Best Wireless Earphones For Travelling

Final ZE8000 MK2 – ANC TWS Earphones £199.00

Final’s flagship TWS earphones are the perfect travel companion, blending striking aesthetics with top-tier performance. Their sound quality rivals the best wired earphones. While modern features like a user-friendly app and excellent wireless functionality ensure a seamless experience, especially useful for when on the go. The unique earbud design offers exceptional comfort, making them ideal for long journeys and their robust feature set guarantees that it will be a reliable and enjoyable journey.

Cleer Audio Arc 3 – £229.00

The Cleer Arc 3 open-ear earbuds are an excellent choice for travelling and those with active lifestyles. With Dolby Atmos optimization, they deliver an immersive audio experience while their open-ear design ensures you are always aware of your surroundings, especially useful in busy enviroments. Providing a secure fit, 10-hour battery life, and a smart charging case with a touchscreen and mirror, the Arc 3 is both a practical and stylish Audio travel companion.

1MORE Aero ANC TWS Earphones – £70.00

The 1More Aero is an excellent choice for those with an on-the-go lifestyle, combining convenience with top-tier features. Its comfortable fit and compact design make it easy to wear for long hours during travel, while the effective ANC ensures a peaceful listening experience even in noisy environments. The head-tracked spatial audio adds a premium, immersive touch to movies and music, typically only found in higher-end models. With great sound quality, reliable battery life, and intuitive controls, the Aero is a versatile bit of kit suited for ones travels.

Best Headphones For Travelling

1More SonoFlow Pro HQ51– £89.99

The SonoFlow HQ51 is a top pick for travelers, offering 70 to 100-hour battery life and advanced Active Noise Cancellation to block out distractions on long trips. With Bluetooth 5.4 connectivity and 12 customizable EQ modes, it delivers immersive, tailored sound. Lightweight and comfortable, it’s a budget-friendly alternative to pricier brands, perfect for music on the move.

Final UX3000 ANC Wireless Headphones – £119

The Final Audio UX3000 is an excellent device to take with you on holiday. Offering smooth sound quality, effective ANC (which can also be used on it’s own without the need to be powered on), and modern Bluetooth codecs for a seamless listening experience. Its solid build, the fact that it can be folded and fit into the included carrying bag ensure durability on the go without taking up too much space. While the fantastic mic quality makes it a good one for calls. At under £120, this headphone delivers a premium for good value. Perfect for portable use.

SoundMAGIC P23BT Portable Wireless Headphones – £49.99

The SoundMAGIC P23BT is an excellent travel-friendly headphone, combining lightweight comfort with impressive battery life for all-day listening. Its full, warm sound delivers an enjoyable audio experience without overpowering bass, making it versatile for music and calls. With a detachable boom mic for enhanced call clarity while at your desk, plus simple controls, the P23BT is a bargain for wireless on-ear headphones that fit seamlessly into your on-the-go lifestyle.

WATCH VIDEO: SoundMAGIC P23BT Wireless On Ear Headphone Review

Best Portable DAC/Amps for Travelling

iFi Audio GO Link MAX – £79.00

The iFi Go Link Max is a fantastic travel accessory, offering premium audio performance in a compact, portable design. With support for high-resolution formats and powerful amplification, it upgrades your listening experience on the go, whether you’re using wired headphones or IEMs. Its durable build, lightweight form, and plug-and-play functionality make it perfect for seamless use with your smartphone or laptop during travel.

iFi Audio hip-dac 3– £199.00

The iFi Hip-DAC 3 is an excellent choice for those who are often on the go. It offers excellent power & provides premium sound quality in a portable, stylish design. Its compact size makes it easy to carry, while the powerful amplifier ensures your headphones deliver exceptional audio, especially on the go. With high-res audio support, long battery life, and versatile connectivity, it’s the perfect choice for enhancing your music during commutes, flights, or adventures.

iFi Audio GO blu– £199.00

The iFi GO blu is a must-have for audiophiles on the go, combining compact portability with impressive sound quality and versatile functionality. Its dual headphone outputs (3.5mm and 4.4mm) and DAC/amp capabilities make it a powerful companion for virtually any audio setup. Whether you’re commuting or traveling, its tiny form factor fits seamlessly into your luggage or gear pack, while delivering the punchy, high-quality audio you expect from iFi. An exceptional choice for those who value performance and convenience.

Best Reuseable Ear Protection for Travelling

Etymotic ER20 / ER20XS High Fidelity Earplugs– £19.99

The Etymotic ER20XS earplugs are a must-have for travelers, offering outstanding hearing protection while preserving sound clarity. Their compact, low-profile design fits comfortably and discreetly, making them ideal for flights, noisy environments, or even concerts abroad. With advanced sound attenuation, they reduce harmful noise levels without distorting speech or music, ensuring your ears stay protected without missing out on the experience.

Best Wired Headphone for Working/ Listening On The Move

Audeze MM-100 – £399.00

The Audeze MM-100 is perfect for studio engineers and music enjoyers who are often on the move. They offer studio-grade sound in a portable and durable design. Featuring Planar Magnetic drivers, it delivers precise, studio-quality audio with incredible detail and clarity, making it ideal for mixing, mastering, or casual listening. The sound is stunning, especially when paired with a quality setup and completely outperforms anything else in its price bracket at just £399. Lightweight and comfortable, the MM-100 ensures long sessions are a breeze and gives an immersive listening experience to anyone who put them over their ears. For professionals and music aficionados who need reliable, high-quality performance on the go, the MM-100 is a standout choice.

What is your favourite gear to take along while travelling? Let us know in the comments below.

For more buying tips, check out our best of guides here

The post The Best Headphones for Travelling 2025 appeared first on HiFiheadphones.

Best Headphone Amp 

iFi Audio iCAN Phantom – £3,749.00

The iCAN Phantom is the jack of all trades and the master of them all. It delivers unmatched versatility, combining top-tier solid-state and tube amplification with cutting-edge XSpace and XBass customization. It is also an Energizer. Pure end-game gear. Perfect for audiophiles, it powers any headphones with effortless precision and offers stunning sound.

Best Headphone DAC/Amp under £100

iFi Audio Go Link Max – £79.00

The all new iFi GO link Max delivers studio-quality sound with up to 241mW of output power—nearly five times that of a MacBook Pro—driving demanding headphones with ease. Compact, portable and versatile, it’s the perfect upgrade for immersive, high-fidelity audio anywhere. An upgrade over the original in every way, this is a must have for anyone who owns wired headphones.

Best Headphone Amp £100-£300

iFi audio Zen CAN 3 – £229.00

The iFi ZEN CAN 3 offers stellar sound and versatility, perfect for music, gaming, and movies. With excellent build quality and performance, it’s the standout entry-level amp and punches well above its selling price.

Best Headphone Amp £300-£1000

iFi Audio Neo iDSD 2 -£899.00

The iFi Audio NEO iDSD 2 is a versatile all-in-one home audio solution, offering improved performance, user-friendly features, and a powerful amplifier with IEMatch. It delivers a neutral, balanced sound that enhances any audio setup, making it perfect for those seeking high-quality sound without the need for extra equipment.

Best Wireless Headphones with ANC under £100

1More SonoFlow HQ50 – £89.99

The SonoFlow HQ50 is a fantastic product priced under £100. Boasting up to a 70-hour battery life, QuietMax ANC technology, a DLC 40mm driver and featuring 12 EQ modes, it delivers premium sound and comfort at a budget-friendly price—challenging pricier rivals like Sony and Bose.

Best True Wireless for Sound Quality

Final ZE8000 MK2- £199.00

The ZE8000 MK2 combines striking aesthetics with top-tier performance. They deliver sound quality that rivals the best wired earphones as well as providing all the modern features you’d expect from TWS earphones. The distinctive shape of the buds also provides insane levels of comfort and the app is a treat to use. The ZE8000 MK2 is a great overall package.

Best Wired Earphones under £50 

SoundMAGIC E11C Silver – £39.98

A Brilliant Budget Earphone that Sounds MAGIC. We have found the E11C to be a grown-up earphone with a keen knack for giving a clear and accurate presentation across the board. It is a true bargain and certainly a very good IEM for everyday use. The mic and controls are an added bonus and making use of the included case as well as regular cleaning ensures that these earphones last well beyond their warranty. Perfection? Not quite. But at £40 you will struggle to find a similar product worthy of your investment. – Full Review

Best Wired Earphones £100-£300

Final A5000 – £259

The Final A5000 IEM delivers exceptional sound quality with powerful tight bass, stunning mids and highs, all at an affordable price of £259. A perfect choice for those looking for an upgrade within this price range.

Best Wired Headphones Under £100

SoundMAGIC HP151- £88.99

The SoundMAGIC HP151 offers exceptional clarity and precision, letting finer details in your music shine. Durable, comfortable, and priced just under £90, it’s a fantastic choice for those seeking great sound from a wired headphone without breaking the bank.

Best Wired Earphones £1000-£2000

64 Audio U6t- £1,299.00

For the price, 64 Audio have created a brilliant everyday earphone that allows great insight into the recording with superb clarity and detail retrieval, wrapped up in a smooth, coherent and easy to listen to sound. They are such an easy earphone to live with. Providing a comfortable fit and refined sound that many fail to match. This is proof that 64 Audio really do know what they are doing when it comes to sound. A superb model for the price.

Best Wired Earphones £2000+ 

64 Audio tia Fourte – £3,599.00

This model pushes the boundaries and shows what’s possible with only 4 drivers. This is a hybrid design with an intricate inner shell with chambers that help shape the sound. Nothing sounds overly boosted on the Fourte, but they do have a healthy dose of impact down low. The Fourte are very revealing and will throw up flaws in recordings, but the clarity in the midrange is truly astonishing. What’s even more impressive is how the top end just extends without rolling off at all.

Best Wired Studio Earphones 

Etymotic ER-4SR – £305.95

If you are looking for neutrality, the ER-4SR are the industry standard – they do not flatter you with a smooth sound or hide any mistakes in recordings, so not great for everyday listening but superb if you want to hear every detail.

Best Wireless Headphones

Audeze Maxwell- £319.00-£349.00

• The Audeze Maxwell the best gaming headset currently on the market, but it is also superb for listiening to music too. It offers uncompromising audio quality with its planar magnetic drivers, delivering deep bass and clear mids, all in a comfortable, wireless design. An exceptional 80 hour battery life, and the ability to create and store custom EQs for different genres, it’s perfect for those seeking a pair of high-performance wireless headphones for fully immersive listening. – Full Review

Best Headphones £100-£500

Audeze MM-100 – £399.00

The Audeze MM-100 can be driven by just about any source, making it ideal for on the go. It delivers stunning transparency and musicality, especially when paired with a quality setup, completely outperforming anything else in its price bracket at just £399. Perfect for audiophiles and studio use alike, it has unbeatable value.

Best Headphones £500-£1000

Audeze LCD-2 Classic – £799.00

The LCD-2 Classic are a well controlled, but ultimately warm sounding headphone. They offer up a fatigue free sound with good width and height. If you listen to electronic centred music, old school rap/hip-hop and smoother more acoustic music they are a joy to listen to. Full Review

Best Headphones £1000-£3000 

Final D8000 – £2,999.00

Instead of going for the usual neutral-ish sound signature of most high-end models, Final instead decided to make the D8000 enjoyable, with very punchy and dynamic bass and impressive clarity across the board, the D8000 stand out from the crowd.

Best Headphones £3000+

Audeze LCD-5 -£3,999.00

The Audeze LCD-5 is a masterpiece of audiophile engineering, delivering unmatched clarity, precision, and emotional depth to your music. Audeze’s Flagship LCD has a lightweight magnesium frame and the premium materials ensure long-lasting comfort, while the cutting-edge planar magnetic drivers reveal every nuance in your favorite tracks. For those seeking the pinnacle of sound reproduction and a transformative listening experience, the LCD-5 is still there, in a league of its own. Full Review

The post HiFiHeadphones Best Buy list appeared first on HiFiheadphones.

BEST EARPHONES UNDER £50

1. final E500 Wired Earphones – £19.99

Designed with gaming and VR users in mind, the E500 delivers impressive spacial awareness and pin point accuracy. These qualities don’t only favour gamers – they give music an edge with clear imaging and a soundstage that brings you right into the mix. All of this for under £20 makes them a no brainer for those looking for a budget wired earphone.

READ MORE: Final E500 In-Ear Headphones Review

2. SoundMAGIC E11/E11C Wired Earphones – £34.98/£39.98

With various SoundMAGIC models already available, what can the E11/E11C bring to the table? Well, Everything! We have found the E11 to be a grown-up earphone with a keen knack for giving a clear and accurate presentation across the board.  A truly impressive earphone for the price and in 2024 it is still the wired budget king.

READ MORE: SoundMAGIC E11C In-Ear Headphone Review

3. SoundMAGIC E80D USB-C Wired Earphones – £34.98/£39.98

Modern technology requires modern solutions. No headphone jack on your new phone? The SoundMagic E80D has you covered. These earbuds deliver exceptional comfort and impressive passive noise isolation at a budget-friendly price. With a reliable USB-C connection, they provide seamless compatibility with modern devices. Lightweight and elegant, they’re perfect for long listening sessions, offering great value without compromising on audio clarity or design quality.

READ MORE: SoundMAGIC E80D

BEST EARPHONES UNDER £100

4. final VR2000 Virtual Reality In Ear Isolating Gaming Earphones – £59.99

The VR2000 builds on the immense success of their gaming earphone predecessor the VR3000, which is known for their overwhelming spatial expression. The VR2000 focuses on the rapid response and aims to make object sounds within game audio more noticeable. Many typical gaming earbuds and headphones emphasize an exaggerated sound quality, aiming to accentuate sound effects for a more dramatic experience for the user. But in competitive gaming such as arcade fighting (Tekken), FPS (Apex Legends), Third person shooters such as Fortnite or rhythm games sich as Osu! it’s no exaggeration to say that the player’s quick judgment in reacting to sound effects can largely influence the outcome of each round. The VR2000 is a set of professional-grade earbuds developed specifically for players who are serious about winning.

READ MORE: final VR2000 Gaming Earphones

5.1MORE Aero ANC TWS Earphones – £70.00

The 1MORE Aero offers a solid mix of great audio quality, effective ANC, and a comfortable fit for an exceptional price. The Aero stands out by bringing the premium head-tracked spatial audio to the table, something that currently is only usually found in much pricier models. If immersive audio for movies and TV is your thing, the Aero is a fantastic value choice.

READ MORE: 1MORE AERO

BEST EARPHONES UNDER £200

6. final ZE3000 True Wireless Earphones – £119.00

True wireless earphones for the audiophiles and purists out there. The final ZE3000 don’t have many of the bells and whistles. They have no ANC, no ambient mode nor wireless charging. However they were designed from the bottom up for ultimate sound quality and in that they totally succeeded. They also look abolutely fantastic and fit perfectly. What more could you ask for at £119!

READ MORE: final ZE3000 True Wireless Earphones Review

7. 1MORE Penta P50 – Five Hybrid Driver IEMs – £179.00

The Penta P50 offers a smooth, natural sound with standout bass texture and crisp treble, perfect for those who prefer a relaxed and fatigue-free listening experience. Its compact, comfortable design adds to the appeal, making it a strong choice for audiophiles seeking balanced tuning.

READ MORE: 1MORE Penta P50

8. Final ZE8000 MK2 – ANC TWS Earphones £199.00

Finals flagship TWS earphone combines striking aesthetics with top-tier performance. They deliver sound quality that rivals the best wired earphones as well as providing all the modern features you’d expect from TWS earphones. The distinctive shape of the buds also provides insane levels of comfort and the app is a treat to use. All the bells and whistles are there, a great overall package.

READ MORE: Final ZE8000 MK2

BEST EARPHONES UNDER £500

9. Westone Audio AM Pro X20 Professional Earphones – £400.00

Stage musicians rejoice! Musicans of the past were limited to selecting either an isolated in-ear monitor mix or an immersive wedge based experience for monitoring. With the Am Pro X20 you can now enjoy both the energy and input from the audience, as well as from other performers and the stage. With Westone Audio’s exclusive StageSense Ambient Technology you are in total control of your musical environment. You can enjoy full-range frequency response from your in-ear monitor signal, hear and feel your surroundings and engage with fellow performers and your audience like never before. The AM Pro X series is a recommended universal solution for on-stage monitoring and band practice.

READ MORE: Westone Audio AM Pro X20

10. Final A5000 – £259.00

Final’s new addition to the “A” series, The A5000 is a wired IEM that punches far above it’s price in terms of sound quality. Style aside, the bass is powerful and tight, the mids and the highs fabulous. Final have proven time and time again that you do not need to spend an arm and a leg for a quality earphone. For anyone looking to upgrade their gear on a budget, look no further. Final Magic for £259.00? Yes please.

READ MORE: Final A5000

BEST EARPHONES OVER £1000

11. 64 Audio U4s -£1,099.00

The U4s is 64 Audio’s new, blue & cheapest UIEM coming in at £1099.00. The hybrid construction delivers a richer and deeper sub-bass then their next cheapest universal model the U6t (which is made up from a full BA driver set up) thanks to the dynamic driver under its hood. The U4s comes with 64 Audio’s all new M12 Apex module, meaning you essentially get four different sound signatures out of the box. You are after an open sound with as wide an image as possible? Then slot in the MX or the M12. Want more bass? Say hello to the M20 or M15. The versatility of these is great and the energetic sound from the U4s will keep your attention for years to come.

READ MORE: 64 Audio U4s

12. final A8000 Audiophile Custom-Driver Earphones – £1999

With the A8000, final prove that multiple drivers aren’t necessary for producing mind blowing audio. One driver is all that’s needed! Final don’t settle with any old drivers either. For the A8000, Final has developed their custom made ultra thin Beryllium foil driver. Along with Final’s four chamber housing design, the A8000 gives high resolution a whole new meaning. These need to be heard to be believed.

READ MORE: final A8000 Custom-Driver Audiophile Earphones Review

13. 64 Audio Volür – £2369.05

What started out as the Nio 2 evolved into a whole new word (and a UIEM) that never existed before. The Volür. The newest Universal IEM from 64 Audio. The pulsating heart of which is made up of two new custom 9mm dynamic drivers set in a True Isobaric configuration that delivers unprecedented low-frequency capability. The low end of the Volür will simply blow you away. It is easily one of the best technical performing earphones that has a “fun” sounding signature. Those purple abalone faceplates also look fabulous.

READ MORE: 64 Audio Volür

Have We Missed Anything Out?

Honourble mentions to the, Fourté , LCD i3, OV800, and many more out there! What is your favourite? Please feel free to leave a comment below and let us know…

The post Best Earphones 2024: IEM, Bluetooth, Wireless, Budget, Audiophile appeared first on HiFiheadphones.

PREFER EARPHONES? READ MORE: Best Earphones 2024

BEST ENTRY LEVEL HIGH-END

Audeze MM-100 – £399.00

The Audeze MM-100 is a versatile headphone designed for both studio engineers and music enjoyers on a budget. It can be driven by just about any source, making it ideal for life on the go. With its Audeze patented planar magnetic drivers, it delivers precise, studio-quality audio with incredible detail and clarity, making it ideal for mixing, mastering, or casual listening. The sound is stunning, especially when paired with a quality setup and completely outperforms anything else in its price bracket at just £399. Lightweight and comfortable, the MM-100 ensures long sessions are a breeze and gives an immersive listening experience to anyone who put them over their ears.

BEST BUDGET WIRED HEADPHONES

SoundMAGIC HP151- £88.99

The SoundMAGIC HP151 offers excellent audio quality with a balanced sound signature and impressive detail for its price. Its spacious soundstage and comfortable design make it an ideal choice for budget-conscious listeners seeking reliable, wired performance. Priced just under £90, it is a great pick for anyone looking to upgrade without breaking the bank.

BEST WIRELESS HEADPHONES

1More SonoFlow HQ51– £89.99

If earphones aren’t your thing, then the SonoFlow HQ51 makes a perfect upgrade choice under £100. With its extended 70 to 100-hour battery life, advanced ANC, The SonoFlow HQ51 also features an all new DLC 40mm dynamic driver. Comfortable to wear, it is equiped with Bluetooth 5.4 and has 12 EQ modes, it’s ideal for immersive listening at an affordable price. The SonoFlow is a great alternative challenger to the pricier options out there from Sony, Bose and Sennheiser.

final UX3000 ANC Wireless Headphones – £119

Final have really worked their magic here. Solid build quality, paired with great sound and effective ANC for under £120 is something rarely heard of. Add to that fantastic mic quality and you have an absolute bargain on offer. The UX3000 can be recommend to absolutely anyone looking for a portable over-ear headphone and you will only see smiles on their faces.

SoundMAGIC P23BT Portable Wireless Headphones – £49.99

How do they do it? SoundMAGIC have once again made a killer headphone for a super price. The P23BT doubles up as a headset too with the included cable and boom mic (great for home office or even gaming). In addition, the headphone is lightweight and comfortable. Add into the mixer an incredibly impressive battery life and a simple ease of use and you have got yourself a bargain. They sound full and warm yet never bass heavy. They really do sound incredible and for a Wireless on ear headphone what more could you want?

WATCH VIDEO: SoundMAGIC P23BT Wireless On Ear Headphone Review

READ MORE: Christmas Gift Guide 2024

BEST OVER-EAR HEADPHONES

5. Audeze LCD-X Planar Magnetic Full Size Headphones – £1149

The Audeze LCD-X are a real eye-catching headphone. For a retail price that seems crazy at first glance, the bottom line is that the price-performance ratio of this headphones is absolutely fantastic. Not only due to the impeccable manufacture, but also a robust construction, use of high-quality materials and wonderful, detailed sound Loved by Audiophiles and sound engineers alike. If you want to give yourself a birthday or Christmas present, you can safely consider surprising yourself with the Audeze LCD-X.

READ MORE: Audeze LCD-X Planar Magnetic Headphones

READ MORE: Christmas Gift Guide 2024

Audeze MM-500 Planar Magnetic Full Size Studio Headphones – £1699

Audeze MM-500 is designed to suit the requirements of long daily listening sessions under almost any condition. World-class studio monitor? Check. Quick reference on-the-go? No problem. Deep late-night listening? Done. With its ease of drive, comfortable fit and trustworthy sound, you can count on the MM-500 to deliver in every situation. The MM-500’s planar magnetic drivers provide realism that audio professionals like Manny “can’t live without.” With lightning-fast transients, accurate frequency response and trusted mix translation.

READ MORE: Audeze MM-500 Planar Magnetic Studio Headphones

Final D8000 – £2,999.00

Instead of going for the usual neutral-ish sound signature of most high-end models, Final instead decided to make the D8000 enjoyable, with very punchy and dynamic bass and impressive clarity across the board, the D8000 stand out from the crowd.

Audeze LCD-5 -£3,999.00

The Audeze LCD-5 is a masterpiece of audiophile engineering, delivering unmatched clarity, precision, and emotional depth to your music. Audeze’s Flagship LCD has a lightweight magnesium frame and the premium materials ensure long-lasting comfort, while the cutting-edge planar magnetic drivers reveal every nuance in your favorite tracks. For those seeking the pinnacle of sound reproduction and a transformative listening experience, the LCD-5 is still there, in a league of its own. Full Review

READ MORE: Christmas Gift Guide 2024

BEST GAMING HEADPHONES

Audeze Maxwell Ps5/Xbox – £319.00/£349.00.

The Audeze Maxwell redefines what a wireless gaming headset can be. With its planar magnetic drivers, it offers astonishingly clear, detailed sound that brings games and music to life. Combine this with ultra-low latency performance, an 80-hour battery, and a premium build, and you have a headset that’s as serious about sound as it is about gaming. The Maxwell remains the gold standard for serious gamers and audiophiles alike and a must have in 2024

Have We Missed Anything Out?

Please feel free to leave a comment below and let us know…

The post Best Headphones 2024 appeared first on HiFiheadphones.

Fit and Comfort

The Lypertek PurePlay Z7 is a little larger than the SoundFree S20 and the PurePlay Z3 2.0 due to the increase in driver quantity. But they have an ergonomic shape which means they fit securely even if they do stick out a little more than normal (worth it for the sound quality!).

Comfort is good. The earphones are nice and lightweight which helps along with a good selection of tips included. Meaning most people will find a set that fits well and provide a good seal in the ear.

Features

The PurePlay Z7 offer up an excellent 10hrs battery life per charge and the case provides 7 full charges. This gives 80hrs in total which is market leading by industry standards. They also have a quick charge function that will give you 2hrs of play time from just 15 minutes of charging.

The PurePlay Z7 offer up an excellent 10hrs battery life per charge and the case provides 7 full charges

They have 3 drivers, 1 dynamic along with 2 Balanced Armatures. Are IPX5 rated which isn’t quite as good as the PurePlay Z3 2.0 but should still be more than enough for most users. There is a physical button on ear earphone which allows you to control playback along with the voice passthrough, (This mode allows you to hear your surroundings without removing the earphones). The buttons are easy to use and less likely to be accidentally pressed unlike touch buttons.

PureControl App

The Z7 are fully compatible with the Lypertek PureControl app. This app allows you to control the EQ, change the button functions and voice pass through, amongst other things. This app is a really handy partner to the Z7 and offers up a lot of flexibility and allows you to really fine tune the sound to your personal tastes.

The app is a really handy partner to the Z7. It offers up a lot of flexibility and allows you to really fine tune the sound to your personal tastes.

On the subject of tuning the sound, Lypertek have developed a sound pre-set in their app called LDX mode (Lypertek Definition Expander). Switching this on in the app instantly changes the sound profile to one that is more engaging, exciting and spacious. There is a little bump in the bass quantity but the sound overall becomes more fun and dynamic with a wider and more open soundstage. This is definitely worth trying out. I can see a lot of people using this mode to bring out a little more fun in the Z7.

A note about ANC..

Lypertek have not gone down the ANC route with the Z7 which is slowly becomming the expected standard. They do however have excellent passive noise isolation, so they cut you off from your surroundings very effectively. To try and shoehorn ANC into these would jeopardise the sound quality which is honestly the crown jewel of these beauties. It is a bold decision but Lypertek have invested where it matters, the sound. And the resulting earphone is something a bit magic.

The PurePlay Z7 case supports wireless charging too and Lypertek have released a super slim charging pad to go with it. The charging pad is super sleek and is a perfect partner for these earphones. All in all the Z7 has a lot of useful features pakced in. But it must be said the biggest focus is on audio quality(more below). The addition of the AptX Adaptive codec is welcome too and really makes a difference.

Sound

The Pureplay Z7 is a really good all rounder

Bass:

Lypertek are using a single dynamic driver for the low end and it is tuned really well. Having just the right amount of punch, body and extension to always be there and audible, but not enough to make them sound dark or bloated. There is really good extension when called for, yet they retain a controlled and smooth presentation. The midbass has moderate kick, not enough to really please those who want a more engaging sound, but enough to sound realistic and audible. The EQ in the app will help those who want more.

Midrange:

The midrange sits where it should. Whilst the Z3 and S20 have perhaps a slightly recessed midrange, the Z7 has a more balanced and neutral approach. While there is a little added body down low, it doesn’t really have too much of an impact on the midrange. Male vocals sound a touch warmer than a strictly neutral monitor. However they have great tonality and a smooth yet balanced presentation that just makes them enjoyable to listen to for hours on end. They won’t throw every little nuance at you. But they sound effortless and realistic which to me is a great quality in a portable earphone. The upper midrange is devoid of any fatiguing peaks. There is a smooth transition to the lower treble yet female vocals still cut through with great clarity and authority.

Treble:

The treble is very refined and not overdone. It is detailed and has good extension but it is not upfront in the mix. They are perhaps a tiny bit subdued for my personal taste, but this means that more people will enjoy the smooth presentation. This is also easily tuneable in the app to be honest, and you can dial in more or less depending on your preference. But the stock sound out of the box is quite smooth and safe yet still present and enjoyable. They are not exciting and do lack a little energy, but this will also vary depending on what music you listen to.

Genres and Soundstaging

The Z7 are a really good all rounder. They do have quite a smooth and refined sound that lend their hand to slower genres. Acoustic and softer alternative rock sounds excellent due to the natural midrange. However turning on LDX mode does make the Z7 a little more exciting and dynamic. This is a must if you listen to more upbeat genres like pop/hip-hop.

Soundstaging is quite impressive with good width and air. The separation is also very impressive with plenty of air between layers. Yet it all comes across in a very coherent manner.

Who is it for?

• People looking for the best sound quality in a true wireless earphone for an exceptional price
• Those who want superior sound without sacrificing battery life
• People who like to tweak the sound to their personal preference

The post Lypertek PurePlay Z7 Triple Hybrid TWS Earphone Review appeared first on HiFiheadphones.

Fit and Comfort

The Campfire Audio Saber follows a very similar design to the Satsuma and Honeydew. However, this time they have used Damascus steel for the faceplate and ABS for the inner shell. This means they have the slightly narrower and longer stem which actually helps when it comes to fit. These fit really well once you settle on the right tips. The nozzle allows for a medium insertion depth that is secure yet comfortable. The inner edges of the shell are smooth and the included cable is lightweight. My only gripe is the cable is the OFC one that uses mouldable memory wire instead of the more comfortable pre-moulded earhooks on the newer smokey litz cables. However it must be said this is a personal preference and most will get on fine with the included cable.

Comfort is excellent due to the housing shape. These are easy to wear for hours on end with no discomfort, making them great for long journeys or just general commuting and daily use. Just take some time to find the right tips for your preference and you’ll have no problems with the Saber.

Compatibility

The Saber are quite low impedance for an earphone, 8.2 Ohms @1kHz, this means they are very sensitive to source changes and benefit from a source with low output impedance. They have a sensitivity of 94 dB SPL @ 1kHz: 25.4 mVrms. These are very sensitive and work well out of portable devices provided they have low output impedance. Saying that, these sound great out of most devices as is.

Sound

Bass:

The Saber uses two dynamic drivers to cover the low and mid frequencies. The largest 8mm dynamic driver adds an impressive amount of depth to the bass but it still retains a tight and controlled response. One that is not as full as the Mammoth yet doesn’t lean too far into the analytical camp either. The Saber manages to have a solid bass foundation with impact and extension without bloat or emphasised warmth. They don’t fulfil a bass-head tuning like the Mammoth but there should be more than enough presence and oomph for most listeners. They are impressively punchy and I doubt anyone could be bored with this presentation.

Midrange:

Wonderfully placed and well detailed without sounding cold and lifeless. The midrange has great tonality and vocals cut through the mix with ease. There is a little thinness at times in the upper midrange but not enough to cause fatigue and sibilance is well handled only becoming problematic on poorly mastered/hot tracks. The Saber have the ability to be snappy and controlled yet utterly fun to listen to. You never lose track of anything going on in the mix, they handle whatever you throw at them and just turn it in to an enjoyable listen.

Treble:

The treble is sparkly, and razor sharp, but not to the point they sound fatiguing. With great air and placement they successfully manage to avoid being too hot for my tastes. These do not hold back, they are not the smoothest or most refined earphones for sitting back and relaxing with, instead they are dynamic and energetic and want you to tap along to the music. There is no lack of extension, no lack of detail whatsoever at the top end of the Saber. They could never be described as dull and that is exactly how Campfire wanted them to be. Fun!

Instrument Separation and Soundstaging

The Saber easily pick apart complex mixes and don’t become congested or muffled with fast tracks. The layering is excellent and they are very responsive in terms of transient response.

The soundstaging is also impressive. It’s intimate with a tightly focussed centre image and good width and space. The treble positioning is very impressive and there is realistic yet accurate staging.

The post Campfire Audio Saber Review appeared first on HiFiheadphones.

Aesthetics and Build Quality

Campfire Audio’s Andromeda is about as bold as you can get when it comes to its design. The housings are made from machined aluminium, with a deep forest green anodised finish. The finish has been updated in this new version of the Andromeda, with a much smoother coating and a slightly richer shade of green.

The sound tube is made using stainless steel, which I am sure not only benefits the acoustics. It looks very striking too. Overall the Andromeda feels robust and built to last, while managing to stand out with its unique character.

Features and Comfort

Campfire Audio earphones have a very distinctive look, and the Andromeda is their champion. The design is very unusual, with a slightly futuristic shape to them. The shell’s design allows it to catch the light at different angles, which gives off a multitude of different shades of green. That is not the only purpose of this shape, the angled design provides superb comfort. The Andromeda sits perfectly in my ear, and with the included Final silicone eartips – the fit is snug and they seal extremely well which also helps towards isolation.

Another great feature of the Andromeda is the supplied cable. An upgrade on the older version, this time the Andromeda comes with their popular Silver Plated Copper Litz wire covered in a new smoky jacket. The cable is also more flexible than the previous version and uses a lightweight moulded ear hook design instead of memory wire – a definite improvement.

Campfire Audio don’t stop there, the Andromeda comes supplied with a newly designed leather carry pouch, foam and silicone eartips, a cleaning tool and even a fancy Campfire Audio lapel pin.

Sound Quality

The best way I can describe the sound of the Andromeda is organic. Sound comes across effortless, well balanced and with an impressively natural soundstage.

Bass

Bass comes across with authority and punch. It goes low and manages to keep controlled, even with more bass heavy tracks. Bass performs equally well with intricate instrumental, heavy rock and electronic music. This shows that the bass has been tuned to do what is needed, letting the quality of the production do the talking.

Midrange

Thanks to the controlled bass, there is no risk of the midrange getting over shadowed. Mids come across extremely clear with a musical richness – this is a welcome change from the analytical sound that is common amongst high-end earphone models. Vocals have presence and whether male or female, they sound uncoloured, engaging and with emotion.

Treble

Campfire Audio uses their very own Tuned Acoustic Expansion Chamber in the Andromeda, designed to improve treble extension and soundstage. This is very clear and noticable. Thetreble provides just the right amount of definition without going harsh or sibilant. Then, in addition the extension provided by the T.A.E.C. goes on and on, creating width and space with superb separation.

The post Campfire Audio Andromeda IEM Review appeared first on HiFiheadphones.

Design: 9/10

The E11C Features an updated 10mm dynamic driver from its predecessor, the E10C. It has also been upgraded via a high quality silver plated copper cable. Proof that SoundMAGIC is continuously evolving as a brand. Not only does this improve the sound, but it also gives the earphones a more sophisticated, grown up look. Other than these changes, they essentially look like a typical SoundMAGIC in ear earphone and still feature a 3.5mm jack. They look great. Why change a good looking winning formula?

Fit & Comfort: 9/10

As with previous wired models, the E11C can be worn with cable going over the ears or just straight down. Although this will interfere with the position of the microphone. The angled jack is great for when you have your Phone/ Mp3 Player in your pocket as it prevents any premature cable break (from poor care!). The ergonomically designed housing fits in your ear very well. The posistion of the in-line mic and controls is practical and makes them easy to use. Finally, the tips that are provided add to the comfort and it is easy to get a secure / solid fit. This ensures not only comfort but total sound isolation and the best chance to immerse yourself in the music.

The sound quality is excellent and the E11C is suitable for all genres.

Sound: 10/10

The sound quality is excellent. The E11C is similar in sound to the SoundMAGIC E50 models. But the E11C has a little more mid and upper-bass warmth to it. To sum up, the bass is well controlled, The mids crystal and the treble super smooth. It’s suitable for all genres, but is outstanding when listening to vocals, acoustic recordings and music making use of “real” instruments. (Sorry techno, you still sound great too though!)

Mic & Controls: 9/10

The E11C comes with an in-line control and mic that works with both iOS and Android (for devices that still have a jack). The controls provide volume and stop/start functionality which is great for when you are on the move. In addition to this the mic/controls are durable and unobtrusive. They do not interfere with the cable which means they do not create any background noise. The call quality is good and your voice comes through loud and clear on the other end, too.

The E11C proves that quality does not need to cost an arm and a leg.

Value For Money 10/10

The E11C proves that quality products do not need to cost an arm and a leg. The updates are modest but make the E11C stand out from its predecessors. The sound is more refined and pricepoint of around 50 pounds really hits the nail on the head. Most people will only spend as much as they need to in order to get something that they will be happy to use every day. And guess what? The E11C is it. The in-line mic and controls are a great practical feature and fantastic addition. They are simply a very durable, stylish and versatile earphone to use day in and day out.

Want to keep in the Loop with all things Sound MAGIC? Check out all News and reviews here.

The post SoundMAGIC E11C Earphones Review appeared first on HiFiheadphones.

Design and Functionality

The MW200 is a neckband Bluetooth cable that allows you to convert your MMCX earphones into a Bluetooth set. It’s a flexible rubber neckband with solid plastic end parts that house the electronics and controls, these are finished with a tempered glass faceplate. It’s a well built, and good looking neckband that is also comfortable in use. The cable sections I feel are a little too long though, and could have about 3-4cm cut off without hindering the fit. The cable section has moulded ear hooks so it is for use with earphones that fit over-ear rather than straight down.

Feature wise you get full controls on the left side of the MW200, with volume controls (these are separate from the sources volume), play/pause and on/off. You can also use the play/pause to skip tracks, and there is a microphone on the unit for calls. The MW200 supports all the latest Bluetooth codecs for the highest quality Bluetooth playback (Aptx and LDAC etc…). The MW200 paired easily and the range seems very good, battery life is also great at up to 11hrs in LDAC mode and 14 in SBC. There is plenty of volume to power most IEM’s currently on the market too.

Sound

I’ve mainly been using the MW200 with Final’s flagship IEM the A8000, because they really are ruthlessly revealing of the source material and also enjoy a bit of power behind them. I’m glad to report that the MW200 doesn’t have any problems with noise, and there isn’t any noticeable hiss when using it. I will mention that I have also been using it with LDAC from my Pixel 3a using Qobuz streaming.

The MW200 has good power and volume, there is plenty of detail and an overall crisp and clean sound. Of course, Bluetooth is still limited and there was a drop in resolution over playing the A8000 out of a high-end DAP. However when out and about this drop is not as noticeable as when critically listening, and the MW200 does a truly great job at decoding and amplifying the signal. I was really testing the limits of the MW200 by using it with the A8000, but pair it with something a bit more affordable like the Oriveti OH300 and you get a superb sounding wireless setup for under £500. Much better than any current wireless offering on the market at least.

The MW200 really doesn’t impart much of it’s own sound on to the IEM’s of choice, which is great in my opinion, you can get the Shanling app though which includes an EQ. This EQ does not work when using LDAC codec though. If you are used to using your IEM’s with an excellent source, please remember there will be slightly lower resolution, mostly in the treble region, again this is more a limitation of Bluetooth and not necessarily the MW200’s fault.

The post Shanling MW200 Review appeared first on HiFiheadphones.

Here is our guide for those looking for earbuds on the smaller side. We have found that a lot of people require smaller fitting earphones without wanting to compromise on sound quality – the list below all have small housings, perfect for smaller ears.

TOP 5 EARPHONES TO SUIT SMALLER EARS

1. Final E500 – £19.99 – BUY HERE

Not only is the Final E500 our best value earphone, they are very small in size. The housings will suit those with smaller ears – and sound great too!

READ MORE: Final E500 Earphones

2. SoundMAGIC TWS50 – £79 – BUY HERE

The design of SoundMAGIC’s TWS50 means that they are one of the smallest and most comfortable True Wireless earphones we have tried. A popular combination of comfort and top sound quality,

READ MORE: SoundMAGIC TWS50 True Wireless Earphones

3. Westone UM Pro 10 – £139 – BUY HERE

If you’re looking for the pro touch, then Westone is the brand to go for. Their compact sized UM Pro 10 is a single balanced armature driver IEM, bringing a neutral sound with crystal clear detail and perfect balance.

READ MORE: Westone UM Pro 10 IEM

4. Etymotic ER2 SE and XR – £169 – BUY HERE

Etymotic are hearing experts, and their earphones are the best when it comes to isolation – helping to block out external noise. The ER2 SE and XR earphones are small in size and use a single dynamic driver and deliver the cleanest sound you’ll hear. SE for more clarity, XR for more bass.

READ MORE: Etymotic ER2 Earphone Review

5. Final f7200 – £399 – BUY HERE

We started with Final, so we’ll end with Final. The f7200 is one of their more unique designs, with a fit that will suit the smallest of ears. The f7200 is also a superb sounding earphone too, silky smooth and engaging with depth and clarity.

READ MORE: Final f7200 Earphones Review

Have We Missed Anything Out?

Please feel free to leave a comment below and let us know…

The post Best Earphones For Small Ears: Budget, True Wireless, Pro IEM and Audiophile appeared first on HiFiheadphones.

For those of you that don’t know, Final is a Japanese audio brand with a long and impressive hi-fi history. Their products all share a similar theme – unique design and expertly tuned sound. With the A8000, Final’s latest flagship IEM sticks to their brief, while adding to it something I’ve never experienced before.

It’s clear that a lot of love and thought has gone into the A8000. The whole experience from opening the box, to putting them in your ears and getting lost in the music is an absolute joy. The earphones themselves are stunning, with polished stainless steel housings shaped in a very modern and striking way. Inside the housings, Final has developed a truly pure Beryllium driver – creating a level of dynamics and definition I’ve not heard from a dynamic driver IEM before. The supplied high purity silver plated copper cable adds to the impressive looks, which is terminated with a right angled 3.5mm jack.

The unique design of the housings are not just for good looks – they also happen to be extremely comfortable. The shape allows the earphones to sit effortlessly in my ears, and with the correct sized tips, getting a good seal is very easy to achieve. Then for added security, Final has supplied cable guides to help the cable stay behind your ears, and reduce cable noise or microphonics if you feel the need to use them.

Along with the cable and ear hooks, the A8000 comes supplied with a selection of different sized Final silicone eartips, an aluminium and silicone carry case, an easy MMCX plug removal tool and spare sound tube grill filters.

Final’s uniqueness doesn’t stop with their design, their sound is also unlike any other brand – IEMs or headphones. This is quite possibly due to the fact that Final develop a lot of their own technology, and they always keep to a certain house sound.

Bass on the A8000 has a natural and live feel to it. It has definition and depth without any of that unwanted bloatedness or distortion. It’s incredibly clean, and manages to add body and warmth where needed. Thanks to the control of the bass, mids flow through with ease and sit high enough in the mix to point out each fine detail. Vocals have a real quality to them, with layers of detail that bring out all of the intricacies and emotions you’d expect to hear only in a live setting. Then the treble manages to create endless space, with reverb trails that go on and on – the treble has a liquid quality that I’ve not heard from an IEM before.

The superb treble and overall dynamic sound helps the A8000 deliver a real-to-life soundstage, with depth and atmosphere – putting you close to the action. Imaging is also realistic. Instruments are easily defined and width is just what you’d expect it would be when recorded.

Final’s main competition at this price point comes from the likes of Dita, Campfire Audio and Hifman – and however impressive their high end models are, none have managed to achieve the purity and delicacy that the A8000 brings.

Essentially, it’s going to come down to taste. No matter how good I think they are, if you’re used to a warm or bass driven sound signature, then the A8000 could come across as too bright or harsh in the upper frequencies. For those who favour transparency and clarity, then the A8000 may be the best IEM you’ve ever heard.

The post Final A8000 Audiophile Earphone Video Review appeared first on HiFiheadphones.

Aesthetics and Build Quality:

IEM build quality is really on the rise, and the Rai Penta show off how good well CNC machined shells can look. The Campfire Audio line-up have been using this technology for a while and they have their own twist on styling, whereas Meze have gone for a more rounded look with an understated colour scheme.

The detail on the shells is incredible and you can see a lot of work has gone in to getting the finish as flawless as possible. The small vent for the dynamic driver is a work of art and these feel and look very premium.

Build quality is very good as you would expect, the shells being made out of aluminium are solid and sturdy, the MMCX connectors are tight and rhodium plated for durability. The cable is silver plated copper, with a high strand count helping with ergonomics. You can see the solder joints in the clear MMCX connector strain relief which is a nice touch. The 3.5mm jack is also rhodium plated, and there is good strain relief all round.

Comfort and Isolation:

The Rai Penta has a very ergonomic housing with rounded edges and a soft and flexible cable, this all leads to a very comfortable fit. Once you find the right size tips, you can leave these in and forget about them, they should fit most people’s ears well.

The Rai Penta are vented due to the use of a dynamic driver, this means there is no driver flex but the isolation is affected a little. They don’t leak, but isolation is not quite as good as fully sealed BA based designs.

Sound:

Bass: The lows on the Rai Penta has very impressive reach and linearity down low, they hit with authority yet extend without rolling off early. You can easily hear the sub-bass however it is not boosted and only comes out when it’s in the recording. They are very transparent and revealing and will bring out the bass when called for, they do however remain incredibly well controlled at all times and never sound congested or slow. The lows have the ability to be full when needed without affecting the midrange at all, and as they are so transparent the amount of body will change depending on the source.

Midrange: The midrange is remarkably well controlled and the lows never bleed in to the lower midrange. This leaves male vocals to cut through with excellent clarity and layering without added body congesting the sound. The tonality is spot on though and the Rai Penta are never lacking in natural timbre. Both male and female vocals excel with perfect presence, falling perfectly in line with the rest of the frequency response. It doesn’t matter how busy the mix gets, the midrange cuts through and is never left behind.

Treble: The highs extend effortlessly into the black background of the Rai Penta, yet they have great impact and energy without distortion or fatigue inducing peaks. The transition from the midrange to the treble is smooth with no emphasis so they are devoid of sibilance unless it is in the recording. The highs do nothing wrong, perfectly aligned with the bass and mids, they add great air and openness to the sound. Getting rid of sound tubes, and using CNC machining for the sound bores goes a long way in helping the high frequencies breathe and sound as open as these do. They don’t quite reach Andromeda levels of presence and air, but they are not lacking by any stretch.

The soundstaging is very good, with great depth and impressive width as you would expect for the price. Separation is a real strong point due to how controlled the Rai Penta sound, they never lag or sound congested no matter how busy the track gets.

Conclusion:

There are so many great models out at the moment that it is hard to pick which are best and thus we always recommend listening before purchasing. What the Rai Penta delivers are impressive dynamics and a level playing field for all the frequencies. Their transparency allows them to play well with all genres and bring out the best in all of them, it is not a jack of all trades, master of none experience either. Even at low volumes you get the full range and impressive dynamics, yet play them a little louder and they hold the same signature with nothing stepping out of line. The Rai Penta is a high-end IEM in all aspects, and delivers a balanced yet musical and natural listening experience.

Sound:  4/5

Comfort: 5/5

Build: 5/5

Value: 4/5

The post Meze Rai Penta 5 Driver Hybrid Earphone Review appeared first on HiFiheadphones.

Aesthetics and Build Quality:

The PurePlay Z3 (formerly known as TEVI) are a smooth and discreet, nothing really stands out on them with a small logo and silver trim ring on the faceplate. They smooth black finish looks great, there is a slight difference in colour between the 2 sections of the body but it doesn’t detract from the overall look.

Build quality is excellent, the joins in the housings are very smooth and they are finished to a high standard. The charging case is fabric coated and solid, and the buttons on the faceplates have a very positive click. Overall everything feels very well put together and durable for long term use. They are also IPX7 rated which means they are fine for your daily run and gym use.

Features:

The PurePlay Z3 use the latest Bluetooth 5.0 technology along with support for aptX, AAC and SBC codecs. Pair them with an aptX compatible device and you’ll get slightly better sound quality of course, but AAC also sounds very good.

The controls are easy to learn and intuitive, two click on the right to increase volume, two on the left to decrease. Three clicks on the right to skip track forward, three on the left to skip backwards. Single tap on either will pause the music, and a 2s press on the left will bring up Siri/Google assistant. You can also pick up calls and there are built in microphones that work very well.

Battery is rated at 10hrs per charge (SBC 50% volume), and I would say that figure is quite accurate from testing, using aptX will decrease this slightly but the increase in sound quality is worth the trade-off. The charging case supports another 6 whole charges, making these very impressive compared to the current competition.

Connectivity and signal stability are excellent, they pair easily and only cut out if you go out of range or add objects within the transmitting path (walls etc..). Overall, they work as advertised and don’t cut out if your phone is in your pocket or within a reasonable distance.

Comfort and Isolation:

The shape of the PurePlay Z3 is ergonomic with soft rounded edges and the perfect angle nozzle to provide a comfortable and secure fit without sticking out too far. The housings are a little on the larger size, but they never feel cumbersome when in use.

Isolation is pretty good; they do a very reasonable job at muting outside noises and are perfect for daily use and commuting.

Sound:

Bass: The bass on the PurePlay Z3 is full yet well controlled, it has a way of adding body without becoming the centre of attention. In terms of presence they are slightly north of neutral but they always sound very well balanced. There is good extension and kicks are backed up with body. The lows really are impressive, preventing the PurePlay Z3 from sounding thin but without making them sound bloated. They handle most genres with ease and have good articulation, lacking only a little speed during complex mixes.

Midrange: The lows are slightly north of neutral in terms of presence, but this does not mask the midrange and make vocals sound pushed back or congested. The midrange is well separated, lower male vocals do have a tiny bit of added body, and female vocals cut through with a little more detail but the overall midrange performance is very well balanced. Most consumer true wireless models have a habit of boosting the bass and treble, whereas the PurePlay Z3 comes across a lot more even handed and more suitable for a wide range of genres. There is great separation and layering, yet the coherency between frequencies is also excellent.

Treble: The treble is slightly laid back but luckily there is enough presence to prevent the PurePlay Z3 from sounding overly dark. The thing about the treble is that the tonality is just right, they don’t sound splashy or metallic and have great extension and detail. They have good accuracy when it comes to imaging too and they fit well into the frequency range. I would never call these bright though, and the treble is smooth enough that even the most treble sensitive users won’t have any issues with fatigue.

Soundstaging is good, not huge but very acceptable as most TW earphones sound very closed in. The detail present here is excellent and the separation between instruments is great.

Conclusion:

The PurePlay Z3 are very impressive, especially considering their sub £100 price point. Offering up a smooth and detailed sound signature that is well balanced yet slightly full. Add to that great stability and functionality and you have a TW earphone that is so easy to recommend, go out and grab one now as they are a game changer in the TW market.

Sound: 5/5

Comfort:5/5

Features: 5/5

Value: 5/5

The post Lypertek PurePlay Z3 True Wireless Earphone Review appeared first on HiFiheadphones.

SoundMAGIC are on a roll right now with their releases. First the E11 and E11C – already gaining numerous 5 star reviews. Then the E11D – their first USB-C dedicated earphone; and now the E11BT Bluetooth earphones. How do they hold up against the rest of the range?

Aesthetics and Build Quality:

The packaging is pretty standard for SoundMAGIC, with the addition of a front window flap – showing off the earphones along with a nice close up picture of the housing. Inside you get a selection of silicone eartips, USB charging cable and a carry pouch.

SoundMAGIC has gone for a neckband design with the E11BT. The design is neat and feels very well built. The batteries are placed either side of the neckband and there is an inline 3 button control and microphone for playing music and taking calls. The cables are the right length so they don’t flap around, and call quality is also very good as the microphone height is ideal.

Features and Comfort:

The specs for the E11BT are pretty impressive. You get the latest Bluetooth 5 technology which helps towards the sound quality, a transmission distance of up to 13 meters and improved battery life. The SoundMAGIC E11BT will give you up to around 20 hours of continuous talk time. I have also found out that with general use, battery life lasts and lasts. The manual states that you can expect between 48 and 60 hours of continuous playback and from my experience with the E11BT – this seems to be pretty accurate.

These earphones are AAC compatible which is great news for both Apple and Android users. There is no aptX compatibility. However, like aptX – the AAC codec will transmit your music in CD-like 16bit audio quality.

Connecting the earphones is easy. Once powered on, the E11BT automatically goes into pairing mode, with red and blue lights flashing. Then when the model appears on your device you can connect. I really like the battery level that’s shown on the home screen of my phone – very handy. When you’re not using them, the magnetic housings hang nicely around your neck.

Good news for sporty users. The E11BT has a high water resistance rating of IPX4 – this means that they will be able to withstand water splashes from any direction.

The E11BT is very comfortable to wear. The neckband has a smooth finish and is flexible, sitting nicely behind the neck, and the housings are a good size so no-one should have an issue with fit.

Sound:

Unlike other earphones at this price point – instrument separation is superb. Every sound comes through clearly and crisp.

• Bass: There is bass weight and punch coming from the low end – enough to keep the bassheads happy while keeping it controlled so it doesn’t bleed into the higher frequencies.

• Midrange: Mids pop, and cut through effortlessly with an engaging tone. There is a real crispness that is not what you’d normally expect from a lower priced Bluetooth earphone.

• Treble: The treble provides space and clarity and the soundstage is huge. You get a real sense of depth and width from the E11BT.

Conclusion:

Overall, I can confidently say that these are the best Bluetooth earphones going at this price and possibly even under £100. Their sound quality, technology, design and comfort are normally associated with more expensive models – the SoundMAGIC E11BT should be top of your list when looking for a new Bluetooth earphone.

Sound:  5/5

Features: 5/5

Comfort: 4/5

Build: 4/5

Value: 5/5

The post SoundMAGIC E11BT Wireless Earphone Review appeared first on HiFiheadphones.

Campfire Audio Comet

Hailing from the other side of the Atlantic – Campfire Audio don’t just create great sounding earphones; they create works of art. Based in Portland Oregon, Campfire design their models in house and for me, they are one of the more exciting brands around right now. The Comet is one of their more recent releases and is their entry level model as just over £200.

Like all of the models in Campfire Audio’s range – the Comet comes packaged in a very cool box covered with colourful artwork. This is a Campfire signature and each model has its own colour combination. Included with the earphones you get a large selection of eartips including Final silicone, standard silicone and foam tips. Individual soft pouches for each driver, a cleaning tool, a lapel pin and a hard carry case – again each model has its own style.

Entry level price – High-end quality

The Comet is Campfire Audio’s newest addition and entry level earphone – a very impressive one at that. Inside the polished stainless steel housing is a single balanced armature driver with acoustic venting – providing a more full and punchier sound than you would normally expect from a single balanced armature earphone. Campfire have also developed their Tuned Acoustic Expansion Chamber or TAEC – this helps improve treble extension when compared to traditionally used filters.

These earphones are full of fine craftsmanship and creativity – from the packaging all the way down to the speaker grills. The size of the housings make them very comfortable, they sit in the ear naturally and there’s no irritation when worn for long periods. The Comet is supplied with a replaceable copper Litz cable and is connected using MMCX connectors. The cable also has an in line microphone with universal 3 button controls – making the Comet a superb all rounder.

Fun and energetic sound quality

The Comet is a great introduction into Campfire Audio. It gives a clear idea of the experience and sound expected from the brand. What I find most refreshing is that they don’t take themselves too seriously – and this comes across in the sound. On initial listing the Comet is fun and energetic with plenty of bass punch and a very enjoyable richness – qualities that are lost on a lot of higher end IEM brands.Listen more and the finer details start to come through. The bass manages to have power without overshadowing the mids, which are rich and clear, cutting through the mix effortlessly. Then up top the treble provides space and extends far without ever becoming fatiguing or harsh. The sound has plenty of width and soundstage is impressive – close your eyes and you can picture where each sound is coming from.

Overall these earphones are made to enjoy music on. I think anybody can enjoy these – whether you’re after bass, fun, dynamics, style, comfort or detail, these will do it. Just stick them in your ears and enjoy them – that’s what I did.

The post Campfire Audio Comet IEM – Video Review appeared first on HiFiheadphones.

Etymotic ER3-SE and ER3-XR Review

Not content with the splash it’s made with its updated ER4 designs of late, Etymotic is back with more! Or is it less? The ER3 models cost a good chunk less than their ER4 counterparts, so what does this mean in terms of value?

Pros:

• Classic Etys for the price
• Removable cable
• Crystal clarity
• Carry case

Cons:

• Basic selection of tips
• Etymotic deep fit not for everyone

Design and appearance

The ER3 versions are slightly more sensitive than the ER4 versions, with half the impedance too. This may have been done with an eye on the portable market, where some handsets may have struggled to get up to a good volume with the ER4 type.

Accessories are minimal with the ER3-SE and ER3-XR; along with the earphones themselves, we get a case and three pairs of tips. The two sizes of Etymotic triple flange, and a pair of ER38-14F type foam eartips.

Durability & build quality

The capsules are the most obvious change, with plastic-coated aluminium being used instead of the glossy metal look of the ER4. The cable has a good strong, but pliable feel to it, but it is a bit thinner and is not braided at the top. Apart from the slightly lighter weight and less glossy look of the ER3-version capsules, things are much as we’d expect from the ER4-XR and ER4-SR.

Comfort

No change here; Etymotics need to be inserted deeply to be at their best, and people either love the isolation they bring or hate the deep insertion of the eartips. Fortunately we love the isolation enough to ignore any initial discomfort, and the eartips seem to settle into place after a few seconds.

Sound characteristics:

Like the ER4 designs, there are two flavours of ER3. The Etymotic ER3-SE is the more strait-laced and neutral of the two, with the ER3-XR giving a little more bass warmth. Both however sound a little more gentle in terms of the midrange than their ER4 brethren. Where we sometimes get the feeling of jeopardy with the ER4 models, with an errant xylophone or female vocalist threatening to poke us in the ear, the ER3 versions are a little more laid back. Etymotic’s clarity has not been sacrificed though; the midrange presence is just a little more humane.

Bass

Sub bass on the ER3-SE gives a nice bit of wobble which is low in the mix, but there alright. The rest of the bass is as well controlled as expected, but understated; bass junkies need not apply. There’s some great control here though. Meanwhile, the ER3-XR has more of that skull-rattling sub bass and more slam generally. We’re still not in basshead territory, but if you like your sound a little warmer with more weight given to cellos and drums then the ER3-XR may be for you.

Mids

Mids are always a treat as far as Etymotic’s offerings are concerned, and the ER3-SE does not disappoint. While the midrange level is slightly lowered when compared to the ER4-SR, all the other attractive features are there along with a wonderful sense of spaciousness. Details are well rendered, though not with the sharp relief of the ER4-SR. Many will feel the ER3-SE has more comfortable sound when compared to the ER4-SR in terms of the sound, but with all its harmonic and spatial treats largely intact.

With the ER3-XR the extra bass presence vies for attention along with the midrange, so the midrange seems to lose its power slightly. The spaciousness of the ER3-SE is tempered, and the extra bass warmth takes its place. The ER3-XR is still excellent when it comes to midrange action and detail, but is arguably the better all-rounder of the two as the tuning works well with genres such as modern dance music.

Treble

The ER3-SE does not sound treble-heavy but there is some nice extension up top. If your recordings were made on analogue tape, you’ll probably know about it from the tape hiss coming through. Treble is at around the same level as the midrange after a smooth transition, and consequently does its job well whilst keeping the midrange in the spotlight.

The ER3-XR has the same treble presence as the ER3-SE, but the fatter low end gives the tuning a warmer feel.

Soundstage & Separation

With the detail and midrange clarity on offer from both these models, we can say that both soundstage and separation are a treat. The sound has a nice ‘out of the head’ feel without seeming unnatural and with good depth too. Separation and imaging are near perfect, if a bit toned down when compared to the dazzling ER4 designs.

Music genres good for and why

The ER3-SE is a great choice for acoustic music, classical and opera. With modern pop and dance genres, it can depend on your sensitivity to the upper midrange frequencies as to whether they work or not, along with your taste for bass. The ER3-XR is good for any genre you can throw at it, and we went through many!

Summary

Etymotic’s ER4 models are now available for cheap (albeit under the ER3 moniker), but their character is largely intact. Those who like to hear the smallest thing within their music needn’t study the fine print of credit card agreements in order to afford the ER3-SE and ER3-XR.

The post Etymotic ER3-SE and ER3-XR Earphone Review appeared first on HiFiheadphones.

Whizzer A15 Earphone Review

The Whizzer A15 are well worth considering for their £69.99 price; detailed and fun sounding, with great build quality make them a winner.

Pros:

• Well balanced
• Detailed
• Separation
• Soundstage

Cons

• Highs are not the most refined
• Cable is a little thin (replaceable)

Aesthetics, Build Quality and Accessories

The Whizzer A15 is an interesting IEM, with a brushed metal outer shell and the company logo stamped in black on it. They look and feel excellent for the price and have a nice slim profile.

Build quality is very good, especially considering the price. The outer housing is metal, the cable has a soft and flexible section of memory wire and is sheathed in fabric below the y-split. The cable is detachable and uses the popular MMCX connection, so you can use aftermarket cables should you wish. The cable has good strain relief, my only concern is it is a little on the thin side where it enters the section of memory wire.

Accessory wise you get plenty of added extras, first off you get a nice faux leather carry pouch which is small and perfect for storing the IEM’s in. Next you get a metal tip holder with a variety of ear-tips. You get S, M and L in 2 different types of single flange tips, and also a pair of S and L foam tips. The A15 have removable dust filters, and come with a pair of tweezers to remove the old foam, and 5 pairs of new foam filters. Overall everything you need is included, along with some bonus extras.

Comfort, Isolation, Cable noise and Driver flex

The A15 are really comfy, the housing has no sharp edges and the memory wire is supple and easy to shape. Once in they are secure and comfortable for all round usage. I do find the angle of the cable does slightly push them out of your ear and foam tips offer a more secure fit.

Isolation is quite average on the A15, due to the large vent on the inside of the housing. They would be fine for most general usage, but if you are looking to block out loud noises, a fully sealed IEM would be better.

Cable noise is not an issue due to the behind the ear cable routing.

Driver flex is not an issue, I believe this is due to the venting of the housing.

Sound

Bass

The A15 are tuned for fun listening, with a strong and punchy low end but without excess or bloat. The bass will satisfy most people and lends its hand to all genres well. The bass is well controlled; during rock tracks bass guitars are easy to follow, and kick drums hit with authority and good body. Acoustic has excellent body and warmth with good tonality, and EDM is just fun and energetic. The bass does not bleed into the midrange, and extends right down to the sub-bass regions with ease.

Midrange

The midrange has excellent bite and clarity, as stated the bass does not cause excessive warmth to the midrange adding only a hint of warmth to the lower midrange. The midrange is also not pushed back in the mix which can happen with some of the more fun sounding headphones out there. A highlight of the midrange is the air and separation, allowing everything to shine through with delicacy and detail. Luckily there isn’t an upper midrange peak, allowing them to be fatigue free with no sibilance.

Treble

The treble is well presented in the mix, not being subdued or left behind. There is a slight peak which gives greater presence to the lower treble region and they don’t quite extend as effortlessly as some more expensive models. But putting them up against similarly priced models, you will find these sound more complete than the usual warm bassy sound of others. Initial cymbal hits have excellent energy but are not sharp, and do not become too bright and fatiguing.

Instrument separation is excellent, the A15 never becomes congested through faster more complex tracks, and the soundstage is above average with great width. Imaging is convincing with good spatial cues and directionality.

Conclusion

The Whizzer A15 lends its hand to all music, and does a great job at being a good all rounder. Stick on some rock and they are energetic and fun, well recorded acoutstic and you can hear subtle detail and warmth. Presenting a well balanced sound across the frequency range, the A15 is a well built IEM for the price with excellent sound to boot.

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Sennheiser IE80S – An Old Classic Reborn

Sennheiser is a company which seems to have painted itself into a corner in recent years; how do they improve on the models they’ve had on sale for the past few years? It’s either a testament to their design teams of years past, or a damning indictment of the design team they have now. They’re recycling old designs, and adding an ‘S’ so we can’t pluralise without causing confusion. What trickery is this?

Pros:

• Nice warm sound
• Good assortment of tips and accessories
• Carry case

Cons:

• Could have more midrange clarity
• Straight jack on cable

Design and appearance

A new version of an old classic is simple enough to achieve; round off the corners a bit more and you’re done! There’s probably more to it than that, but this new IE80S bears more than a passing resemblance to the original IE80. However it’s a good look, and Sennheiser obviously knows that it’s not necessary to have flashy designs or gimmicks to impress their fans.

The supplied case is sturdy and sleek, with a non-removeable foam insert which houses the earphones when not in use. Also there are plenty of eartips and accessories, such as a pair of earhooks if your cable keeps popping over your ears.

Durability & build quality

There’s nothing bad to write here, the Sennheiser IE80S is as expected with excellent build quality. The jack on the cable is a straight one which may be a problem for some; if you want a right-angle jack then spare cables for the IE80 will fit just as well.

Sound characteristics:

The tuning is what we expect from Sennheiser; there’s no drastic departure from the typical Sennheiser sound which is warm, with a smattering of treble to keep things interesting but staying comfortable.

Bass

Bass is fairly plentiful and should please lightweight bassheads; however the dials on the sides of the capsules can be adjusted to give a bit more grunt. Control is pretty good, but where it’s loose it feels as if that’s the way it should be. It’s loose with a touch of panache! Subbass is quite powerful if it’s in the music, and you’ll be in no doubt

Mids

The level of the midrange is lower than the bass, but pretty clear and enjoyable nonetheless. Harmonics are clear enough and there is no congestion here, but there is the feeling that the IE80S could do better; at least with the supplied eartips. Aftermarket eartips (such as Blackbird) seem to improve things in this regard.

Treble

Treble is gentle; we’re fond of a warmer sound but the IE80S still takes some getting used to. If you’re a fan of an airy, shimmery sort of presentation then the IE80S is not for you. If however you’re a fan of laid-back music then the IE80S is a contender. Plenty of detail is present though; it comes across as an extension of the midrange with a smooth transition.

Soundstage & Separation

Soundstage on the IE80S is pretty good for an IEM but there’s a lack of depth to the sound, apart from the bass which appears to spread out in front of the listener. Separation is good, but limited with the supplied tips. If you’re splashing out on the IE80S, then try some tips such as Blackbird or Spinfit.

Music genres good for and why

Due to the bass presence, the IE80S is best suited to dance music, pop and rap. Fans of classical, jazz and opera may still enjoy those genres with the IE80S but they will likely miss the airiness and the reverb ‘feel’ of the space the recording was made in.

Summary

Sennheiser’s souped-up IE80 design is here, and it’s an enjoyable listen for many modern genres but some may find the sound lacking air and space for genres such as classical.

The post Sennheiser IE80s Earphone Review appeared first on HiFiheadphones.

Best In-Ear Headphones For 2017

Looking for a new pair of in-ear headphones?  We’ve collected the best earphones and earbuds available in 2017 and reviewed them to help you choose.

Shop: Visit our in-ear earphones store

Read More: Best Full Size Headphone Buying Guide

Best In-Ear Headphones Under £50

Edifier P281 Sport

Sleek sporty look with a perfect fit, the P281 Sport are some new budget kings on the block. Coming in at £24.99 they are a huge step up to any headphones that come with a phone.

Offering a well balanced sound with good kick down low, they offer an engaging and fun listening experience when out and about, yet still allow plenty of detail to be heard. From top to bottom there are not real peaks or dips, they have a smooth and easy to listen to sound. What is also great is the inclusion of a microphone and button for taking calls or skipping tracks.

SoundMAGIC E10C

What can be better than the award winning SoundMAGIC E10 for under £50? The E10C has the same superb build quality and sound signature as the E10 but with the added function of a universal smartphone in-line microphone – need we say more?

The E10C has tight bass with plenty of weight – the mids are well defined and the top end sparkles. These earphones are perfect for listening on the go as the sound is fun and they will sound great with whatever you throw at them.
If you have £40 to spend on some new earphones then go for the SoundMAGIC E10 – if you need an in-line microphone then go for the E10C. Easy.

MEE Audio M6 Pro

If you are looking for a more detailed and neutral sound than the E10C, take a look at the MEE Audio M6 Pro. With it’s monitor like sound and styling, detachable cable and great looks, it is a steal for under £50.

Well the M6 Pro with Blackbird S20 foam tips may have become a new favourite for under £50. These really managed to have everything and sound very engaging, the highs do not disappoint with their presence and tone, the midrange is slightly up front and the mid bass has a mild boost, as a stage monitor I can see these being good and the sound would be easily tuneable with EQ.

For under £50 you won’t find this level of detail, clarity or separation from another in-ear headphone. Add to that brilliant build quality and you have a winner.

Best In-Ear Headphones Under £150

Oriveti Basic

Looking for a more bass oriented in-ear headphone with an upfront and engaging sound, yet without losing out on the finer details and comfort, you need the Oriveti Basic.

A 10mm titanium coated driver supplies an impressive amount of bass. Now I am not much of a bass head but after listening to these for a while I found myself really enjoying them.

They’re not audiophile and they won’t give you a reference sound but if you like your earphones to be fun and enjoyable with plenty of punch then these could be for you. The isolation and comfort is also really impressive and along with replaceable cables they are a great buy!

Oriveti are new on the scene and they certainly know how to make an entrance. The new Oriveti Basic earphone packs a punch and gives you plenty of features for its modest price tag.

READ MORE: Oriveti Basic Full Review

Westone UM Pro10

Looking for a in-ear headphone with quick snappy transients, whilst retaining a well balanced sound signature? Take a look at the New Westone UM Pro10, revised in 2017 to be even better and more comfortable.

Predictably, the balanced armature makes short work of replicating higher frequencies accurately, but the real interest is at the low end where single BA IEMs are concerned. Provided a decent seal can be achieved, the bass is in good balance with the rest of the presentation, although bassheads will be wanting more.

If you fancy the idea of a single balanced armature earphone, but don’t fancy the protruding capsules of the Etymotic designs then the UM Pro 10 is worth a close look. Sometimes the best designs are the simplest and I really think there is something to be said for single-driver IEMs. Makers may be able to tune the sound signature a little more with multiple drivers, but this risks muddying the sound with possible phase/imaging issues as the audio from these different drivers reaches our ears at different times.

In short – choose the simple life and get the UM Pro 10!

Best In-Ear Headphones Under £300

Oriveti New Primacy

One of our best sellers, the New Primacy has a well balanced sound signature with class leading separation and clarity.

The Oriveti New Primacy has a bit of a mid forward sound signature, with excellent clarity and air throughout the range, the bass digs deep and is very articulate, the mids have a habit of bringing out all the detail in recordings but not in an unpleasant way. The highs are airy and well extended, without fatiguing properties, overall a very comfortable and enjoyable listen. The New primacy manages to be a very coherent sounding hybrid design, with a very well textured and layered sound.

READ MORE: Oriveti New Primacy Full Review

Best In-Ear Headphones Under £600

Dunu DK-3001

Our top pick for under £500 is the Dunu DK-3001, with impressive technical capabilities that are really enjoyable to listen to as well. Punchy and clear sound with a wide soundstage, these are truly excellent.

The Dunu DK-3001 is a very well done hybrid IEM, the bass is dynamic and punchy, with excellent and realistic body. The midrange is well layered and very detailed, with a hint of smoothness to it. The highs are always present, yet not fatiguing. These work well with all genres, the bass is fun and energetic in EDM, and rock comes across with detail and layering. Jazz has a very natural tone, and they just take all genres in their stride, however their ability to control heavy metal is truly impressive.

READ MORE: Dunu DK-3001 Full Review

Audeze iSINE 20

If you don’t mind the open back design, the Audeze iSine20 will offer a listening experience more like a full size headphone than an in-ear model.

Offering an open sound with excellent punch the iSine20 offers a relaxing listening experience with slightly polite treble. Keeping in tone with their house sound the iSine20 offers good bass quantity with non-fatiguing treble and a natural tone. This is a very unique IEM that is well worth looking into if you want a more traditional headphone sound. The sound is slightly v-shaped; it’s a warmish, ‘fun’ tuning yet still retains excellent detail retrieval.

Best In-Ear Headphones Price No Object

Westone W80

The W80 are an incredible performer, with a very detailed, spacious yet smooth sound plus an added Alo Audio cable you are sure to be impressed. Fitting 8 BA drivers into this tiny housing is no easy task, yet Westone have done it without sacrificing anything at all.

Some of the most comfortable IEM’s available; the Westone W80 is a pleasure to use for long periods of time, especially with their non fatiguing sound. The bass has body and impact adding a little warmth to the overall sound, the midrange is smooth and non fatiguing, yet the finer details still shine thought. The treble is slightly relaxed but still retains a certain level of sparkle and extension; they are not analytical but still extract the finer details with ease. A very well balanced IEM, that is comfortable and easy to listen to.

Final FI-BA-SST35

The FI-BA-SST35 is one for the detail lovers, being very unforgiving of the source material you will want to listen to well recorded music to get the most out of these.

Final are kings at squeezing the most out of one single BA driver, and the FI-BA-SST35 is no different. Using their proprietary BAM design they move more air, and dig deeper than most conventional single BA driver designs. The bass is always well controlled but offers good impact and articulation without becoming overwhelming or adding much body to the overall sound. The midrange changes depending on the track you are listening to, yet is always very detailed and very transparent. The treble is not fatiguing yet offers incredible insight into the recording, again play well recorded tracks and you will be rewarded with great sound. The soundstage and separation are both excellent, and the timbre is very good for a single BA driver.

The post Best Earphones To Buy In 2017 – Expert Reviews appeared first on HiFiheadphones.

Pioneer SE-CH9T Dynamic Earphone Review

READ MORE: Headphones Buying Guides

Pioneer’s a big player in the audio field, and their new full size headphones certainly went down well at London’s recent Canjam event. They’ve other smaller offerings too, such as the in-ear SE-CH9T; we take a listen.

Pros:

• Removable cable
• Mic/control for answering calls
• Well controlled bass
• Pouch included

Cons:

• Relative lack of accessories
• Sound lacks refinement/detail

Design and Appearance

The outward appearance of the cosily-named SE-CH9T is fairly standard, although on closer inspection the capsules look like they’re half Shure SE215 and half SoundMAGIC E10. There’s a fairly small Shure-like capsule which looks to give some space behind the driver; this works in conjunction with the ‘air-flow control port’ to usher out all those unwanted reflections within. Leading to the actual sound nozzle, there’s a striking copper-coloured aluminium protrusion which itself houses an inner nozzle made of brass. This ‘enables tight and punchy bass’ according to the packaging.

There is a mic/control on the cable; this is of the single button type, so no volume controls. The SE-CH9T is suitable for use with both Android and Apple handsets though, and is removable with MMCX connectors.

It’s generally a sensible, understated design but for the copper-coloured nozzles which give a splash of flamboyance.

Durability and Build Quality

The SE-CH9T is a very well constructed earphone. The twisted cable is strong and pliable; the 90 degree jack is small and stylish and strain reliefs look as if they get the job done. As with a few other similar designs however, no such strain reliefs are on the mic/control unit, perhaps they are not so crucial in the middle of a cable.

Accessories are minimal; a pouch is provided along with a selection of eartips and two ‘connector shields’ which we think go over the ends of the cable where they meet the capsules. We’re not sure why though.

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READ MORE: Best Earphones Buying Guide – Wired and Wireless

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Comfort

Once a comfortable fit is achieved, the earphones can be as good as forgotten. For this reviewer, a shallow fit works best as the sound nozzles are relatively wide at around 7mm in diameter. A deep insertion is not an option here, but may be for you.

The cable is supple and doesn’t offer any resistance to movement, but there is a chin slider to prevent any unruly cable behaviour, if needed.

Sound Characteristics

The Pioneer SE-CH9T is a bit of a break from recent bass-heavy models such as the SE-CX8, release a couple of years back. Overall the presentation is on the warm side of neutral, with a bit of bass emphasis and upper midrange presence too. The sound has a certain ‘ungarnished’ quality about it.

• Bass

Extension is low with the bass; it’s wide and deep, but there’s no more of it than necessary to add a touch of rumble if called upon. Bass is well controlled and tight; there seems to be a bit of a gap where it gives way to higher frequencies though; this isn’t a deal breaker but makes the midrange appear slightly detached from the bass.

• Mids

The slightly forward upper-midrange gives an impression of a clean and accurate sound; it tends to pick up instruments like brass, percussion and electric piano rather than male vocals, although female vocals do get a bit of ‘centre stage’ treatment. There’s a decent amount of detail here, but there is also a touch of graininess, or lack of detail which carries on up into the treble.

• Treble

The balance of the SE-CH9T’s treble with the other frequencies makes it almost understated and relaxed; it’s a pretty smooth transtion from the upper midrange but the treble prefers sitting in the shade. The treble does lack refinement, but Pioneer decided not to make up for this by emphasising these frequencies, and that’s pretty welcome.

• Soundstage and Separation

There is a good breadth to the sound, but instruments are less distinct than they could be. The harmonics which help to give instruments their character and form are not clear enough, and we’re left with a slightly smeary presentation with the instruments overlapping and bleeding into each other. It’s not unpleasant, but there are earphones at this price which do this better.

Music genres good for and why

The strengths of the SE-CH9T lie in the bass and midrange regions, but the tight bass wins out. Modern dance, R&B and pop will do well, with acoustic and classical taking second place. There’s a danger of the sound seeming a bit lean if there is not a fair level of bass warmth in the recording.

Summary

Pioneer’s new SE-CH9T earphones are pretty straight-laced if compared to some previous models such as the ‘Club Sound’ SE-CX8, and we’re tempted to suggest that Pioneer is growing up. However since Pioneer turns 80 next year, we won’t.

The post Pioneer SE-CH9T Review – No Peon Here appeared first on HiFiheadphones.