Solaris ‘Stellar Horizon’: Improved Ownership Experience

In terms of packaging and presentation, this 2023 version of Solaris has had the same treatment as the Andromeda. Provided in a new box made from lightweight wood that acts as a display unit once opened. The level of detail here is so impressive, with striking artwork and even an elegant hand which is used to hold the earphones when not in use.

As for accessories. You get an impressive bunch of silicone and foam eartips in a range of sizes. My personal favourite is the large foam tips for the Solaris, and the rest of the review will be written using these. Do make sure to try all tips provided so you can find the best comfort and sound quality for you, as eartips play a big role in both. You also get three new ‘Time Stream’ silver plated copper cables in a range of terminations: 2.5mm, 3.5mm and 4.4mm.

Two carry pouches are also provided, one leather and one material. Having two really makes sense here, as you can use one to keep your earphones safe and the other to store your extra cables and any other accessories that you would like to keep secure.

Strikingly Compact

Now for the earphones. The Solaris ‘Stellar Horizon’ has a very similar shape and size to the previous version of Solaris, providing a compact design that sits nicely in my ear. The housings are made using brushed stainless steel which looks great, especially along with the gold and black faceplate which is striking and really stands out.

Brand New Technology

Internally there have been big changes too. Campfire Audio has developed new technologies for the Solaris ‘Stellar Horizon’, with custom dual-diaphragm balanced armature drivers and their new radial venting which surrounds the 10mm dynamic driver. The configuration consists of three custom dual-diaphragm BAs and one 10mm ADLC dynamic driver inside each housing.

Solaris ‘Stellar Horizon’ – How do they sound?

The Solaris ‘Stellar Horizon’ has a sound that I haven’t experienced before. They are the realest sounding IEMs I have heard. If I didn’t know better, I would assume that the audio was coming from a huge acoustically treated chamber filled with musicians all playing just for me. Bass sounds real. No boom or overdoing it. Mids sound real. The tone, texture and timbre match exactly with my experience of listening to drums, guitars and vocals being performed live and in person. This is something I haven’t heard before from any set of IEMs. There’s an edge to each sound that is so pleasing, and the Solaris delivers audio quickly and clearly. Highs extend endlessly and help to create space which provides an impressively wide and deep soundstage. The overall experience seems so effortless that it would be easy to assume that the earphones are doing nothing, and that’s the beauty. It’s like a great actor. The best ones seem as though they aren’t acting at all.

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Fit and Comfort

64 Audio’s Duo shares the same shell shape as the rest of their universal line-up. However the faceplate is now a grill design instead of having the usual Apex module. This is due to the Apex Core technology implemented. The shape of the housing will fit most people well and once you settle on the right size of eartip they provide a secure fit for hours of listening.

Comfort is great due to the shape of the housing, insertion depth and also the new cable which is more flexible and comfortable than previous versions. One thing that I find massively contributes to 64 Audio’s comfort is the Apex modules/core as these relieve any internal pressure which creates a lot less listening fatigue when compared to fully sealed designs.

Compatibility

Whilst the Duo is a low impedance and high sensitivity IEM, they are also a relatively high-end earphone. Therefore they should be paired with a source that is able to bring the best out in them. This means they pair best with proper DAP’s and DAC/Amp combo’s rather than being driven solely by a mobile phone.

Features

64 Audio have included some new tech in the Duo. It uses a hybrid setup featuring a single Dynamic driver and single tia BA driver. The tia driver is a tubeless balanced armature driver. Which in turn allows the sound to travel more freely with less distortion. New to the Duo is the already mentioned Apex Core. Instead of using Apex modules like the rest of their line-up, the Duo isn’t tunable and has an open back style design. This leaves the shell open to the outside atmosphere allowing for a less fatiguing and more natural sound.

Next up is Wave Sync, this is direct from 64 Audio: “Due to the high crossover point between the two drivers, Wave Sync was developed to ensure coherence; another industry first. By using a type of “all-pass” filter, we’re able to introduce a crossover while correcting for time without having to change the physical distance between the drivers.”

All these features focus on making the sound more natural, effortless and distortion free. It’s great to see a company still innovating and finding solutions to problems. The Duo still isolate -12dB from outside noise so they are suitable for outdoor use, they just won’t isolate as much as full sealed designs.

Sound

Bass

64 Audio have long been kings of getting really impressive bass from balanced armatures, but they don’t do a lot of hybrid designs. The Duo is using a single dynamic driver down low which gives you a slightly different presentation than most BA models. Here we have a full and articulate low end that digs deep when needed but that can also keep up with complex mixes too. It has that signature dynamic tonality whilst never sounding slow. There is physicality in the punch, and warmth overall that is really pleasant. I would say these lean towards having a slightly more physical punchy sound over one that focusses more on sub-bass warmth. But the great thing here is that they do both well without encroaching on the midrange.

EDM tracks have plenty of drive down low, yet they still have control and articulation for faster rock and metal. Tonally these really hit the mark down low too with a realistic portrayal of bass frequencies.

Midrange

There isn’t any artificial boosting of the midrange on these. They have a linear lower-midrange which allows male vocals to cut through the mix with ease and little influence from the bass. Moving through the midrange there is great separation and layering. The centre image is very focussed and you can hear each layer of the recording with ease. The upper midrange is also superbly done, having enough bite to allow detail to cut through, without a boost to make them sound peaky or artificial.

The Duo have an open and natural midrange. It doesn’t matter if you are listening to acoustic or heavy rock, they just work well.

Treble

The tia drivers that 64 Audio use are renowned for their effortless presentation and resolution. And the Duo are no different. They have a little forwardness at times but due to their tonality it never comes across as harsh or bright. There is plenty of air and extension up top, but it is refined and never brash. They don’t try and impress you with too much presence. Instead they let the resolving and refined nature of them win you over. These are open and natural. There isn’t any metallic tone to the treble. Or glare for that matter. But this is done without muting the treble and making the Duo sound subdued or dull. These are still exciting and dynamic overall.

Genres and Soundstaging

The Duo are a remarkable all-rounder in my opinion. They do well with genres across the board due to having a relatively linear and balanced sound. The Duo has the punch required for EDM, and tactility for metal and subtlety for jazz/acoustic. They also sound very open and natural, making you want to listen more and more.

The soundstaging is great. These are sort of open back so they do have that benefit, but the sound is expansive yet very well focussed. The soundstaging is accurate and places instruments right where they should be. The sound is very whole and never sound diffuse or detached.

Who are they for?

• People wanting a complete and natural sound without breaking the bank.
• Those looking for a cheaper everyday alternative to TOTL models without sacrificing much in terms of sound

Interested in all things 64 Audio? Check out more news and reviews here.

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It is a known secret that both the Final A3000 and A4000 are IEM’s that perform way above their price points. Priced at £100 and £120, you really are getting more than you pay for.

With their generalised overview easing you in Ear-Fidelity goes into mighty detail with their reviews on the Final A-Series. Likewise, they even offer direct comparisons to really get your head around what they offer.

Comparing to the A4000, they conclude; “Just like with the A3000, the A4000 proves to push itself further than its asking price. The A4000 provides the listener with more bass engagement, a clean and presentable midrange. Above all, a highly detailed treble rendering.” The A4000 has even made it into Matz’s own recommended list!

Ear-Fidelity’s full reviews of both models can be read here: Final A3000 Review & Final A4000 Review

The A3000 and A4000 aim to “Deliver astonishingly natural sound with each sound image vividly localising over the comfortable and spatially spread low-range sound. The fine touch of the guitar and delicate vibrato of vocals can be clearly distinguished. You can get the feel of the fine nuance of musical tracks, and so new inspiration is borne even from a familiar playlist.”

Lastly, there are plenty of other reviews for many beautiful Final products on our site. You can check each and every single one out here: Final Reviews

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As the title states, Campfire Audios Caleb Rosenau has sat down with Omar once more to broaden his musical horizons.

“As part of Omars IEM journey Caleb suggested it was a good idea to have a listen to their highest end products. It didn’t take a lot of convincing for me. Brew a cup and join Omar and Caleb for a chat about high-end IEMs. What goes in to making them and what kind of audio experience can you expect for a £1500 IEM.”

Without further ado, the whole podcast can be listened to via Spotify here.

Oscar and John have obviously also spent some time with many Campfire Audio models. You can read Johns review of the Andromeda here and Oscars of the Solaris here. If videos are more your thing then we also have you covered! We have video reviews of all models on our youtube channel here.

The post Campfire Audios Andromeda, Ara and Solaris Podcast With The Curiosity Project appeared first on HiFiheadphones.

By integrating three balanced armature drivers into a specially designed acoustic module, it is claimed by Etymotic that the EVO gives the truest sound stage and sound signature you have ever heard (or will hear)!

Oscar seems to agree. He concludes his extensive review by writing “Etymotic have done a brilliant job with the Evo, it still retains that signature Etymotic clarity and control yet adds a little body, widens the soundstage and increases the dynamics. This is a superb everyday IEM that fits securely and is very well built too, those who enjoyed the XR series from Etymotic should consider the Evo if they are looking for a step up in the IEM world.” You can read his full review here.

So, back to Brian and his live stream. What is in the box and how does it measure and compare to the ER4-XR? Find out via Super*Review’s live Youtube video here: First Look Etymotic EVO *

*You are going to have to wait a few weeks for Brian’s full review as he needs to spend a couple more weeks living with them to give them a proper evaluation.

The post Etymotic EVO unboxed live by Super*Review on Youtube -including Frequency Response comparision to EX4-XR appeared first on HiFiheadphones.

Caleb talks emphatically about taking a less is more approach when designing their new budgeting offerings. The Satsuma has been fitted with a single balanced armature (BA) driver and the Honeydew packs a 10mm Dynamic driver inside. Both IEMs focus on comfort, fit, and a each IEM has a tailored sound signature to reflect customers feedback. They also provide a significantly different listening experience from device to device. Make sure to listen to the Podcast to find out more!

Omar and Caleb start talking in detail about the Honeydew and Satsuma around 75 minutes into the show. Before that, they talk about all manner of topics within the Audio world. Ranging from current trends to expectations and why Campfire Audio has not jumped on the TWS bandwagon. It is an interesting listen and well worth the time investment. You really feel that Caleb wears his heart on his sleeve. In addition to Omars thoughtful questioning and dedication to the topics at hand, there is a lot to learn and marvel about this fascinating brand and to ponder just what heights they will surely reach.

The whole podcast is available to listen to via Spotify here: Conversations With: Caleb Rosenau of Campfire Audio

Oscar has obviously also spent some time with these beauties. You can read his review of the Honeydew here and the Satsuma here. If Videos are more your thing then we also have you covered! We have just released a comprehensive video review of them both together on our Youtube channel here.

The post Campfire Audio Honeydew and Satsuma Podcast! appeared first on HiFiheadphones.

Fit and Comfort

The Evo are unlike any other Etymotic model, they have gone for a more traditional in-ear monitor fit with the cable looping behind your ear and the shell filling the concha. The nozzles are however the same length and width as the ER series, and they include plenty of tips to get the right fit. I am a big fan of the new bi-flange tips and these still favour a medium to deep insertion to get the best isolation and sound along with a secure fit. The cable is very thin, however being a linum one it should hold up well over time, this does help with the fit.

Comfort is good, again they like a slightly deeper fit than other similar earphones, but they are not quite as bad as the ER series if you hate the fit of those. The housings are smooth and comfortable, only the weight of them could cause issues with some people over long sessions.

Compatibility

The Evo are pretty easy to drive, at 47 Ohms and 99dB SPL @0.1v, they should work well out of most devices. However they have very good resolution and will definitely benefit from being used with a good source, they should make it easy to distinguish between sources as they are quite a revealing earphone.

Sound

Bass: These follow a similar trend to the XR series that Etymotic released, giving a subtle low frequency boost that is noticeable but never causes the bass to become overbearing or too full. These have better depth than their single driver counterparts, with a noticeable yet subtle additional body to the sound overall that still isn’t enough to make them sound full as such. For a daily driver this amount of additional low end is superb, and makes these just a little bit more enjoyable over the accuracy of the ER4-SR for example. The low end is responsive and keeps up with complex mixes without putting a foot wrong, it also cuts through when required yet always maintains a controlled and balanced nature.

Midrange: The Evo has a very crisp and insightful midrange, the low end doesn’t bleed in to the lower midrange which allows male vocals and guitars to cut through the mix with excellent clarity and faithful tonality. They don’t have any boost in the upper midrange to try and make them sound exciting or artificial, instead they opt for a more linear approach which means you never lose track of any part of the mix. The thing that sets these apart from the other models from Etymotic is the separation and dynamic range, these have a sense of scale and space that the single driver models struggle with. They have that same accuracy but with a bit more power and drive, better space and overall they are more engaging.

Treble: The top end is very smooth and refined, with accuracy high up on Etymotics priorities they sound very realistic up top which isn’t something a lot of earphones do right. Cymbals crash and decay with impressive realism, every detail well presented without being pushed forward in the mix. Never fatiguing the treble is devoid of any nasty peaks, the extension is superb and they don’t miss a thing, yet the body down low makes sure the sound is never bright. The treble does a wonderful job of rounding off a superb tuning, and is definitely one of the most realistic sounding earphones when it comes to tonality.

Genres and Soundstaging

The Evo lend themselves to all genres, they have a very well rounded sound that is detailed, balanced yet also dynamic and engaging. They are however quite revealing of bad recordings and sources, so pair them carefully.

The soundstaging is really impressive, there is a real sense of air and width to the Evo that is slightly lacking on the ER series. These have better dynamics and separation, they are less flat and more engaging but without sounding too coloured either.

The post Etymotic Evo Triple BA Driver Earphone Review appeared first on HiFiheadphones.

Fit and Comfort

The Final A4000 sport a lightweight ABS housing which has a 6mm dynamic driver inside, the shape is contoured to fit your ears comfortably and securely. In use, I found the Final A4000 to fit securely and comfortably in my ears for everyday use.

Be sure to try all the different size tips, luckily Final include a better range than many brands so everyone should find a tip that fits them well.

Compatibility

The Final A4000 have an impedance of 18Ohms and a sensitivity of 100dB/mW so they are fairly sensitive and are driven fine out of portable sources. Despite their low price, they are one of those models that does benefit from better sources such as a dedicated DAP.

Sound

Bass: Whilst the bass on the Final A4000 isn’t strong in presence, it makes up for it in extension and control. There is moderate punch but slightly more focus in the sub-bass, with a subtle lift that provides adequate body. These have a brighter leaning sound signature so they won’t be suitable for those who enjoy a bit more bass. The transient response is however excellent, they can keep up with complex mixes without issue and always come across controlled. No matter what you throw at them, they can easily keep up, with great articulation too.

Midrange: The midrange is clean and crisp in it’s presentation, the bass doesn’t bleed in and muddy the vocals and separate vocal tracks are easily distinguished. Where they don’t do as well is in the sibilance region, there is a peak sadly which could be a little fatiguing. This peak though is easily lowered with the use of EQ, which definitely helps. There is a lot of detail in the midrange, it’s just that peak in the upper midrange that needs taming a little.

Treble: Plenty of energy and sparkle here, and to some it could be a little too much, but for the most part the treble is always present however rarely sharp. These are a slightly bright leaning earphone but the treble isn’t too metallic or splashy so it doesn’t come across as grating. There is good extension in the treble too, and it doesn’t drop off too sharply.

Genres and Soundstaging

The neutral/bright sound of the Final A4000 could make certain energetic genres sound a little harsh, but anything that benefits from good detail and control sounds great, especially slower rock and acoustic tracks. The nice thing is that the A4000 respond very well to EQ so you can get rid of any peaks quite easily.

Soundstaging is actually very good for the price point, you get a very coherent centre image with good separation, along with accurate width and height. They don’t sound closed in at all, which is really impressive at this price point.

The post Final A4000 Earphone Review appeared first on HiFiheadphones.

Design and Functionality

The MW200 is a neckband Bluetooth cable that allows you to convert your MMCX earphones into a Bluetooth set. It’s a flexible rubber neckband with solid plastic end parts that house the electronics and controls, these are finished with a tempered glass faceplate. It’s a well built, and good looking neckband that is also comfortable in use. The cable sections I feel are a little too long though, and could have about 3-4cm cut off without hindering the fit. The cable section has moulded ear hooks so it is for use with earphones that fit over-ear rather than straight down.

Feature wise you get full controls on the left side of the MW200, with volume controls (these are separate from the sources volume), play/pause and on/off. You can also use the play/pause to skip tracks, and there is a microphone on the unit for calls. The MW200 supports all the latest Bluetooth codecs for the highest quality Bluetooth playback (Aptx and LDAC etc…). The MW200 paired easily and the range seems very good, battery life is also great at up to 11hrs in LDAC mode and 14 in SBC. There is plenty of volume to power most IEM’s currently on the market too.

Sound

I’ve mainly been using the MW200 with Final’s flagship IEM the A8000, because they really are ruthlessly revealing of the source material and also enjoy a bit of power behind them. I’m glad to report that the MW200 doesn’t have any problems with noise, and there isn’t any noticeable hiss when using it. I will mention that I have also been using it with LDAC from my Pixel 3a using Qobuz streaming.

The MW200 has good power and volume, there is plenty of detail and an overall crisp and clean sound. Of course, Bluetooth is still limited and there was a drop in resolution over playing the A8000 out of a high-end DAP. However when out and about this drop is not as noticeable as when critically listening, and the MW200 does a truly great job at decoding and amplifying the signal. I was really testing the limits of the MW200 by using it with the A8000, but pair it with something a bit more affordable like the Oriveti OH300 and you get a superb sounding wireless setup for under £500. Much better than any current wireless offering on the market at least.

The MW200 really doesn’t impart much of it’s own sound on to the IEM’s of choice, which is great in my opinion, you can get the Shanling app though which includes an EQ. This EQ does not work when using LDAC codec though. If you are used to using your IEM’s with an excellent source, please remember there will be slightly lower resolution, mostly in the treble region, again this is more a limitation of Bluetooth and not necessarily the MW200’s fault.

The post Shanling MW200 Review appeared first on HiFiheadphones.

Aesthetics and Build Quality

The new 2020 Solaris now sport a more understated colour scheme, but don’t worry they are finished in a lovely glossy black that is incredibly reflective. They will still catch your eye, but now don’t stand out quite so much which in my opinion is a bonus. They come with the newer smoky jacket super litz cable which is more ergonomic over the previous design. Personally I like the new colours, but I feel some will still prefer the previous gold colour scheme.

Build quality is like every other Campfire Audio model, superb. They know how to pull off some impressive designs, with incredible CNC skills and an impeccable finish. You cannot faulty the all metal build quality, and the cable is well relieved, all this leads to an IEM that should see you through for a long time.

Comfort

With the old Solaris, the most common comment and complaint was about their size and fit. The new 2020 edition slims down their shell size by 20% whilst keeping the same driver configuration. Now I personally suffer from small ears and narrow canals, and the original never fit me too well. The new 2020 edition fit better, they don’t quite fit flush and that will be reserved for those with bigger ears; however they do fit securely and comfortably so this is a big bonus.

Sound

Bass: That hard hitting, all powerful Solaris bass is here to stay, for all but the most hardcore bassheads there will be more than enough low end grunt. They are however still very well controlled, there is always going to be a sense of warmth and body to the sound thanks to the generous low end, however it manages to not interfere with the rest of the sound too much. Sub-bass is easily audible, the mid-bass hits with authority when asked to, however they are articulate and handle most genres with ease. The Solaris 2020 are tuned for fun, not for reference listening like the Andromeda, and they sure do deliver a very engaging and enjoyable sound.

Midrange: As previously stated the low end might be full bodied, but it does stay well controlled with minimal impact on the rest of the sound. The transition into the midrange is very well handled, there is a little bleed but the midrange still manages to cut through with great clarity and separation. The midrange might not be up front and centre stage, however it is well placed, slightly behind the lows, and has good tonality. It is impressive how layered and detailed the midrange manages to be, and yet at the same time it is always smooth, the transition into the treble is very well handled with no harsh sibilance. The midrange comes across as natural and real, and the layering really helps place instruments and vocal tracks within the soundstage.

Treble: These are not a bright earphone, they are also not incredibly v-shaped which tends to be a trend with a more bass oriented tuning. The top end is smooth, organic and refined, there is enough presence to keep things from sounding dull but they never overstep the line to becoming fatiguing. Cymbals are just where they need to be and come crashing in around the midrange with great precision and tonality and they extend with ease. They always maintain expert control without any peaks, there is a great sense of air up top and overall I really enjoy how real they sound.

Whilst reviewing these, I had Override by Slipknot come on, and this track really highlights what the Solaris 2020 can do. A heavy wall of drums and guitars, all perfectly layered but with such a powerful presentation. Corey’s vocals are perfectly isolated and hauntingly realistic, they handle every bit of the mix with ease yet it all comes together in a powerful and coherent sound.

The soundstaging and imaging of the Solaris 2020 are a strong point, with great accuracy when it comes to width, height and placement, yet they remain coherent throughout.

The post Campfire Audio Solaris 2020 Review appeared first on HiFiheadphones.

The W40 V2 are pretty sleek yet you can change up the colours with the interchangeable faceplates. They come in a variety of colours allowing you to choose which fits your style the best. The Bluetooth cable is black, but the normal cable is silver plated and looks great with the black housing.

The build quality is great, the new silver-plated cable has good strain relief and the IEM’s themselves have a high-quality plastic housing with metal faceplates. The MMCX connectors feel solid when you click the cable into place, and everything is very well put together.

Comfort and Isolation:

Westone know how to make a comfy IEM and the W40 V2 are no different. With a smooth housing and perfect angles for the nozzle to enter your ear, they fit like a glove. Find the right tips and you will enjoy hours of comfort from them. The cable doesn’t have stiff memory wire, instead it has soft, pre-moulded earhooks.

Isolation is a real strong point with these, as they are a fully sealed, multi BA driver design they are perfect for use in noisy environments.

Sound:

Bass: The bass on the W40 V20 is nice and tight yet it still has a fullness to the sound that makes them accurate yet easy to listen to. There is good extension and a little emphasis on the sub-bass, but the speed of the lows means they can keep up with complex mixes with ease. There is great articulation and bass lines are super easy to follow. This style of slightly emphasised low end without bloat works well for an everyday IEM.

Midrange: There is a little dip in the lower midrange which can make certain vocals sound a little masked, however there is great presence and clarity throughout the midrange. The intimacy of the midrange is really pleasant, vocals are up front and centre whilst everything comes in from around them, giving a good sense of space and layering. These do really well with vocal based music.

Treble: The highs don’t let these down, these are not a dark or boring IEM. They have great energy up top bringing out plenty of detail and sparkle, yet they also extend with ease. The transition from the upper midrange to the treble is pretty smooth and devoid of harsh sibilance. Positioning of the highs is great with good directionality and pinpoint accuracy. The W40 V2 are an energetic IEM that want you to enjoy the music, without missing any part of it.

Soundstaging is very good, with a wide stage and excellent layering and separation the W40 V2 really allows you to pick apart the mix.

Conclusion:

If you are looking for a good all-rounder, the W40 V2 are well worth considering. With flexibility and excellent comfort, paired with a warm/neutral sound signature they handle most genres with ease and add a little energy down low for a bit of added enjoyment.

Sound: 4/5

Comfort: 5/5

Build Quality: 4/5

Value: 3.5/5

The post Westone W40 V2 Review appeared first on HiFiheadphones.

Aesthetics and Build Quality:

The ME500 are shiny, very shiny at that with a polished housing and tempered glass faceplates. They stand out and are not the most low-key IEM’s out there, but they do look great in person and feel substantial too. The cable is a made of SPC OFC and lokos great, overall the ME500 do stand out but in a good way.

Build quality is superb, the brass housings have good weight to them and are very well finished. The cable feels strong and have good strain relief all round, the MMCX connectors are nice and tight and I cannot find any issues with the build of the ME500.

Comfort and Isolation:

The ME500’s are pretty small but slightly heavy, luckily once you find the right tips they fit snug in your ear and stay securely fitted during use. The comfort is great and they can be worn for long periods of time.

Isolation is really good, perfect for commuting and daily use. The vent for the dynamic driver doesn’t seem to affect the isolation on the ME500 much.

Sound:

Bass: The ME500’s bass is tight yet articulate with great transient response. They have tuned the dynamic driver to fit with the snappier response of the BA drivers. This is a controlled and taught response down low, but one that digs down into the sub-bass when required. I have found these to play best with slightly slower instrumental tracks where they fill out nicely. Even though they have the speed to keep up with quick and busy tracks, they sometimes sound a little too flat. The ME500 is not for those who crave warmth and body, they are for those looking for clarity and control.

Midrange: Here is where the clarity shines through with great openness and an airy presentation. Both male and female vocals sound excellent without any major dips or peaks, there is plenty of energy and detail retrieval is superb. The midrange is well layered and the upper midrange doesn’t suffer from sibilance issues. I really like the presentation of female vocals on the ME500, they just sound very natural and effortless. Electric guitars have really power and energy yet the layering means nothing becomes congested. The tonality is a little on the cooler side, but the midrange is never recessed.

Treble: These will appeal to treble heads a bit; the overall sound is borderline bright and the highs can become a little overwhelming on certain tracks. They are present in full force, luckily the midrange and bass prevent them from sounding too thin. During slower tracks that are well recorded the ME500’s present an airy and incredibly detailed top end, but put on anything a bit heavier that isn’t as well mastered and they can become a little too hot, bordering on harsh. So play them good quality recordings and you’ll be greeted with an incredible upper end response, but anything that is recorded a little hot could be troublesome without EQ.

Soundstaging is excellent, a nice wide stage with pinpoint accuracy, great separation and layering all creates a very holographic presentation.

Conclusion:

The ME500 are very transparent and energetic with a snappy sound that has great control. However, they are also ruthless and will not hold back when you play some poorly mastered music. The top end can be borderline harsh however foam tips and EQ are very handy if you find them a little overenthusiastic up top. Or you could pair them with a cable like the Effect Audio Ares II+ to bring out a little more body.

Sound:  3/5

Comfort: 4/5

Build: 5/5

Value: 3.5/5

The post Shanling ME500 Hybrid Earphone Review appeared first on HiFiheadphones.

Aesthetics and Build Quality:

The new B range from Final all share the same shape, but with different finishes. The B1 is rose gold with the signature angular outer and smooth inner shell design. I really like the look of the B1, but they are a fingerprint magnet. Also, I do know that rose gold is not everyone’s cup of tea when it comes to colour but I think it looks pretty classy on these.

The build quality really is superb, the B1 are perfectly finished without a single blemish or flaw. The cable is silver plated and uses regular MMCX connectors, it has great strain relief and feels built to last. The housing is metal, but I do fear the shiny rose gold finish will scratch over time.

Comfort and Isolation:

The inner edges of the B1 are smooth and this makes them extremely comfortable to wear. The angle of the nozzle, matched with the angle of the cable, make these of one the most comfortable IEM’s I have tried. I can’t see anyone having issues with the fit of these.

Isolation is really good; they block out more than enough outside noise for general daily use and commuting. Whilst they don’t quite reach fully sealed BA driver levels of isolation, they have more than enough for daily use.

Sound:

Bass: The dynamic driver of the B1 handles the low frequencies, and does a really good job of filling out the sound yet retaining the speed and control to blend well with the faster BA drivers. The bass is tight yet full when needed, it punches with authority yet when slowed down it has great tonality for acoustic and jazz tracks. Articulate and well layered, the low end injects a sense of energy without becoming over the top. These won’t really suit those looking for a bass heavy sound, but they have enough to suit most people’s needs.

Midrange: The midrange is clean with great detail, they have more clarity when compared to the B3, but in presence it is still slightly behind the lows and highs. The lower midrange has a slight dip but it isn’t masked by the bass, and the upper midrange is a little forward which can bring out some sibilance in certain recordings. Despite all of this, the midrange is very open and detailed, with great separation and imaging. Even though the lower midrange is every so slightly dipped, the sound doesn’t come across as V or U-shaped.

Treble: The upper midrange forwardness also trails into the lower treble and brings out a lot of energy in the initial crash of cymbals. This is backed up with great extension, but this added energy could be a little too much for more treble sensitive listeners. They have plenty of bite up top which leads to an exciting listen, not one for those who prefer a smoother, more laid-back sound signature. The B1 is packed full of energy, the treble never gets lost in the mix and has great accuracy when it comes to placement within the soundstage and tonality.

The soundstaging is good, but I find the B3 to create a more convincing sense of width whereas the B1 does better in terms of height. Coherency is excellent and the imaging is very accurate.

Conclusion:

The B1 are not for the faint hearted, they have an energetic and impactful sound signature that requires your attention. They have heaps of detail, excellent separation and speed along with great comfort. Be sure to give these a listen, as they are incredibly well tuned for a triple driver earphone.

Sound: 4/5

Comfort: 5/5

Build: 4/5

Value: 4/5

The post Final B1 Hybrid Earphone Review appeared first on HiFiheadphones.

Aesthetics and Build Quality:

The B3 have a really interesting aesthetic, with sharp geometrics on the outside, yet rounded and smooth inner lines for comfort. Their matte silver finish looks great with the gold screws and chrome connector barrels. They have a very unique styling, and one that will stand out in the crowd, yet the colour scheme is fairly low key on the B3 (unlike the B1 which we will cover at a later date).

Build quality is superb, Final know how to make a solid IEM and the B3 are no different, although they are going a step further with the new models by including a detachable MMCX connector cable. The cable is silver-plated copper with excellent strain relief, along with great ergonomics and a shiny finish. Everything about the B3 feels solid and well built, I can’t find a fault with the build.

Comfort and Isolation:

The B3’s inner edges are curved and they fit like a glove in my ears, I personally have awkward ear canals and the B3 are one of the best fitting universal models I’ve ever tried. I can imagine that most users will find them to fit snugly with excellent comfort. The fact they don’t have stiff memory wire really helps too, as the cable effortlessly fits over your ear.

Isolation is good, not top levels due to these having a vent (even though they use BA drivers). They block out enough outside noise for general daily use and commuting duties.

Sound:

Bass: The B3 use 2 balanced armature drivers, this is something a bit different as Final used to only use single drivers. The B3 are somewhat of a fuller sounding BA driver earphone, with great depth and extension down low. The lows have excellent texture to them, they don’t have the sheer slam of some dynamic based models but they have great control and fullness that make them a pleasure to listen to. In terms of balance the lows are quite linear with no specific focus on mid or sub-bass, having good punch that is backed up with rumble and body. The low end is slightly thick, yet well controlled and punchy.

Midrange: The B3 have a mild U-shaped sound signature, but vocals have a way of being very well separated within the soundstage. They don’t jump out at you; however, they have great clarity and refinement. Tonality is excellent here, the lower midrange has enough body to sound realistic, yet the upper midrange has a slight lift to bring out a little air without becoming shouty or grating. Overall the midrange has a good level of accuracy, if not ever so slightly behind the lows and highs in absolute presence.

Treble: The treble is nice and detailed with great air and extension, the transition from the upper midrange to the treble is smooth and sibilance free. There is a slight boost in the lower treble which brings out a little extra energy however the overall presentation isn’t bright. It’s the air and extension that is most impressive up top, along with the fact they they have accurate tonality in the treble.

The soundstaging is really impressive, throwing out a wide soundstage with excellent separation and accurate imaging. The B3 really do excel when it comes to presenting a wide and accurate soundstage, never sounding congested or too up front.

Conclusion:

The B3 are one of those IEM’s that shows driver count is not as important as how you tune the sound. With only 2 drivers, the B3 has excellent top to bottom extension, a wide soundstage, coherency and transparency with a little added energy. They are a great all-rounder with a fairly well-balanced sound and an easy to listen sound that is engaging yet surprisingly accurate.

Sound:  4/5

Comfort: 5/5

Build: 4/5

Value: 4/5

The post Final B3 Dual BA Earphone Review appeared first on HiFiheadphones.

Aesthetics and Build Quality:

IEM build quality is really on the rise, and the Rai Penta show off how good well CNC machined shells can look. The Campfire Audio line-up have been using this technology for a while and they have their own twist on styling, whereas Meze have gone for a more rounded look with an understated colour scheme.

The detail on the shells is incredible and you can see a lot of work has gone in to getting the finish as flawless as possible. The small vent for the dynamic driver is a work of art and these feel and look very premium.

Build quality is very good as you would expect, the shells being made out of aluminium are solid and sturdy, the MMCX connectors are tight and rhodium plated for durability. The cable is silver plated copper, with a high strand count helping with ergonomics. You can see the solder joints in the clear MMCX connector strain relief which is a nice touch. The 3.5mm jack is also rhodium plated, and there is good strain relief all round.

Comfort and Isolation:

The Rai Penta has a very ergonomic housing with rounded edges and a soft and flexible cable, this all leads to a very comfortable fit. Once you find the right size tips, you can leave these in and forget about them, they should fit most people’s ears well.

The Rai Penta are vented due to the use of a dynamic driver, this means there is no driver flex but the isolation is affected a little. They don’t leak, but isolation is not quite as good as fully sealed BA based designs.

Sound:

Bass: The lows on the Rai Penta has very impressive reach and linearity down low, they hit with authority yet extend without rolling off early. You can easily hear the sub-bass however it is not boosted and only comes out when it’s in the recording. They are very transparent and revealing and will bring out the bass when called for, they do however remain incredibly well controlled at all times and never sound congested or slow. The lows have the ability to be full when needed without affecting the midrange at all, and as they are so transparent the amount of body will change depending on the source.

Midrange: The midrange is remarkably well controlled and the lows never bleed in to the lower midrange. This leaves male vocals to cut through with excellent clarity and layering without added body congesting the sound. The tonality is spot on though and the Rai Penta are never lacking in natural timbre. Both male and female vocals excel with perfect presence, falling perfectly in line with the rest of the frequency response. It doesn’t matter how busy the mix gets, the midrange cuts through and is never left behind.

Treble: The highs extend effortlessly into the black background of the Rai Penta, yet they have great impact and energy without distortion or fatigue inducing peaks. The transition from the midrange to the treble is smooth with no emphasis so they are devoid of sibilance unless it is in the recording. The highs do nothing wrong, perfectly aligned with the bass and mids, they add great air and openness to the sound. Getting rid of sound tubes, and using CNC machining for the sound bores goes a long way in helping the high frequencies breathe and sound as open as these do. They don’t quite reach Andromeda levels of presence and air, but they are not lacking by any stretch.

The soundstaging is very good, with great depth and impressive width as you would expect for the price. Separation is a real strong point due to how controlled the Rai Penta sound, they never lag or sound congested no matter how busy the track gets.

Conclusion:

There are so many great models out at the moment that it is hard to pick which are best and thus we always recommend listening before purchasing. What the Rai Penta delivers are impressive dynamics and a level playing field for all the frequencies. Their transparency allows them to play well with all genres and bring out the best in all of them, it is not a jack of all trades, master of none experience either. Even at low volumes you get the full range and impressive dynamics, yet play them a little louder and they hold the same signature with nothing stepping out of line. The Rai Penta is a high-end IEM in all aspects, and delivers a balanced yet musical and natural listening experience.

Sound:  4/5

Comfort: 5/5

Build: 5/5

Value: 4/5

The post Meze Rai Penta 5 Driver Hybrid Earphone Review appeared first on HiFiheadphones.

Aesthetics and Build Quality:

The PurePlay Z3 (formerly known as TEVI) are a smooth and discreet, nothing really stands out on them with a small logo and silver trim ring on the faceplate. They smooth black finish looks great, there is a slight difference in colour between the 2 sections of the body but it doesn’t detract from the overall look.

Build quality is excellent, the joins in the housings are very smooth and they are finished to a high standard. The charging case is fabric coated and solid, and the buttons on the faceplates have a very positive click. Overall everything feels very well put together and durable for long term use. They are also IPX7 rated which means they are fine for your daily run and gym use.

Features:

The PurePlay Z3 use the latest Bluetooth 5.0 technology along with support for aptX, AAC and SBC codecs. Pair them with an aptX compatible device and you’ll get slightly better sound quality of course, but AAC also sounds very good.

The controls are easy to learn and intuitive, two click on the right to increase volume, two on the left to decrease. Three clicks on the right to skip track forward, three on the left to skip backwards. Single tap on either will pause the music, and a 2s press on the left will bring up Siri/Google assistant. You can also pick up calls and there are built in microphones that work very well.

Battery is rated at 10hrs per charge (SBC 50% volume), and I would say that figure is quite accurate from testing, using aptX will decrease this slightly but the increase in sound quality is worth the trade-off. The charging case supports another 6 whole charges, making these very impressive compared to the current competition.

Connectivity and signal stability are excellent, they pair easily and only cut out if you go out of range or add objects within the transmitting path (walls etc..). Overall, they work as advertised and don’t cut out if your phone is in your pocket or within a reasonable distance.

Comfort and Isolation:

The shape of the PurePlay Z3 is ergonomic with soft rounded edges and the perfect angle nozzle to provide a comfortable and secure fit without sticking out too far. The housings are a little on the larger size, but they never feel cumbersome when in use.

Isolation is pretty good; they do a very reasonable job at muting outside noises and are perfect for daily use and commuting.

Sound:

Bass: The bass on the PurePlay Z3 is full yet well controlled, it has a way of adding body without becoming the centre of attention. In terms of presence they are slightly north of neutral but they always sound very well balanced. There is good extension and kicks are backed up with body. The lows really are impressive, preventing the PurePlay Z3 from sounding thin but without making them sound bloated. They handle most genres with ease and have good articulation, lacking only a little speed during complex mixes.

Midrange: The lows are slightly north of neutral in terms of presence, but this does not mask the midrange and make vocals sound pushed back or congested. The midrange is well separated, lower male vocals do have a tiny bit of added body, and female vocals cut through with a little more detail but the overall midrange performance is very well balanced. Most consumer true wireless models have a habit of boosting the bass and treble, whereas the PurePlay Z3 comes across a lot more even handed and more suitable for a wide range of genres. There is great separation and layering, yet the coherency between frequencies is also excellent.

Treble: The treble is slightly laid back but luckily there is enough presence to prevent the PurePlay Z3 from sounding overly dark. The thing about the treble is that the tonality is just right, they don’t sound splashy or metallic and have great extension and detail. They have good accuracy when it comes to imaging too and they fit well into the frequency range. I would never call these bright though, and the treble is smooth enough that even the most treble sensitive users won’t have any issues with fatigue.

Soundstaging is good, not huge but very acceptable as most TW earphones sound very closed in. The detail present here is excellent and the separation between instruments is great.

Conclusion:

The PurePlay Z3 are very impressive, especially considering their sub £100 price point. Offering up a smooth and detailed sound signature that is well balanced yet slightly full. Add to that great stability and functionality and you have a TW earphone that is so easy to recommend, go out and grab one now as they are a game changer in the TW market.

Sound: 5/5

Comfort:5/5

Features: 5/5

Value: 5/5

The post Lypertek PurePlay Z3 True Wireless Earphone Review appeared first on HiFiheadphones.

Aesthetics and Build Quality:

The OH300 are constructed by hand from acrylic and the new finish is flawless. Smooth rounded edges and an all-black finish make them look professional and understated. The Oriveti logo and name is in silver lettering on the faceplate, and doesn’t stand out too much, I really do love the sleek and smooth look Oriveti have gone for.

Build quality is superb, the housings feel durable, the MMCX connectors are tight and don’t swivel freely which is great. The cable uses 8-cores of silver-plated copper and feels incredible with great strain relief too, I’m very impressed by the quality for the price.

Comfort and Isolation:

The rounded edges of the housing, combined with the size and comfortable cable all contributes to a superb fit, once you have found the right size tips. I did find that foam tips tend to make them fit more securely.

The OH300 isolate well, even though the housing is vented I have not found this to negatively affect the isolation. Perfect for daily commuting and general use.

Sound:

Bass: The OH300 are a hybrid model, and there is a single dynamic driver looking after the low end. Luckily, they have tuned this driver to be tight and fast, perfectly complimenting the detail of the BA drivers. There is still a little bit of added warmth from the dynamic driver, but this is well controlled and never causes any congestion. There is excellent articulation down low, along with great extension and punch. All in good measure and never becoming the main focus of the sound.

Midrange: The mids on the OH300 are spot on, perfectly balanced in the mix with natural yet clean tonality. Vocals are rendered with texture and emotion, yet they are also clear and detailed. Electric guitars have power yet during slower acoustic tracks they exhibit excellent reverberation and subtle detail retrieval. There is a no-nonsense approach to the midrange, it is where it should be with correct tonality and really does just get out of the way.

Treble: The treble is airy and extended, with great impact but not a hint of harshness. Cymbals are rendered with great impact and shimmer, yet they don’t have nasty peaks that induce fatigue. They are not toned down to make these a full sounding earphone, but they have an incredibly lively yet smooth treble response that is truly impressive for the price. There is plenty of detail and resolution up top too, it is this mix of resolution yet refinement that really impresses.

The separation is really impressive, along with the layering. The soundstage is not huge, but there are plenty of out of head experiences to be had, along with the fact that the imaging is pinpoint accurate.

Conclusion:

The OH300 really does a lot right, especially when you take in to account the £299 price tag. With a detailed and even-handed sound signature that is tonally accurate yet not boring. There is power when needed, yet they always have a controlled and refined approach to rendering your favourite tracks.

Sound:  5/5

Comfort: 4/5

Build: 5/5

Value: 5/5

Test playlist

The post Oriveti OH300 Review appeared first on HiFiheadphones.

Releases for 09/05/2019

Campfire Audio IO

The newest release from Campfire Audio comes in the form of the Campfire Audio IO, a garnet-coloured IEM with dual balanced armature drivers. The IO features a detachable silver-plated copper cable with smoky tangle-resistant jacket and updated Beryllium copper MMCX connectors. You can also expect the array of accessories you expect from Campfire Audio.

Campfire Audio Polaris (2019 Edition)

Campfire have updated the legendary Polaris IEM for 2019, aptly titled… yes, you guessed it: the Polaris 2019 Edition. Campfire kept the basic setup of the dual drivers, but everything else has been reworked from the floor up, including the drivers themselves.

Campfire Audio Andromeda

Campfire’s iconic green anodized IEMs, the Andromeda, have gotten a few tweaks for spring 2019, including a cable update, fresh new accessories, and a change to the connectors. Also given a boost is the earhook design which sees Campfire rid itself of the memory wire previously housed in the cable itself.

Etymotic ER2-XR

The Etymotic ER2-XR extended response in-ear isolating earphones deliver Etymotic’s iconic passive isolation to block out up to 35dB of background noise. This means you won’t have to blast the volume to appreciate the ER2-XR’s full bass response and detailed sound.

Etymotic ER2-SE

These guys look similar to their cousins, but the ER2-SE is a powerful flat-response in-ear perfect for studio professionals. It’s called the ‘Studio Edition’ for a reason! No range is altered, giving a crystal clear representation of the original sound.

Oriveti OH300

Oriveti is dropping two shiny new IEMs, the first of which is the Oriveti OH300. These triple driver IEMs give a beautiful clear, balanced, neutral sound and look incredibly sleek and impressive. Probably the IEMs Batman would own, if he needed to hear crystal clear audio of himself delivering brutal one-liners.

Oriveti OH500

The Oriveti OH500 houses five drivers (quad balanced, single dynamic) within its gorgeous resin exterior. With those, you get an unfailingly smooth response with some strong low end. Their handcrafted cable of eight-strand braided silver plated wire is second to none, but still detachable for your convenience.

The post New Products Now In Stock appeared first on HiFiheadphones.

Aesthetics and Build Quality:

The Momentum True Wireless look great, with a matte black body and textured aluminium faceplates. A lot of the lower end true wireless models look very generic and cheap, whereas Sennheiser have made sure these have a modern and simplistic look to them.

The build quality feels excellent too, with a sturdy body and great case there is nothing to go wrong. Providing you don’t drop them too often; I have a feeling these will last you a while.

Features and Comfort:

The little case they come with is really compact and charges them securely, with magnets holding the earphones in. It takes a while to get used to how the touch features work, but the manual explains it all and once you have used them for a bit, they become quite easy to use. The main thing is that the connection is stable, I haven’t had any drop-outs when in use unless I am a long way away from the transmitting device.

Comfort is great once you find the right ear tips, they stay securely in my ears and are very comfortable due to the rounded edges of the housing.

Sound:

Bass: The Momentum TW has quite impressive bass response, with a nice dose of added body which gives the sound a pleasant warmth. The bass is not necessarily the tightest out there, but it does a respectable job of keeping up with more complex tracks, along with having enough extension and impact to keep most people happy. The added body these have is great as when you use them in noisy environments you will still be able to hear every beat.

Midrange: The midrange is a little bit recessed, but there is enough presence to stop them from sounding overly V-shaped. Guitars have great tonality to them; however, vocals don’t quite grab your attention, lacking a bit of clarity. The midrange doesn’t really do anything overly wrong, but they do lack detail and come across a little muffled at times.

Treble: The treble comes across with good clarity but in a polite manner, never becoming overwhelming. They have quite good presence without any nasty peaks, there is a smooth and controlled nature to the treble that is very easy to listen to. They have just enough bite to prevent them from sounding overly dark, and they do extend with relative ease but this is hindered by Bluetooth codecs somewhat.

Conclusion:

The Momentum true wireless are the best true wireless headphones I have tested so far, with stable connectivity and good sound quality. Wired earphones at this price do still offer better sound, but at the cost of convenience. With a full-bodied sound that still offers a good level of detail, the Momentum True Wireless are actually quite impressive considering all that goes in to them.

Sound:  4/5

Features: 5/5

Comfort: 5/5

Build: 4/5

Value: 4/5

The post Sennheiser Momentum True Wireless Review appeared first on HiFiheadphones.

These 2 new models from Oriveti have just arrived in our office and will be available very soon. Due to the popularity of the New Primacy, we thought we should give you guys a quick first impression of them.

The OH300 is set to replace the New Primacy, sporting a new dynamic driver, along with the familiar dual Knowles balanced armature drivers. The OH500 is the new flagship model, sporting a dynamic driver along with 4 balanced armature drivers. Both come with a new 8-core braided silver-plated copper cable and leather carry case.

Both come with a cleaning tool, airplane adaptor, 3.5mm to 6.3mm adaptor along with an assortment of tips: S, M and L single flange silicone tips in 2 styles, along with 2 pairs of bi-flange tips and 2 pairs of M foam tips. Overall an excellent array of accessories.

Build quality is very impressive, Oriveti have now changed to a resin housing which is super smooth and makes them feel like a really premium product. The new 8-core cable is excellent and feels really durable, along with nice tight MMCX connectors. There really isn’t anything to fault here, both look and feel excellent.

The New Primacy always was quite a sensitive monitor, and these are no different so you may get slight hiss with certain sources, but it should be minimal. Pairing them with a good clean DAP is best though.

Sound:

The OH300 has a more neutral leaning sound signature, with excellent clarity and resolution. These are set to be priced around £300 and for that you get a really superb IEM. The midrange clarity is one of the main things that grabs your attention, with details coming across easily and effortlessly. The lows are tight and controlled but fill out the low end when required. They don’t bleed into the midrange, but they sound more coherent when compared to the New Primacy. These are not lacking when it comes to punch and extension, but they are those who like a bit of extra bass might want to look elsewhere. Up top you get great energy and sparkle, but they are a little less bright when compared to the New Primacy. They sound a little more refined without taking away the extension and detail that the New Primacy was famed for.

The OH500 has a slightly more organic tilt, favouring smoothness and slightly full tonality over a more analytical approach. The OH500 are one of those monitors you can put in and just relax, without missing out on technicalities. On the low end you get more pronounced sub-bass than the OH-300, but still a quick and tight mid-bass region preventing too much bleed into the lower midrange. The sub-bass is powerful and comes out of a black background when called for. The midrange is clean and has excellent layering, but it is presented in a natural way, without being pushed up front. There are no real peaks favouring male or female vocals, and the transition into the treble is incredibly smooth. The treble has a rise in the upper region creating a more airy, refined and extended sound rather than being more energetic and in your face. The soundstaging on the OH500 is truly superb, there is a really excellent sense of space with great placement of instruments.

These 2 models are definitely worth keeping an eye on, with the OH300 giving you a more neutral yet coherent sound, and the OH500 offering up a slightly lush but well extended and detailed sound. Oriveti are one of those brands who know how to tune a great earphone, so the competition better watch out.

The post Oriveti OH300 and OH500 First Impressions appeared first on HiFiheadphones.