so if you change your phone from one type to the other, you only need to get the appropriate cable for full functionality with your new handset.
The design is light and comfortable with a sound akin to what Sennheiser generally prefers; a warm comfortable sound with enough sparkle at the treble end to keep things interesting and vibrant, but without any danger of listener fatigue. The HD461 design hsa a little bit of extra bass than usual however, so if you’re a bass fan then these are worth a try.
HiFi Headphones Verdict:
For a bassy accompaniment at home or on the move, the HD461i (or HD461G) will give full functionality with your handset, whether Apple of Android. With spare cables available too, there is no need to change your headphones if you change your phone (iPhone 7 notwithstanding!).
The new HP151 from SoundMAGIC is perfect for those who want to treat themselves to some excellent sound and build quality, but without breaking the bank. The HP151 comes with a sturdy carry case and an extension cable for more options if listening at home, but is otherwise suitable for portable use, being of a closed-back design. Be aware however that whilst the HP151 will work well with commercial genres, classical or similar may require more amplification than a phone/handset can provide on its own, as those music types generally have quieter recordings, with less dynamic compression applied during production.
The HP151 sound has a good amount of well controlled bass from its 53mm drivers, and midrange/treble are clear and present. It’s a comfortable sound, and it is not likely that listener fatigue will set in.
HiFi Headphones Verdict:
The HP151 is a fantastic all-rounder, with a bassy yet crisp sound. It has a spacious and wide presentation considering the closed back design, and it looks really good too!
Final makes some excellent-sounding headphones with great build quality too. Their closed-back Sonorous range encompasses many models, but the Sonorous III is a point of interest as it gives some amazing sound quality for the price. With slightly boosted bass and treble, the Sonorous III gives a little added shine to your tracks without going overboard. The low impedance of this design makes it suitable for using with a portable device or phone, for enjoying your collection in the home, or out and about.
HiFi Headphones Verdict:
The Sonorous III is a favourite here for its relaxed, natural sound. However the Sonorous II is also noteworthy as a more neutral version, giving a more faithful rendition of your recordings and particularly suitable for classical and acoustic performances.
Best Full Size Headphones Under £800
Now we start to enter the price range of diminishing returns; for instance, headphones costing £800 will not sound twice as good as those costing £400, but if you are intent on raising your headphones game, these smaller improvements are still worthwhile to make your music collection come alive again.
Beyerdynamic has impressed us for many years and continues to do so with new models such as the Amiron Home. With sterling build quality and sound quality alike, the open-back Amiron Home does everything well. All frequencies are very well balanced with each other, with treble a little gentler than quite a few of Beyerdynamic’s previous models.
So the sound is natural and smooth; ideal for relaxing at home (where else?), and quite suitable for any music genres that can be thrown at it.
HiFi Headphones Verdict:
The Beyerdynamic Amiron Home is a real treat to use, and is as comfortable to wear as it is to listen to.
A relatively new maker, MrSpeakers has certainly caused a stir with their line of planar-magnetic models recently. Not least with the Aeon, a lightweight design which hits heavy with some excellent sound quality. The design lends itself well to portable uses, although additional amplification may be required if using with a phone.
The sound is fairly well balanced with a little extra bass and lovely clear midrange and treble. The Aeon is well suited for all genres, but a real treat with anything likely to get you moving!
HiFi Headphones Verdict:
If your portable audio game needs updating, the MrSpeakers Aeon is one to look at, although the Aeon is equally enjoyable if you like to stay put.
Focal’s recent additions to their lineup show a slight move away from the generally brighter sound of their previous models, to a gentler more laid-back sound which nevertheless gives detail in spades. The Elear is an exquisitely comfortable model to wear also, and gives the impression of the venerable HD650 but with a little bit of extra treble presence.
The Elear is not a light model at 434g, so this may be worth bearing in mind but the sound is very pleasing indeed.
HiFi Headphones Verdict:
French company Focal has produced a real hit with the Elear, and it is easy to understand how; they’re great fun!
Pioneer’s new SE-Monitor5 is where headphones start to get sumptuous and luxurious! Build quality is like an executive car, and the plush padding is much the same. The SE-Monitor5 may be a little heavy for some at 480g but they are made for relaxing at home and swallow up the sides of the head with their huge earcups.
The sound is as you would expect from Pioneer at this price, with well-controlled bass doing just what it needs to according to the music genre being enjoyed. Higher frequencies follow suit and remain faithful to the music, only to add a little bit of extra excitement and glamour to proceedings, whilst staying very relaxing.
HiFi Headphones Verdict:
The SE-Monitor5 is incredibly comfortable and bound to please anyone who gives them a listen.
If you have got bored of circling Switzerland in your yacht then you’re probably lost, but you may be wealthy enough to consider the following models for your floating games room! These higher priced models may seem as steep as a black route ski slope, but those who accept no compromise will find the following offerings very interesting.
Sennheiser is no stranger to premium headphones, and has followed up on the excellent HD800, released a few years ago. Some felt that the HD800 is incredibly detailed but at the cost of a certain amount of musicality, so Sennheiser now has the HD800S which offers a little more in the way of ‘soul’. Bass is very responsive to what different music genres need without overdoing things, and midrange/treble give some excellent soundstage and imaging with a slightly gentler presentation when compared to the older HD800.
The HD800S is however just as comfortable as its older brother the HD800; these models can be worn for hours on end with no trouble.
HiFi Headphones Verdict:
The HD800S is a very popular model and with good reason; it’s as enjoyable as it is comfortable and has a fair amount of visual impact as well.
Audeze has plenty of models, but at the top of the range we have the planar-magnetic LCD-4. Top notch build quality is to be expected at this price, including unique drivers which feature NASA technology in their nano-scale diaphragms. These light, thin diaphragms can move very quickly with no inertia, making transient response times very fast, and bass precise with nice extension and very good control.
Made from 30 year old Macassar wood, the earcups are set off by bright silver grilles making the LCD-4 a treat to look at as well as to listen to. As well as the excellent bass, midrange and treble follow in good order with a smooth transition between, but with perhaps a slightly recessed midrange, putting bass and treble at the forefront of the presentation.
HiFi Headphones Verdict:
For the last word in headphones, this may need to be your first stop!
Looking for a new pair of on-ear headphones? We’ve collected the best on ear, open back, closed back and portable headphones to buy in 2017 and reviewed them to help you choose.
SoundMAGIC takes a lot of beating in this price category – the brand is a natural at making low cost headphones which sound much pricier.
The P22C model is a lightweight portable with a flat tangle-free cable and good isolation. Ideal for travel and holidays, these will fit right in to any bag or backpack when stored in their low profile travel case. The P22C included a microphone for phone usage and the remote is compatible with both Android and Apple devices.
Sound is impressive for this price point, with plenty of detail and a good kick to the bass without overpowering the mid range.
Engaging and fun-sounding, the P22C will make the absolute most of the output from any portable player.
The Edifier P650 is a smartphone friendly, easy to carry portable headphone that punch above their weight and price.
Offering a well balanced sound with a little added kick down low, the midrange is clean and detailed and the treble isn’t far behind. The bass does not have the most sub-bass rumble but for a quick and easy to use, on the go headphone they offer great sound.
What impresses most is their ability to portray the whole frequency range in a well controlled and balanced manner, too many budget headphones overload you with muddy bass, yet these offer plenty of detail but are also easy to listen to; a no brainer at this price point.
The simple design and great sound keeps them viable while the open-back design, whilst not being the best for isolation of course, is perfect for those who wish to be aware of what’s going on around them such as joggers, and muggers.
The sound is generally well balanced between bass and treble, although the midrange can seem a bit distant and mushy. Bass is perhaps a bit on the heavy side, but it will definitely satisfy those who want a bassy sound. The Koss Porta Pro Classics offer a warmish sound overall.
Be aware though that their open-back nature means that they will be of limited use in noisy environments.
B&W have a long history of making excellent hifi products, and this has trickled down into their headphones.
The P3 are superbly built with an elegant and sophisticated look, the P3 really do impress. Lucikly they are not all about the look either, as the P3 offer a smooth and effortless sound that is akin to their house speaker sound. Offering excellent full bodied bass response with a non fatiguing and slightly sweet midrange and treble.
Comfortable, well built with a smooth and pleasing sound signature, the P3 are perfect for on-the-go use.
The HD25-1 II are one of the most well known on-ear headphones, this is partly due to their popularity as a DJ headphone. Used by DJ’s and sound engineers globally the HD25-1 II are a rugged portable headphone that will last for years.
Offering an immediate and aggressive sound they won’t give you a wide soundstage but will give you an engaging and detailed signature. The bass is tight and digs deep with excellent control and presence, the midrange is smooth yet very detailed and the treble has good extension and is very well placed in the mix.
If you are looking for a smooth laid back sound, the B&W are probably a better choice, but if you want a fun, upfront and engaging listen the HD25-1 II is for you. All parts are easily replaceable too, should anything ever break.
The Grado SR80e are a definite improvement over the SR80i, with a slightly warmer, more balanced sound. Their retro styling may not appeal to all, but underneath the looks is a fine sounding open-back headphone. The undisputed king of headphones for rock music, these are sure to get you toe tapping and head banging in no time.
These will not appeal to bass heads, they fair better with music that is played on real instruments. They have long been favourites for people that enjoy rock music due to the speed and control of the sound.
At the price point I still think Grado hold their own with a well balanced, aggressive and detailed sound, there is nothing quite like them.
The Momentum series are hugely popular with on the go commuters, and for good reason. Offering stylish looks, a comfortable fit and a smooth easy to listen to sound.
Built to last with replaceable parts, the Momentum has slightly retro looks and comes in an array of colours. With playback controls on the cable you no longer have to take your phone out of your pocket. The sound is dynamic and punchy, offrering a slightly bass driven sound without sacrificing the midrange and treble. Engaging and fun are the best word to sum up the Momentum 2.0i.
Good looks and great sound, it is easy to see why the Momentum 2.0i is so popular with commuters. For Android users there is also the Sennheiser Momentum 2.0G.
The T51i have been around for a while now and are still excellent on-the-go headphones. They have a sturdy and sophisticated look, and offer a well balanced and detailed sound.
The T51i again tilts towards an easier to listen to sound, with a slight bass boost that gives the whole sound a little added body. There is sufficient detail across the range to keep them from sounding boring and what comes to mind when you put the T51i on is refinement.
With excellent build, comfy fit and refined sound the T51i has a lot to offer.
Leather earpads and a metal headband, the P5 Series 2 screams quality and luxury. The earpads are soft lambskin leather with memory foam inside, like cushions against your ears.
Like the P3 the P5 Series 2 has the typical B&W house sound, which is smooth and effortless. Offering a well balanced but slightly rich sound with superb separation and articulation, from highs to lows these sound very refined and grown up.
The P5 Series 1 look stunning, have replaceable cables and a smooth effortless sound, what is not to like?
Built from leather and metal, the Audeze Sine are built to last and also come with detachable cables. Using planar magnetic drivers they take a little more power than most phones can output, so they are best used with a high quality music player.
Give them a good source and the Sine in return give you excellent audio with snappy dynamics that can keep up with the most demanding of music. The bass is full yet superbly controlled, the midrange is where these excel not allowing the lows to affect them. Guitars have excellent power, and vocals come across with plenty of detail. The highs are present and well defined, but never become too hot and harsh.
The Sine are a mighty fine sounding on-ear headphone when driven well, and give you a full and detailed sound all
Hifiheadphones will be at the Indulgence show in London later on this month, so here is some info about the show:
Where?
Hammersmith Novotel London West
When?
29 Sept-1 Oct (10am-6pm on Friday and Saturday, 10am-5pm on Sunday)
Effect Audio
We will be showing off the range of luxury handmade upgrade cables from Effect Audio which are sure to turn some heads.
Starting at £149 and going up to over £1000, there are cables to suit all tastes and headphones. Come by and hear the difference yourself!
Final
Alongside them will be the latest offerings from Final, including a prototype of their D8000 planar magnetic headphone.
Since 1974, Final have been producing hi-fi equipment that reflects a musician’s passion for art, as well as their own passion for engineering. Truly unique, Final’s headphones combine sleek retro styling and ground-breaking technology.
Oriveti
We will also be taking along the superb Oriveti New Primacy triple hybrid in-ear headphones, and their Basic model too.
The New Primacy sets a new standard for sub £300 headphones, offering excellent value for money with a highly resolving and detailed sound.
The Basic is a fun everyday in-ear headphone that is superbly built and costs under £100.
We’re heading up to London this weekend for the Stylus Vinyl Show 2016. We have been asked to host the only dedicated headphone room at this years show. Taking the best of our range of headphones and amps from brands Audeze, Sennheiser, Beyerdynamic, OPPO, Grado, Mr Speakers and more – we will be offering visitors the chance to listen to some of the best headphones around with top of the range turntables and phono stages supplied by Vinyl Passion and Music First Audio.
There will also be the chance to WIN a pair of Grado SR60e headphones especially for people attending the Stylus show.
And to top it all off we will be showing off the new Audeze LCD-4. Don’t miss out on this chance to hear possibly the best headphone money can buy!
Here is a selection of headphones and amps that will be available to listen to:
Audeze
LCD-4
LCD-3
LCD-XC
Deckard
Beyerdynamic
T1 (2nd Gen)
T5P (2nd Gen)
A2
Final
Sonorous X
Sonorous VI
Sonorous III
Sonorous II
Grado
SR80e
SR225e
SR325e
Mr Speakers
Ether C
Ether
OPPO
PM-1
PM-3
HA-1
Sennheiser
HD800S
HDVD800
HD650
Come along, say hi and bring your favourite records to hear them at their best!
Audeze EL-8 Open-Back – Land of Open Glory – Expert Review
Intro
Based in Sunny California, Audeze have endeavoured to spread a little spare sunshine around; even to the point of piercing the gloom here in the UK! We’re all aware of the effect The Golden State’s orange juice has on us in the mornings, and it appears that its headphones aren’t far behind in being able to part the clouds, if only in terms of dazzling audio resolution.
The planar magnetic EL-8 Open-Back is a bit of a departure from Audeze’s other designs; it’s smaller, lighter and and more travel friendly with an ability to be folded flat – not that the idea of stopping listening and packing these headphones away is particularly alluring.
Design and appearance (e.g. attractiveness, feel)
I say that the Audeze EL-8 Open-Back is lighter than the other models; and while that may be the case, they still have a fair bit of weight. When compared to the average portable out there they won’t win any Oscars unless there is a strong supporting cast. But if viewed as a headphone for any quiet scenario such as for home use too, the EL-8 Open-Back returns to the podium like something out of Ben-Hur.
They’re decorated with a wood-like veneer design around the edge of the earcups, which looks a little more understated when compared to the LCD range, but still follows the Audeze theme of natural wooden tones.
Despite the initial surprise at the headband which consists of a relatively thin band of steel with a sprung pad in the middle, plus the departure from other Audeze designs where the yokes are concerned (the pivoted parts holding the earspeakers), we were reassured of the solid build quality when handling the headphones. Nothing about the Audeze EL-8 Open-Back goes against Audeze’s pedigree where build quality is concerned.
Even taking the design of the headphones into account, the cable is perhaps the greatest departure from previous designs. It’s ribbon-style and the connectors are more reminiscent of those you might find on a memory card, with 4 separate contacts on each side. Being 2m/6.5 feet long, an extension cable may be required for home use with full-sized amplifiers as the Audeze EL-8 Open-Back was primarily designed for portable players.
Comfort
When nestled on the head the Audeze EL-8 Open-Back is quite comfortable and does not feel heavy, but we all have different opinions where weight is concerned. At 460g (or just over a pound) they are lighter than the LCD range by a fair margin. The headband cushion is comfortable too, but when adjusting the headband back or forward there may be a tendancy for the headband’s rubber coating to pull on the hair.
Suitability for intended application
Being an open-backed portable, this EL-8 version is obviously for those who want a low profile way of taking great quality music to the office or to enjoy in quiet spaces outdoors. These headphones may run into problems in noisy environments, or if the wearer wishes to not cause a nuisance to those nearby. There is a EL-8 Closed Back for such scenarios, so take your pick!
Portability
The earcups on the Audeze EL-8 Open-Back fold down flat and so can reduce the size of the headphones in a bag or case; however the travel case supplied with them could be more substantial, amounting to a soft cloth pouch which will protect the headphones from dust.
Sound characteristics
Bass (e.g. punch, low extension):
Being a planar magentic model, bass comes naturally to the Audeze EL-8 Open-Back! It’s all in proportion of course, there’s no bloat for the sake of it. It’s emphatic when called for and never steals the show. It is tight and detailed, enhanced by harmonics within the unfettered midrange and upper frequencies.
Mids (e.g. vocals, acoustic instruments):
The mid-range can be zoomed in on and enjoyed whether there’s a lot of action or not; it is all taken in the EL-8 Open-Back’s stride. This headphone can certainly keep its head.
Nuance is not lost and every tremelo and vibrato within a vocal performance is faithfully served up along with accompanying reverb trails, making for a very convincing and moving presentation.
Treble (e.g. high hats):
The upper frequencies are a perfect complement to the rest of the range, neither too bright or too dark. This is a personal opinion of course as we all have a differing amount of sensitivity to this region, but Audeze have obviously put some thought into this and hit a perfect balance between sharpness and dullness; they sparkle without glare, and massage auditory systems in a non-drowsy way.
Soundstage & Separation
Soundstage may suffer a little from the grill on each side; the larger earcups of the LCD range give audio a good chance to breath but this should have been scaled down for the EL-8 Open Back along with the earcup size itself, with a greater chance of any otherwise reflected audio escaping.
Separation is as good as any open backed headphone in the EL-8’s price range; even bringing out details I had never conciously noticed before such as that rhythm guitar low down in the mix, or that backing singer who was multi-tracked and not the subject of a delay effect.
Music genres good for and why
Genres from classical to slow and heavy EBM were tested with the EL-8 Open-Back; the headphones are sensitive and precise enough to convey the finer touches and emotion of the Brandenburg Concherto, as well as vibrating the skull with Rhesus Factor’s ‘Commando 242’, an unremitting heavy synth track of little subtlety! The relatively neutral tuning of the Audeze EL-8 makes it a perfect jack of all trades, and a master all of them as well.
Pros:
Removable/replaceable cable
Sounds amazing
Small and light (in comparison to Audeze LCD Series)
Ver comfortable to wear
Cons:
Some may still find them just a little heavy on the head
Carry pouch not as substantial as a hard case
6 foot / 2 metre cable only
Please take a look at our video review for the Audeze EL-8 Headphones below:
The Audeze LCD-XC is definitely one of the top-tier headphones available now, and is a worthy stablemate to the similarly closed-back but smoother Fostex TH900.
Pros
Exceptionally comfortable
Sumptuous build quality
Amazing detail
Well balanced
Separation and imaging fully immersive
Sturdy travel case
Cons
May be too heavy for some
In the world of headphones we get the odd celebrity now and again; the flagships sail in and are esteemed due to their value if nothing else. But as with everything, a high price needn’t necessarily equate with a good product. Is this particualr celebrity just famous for being famous, or do they actually have some talent?
Key Features
Those shiny wooden earcups are a treat for the eyes, and the build quality is exceptional. Solid is definitely the word, but this may count against the Audeze LCD-XC as some necks may suffer under the 650g/1.4lb weight; those with the fortitude to ‘press a head’ should be well rewarded though. The tough carry case protects them in transit, and the supplied ribbon-type cable is ‘tangle free’. Also in the case is a little bottle of wax for keeping the shine on the earcups.
First Impressions
Having tried Audeze’s offerings before, my appetite was suitably whetted and it was not disappointed. By now the obvious build quality and good looks are meeting with blasé reactions – we all know what to expect from Audeze! The weight issue was in my mind, but since I’ve been enjoying the HifiMAN HE-400 for some time now with no issues I was not worried, and indeed the LDC-XC’s weight did not bother me.
Sound Quality
I first tried the Audeze LCD-XC with a Chord Hugo; both to feed as good a signal in as possible, and to try the Hugo’s resolution with the LCD-XC. The presentation was very accurate and crisp; I found it just a little too far into bright territory for my tastes. Then I tried the LCD-XC with my humble Fiio X3; the X3’s output is a little warmer than that of the Chord Hugo, and this was reflected within the sound of the headphones. Where before it was a little cold and uncompromising with the K120, it came to life and into colour for me with the X3. The LCD-XC is like a mirror for the amp; it brings out the best traits of the available equipment.
The closed-back nature of this model is possibly a down side, if only because so many great headphones in this price range are open and so have an advantage in terms of soundstage. As we all know however, isolation is often necessary if we aren’t to be distracted (and don’t want to disturb others), and the LCD-XC does not sound like a closed headphone. The soundstage is appreciably wider than the physical limits of the headphones, and the closed nature of them does not remain so obvious when in use.
Summary
With the asking price in mind, it’s no surprise to learn that this is an exceptionally competent headphone which can hold its own among some cutting-edge competition. If you are considering a highend closed-back model and you find the Fostex TH900 a little smooth, the Audeze LCD-XC may be just for you.
