New JDS Labs Atom Amp+ and EL Amp II+

Chipset upgrades come to the Atom Amp+ and EL Amp II+ boosting performance for the same great price!

Atom Amp+

Two new models from JDS Labs – Atom Amp+ and EL Amp II+
Atom Amp is now Atom Amp+, JDS Labs’ best value amplifier. John Seaber says “Aside from subtle fit and finish improvements since release, we’re tagging “Atom Amp+” because we’ve boosted performance using the same analog IC employed in the matching Atom DAC+. More importantly, every Atom Amp+ is built with hand matched potentiometers for superior low volume imaging, up to 20dB better than the originally spec’ed Alps pots.”

The bulk of the performance boost results from upgrading the input stage ICs from NJM2068 to NJM5532, followed by small tweaks to supporting resistors. Atom Amp+ achieves a crazy 119dB SINAD @ 20-20kHz BW. This is around 6dB better than the initial release. Totally inaudible, by the way. It’s possible to reach 120-122dB SINAD by omitting Atom’s high pass input filter, but there’s no incentive to do so. They know customers appreciate RFI rejection from the high pass filter and prefer a distraction free listening experience.

EL Amp II is now EL Amp II+, following the same chipset upgrades applied to Atom Amp+. EL Amp II+ increases SINAD from 114dB to 119dB at low gain, and from 105dB to 110dB at high gain. All other parameters measure similarly.

You can find the official release notes from JDS Labs here: https://blog.jdslabs.com/2021/07/jds-labs-el-amp-ii-is-now-el-amp-ii/ / https://blog.jdslabs.com/2021/07/jds-labs-atom-amp-is-now-atom-amp-plus/

Cleer Audio Ally Plus II TWS Announcement

The Ally Plus II true wireless earphones add improved design, features and sound to its affordable noise cancelling.

Ally Plus II Announcement – Based around custom-tuned 10mm dynamic drivers, Cleer Audio’s latest true wireless stereo earphone, the Ally Plus II, delivers a level of what the company describes as ‘industry leading hybrid noise cancellation’ along with features and performance normally associated with products at double the price.

The Ally Plus II’s Adaptive Noise Cancellation is especially tuned for optimal effect and uses Feed Forward and Feed Back mics to monitor a listener’s surroundings in order to provide the most appropriate suppression of environmental sounds. 

Cleer has also updated its Cleer+ control app which provides further options to customise the ambient noise levels. The app also allows changes to EQ levels plus a custom option to personalise the listening experience even further. 

Moreover, the audio quality is enhanced by Cleer’s custom filters which are applied alongside ergonomic features such as the sound pipe angling the eartip to provide an improved listening experience. Specialised silicon ear tips reduce pressure in the ear canal to make wearing the Ally Plus II for extended periods more comfortable.

Those extended periods of listening are supported by a battery life of up to 11 hours which can be boosted by a further 22 hours of playback which is supplied by the small jewel-box style charging case which offers both USB-C and Qi wireless charging options. There’s also a transparent window in the lid so you can check that your Ally Plus II earbuds are connected and charging correctly.

Call quality comes courtesy of strong wireless connectivity, dual microphones and Qualcomm’s cVc (Clear Voice Capture) 8th generation noise reduction technology which makes chatting on the go clear and easy. 

Available in Midnight Blue and Stone

New SoundMAGIC P23BT – Bluetooth Headphones

SoundMAGIC P23BT foldable headphones – more portable and convenient than ever. With advanced Bluetooth 5.0 built in, you can connect to your Android or Apple smartphone, tablet and any Bluetooth-enabled device and listen to your soundtrack in complete freedom.

Introducing the new SoundMAGIC P23BT, a truly portable headphone equipped with a foldable headband ideal for packing in a bag or suitcase when out and about. Soft, leatherette earpads equipped with memory foam gently mould on the ear to create a comfortable wearing experience.

Pure Sound

High-definition stereo sound through either wired or wireless with Bluetooth version 5.0 with SBC and aptX decoding makes sure your music always sounds its best. The closed back design keeps out background noise, letting you hear subtle details more clearly – even at lower volume levels.

Long Listening

With 10 minute charge you get 5 hours playtime through the 400mAh large capacity lithium battery and continuous play of 54-60 hours on full charge. A staggering 50 days standby time means you don’t need to ever worry about being caught out with an empty battery.

Features

  • High-definition stereo sound with wired and wireless connection
  • Bluetooth version 5.0 with SBC and aptX decoding
  • 10 minute charging gives 5 hours playtime
  • 400mAh large capacity lithium battery
  • Continuous play of 54-60 hours on full charge
  • Clear conversations and easy activation of voice assistant
  • CVC8.0 noise reduction microphone
  • Foldable design and lightweight build

64 Audio Release The U6t – Their most popular custom IEM in a universal shell

64 Audio’s most popular CIEM now available in a universal form. Drawing from the sonic palette of U12t, U6t is their most affordable audiophile monitor to date. Boasting the same ground-breaking technology as their flagship IEMs in an ergonomic aluminium shell to make it more accessible than ever.

SOUND

In standard 64 Audio fashion, U6t is a balanced natural sounding earphone, slightly set apart from their other UIEM models by offering a softer presentation of a mix. Beautiful upper-mid imaging, realistically presenting instruments like guitars and piano as well as breathing life into saturated mid-bass mixes, especially when vocal focused. Using the various included apex modules and ear-tips allows the listener to further customize the sound of the U6t based on the needs of the music.

IN THE BOX

  • U6t Universal In-Ear Monitors
  • 64 Audio Premium Leather Case
  • TrueFidelity Eartips (S,M,L)
  • Silicone Eartips (S,M,L)SpinFit Eartips (S,M,L)
  • Black Premium Cable
  • m20 apex Modules
  • m15 apex Modules
  • Round Sticker

Available to pre-order now!

Etymotic Evo Triple BA Driver Earphone Review

Etymotics first venture into the wonderful world of multiple BA driver earphones, and boy have they done it right.

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Fit and Comfort

The Evo are unlike any other Etymotic model, they have gone for a more traditional in-ear monitor fit with the cable looping behind your ear and the shell filling the concha. The nozzles are however the same length and width as the ER series, and they include plenty of tips to get the right fit. I am a big fan of the new bi-flange tips and these still favour a medium to deep insertion to get the best isolation and sound along with a secure fit. The cable is very thin, however being a linum one it should hold up well over time, this does help with the fit.

Comfort is good, again they like a slightly deeper fit than other similar earphones, but they are not quite as bad as the ER series if you hate the fit of those. The housings are smooth and comfortable, only the weight of them could cause issues with some people over long sessions.

Compatibility

The Evo are pretty easy to drive, at 47 Ohms and 99dB SPL @0.1v, they should work well out of most devices. However they have very good resolution and will definitely benefit from being used with a good source, they should make it easy to distinguish between sources as they are quite a revealing earphone.

Sound

Bass: These follow a similar trend to the XR series that Etymotic released, giving a subtle low frequency boost that is noticeable but never causes the bass to become overbearing or too full. These have better depth than their single driver counterparts, with a noticeable yet subtle additional body to the sound overall that still isn’t enough to make them sound full as such. For a daily driver this amount of additional low end is superb, and makes these just a little bit more enjoyable over the accuracy of the ER4-SR for example. The low end is responsive and keeps up with complex mixes without putting a foot wrong, it also cuts through when required yet always maintains a controlled and balanced nature.

Midrange: The Evo has a very crisp and insightful midrange, the low end doesn’t bleed in to the lower midrange which allows male vocals and guitars to cut through the mix with excellent clarity and faithful tonality. They don’t have any boost in the upper midrange to try and make them sound exciting or artificial, instead they opt for a more linear approach which means you never lose track of any part of the mix. The thing that sets these apart from the other models from Etymotic is the separation and dynamic range, these have a sense of scale and space that the single driver models struggle with. They have that same accuracy but with a bit more power and drive, better space and overall they are more engaging.

Treble: The top end is very smooth and refined, with accuracy high up on Etymotics priorities they sound very realistic up top which isn’t something a lot of earphones do right. Cymbals crash and decay with impressive realism, every detail well presented without being pushed forward in the mix. Never fatiguing the treble is devoid of any nasty peaks, the extension is superb and they don’t miss a thing, yet the body down low makes sure the sound is never bright. The treble does a wonderful job of rounding off a superb tuning, and is definitely one of the most realistic sounding earphones when it comes to tonality.

Genres and Soundstaging

The Evo lend themselves to all genres, they have a very well rounded sound that is detailed, balanced yet also dynamic and engaging. They are however quite revealing of bad recordings and sources, so pair them carefully.

The soundstaging is really impressive, there is a real sense of air and width to the Evo that is slightly lacking on the ER series. These have better dynamics and separation, they are less flat and more engaging but without sounding too coloured either.

Conclusion

Etymotic have done a brilliant job with the Evo, it still retains that signature Etymotic clarity and control yet adds a little body, widens the soundstage and increases the dynamics. This is a superb everyday IEM that fits securely and is very well built too, those who enjoyed the XR series from Etymotic should consider the Evo if they are looking for a step up in the IEM world.

Campfire Audio Honeydew Review

Today we take a look at the Campfire Audio Honeydew, a new introductory budget model in their lineup that focuses on bass without forgetting the rest.

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Fit and Comfort

Much like the Satsuma, the Honeydew has an ABS housing which is durable and lightweight, along with a stainless steel nozzle that has a good length for a secure fit. Campfire are great at offering a wide selection of tips, and once you find the right ones for your ears the Honeydew fit really well. The new Smoky Lite cable is a little more supple too which all contributes to the excellent fit.

Comfort is also great on these, the housings have smooth inner curves and the nozzles have a good length to provide a comfortable yet secure fit. The cable doesn’t have stiff memory wire which is a blessing, and all in all they are perfect for long listening sessions.

Compatibility

Whilst the sensitivity is quite low on the Honeydew (94dB) they do have quite a low impedance and they are certainly easier to power with a mobile phone than the Satsuma. These work well with lots of sources, but do benefit from something cleaner with good headroom, a dedicated DAP will make a difference over a mobile phone but they are still enjoyable out of a phone.

Sound

Bass: Campfire Audio have put a focus on the low end with the Honeydew, these are incredibly hard hitting and full bodied yet they don’t overshadow the midrange or treble. When called for the Honeydew will hit with incredible impact in the mid-bass, yet the kicks are backed up by a good amount of body in the lower bass region. These don’t disappoint when it comes to the sub-bass either, with plenty of audible rumble. These push a lot of air for an earphone, the dynamic driver made for these is really impressive as it hits hard, but also maintains good control and articulation.

Midrange: Whilst the midrange doesn’t stand out on these due to the impressive low end, it should be noted that the midrange is actually quite impressive on these. Yes there is some bleed from the low end that warms up male vocals a little more than I would like, the midrange still manages to cut through and guitars/female vocals really do sound quite good. The midrange is definitely little recessed but these are not tuned to be accurate monitoring earphones, instead they are punchy and fun.

Treble: Fatigue free yet enough presence to be enjoyable and not overly dark sounding, the treble is always present but utterly smooth and surprisingly realistic. There isn’t an upper midrange/lower treble peak that brings out sibilance, yet there is a good quantity of treble presence that cuts through the mix and extends quite effortlessly. The quality of the recording plays a part in the treble region, sounding very crisp and detailed with good recordings.

Genres and Soundstaging

Due to the big and full low end, these sound very fun with EDM and pop music, yet the bass is well controlled that it isn’t overbearing during softer acoustic tracks, and slower alternative rock. They also do a very good job with metal, with great impact yet a midrange that still cuts through with authority.

Soundstaging is great on the Honeydew, with a spacious yet full sound and great positioning. Whilst they do have a more engaging and up-front sound signature, they don’t lack separation and air.

Who is it for?

  • Those looking for a fun and energetic sound
  • Bass lovers that also enjoy clarity
  • Bass players looking for a stage monitor

Conclusion

This earphone is undoubtedly a Campfire Audio model, with impressive bass impact and body whilst retaining good midrange and treble presence and clarity. This is a bass oriented earphone, no mistaking that, but it is also quite versatile and highly enjoyable. These make a great travel partner, along with a good monitor for bassists and drummers, they are also extremely comfortable and well built.

Buy the Lypertek PurePlay Z7 and get a Free Super Slim Charging Pad

Buy one Lypertek Z7 true wireless earphones and get one Lypertek Super Slim Charging Pad with a value of £25 for free!

*This is a limited time offer ending on 31/07/2021 and only as long as stock lasts.

For the first time, Lypertek has incorporated a triple hybrid driver configuration into its range of true wireless earphones for the PurePlay Z7, with two specially designed balanced armature drivers and one titanium coated dynamic driver inside each housing. This new driver arrangement offers the dynamic range needed to achieve the PurePlay Z7’s superior sound quality – delivering powerful and well controlled bass, midrange that provides a rich clarity to vocals, and clear and expansive highs for an overall unique true wireless listening experience.

PurePlay Z7 – What’s new?

  • Triple-hybrid-driver technology delivering audio unlike any other true wireless
  • Customizable EQ, LDX audio mode and button functions via the new Lypertek PureControl App
  • 10 hours playtime and with the included fabric case a further 7 times extending playtime to 80 hours
  • Hear Through Mode and voice assistance
  • Qualcomm QCC3040 chipset with new Qualcomm TrueWireless Mirroring technology & Adaptive aptX

The Lypertek PurePlay Z7 will be compatible with the newly developed PureControl app, allowing users to adjust their listening experience with the high quality EQ and supplied presets. Users can also use the app to activate the Hear-Through mode, customise button controls, effortlessly upgrade firmware and prevent losing their earphones with the new ‘Find My Earbud’ feature.

The Lypertek PurePlay Z7 are available now for £199

Also you can read our full review on the PurePlay Z7 HERE

Etymotic Evo Triple Driver Earphone – Available Now!

Etymotic has announced the release of the Etymotic EVO multi-driver earphones, a culmination of 30 years of earphone engineering research and innovation.


The Etymotic EVO has Triple Balanced Armature Drivers: Dual low and single midrange/treble. They feature Estron Linum BaX T2™ low impedance cable and Estron T2 Talon connectors.

The Etymotic EVO has a two-way design with three balanced armature drivers in a moulded stainless-steel shell. The Etymotic engineering team, employing years of research on the physiology of the ear, designed a shell that fits comfortably in the concha of the ear making for a semi-custom design that fits the majority of people.

Commenting on the new release, Tal Kocen, Director of Consumer Product Development at Lucid Audio said: “We waited so long to put out a multi-driver earphone because we wanted to make sure that it was the best it could be and held to our exacting standards for earphone design and sonic qualities. The EVO is truly where precision meets audio and you’ll immediately hear it the first time you listen”

SPECIFICATION
  • Frequency Response: 20 Hz – 16 kHz
  • Impedance: 47 ohms
  • Sensitivity: 1khz – 99 dB SPL at 0.1V
  • Etymotic EVO Multi-Driver Earphones
PRICE AND AVAILABILITY

The Etymotic EVO is available now for £499.95

Campfire Audio Satsuma and Honeydew Announcement

New ‘Satsuma’ and ‘Honeydew’ wired earphones feature unparalleled design and craftsmanship, while delivering a stunning soundstage and audio performance

Campfire Audio encourages music lovers to experience their music as it was meant to be heard: in full-bodied, no-compromise high fidelity audio. The company’s new wired IEMs — which feature unique, hand-crafted designs in two sonically tailored variations, Satsuma and Honeydew — offer listeners an audiophile-grade soundstage and spectacular clarity at an affordable price.

“Both the Satsuma and Honeydew feature design characteristics that are also present in our higher-priced audiophile earphone models,” explained Caleb Rosenau, Vice President of Campfire Audio. “With the launch of these two affordably priced earphone models, our intention was to help consumers become more focused on the emotional impact of their music, rather than on features that prioritize connectivity.”

Satsuma: a highly balanced and natural translation


The ‘orange fizz’ coloured Satsuma features an aesthetically similar presentation to Campfire Audio’s higher-end range of products, characterized by the company’s unique 3D printed acoustic chamber design. This chamber helps to optimize frequency response curves emanating from the unit’s full range balanced-armature driver. Sonically, Satsuma is characterized by highly focused mid-band frequencies, tightly controlled bass response, and slightly enhanced highs — without the harshness. Satsuma’s clear and balanced sound makes it well-suited for almost any musical genre, particularly rock, pop, classical, or jazz. Its lightweight design and comfortable fit make it equally suited for listening while on the go.

Honeydew: bountiful bass and high-octane performance


Meanwhile, the ‘mellow-yellow’ coloured Honeydew — which also features Campfire Audio’s patented 3D printed acoustic chamber — was designed with a bass-forward frequency response that R&B, Hip Hop, and EDM fans will appreciate. Built expressly for music lovers who crave a punchy and highly detailed bass response that is both fast and dynamic, Honeydew has the lower frequencies covered thanks to a custom-designed 10mm LCP diaphragm dynamic driver.

Satsuma and Honeydew’s rigorous build quality— minus the connectivity distractions — means they will continue to deliver stellar performance for hours, days, and years ahead. The weight and strength of its high-end ABS plastic mean that the units can withstand even the most demanding conditions. The absence of wireless features and voice commands means there are no batteries and fewer electronic components that can fail over time.
Both Satsuma and Honeydew — priced at £199 and £249 respectively — are available now

JDS Labs Atom DAC+ Official Release

An immediate successor to Atom DAC. Designed from start to finish with their new Audio Precision APx555 analyzer, Atom DAC+ came together as a contingency plan following the recent AKM factory disaster.

We know many of you will appreciate the improvements Atom DAC+ brings: USB and optical inputs, silent transitions when resuming from auto standby, even higher performance, standard support for UAC2 with UAC1 fallback*, and alternative firmware which lets you experiment with a tube-like sound.

JDS Labs have also been investing in IP to minimize their reliance on proprietary ICs since well before the global pandemic and AKM shortages. USB and S/PDIF controllers are key to high performance audio and they find that their goals increasingly demand custom software development. Exceptional hardware goes hand-in-hand with code. Replacing proprietary silicon with software reduces cost, and in many cases, presents opportunities for performance optimizations. Alas, the AKM disaster threw a wrench in their plans, as they were still targeting AKM DACs in late 2020. Nearly a year of firmware development is being set aside for now.

Atom DAC+ ships with their latest firmware improvements, tagged v1.8.2:

  • UAC2 with UAC1 fallback* is now standard
  • Connection to Android and iOS Devices no longer require a USB hub
  • Resuming from auto standby is now instant and free of transients

*UAC2 w/UAC1 Fallback retains future firmware update capability. UAC1 fallback is activated when using a USB 1.1 hub or isolator. This method means you can connect to any operating system with UAC1 support (yes, PS4/PS5, and even Win XP and Win 7).  Custom UAC1 cables will be available at from us in the coming weeks.

If you plan to connect to a PS4/PS5, you may install optional firmware v1.8.4 to lock volume to 100%. For more information and installation guidance, please see Custom Firmware Builds.

** Warning: Do Not attempt to install Atom DAC+ firmware onto an original Atom DAC. While there is no risk of bricking the DAC, the AK4490 and ES9018 chips require different initialization routines. **

If you wish to read more into the technical development of the Atom DAC+ – JDS Labs have their official release here and it goes into more detail than the above.

You can pre-order the Atom DAC+ from us now: https://www.hifiheadphones.co.uk/products/jds-labs-atom-dac-2021-edition-uk-plug

Lypertek PurePlay Z3 2.0 True Wireless Earphone Review

Lypertek have revised and renamed the Tevi for 2021, say hello to the PurePlay Z3 2.0 – packing in more features and the same excellent sound quality without increasing the price.

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Fit and Comfort

The PurePlay Z3 2.0 have the same housing as the original Z3 and Tevi, they fit well in the ear but depending on the size of your ears they do stick out a little. They are however very secure in your ear once you find the right size of tips, and I have never found the fit to be a problem. They are lightweight and you don’t really feel them once inserted in your ears, the smooth surfaces ensure no discomfort too.

Comfort wise the smooth housings sit nicely in your ear and the nozzles are a good length to ensure a snug and secure, yet comfortable fit. I find the Z3 2.0 to be comfortable for long listening sessions, and they are ideal for casual everyday use.

Features

The new PurePlay Z3 2.0 packs in more features for the same price as the original Tevi, the battery life is the same with 10hrs from the earphones per charge, and an additional 7 full charges from the case which gives 80hrs total. They now run on bluetooth 5.2 for even more signal stability and lower power consumption, along with the case now supporting wireless charging alongside the normal USB-C charging port (Lypertek sell a charging pad separately). They are also still IPX7 rated, this means you don’t have to worry about them when using them in the gym or out in the rain.

The button is the same as on the original, which means a single press on either for play/pause, double press the right to increase the volume, on the left to decrease. Triple press on the right to skip tracks forward, on the left backwards. There is another new feature though, if you press and hold the button for 2 seconds you’ll hear 2 chimes, this turns on/off ambient pass-through allowing you to hear announcements and your surroundings without having to take them out of your ears; This is a really useful feature for use on public transport.

App

Lypertek have also launched an app with the new PurePlay Z3 2.0, the app works best with this model but it is compatible with some older models after a firmware update (although the features will vary, as ambient pass through is not available for older models).

With the Z3 2.0 you will need to do a firmware update – this is especially important for Android 11 users – within the app when you first install it, to get the best out of them. The update is easy to do and ensure smooth functionality of the app. The app allows you to set custom EQ curves and has some presets too, along with switching on/off the ambient pass through and changing the function of the buttons (you can change the function of the double / triple press actions).

There is a “find my earphones” bit in the app which will show you where the earphones were last connected to your phone, quite handy if you often misplace them.

The app also has a new LDX Audio mode (Lypertek Definition Expander), this is a new custom audio profile for the Z3 2.0, tuned by the audio engineers at Lypertek. It definitely adds more clarity and space to the stock sound and is quite a nice little sound profile if you don’t want to mess with normal EQ modes. Overall the new app has introduced a lot of tweaking potential for audio lovers and it really is an valuable tool for PurePlay Z3 2.0 users.

Sound

Bass: Much like the original, the Z3 2.0 are relatively balanced in their tuning and they don’t accentuate then low end and it always sounds controlled and tight yet has enough body to satisfy most users. The new app will definitely help those who want a bit more power down low, they are incredibly responsive to EQ and you can bring out quite a lot of punch and depth without them sounding bloated or distorted. The DSP in these is really impressive, it pairs perfectly with the hardware and allows full control over the sound signature.

Midrange: I quite like these with a relatively flat EQ, or the LDX mode enabled, as the sound is very well balanced with a good level of detail. The midrange has a way of cutting through the mix with great layering and a realistic tonality. Out of the box, those who enjoy an upfront and intimate vocal performance will really enjoy these, they really get the midrange presentation spot on. Turn on LDX and the sound gets a little more fun and spacious without taking away too much of the midrange focus.

Treble: The treble is never overdone, it does a great job at adding some air and sparkle to the sound without ever sounding peaky or bright and fatiguing. Just like the midrange, the Z3 2.0 have great tonality in the treble region, cymbals don’t sound splashy or overly metallic and they have good extension with only minor roll-off that’s often attributed to bluetooth compression rather than the earphones themselves. There is a good amount of space and air up top and are really enjoyable whilst remaining smooth too.

Soundstaging and Genres

The soundstage with the Z3 2.0 EQ set as flat is fairly average, there’s good layering and separation but the width and height are relatively average. Turn on the LDX mode and it gets quite a bit wider giving a more out-of-head presentation which is really impressive.

The PurePlay Z3 2.0 work well with most genres, out of the box with no EQ they render vocals especially well and work with acoustic and alternative rock well, with a bit of EQ you can bring out more depth and punch which helps when listening to modern pop and rock/metal.

Conclusion

The PurePlay Z3 2.0 have quite a few added features over the original Tevi, this means better bluetooth connectivity, wireless charging and the accompanying app. This isn’t just a minor tweak, the PurePlay Z3 2.0 are a real upgrade over the Tevi and still offer up a detailed and balanced sound signature with incredible scope for tweaking via EQ, all for exactly the same price, these really are the best true wireless earphones for under £100 in my opinion.

Audeze Euclid Planar Magnetic In-Ear Review

Audeze’s first sealed planar earphone are exciting and bold, with excellent resolution and impactful bass response.

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Fit and Comfort

The new Audeze Euclid are a little on the larger side, this is down to the fact they house an 18mm planar magnetic drive inside. However Audeze have managed to make them as ergonomic as possible with soft contoured inner faces, and a good size nozzle. I found them to fit fairly well in my small ears, and they worked best with the supplied Comply tips for me. The cable fits over your ears well and helps with the overall fit of the Euclid.

The comfort is ok for me personally, I found after longer listening sessions I had some mild discomfort where they sit in your ear, but I do have relatively small ears and narrow canals. The supplied Comply tips worked well for me, and definitely help when using them for longer periods of time.

Compatibility

With relatively high sensitivity (105 dB/1mW) and low impedance (12 Ohms) they should be relatively easy to drive in theory. And whilst you do get listening volumes from portable sources, they do sound better when fed a bit more power, as is the case with most planar magnetic models (desktop amps, or higher end portable players are almost a necessity in my opinion).

Just a note on eartips and burn-in with the Euclid – I found that with silicone tips and listening to them right out of the box they sounded quite harsh with a shouty midrange and quite unnatural tonality. After 2 days of burn-in and fitting the Comply tips, the sound is completely different and they are far more enjoyable to listen to. These are quite picky so make sure to try all the different tips and try them out of a few different sources if possible.

Sound

Bass: The bass on the Euclid is impactful and hard hitting when needed, and being a planar they have quite a linear response all the way down to the sub-bass region. This means you won’t miss a beat with these, yet they are also nimble and have snappy transients to keep up with complex mixes. They have a relatively full low end, yet it doesn’t add any real warmth to the midrange, in fact the midrange could use a little more body in my opinion. The low end manages to stay faithful to the recording for the most part, only coming out when called for, but never lost in the mix.

Midrange: The midrange is a bit tricky on the Euclid, there are a few peaks and dips but for the most part they are well presented. There is a little bit of a lack of body at times, and there is a lift in the upper midrange which means they don’t always sound the most natural in terms of tonality. There is tons of detail to take in from the Euclid, and they show impressive transparency. This level of transparency, mixed with the impressive transient response means the mix is clearly separated and it’s easy to distinguish the different layers.

Treble: The treble is well presented, there is a bit of a lower treble lift which brings out some energy and sparkle but it’s the overall extension where they fall short a little. When compared to something that’s airy and extended like the Andromeda, the Euclid roll off a little too early and don’t sound quite as refined up top. But there’s still lots to enjoy here, they have a sense of energy that is quite addictive whilst perhaps not the most “studio accurate”.

Genres and Soundstaging

The Euclid lend their hand to most genres, but they are a bit hot sometimes when it comes to poorly mastered tracks. The soundstaging isn’t huge, but there is a nice sense of space and air to the Euclid that make them more open sounding than most sealed IEM’s.

Conclusion

What Audeze have done here is create a fun yet relatively well balanced planar earphone, which I appreciate is no easy feat. They do fall behind slightly when it comes to tonality, sometimes sounding a little thin in the midrange. But overall they have some great qualities including excellent bass response, brilliant detail retrieval and transparency. These won’t be for everyone, but I am sure there are a lot out there who will enjoy the Euclid, just remember they are very picky when it comes to the tips and source used.

Final A4000 Earphone Review

Final have released a new model in the A series, a more budget offering than their flagship but a nice contrasting model against their current E series, with a focus on clarity, air and control.

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Fit and Comfort

The Final A4000 sport a lightweight ABS housing which has a 6mm dynamic driver inside, the shape is contoured to fit your ears comfortably and securely. In use, I found the Final A4000 to fit securely and comfortably in my ears for everyday use.

Be sure to try all the different size tips, luckily Final include a better range than many brands so everyone should find a tip that fits them well.

Compatibility

The Final A4000 have an impedance of 18Ohms and a sensitivity of 100dB/mW so they are fairly sensitive and are driven fine out of portable sources. Despite their low price, they are one of those models that does benefit from better sources such as a dedicated DAP.

Sound

Bass: Whilst the bass on the Final A4000 isn’t strong in presence, it makes up for it in extension and control. There is moderate punch but slightly more focus in the sub-bass, with a subtle lift that provides adequate body. These have a brighter leaning sound signature so they won’t be suitable for those who enjoy a bit more bass. The transient response is however excellent, they can keep up with complex mixes without issue and always come across controlled. No matter what you throw at them, they can easily keep up, with great articulation too.

Midrange: The midrange is clean and crisp in it’s presentation, the bass doesn’t bleed in and muddy the vocals and separate vocal tracks are easily distinguished. Where they don’t do as well is in the sibilance region, there is a peak sadly which could be a little fatiguing. This peak though is easily lowered with the use of EQ, which definitely helps. There is a lot of detail in the midrange, it’s just that peak in the upper midrange that needs taming a little.

Treble: Plenty of energy and sparkle here, and to some it could be a little too much, but for the most part the treble is always present however rarely sharp. These are a slightly bright leaning earphone but the treble isn’t too metallic or splashy so it doesn’t come across as grating. There is good extension in the treble too, and it doesn’t drop off too sharply.

Genres and Soundstaging

The neutral/bright sound of the Final A4000 could make certain energetic genres sound a little harsh, but anything that benefits from good detail and control sounds great, especially slower rock and acoustic tracks. The nice thing is that the A4000 respond very well to EQ so you can get rid of any peaks quite easily.

Soundstaging is actually very good for the price point, you get a very coherent centre image with good separation, along with accurate width and height. They don’t sound closed in at all, which is really impressive at this price point.

Conclusion

Well the Final A4000 are certainly very technically impressive, with excellent transient response, clarity and control. The upper midrange peak is a little harsh, but overall they provide a clean sound presentation with brilliant soundstaging for the price. These are a good contrast to the slightly more fun and v-shaped Final E4000.

Oriveti O800 8-Driver Earphone Review

Packing in 8-BA drivers per side the O800 are set to take on the big brands; Oriveti have done an excellent job at tuning these for a natural and coherent sound that is packed full of detail.

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Fit and Comfort

The O800 have a smooth resin shell with a metal nozzle for the eartips, the housing is on the larger size which is to be expected, but they fit very well in the ear once you find the right size of tips for your canals. In my small ears they don’t sit all that flush and stick out a little, but most people with normal size ears won’t have this problem. They are comfortable once inserted though, and the housings are not heavy so they sit securely too. The cable is the same as the OH series and features pre-moulded earhooks which I find to be very comfortable in use. Overall they are comfortable and fit securely for long listening sessions.

Compatibility

With an impedance of 15? and a sensitivity of 110dB (+-3dB/mW) @1000Hz they are quite sensitive and will be a little picky with sources. They will pick up hiss from noisier devices, and being an all BA design it would be best to pair them with a dedicated DAP with lower than 1? output impedance. Whilst easy to drive, they are sensitive so careful pairing is best with the O800.

Sound

Bass: The O800 have excellent bass response, it’s not your typical fast and dry response like many of the lower end BA based models. There is real depth and body down low when needed, they extend down to the sub-bass without any real noticeable roll-off but do have slightly more mid-bass punch than sub-bass rumble. And whilst there is plenty of body to the low end, it is always controlled and never bleeds into the midrange or dominates the sound. Kick drums have impact and body, bass guitars have great articulation and they have the speed to keep up with even the most complex of tracks.

Midrange: The midrange is well presented and ever so slightly forward, there is great layering which allows you to pick apart the recording with ease. Whilst there isn’t any major colouration, there is a slight hint of warmth to the midrange that keeps things from sounding sterile and cold. The O800 have a slightly rounded and organic tone to them which helps them sound real and natural. The detail retrieval is superb, you can hear every breath, every little detail and nuance. The upper midrange is handled well too, without sibilance or harshness.

Treble: Whilst there is loads of sparkle and extension up top, it is always delivered in a smooth and enjoyable way. It is expertly rendered with subtlety and refinement whilst not being pushed to the background. The treble is never pushed forwards in the mix, and there is plenty of detail in the treble. The tonality once again is spot on too, never do they sound metallic or artificial. I really appreciate this presentation, they don’t push the treble forward to create a sense of artificial detail, instead they actually have the detail should you listen for it.

Genres and Soundstaging

The O800 having a natural and coherent sound signature lend their hand to pretty much anything you throw at them, they are controlled and can handle complex mixes yet also have enough body for modern pop. However they are quite revealing and do sound better with tracks that are mastered well, yet they don’t render poorly recorded music unlistenable at the same time. The O800 are a great all-rounder.

Soundstaging is good, there is a real depth to the sound and the superb layering definitely helps here. Whilst they are not the widest sounding earphones out there, they do have superb coherency and don’t sound detached.

Conclusion

The O800 are one of the best earphones I’ve heard lately, they have an effortlessly smooth and coherent sound with the midrange being ever so slightly forward. They are not a studio neutral sound, yet they have a great balance overall that makes them highly enjoyable to listen to. They sound convincing and are not lacking in an area, they are also comfortable and very well built, and a real gem under the £1000 price point.

Lypertek Announce SoundFree S20 TWS Earphones

Hot on the heels of the award-winning Lypertek TEVI (now the PurePlay Z3), Lypertek have announced the launch of the Lypertek SoundFree S20 True Wireless earphones; bringing outstanding quality and value to the world of portable audio.

Stylish Design for Comfort and Convenience

With the SoundFree S20, Lypertek has made sure to prioritise comfort and fit when it comes to the design of the earphones. The unique button placement is a first for true wireless earphones. This innovative placement helps avoid accidental button presses, and prevents the need to push onto the earphones causing discomfort. The SoundFree S20 uses this specially designed multi-function button to play/pause, skip tracks, adjust volume, answer calls, activate ambient sound mode and voice assistance.

Packed with Features

  • 8+40 Hours Playtime and Wireless Charging
    Listen for longer with 8 hours of playback from a single charge and an extra 40 hours with the supplied charging case. On top of that, the fast charge technology will provide an extra 2 hours of playback from a 15 minute charge. The pocket-sized case supports wireless charging for added convenience, and a USB-C connection port.
  • Quick Connect Pairing
    Connecting to a chosen device has never been easier. Thanks to the one-step setup feature, pairing is made simple. Once the SoundFree S20 case has been opened, the earphones are ready to connect with any Bluetooth audio device. The earphones will automatically be ready to use with the last paired device within seconds of activating.
  • Ambient Sound Mode
    The SoundFree S20 offers a high amount of passive noise isolation thanks to its ergonomic in-ear construction, and with just three clicks of a button the built in ambient sound mode can be activated. Making life easier while on the go, the ambient sound mode will allow you to talk to others without having to remove the earphones – then it’s straight back to listening to your favourite tunes.

Expertly Tuned Audio

Lypertek has tuned the SoundFree S20 to deliver a powerful and engaging sound with impressive clarity, while making sure that they are fun to listen to.  With Bluetooth 5.0 and AAC compatibility, the SoundFree S20 is able to prioritise audio quality and energy efficiency for a long and enjoyable listening experience.

 Tech Specs

  • Driver: 6mm Neodymium Dynamic Drivers
  • Frequency Response: 20Hz – 20kHz
  • Bluetooth Specification: Bluetooth 5.0
  • Compatible Audio Codec: AAC, SBC
  • Play Time (max): 8 hours + 40 hours with case
  • Water Resistant Rating: IPX5
  • Charging Options: USB-C and Wireless Charging

RRP: £69 / $69 / €69 – Available towards the end of February 2021