Final ZE300 Video Review: Final have released a brand new True Wireless earphone without gimmicks. Focussed solely on Sound Quality, they feature the latest chipsets and support aptX, aptX Adaptive and AAC codecs. In true Final fashion, they even designed their own driver for these, a small 6mm dynamic driver that offers up a detailed and crisp sound without sounding thin, in a comfortable and stylish housing. Watch below to see Johns thoughts of this new creation with his Final ZE3000 Video Review.
We review the Final ZE3000 True Wireless earphones from Final, they have a clear focus on sound quality over gimmicks, all wrapped up in a comfortable yet stylish shell.
The Final ZE3000 true wireless has an angular design that looks stylish and stands out. The overall look eschews quality. They also come with an interesting finish on the buds and case known as “Shibo”. “Shibo” means crease on paper or leather in Japanese and is used on many cameras. This textured finish is also a great deterrent against fingerprints and other marks.
As expected from final, the build quality is fantastic. The hinges of the case and the USB-C connector are rigid and durable. you can even open and close the lid on the case singlehandedly. The case is very compact, therefore easy to carry around or keep in your pocket. Overall, the ZE3000 feels as unique as it looks and clearly sets itself apart from other earphones in the £120 price range.
Fit and Comfort: 9/10
Final has designed the earphone not to fully enter the canal, but to sit comfortably at the entrance. The comfort is excellent, you really do forget you have them in sometimes, they might not be the smallest earphone out there but the shape and weight does mean they are comfortable to wear for hours on end. They are also good to use for the gym and manage to stay firmly in place and comfortable in your ear, even during intense workouts.
Final E eartips are some of the best in class and widely used by other brands for their earphones. Their TWS E-tips are no exception to this rule of thumb.
Features: 7/10
The ZE3000 do not have ANC or any other the other bells and whistles that come with wireless earphones these days. Instead Final have decided to focus on the audio quality and should be praised for this. Battery life is fairly normal at 7hrs continuous playback, along with an extra 28hrs from the case. More than enough to not be constantly charging them.
The ZE3000 use Bluetooth 5.2 (QCC3040 chip) and support ABC, AAC, aptX and aptX Adaptive. This means you will get the best sound out of these if your device is aptX Adaptive compatible. But even normal aptX is still a step above AAC. The microphone quality is excellent and is perfect for taking calls at home or on the go.
Sound 10/10
Final have focussed on the sound aspect of the ZE3000, giving them a natural yet fatigue free sound signature. The bass is great. It is tight and digs deep when called for but it never sounds like the main focus of the sound. It isn’t bloated or up-front, instead it is happy to just do its thing without drawing attention to itself.
The midrange is also really impressive. It sounds realistic and natural without being pushed forwards. There is loads of detail on offer. Vocals are crisp and well presented, with both male and female sounding excellent. Electric guitars have plenty of crunch, yet acoustics sound subtle and full. They also never sound congested with great layering and space between instruments.
These won’t suit the bassheads out there, but for average everyday listening these are brilliant.
The treble is smooth with that signature Final airiness that brings out a sense of space in recordings that many earphones fail to capture. They are very resolving for such a budget earphone. They extract tons of detail and are very well placed within the soundstage.
Instrument Separation and Soundstaging
The ZE3000 manage to remain well separated and airy throughout. This means they can handle anything you throw at them and still remain open sounding with excellent separation and layering. It is easy to pick out single parts in mixes whilst sounding completely coherent overall.
The soundstaging is really impressive for the price and throws out a broad image that is accurate and realistic. It is wider than many of the more consumer models out there and the airiness in the treble range really helps to add a sense of air to the sound.
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Enjoyed our review of the final ZE3000 True Wireless? Check out all things Final throughout our blog here.
The Final A-series is a group of products created in the pursuit of “Transparent Sound”. This all began with the introduction of Final Audios highly praised flagship model, the A8000. Read on for the review of Finals other additions to the lineup, the A4000 & A3000 .
It is a known secret that both the Final A3000 and A4000 are IEM’s that perform way above their price points. At £100 and £120, you really are getting more than you pay for.
Headfonics detiailed review and comparison of both models together can be read here: Final A3000 & A4000 Review
Do not forget that there are plenty of other reviews for many beautiful Final products on our site. You can check each and every single one out here: Final Reviews
The Final A-series is a group of products created in the pursuit of “Transparent Sound”. This all began with the introduction of their highly praised flagship model, the A8000. Read on for Ear-Fidelity’s reviews for Finals recent additions to the lineup, the A4000 & A3000.
It is a known secret that both the Final A3000 and A4000 are IEM’s that perform way above their price points. Priced at £100 and £120, you really are getting more than you pay for.
With their generalised overview easing you in Ear-Fidelity goes into mighty detail with their reviews on the Final A-Series. Likewise, they even offer direct comparisons to really get your head around what they offer.
Comparing to the A4000, they conclude; “Just like with the A3000, the A4000 proves to push itself further than its asking price. The A4000 provides the listener with more bass engagement, a clean and presentable midrange. Above all, a highly detailed treble rendering.” The A4000 has even made it into Matz’s own recommended list!
The A3000 and A4000 aim to “Deliver astonishingly natural sound with each sound image vividly localising over the comfortable and spatially spread low-range sound. The fine touch of the guitar and delicate vibrato of vocals can be clearly distinguished. You can get the feel of the fine nuance of musical tracks, and so new inspiration is borne even from a familiar playlist.”
Lastly, there are plenty of other reviews for many beautiful Final products on our site. You can check each and every single one out here: Final Reviews
Final have released a new model in the A series, a more budget offering than their flagship but a nice contrasting model against their current E series, with a focus on clarity, air and control.
The Final A4000 sport a lightweight ABS housing which has a 6mm dynamic driver inside, the shape is contoured to fit your ears comfortably and securely. In use, I found the Final A4000 to fit securely and comfortably in my ears for everyday use.
Be sure to try all the different size tips, luckily Final include a better range than many brands so everyone should find a tip that fits them well.
Compatibility
The Final A4000 have an impedance of 18Ohms and a sensitivity of 100dB/mW so they are fairly sensitive and are driven fine out of portable sources. Despite their low price, they are one of those models that does benefit from better sources such as a dedicated DAP.
Sound
Bass: Whilst the bass on the Final A4000 isn’t strong in presence, it makes up for it in extension and control. There is moderate punch but slightly more focus in the sub-bass, with a subtle lift that provides adequate body. These have a brighter leaning sound signature so they won’t be suitable for those who enjoy a bit more bass. The transient response is however excellent, they can keep up with complex mixes without issue and always come across controlled. No matter what you throw at them, they can easily keep up, with great articulation too.
Midrange: The midrange is clean and crisp in it’s presentation, the bass doesn’t bleed in and muddy the vocals and separate vocal tracks are easily distinguished. Where they don’t do as well is in the sibilance region, there is a peak sadly which could be a little fatiguing. This peak though is easily lowered with the use of EQ, which definitely helps. There is a lot of detail in the midrange, it’s just that peak in the upper midrange that needs taming a little.
Treble: Plenty of energy and sparkle here, and to some it could be a little too much, but for the most part the treble is always present however rarely sharp. These are a slightly bright leaning earphone but the treble isn’t too metallic or splashy so it doesn’t come across as grating. There is good extension in the treble too, and it doesn’t drop off too sharply.
Genres and Soundstaging
The neutral/bright sound of the Final A4000 could make certain energetic genres sound a little harsh, but anything that benefits from good detail and control sounds great, especially slower rock and acoustic tracks. The nice thing is that the A4000 respond very well to EQ so you can get rid of any peaks quite easily.
Soundstaging is actually very good for the price point, you get a very coherent centre image with good separation, along with accurate width and height. They don’t sound closed in at all, which is really impressive at this price point.
Conclusion
Well the Final A4000 are certainly very technically impressive, with excellent transient response, clarity and control. The upper midrange peak is a little harsh, but overall they provide a clean sound presentation with brilliant soundstaging for the price. These are a good contrast to the slightly more fun and v-shaped Final E4000.
Final have always known how to make a luxury item, and the A8000 is no different. From the careful packaging, to the flawless finish of the stainless housings, everything feels very solid and made with care. Inside of the A8000 you have a pure beryllium dynamic driver along with 4 main internal chambers. These have been meticulously tuned and built, and it shows.
In the box you get the earphones paired with Finals silver plated cable (made by Junkosha corportation) terminating in a normal 3.5mm jack, a carry case that is half aluminium and half rubber along with a pack of Final Type-E tips. The tips are key to getting the right sound out of the A8000, and I really do recommend you stick with the Final tips for the best sound quality. Also included are spare mesh grills in case the stock ones get dirty/blocked over time and an MMCX Assist removal tool which massively helps when detaching the cables.
Comfort and Isolation:
The outer shell is angled like the B series, and the inner side is smooth. However these are made out of stainless steel and feel heavy in your hand, when you have the right fit though they are superbly comfortable and do not fall out.
The A8000 are vented by design, but I have not found the isolation to suffer greatly from this. They block out plenty of outside noise, and should be fine for most daily tasks.
Sound:
Bass: The A8000 is accurate and tight down low, you have excellent extension with good punch when required. They aim to stay faithful to the recording, and are not exaggerated in any part of the low end. If the recording has a sub-bass lift you will hear it, the same goes for mid-bass punch. Where these really impress is their transient response and layering, the beryllium driver is so responsive yet intricately layered to the point they can handle the most complex mix you can throw at them with ease. If you appreciate quality and dexterity over quantity you will really enjoy what the A8000 have to offer down low.
Midrange: Due to the responsive nature of the low end on the A8000, the midrange is left clean of any added warmth or detail robbing distortion. This allows both male and female vocals to cut through with excellent clarity with a slight tilt to the upper midrange. Again the transient response, and low distortion levels of the beryllium shine through allowing you to hear each intricate detail and layer of the recording. Quantity wise the midrange sits perfectly for my tastes, and never sounds too forward or attention grabbing. Sibilance wise, if the recording has it, the A8000 will not hold back, but they are not overly fatiguing in the upper midrange.
Treble: There is a bit of a peak in the lower treble that brings out a bit of energy in cymbal crashes, but they back it up with effortless extension that reaches way up into the upper treble region without any noticeable roll-off. The great thing about the treble on the A8000 is that if you feed them good quality source material they will reward you with a very enjoyable sound that is effortlessly detailed yet never harsh. However the level of detail they extract can make some recordings sound particularly bad, as these really are ruthlessly revealing.
There is a very wide and convincing soundstage from the A8000, pair that with impeccable timing and control and you can easily pick apart recordings. These are one of those earphones that make you realise you don’t have to have full-size headphones for a convincing and wide soundstage.
Conclusion:
The A8000 are a very special earphone, overall they have a very clean, complete and revealing sound signature that will have you noticing every intricate detail of your music without presenting it in an aggressive and upfront way. They sound engaging, effortless and airy. They won’t be for everyone, but for those who appreciate an honest sound they are quite addictive and I am a big fan of them for that.
For those of you that don’t know, Final is a Japanese audio brand with a long and impressive hi-fi history. Their products all share a similar theme – unique design and expertly tuned sound. With the A8000, Final’s latest flagship IEM sticks to their brief, while adding to it something I’ve never experienced before.
It’s clear that a lot of love and thought has gone into the A8000. The whole experience from opening the box, to putting them in your ears and getting lost in the music is an absolute joy. The earphones themselves are stunning, with polished stainless steel housings shaped in a very modern and striking way. Inside the housings, Final has developed a truly pure Beryllium driver – creating a level of dynamics and definition I’ve not heard from a dynamic driver IEM before. The supplied high purity silver plated copper cable adds to the impressive looks, which is terminated with a right angled 3.5mm jack.
The unique design of the housings are not just for good looks – they also happen to be extremely comfortable. The shape allows the earphones to sit effortlessly in my ears, and with the correct sized tips, getting a good seal is very easy to achieve. Then for added security, Final has supplied cable guides to help the cable stay behind your ears, and reduce cable noise or microphonics if you feel the need to use them.
Final A8000
Along with the cable and ear hooks, the A8000 comes supplied with a selection of different sized Final silicone eartips, an aluminium and silicone carry case, an easy MMCX plug removal tool and spare sound tube grill filters.
Final’s uniqueness doesn’t stop with their design, their sound is also unlike any other brand – IEMs or headphones. This is quite possibly due to the fact that Final develop a lot of their own technology, and they always keep to a certain house sound.
Bass on the A8000 has a natural and live feel to it. It has definition and depth without any of that unwanted bloatedness or distortion. It’s incredibly clean, and manages to add body and warmth where needed. Thanks to the control of the bass, mids flow through with ease and sit high enough in the mix to point out each fine detail. Vocals have a real quality to them, with layers of detail that bring out all of the intricacies and emotions you’d expect to hear only in a live setting. Then the treble manages to create endless space, with reverb trails that go on and on – the treble has a liquid quality that I’ve not heard from an IEM before.
The superb treble and overall dynamic sound helps the A8000 deliver a real-to-life soundstage, with depth and atmosphere – putting you close to the action. Imaging is also realistic. Instruments are easily defined and width is just what you’d expect it would be when recorded.
Final’s main competition at this price point comes from the likes of Dita, Campfire Audio and Hifman – and however impressive their high end models are, none have managed to achieve the purity and delicacy that the A8000 brings.
Essentially, it’s going to come down to taste. No matter how good I think they are, if you’re used to a warm or bass driven sound signature, then the A8000 could come across as too bright or harsh in the upper frequencies. For those who favour transparency and clarity, then the A8000 may be the best IEM you’ve ever heard.
The new B range from Final all share the same shape, but with different finishes. The B1 is rose gold with the signature angular outer and smooth inner shell design. I really like the look of the B1, but they are a fingerprint magnet. Also, I do know that rose gold is not everyone’s cup of tea when it comes to colour but I think it looks pretty classy on these.
The build quality really is superb, the B1 are perfectly finished without a single blemish or flaw. The cable is silver plated and uses regular MMCX connectors, it has great strain relief and feels built to last. The housing is metal, but I do fear the shiny rose gold finish will scratch over time.
Comfort and Isolation:
The inner edges of the B1 are smooth and this makes them extremely comfortable to wear. The angle of the nozzle, matched with the angle of the cable, make these of one the most comfortable IEM’s I have tried. I can’t see anyone having issues with the fit of these.
Isolation is really good; they block out more than enough outside noise for general daily use and commuting. Whilst they don’t quite reach fully sealed BA driver levels of isolation, they have more than enough for daily use.
Sound:
Bass: The dynamic driver of the B1 handles the low frequencies, and does a really good job of filling out the sound yet retaining the speed and control to blend well with the faster BA drivers. The bass is tight yet full when needed, it punches with authority yet when slowed down it has great tonality for acoustic and jazz tracks. Articulate and well layered, the low end injects a sense of energy without becoming over the top. These won’t really suit those looking for a bass heavy sound, but they have enough to suit most people’s needs.
Midrange: The midrange is clean with great detail, they have more clarity when compared to the B3, but in presence it is still slightly behind the lows and highs. The lower midrange has a slight dip but it isn’t masked by the bass, and the upper midrange is a little forward which can bring out some sibilance in certain recordings. Despite all of this, the midrange is very open and detailed, with great separation and imaging. Even though the lower midrange is every so slightly dipped, the sound doesn’t come across as V or U-shaped.
Treble: The upper midrange forwardness also trails into the lower treble and brings out a lot of energy in the initial crash of cymbals. This is backed up with great extension, but this added energy could be a little too much for more treble sensitive listeners. They have plenty of bite up top which leads to an exciting listen, not one for those who prefer a smoother, more laid-back sound signature. The B1 is packed full of energy, the treble never gets lost in the mix and has great accuracy when it comes to placement within the soundstage and tonality.
The soundstaging is good, but I find the B3 to create a more convincing sense of width whereas the B1 does better in terms of height. Coherency is excellent and the imaging is very accurate.
Conclusion:
The B1 are not for the faint hearted, they have an energetic and impactful sound signature that requires your attention. They have heaps of detail, excellent separation and speed along with great comfort. Be sure to give these a listen, as they are incredibly well tuned for a triple driver earphone.
The B3 have a really interesting aesthetic, with sharp geometrics on the outside, yet rounded and smooth inner lines for comfort. Their matte silver finish looks great with the gold screws and chrome connector barrels. They have a very unique styling, and one that will stand out in the crowd, yet the colour scheme is fairly low key on the B3 (unlike the B1 which we will cover at a later date).
Build quality is superb, Final know how to make a solid IEM and the B3 are no different, although they are going a step further with the new models by including a detachable MMCX connector cable. The cable is silver-plated copper with excellent strain relief, along with great ergonomics and a shiny finish. Everything about the B3 feels solid and well built, I can’t find a fault with the build.
Comfort and Isolation:
The B3’s inner edges are curved and they fit like a glove in my ears, I personally have awkward ear canals and the B3 are one of the best fitting universal models I’ve ever tried. I can imagine that most users will find them to fit snugly with excellent comfort. The fact they don’t have stiff memory wire really helps too, as the cable effortlessly fits over your ear.
Isolation is good, not top levels due to these having a vent (even though they use BA drivers). They block out enough outside noise for general daily use and commuting duties.
Sound:
Bass: The B3 use 2 balanced armature drivers, this is something a bit different as Final used to only use single drivers. The B3 are somewhat of a fuller sounding BA driver earphone, with great depth and extension down low. The lows have excellent texture to them, they don’t have the sheer slam of some dynamic based models but they have great control and fullness that make them a pleasure to listen to. In terms of balance the lows are quite linear with no specific focus on mid or sub-bass, having good punch that is backed up with rumble and body. The low end is slightly thick, yet well controlled and punchy.
Midrange: The B3 have a mild U-shaped sound signature, but vocals have a way of being very well separated within the soundstage. They don’t jump out at you; however, they have great clarity and refinement. Tonality is excellent here, the lower midrange has enough body to sound realistic, yet the upper midrange has a slight lift to bring out a little air without becoming shouty or grating. Overall the midrange has a good level of accuracy, if not ever so slightly behind the lows and highs in absolute presence.
Treble: The treble is nice and detailed with great air and extension, the transition from the upper midrange to the treble is smooth and sibilance free. There is a slight boost in the lower treble which brings out a little extra energy however the overall presentation isn’t bright. It’s the air and extension that is most impressive up top, along with the fact they they have accurate tonality in the treble.
The soundstaging is really impressive, throwing out a wide soundstage with excellent separation and accurate imaging. The B3 really do excel when it comes to presenting a wide and accurate soundstage, never sounding congested or too up front.
Conclusion:
The B3 are one of those IEM’s that shows driver count is not as important as how you tune the sound. With only 2 drivers, the B3 has excellent top to bottom extension, a wide soundstage, coherency and transparency with a little added energy. They are a great all-rounder with a fairly well-balanced sound and an easy to listen sound that is engaging yet surprisingly accurate.
Greetings, headphone enthusiasts! Is there anything better than cracking open a fresh new bit of audio kit? We propose that there is not.
That’s why we’re gathering all our new unboxing videos under one roof, for those times when you just want to curl up with a good bit of vicarious audio product consumption.
Let us know if you have a suggestion for a future unboxing! We want to open everything we can get our grubby hands on.
Hailing from Japan, Final have been in the audio game since the 1970’s, where they started off designing and manufacturing high-end hifi equipment. Recently, they have focused on portable audio, and the E4000 is part of their E Series of earphones. Coming in at £120, the Final E4000 sits in the middle of the range and hits a very nice price-to-performance sweet spot.
BUILD
It’s very clear that Final take great pride in what they do, and the E4000 is no exception. The earphone housings are made from aluminium with an alumite coating for added resistances, and then finished in matte black, which I really like. The cable is replaceable and uses MMCX connectors. It’s also flexible and soft to touch, with good strain relief on the 3.5mm jack. The MMCX connectors on the cable could do with a bit more strain relief, however they seem to be pretty durable.
COMFORT
The E4000 is pretty standard when it comes to fit. The earphones are designed to be worn with the cable going straight down, and there are a good amount of eartips supplied to get the best fit. Final design the eartips in house, and their silicone tips are my favourite out of any I have tried. (And I have tried a lot.) For those that are sensitive to cable noise or prefer a cable-over-the-ear fit, Final have supplied the E4000 with ear hooks. These allow you to wear the earphones so the cable goes up and behind your ears. This can provide a more secure fit and will greatly reduce the amount of cable noise; it’s quite a rare thing to have both options.
SPECS
The E4000 houses a small scale 6.4mm dynamic driver, developed by Final themselves. With an impedance of 15ohms and sensitivity of 97dB, the E4000 can be used with a phone or laptop – however they will really benefit from a dedicated headphone amplifier or portable audio player. The extra power will open up the earphones more, improving soundstage and separation.
SOUND QUALITY
When it comes to sound quality, Final’s experience in the world of high end hifi really shows. There is a real musicality with the E4000 and sound comes across smooth and silky. Bass goes deep, and has an organic and rich quality to it. The mids sit nicely in the mix and carry on with that richness. Then up top, the treble provides sparkle and sizzle. Overall, the V shaped signature is smooth and easy to listen to, reminiscent to a lot of hifi setups I’ve heard and very much enjoyed. The E4000 has a big sound and part of this comes from the impressive soundstage, with space and air you wouldn’t normally expect from earphones.
CONCLUSION
Around £100 there are earphones out there from Shanling, Shure, Beyerdynamic and Westone to name a few. None manage to give the same hifi listening experience that the Final E4000 delivers. The E4000 is best suited to be used with a dedicated portable audio player or a setup with a headphone amp. If this is you and you’re looking for some wired earphones for some easy listening, have a go on the Final E4000.
Our picks for the best over ear headphones – open back and closed back
We know how important it is to find the best headphones for you; whether they are for your smartphone, music player, laptop or hi-fi system.
Here you can see the best of the best full size headphones to buy in 2019, 2020 and beyond.
BEST CLOSED BACK HEADPHONES
1. Beyerdynamic DT770 PRO – £125
Beyerdynamic DT770 Pro
The Beyerdynamic DT770 creates a spacial soundstage more akin to an open-back headphone, and delivers full bass with accurate highs and mids. What’s more, these are profoundly comfortable.
The HD820 is Sennheiser’s first closed back audiophile headphone release and it promises to be quite special. Based on the same design as the HD800S, the HD820 uses Gorilla Glass as its transducer cover and the curved shape of it allows the sound waves to reflect to an absorber – resulting in minimal resistance and creating an open sound that you would normally expect from an open backed headphone.
Focal headphones are not only known for their excellent sound quality – they also look stunning. And the Stellia is no different. The finest materials have been used to create this closed back headphone, including a Beryllium dome electrodynamic driver. With a unique finish, inspired by the colours of cognac and mocha – the Focal Stellia looks as good as it sounds.
The Ether 2 have a great sense of neutrality, at the same time they offer an enjoyable listening experience and they never sound analytical. There is a hint of added body that creates a smooth listening experience that can be enjoyed for hours on end.
The unique construction of the Empyrean was designed with the shape of the human ear in mind. As a result, they enjoy a greater degree of imaging than you’re likely to find anywhere else. Each Empyrean is hand crafted to exacting detail, and that level of precision is not only visible, but audible.
The planar magnetic magnificence of the Final D8000 creates a listening experience without parallel. The unique construction, including a damping system (the same used in condenser microphones) allowing for a sound that surpasses the abilities of most planar magnetic and dynamic equipment. This requires a dedication to exacting detail you can only see in Final.
The B&W PX is the ultimate portable headphone. With the latest aptX HD Bluetooth technology, wireless sound quality is of the highest level. Providing a very well balanced sound with tight bass – bass heads may want to look elsewhere – crystal clear clarity and superb soundstage. The PX also has adaptive noise cancelling and uses six microphones to help block out external sounds – allowing you to focus on the music. Along with the advanced technology – the PX has superb build quality and comfort – making them our go to recommendation for wireless headphones.
Audeze have created a superb all rounder in the Mobius. Whether music, films or gaming is your thing – the Audeze Mobius does it all extremely well. Inside the housings are planar magnetic drivers, providing sound quality that even the audiophiles out there will appreciate. Then the 3D emulation technology delivers a superb surround sound experience, perfect for watching films or playing Fortnite and thanks to the integrated head tracking – you’ll hear sound effects as if they’re really there.
Audeze have created a superb all rounder in the Mobius. Whether music, films or gaming is your thing – the Audeze Mobius does it all extremely well. Inside the housings are planar magnetic drivers, providing sound quality that even the audiophiles out there will appreciate. Then the 3D emulation technology delivers a superb surround sound experience, perfect for watching films or playing Fortnite and thanks to the integrated head tracking – you’ll hear sound effects as if they’re really there.
The B&WPX is the ultimate portable headphone. With the latest aptX HD Bluetooth technology, wireless sound quality is of the highest level. Providing a very well balanced sound with tight bass – bass heads may want to look elsewhere – crystal clear clarity and superb soundstage. The PX also has adaptive noise cancelling and uses six microphones to help block out external sounds – allowing you to focus on the music. Along with the advanced technology – the PX has superb build quality and comfort – making them our go to recommendation for wireless headphones.
At under £40 – the SoundMAGIC P22BT Bluetooth headphone provides high quality at a low price. The design is sturdy and comfortable, with a lightweight foldable headband which is great for portable use. These headphones are easy to use with controls conveniently placed on the left earcup. The most impressive feature is the sound quality – audio is crisp and punchy with plenty of energy, making them a lot of fun to listen to.
SoundMAGIC seems to have nailed the under £50 earphone. If you’re looking for a wired earphone and want to keep the price down, then we believe that the E11C is the one. SoundMAGIC have gone for a mature design, and used a silver plated copper cable to deliver superb sound quality which will compete with earphones over £100. The E11C has plenty of energy and punch with a dynamic and well detailed sound. There is also a 3 button inline control and mic, which is fully compatible with Apple and Android smartphones.
Now, if you’re looking for an earphone with a more aggressive sound then the Flares Jet 2 could be the one. These earphones go loud, and they provide thumping bass and sharp clarity. The housings are made of aluminium and are built to last. There is also an in line single button remote to take calls and the cable itself is strong and tough. The design of the Jet 2 definitely stands out and the shape makes them very comfortable.
For those that appreciate their music a bit more and are happy to up their budget, Final’s E4000 is a superb place to start. Final have been in the audio game for a long time, and their E series shows us what they can do. The E4000 is the sweet spot for me – musical and well balanced sound quality that draws you in, great comfort and design and a nicely made replaceable cable – all for just over £100.
For something so small, the ShanlingM0 manages to pack in a load of features. Starting with the design, the M0 looks and feels great. The display is made by LG and is very crisp – and thanks to Shanling’s own MTouch software, the player is extremely easy to use. The sound from the M0 is clear with good bass-weight, punch and fine detail. Thanks to the on board EQ settings, you can add some warmth or sharpness to suit your taste. The M0 can pair with Bluetooth headphones, and the 2-way Bluetooth feature will allow you to connect to your phone to use the player as an external DAC/amp – very clever.
The NuForce BE Sport4 is widely regarded as the go to Bluetooth earphone – and we would agree. At just under £90, they combine good value with superb sound quality – the Graphene coated drivers deliver a crisp and punchy sound with plenty of clarity. The BE Sport4 is IPX5 water resistant and can provide up to 10 hours or battery life. And to top it off, you get 2 hours of charge in just 15 minutes thanks to their Fast Charge feature.
Whether you like to listen to your headphones at home using your computer, laptop or hifi system – the JDS LabsElement will breathe life into your setup. For a long time now, JDS Labs have been making high quality headphone amplifiers and DACs with a simple design and superb value. The Element shows that not only do they have the technical knowhow – they have a great eye for design too. With analogue RCA inputs and digital USB – the Element is extremely versatile and as expected, provides a clean, expressive and powerful sound.
Ever wondered if you could have a high quality headphone amplifier connect to your phone or laptop wirelessly? Well wonder no more. The iFi Audio xDSD is the perfect way for you to get the most from your headphones and chosen device – without adding more wires. Use your phone to listen to Spotify, your favourite podcast or play PUBG and let the xDSD wirelessly drive your headphones, giving them all the power they would need to deliver a balanced and dynamic sound.
Final is an odd name for a brand which doesn’t stop, but why question it? If looks are anything to go by, the new E4000 and E5000 are very nice indeed; Final has a real knack for creating beautiful, utilitarian designs. We’ll have a listen, and find out if these two can please the ears as well as the eyes!
The Final E4000 and E5000.
Design and appearance
The E4000 and E5000 sit atop the current ‘E’ range, which includes the E2000 and E3000 versions. All models in the ‘E’ range include 6.4mm dynamic drivers, but rather than the venting on the backs of the E2000 and E3000 capsules, Final have opted for an ‘acoustic resistor’ in the E4000 and E5000 designs. This promises to control low-midrange frequencies for improved clarity.
The E4000 has black machined aluminium capsules and the E5000 has machined stainless steel, which reduce any unwanted vibrations when compared to plastic housings. The E5000 model has a silver-coated OFC cable which is very nicely put together.
Durability & build quality
Both models look to be solid in terms of build, there is little to say against them. The E4000 cable might benefit from slightly more in the way of strain reliefs, but this is the only criticism we can come up with. Both models are of the sort of quality we’ve come to expect from Final over the years, and a treat to hold in the hand.
Comfort
Again there’s not much to say here; the designs are fairly basic in terms of wearing style. This reviewer has found however that if microphonics are an issue (vibrations travelling up the cable from walking, for example) then the cable can be worn over the ear to absorb some of this energy.
Sound characteristics
The Final E4000 and E5000 may look like brothers; take a listen and they sound like brothers too. The elder sibling E5000 has more maturity and polish, with the younger E4000 giving out more energy. The family resemblance is very strong however, with both giving a very accurate and absorbing presentation.
The Final E4000 has a distinctive look and sound.
Bass
The Final E4000 has a good amount of well-textured sub bass if a track has it, while further up there is a certain light swiftness about the mid and upper bass regions. The E4000 is not a bass-light earphone, but it is good at pushing out a decent amount of bass while at the same time giving the midrange all the space it needs. It’s really fun!
The E5000 has a smoother and deeper bass than the E4000. The mid and upper bass frequencies are more present which does impinge on the midrange ‘space’ of the E4000 model a little. If you’re not willing to compromise on the bass presence however and like those bassy studio-produced genres, you’ll not miss it.
Mids
This is where personal tastes may further separate the E4000 and E5000; the E4000 has a lovely amount of space here and an impressive accuracy for the price. It also has a certain quality which presses this reviewer’s buttons; if you’re fond of the distortion from a Rhodes piano, the E4000 is one to definitely check out. There’s a certain buttery quality, but that butter hasn’t been out of the fridge for very long; a slight bump in the upper mids gives a certain coolness but the E4000 never gets near strident territory.
Meanwhile, the E5000 is more reserved and smooth in the mids. With less presence in the upper mids when compared to the lower mids, the E5000 trades litheness for authority and geniality. There is still a butteriness but it’s more gooey in the E5000. If you like genres which are well polished in terms of production, then the E5000 will complement these very well.
Treble
Like the midrange, the Final E4000 and E5000 stick with their personalities up into the higher reaches, with the E4000 giving more in the way of high frequency presence. Again, it’s the more energetic of the two and further lends a sense of space and air to proceedings. The E4000 has incredible resolution and detail; it just adds a bit of stirring edginess to bring out these frequencies nicely.
The E5000 remains the more tactful of the two, with treble which doesn’t draw attention to itself and serves as a smooth midrange extension with no troublesome peaks. Detail is much like with the E4000 model, but it’s more subtle in terms of presence.
The Final E5000 delivers a mature sound.
Soundstage & Separation
Both models have exceptional soundstage and separation; however as mentioned above the E4000 gives a more immersive feel when it comes to harmonics, due to the sense of space and slightly greater presence of high-mid frequencies.
Music genres good for and why
As already touched on, the differing flavours on offer suit different tastes. Although each model here can be thought of as a good all-rounder, the E4000 is particularly well-suited to acoustic genres and those which benefit from a good sense of space. The E5000 is more for studio genres such as pop and dance music, but this reviewer has caught themselves enjoying pretty much everything with both models!
Pros:
Good looks
Great sound on both models
Replaceable cables
Silver coated OFC cable (E5000)
Versatile wearing style
Cons:
Strain reliefs on E4000
Summary
Final’s new E4000 and E5000 have hit the streets, and after trying both we all have our favourite. Whether you like vibrant energy and space, or if you’re more into smooth and measured sounds, one of these models is sure to please.
We’ve have some of the best full size hi-fi headphones from under £100 to over £1000 from 2017. The reviews are designed to help you choose from the massive selection of hi-fi and audiophile headphones available with open back and closed back designs. From established brands like Beyerdynamic and Sennheiser, to new creative brands like MrSpeakers and Audeze.
Scroll down for in depth reviews of our favourite full size open back and closed back headphones.
The closed-back Edifier H840 has audio quality which belies its entry-level price. Low-cost headphones can emphasise the bass a little too much but the Edifier H840 has a good balance throughout the frequency range, with midrange and treble coming through with impressive clarity. Bass is there too, and prominent enough to give a bit of weight to those basslines without stealing the show.
Build quality is also impressive for headphones at this price; they are quite rugged, but light and comfortable as well.
They can be used either in the home or as a portable model, since the closed-back design offers good isolation from exterior sounds and the H840 can be powered sufficiently by a phone, or a portable music player.
HiFi Headphones Verdict:
If you’re on a budget, there is no need to compromise on sound quality. For the asking price, the Edifier H840 represents amazing value.
Sennheiser’s HD461 models come in two flavours, depending on whether you have an Apple handset (with a headphone socket!) or an Android handset. Designed primarily for portable use, the HD461 models can also be used with home equipment as they will still work in standard 3.5mm stereo sockets.
Also, the cables are available separately as spares, so if you change your phone from one type to the other, you only need to get the appropriate cable for full functionality with your new handset.
The design is light and comfortable with a sound akin to what Sennheiser generally prefers; a warm comfortable sound with enough sparkle at the treble end to keep things interesting and vibrant, but without any danger of listener fatigue. The HD461 design hsa a little bit of extra bass than usual however, so if you’re a bass fan then these are worth a try.
HiFi Headphones Verdict:
For a bassy accompaniment at home or on the move, the HD461i (or HD461G) will give full functionality with your handset, whether Apple of Android. With spare cables available too, there is no need to change your headphones if you change your phone (iPhone 7 notwithstanding!).
The new HP151 from SoundMAGIC is perfect for those who want to treat themselves to some excellent sound and build quality, but without breaking the bank. The HP151 comes with a sturdy carry case and an extension cable for more options if listening at home, but is otherwise suitable for portable use, being of a closed-back design. Be aware however that whilst the HP151 will work well with commercial genres, classical or similar may require more amplification than a phone/handset can provide on its own, as those music types generally have quieter recordings, with less dynamic compression applied during production.
The HP151 sound has a good amount of well controlled bass from its 53mm drivers, and midrange/treble are clear and present. It’s a comfortable sound, and it is not likely that listener fatigue will set in.
HiFi Headphones Verdict:
The HP151 is a fantastic all-rounder, with a bassy yet crisp sound. It has a spacious and wide presentation considering the closed back design, and it looks really good too!
Final makes some excellent-sounding headphones with great build quality too. Their closed-back Sonorous range encompasses many models, but the Sonorous III is a point of interest as it gives some amazing sound quality for the price. With slightly boosted bass and treble, the Sonorous III gives a little added shine to your tracks without going overboard. The low impedance of this design makes it suitable for using with a portable device or phone, for enjoying your collection in the home, or out and about.
HiFi Headphones Verdict:
The Sonorous III is a favourite here for its relaxed, natural sound. However the Sonorous II is also noteworthy as a more neutral version, giving a more faithful rendition of your recordings and particularly suitable for classical and acoustic performances.
Best Full Size Headphones Under £800
Now we start to enter the price range of diminishing returns; for instance, headphones costing £800 will not sound twice as good as those costing £400, but if you are intent on raising your headphones game, these smaller improvements are still worthwhile to make your music collection come alive again.
Beyerdynamic has impressed us for many years and continues to do so with new models such as the Amiron Home. With sterling build quality and sound quality alike, the open-back Amiron Home does everything well. All frequencies are very well balanced with each other, with treble a little gentler than quite a few of Beyerdynamic’s previous models.
So the sound is natural and smooth; ideal for relaxing at home (where else?), and quite suitable for any music genres that can be thrown at it.
HiFi Headphones Verdict:
The Beyerdynamic Amiron Home is a real treat to use, and is as comfortable to wear as it is to listen to.
A relatively new maker, MrSpeakers has certainly caused a stir with their line of planar-magnetic models recently. Not least with the Aeon, a lightweight design which hits heavy with some excellent sound quality. The design lends itself well to portable uses, although additional amplification may be required if using with a phone.
The sound is fairly well balanced with a little extra bass and lovely clear midrange and treble. The Aeon is well suited for all genres, but a real treat with anything likely to get you moving!
HiFi Headphones Verdict:
If your portable audio game needs updating, the MrSpeakers Aeon is one to look at, although the Aeon is equally enjoyable if you like to stay put.
Focal’s recent additions to their lineup show a slight move away from the generally brighter sound of their previous models, to a gentler more laid-back sound which nevertheless gives detail in spades. The Elear is an exquisitely comfortable model to wear also, and gives the impression of the venerable HD650 but with a little bit of extra treble presence.
The Elear is not a light model at 434g, so this may be worth bearing in mind but the sound is very pleasing indeed.
HiFi Headphones Verdict:
French company Focal has produced a real hit with the Elear, and it is easy to understand how; they’re great fun!
Pioneer’s new SE-Monitor5 is where headphones start to get sumptuous and luxurious! Build quality is like an executive car, and the plush padding is much the same. The SE-Monitor5 may be a little heavy for some at 480g but they are made for relaxing at home and swallow up the sides of the head with their huge earcups.
The sound is as you would expect from Pioneer at this price, with well-controlled bass doing just what it needs to according to the music genre being enjoyed. Higher frequencies follow suit and remain faithful to the music, only to add a little bit of extra excitement and glamour to proceedings, whilst staying very relaxing.
HiFi Headphones Verdict:
The SE-Monitor5 is incredibly comfortable and bound to please anyone who gives them a listen.
If you have got bored of circling Switzerland in your yacht then you’re probably lost, but you may be wealthy enough to consider the following models for your floating games room! These higher priced models may seem as steep as a black route ski slope, but those who accept no compromise will find the following offerings very interesting.
Sennheiser is no stranger to premium headphones, and has followed up on the excellent HD800, released a few years ago. Some felt that the HD800 is incredibly detailed but at the cost of a certain amount of musicality, so Sennheiser now has the HD800S which offers a little more in the way of ‘soul’. Bass is very responsive to what different music genres need without overdoing things, and midrange/treble give some excellent soundstage and imaging with a slightly gentler presentation when compared to the older HD800.
The HD800S is however just as comfortable as its older brother the HD800; these models can be worn for hours on end with no trouble.
HiFi Headphones Verdict:
The HD800S is a very popular model and with good reason; it’s as enjoyable as it is comfortable and has a fair amount of visual impact as well.
Audeze has plenty of models, but at the top of the range we have the planar-magnetic LCD-4. Top notch build quality is to be expected at this price, including unique drivers which feature NASA technology in their nano-scale diaphragms. These light, thin diaphragms can move very quickly with no inertia, making transient response times very fast, and bass precise with nice extension and very good control.
Made from 30 year old Macassar wood, the earcups are set off by bright silver grilles making the LCD-4 a treat to look at as well as to listen to. As well as the excellent bass, midrange and treble follow in good order with a smooth transition between, but with perhaps a slightly recessed midrange, putting bass and treble at the forefront of the presentation.
HiFi Headphones Verdict:
For the last word in headphones, this may need to be your first stop!
