iFi Audio Go Link Max – £79.00

The iFi GO link Max delivers studio-quality sound with up to 241mW of output power—nearly five times that of a MacBook Pro—driving demanding headphones with ease. Compact, portable and versatile, it’s the perfect upgrade for immersive, high-fidelity audio anywhere. An upgrade over the original in every way, this is a must have for anyone who owns wired headphones and wants to get the most out of them on the move.

Final VR500– £29.00

A perfect companion to all those virtual reality headsets that will be under the tree this year. The VR500 is a testament to Finals commitment of delivering premium sound at an unbeatable price. TheVR500 is not just an pair of earphones; they are a gateway into a new dimension of gaming audio.

1MORE Aero ANC TWS Earphones – £70.00

The 1MORE Aero offers a solid mix of great audio quality, effective ANC, and a comfortable fit for an exceptional price. The Aero stands out by bringing the premium head-tracked spatial audio to the table—something usually only found in much pricier models. If immersive audio for movies and TV is your thing, the Aero is a fantastic value choice.

SoundMAGIC E11C Silver – £39.98

A Brilliant Budget Earphone that Sounds MAGIC. We have found the E11C to be a grown-up earphone with a keen knack for giving a clear and accurate presentation across the board. It is a true bargain and certainly a very good IEM for everyday use. The mic and controls are an added bonus and making use of the included case as well as regular cleaning ensures that these earphones last well beyond their warranty. At £40 you will struggle to find a similar product worthy of your investment.

1More SonoFlow HQ50 – £89.99

The final product to feature on our Top 5 sub £100 products is the SonoFlow HQ50. Boasting up to a 70-hour battery life, QuietMax ANC technology, a DLC 40mm driver and featuring 12 EQ modes, it delivers premium sound and comfort at a budget-friendly price. This headphone is a challenger to its pricier rivals from the likes of Sony and Bose.

Enjoyed our Top 5 Sub £100 list? Check out more from our Best Of Series HERE

Bonus round: Other great products that deserve their own Top 5 Sub £100 list!

• Final VR3000 – Virtual Reality in your ears – £69
• Cleer Enduro 100 – 100 hours of Music from a single charge! £99
• Etymotic ER-20XS High Fidelity Earplugs – Next generation market leading earplugs. With a stem or stemless £16- £25

The post Top 5 sub £100 Portable Audio Devices appeared first on HiFiheadphones.

Compact and Comfortable for listening all day

The Cleer Enduro ANC has enough clamp force to sit tightly on your head without being uncomfortable. they would stay on during moderate exercise which is good too.

Cleer’s Enduro ANC is a compact headphone, and they don’t sacrifice the comfort. Whilst wearing the Enduro ANC, I noticed that the earpads are deep enough that my ears are were pressed against the driver. They are soft enough to be comfortable over long periods of time. I really liked the headband, as it is well padded and the weight distributed evenly.

How good are the features?

The Cleer Enduro ANC is a wireless headphone that is compatible with most Bluetooth devices. Cleer has made an app for them too which allows you to fine tune the ANC and Ambient noise control. There is also an EQ in the app along with a battery percentage indicator. The app is available from Google Play and the App Store so both Android and Apple devices are supported.

Call quality is a standout feature here, whether it’s a zoom call whilst working from home, or a phone call when out and about. The microphone quality is superb. I tested it a few times, and the other person could always hear every word with clarity. Another impressive feature for the price.

Huge battery life!

They have a stated battery life of 60hrs with noise cancelling on. This will vary depending on the volume you listen at, but you can expect excellent battery life from them. They have Active Noise Cancelling which works well in environments where you have a constant background noise (like public transport).

They are also closed back, so the passive isolation is already very impressive. Unlike many ANC headphones, the ANC on these doesn’t seem to affect the sound quality. This is quite surprising and very impressive.

The Enduro ANC also has Ambient Noise Control. This allows you to hear your surroundings without taking the headphones off. This works really well if you need to listen out for announcements on public transport or planes, and don’t want to take the headphones off. It could also come in handy for active use where you want to be semi-aware of what’s around you.

The Cleer Enduro ANC come with an Aux to USB-C cable for when you need to use them with a wired device, which is really handy. Overall Cleer have packed a lot in to these headphones. Do they impress when it comes to the actual sound quality?

How do they sound? (the important bit)

Bass

Plenty of punch and extension. There is a definite lift in the bass compared to a neutral tuned headphone, which is ideal for a portable headphone. These are engaging and fun to listen to. You will never lose track of the beat. Yet at the same time it’s not overly emphasised so as to drown out the mids and highs. I really enjoy how full and punchy the low end is, without being bloated. Not something that’s easy to get right in my opinion.

Midrange

Vocals and guitars still cut through the mix. They are slightly recessed overall, with a mild U shaped sound signature. There is enough detail to keep you focussed on the music, and they don’t have a single hint of harshness or peaks in the midrange that could cause fatigue. They are energetic and smooth at the same time, with fun being the best way to describe their presentation. The Enduro ANC has been tuned for you to enjoy the music.

Treble

These don’t do the typical lower treble boost to introduce a false sense of sparkle and energy. They are smooth in their transition from the upper midrange into the treble region. They instead boost it a little farther up the frequency range, which means there is still a great sense of air. Cymbals have good presence, without any fatigue inducing properties. They might roll off slightly early, but the treble presentation is very well done with without any harshness.

Genres and Soundstaging

The Cleer Enduro ANC handles most genres well. Engaging enough for rock, yet punchy and full enough for modern pop and hip-hop. They sound best with genres that are more up-beat.

Soundstaging is average, which is not a problem. They have a more direct and punchy delivery, you don’t need concert hall width for that.

The post Cleer Enduro ANC Wireless Headphone Review appeared first on HiFiheadphones.

Design 10/10:

These Headphones are simply stunning. The Shibo coating provides the UX3000 with a beautifully textured finish that acts as a finger print deterrent. The use of physical buttons over touch controls to play/pause, power on/off control the volume as well as turning the ANC on/off is reassuring and nicely implemented. The included 3.5mm audio cable that allows them to be used as a wired headphone without any battery is a marvel. They also fold up for easy storage and come with a soft carry pouch.

Fit and Comfort: 9/10

These are a very comfortable headphones. The earcups surround my ears with room to spare and the padding is soft yet dense enough to provide really good passive isolation and a very secure fit. The clamping force is moderate at most and the padding does a great job at alleviating any pressure. They  feel very secure when on the move.

Sound: 8/10

The Headphone essentially has two unique sound signatures. ANC on and ANC off. I find the UX3000 with ANC off to be an engaging and fun headphone, that handles most genres with ease. Sure it can be said that the UX3000 lacks a tiny bitof finesse and clarity overall, but for everything else offered its price point, I am not one to argue.

Fun, dynamic, engaging and full sounding

And here comes the ANC: 9/10

Turn the ANC on and the bass gets an extra helping of that sub-bass boost, with more focus on the bass and treble overall. When using these in high noise environments and with the ANC on – the sound is really enjoyable and upbeat.

So with ANC on you have a really fun, dynamic, engaging and full sounding headphone for on the go use. When you want a bit more clarity and detail you can turn ANC off and have a more linear yet fun and enjoyable sounding headphone.

Incredible microphone for an over-ear headphone

Mic: 10/10

The built in mic for taking calls is incredible for an over-ear headphone. The quality of the voice is outstanding. I even tested them out in strong wind and managed to have a full call with no major issues. They do a fantastic job at suppressing noise on your end so the other party can hear you loud and clear, with great tone too. Noise cancelling can also be activated while on calls, which will allow you to hear voices even more clearly without the fear of outside noise creeping in.

These are also perfect for working from home with very accurate and faithful voice reproduction, it doesn’t sound like you are using the mic from the headphones, they are that good.

Notable other Feautures:

• ANC on its own mode. You can have the ANC turned on but the headphone turned off. Really good for scenarios such as being in a Library and wanting that extra silence.
• Support AptX, AptX LL, SBC & AAC Codecs which is great for the audio quality side of thing.
• 35 hour Battery life with ANC off or 25 hours with it on – More than enough for most of us out in the world.
• Multipoint connection – You can stream music from once device and take calls from another
• Wired mode – as mentioned above very useful if you run out of battery, or just what to try something different.

Interested in what else final has to offer? Check out our other reviews and news of their products here.

The post Final UX3000 ANC Bluetooth Headphones Review appeared first on HiFiheadphones.

Fit and Comfort

Here we review the new SoundMAGIC P23BT, an on-ear model which are compact in size and lightweight too. They will fit well over a wide range of head sizes due to a good amount of adjustment in the arms and the clamping force is just enough to provide a secure fit without inducing any discomfort.

Comfort is good, with the right amount of clamp to provide a secure yet comfortable fit I had no issues with the P23BT during longer listening sessions. The earpads are soft and provide ample cushioning, the headband has minimal padding but due to their weight this didn’t seem to cause any issues for me.

Features

The P23BT use bluetooth 5.0, a little behind most modern devices that use 5.2 but they do have the benefit of aptX HD / SBC and AAC codec compatibility. They use a 40mm dynamic driver and have an incredible battery life of roughly 54-60hrs of music playback, or 39-45hrs talk time, these are not a headphone you will find yourself needing to charge very often.

They don’t have ANC, instead rely on passive isolation, which is good enough for most daily use. These work wired too and come with a high quality boom mic attached to the analogue cable – this is a brilliant feature that makes them perfect for home office use too. We found that making sure there is no microphone boosting in the windows sound settings worked the best in terms of voice quality – but once set up the quality is excellent for video and voice calls when connected to a PC. These really are very versatile, and the boom mic is not something you see very often when it comes to this kind of product.

Playback controls are really easy to get the hand of, they use a touch pad on the left earcup and a simple double tap will pause the music, swipe up for volume up, down for volume down. Swipe forwards and backwards to skip tracks, you can also answer calls and activate voice assistant too. Call quality over bluetooth is perfectly acceptable in most environments but they are not the best for noisy outdoor calls.

Sound

Bass:

The P23BT is a well balanced headphone with just the right amount of warmth, body and punch down low to keep them engaging and enjoyable without overwhelming the rest of the sound. These are not bassy, they will not appeal to those who want a bass heavy sound, but those who want a daily headphone that works well with a multitude of genres will be happy with their sound and presentation. These do handle EQ well so if you do want a bit more punch, they can deliver, but out of the box they offer up a really enjoyable sound. The 40mm drivers can dig deep when needed, and hit hard too, but they are tuned in such a way that they do all of this with poise and control and never sound muffled or bloated.

Midrange:

Due to the controlled low end, the P23BT actually has a very well presented midrange for a budget, more consumer oriented product. This means that those who enjoy vocal and guitars to sit and and central in the mix will really enjoy the P23BT – these don’t follow the typical v-shaped sound that many consumer models have, this means you get to hear more in your favourite tracks. The bass does a good job at not bleeding into the midrange, which allows the P23BT to sound surprisingly well separated and detailed for the price. .

Treble:

Surprisingly well refined up top, these have a crisp and clean treble presentation but with a smooth transition from the upper midrange into the lower treble they are also not harsh or sibilant. There is a bit of a peak slightly higher up the range, but it’s not really fatiguing and tends to only show up on less well recorded music. There is good detail and extension up top, and the presence is good leaving them with a very pleasing tonal balance overall, never sounding dull. You do have to remember these are only £50, but for that price you get really impressive treble, normally you get muffled and splashy cymbals, instead of crisp and easy to distinguish and place crashes.

Soundstaging and Genres

The P23BT are not masters of soundstaging, but that’s ok, they are on-ears and have quite a direct presentation but instruments are still easy to place within the limited soundstage.

These are a great all rounder, their balanced yet slightly punch sound signature makes rock and pop sound engaging, yet these have enough detail and finesse to render acoustic and jazz brilliantly.

Who are they for?

• The general listener who wants good sound quality at a modest price
• Everyday users wanting a feature packed yet quality bluetooth headphone they can use at work and on the go

Like all things that SoundMAGIC? Take look at more news and reviews here.

The post SoundMAGIC P23BT Review appeared first on HiFiheadphones.

iFi Audio xCAN Portable Wireless Headphone Amplifier

Perfect for those travelers looking to get the best audio while on the move. The iFi Audio xCAN can wirelessly connect to your audio device via Bluetooth, whether you listen to music on your phone, laptop or tablet. The xCAN adds iFi Audio’s high quality amplifier expertise to your setup, able to power some of the more difficult to drive cans with no extra wires. Just plug your favourite earphones or headphones into the xCAN to get the very best out of them.

SoundMAGIC E11BT Wireless In Ear Isolating Earphones

Widely considered to be this year’s best wireless earphones for under £100, the SoundMAGIC E11BT brings years of budget perfection to a Bluetooth neckband design. We’re certain that the E11BT delivers the best sound quality at this price point, with top features like Bluetooth v5.0 technology, AAC audio compatibility and IPX4 water resistance. Then to top it all off, the E11BT has the most impressive battery life going. We’ve experienced over 30 hours of continuous playback from one full charge, which should cover most of your travel needs there and back.

Bowers & Wilkins PX Wireless Full Size Noise Cancelling Headphones

B&W’s PX Bluetooth headphone is still our favourite sounding wireless noise canceler out there. The classic design is tasteful and attractive, showing off the B&W heritage with a modern edge. The earpads are soft and comfortable. They fully enclose the ears and isolation is impressive, blocking out a lot of background noise passively. Then, when you need complete silence, the built-in noise cancelling does wonders. When used with the dedicated app, the PX can be customised to suit most environments. They do it all!

Shanling M0 Portable Wireless Hi Res Audio Player

If you fancy getting better sound on the move, but don’t want to add a large device to your setup, the Shanling M0 could be just what you’re looking for. This tiny player delivers top quality Hi-Res audio and can be used in two different ways. The SD card slot allows you to store your own library of tunes, from MP3 to DSD. It can handle it all. The M0 can also act as a Bluetooth amp and DAC for your headphones. So, if you prefer using Spotify or Tidal on your phone, then wirelessly connect to the M0 to boost the audio quality while using an interface you are comfortable with.

Sennheiser Momentum TW True Wireless In Ear Isolating Earphones

For those that value design and build quality along with great sound, then the Sennheiser Momentum True Wireless earphones are worth checking out. Relatively expensive for a true wireless earphone, considering there are plenty of cheaper options available, we believe that the Momentum True Wireless is worth the money. From the supplied charging case, with its fabric outer coating, to the earphones themselves: attractive, stylish and extremely comfortable. Sennheiser have put a lot of work into their True Wireless flagship, and it has truly paid off.

Remember to subscribe to our channel for more weekly content and click the links for information on all of the products mentioned. Thanks for watching and happy sunny listening.

The post Summer Sounds Guide & Video appeared first on HiFiheadphones.

Best On Ear Headphones 2017

Looking for a new pair of on-ear headphones?  We’ve collected the best on ear, open back, closed back and portable headphones to buy in 2017 and reviewed them to help you choose.

Shop: Visit our on-ear headphones store

Read More: Best In Ear Headphone Buying Guide

Best On Ear Headphones under £50

SoundMAGIC P22C

SoundMAGIC takes a lot of beating in this price category – the brand is a natural at making low cost headphones which sound much pricier.

The P22C model is a lightweight portable with a flat tangle-free cable and good isolation. Ideal for travel and holidays, these will fit right in to any bag or backpack when stored in their low profile travel case. The P22C included a microphone for phone usage and the remote is compatible with both Android and Apple devices.

Sound is impressive for this price point, with plenty of detail and a good kick to the bass without overpowering the mid range.

Engaging and fun-sounding, the P22C will make the absolute most of the output from any portable player.

Edifier P650

The Edifier P650 is a smartphone friendly, easy to carry portable headphone that punch above their weight and price.

Offering a well balanced sound with a little added kick down low, the midrange is clean and detailed and the treble isn’t far behind. The bass does not have the most sub-bass rumble but for a quick and easy to use, on the go headphone they offer great sound.

What impresses most is their ability to portray the whole frequency range in a well controlled and balanced manner, too many budget headphones overload you with muddy bass, yet these offer plenty of detail but are also easy to listen to; a no brainer at this price point.

Koss PortaPro

The simple design and great sound keeps them viable while the open-back design, whilst not being the best for isolation of course, is perfect for those who wish to be aware of what’s going on around them such as joggers, and muggers.

The sound is generally well balanced between bass and treble, although the midrange can seem a bit distant and mushy. Bass is perhaps a bit on the heavy side, but it will definitely satisfy those who want a bassy sound. The Koss Porta Pro Classics offer a warmish sound overall.

Be aware though that their open-back nature means that they will be of limited use in noisy environments.

READ MORE: Koss PortaPro Full Review

Best On Ear Headphones under £150

B&W P3 Series 2

B&W have a long history of making excellent hifi products, and this has trickled down into their headphones.

The P3 are superbly built with an elegant and sophisticated look, the P3 really do impress. Lucikly they are not all about the look either, as the P3 offer a smooth and effortless sound that is akin to their house speaker sound. Offering excellent full bodied bass response with a non fatiguing and slightly sweet midrange and treble.

Comfortable, well built with a smooth and pleasing sound signature, the P3 are perfect for on-the-go use.

Sennheiser HD25-1 II

The HD25-1 II are one of the most well known on-ear headphones, this is partly due to their popularity as a DJ headphone. Used by DJ’s and sound engineers globally the HD25-1 II are a rugged portable headphone that will last for years.

Offering an immediate and aggressive sound they won’t give you a wide soundstage but will give you an engaging and detailed signature. The bass is tight and digs deep with excellent control and presence, the midrange is smooth yet very detailed and the treble has good extension and is very well placed in the mix.

If you are looking for a smooth laid back sound, the B&W are probably a better choice, but if you want a fun, upfront and engaging listen the HD25-1 II is for you. All parts are easily replaceable too, should anything ever break.

Grado SR80e

The Grado SR80e are a definite improvement over the SR80i, with a slightly warmer, more balanced sound. Their retro styling may not appeal to all, but underneath the looks is a fine sounding open-back headphone. The undisputed king of headphones for rock music, these are sure to get you toe tapping and head banging in no time.

These will not appeal to bass heads, they fair better with music that is played on real instruments. They have long been favourites for people that enjoy rock music due to the speed and control of the sound.

At the price point I still think Grado hold their own with a well balanced, aggressive and detailed sound, there is nothing quite like them.

READ MORE: Grado SR80e Full Review

Best On Ear Headphones under £250

Sennheiser MOMENTUM 2.0i

The Momentum series are hugely popular with on the go commuters, and for good reason. Offering stylish looks, a comfortable fit and a smooth easy to listen to sound.

Built to last with replaceable parts, the Momentum has slightly retro looks and comes in an array of colours. With playback controls on the cable you no longer have to take your phone out of your pocket. The sound is dynamic and punchy, offrering a slightly bass driven sound without sacrificing the midrange and treble. Engaging and fun are the best word to sum up the Momentum 2.0i.

Good looks and great sound, it is easy to see why the Momentum 2.0i is so popular with commuters. For Android users there is also the Sennheiser Momentum 2.0G.

Beyerdynamic T51i

The T51i have been around for a while now and are still excellent on-the-go headphones. They have a sturdy and sophisticated look, and offer a well balanced and detailed sound.

The T51i again tilts towards an easier to listen to sound, with a slight bass boost that gives the whole sound a little added body. There is sufficient detail across the range to keep them from sounding boring and what comes to mind when you put the T51i on is refinement.

With excellent build, comfy fit and refined sound the T51i has a lot to offer.

READ MORE: Beyerdynamic T51i Full Review

Bowers & Wilkins P5 Series 2

Leather earpads and a metal headband, the P5 Series 2 screams quality and luxury. The earpads are soft lambskin leather with memory foam inside, like cushions against your ears.

Like the P3 the P5 Series 2 has the typical B&W house sound, which is smooth and effortless. Offering a well balanced but slightly rich sound with superb separation and articulation, from highs to lows these sound very refined and grown up.

The P5 Series 1 look stunning, have replaceable cables and a smooth effortless sound, what is not to like?

READ MORE: Bowers & Wilkins P5 Series 2 Full Review

Best On Ear Headphones Over £250

Audeze Sine

Built from leather and metal, the Audeze Sine are built to last and also come with detachable cables. Using planar magnetic drivers they take a little more power than most phones can output, so they are best used with a high quality music player.

Give them a good source and the Sine in return give you excellent audio with snappy dynamics that can keep up with the most demanding of music. The bass is full yet superbly controlled, the midrange is where these excel not allowing the lows to affect them. Guitars have excellent power, and vocals come across with plenty of detail. The highs are present and well defined, but never become too hot and harsh.

The Sine are a mighty fine sounding on-ear headphone when driven well, and give you a full and detailed sound all

The post Best On Ear Headphones To Buy in 2017 – Expert Reviews appeared first on HiFiheadphones.

Edifier H850 Closed Back Headphone Review

The Edifier H850 Headphones offer excellent sound quality for the modest price of £39.99, offering a clean and clear, well balanced sound.

Pros:

• Build quality
• Balanced sound

Cons:

• Not the most natural timbre
• Lacks some high end refinement

Aesthetics, Build Quality and Accessories

The Edifier H850 are a fairly standard looking headphone, nothing stands out with a mainly matt black design and brushed aluminium faceplates. The H850 won’t win any beauty competitions, but they look stylish for a headphone at this price.

The build quality is perfectly acceptable for the price, with plastic cups, metal reinforced headband and metal faceplates. The cups swivel flat, the earpads are replaceable and a big plus point is the cable is user replaceable with a standard 3.5mm jack (however the stock one has a locking mechanism).

The H850 accessories are kept to a minimum, only a 6.3mm jack adaptor is supplied as extra, however this means that costs are kept to a minimum, leaving you with better sound quality for the price over luxurious accessories.

Comfort and Isolation

The Edifier H850 are very light, but the cups are not the most spacious, however I find them to be comfortable for long periods of time. The headband is well padded and again the weight comes into play here not creating a hot spot on the top of your head.

Isolation is good, this is a closed back headphone but there are vents in the cups that do leak a minimal amount of sound. If you listen at moderate volumes you are unlikely to bother people around you.

———————————————————————————————–

READ MORE: Shanling H1 Portable Headphone Amplifier Review

———————————————————————————————–

Sound Quality

• Bass

The bass on the H850 is surprisingly punchy and well in line with the rest of the frequency range. It is articulate and well layered, bass guitar lines are easy to follow. They do roll off around 50hz, and there is a bit of a mid bass hump but, overall the bass is well controlled and does not shadow the rest of the frequency range. The lows are quick in attack and recovery making them handle heavy rock music very well, yet they can still offer some body in acoustic and electronic tracks.

• Mids

The midrange is quite clean and clear, there is a slight dip in the lower mids making male vocals not as prominent as female vocals. However they do not suffer from bleed from the lows, being well separated. Finer details are not the H850’s strong point, but they are well balanced and there is good space and air. For the price the midrange is very good, there is a slight peak in the upper midrange which does highlight some sibilance in certain recordings. Electric guitars fair well with good energy and crunch when called for, and acoustic guitars come across with good body but perhaps a little cold in tonality.

• Highs

The highs are well presented but do lack extension and air, I find them to roll off too early and lack refinement. They are a bit one toned with lack of distinct definition, but then again they are present and at this price point I don’t think any headphone can match these in the treble range. The highs do have good placement and directionality being able to pinpoint where they are coming from in the recording.

• Separation and Soundstage

The instrument separation is good on these, during faster tracks they do have a tendency to become a little congested but for the most part everything is well separated and easy to pick out in the recording.
The soundstage is not huge, it is just outside the headphones in terms of width, so they won’t be the best for large orchestral pieces.

Conclusion

Now for the price, the Edifier H850 is possibly best in class, most headphones around this range have boosted bass, or non-existent highs, these do not. These actually have good balance across the board, yes they won’t have the natural tone of high end models, or the effortless high end extension, but they do offer a very pleasant listening experience for an excellent price.

The post Edifier H850 Headphone Review appeared first on HiFiheadphones.

Fostex TH7BK Studio Headphone Review

The Fostex TH7BK seems to be a revision of the former model, the TH7BB. However, the older TH7BB had a semi-open design whereas the new TH7BK is closed. This lends itself better to the studio applications it’s designed for, but the 1.2m cable may require an extension cable. The TH7BK can be used for portable applications but will require a little help with amplification if being used with most handsets.

Pros:

• Decent low cost studio cans
• Good for monitoring

Cons:

• Cable could be longer for studio use

Design and Appearance

The Fostex TH7BK is exactly like its older counterpart in terms of looks; it’s a plain design which doesn’t draw attention and doesn’t want it either. There is nothing unattractive about it, but it’s not going to suit you if you are planning on making an impression!

The plastic material has a rubberised coating of some sort, giving a matt finish all over.

Durability and Build Quality

Build quality is satisfactory, but the TH7BK is not designed for particularly heavy use. Sit on these and you’ll be looking for new headphones, but with care these will last for a good while.

Comfort

The TH7BK might be classed as an over-ear model but things are a little snug in there; if your ears are on the large side, they might also be partly on the outside, but most should be fine.

—————————————————————————-

READ MORE: Dunu DK-3001 Hybrid Quad Driver IEM Review

———————————————————————————————–

Sound Characteristics

The Fostex TH7BK is designed to be a low cost solution for project studios and the like; the overall sound signature is fairly flat and dry, but with enough to work as a headphone for listening to music as an end user too.

• Bass

Bass is not as emphasised as with most consumer headphones, but is well controlled and fits in with the rest of the presentation. It starts low and gives a bit of a thump, but no bruises are formed.

• Mids

The midrange is clear and fully present without any troublesome peaks. Very good for monitoring and spotting details; vocals are clear enough but there is a slight raspy quality to them. Similarly, harmonics are not as clear as with higher priced offerings from Fostex, affecting imaging a little.

• Treble:

Treble is clear too, but as with the midrange there is a grainy element to it. These are under £70, so it’s not meant as a criticism so much as a description of the sound. Hi hats and cymbals still sound good, but with an element of ‘rock ‘n roll’ roughness about them.

• Soundstage and Separation

Soundstage depends on the production; some genres can seem a little flat and narrow, but others widen out quite a bit, such as classical. Given that these headphones were designed for monitoring and the like, this is not really an issue.

Separation is fairly good; everything has its place in the mix but it’s not completely distinct all the time.

Music genres good for and why

From the standpoint of an end user rather than a studio user, the Fostex TH7BK works well with electronic, dance and similar genres. Live music, classical and acoustic performances may seem a little two-dimensional however.

Summary

The Fostex TH7BK is good value as a tool for use in the studio, and can be used as a general listening headphone too. Any criticisms regarding the sound involve the TH7BK’s perceived use as an ‘end user’ headphone and so should be taken with a grain of salt; this model is not primarily designed for that purpose.

The post Fostex TH7BK Headphone Review – Staying Sober for the Studio appeared first on HiFiheadphones.

Meze 99 Neo Headphone Review

The Meze 99 Neo are an aesthetically pleasing, warm sounding, easy listening headphone suitable for kicking back and enjoying rather than analysing.

Pros:

• Looks
• Build quality
• Smooth sound

Cons:

• Bass is not the tightest
• Not the widest soundstage

Aesthetics, Build quality and Accessories

The Meze 99 Neo have a vintage look about them, with silver accents and black cups the colours compliment each other perfectly. There is nothing overly remarkable about the appearance of these headphones, but they do look very sleek and stylish.

They are well built, the cups are plastic the headband is solid metal, the cable and earpads are replaceable, all in all a very well built headphone.

The Meze 99 Neo comes with a great range of accessories, you get a hardcase to transport them in, a 1.2m cable with microphone and a regular 3m cable and a jack adaptor, a great array of accessories and all that is needed.

———————————————————————————————–

READ MORE: Pioneer SE-MS7BT Bluetooth Headphone Review

———————————————————————————————–

Comfort and Isolation

These headphones are very comfortable, the earpads encapsulate your ears nicely, and are deep enough so that your ear does not touch the driver. I am a big fan of the headband pad as it is elasticated and conforms to the shape of you head better than most headphones out there.
These are closed back, and use pleather pads so your ears will heat up over long listening sessions, but overall they are a very comfortable headphone.

Isolation is fine for general home, office and most portable use, but they are not the best for very noisy environments.

Sound quality

• Bass

The bass on these is very full, almost too full sometimes, but manages to keep controlled and not affect the mids too much. The bass manages to dig deep with excellent rumble when called for, the punch is backed up with good body but is not the fastest and struggles to keep up with heavy rock music.

• Mids

Male vocals sit a little farther behind in the mix, due to the full nature of the lows, whereas female vocals come across a little more forward and cleaner. Separation and placement is well done, and the tonality is good, and there is no harshness at all in the mids.

• Treble

Laid back is how I would describe the treble on these, the treble is well detailed and present, but not in huge quantities.

• Soundstage and Separation

The soundstage is not huge, they offer quite an intimate presentation but the separation is very good, and layering is very well done.

Conclusion

The Meze 99 Neo are a relaxed sounding headphone, they are easy to sit back and listen to, the bass sounds a little uncontrolled during certain tracks, but they offer great build quality, looks and good sound quality for the price.

The post Meze 99 Neo Headphone Review appeared first on HiFiheadphones.

Koss Porta Pro Portable Headphone Review

It’s not often that a headphone model hangs about for over 30 years; in fact it only happens about every 30 years or so. Joking aside however, there must be a reason why the Koss Porta Pro continues to be a popular model; even in our era of flying cars, food pills and teleportation.

The simple design and great sound keeps them viable while the open-back design, whilst not being the best for isolation of course, is perfect for those who wish to be aware of what’s going on around them such as joggers, and muggers.

Pros:

• Small and foldy
• Decent enough sound
• The name has a ‘pro’ in it
• Light and comfortable

Cons:

• Boomy bass can be out of place
• Midrange could use more presence
• Some ‘lesser’ phones may struggle to power these

Design and Appearance

The design has not changed since the Apple Macintosh, and it shows. However with current tastes, this works in the Porta Pro’s favour. The bold solver rings and utilitarian headband may even add a touch of 70s retro styling too.

This model is rated at 60 ohms impedance, which together with the 101dB sensitivity makes them less useful with low-powered phones and the like, although those by most popular brands (Samsung, Apple etc.) should have the power.

Durability and Build Quality

Being intended for portable use, the Koss Porta Pro Classic is light and svelte, if a bit inelegant. During normal use, it’s difficult to spot any vulnerable areas in the design. There are no strain reliefs on the cable where it exits the headphones, but the cable is held in place within the driver housings themselves to prevent accidental yanking.

There is a strain relief at the jack end of the cable, and this terminates in an angled jack which is perhaps a 70 degree angle, at a guess. This appears to be a relatively new tweak in the design.

Comfort

Light or firm? Whether you’re reassured by a vice grip or you can’t stand the pressure, there are three settings on the Porta Pro Classics which allow the drivers to be pushed outwards, making things a bit looser.

The headband has had a few criticisms regarding its tendancy to entrap and pluck hairs out of the heads of unsuspecting listeners, but there’s been no problem with this so far.

Other than that, these are ‘wear and forget’ headphones.

Suitability for intended application

Is there only one intended application? Apart from the obvious portable uses, the Koss Porta Pro is equally enjoyable when used as an open-backed headphone at home or in the office. The comfort level also makes this a nice choice for some pillow action too.

Sticking to portable uses though, the headphones fold up to a very small size and can go in a pocket between uses for instance. This makes them a very sensible choice for the itchy footed.

———————————————————————————————–

VIDEO REVIEW: Our Top 10 Best Sports Headphones and Earphones for 2017

———————————————————————————————–

Sound characteristics

The sound is generally well balanced between bass and treble, although the midrange can seem a bit distant and mushy. Bass is perhaps a bit on the heavy side, but it will definitely satisfy those who want a bassy sound. The Koss Porta Pro Classics offer a warmish sound overall.

• Bass :

As above, the bass can be a little overpowering depending on your genres or tastes, and its a bit loose too. There’s not much definition and it’s hard to know where the midrange starts; it’s easier to figure out where the bass stops! However with a lot of pop and rock, this gives a hearty thump which is certainly in keeping with those genres.

• Mids:

The midrange isn’t completely invisible but there was the feeling that the volume needed to be increased as not enough of the music’s ‘meat’ was getting through. This is fairly typical of entry-level equipment; however it does the job, and will pass muster for anyone who is used to spending under £50 on headphones.

• Treble:

Higher frequencies are well balanced with the rest but not too prominent; percussion and the like make themselves known without making a nuisance of themselves, and it’s a smooth transition from the midrange. A little more presence at the top end would have been good to enhance the open-back nature of the Koss Porta Pro Classics, providing a bit more airiness.

• Soundstage and Separation:

Being open-back, this model has a fairly wide sound but it’s not exceptional. The definition of midrange harmonics does not quite make for a convincing presentation in terms of separation, but it’s an enjoyable one nonetheless for the asking price.

Music genres good for and why

The Koss Porta Pro Classics give quite an impressive sound when it comes to stuff which benefits from the bass on offer, such as dance, R&B, hiphop, pop etc. Jazzy genres may depend on the type; swingy stuff with a double bass is fun, but if there’s a lot of midrange action, it might feel a bit flat.

Classical and acoustic music may benefit from a tighter, more subdued bass but if you enjoy a mixture of styles then it’s quite acceptable to listen to whilst on the move, but you may hanker for something a little clearer if relaxing at home.

Summary

The Koss Porta Pros are still very popular after more than 30 years, even amongst people who own other headphones costing an arm and a leg. They are seen as a decent low-cost model for use out and about and are quite practical, given that they fold up into a neat package between uses. Be aware though that their open-back nature means that they will be of limited use in noisy environments.

The post Koss Porta Pro Classic Headphone Review – Venerable Vibes appeared first on HiFiheadphones.

 Intro:

Bowers and Wilkins have done it again and added to their sequence of odd numbers with the Bowers and Wilkins P9 Signature. However they’ve taken a break from their black and silver theme and gone over to the brown side, giving the P9 even more of an executive feel. But has the sound of the P9 undergone a similar transformation?

Pros:

• Great versatile and comfortable sound
• Three cables included
• High quality construction

Cons:

• Isolation quite low for a portable
• Headband needs adjusting for use with case

To Buy Now click the image below.

Design and appearance:

As mentioned above, the colour of the Bowers and Wilkins P9 Signature has been changed from the familiar black we have all come to know, and the basic design of the headband has changed as well. Gone are the swept back silver yokes of the other black models, with some very solid-feeling forged aluminium ones on the P9 model. There is a nicely put together soft case for storage, although the headband needs to be adjusted to its minimum size for this. The P9 comes with a generous three cables; two of which are short for portable use (one with mic/controls) and a long 3m cable for enjoying music at home.

Durability & build quality:

The new yokes are very strong and together with the firmness of the earpads, the P9 is a very sturdy design. It is a little more hefty than previous models, but the weight is by no means excessive and once in use barely noticable. Cables are similarly solid with good strain relief at the jack end; as with previous models, the cable is attached to the headphones by taking off one of the earpads, where the jack sits within a recessed cavity. The earpads and headband padding are coated with Saffiano leather which not only looks and feels luxurious but also means it last the test of time.

Comfort:

With the right adjustments, clamping force is distributed equally between headband and earpads, and the earpads have enough give in them for glasses to be worn with no trouble or discomfort.

———————————————————————————————–

READ MORE: Grado GS2000e Audiophile Headphone Review

———————————————————————————————–

Sound isolation:

Isolation on the P9 is fairly low; when tried here in the office with no music, the headphones allow pretty much everything through. With music playing, this is of course mitigated against but still those distracting exterior sounds can be a problem; especially during those quieter passages in classical music, for instance.

Sound characteristics:

Overall the Bowers and Wilkins P9 Signature has a very versatile frequency response. The accent is tilted towards the warm but there’s plenty of detail to be had.

Bass:

Down low, there’s good extension as sub-bass is fully present; it’s certainly skull-rattling with tracks with plenty of subby basslines, and a nice amount of weight and drama is added to classical performances. Kick drums decay with a certain unmistakable rumble. Higher up, the mid-bass is slightly pronounced, and together with the sub-bass makes bass a real feature of the P9’s sound. The P9 is no one-trick pony however, as bass moves up into midrange very smoothly and with great definition.

Mids:

In the middle, there’s no hint of bass encroaching on midrange territory, which can certainly hold its own. Here there is a nice amount of clarity and presence giving crisp directional cues and harmonics. Space is there in spades and there is no danger of congestion with more complicated or busy passages.

Treble:

Higher frequencies are well balanced with the rest of the presentation and lead to what most will think of as a comfortable sound. Detail is not sacrificed however and as with the midrange, there is a certain crispness here which grabs the attention. Having said that, the P9 is on the forgiving side when it comes to older recordings, or those whose production might leave something to be desired.

Soundstage & Separation:

Soundstage is impressive; with good width and depth. It’s easy to pinpoint individual instruments and the instruments themselves are very nicely rendered thanks to the clear midrange and treble, enhancing the 3D effect.

Music Genres Good For and Why:

The Bowers and Wilkins P9 Signature has been tried with pretty much everything and provides a nice touch with all genres. Weight for those dramatic strings in classical and for heavy basslines in rock and dance music. Conversely, acoustic performances enjoy a certain lightness and plenty of air. Old music such as Harry Richman’s ‘Puttin on the Ritz’ is most enjoyable on the P9, despite its being recorded over 80 years ago!

The post Bowers and Wilkins P9 Signature Review – Streamlined and Benign appeared first on HiFiheadphones.

In this world, we are used to things either being pretty, or useful. If you’ve ever tried to use a golden spanner, you’d have found it about as useful as a framed picture of your own intestines. However the Meze 99 Classics are claimed to be as good for listening to music as they are attractive; can it be true?

The name Meze brings up images of eating al fresco whilst overlooking the Mediterranean, and since the number ’99’ is attributable to a type of ice-cream here in the UK, a very enjoyable experience is brought to mind. We take our minds off food for long enough to put these headphones to the test..

Pros:

• Looks lovely
• Sounds excellent
• Good fabric coated cables
• 1.2m and 3m cables included
• Hard carry case

Cons:

• Some older recordings can seem overly bassy
• Cables are a little stiff

Design and appearance

As mentioned, the 99 Classics do make quite an impact visually; wooden earcups are paired with a headband design which makes a feature of a strong, supporting outer frame. This is coupled with a more yielding strap, suspended to fit the head automatically. It’s a design which might have been borrowed from the Wright brothers; so hopefully this construction of wood, metal and space will enable us to fly!

The Meze 99 Classics are also available in two other versions, besides the maple and silver type in the pictures. These are with a darker walnut wood for the earcups, with either silver details on the headband/earcups (walnut silver) or gold (walnut gold).

Earcups are pivoted where the headband joins them so they fit against the head very nicely, making them both comfortable and effective at keeping exterior noise to a minimum. Cables are a little bit stiffer than they would be ideally, but this is not a big deal.

Durability & build quality

Being ostensibly portable headphones (there’s a 3m cable in the box as well as a 1.2m cable with mic), the Meze 99 Classics look as if they can tolerate a bit of hustle and bustle; there are no obvious weaknesses and the cables are quite sturdy with strain reliefs in the usual places. The supplied hard carry case looks very useful for keeping the headphones in top condition.

Comfort

The Meze 99 Classics are certainly among the most comfortable portable headphones; the clamping force exhibited by some portables is not needed here; instead the wide and self-adjusting headphone strap helps to keep the headphones in place, distributing the grip around the head and keeping pressure off the ears. The earpads may be a little on the snug size for some and might be a little hot in warm temperatures; we’ve not had any problems though.

Sound isolation

These headphones are very good at eliminating outside noise, and are effective in preventing any sound leaking out too. A really good seal can be achieved thanks to the way the headband connects to the earcups, and very little can be heard with music playing, so take care out there!

———————————————————————————————–

READ MORE: B&W P7 Wireless Bluetooth Headphone Review

———————————————————————————————–

Sound characteristics

The 99 Classics are definitely tuned with the mass market in mind, and their sound will appeal to most people who listen to music whilst on the move. It’s a good balance between detail and warmth, with a good bass kick as well.

Bass

The Meze 99 Classics should please any bass fan; there’s a roomy feeling sub-bass which seems to surround the head – it’s a good ‘party’ feel. With older recordings, lower frequencies can be picked out, and if you weren’t aware of those vintage basslines before, you will be now! The bass has a certain tangible quality which gives a nice body to proceedings, and has good definition; helped along by an uncluttered midrange..

Mids

The fleshiness of the bass is paired very nicely with midrange details, with clear harmonics adding some nice realism and space. There’s a surprising amount of detail, yet the Meze 99 Classics still have a fun sound. The midrange also contributes a spaciousness to the party with its detail; soundstage is actually quite impressive.

Treble

Treble is crisp and clear, but still balanced well with the lower frequencies; there’s a natural element to it which takes the edges off. Definition is good; percussion is rendered quite convincingly and wind instruments have a brash rasping quality. Again, this detail contributes to a feeling that the listener is truly in the midst of some fun and atmospheric action.

Soundstage & Separation

I cannot fault the Meze 99 Classics at what they do here; soundstage is wide, involving and very impressive for a closed back headphone. With midrange and treble harmonics giving a three-dimensional quality to each instrument, good separation and imaging are very successfully achieved.

Music Genres Good For and Why

Due to the way the bass response on the 99 Classics picks out bass frequencies from older recordings, these can sound quite different from how we’re accustomed to hearing them. Sometimes this works really nicely, sometimes the added bass gets a little too much. However with dance, rap and pop genres the 99 Classics are in their element and their bass response fits in very nicely. It would be a shame not to mention classical music (the genre the 99 Classics might have been named after) which came as a nice surprise when it was tried; it’s a very wide and engaging performance with lots of air and space. These headphones may have a fun sound, but they can definitely cope with serious pieces too.

Summary

I have to admit to hearing some things for first time whilst using the Meze 99 Classics; a bassline might have a little bit of texture to it which had previosly eluded me, backing singers surround me rather than standing at the back, and synths appear to be fresh and immediate with a new vitality.

The Meze 99 Classics work very nicely with decent gear, but they are also right at home when connected directly to a phone; be careful where you use the Meze 99 Classics because you’ll be dancing before you know what’s happening!

The post Meze 99 Classic Headphones Review – Yes I Wood! appeared first on HiFiheadphones.

Intro:

SoundMAGIC has been on the scene for 10 years now, and it’s remarkable how much the headphones market has changed in that time; possibly pushed along by SoundMAGIC’s esteemed offerings. The way that headphones are used (and their popularity) has really come on, and they are often seen in pretty much everywhere now, when both indoors and out.

SoundMAGIC’s new Vento P55 is designed to address the need for a good looking, versatile and sturdy on-ear model for any scenario, so how does it measure up?

Design and appearance:

At first glances, the Vento P55 has a certain prosaic chic about it; attention is not demanded and so the wearer may not feel as self-conscious as with other, more showy models. The Vento P55 is a nice functional piece of design and has a well-heeled and restrained look about it. There are two 1.2m cables; these are removable and the socket of the Vento P55 will accept any 3.5mm jack – there is no special recessed socket which requires a specific cable replacement.

Durability & build quality (e.g. cabling, connectors, materials):

The Vento P55 headphones are certainly sturdy, with a stainless steel headband and aluminium earcups which lend an air of something military grade, but without the weight! Cables are what might be expected for a portable design; thick enough to bear the stresses and strains of an itinerant life on the road but thin and supple enough to not get cumbersome. SoundMAGIC’s new angled jack design (which its recent earphones have adopted) has been included, to reduce any stress on the jack when players or phones are placed in pockets when users are on the move.

Comfort:

Despite being an on-ear portable, the gentle grip of the Vento P55 puts them on the right side of tight, but they have a firm hold and they are quite comfortable during longer periods of use. The earpads are soft and yielding and offer no problems, even when worn over glasses.

Suitability for intended application:

As alluded to above, the demure and reserved character of the Vento P55’s design allows it to fit in anywhere without drawing any undue attention. Along with the comfortable fit, the Vento P55 is a perfect tool for commuting or casual use when out and about.

Sound isolation (if applicable):

Isolation is fair but the wearer is not rendered incommunicado; it is still possible to aware of your surroundings which may be no bad thing if the Vento P55 is put to more portable uses. Of course, with music playing the effect of isolation is more marked.

Portability:

Included is a light but rigid carry case which will protect the Vento well if taken with you unused, and the headphones can be worn around the neck without restricting movement too much.

Sound characteristics:

Overall the Vento P55 has a detailed yet warm sound, with plenty of room between bass and treble for harmonics and vocal performances to make a good impression. These headphones were tested with a Fiio X3 using a Chord Hugo as DAC/amp.

Bass (e.g. punch, low extension):

Bass is reserved and restrained in contrast to many similar models on the market. The Vento P55 is not bass light however; it starts low and provides authority to a track without taking over, allowing the midrange to make its mark.

Mids (e.g. vocals, acoustic instruments):

Midrange is very present for a non-neutral headphone; it makes a sense of space more pronounced, and harmonics stand out. This has a good effect on imaging and the attention is easily grabbed by certain instruments.

Treble (e.g. high hats):

Treble is rolled off slightly but still stands up to be counted; it’s there just enough to give details and add definition but backs off well before there’s any danger of sibilance.

Soundstage & Separation:

Soundstage is fair for a closed-back portable; the head is well enveloped within the sound. Separation is helped along by the clear and distinct midrange, and is very good. Again, the midrange helps this along and brings out most instruments and voices in clear relief.

Music genres good for and why:

The SoundMAGIC Vento P55 excels at dance music, funk and Hip Hop, while its strong midrange suits genres such as classical and jazz particularly well.

Pros:

Strong, light metal construction
Removable cables, one with mic/controls
Sturdy carry case
Adaptor for greater compaitiblity with handsets
Adaptor for use with computers

Cons:

Some may prefer more recessed midrange

Summary:

The SoundMAGIC Vento P55 is a good strong design for taking out and about, with decent isolation once music is playing. The removable stereo cable can be swapped for a control/microphone cable for skipping tracks and taking calls on the go. Its steely good looks will not draw attention from anyone but the user, who will be treated to some great comfort and engaging sounds.

The post SoundMAGIC Vento P55 Closed Back Headphones – Review appeared first on HiFiheadphones.

All you need to do is look on the Hifiheadphones website for any earphones/headphones/amps/players you may already own and leave a review of the product in the ‘Write your Own Review‘ section at the bottom of each product page.You can leave as many reviews as you like, giving you more chances to win.

Please email us at Competition@hifiheadphones.co.uk to let us know you have left a product review and so we have contact details to let you know if you have won.

Full T&C’s can be found at the foot of this page.

The SoundMAGIC P21S is a lightweight on ear headphone from the multi-award winning SoundMAGIC brand. It’s a small foldable unit with a 3.5mm connector, a perfect companion to a Dab radio, Smartphone or tablet computer. Take a look at our video review below for further details.

1. To be eligible to win the competition giveaway you must have emailed us at competition@hifiheadphones.co.uk to confirm your entry. The closing date for entries is 31 August 2015

2. Employees of K & S Technology Ltd (t/a HiFi Headphones) are not eligible to enter the competition and any entries made by employees of K & S Technology Ltd (t/a HiFi Headphones) will be void.

3. K & S Technology Ltd (t/a HiFi Headphones) will contact the winner of the competition within a week of the ending date. They will then send the prize within a week of receiving the contact details by the cheapest delivery option available for the cost of the prize.

4. The winner of this competition giveaway will be decided by the following method;
a) Everyone who writes a review will be allocated a number. This number is only valid for the specific giveaway.
b) A ‘random number generator’ will be used to determine the number relating to an entrant.
c) The person allocated this number will be the winner of the competition giveaway.

5. If the winner doesn’t respond to attempts to contact within 14 days of the competition giveaway closing, a new winner will be selected at 1200 on the 14th day.
If the new winner doesn’t respond to attempts to contact within 7 days of the next contact, another winner will be selected at 1200 on the 7th day.

6. Changes to these terms and conditions can happen at any time without notice.

7. The colour of the SoundMAGIC headphone to be given away is BLACK.

The post SoundMAGIC P21S Competition Giveaway- July 2015 appeared first on HiFiheadphones.

It appears that the relative price of wireless gadgets such as Bluetooth headphones is coming down and quality is going ever up, now that manufacturers have spotted the potential of this technology and are implementing it so well. Among them is SoundMAGIC, who have experience making wireless headphones with the full-size WP10, but now have the BT20 Bluetooth on-ear headphone in their repertoire. Now we can block out the world and make calls just as if we were talking to ourselves too.

Design and appearance (e.g. attractiveness, feel)

The SoundMAGIC BT20 is a light and very portable headphone; not a million miles away from previous wired on-ears this company made, but given the technology and battery required to sit in this model and work its magic, there’s no noticeable increase in weight. Also, if your battery is getting a little low then you can use the supplied cable and carry enjoying your music, bypassing the Bluetooth features.

Durability & build quality (e.g. cabling, connectors, materials)

Build quality is what we’d expect for a portable headphone. Just as robust as it needs to be, without going overweight and giving us neck ache. Materials are typical for a decent quality headphone of this type; plastic with a slightly rubberised feel, metal elements in the headband, and a leatherette covering on the headband cushion and earpads.

Comfort

The lightness of the SoundMAGIC BT20 combined with freedom from cable worries makes these headphones particularly fun to wear; there’s a bit of pressure on the ears but no more than is required to keep them in place.

Suitability for intended application

The BT20 boasts Bluetooth version 4.0 for greater battery life, there’s NFC for easy pairing, CVC for clearer calls. Also, the apt-x standard is present, so you’re all set should your handset have this. If not, then the headphones can still use the SBC standard, so will still work.

The mic-equipped arm pokes out along the cheekbone for clearer calls; in fact there are two mics which enable a noise cancelling process which gets rid of a lot of extraneous noise. Perfect – those personal words to your nearest and dearest need not be shouted!

Being wireless, these headphones are perfect for many activities and sporting pursuits; their light yet strong construction means they’ll avoid any loneliness for the long distance runner.

Sound isolation

Isolation is fair; the SoundMAGIC BT20 is not the most isolating of headphones with nothing playing but most of the outside world is very well masked by any music playing. The relative lack of isolation is more than made up for by the comfort aspect; the clamping force applied by most portable headphones can lead to a little discomfort during longer sessions. For others around you however, any music you’re enjoying is reduced to a faint murmur so you needn’t feel self conscious about your more questionable favourites.

Portability (if applicable)

As hinted at above, they offer no trouble when worn on the head and also around the neck. They can be packed away in the semi-circular case they come with, along with a stereo audio cable for those longer trips. It won’t be possible to use the headphones for calls without battery power so the handset’s mic will have to come into play. The Bluetooth 4.0 standard ensures the battery will last longer but it won’t last indefinitely of course!

Sound characteristics:

(Used with a Huawei Ascend handset)

The BT20 has a sound signature which SoundMAGIC is perhaps best known for. They are certainly tuned for a fun sound.

Bass (e.g. punch, low extension):

Bass reaches low and is voluminous when required; it stays put and provides a good solid foundation. It’s well controlled and fairly tight. With sub bass or with a double bass on older tracks it can certainly make its presence felt; quite surprising considering the BT20 is an on-ear model with 40mm drivers.

Mids (e.g. vocals, acoustic instruments):

There’s a great sense of space and despite the elevated levels of bass and treble, the mid-range stands up to be counted. Harmonics are enjoyable and there’s a good sense of balance with the bass level. The two complement each other very well.

Treble (e.g. high hats):

The top end is smooth but there’s plenty of detail to be enjoyed. The SoundMAGIC BT20 is a good time headphone and gives a nice level of representation here without getting fatiguing.

Soundstage & Separation

Soundstage is excellent for a little closed back such as this, and is very well enhanced by the separation of instruments and voices. It’s a very immersive experience.

Music genres good for and why

First of course, the BT20 is great with dance genres, hip-hop, R&B and pop; but that’s not all – older music types are not lost on these headphones. 60s pop, jazz and classical come across very nicely too.

Pros:

Worry-free wireless connection
Cable to conserve power or for when battery is flat
Good no-nonsense styling
Track/Call answer controls on headphones
Good Bluetooth range
Noise cancelling microphone

Cons:

Some may be put off by the mic arm

The post SoundMAGIC BT20 Bluetooth Headphone – Expert Review appeared first on HiFiheadphones.

Bowers and Wilkins has been making world class speakers for just about 50 years now, and are still going strong at their Worthing site, just a stone’s throw from ourselves at hifiheadphones. Not that we find ourselves throwing stones at them very often of course, as apart from anything else we have a few windows of our own. Brought out in 2010, the original P5 model has now been updated to the Bowers & Wilkins P5 Series 2.

Design and appearance:

Designed by Morton Warren, they exude a feeling of graceful simplicity while at the same time feeling very solid and light. The materials give it the same looks as the Oppo PM-1, with plush leather and chrome working together in that classic, opulent pairing.

Durability & build quality (e.g. cabling, connectors, materials:

The B&W P5 Series 2 is very well put together and its lightweight construction belies the fact that nothing rattles or squeaks when the headphones are flexed and placed on the head. Cables are about right for portable use. Both the Apple control cable and plain stereo cables are 1.2 m; they are no thicker than those found used with in-ear headphones. The Apple control/mic itself is very stylish and easy to use despite being just out of sight near the mouth. The earpads are held on by magnets but are unlikely to be removed accidentally; the magnetic force is strong! Changing the cable necessitates the removal of one of the earpads which is a simple process.

Comfort:

Clamping force on portable headphones is always a balance between comfort and the headphones falling off, or needing constant readjustment. On the P5 it’s just slightly on the heavy side, but with time and gentle stretching this should improve. The earpads are made from lambskin and are quite comfortable , offering both a decent amount of isolation and comfort. Glasses wearers may however find themselves adjusting their glasses once the P5 is on, as some discomfort may be encountered over the ears in some cases.

Sound isolation:

Isolation is good, but you are still going to be aware of your surroundings. With music playing however, most exterior noise will melt away. The P5 does leak a little bit of audio but no more than any equivalent headphone. Your fellow train passengers will be all sweetness and light.

Portability:

The B&W P5 Series 2 really hits the mark for portable uses; they can be worn around the neck with minimal fuss, and the pads do block out a fair amount of exterior noise. They’re showy, but not in a way that might cause the wearer to feel self-concious and will fit in with any scenario. They fit the supplied carry case very well which can be stored or carried in a briefcase or bag easily.

Sound characteristics:

The sound of the P5 Series 2 is most agreeable; some people may be expecting accuracy or a neutral tuning but the P5 is squarely aimed at the portable market, with the average music source (read:phones) taken into account.

Bass:

The bass of the P5 Series 2 is fairly powerful considering the driver size. It is well controlled and in proportion, but goes down low and reproduces sub-bass very faithfully. It’s a good match for the typical unamped iDevice with which it will more than likely be paired, bringing up the low end for a more engaging sound.

Mids:

The midrange is free and able to shine quite separate from the bass, and vocals are clear and enjoyable. Acoustic instruments are well rendered and harmonics give a good feel of a performance. Reverb/echo is very enjoyable and not lost during busier parts. It’s all taken in the P5’s stride.

Treble:

The P5 is a little gentle where the higher frequencies are concerned, and this is no bad thing. A lot of people find it frustrating when, because of a headphone’s brightness, high frequencies dictate what volume level a piece of music can be enjoyed at. The P5 gives enough treble to give sparkle and resolution to the music, but it knows its audience and what they’re likely to be doing – they are not listening critically when on the move. Some may want more emphasis at the top end of the frequency spectrum but B&W have gone for the common ground.

Soundstage & Separation:

Soundstage is good for a closed back, with a presentation from far outside the physical confines of the headphones and separation is very good too. A listen to ‘Flight of the Valkyries’ had me convinced that one would collide with me at any moment.

Music genres good for and why:

As implied above, classical music is made very rich and full with the P5, along with jazz, opera and any genre where the space in which the recording is made is part of the enjoyment.

Heavy Metal is pressing and immediate, Disco and more modern Dance Music certainly benefits from the low bass … and something older such as Rock n’ Roll is fully rendered in all its midrange majesty. The P5 is a great all-rounder.

Pros:

Stylish and light
Light, removeable mic cable
Spare stereo cable
Good isolation

Cons:

Initial clamping force
Some may expect a brighter sound

Summary:

The Bowers&Wilkins P5 Series 2 makes for perfect company during those long journeys when we’d prefer to be unencumbered by additional amps, DACs and other gadgets needed to get the best from our other equipment. The P5 is designed and tuned to sound amazing straight out of any phone, so that we may travel light!

The post B&W P5 Series 2 Headphone – Expert Review appeared first on HiFiheadphones.

Pros

• Impressive sound quality

• Stylish good looks

• Soft and pliable earpads

Cons

• No Storage Pouch

• Headband covering may get tired

Verdict

We weren’t expecting anything which would impress us this much; Bang & Olufsen’s products were always to cater primarily for the full size hi-fi market and we were guilty of a touch of cynicism where a B&O headphone was concerned. We certainly stand corrected and they say pride comes before a fall; well now we’ve certainly fallen for the H2!

Intro

When the letters ‘B’ and ‘O’ come together the result is usually something that’s less than desirable, but put an ampersand (&) in between and things begin to seem rather more pleasant!

Bang & Olufsen is perhaps best known for its full-sized hi-fi equipment but has produced headphones for the past few years under its B&O PLAY moniker; currently it has an full-sized over-ear model in the H6, the In-Ear H3 and for an on-ear it has brought out the new H2.

Key Features

Things are kept simple as is B&O’s usual brief; we have the headphones themselves, a cable and a generous 3 year warranty (2 if you don’t register the product online with B&O).

The cable features a 3-button arrangement for use with smartphones and iPhones, though functionality may be limited depending on software.

First Impressions

The earpads are have a very well made and opulent cushioning quality like the KEF M500; good thing too, because at first the headband is very unremitting and springy leading to a lot of clamping power. This should clear up after a couple of days of use.

The fabric covering the headband and the outward-facing part of the earcups is a light beige/manilla colour, leading to some concerns about how they might look after some months’ use. Fortunately darker colours are available if this is a worry. It’s a look sported by the Sennheiser Urbanite range; could this be a new trend?

Sound Quality

Tested with an Astell&Kern AK120, the H2 really impresses!

Bass is at the same time voluminous and well controlled; voluminous in the area it occupies within the soundstage. It seems to come from all around! It’s there in quantity as well; giving a definite heavy foot to proceedings, but without damaging the floor.

Midrange is just as big in terms of its depth and width – there’s lots of space in there and the wearer gets a real treat in terms of vocals,details and reverb. They can stray towards peakiness at points but this is heavily dependent on the music and the wearer. B&O have got a nice balance here.

Treble is toned down making for a warm presentation overall, and one which really works for most genres. Details and harmonics are complemented without sacrificing listening comfort.

Soundstage and separation are very good also; hard panned instruments leap out and vie for attention from the shoulders, along with subtle details not usually encountered with on-ear portables.

Summary

With the BeoPlay (B&O Play) H2, Bang & Olufsen stake their claim in the portable headphone market. It’s often attacked as trading on a well-known name rather than great products, but we beg to differ. Having tried the H2 we recognise a B&O headphone by any other name would smell as sweet!

Score 9.5/10

The post Bang & Olufsen BeoPlay H2 Headphones – Review appeared first on HiFiheadphones.

In recent years, Sennheiser has introduced some wildly popular headphones for more portable uses; from the almost ubiquitous PX100 series to the larger closed back Momentum and Urbanite models, both full-size and on-ear.

And never one to sit still, Sennheiser has introduced another flavour for the similarly restless – the Urbanite XL Wireless.

Pros

Wireless operation and track/volume control
Amazing sound
Foldable for easy storage
Comfortable for long periods
Cable can be used to save battery power

Cons

Non-removeable battery
Supplied pouch could be more protective

Verdict

Overall, a very good quality headphone with versatility to match. Perfect for travel and for relaxing at home alike, the Sennheiser Urbanite XL Wireless presents the great Sennheiser sound which anyone can enjoy. A good all-rounder, with which any genre can be enjoyed.

Key Features

The main point of note is the wireless bluetooth feature of course, and there is an intuitive touch-sensitive panel on the right side by which the user can select tracks, alter volume and answer calls. There are no buttons, a more ‘swipey’ approach has been employed, so a tap pauses, a double tap skips to the next track and a swipe up or down changes the volume.

Should the battery become depleted, a universal cable is included with similar functionality so the music needn’t stop.

The battery can be recharged via the supplied Micro-B USB cable, and like its wired forebears the Urbanite XL Bluetooth can be folded up for easy storage.

An audio cable is also supplied to save on battery power or if it is exhausted, and a soft cloth pouch for storage.

First Impressions

Given that we’re no strangers to the previously released Urbanite XL model, the design and extras are no surprise. The stylish looks, solid build and comfortable fit are never a problem to experience again but even so, the extra Bluetooth functionality has stolen the show! With an Android handset playing on one side of the office here, the headphones made it all the way to the other side of the building (some 15 metres) and no drop-outs were encountered.

The control panel on the right side is a very slick feature; however there’s always a chance that a quick touch to adjust the position of the headphones might result in an unintentional track skip but with practice this can be avoided.

Sound Quality

It should go without saying that a certain amount of quality is lost within the Bluetooth transfer method, but the result is still very pleasing; also with the MP3 still being the king of formats for many, this is not a major concern.

The bass is very well controlled and clear with plenty of punch; the micro-velour type earpads may soak up a little of the lower sub-bass region but overall the bass impact is very impressive.

Midrange gives a wonderful sense of space and both male and female vocal are well complimented, with reverb/echo easily cutting through. There’s next to no clutter here and harmonics shine.

Treble is rolled off slightly; the Urbanite XL Wireless does not hold it back, but there are brighter-sounding headphones. As it is, there is enough treble to enhance details such as percussion, but without much chance of fatigue – it’s a good comfortable sound.

Separation and soundstage are excellent; individual instruments can be picked out with the soundstage extending beyond the physical confines of the headphones themselves.

Using the cable, maximum volume was lower although this of course depends on the maximum amplification of the smartphone being used. The Urbanite XL Wireless has an internal amp which only comes into play when used along with its wireless capability.

Isolation is fair, but you may be inadvertantly sharing your music with those nearby if listening at high volume levels.

Summary

It’s a time of year when we are all looking forward to the longer days and warmer temperatures promised by summer (at least in the northern hemisphere!) and we’re to be found making plans and dreaming about lazy days in the sunshine. Snag-free music seems like a great way to enhance that feeling of freedom and those carefree (cable-free?) moments out there. With the Urbanite XL Bluetooth being worn with it’s XL earpads, our ears might be in the dark but at the same time most enlightened!

The post Sennheiser Urbanite XL Wireless Review appeared first on HiFiheadphones.

Verdict

What’s not to like about the Fidue A83? From the unassuming ‘try me’ design to the expansive sound, the A83 could take us down many rabbitholes!

Pros

• Instantly engaging

• Lovely cable

Cons

• Case is a little ungainly

Fidue is another of those makers who are peppering the market with all sorts of models at various pricepoints, and the A83 occupies their top spot just now. Despite sharing its name with a minor road up in Scotland, the Fidue A83 is warm, fast and hardly ever congested. The Fidue A83 can however bring you to ‘The Mull of Kintyre’ if you really want to go that far.

Key Features

The left and right sides are denoted by the blue and red housings of the Fidue A83; they simply beg to be worn and seem to offer a fun experience just by looks alone. Supplied tips are what can be expected for a model in this price category; there’s a good range along with the nearly ubiquitous free Comply foam tips, but don’t differ that much from those given away with budget models. The case is of the chunky ‘Pelican’ style and along with the hard foam winder/storage insert will certainly protect the earphones. The case will not easily fit in the pocket however.

First Impressions

The clear translucent red/blue plastic of the housings is matched by the outer-facing housing part which although metallic-looking, is also plastic. However the overall impression is of a solid and well-built IEM along with the best of them. The cable is the most striking feature; it is braided and is coated to avoid too much friction. It’s nice and loose so tangles are unlikely.

Sound Quality

Far from a neutral sound, the Fidue A83 certainly packs a fun punch with deep and powerful bass when called for, adding weight beneath kick drums and basslines, but steering well clear of midrange bleed. There’s no more bass than dictated by the music. Midrange is clear with a lush hint; space is well preserved and harmonics make instruments shine. Up top, the Fidue A83 is not as rolled off as most universal IEMs but there is no hint of anything which might cause fatigue in the ear. Separation and imaging are very good for an in-ear too.

The A83 is amazingly faithful to your chosen genre; trying these with some 1970s production music, the dynamic compression used is beautifully rendered and makes the bass and midrange really work together. Conversley, with some clean and clear Level 42 from the 1980s, the presentation is as fresh and clean as a new pin. The A83 takes what’s good, and makes it even better.

Summary

The Fidue A83 really are as fun as they look; but don’t let this kid you into thinking they cannot be serious too. Think perhaps of looking in a mirror and actually seeing the person you imagine yourself to be – 10 years younger, spritely and in your best light – it’s the Fidue makeover!

Score – 9.5/10

The Fidue A83 features in our BEST HEADPHONES OF 2015 REVIEW

The post Fidue A83 Earphones Review – Hybrid Unbridled appeared first on HiFiheadphones.

Verdict

Any Final Audio earphone in the Heaven series is fantastic at its pricepoint, and for the asking price the Final Audio Heaven VII offers angelic audio quality. Soundstage and detail are stunning, while the frequency response gives a presentation which is both delicate and authoritative.

Pros

• Sounds amazing

• Looks amazing!

• Good strong metal case

Cons

• Microphonics

• Cable can be worn down from the ear only

Being British here we’re no strangers to what the heavens can provide (lots of rain!); however we’ve been enjoying a few distractions lately. Final Audio’s Heaven series is no less than a perfect fusion of detail and comfort; starting from the entry-level Heaven II. The range leaves us spellbound, and a lot drier as well.

The appearance and sound of the Final Audio Heaven VII is a contrast to its stablemate the Heaven VIII, which is the fuller sounding of the two models. While the Heaven VII lies in neutral-airy territory, the golden Heaven VIII gives a lusher presentation with a little more bass. A review of the Heaven VIII is coming soon.

As well as the Heaven VIII, the Heaven VII is one of the latest in this series; it is based on a similar design to the rest of the Heavens, but borrows the capsule design from the limited edition dual balanced armature ‘LAB-1’ model which is not generally available outside of Japan and the Far East.

Key Features

Using a single full-range balanced armature driver produced by Final Audio themselves, the Heaven VII is detailed but never gets fatiguing. Bass is fully represented, mainly due to both the balanced armature and Final Audio’s BAM (Balanced Air Movement) technology which incorporates some clever tricks to improve the frequency response in the lower region, when compared to other makers’ single BA designs.

Also, the Heaven VII has been designed with ‘resonance dispersion’ in mind. According to Final Audio, this helps prevent vibrations and reflections in the housings which may lead to a detrimental effect on the sound. The casings are made using a metal-plating technique so that the colour won’t wear away or chip.

First Impressions

It’s the styling which is first to be noticed; there’s a medieval feel about them – particularly the black Heaven VII. While the design is of course down to a high-tech process, they still give the impression that they were produced by an enchanted artisan a few hundred years ago!

The jack differs from others in this range however; it’s more like the straight jack which comes with the Final Audio Hope VI full-size headphones.

Sound Quality

With an Astell & Kern K120, the Final Audio Heaven VII gives a totally immersible experience – soundstage is well beyond the physical confines of the housings, and separation is superb. Bass, as already mentioned, is not typical for a single balanced armature design; it is very well balanced with the rest of the sound and is well controlled, allowing the midrange a good amount of space to impress. The sound is very clean and exact; it neither is boosted or recessed and works very nicely. Sense of space is very real, and together with the soundstage, very big! There are moments with the K120 where high frequencies threaten to cross into strident territory, but never do. With a Fiio X3, due to the nature of the player’s sound, the Heaven VII is smoother which I prefer personally.

Summary

We’ve come to expect very high standards from Final Audio – in terms of audio quality, build quality and presentation too. The Heaven VII still pushes the envelope, giving a touch of glamour without ostentatiousness, toughness without bulk, and detail without sharp edges.

Score 9.5/10

The post Final Audio Heaven VII Earphones Review appeared first on HiFiheadphones.