Who are these brands then?

Final

Final is one of those brands. What most people do not know is that Final has been creating some of the finest audio products since 1974. In their home of Japan, Final is regarded as hi-fi royalty. Over their long history, Final has developed a wide range of products from turntable cartridges, hi-fi stereo amplifiers, speakers and more recently, headphones and earphones. Their latest venture is wireless audio, where they have had huge success releasing the UX3000 wireless headphones, ZE3000 true wireless earphones and most recently, their flagship ZE8000 ANC true wireless earphones.

Final ZE8000 ANC True Wireless Earphones

Final’s flagship true wireless earphones are their most advanced release to date. Almost 50 years of hi-fi experience has been packaged into this portable gem. The ZE8000 gives us an insight into the passion and drive towards excellence that is at the core of why Final do what they do. For the ZE8000, Final has developed a number of new technologies from custom made drivers, Class-AB amp integration with dedicated signal processing and software breakthroughs such as 8K Sound, Volume Step Optimisation and sound quality prioritised ANC. The ZE8000 is the closest you can get to wired IEM sound quality from an ANC true wireless earphone.

Campfire Audio

Another ‘new’ brand on the scene is Campfire Audio. They are new when it comes to the world of true wireless, however they have been making some of the finest, and highly regarded IEMs since 2015. Even before 2015, the team behind this creative boutique brand came out of ALO Audio; leaders in developing headphone amplifiers, interconnects, and cables to audiophiles all over the world. Their history and experience, paired with a passion for art and bombastic creativity has resulted in some of the most stand-out IEMs the audio world has seen. Legends such as the Andromeda and Solaris are still regarded as some of the best, and now it is time for Campfire Audio to do the same to the world of wireless with their first ever true wireless earphone: Orbit.

Campfire Audio Orbit True Wireless Earphones

Staying true to their eye for striking design and love of sound quality that aims to please, Campfire Audio’s Orbit perfectly encapsulates these values. This is no ordinary audiophile product; the tuning of the Orbit aims to please all music lovers with a rich and luscious sound. The Portland, Oregon team developed a custom 10mm full range dynamic driver to sit at the heart of the Orbit, with the internal chamber designed to bring out every ounce of detail. This along with the unique design and colour choice means that the Orbit is well suited to those who appreciate style, originality, and creativity for an enhanced musical experience.

Noble

Last up is Noble. For 10 years now, Noble has been creating some of the most beautiful and technically marvellous IEMs money can buy. Headed up by the ‘Wizard’ himself, John Moulton, who is one of the main players when it comes to the IEM industry we know today. Noble specialise in both custom-fit IEMs as well as universal-fit, using only the finest materials and managing to effortlessly pack multiple driver configurations into their models. Only magic can explain this. Noble first released a TWS model in 2019, gaining high praise and multiple awards. Now we have the latest, and most impressive true wireless earphone model: FoKus Mystique.

Noble FoKus Mystique Triple Hybrid-Driver True Wireless Earphones

Once you get over the stunning craftsmanship of the FoKus Mystique, there are plenty of other ways for you to be well and truly stunned. Firstly, Noble has packed one 8.2mm dynamic and two Knowles balanced armature drivers inside each earphone. This hybrid configuration not only uses the finest driver technology, the result is sound quality that most wired IEMs would struggle to compete with. The design is very unique, resembling a custom IEM with the shape and contours crafted to fit perfectly in your ear. The Noble FoKus Mystique is for those wanting the very best, and the most beautiful when it comes to what is possible in wireless audio. You will have to pay for it, however those who are willing to will not be disappointed.

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Andromeda ‘Emerald Sea’: Improved Ownership Experience

Not only have the earphones been given a makeover, the entire ownership experience has been enhanced. The main addition here is the wooden presentation box that the Andromeda is packaged in. Reminiscent of a cigar box, this packaging is like no other. Remove the lid and slot it into the base, then attach the bronze hand and you have the most original earphone presentation stand I have ever come across. In the words of Campfire Audio, nicely done.

As for accessories, the selection provided is equally impressive. You get a wide range of eartips with a mixture of foam and silicone. You get two carry pouches. One for the earphones and one to store the extra cables that come with the Andromeda. Campfire Audio has included three Time Stream cables: 2.5mm, 3.5mm and 4.4mm. These new cables feel great and house silver plated copper conductors. Providing three shows how dedicated Campfire Audio is to the experience.

Complete Re-Design

The earphones themselves is where Campfire Audio really make their statement. Gone is the severe, angular shape of the old Andromeda. For the ‘Emerald Sea’, the housings are smaller, smother and more streamlined. This is also a new shape for Campfire Audio, and this really adds to the comfort of the earphones. This shape works perfectly for me, nestling nicely into my ears with no feeling of pressure even after a long listening session.

Low distortion and superior stability.

Internally, the engineers have also gone to work, using brand new drivers and also redesigning the interior chamber. Five custom, dual-diaphragm balanced armature drivers are housed inside each earphone. These drivers have been chosen for their low distortion and superior stability. These drivers have been placed within a newly designed internal 3D-printed chamber.

Less Sensitivity. More Flexibility.

Another change that I think is worth mentioning is that the Andromeda ‘Emerald Sea’ is less sensitive than previous Andromeda versions. This is a big change, as one of the issues I found previously is that the Andromeda was always very picky about which devices it worked well with, and part of that pickiness was down to its sensitivity. The new ‘Emerald Sea’ is less picky, meaning there will be more people out there who can enjoy this stunning earphone.

An overall more balanced and believe it or not; an even more enjoyable listen.

Andromeda ‘Emerald Sea’ – How do they sound?

Now, what does all of this mean? The result of this overhaul is a listening experience that has taken an already sublime sound provided by the older Andromeda, and added a new layer of fluidity and finesse in the ‘Emerald Sea’. Bass is as present as ever, this time with an improved roundedness and coherence which allows the mids to sound more effortless than before, especially in the higher end.

This Andromeda has kept the organic quality that made has made the Andromeda so successful over all these years, yet there is something new here, a new smoothness in the higher peaks which now allows other frequencies to show themselves even more for an overall more balanced and believe it or not; an even more enjoyable listen.

The post Campfire Audio Andromeda ‘Emerald Sea’ Review appeared first on HiFiheadphones.

Aesthetics and Build Quality

Campfire Audio’s Andromeda is about as bold as you can get when it comes to its design. The housings are made from machined aluminium, with a deep forest green anodised finish. The finish has been updated in this new version of the Andromeda, with a much smoother coating and a slightly richer shade of green.

The sound tube is made using stainless steel, which I am sure not only benefits the acoustics. It looks very striking too. Overall the Andromeda feels robust and built to last, while managing to stand out with its unique character.

Features and Comfort

Campfire Audio earphones have a very distinctive look, and the Andromeda is their champion. The design is very unusual, with a slightly futuristic shape to them. The shell’s design allows it to catch the light at different angles, which gives off a multitude of different shades of green. That is not the only purpose of this shape, the angled design provides superb comfort. The Andromeda sits perfectly in my ear, and with the included Final silicone eartips – the fit is snug and they seal extremely well which also helps towards isolation.

Another great feature of the Andromeda is the supplied cable. An upgrade on the older version, this time the Andromeda comes with their popular Silver Plated Copper Litz wire covered in a new smoky jacket. The cable is also more flexible than the previous version and uses a lightweight moulded ear hook design instead of memory wire – a definite improvement.

Campfire Audio don’t stop there, the Andromeda comes supplied with a newly designed leather carry pouch, foam and silicone eartips, a cleaning tool and even a fancy Campfire Audio lapel pin.

Sound Quality

The best way I can describe the sound of the Andromeda is organic. Sound comes across effortless, well balanced and with an impressively natural soundstage.

Bass

Bass comes across with authority and punch. It goes low and manages to keep controlled, even with more bass heavy tracks. Bass performs equally well with intricate instrumental, heavy rock and electronic music. This shows that the bass has been tuned to do what is needed, letting the quality of the production do the talking.

Midrange

Thanks to the controlled bass, there is no risk of the midrange getting over shadowed. Mids come across extremely clear with a musical richness – this is a welcome change from the analytical sound that is common amongst high-end earphone models. Vocals have presence and whether male or female, they sound uncoloured, engaging and with emotion.

Treble

Campfire Audio uses their very own Tuned Acoustic Expansion Chamber in the Andromeda, designed to improve treble extension and soundstage. This is very clear and noticable. Thetreble provides just the right amount of definition without going harsh or sibilant. Then, in addition the extension provided by the T.A.E.C. goes on and on, creating width and space with superb separation.

The post Campfire Audio Andromeda IEM Review appeared first on HiFiheadphones.

As the title states, Campfire Audios Caleb Rosenau has sat down with Omar once more to broaden his musical horizons.

“As part of Omars IEM journey Caleb suggested it was a good idea to have a listen to their highest end products. It didn’t take a lot of convincing for me. Brew a cup and join Omar and Caleb for a chat about high-end IEMs. What goes in to making them and what kind of audio experience can you expect for a £1500 IEM.”

Without further ado, the whole podcast can be listened to via Spotify here.

Oscar and John have obviously also spent some time with many Campfire Audio models. You can read Johns review of the Andromeda here and Oscars of the Solaris here. If videos are more your thing then we also have you covered! We have video reviews of all models on our youtube channel here.

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Caleb talks emphatically about taking a less is more approach when designing their new budgeting offerings. The Satsuma has been fitted with a single balanced armature (BA) driver and the Honeydew packs a 10mm Dynamic driver inside. Both IEMs focus on comfort, fit, and a each IEM has a tailored sound signature to reflect customers feedback. They also provide a significantly different listening experience from device to device. Make sure to listen to the Podcast to find out more!

Omar and Caleb start talking in detail about the Honeydew and Satsuma around 75 minutes into the show. Before that, they talk about all manner of topics within the Audio world. Ranging from current trends to expectations and why Campfire Audio has not jumped on the TWS bandwagon. It is an interesting listen and well worth the time investment. You really feel that Caleb wears his heart on his sleeve. In addition to Omars thoughtful questioning and dedication to the topics at hand, there is a lot to learn and marvel about this fascinating brand and to ponder just what heights they will surely reach.

The whole podcast is available to listen to via Spotify here: Conversations With: Caleb Rosenau of Campfire Audio

Oscar has obviously also spent some time with these beauties. You can read his review of the Honeydew here and the Satsuma here. If Videos are more your thing then we also have you covered! We have just released a comprehensive video review of them both together on our Youtube channel here.

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Fit and Comfort

Campfire Audio Mammoth Review – These have the same for factor as a lot of Campfire Audio’s models, it’s a tried and tested design that fits well in most peoples ears. The new-ish longer nozzle design means they fit more securely without any difference in comfort for me. The shell is angular on the outside but the inner edges are smooth, the size is also great meaning they don’t stick out too far.

Comfort with the right tips is excellent, the smooth inner housing, the soft cable and correct tips will allow you to listen to these for hours on end without any discomfort.

Compatibility

The Mammoth are not hard to drive, however due to their low impedance and high sensitivity it is best you pair them with a high quality source – this will ensure you hear them as they are designed and also reduces the risk of any unwanted background hiss. Ideally you need a DAP with sub 1 Ohm output impedance to help with this.

Sound

Bass: This is a new hybrid model from Campfire Audio, and we all know that means lot of lovely bass, the Mammoth are no different. There is a real emphasis on the bass, and it is quite a broad emphasis, there is effortless sub-bass extension paired with hard hitting and impactful mid-bass presence. The slight downside to this presentation is that there is inevitable bleed into the midrange, and on certain tracks this does lead to lower male vocals sound a bit muffled. For the most part though these are incredibly energetic and engaging and the bass is just fun yet articulate and detailed.

Midrange: The midrange is surprisingly good, it seems to depend on the mix and genre a lot as to whether it cuts through well or sounds a bit muffled and overly warm. These are no way near as v-shaped as the Polaris II, the midrange is well presented with good detail, female vocals are less affected from the bass bleed and thus sound a little more faithful. Electric guitars have sufficient bite to them, and the midrange is well presented when you take in to account the power from the low end. Just remember these are not tuned for those wanting a neutral and intimate midrange, and you should be pretty impressed with them.

Treble: The treble isn’t as boosted as the old Polaris II, it isn’t quite as sharp or in-your-face however it isn’t laid back and lacking sparkle. These have great detail in the treble region and there is plenty of energy and good extension, they do roll off a little which robs them of a little bit of air and space, but the tonality is very good. They are crisp and responsive, they are snappy and clean without being fatiguing or over the top.

Soundstaging and Genres

The Mammoth may have a warm and thick sound but the sound is quite spacious and has good width and air, the treble presence greatly helps these from sounding closed in. There is excellent stereo imaging too, with a very accurate placement of instruments within the soundstage.

Genre wise these work well with a lot to be fair, rock is engaging and powerful, pop is snappy and full sounding, however they wouldn’t be my first pick to jazz/acoustic/classical just due to them having a more engaging sound that doesn’t really suit these genres. EDM lovers will really enjoy the Mammoth – the amount of bass on show without missing out the midrange and treble works wonders with this kinds of music.

Who are they for?

• Anyone wanting a more fun and powerful sound
• Those looking to get in to the Campfire Audio sound without breaking the bank

The post Campfire Audio Mammoth Hybrid Earphone Review appeared first on HiFiheadphones.

Fit and Comfort

The Vega 2020 are ergonomically designed, with a slim and smooth housing allowing for a comfortable fit. Once you find the right tips they fit in securely and the smoky litz cable is still one of my favourite stock earphone cables. The ceramic shell is really well finished and looks great in white, the stainless nozzle is similar to other Campfire models and helps with getting the right insertion depth and angle.

Compatibility

The Vega 2020 are not the most sensitive earphones around (94 dB SPL @ 1kHz: 19.86 mVrs), which means they do enjoy a little more power than some out there. They will be driven ok with a smartphone but definitely work best when paired with a clean and neutral sounding DAP with good power output.

Sound

Bass: The Vega 2020 are tuned with bass in mind, these are not a balanced or remotely neutral sounding earphone. Providing you give them the right music they really can be a lot of fun, the sub-bass presence is truly impressive and there is moderate punch too. They don’t slam quite as hard as the Polaris II, but they have better sub-bass performance, leading to a fuller and more mellow presentation over the more visceral punch of the Polaris II. If you enjoy a full bodied earphone the Vega 2020 might well suit your needs, but the sub-bass can be a little dominating on certain tracks.

Midrange: The midrange is quite relaxed on the Vega 2020, it takes a step back from the bass and just kinds sits there doing nothing particularly remarkable. The bass does occasionally throw off the balance of the midrange due to it’s power, but overall the midrange is well layered and separated with good detail retrieval. Where it does do well is smoothness, there is never a hint of harshness or sibilance in the midrange, it’s very easy going. Acoustic tracks seem to play well on the Vega 2020, as the sub-bass doesn’t come out and overpower the midrange as much, leaving guitars and vocals to shine through with a pleasant warmth.

Treble: The treble, much like the midrange, has a fatigue free presentation with a slight lift in the upper treble to bring out some sparkle. There is good energy up top but ultimately it is still not up front or overly exciting. There is good tonality in the treble region with realistic sounding cymbal crashes and synths sound great too. They are not tuned to be overly critical up top, and that’s not a problem here because they are supposed to be a laid back, full bodied and warm sounding earphone whilst retaining good detail and clarity overall.

Genres and Soundstaging

The Vega 2020 lend their hand to modern pop / R&B / Hip-Hop and also electronic based genres, the bass really shows what it can do with these genres whilst the midrange and treble stay fatigue free and smooth. Acoustic music also sounds impressive with a pleasant warm tilt overall. The sub-bass can be a little too dominating when listening to things like jazz.

Soundstaging is usually a strong point for Campfire Audio, the Vega 2020 doesn’t disappoint with pinpoint accuracy but I wouldn’t say they are the widest sounding IEM’s for the price. Imaging, separation and layering however are all great.

The Vega 2020 have me torn, during some slower rock tracks I find the bass too strong and overwhelming, however I have a feeling someone at Campfire Audio is a Slipknot fan. It happened with the Solaris 2020 and now the Vega 2020, they suddenly sound tight and controlled with great clarity and speed whilst still retaining a highly energetic and fun sound. It also shows how different recordings make a big difference in the end presentation, there’s some sort of synergy between Slipknot’s mixing and Campfire’s tuning and it rocks!

The post Campfire Audio Vega 2020 Review appeared first on HiFiheadphones.

Trusted Reviews Recommends

Campfire Audio Andromeda design – An eye-catching look

“The size of the soundstage is the biggest takeaway from the Andromeda. It’s impressively wide, with the staging of vocals and instruments excellent. This creates a vivid sense of depth and scale.”

“They’re a confident sounding pair of IEMs, happy to take whatever music you give them, whether fast-paced or more gentle.”

“vocals are backed up by the Andromeda’s impressive feel for the low-end, as well as an equally impressive stereo image that exhibits the Andromeda’s skill in creating an expansive soundstage.”

Read the full review HERE

Andromeda is the accumulation of Campfire Audio’s earphone crafting expertise and with a refresh this leading monitor earphone goes beyond the classic audiophile realm. With a more refined housing, updated Litz cable and stunning premium leather case the Andromeda aims to be the best monitor earphone out there.

Five balanced armature drivers unite in the 3D printed cavity of the Andromeda to transude an unequalled and authoritative sound on all levels. The driver configuration comprises of five BA drivers that include two high-frequency drivers with a Tuned Acoustic Expansion Chamber, one mid-frequency driver and two low-frequency drivers. Together the drivers deliver a sound that is usually unachievable using traditional configurations.

In this refreshed version Campfire Audio have updated their original silver-plated Litz cable with a stunning smoky jacket that compliments the visual aspect of the new Andromeda. A change to the earhook design on the cable now replaces the memory wire for an even more lightweight and comfortable experience.

BUY NOW: Campfire Audio Andromeda 5 driver earphones

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Aesthetics and Build Quality:

Much like all other Campfire models, the Polaris are a thing of beauty. The precision CNC’s machined housings look perfect, the blue really does stand out against the black screws and smoky cable. Even the case compliments the colour scheme. Campfire, in my opinion, make some of the best-looking IEM’s out there.

Build quality is another strong point, the metal housings are perfectly finished, and the MMCX sockets are some of the best I have ever come across. The cable is a silver plated litz cable that is twisted, with good strain relief on the 3.5mm angled jack. I can see the anodised finish showing scratches in the long run, but I personally find that adds character to them.

Comfort and Isolation:

The housings may look uncomfortable but the inner sides have softer edges and once you find the right tips the Polaris are incredibly secure and comfortable to use. I found them to fit and sound best with foam tips, but this is down to personal preference. The cable now uses pre-moulded ear-hooks which I find to sit much better than stiff memory wire, it’s great to see more brands using this. My one tiny gripe here is driver flex, which is quite present when you first insert them.

Isolation is very good, perfect for daily use and commuting, even though the housing is vented for the dynamic driver, I don’t find this impacting isolation much.

Sound:

Bass: This is the part that is immediately noticeable when you first try the Polaris, and for good reason. These are made to deliver a very full and powerful sound, and they do that without fault. The bass carries real weight and impact, you feel as well as hear the notes. The bass may be the prominent frequency band on these, but they do this without totally masking the rest of the frequency response. They are not a dark, bloated mess, yet they still have a bass-heavy signature which is very impressive and a lot of fun. The sheer weight and power of the low end is quite astonishing, yet it manages to steer clear from masking the mid-range too much, only giving the lower midrange a hint of warmth.

Midrange: The midrange is clear and detailed, yet does come across a little behind the bass in terms of absolute presence. The lows do give a little body to the lower midrange, but the upper midrange is quite up front. The transition from the upper midrange to the lower treble is not the smoothest, bringing out a bit of sibilance in the recording. They do not suffer badly from sibilance, but it is there nonetheless, and more present than a few other IEM’s that are a little smoother. The Polaris trade off a little refinement for fun factor, and I honestly am fine with that. They are engaging, the midrange is clear and well defined, especially when you compare it to the bass.

Treble: Due to the T.A.E.C technology, the Polaris has an incredibly open and airy top end. The treble extends effortlessly with excellent tonality and presence, however is it not peaky or harsh. The openness of the top end really aids the soundstaging capabilities of the Polaris, offering a really spacious sound that is not congested or closed in. There is plenty of detail up top and the energy is what mainly prevents the Polaris from sounding too dark. I really do enjoy the treble performance of the Polaris, providing the perfect balance between being there and clearly audible, but not bright and overbearing. Campfire don’t need to artificially boost the top end to give a sense of extra detail, because the detail is there and audible.

Conclusion

The Polaris are one hell of an IEM, with a very powerful and engaging sound signature. The bass is there by the bucketload, yet the midrange is detailed and only slightly behind when it comes to presence. The highs are effortlessly extended and packed full of detail, giving them a sense of space and air that really opens the Polaris up. Overall a great buy if you want an engaging and powerful IEM.

Sound:  4/5

Comfort: 5/5

Build: 5/5

Value: 5/5

The post Campfire Audio Polaris 2 Review appeared first on HiFiheadphones.

It’s Hifiheadphones’ pleasure to announce that the full range of Campfire Audio products is now available from our outlet!

..and it’s a real test of our professionalism to be able to stop listening to one of these excellent models in order to try another one.

• Comet

This entry-level model features a vented, full range single balanced armature driver; we say ‘entry level’ as it’s the cheapest of the range, but it sounds as good, or better than a few more expensive models from other makers.

Warm and natural sounding, excellent detail, decent treble presence yet smooth. The Tuned Acoustic Expansion Chamber System (TAEC) helps to keep realistic and convincing imaging and wide soundstage.

• Orion

Next up, the Orion sports a single full-range balanced armature provides well controlled bass without going overboard. It’s a little more V shaped, with great soundstage and separation. There’s more treble presence but it preserves a smooth feel.

• Polaris

The Polaris features a hybrid balanced armature and dynamic driver design; the 8.5mm dynamic driver is housed in a ‘Polarity Tuned Chamber’ which increases performance, whilst the single BA benefits from the Tuned Acoustic Expansion Chamber System. Bass is warm and textured but restrained with midrange offering excellent vocals, and treble adding some well judged glitter.

• Lyra II

With a single full-range custom Beryllium PVD dynamic driver, the Lyra II exchanges some of the smoothness of the previous models for a little more cleanness in the treble region. Bass is very impressive with some good extension and midrange is very rich and natural sounding.

• Jupiter

The Jupiter’s two high and two low balanced armature drivers, plus the TAEC in this design dials the sharpness down a little, and provides a very engaging and musical presentation. Bass abounds, but only in a way which is fitting to the music played. Midrange has amazing clarity which is not forced, and treble is fully present but well tuned for those who may find listener fatigue a problem.

• Dorado

With hybrid dual balanced armature and beryllium PVD single dynamic driver/TAEC, the Dorado gives a little more bass presence and a midrange which is well suited for vocals. Treble is smooth, with good extension and an excellent sense of space.

• Vega

Featuring a single full-range 8.5mm non-crystalline diamond dynamic driver, the Vega packs a punch in the sub bass region, with some great texture down here. Mids are clear and snappy, with treble giving a little bit of sparkle and air. Soundstage and imaging are very impressive.

• Andromeda

The Andromeda sports a five BA design, with two for the lows, one for the mids and two for

the highs which benefit from the TAEC treatment. The result is an earphone that has become very well known in the industry recently, with lows feeling fleshy and palpable, mids smooth and natural, and treble strikes a good balance between being revealing and laid back.

• Atlas

With a full-range dynamic driver made from A.D.L.C. (Amorphous Diamond-Like Carbon), the Atlas model heads up the current in-ear range with some masterfully controlled bass presence, a warmish and clear midrange and a crisp, natural treble.

• Cascade

Not ones to rest on their laurels, Campfire have also produced a portable over-ear model in the Cascade. It’s user-tuneable to some degree using the supplied dampeners in the earcups but is sure to please all who try it. The dynamic drivers produce some excellent and well controlled sub-bass, with well balanced midrange and treble which draws the listener in to enjoy all that detail!

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