Westone Audio’s AM PRO X series of universal in-ear monitors have just been announced and those of you lucky enough to be at the Hong Kong High-End AV will be some of the first to try them! Available in three driver configurations, the AM PRO X series has been designed for stage artists to get the very most from their performance. Westone Audio have used their in-house, advanced balanced-armature technology and paired it with their StageSense filter system to provide artists with a monitoring system that offers a carefully balanced mix of audio as well as feedback from the audience and fellow performers on stage.
Am Pro X30
Release Date and Pricing
The entire range will be available to buy on 15th August 2023 from Hifiheadphones with the following pricing:
Typically, performers have had to choose between a dedicated in-ear monitor mix or an ambient experience. Meanwhile with the AM PRO X series, you can now hear and feel the energy and input from the audience, your fellow performers and the stage alongside the superior audio clarity, frequency response, and punch that Westone Audio moniters are famous for providing. Furthermore, the passive StageSense filter system is built into the housings on all AM PRO X models. In short, this provides linear attenuation, reducing external ambient noise by 10dB and providing the user with a clear sense of their environment without jeopardising any audio quality. In addition to this, by using custom-made balanced-armature drivers as well as the latest cable technology (featuring Westone Audio’s professional quality twisted tensile copper cable, and innovative T2 micro connectors), the AM PRO X range ensure a low profile fit designed with the longest product lifetime in mind. All AM PRO X models incorporate Westone Audio’s passive StageSense technology.
The smallest of the range, providing ultimate comfort and fit for musicians and performing artist who want a sleek and subtle design. Accordingly, the AM PRO X10 houses a single balanced-armature driver and delivers a clean and balanced sound.
With dual balanced-armature drivers and a passive crossover, the X 20 provides increased dynamic range and impact while maintaining balance and clarity throughout. Of course, as we all know, Westone Audio’s housing design is renowned for its comfort and superior fit.
SENSITIVITY: 119 dB @ 1mW
FREQ. RESPONSE: 20Hz – 18kHz
IMPEDANCE: 27 ohms
DRIVER: Dual Balanced-Armature, with passive crossover
The ultimate stage monitors. With three balanced-armature drivers and a 3-way passive crossover provides soundstage that features powerful lows, articulate mid-range, and crystal-clear highs. All in all, you get impressive performance, power, and output for any stage that will meet the demands of the most discerning musician and music lover alike.
SENSITIVITY: 124 dB @ 1mW
FREQ. RESPONSE: 20Hz – 18kHz
IMPEDANCE: 56 ohms
DRIVER: Triple Balanced-Armature, with 3-way passive crossover
In addition to the earphones, each model is supplied with a proprietary T2 cable with 3.5mm jack, 5 pairs of patented ergonomic silicone ear tips, 5 pairs of ear tip technology comfort foam ear-tips, impact resistant Monitor Vault and a cleaning tool.
Let the world in, and set the stage for the best performance of your life.
We know how important it is to find the right earbuds; whether they are for your smartphone, music player, DAP, laptop, tablet or hi-fi system. Whether you call them in ears, IEM, in-ear headphones, earphones, earbuds, or anything else, this is the post for you. We’ve gathered our picks for the best earbuds that you can buy today. Welcome to our Best Earphones 2023 breakdown!
Designed with gaming and VR users in mind, the E500 delivers impressive spacial awareness and pin point accuracy. These qualities don’t only favour gamers – they give music an edge with clear imaging and a soundstage that brings you right into the mix. All of this for under £20 makes them a no brainer for those looking for a budget wired earphone.
With various SoundMAGIC models already available, what can the E11/E11C bring to the table? Well, Everything! We have found the E11 to be a grown-up earphone with a keen knack for giving a clear and accurate presentation across the board. A truly impressive earphone for the price and in 2023 it is still the wired budget king.
3. final VR2000 Virtual Reality In Ear Isolating Gaming Earphones – £59.99
The VR2000 builds on the immense success of their gaming earphone predecessor the VR3000, which is known for their overwhelming spatial expression. The VR2000 focuses on the rapid response and aims to make object sounds within game audio more noticeable. Many typical gaming earbuds and headphones emphasize an exaggerated sound quality, aiming to accentuate sound effects for a more dramatic experience for the user. But in competitive gaming such as arcade fighting (Tekken), FPS (Apex Legends), Third person shooters such as Fortnite or rhythm games sich as Osu! it’s no exaggeration to say that the player’s quick judgment in reacting to sound effects can largely influence the outcome of each round. The VR2000 is a set of professional-grade earbuds developed specifically for players who are serious about winning.
Final Audio have collaborated with Dragonball Z to produce 3 iconic and unique models based on main characters. The Frieza model is specifically designed for ASMR content. But it is also perfect for watching movies, animations and videos In general. Absolutely one to consider, if you use your earphones more for Audiobooks/ Movies over music (although they are great at that too!). They are also really small and light, so perfect for those with smaller ears or those who find it difficult to find a pair of buds that are comfortable and a great sleeping buddy (for when listening to music in bed is your thing)!
True wireless earphones for the audiophiles and purists out there. The final ZE3000 don’t have many of the bells and whistles. They have no ANC, no ambient mode nor wireless charging. However they were designed from the bottom up for ultimate sound quality and in that they totally succeeded. They also look abolutely fantastic and fit perfectly. What more could you ask for at £119!
Considering you can spend the same on Sony, Bose, Sennheiser and Apple – the Orbit provides audio that surpasses what the other popular brands would only dream of. Yes, you don’t get noise cancelling or fancy app tech with 1,000,000 features. What you do get is a product made by one of the best in the audio biz, and sound that you would normally need to pay over £1000 for…
Stage musicians rejoice! Musicans of the past were limited to selecting either an isolated in-ear monitor mix or an immersive wedge based experience for monitoring. With the Am Pro X20 you can now enjoy both the energy and input from the audience, as well as from other performers and the stage. With Westone Audio’s exclusive StageSense Ambient Technology you are in total control of your musical environment. You can enjoy full-range frequency response from your in-ear monitor signal, hear and feel your surroundings and engage with fellow performers and your audience like never before. The AM Pro X series is a recommended universal solution for on-stage monitoring and band practice.
8. Final ZE8000 – ANC TWS Earphones £299.00 (Currently on Special Offer for £199.00!)
Final’s flagship TWS earphone is finally here and a cause for celebration by many audio fans out there. The design is like nothing else out there today. The looks and comfort of these earphones are unique and extremely effective. Add to that a fantastic sound quality that challenges some of the finest wired earphones out there as well as all the bells and whistles you expect from a TWS earphone these days and you have quite the package.
Final’s new addition to the “A” series, The A5000 is a wired IEM that punches far above it’s price in terms of sound quality. Style aside, the bass is powerful and tight, the mids and the highs fabulous. Final have proven time and time again that you do not need to spend an arm and a leg for a quality earphone. For anyone looking to upgrade their gear on a budget, look no further. Final Magic for £259.00? Yes please.
The U4s is 64 Audio’s new, blue & cheapest UIEM coming in at £1099.00. The hybrid construction delivers a richer and deeper sub-bass then their next cheapest universal model the U6t (which is made up from a full BA driver set up) thanks to the dynamic driver under its hood. The U4s comes with 64 Audio’s all new M12 Apex module, meaning you essentially get four different sound signatures out of the box. You are after an open sound with as wide an image as possible? Then slot in the MX or the M12. Want more bass? Say hello to the M20 or M15. The versatility of these is great and the energetic sound from the U4s will keep your attention for years to come.
With the A8000, final prove that multiple drivers aren’t necessary for producing mind blowing audio. One driver is all that’s needed! Final don’t settle with any old drivers either. For the A8000, Final has developed their custom made ultra thin Beryllium foil driver. Along with Final’s four chamber housing design, the A8000 gives high resolution a whole new meaning. These need to be heard to be believed.
What started out as the Nio 2 evolved into a whole new word (and a UIEM) that never existed before. The Volür. The newest Universal IEM from 64 Audio. The pulsating heart of which is made up of two new custom 9mm dynamic drivers set in a True Isobaric configuration that delivers unprecedented low-frequency capability. The low end of the Volür will simply blow you away. It is easily one of the best technical performing earphones that has a “fun” sounding signature. Those purple abalone faceplates also look fabulous.
The Solaris ‘Stellar Horizon’ has a sound that arguably has not existed before. They are the realest sounding IEMs out there today. If you didn’t know better, when they are in your ears, you would assume that the audio was coming from a huge acoustically treated chamber filled with musicians all playing just for you. Bass sounds real. No boom or overdoing it. Mids sound real. The tone, texture and timbre match exactly the experience of listening to drums, guitars and vocals being performed live and in person. A must have.
With only 500 units avaliable worldwide, and only 2 left for sale in the UK, this unique IEM is already a collectors Item. With the second and final reimagination of the Fourte, it is better than ever. The boundaries have been pushed even further in showing what’s possible with only 4 drivers. If you are a fan of 64 Audio, this is a must have and reviewers are are claiming this is one of the best UIEM’s ever made. See Ulf Kaiser’s review from Kopfhoerer.de below!
Honourble mentions to the Trifecta, Fourté , LCD i3, OV800, and many more out there! What is your favourite? Please feel free to leave a comment below and let us know…
Introducing Campfire Audio‘s new iteration of the Trifecta, the `Astral Plane´. Available March 2023! The new generation of IEM’s released by Campfire Audio in 2023 have realised their new vision. The new Trifecta looks fantastic. It also brings Captain Francis Aristarchus’ latest discovery to a whole new audience.
Campfire Audio Trifecta Astral Plane
Campfire Audio Trifecta `Astral PLane´
The Trifecta is a masterpiece that is known to envelop the listener in rich, towering waves of sonic impact. Its stunning presentation and head-turning style produce an astounding experience in form, function, and aesthetic. Furthermore, optically clear nylon housing provides a window to its internal components, revealing the Trifectas three 10mm ADLC diaphragm dynamic drivers with gold-plated cases. As well as this, individually vented drivers face one another in a unique triangular configuration ( a design that is patent pending). On top of this, their performance is further enhanced by an acoustically tuned chamber. Together the three custom drivers create a breathtakingly massive sound. Now with a new colourscape, Campfire Audio discovery number five can be yours this March!
Trifecta “Astral Plane”
Accessories and More
It is known that good things come in threes. So it is no surprise that with The Trifecta Astral Plane you get Campfire’s new Time Stream cables with 2.5mm, 3.5mm, and 4.4mm terminations all included. In addition to this, it comes supplied with an impressive amount of accessories and a newly designed carry case, (as seen in the pictures below).
To complete the experience, the Astral Plane is also shipped in a completely unique presentation box. Campfire Audio have spent the last few years creating a new way to present their products in a way that authentically communicates their creative vision. To conclude, it is safe to say that the Astral Plane delivers in spades here and realises the evolution of the brand. As well as promoting exactly who they are. Captain Francis Aristarchus could only be proud.
64 Audio are finally offering up their most popular custom IEM in universal form. The U6t has a smooth and balanced sound that makes it a superb everyday earphone for the majority of people.
64 Audio have used the same universal shape for the U6t as their other models (U12t / tia Trio etc…) and this is a tried and tested design. Offering up smooth edges with a good length nozzle for a secure fit and great comfort. Once you settle on the right size tips for your ear canals, they fit securely with the new included cable being more ergonomic and comfortable.
The U6t fit comfortably in your ears. They are also extremely comfortable for long listening sessions. The new cable is softer and has pre-moulded earhooks which, in my opinion are always more comfortable than stiff memory wire. 64 Audio provide plenty of eartips with the U6t. So try them all to find which suits you best!
Compatibility
Whilst the U6t is easy to drive, and has 64 Audio’s LID technology meaning there won’t be drastic sound signature changes between sources. However, an IEM of this quality still deserves a good source. Lossless tracks and the use of an external DAC/Amp with a mobile phone, or a dedicated DAP would definitely be my preferred choice of source.
Apex modules and tia drivers
64 Audio have a few interesting technologies they employ in their lineup. the U6t uses their apex technology that relives inner ear pressure whilst also allowing a certain amount of noise through. In turn this also tunes the sound slightly. The U6t comes with the m20, m15 and mX modules, which offer -20dB/-15dB and -10dB of noise reduction respectively. The more isolation results in more lower bass response and a warmer sound signature too. Along this logic, you get minor variations in soundstaging too. The more open being the more open sounding. Personally I do find the apex modules reduce listening fatigue and 64 Audio IEM’s are always perfect for long listening sessions.
The U6t also includes a single tia high driver. This high frequency driver is an open-top BA driver which is tube-less too and sits in the nozzle. This provides an increase in air and space in the treble region along with a more realistic treble presentation. Quite a while ago I listened to the original U6 against the new A6t. The tia driver definitely delivers a smoother and more realistic treble response than a typical BA with tube and damper design.
Sound
(M15 module as installed out of the box)
Bass:
The U6t have a nice and full low end that is exceptionally well tuned for a BA model with six drivers. There is enough warmth to add pleasant body to the sound and enough punch to be engaging. But it’s always composed and controlled, there is never excess bass, or unwanted bloat. Bass guitars are articulate. Kick drums hit with impact and have excellent body to back them up. They are not in your face. They also don’t try and impress with overblown bass, instead focussing on making the low end sound accurate and realistic with a little hint of warmth to ease those long listening sessions.
If you want a little more low end than the m15 module, the m20 offers up even more body. This in turn tricks your brain into thinking there is less treble. I.e this module is one for those who prefer a warmer and thicker sound. On the opposite end, the mX module leans out the low end. Making the U6t sound like a more typical reference tuned device. Allowing the mids and highs to cut through a little better with a tighter and slightly less thick bass response.
Midrange:
The midrange is superb on the U6t. It nails the natural yet not analytical presentation, being detailed and nuanced without being clinical. Vocals have an intimate quality without being up-front and central. There is such a pleasant balance overall that nothing sounds out of place or forced. More aggressive tracks have good bite, yet softer tracks have a sweetness that is intoxicating. Heavily distorted or acoustic, it doesn’t matter to the U6t, they can do it all with ease. Something lacking in many earphones. Both male and female vocals sound excellent, with maybe a slight nod to female vocals having the upper hand. The transition from upper mids to lower treble is handled superbly. They are not pushed to sibilance yet there is no discernible dip robbing them of energy and presence.
Regardless of the module used, the midrange is always very well presented. However it does sound warmer with the m20 and slightly thinner with the mX. So take your pick! For most the m15 is probably going to be just right.
Treble:
The treble is airy and well extended. It is also very well balanced in the mix, with the right amount of attack and energy without sounding bright or harsh. The tia driver provides exceptional treble response. One that sounds tonally accurate without nasty peaks or dips. You never lose track of the treble, it simply never gets lost in the mix. Snares are snappy and cymbals crash with authority. Yet, I never find them to be edgy or uncomfortable. 64 Audio are experts of pulling off the correct balance in the treble, and they are not lacking detail at any point either.
If you want well presented treble that isn’t harsh or fatiguing I highly suggest testing one of the 64 Audio models. These are utterly fatigue free. Should you wish for a little more bite, toning down the bass helps the mids and highs cut through a bit better (mX module).
Soundstaging and Genres
The U6t have a wider than average soundstage, but it’s not huge as these are still based on a pro-audio model. They are very accurate with their placement of instruments within the soundstage and everything is very well separated. I.e never sounding congested during complex tracks.
These are a superb all-rounder to be fair. They might not have the bass quantity many EDM listeners might crave, but they lend their hand to most genres. These have a slightly smooth presentation. Meaning they might lack a little energy for some. But on the other hand they are super easy to listen for long sessions.
Apex Modules
With the U6t you almost get 3 different signatures in one IEM. Whilst the core sound presentation will be similar between the three there are distinctive differences which allow you to fine tune them to your preference. The apex modules mainly affect the bass region. But an increase here will lead to a perceived lowering of the treble/midrange so take this in to account.
Using the most closed module (m20) you get quite a thick, warm and laid back sound. One that has good body and warmth overall but still with the signature tia driver an airy top end.
Using the m15 you get slightly less bass. Which in turn leads to a more balanced but still slightly smooth sound that is a great compromise and likely the sound that most users will prefer. It is well balanced but not lacking in punch and body.
The mX module will give you a more analytical presentation. More akin to a studio monitor sound that might be lacking a little body for some listeners. But it is the one that will sound the cleanest in the mid-range and treble due to less body overall.
It is down to each listener as to which module they will prefer, but the overall signature refinement and balance is present over all modules.
64 Audio U6t vs A6t
Should you go for the custom version? In short, not really. The custom version is for those who are using these professionally or who want increased comfort. The universal is much more accessible for the average user and it retains resale value should you want to change in the future. The U6t gives you 98% of the sound of the A6t. The custom version has a tiny bit better instrument separation and the seal means you get a bit fuller low end, but the difference is subtle and not in the extremes.
Who are they for?
People wanting a high quality everyday earphone
Those looking for a balanced but not clinical sound
Lovers of a natural sound that it tonally accurate
Conclusion
[jnews_review_shortcode review_show_price=”true”]
Interested in all things 64 Audio? Check out more News and Reviews here!
It’s been 5 years since Etymotic released its flagship model, The ER4-XR. Their latest model, the EVO, is the company’s first multi-driver earphone and quite clearly the next “evolution” in their sound design. Etymotic proudly claims that the EVO is the culmination of 30 years of earphone engineering and research technology. Brian from Super*Review gets his hands on a set to find out more…
By integrating three balanced armature drivers into a specially designed acoustic module, it is claimed by Etymotic that the EVO gives the truest sound stage and sound signature you have ever heard (or will hear)!
Oscar seems to agree. He concludes his extensive review by writing “Etymotic have done a brilliant job with the Evo, it still retains that signature Etymotic clarity and control yet adds a little body, widens the soundstage and increases the dynamics. This is a superb everyday IEM that fits securely and is very well built too, those who enjoyed the XR series from Etymotic should consider the Evo if they are looking for a step up in the IEM world.” You can read his full review here.
So, back to Brian and his live stream. What is in the box and how does it measure and compare to the ER4-XR? Find out via Super*Review’s live Youtube video here: First Look Etymotic EVO *
*You are going to have to wait a few weeks for Brian’s full review as he needs to spend a couple more weeks living with them to give them a proper evaluation.
Not neglecting the bass lovers out there, Campfire have brought out an affordable model that hits hard, digs deep but is less recessed in the midrange compared to their old Polaris II.
Campfire Audio Mammoth Review – These have the same for factor as a lot of Campfire Audio’s models, it’s a tried and tested design that fits well in most peoples ears. The new-ish longer nozzle design means they fit more securely without any difference in comfort for me. The shell is angular on the outside but the inner edges are smooth, the size is also great meaning they don’t stick out too far.
Comfort with the right tips is excellent, the smooth inner housing, the soft cable and correct tips will allow you to listen to these for hours on end without any discomfort.
Compatibility
The Mammoth are not hard to drive, however due to their low impedance and high sensitivity it is best you pair them with a high quality source – this will ensure you hear them as they are designed and also reduces the risk of any unwanted background hiss. Ideally you need a DAP with sub 1 Ohm output impedance to help with this.
Sound
Bass: This is a new hybrid model from Campfire Audio, and we all know that means lot of lovely bass, the Mammoth are no different. There is a real emphasis on the bass, and it is quite a broad emphasis, there is effortless sub-bass extension paired with hard hitting and impactful mid-bass presence. The slight downside to this presentation is that there is inevitable bleed into the midrange, and on certain tracks this does lead to lower male vocals sound a bit muffled. For the most part though these are incredibly energetic and engaging and the bass is just fun yet articulate and detailed.
Midrange: The midrange is surprisingly good, it seems to depend on the mix and genre a lot as to whether it cuts through well or sounds a bit muffled and overly warm. These are no way near as v-shaped as the Polaris II, the midrange is well presented with good detail, female vocals are less affected from the bass bleed and thus sound a little more faithful. Electric guitars have sufficient bite to them, and the midrange is well presented when you take in to account the power from the low end. Just remember these are not tuned for those wanting a neutral and intimate midrange, and you should be pretty impressed with them.
Treble: The treble isn’t as boosted as the old Polaris II, it isn’t quite as sharp or in-your-face however it isn’t laid back and lacking sparkle. These have great detail in the treble region and there is plenty of energy and good extension, they do roll off a little which robs them of a little bit of air and space, but the tonality is very good. They are crisp and responsive, they are snappy and clean without being fatiguing or over the top.
Soundstaging and Genres
The Mammoth may have a warm and thick sound but the sound is quite spacious and has good width and air, the treble presence greatly helps these from sounding closed in. There is excellent stereo imaging too, with a very accurate placement of instruments within the soundstage.
Genre wise these work well with a lot to be fair, rock is engaging and powerful, pop is snappy and full sounding, however they wouldn’t be my first pick to jazz/acoustic/classical just due to them having a more engaging sound that doesn’t really suit these genres. EDM lovers will really enjoy the Mammoth – the amount of bass on show without missing out the midrange and treble works wonders with this kinds of music.
Who are they for?
Anyone wanting a more fun and powerful sound
Those looking to get in to the Campfire Audio sound without breaking the bank
Conclusion
The Mammoth are really fun, they take a lot of the strengths of the old Polaris II but improve the midrange and tone down the slightly aggressive treble. This leads the Mammoth to have a more refined and slightly better balanced sound signature, but make no mistakes these are still tuned to hit hard and deliver a powerful bass driven sound signature. This is definitely one for those who enjoy a fuller and bolder sound signature but don’t want to lose the midrange and treble. The Mammoth is incredibly engaging yet crisp and detailed at the same time, a very accomplished hybrid earphone.
One of the most popular models, the U12t is in the sweet spot for price/performance. The U12t are a superb all-rounder that have enough bass to satisfy most but have plenty of technical prowess too. Almost like a baby U18t, the U12t are very well balanced and even handed with punchy yet dynamic lows, detailed and open midrange and effortless highs. The lows can be tuned with the apex module, the M20 giving a subtle lift in the sub-bass over the default M15. The bass is fast and articulate yet has body and punch too.
The midrange is crisp and clean, expertly separated from the low end it cuts through the mix with excellent detail retrieval. Layering in the midrange is a highlight, it is very easy to separate different layers in the mix. The highs here are perfectly in line with the rest of the sound, with impact, shimmer and extension all with the signature openness of the tia driver.
The U12t are very well balanced overall and handle anything you throw at them. They have a bit more of an up-front sound stage but with great layering. It’s easy to hear why they are so popular.
tia Trió:
This model is probably the one that is most forgotten in the 64 Audio lineup, yet they deserve some recognition. Here we have a very accomplished hybrid design, one that is all about engagement and enjoyment. There is a healthy dose of sub-bass extension helped with great articulation in the mid-bass. This low end gives the Trio a bit of fun factor but without overstepping the line to become fatiguing.
The midrange is present, up front and clean, never masked by the more powerful low end. The highs come from the signature tia driver, which allows effortless extension but they are by no means up front and bright. The highs take a backseat overall, yet they don’t sound dark, with great detail and impact when called for.
The Trio are made for enjoyment, the lows have real dynamic punch to them yet they don’t drown out the midrange or highs. Perfect for those who listen to music with a good bassline to follow. Sound staging is great too, with a good sense of space and perfect imaging.
U18t:
The U18t are for those who love technicalities, cramming a whole 18 balanced armatures per side, the U18t are somewhat of a statement product. If you listen to the U18t for a while, anything else is going to sound veiled and muddy in comparison. They have such a clean and controlled sound signature that is perfect for those who want neutrality. Everything is cranked up to 11, these have headroom to spare and don’t put a foot wrong, whatever you play through them.
This level of detail does have its downfalls, one being they are very unforgiving so be sure to pair them with a good source and good music files. Once you do this, you will be able to pick apart every recording down to the finest detail, all this information is however delivered in an enjoyable package and the U18t are not fatiguing to listen to.
They don’t have the incredibly wide soundstage of the Fourte, but these are designed as more of a monitor like IEM, whereas the Fourte are geared more towards the audiophile market. If you love a detailed and neutral sound signature, the U18t are incredible and definitely worth a listen.
tia Fourté:
This model pushes the boundaries and shows what’s possible with only 4 drivers. This is a hybrid design with an intricate inner shell with chambers that help shape the sound. Nothing sounds overly boosted on the Fourte, but they do have a healthy dose of impact down low. The Fourte are very revealing and will throw up flaws in recordings, but the clarity in the midrange is truly astonishing. What’s even more impressive is how the top end just extends without rolling off at all.
The soundstage is one of the standout qualities of the Fourte, you can pick out the mixing techniques as vocals can be dead centre then shift to the sides a little.
Everything sounds very cleanly separated, yet the width and height of the soundstage are unlike any other IEM I have heard.
If you are looking for a true hi-fi experience, the Fourte deliver; with a more musical yet well balanced sound signature, effortless, crystal clear highs and impeccable soundstaging qualities, they truly are TOTL. Just try to stick to high quality recordings to hear the best these can deliver.
Fourté Noir:
These are a limited edition of the original Fourte, and sound very similar so I won’t go into as much detail. They do however come with a more premium 8-core cable that terminates in a 2.5mm balanced plug and has a 2.5mm to 3.5mm adaptor with it too. The Fourte Noir are a bit more refined when compared to the Fourte with a slightly smoother upper midrange and a little extra body in the sub-bass.
These differences are small but noticeable when you A/B them side by side. If you enjoy the original Fourte then the Fourte Noir may sound a little less exciting upon first listen but over time their smoother sound might be to your liking. If you’ve never heard either, both models are excellent. I would say that the Noir have a slight edge when it comes to the soundstaging too, but only slight.
Hey there audio addicts! If you stopped by CanJam London 2019 you may have seen the Hifiheadphones crew around the Campfire Audio and 64 Audio tables. A few of us also took some time to conduct some on-site interviews! We’ve compiled them here for your enjoyment, so take a look at some of our favourite faces from the world of audio. Check back for each new interview!
The World’s Best Custom IEMs: Vlad Belonozhko and 64 Audio
Used by some of the world’s foremost musical luminaries (Beyonce, Jay-Z, Kanye West, Lauryn Hill, etc) and renowned by audiophiles, 64 Audio has blazed a trail straight to the top. Our good friend Vlad Belonozhko spent some time with us at CanJam 2019 discussing the benefits of staying true to your vision, and knowing when to branch out.
How to Get A Perfect Ear Impression: Gisele Flower, Aid2Hearing
Our interview series continues with Gisele Flower, one of the UK’s premier independent audiologists and the titan behind Aid2Hearing. Gisele is entrusted with the ears of some of the world’s favourite artists, including Stormzy, Jessie J, Sam Smith, and the Spice Girls. Here, she gives us an inside look at her process and tips for getting the best possible impression, whether it be for hearing aids, ear plugs, or custom IEMs for rocking out onstage.
How to Create a DIY Headphone Company: Alex Hyland, Hyland Headphones
Our friend Alex Hyland of Hyland Headphones let us grab him for a few minutes to discuss headphone modding, DIY headphone making, and running his own headphone empire. Ever wanted to make your own headphones? Have a listen to Alex’s advice on getting started and making a name for himself in the world of high end audiophile headphones.
The Granddaddy of All Custom IEMs: Michelle Dailey, Westone Audio
Michelle Dailey of Westone Audio fame gave us a great rundown of the future of Westone’s custom IEMs, Bluetooth earphones, and the success of the Westone W80. Westone are the world’s foremost experts on in-ear audio science, pioneering IEMs and hearing aids.
Fashion Forward Fun with Focal Audio: Megane Montabonel
Our final video from CanJam 2019 features Megane Montabonel from Focal, who describes the breadth of Focal’s expertise as well as the newer products they’ve introduced to the world of audiophilia. Focal headphones are, as always, available to try in our demo room, so get in touch to book a time slot!
The ME100 is Shanling’s first step into the world of earphones. Their history goes back a long way, starting off making high-end hifi equipment and then more recently becoming very well known for their portable music players. Now they’ve decided to apply their years of experience to the earphone market.
BUILD
It’s clear to see that Shanling mean business with the ME100. The housings are made using aluminium with a tempered glass outer coating. The aluminium has a matt black finish, which is a nice contrast to the glossy finish of the tempered glass. giving the earphones a very stylish look and feeling like they are built to last. Inside the housing is a 10mm dynamic driver. The drivers have been developed by Shanling themselves, with a nanocomposite diaphragm and a lightweight voice coil, providing more control and speaker efficiency.
COMFORT
Due to the size, weight and finish of the housings, comfort is very good with the ME100. They fit with the cable going over the ear: a typical in-ear monitor design. This provides a secure fit as well as deep insertion into the ear canal which helps with the sound performance and isolation. You also get a range of different eartips, with silicone and foam options. There’s a range of different sized silicone tips; the foam tips are supplied in medium size only. The large range of tips help to ensure that you’re getting a good seal, which is extremely important. I recommend you try all of the tips to make sure you are getting the most from the earphones, as a poor seal will result in a lack of bass and a tinny sound, which nobody wants.
FEATURES
Shanling haven’t scrimped when it comes to the accessories. The replacement cable is made using high purity oxygen free copper, with 8 wires all made up of 18 conductors each. The cable is coated in a TPE material which helps reduce microphonics, meaning cable noise is kept to a minimum. You also get a hard carry case which looks very posh. it’s a shame there isn’t a smaller pouch as well as the case supplied is fairly large. Once you’ve found the best fitting eartips, isolation is decent with the ME100.
SPECS
At 16ohms, the ME100 is designed to be driven well by portable devices, and the 111dB sensitivity means that they can go nice and loud from a phone or laptop. Plug them into a high quality player or amplifier, and the ME100 brings even more in terms of dynamics and soundstage, showing just how well the ME100 has been designed and built.
SOUND QUALITY
Now for the sound quality! The ME100 has really impressed me here. Bass is full and deep with a really enjoyable warmth. The bass stays where it needs to. It re-enforces the midrange without getting in the way. Shanling have nailed the midrange. It’s clear and crisp with a musical tone that’s on the brighter side, so it’s not as rich sounding as some other models out there, yet they do work well with both male and female vocals. There’s a good amount of body there and for me, I experienced no fatigue or sibilance. Up top, the treble extends far and keeps things exciting. Soundstage is very impressive. There’s a lot of space with well defined separation and clear imaging going from left to right.
CONCLUSION
For just under £100, I think the Shanling ME100 is extremely competitive, if not a bit of a steal. There are millions of earphones out there for under £100, including models from big brands like Shure, SoundMAGIC, RHA, Beyerdynamic and more. I think you’d struggle to find another earphone at this price that has the same level of build, with a replaceable cable, and sound verging on audiophile quality. The ME100 isn’t going to please bass heads, or those who want Bluetooth (even though you could attach a Bluetooth cable to the ME100’s MMCX connectors). The Shanling ME100 is well worth considering. You may not have heard of the brand before, but don’t let that put you off. You’ll thank me for it.
The newest release from Campfire Audio comes in the form of the Campfire Audio IO, a garnet-coloured IEM with dual balanced armature drivers. The IO features a detachable silver-plated copper cable with smoky tangle-resistant jacket and updated Beryllium copper MMCX connectors. You can also expect the array of accessories you expect from Campfire Audio.
Campfire Audio Polaris (2019 Edition)
Campfire have updated the legendary Polaris IEM for 2019, aptly titled… yes, you guessed it: the Polaris 2019 Edition. Campfire kept the basic setup of the dual drivers, but everything else has been reworked from the floor up, including the drivers themselves.
Campfire Audio Andromeda
Campfire’s iconic green anodized IEMs, the Andromeda, have gotten a few tweaks for spring 2019, including a cable update, fresh new accessories, and a change to the connectors. Also given a boost is the earhook design which sees Campfire rid itself of the memory wire previously housed in the cable itself.
Etymotic ER2-XR
The Etymotic ER2-XR extended response in-ear isolating earphones deliver Etymotic’s iconic passive isolation to block out up to 35dB of background noise. This means you won’t have to blast the volume to appreciate the ER2-XR’s full bass response and detailed sound.
Etymotic ER2-SE
These guys look similar to their cousins, but the ER2-SE is a powerful flat-response in-ear perfect for studio professionals. It’s called the ‘Studio Edition’ for a reason! No range is altered, giving a crystal clear representation of the original sound.
Oriveti OH300
Oriveti is dropping two shiny new IEMs, the first of which is the Oriveti OH300. These triple driver IEMs give a beautiful clear, balanced, neutral sound and look incredibly sleek and impressive. Probably the IEMs Batman would own, if he needed to hear crystal clear audio of himself delivering brutal one-liners.
Oriveti OH500
The Oriveti OH500 houses five drivers (quad balanced, single dynamic) within its gorgeous resin exterior. With those, you get an unfailingly smooth response with some strong low end. Their handcrafted cable of eight-strand braided silver plated wire is second to none, but still detachable for your convenience.
The Periodic Audio Be are not for the purists, but don’t let this put you off. The level of clarity coming from an earphone this energetic and dynamic is really quite something.
Aesthetics and Build Quality:
The Periodic Audio IEM’s all look very similar, with a standard bullet shaped housing and machined metal backplate. They may look very simple, but the materials used are carefully selected for their sound properties. So, these may not be the best-looking IEM’s around, but you can rest assured they are built to offer the best sound quality possible.
Build quality is excellent with smooth polycarbonate body and metal end plates they are solid. The cable is rubbery with butyl rubber strain relief that is pliable and durable. They may look simple but rest assured they are built to last.
Comfort:
The shape of these means that most will be able to get a good fit, and there is a good range of tips included. Once you find the right size tips for your ears, you will get a comfortable listening experience for hours on end.
Sound:
Bass: Whilst the Be may have a well-rounded overall sound signature, there is no denying that the lows have some power behind them. They are not overpowering, but they do grab your attention with their speed and articulation making you want to tap your feet along with the beat. There is plenty of depth to the lows, extending down to the sub-bass with ease, yet they punch with great impact when called for too. I would not say the bass is the focus of the sound, as it is always well controlled, but there is a quality to it that makes the Be a lot of fun to listen to.
Midrange: The Be manage to have a fun low end, without sounding bloated and interfering with the midrange. Vocals cut through the mix with good detail, they are not upfront, they just sit happily in the middle. There is an openness in the midrange that prevents them from sounding congested, they just get on and do their thing. There is no upper midrange peak that brings out sibilance, and the transition into the treble is smooth.
Treble: The treble has good energy and detail retrieval, it extends well and doesn’t come across harsh or overdone. The quantity is enough to satisfy most tastes, and the Be are far from being a dark sounding IEM. The top end really rounds of the sound as being well balanced but at the same time dynamic and punchy. They really do combine a lot of fun into an overall well-balanced sound signature, this is not easy to do. The headphone enthusiasts will enjoy the faithful reproduction of the music, and their ability to uncover hidden details, whereas the average user will appreciate their fun and enjoyable sound.
The soundstage of the Be is not very big, but the layering and separation is very good with everything occupying its rightful space within the soundstage.
Conclusion:
Periodic have managed to make a fun and dynamic sounding IEM, without throwing off the tonal balance and overall sound signature. There are no real peaks or dips, yet the lows have incredible power and control, the midrange is clean and the highs have energy and extension. They are well balanced overall, and come highly recommended to those that are bored of the drier presentation most neutral IEM’s have.
Sleek sporty look with a perfect fit, the P281 Sport are some new budget kings on the block. Coming in at £24.99 they are a huge step up to any headphones that come with a phone.
Offering a well balanced sound with good kick down low, they offer an engaging and fun listening experience when out and about, yet still allow plenty of detail to be heard. From top to bottom there are not real peaks or dips, they have a smooth and easy to listen to sound. What is also great is the inclusion of a microphone and button for taking calls or skipping tracks.
What can be better than the award winning SoundMAGIC E10 for under £50? The E10C has the same superb build quality and sound signature as the E10 but with the added function of a universal smartphone in-line microphone – need we say more?
The E10C has tight bass with plenty of weight – the mids are well defined and the top end sparkles. These earphones are perfect for listening on the go as the sound is fun and they will sound great with whatever you throw at them.
If you have £40 to spend on some new earphones then go for the SoundMAGIC E10 – if you need an in-line microphone then go for the E10C. Easy.
If you are looking for a more detailed and neutral sound than the E10C, take a look at the MEE Audio M6 Pro. With it’s monitor like sound and styling, detachable cable and great looks, it is a steal for under £50.
Well the M6 Pro with Blackbird S20 foam tips may have become a new favourite for under £50. These really managed to have everything and sound very engaging, the highs do not disappoint with their presence and tone, the midrange is slightly up front and the mid bass has a mild boost, as a stage monitor I can see these being good and the sound would be easily tuneable with EQ.
For under £50 you won’t find this level of detail, clarity or separation from another in-ear headphone. Add to that brilliant build quality and you have a winner.
Looking for a more bass oriented in-ear headphone with an upfront and engaging sound, yet without losing out on the finer details and comfort, you need the Oriveti Basic.
A 10mm titanium coated driver supplies an impressive amount of bass. Now I am not much of a bass head but after listening to these for a while I found myself really enjoying them.
They’re not audiophile and they won’t give you a reference sound but if you like your earphones to be fun and enjoyable with plenty of punch then these could be for you. The isolation and comfort is also really impressive and along with replaceable cables they are a great buy!
Oriveti are new on the scene and they certainly know how to make an entrance. The new Oriveti Basic earphone packs a punch and gives you plenty of features for its modest price tag.
Looking for a in-ear headphone with quick snappy transients, whilst retaining a well balanced sound signature? Take a look at the New Westone UM Pro10, revised in 2017 to be even better and more comfortable.
Predictably, the balanced armature makes short work of replicating higher frequencies accurately, but the real interest is at the low end where single BA IEMs are concerned. Provided a decent seal can be achieved, the bass is in good balance with the rest of the presentation, although bassheads will be wanting more.
If you fancy the idea of a single balanced armature earphone, but don’t fancy the protruding capsules of the Etymotic designs then the UM Pro 10 is worth a close look. Sometimes the best designs are the simplest and I really think there is something to be said for single-driver IEMs. Makers may be able to tune the sound signature a little more with multiple drivers, but this risks muddying the sound with possible phase/imaging issues as the audio from these different drivers reaches our ears at different times.
In short – choose the simple life and get the UM Pro 10!
One of our best sellers, the New Primacy has a well balanced sound signature with class leading separation and clarity.
The Oriveti New Primacy has a bit of a mid forward sound signature, with excellent clarity and air throughout the range, the bass digs deep and is very articulate, the mids have a habit of bringing out all the detail in recordings but not in an unpleasant way. The highs are airy and well extended, without fatiguing properties, overall a very comfortable and enjoyable listen. The New primacy manages to be a very coherent sounding hybrid design, with a very well textured and layered sound.
Our top pick for under £500 is the Dunu DK-3001, with impressive technical capabilities that are really enjoyable to listen to as well. Punchy and clear sound with a wide soundstage, these are truly excellent.
The Dunu DK-3001 is a very well done hybrid IEM, the bass is dynamic and punchy, with excellent and realistic body. The midrange is well layered and very detailed, with a hint of smoothness to it. The highs are always present, yet not fatiguing. These work well with all genres, the bass is fun and energetic in EDM, and rock comes across with detail and layering. Jazz has a very natural tone, and they just take all genres in their stride, however their ability to control heavy metal is truly impressive.
If you don’t mind the open back design, the Audeze iSine20 will offer a listening experience more like a full size headphone than an in-ear model.
Offering an open sound with excellent punch the iSine20 offers a relaxing listening experience with slightly polite treble. Keeping in tone with their house sound the iSine20 offers good bass quantity with non-fatiguing treble and a natural tone. This is a very unique IEM that is well worth looking into if you want a more traditional headphone sound. The sound is slightly v-shaped; it’s a warmish, ‘fun’ tuning yet still retains excellent detail retrieval.
The W80 are an incredible performer, with a very detailed, spacious yet smooth sound plus an added Alo Audio cable you are sure to be impressed. Fitting 8 BA drivers into this tiny housing is no easy task, yet Westone have done it without sacrificing anything at all.
Some of the most comfortable IEM’s available; the Westone W80 is a pleasure to use for long periods of time, especially with their non fatiguing sound. The bass has body and impact adding a little warmth to the overall sound, the midrange is smooth and non fatiguing, yet the finer details still shine thought. The treble is slightly relaxed but still retains a certain level of sparkle and extension; they are not analytical but still extract the finer details with ease. A very well balanced IEM, that is comfortable and easy to listen to.
The FI-BA-SST35 is one for the detail lovers, being very unforgiving of the source material you will want to listen to well recorded music to get the most out of these.
Final are kings at squeezing the most out of one single BA driver, and the FI-BA-SST35 is no different. Using their proprietary BAM design they move more air, and dig deeper than most conventional single BA driver designs. The bass is always well controlled but offers good impact and articulation without becoming overwhelming or adding much body to the overall sound. The midrange changes depending on the track you are listening to, yet is always very detailed and very transparent. The treble is not fatiguing yet offers incredible insight into the recording, again play well recorded tracks and you will be rewarded with great sound. The soundstage and separation are both excellent, and the timbre is very good for a single BA driver.
Hifiheadphones are pleased to announce that we will soon have stock of the new Aurisonics Bravo series of 3D printed in-ear monitor headphones – the Kicker, Forte and Harmony. Each model has their own sound signature – the series has something for every taste. We have covered each of these models in detail for you.
Aurisonics Kicker – RRP £249
As the name suggests, the accent with the Kicker is on bass with midrange delivering some nice textures too. Perfect for those wanting to live the low life without compromising bass quality. The 9.25mm dynamic driver in the Kicker can also deliver a nice amount of detail at the treble end of things but it is smooth enough to give the low and midrange frequencies centre stage. There is a good amount of space on that stage too, with separation enhanced by some very nice harmonics.
Aurisonics Forte – RRP £379
Moving through the range, the Forte features both a 9.25mm dynamic driver and a balanced armature which has been designed especially for use with within a hybrid IEM. Bass is every bit as present as with the Kicker, but with enhanced midrange for greater presence with vocals, transients on drums and decays for a clear sense of space. Treble is gentle and sits very well with the rest of the presentation; it works seamlessly with midrange frequencies to complement and not overshadow them.
Aurisonics Harmony – RRP £489
Sitting on top of the Bravo Series is the Harmony model. The addition of a second balanced armature to work with the 9.25mm dynamic driver creates more presence near the top of the frequency range, but it still has a smooth edge. As with the previous models, the Harmony gives a warm, bassy presentation with good control. The overall sound is a little more neutral from midrange up, with no peaks or bumps in the frequency response and no danger of fatigue. Perfect for professionals and end-users alike.
All models are available to Pre-Order from us at Hifiheadphones
Custom molded IEMs and pro monitoring specialists, EarSonics, are a French company making waves in the world of universal IEMs. The new EarSonics SM3 v2 is equipped with a triple balanced armature, three-way crossover design.
Despite being a new name in the UK EarSonics have a huge following amoungst French musicians, audio engineers, and celebs who use EarSonics products on-stage, or while mixing or monitoring.
The original SM3 was a little less slick looking but the version 2 has an ergonomically shaped body which sits comfortably in the ear and they are comfy to wear even for extended listening sessions. The SM3 v2 share the same long thin sound tube design of the Shure and Westone ranges. EarSonics uses a similar twisted cable on the SM3 v2 as most other pro IEM manufacturers use with custom IEMs, there is little cable noise and tangling is not a problem either. The cable is replaceable, an excellent lifeline for the more clumsy among us.
The EarSonics SM3 v2 is very clean sounding with an impressively dark background. With their surprisingly wide soundstage, superb handle on detail and instrument separation they are without doubt one of the best IEMs currently available. They feel very lively without fatiguing the listener, very natural sounding for IEMs, which can suffer from unrealistic soundstage and movement within the stereo image. Bottom end is superb but the mids are very special – a hard to describe sound but they feel “right”.
Comply foam tips, medium and large and double flanged silicone tips are accompanied by a small neat zip up case, a cleaning tool. There are also dual (SM2) and single (SM1) models from EarSonics as well.
