Tag Archives: earphones

64 Audio U6t Review

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64 Audio are finally offering up their most popular custom IEM in universal form. The U6t has a smooth and balanced sound that makes it a superb everyday earphone for the majority of people.

64 Audio U6t

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Fit and Comfort

64 Audio have used the same universal shape for the U6t as their other models (U12t / tia Trio etc…) and this is a tried and tested design. Offering up smooth edges with a good length nozzle for a secure fit and great comfort. Once you settle on the right size tips for your ear canals, they fit securely with the new included cable being more ergonomic and comfortable.

The U6t fit comfortably in your ears. They are also extremely comfortable for long listening sessions. The new cable is softer and has pre-moulded earhooks which, in my opinion are always more comfortable than stiff memory wire. 64 Audio provide plenty of eartips with the U6t. So try them all to find which suits you best!

Compatibility

Whilst the U6t is easy to drive, and has 64 Audio’s LID technology meaning there won’t be drastic sound signature changes between sources. However, an IEM of this quality still deserves a good source. Lossless tracks and the use of an external DAC/Amp with a mobile phone, or a dedicated DAP would definitely be my preferred choice of source.

Apex modules and tia drivers

64 Audio have a few interesting technologies they employ in their lineup. the U6t uses their apex technology that relives inner ear pressure whilst also allowing a certain amount of noise through. In turn this also tunes the sound slightly. The U6t comes with the m20, m15 and mX modules, which offer -20dB/-15dB and -10dB of noise reduction respectively. The more isolation results in more lower bass response and a warmer sound signature too. Along this logic, you get minor variations in soundstaging too. The more open being the more open sounding. Personally I do find the apex modules reduce listening fatigue and 64 Audio IEM’s are always perfect for long listening sessions.

The U6t also includes a single tia high driver. This high frequency driver is an open-top BA driver which is tube-less too and sits in the nozzle. This provides an increase in air and space in the treble region along with a more realistic treble presentation. Quite a while ago I listened to the original U6 against the new A6t. The tia driver definitely delivers a smoother and more realistic treble response than a typical BA with tube and damper design.

Sound

(M15 module as installed out of the box)

Bass:

The U6t have a nice and full low end that is exceptionally well tuned for a BA model with six drivers. There is enough warmth to add pleasant body to the sound and enough punch to be engaging. But it’s always composed and controlled, there is never excess bass, or unwanted bloat. Bass guitars are articulate. Kick drums hit with impact and have excellent body to back them up. They are not in your face. They also don’t try and impress with overblown bass, instead focussing on making the low end sound accurate and realistic with a little hint of warmth to ease those long listening sessions.

If you want a little more low end than the m15 module, the m20 offers up even more body. This in turn tricks your brain into thinking there is less treble. I.e this module is one for those who prefer a warmer and thicker sound. On the opposite end, the mX module leans out the low end. Making the U6t sound like a more typical reference tuned device. Allowing the mids and highs to cut through a little better with a tighter and slightly less thick bass response.

Midrange:

The midrange is superb on the U6t. It nails the natural yet not analytical presentation, being detailed and nuanced without being clinical. Vocals have an intimate quality without being up-front and central. There is such a pleasant balance overall that nothing sounds out of place or forced. More aggressive tracks have good bite, yet softer tracks have a sweetness that is intoxicating. Heavily distorted or acoustic, it doesn’t matter to the U6t, they can do it all with ease. Something lacking in many earphones. Both male and female vocals sound excellent, with maybe a slight nod to female vocals having the upper hand. The transition from upper mids to lower treble is handled superbly. They are not pushed to sibilance yet there is no discernible dip robbing them of energy and presence.

Regardless of the module used, the midrange is always very well presented. However it does sound warmer with the m20 and slightly thinner with the mX. So take your pick! For most the m15 is probably going to be just right.

Treble:

The treble is airy and well extended. It is also very well balanced in the mix, with the right amount of attack and energy without sounding bright or harsh. The tia driver provides exceptional treble response. One that sounds tonally accurate without nasty peaks or dips. You never lose track of the treble, it simply never gets lost in the mix. Snares are snappy and cymbals crash with authority. Yet, I never find them to be edgy or uncomfortable. 64 Audio are experts of pulling off the correct balance in the treble, and they are not lacking detail at any point either.

If you want well presented treble that isn’t harsh or fatiguing I highly suggest testing one of the 64 Audio models. These are utterly fatigue free. Should you wish for a little more bite, toning down the bass helps the mids and highs cut through a bit better (mX module).

Soundstaging and Genres

The U6t have a wider than average soundstage, but it’s not huge as these are still based on a pro-audio model. They are very accurate with their placement of instruments within the soundstage and everything is very well separated. I.e never sounding congested during complex tracks.

These are a superb all-rounder to be fair. They might not have the bass quantity many EDM listeners might crave, but they lend their hand to most genres. These have a slightly smooth presentation. Meaning they might lack a little energy for some. But on the other hand they are super easy to listen for long sessions.

Apex Modules

With the U6t you almost get 3 different signatures in one IEM. Whilst the core sound presentation will be similar between the three there are distinctive differences which allow you to fine tune them to your preference. The apex modules mainly affect the bass region. But an increase here will lead to a perceived lowering of the treble/midrange so take this in to account.

Using the most closed module (m20) you get quite a thick, warm and laid back sound. One that has good body and warmth overall but still with the signature tia driver an airy top end.

Using the m15 you get slightly less bass. Which in turn leads to a more balanced but still slightly smooth sound that is a great compromise and likely the sound that most users will prefer. It is well balanced but not lacking in punch and body.

The mX module will give you a more analytical presentation. More akin to a studio monitor sound that might be lacking a little body for some listeners. But it is the one that will sound the cleanest in the mid-range and treble due to less body overall.

It is down to each listener as to which module they will prefer, but the overall signature refinement and balance is present over all modules.

64 Audio U6t vs A6t

Should you go for the custom version? In short, not really. The custom version is for those who are using these professionally or who want increased comfort. The universal is much more accessible for the average user and it retains resale value should you want to change in the future. The U6t gives you 98% of the sound of the A6t. The custom version has a tiny bit better instrument separation and the seal means you get a bit fuller low end, but the difference is subtle and not in the extremes.

Who are they for?

  • People wanting a high quality everyday earphone
  • Those looking for a balanced but not clinical sound
  • Lovers of a natural sound that it tonally accurate
  • Conclusion

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Interested in all things 64 Audio? Check out more News and Reviews here!

CanJam London 2022: News, Sale and Best Headphones Guide

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CanJam London 2022

CanJam London 2022 Update: It’s that time of year again!

We are very excited to be attending CanJam London 2022 on July 30th and 31st at Park Plaza, Westminster Bridge.

We will of course be attending with some of our favourite brands and showcasing some of their amazing products. From new releases to old favourites, it is going to be a blast.

Undoubtably, this will be a CanJam to remember. Due to the Covid pandemic, we have been without the show for the last few years (check out our review/ interviews from the last one in 2019 here). We are absolutely frothing at the bit to get amongst the action again! Indeed, CanJam is the place to try all of the best headphones, earphones, DACs, AMPs, DAPs and IEMs under one roof with likeminded people. Obviously we are all there to discover how best to listen to our favourite recordings.

To celebrate, we are running a sale on our brands that are going to CanJam London 2022! Make sure to check out our sale page over on Hifiheadphones for big discounts for a limited time only:

Hifiheadphones CanJam London 2022 Sale

Not only is this a chance to try out these amazing products. It’s also your chance to meet the people behind your favourite brands. Here is a list of just a few brands attending CanJam London 2022:

Audeze, 64 Audio, Focal, HifiMan, Campfire Audio, final, Rupert Neve, Burson, Westone, Chord, Roon, dCS, Meze, Rosson Audio and many many more.

CanJam Sneak Peek Time with Important Updates

As a matter of fact, the reason for this is to give you an idea of what brands we will be representing at CanJam 2022. Below are also some of the products you can expect to see.

Audeze

Audeze are going big this year. In addition to six tables of goods (SIX!) showcasing lots of favourites, there is also a very special newcomer! On show will be LCD-5. CRBN, LCD-X, LCD-XC, LCD-3, LCD-2 Classic. Euclid, Penrose and the brand new MM-500. All products will be powered by some of the finest equipment from the likes of Chord, Burson, Weiss and Eksonic.

Campfire Audio

This year, Campfire Audio is all about the Trifecta! Don’t worry though. There will be enough for everyone to try this new, completely unique IEM from one of the most interesting audio brands of today. For those that want to try other legendary favourites, we will also have Andromeda, Holocene and Supermoon samples there too.

final / Hifonix

Also, our friends over at Hifonix will be showcasing the brand new final D8000 Pro Limited edition. In all of it’s stunning, goldlike lovlyness, it is going to be a crowd pelaser. Certainly make sure to make your way over to their table to check out this rare, majestic work of headphone art!

64 Audio

You can meet the 64 Audio team this year as well as and try some of their finest IEMs. Absolutely make sure to check out the U6t, DUO, U12t, Tia Fourte, U18s, Nio and even more (these are only the universals) from the worlds best pro and custom IEM specialists.

Burson

Burson will be supplying headphone amps and DACs to a number of our brands this year. So you will not only get the chance to try out their incredible products, they will be paired with some of the best headphones in the world!

Westone Audio

With the recent release of the MACH Series of IEMs. Westone Audio will be showcasing the full range at this years CanJam. This is a rare opportunity to test out all 8 models in this impressive and diverse line-up.

Lastly but not Finally..

To celebrate the return of CanJam London, we will also be having a special CanJam 2022 page setup on Hifiheadphones with exclusive offers on some of the best products showing at this years event. Be sure to check out the CanJam 2022 Special page on Hifiheadphones from 30th July to 1st August to get some amazing deals on the best audio gear out there!

Final VR3000 Gaming Earphone Review

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Final have entered the gaming market with a budget earphone model aimed at VR enthusiasts. With excellent spatial accuracy across the soundstage along with an inline microphone, the VR3000 are sure to be a hit.

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Fit and Comfort

The VR3000 have a lightweight yet solid feeling plastic housing similar in shape to their B series models. It has aesthetically pleasing angles on the faceplate whilst the inner surfaces are smooth and rounded which provides a comfortable fit. In addition to this, the angled nozzle and cable behind the ear make the VR3000 very comfortable for long listening and/or gaming sessions. Finally, the included tips from final work excellently in getting a good seal and confortable fit for those long listening / gaming sessions they were made for.

Compatibility

The VR3000 have a sensitivity rating of 101dB/mW and an impedance of 18 Ohms which results with them being easily driven from portable devices. Including mobile phones as well as games console controllers. Furthermore, the inline mic is essential for communicating with your squad*, whilst the inline volume controls work well whilst out and about.

Sound for Music & Gaming:

The VR3000 are aimed at Gamers and Final put a lot of work into making them sound absolutely stunning for this use. There is enough bass heft for explosions without being overpowering and the drivers are snappy and responsive. This really helps in action packed FPS games. Every shot fired is met with clarity and precision, as well as the sound of footsteps behind and explosions in front.

Simply put, the immersion when using the VR3000 is superb. They really put you in the middle of the action with pinpoint accuracy. Being mainly a BF V player, these really make you feel as if you are in the battlefield. With Planes flying overhead, bullets flying past you and even the ability to hear people sneak up behind you. Not only does this immersion give you a slight edge, it makes gaming all the more worthwhile. For an earphone, the VR3000 offer up an impressive gaming performance, no matter what game / genre you play.

The VR3000 fare well with music playback too, giving a broad frequency response from rumbling sub-bass to delicate highs. This means they are quite even handed overall, even though there is a slight boost in the sub-bass. There is also good clarity and much like their gaming performance, accuracy is key to their sound signature. Vocals sound real, without added body. Cymbals crash with finesse and instruments are easily separated. To conclude, the placement within the soundstage is very well defined and they are just enjoyable to listen to.

*Update to Mircrophone 2022*

*Since its initial release, the microphone in the VR3000 has been upgraded and silently rolled out by Final. The updated mic is crisp and clear, with an impressively wide range that feels like it represents your voice how it should sound. This is especially noticeable on phonecalls and in online game chats.

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Campfire Audio Andromeda IEM Review

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Campfire Audio create works of art that just so happen to sound very good too. This year they have released an update to the insanely popular Andromeda. There are quite a few changes to the new version, and it looks as though it could be quite an improvement.

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Aesthetics and Build Quality

Campfire Audio’s Andromeda is about as bold as you can get when it comes to its design. The housings are made from machined aluminium, with a deep forest green anodised finish. The finish has been updated in this new version of the Andromeda, with a much smoother coating and a slightly richer shade of green.

The sound tube is made using stainless steel, which I am sure not only benefits the acoustics. It looks very striking too. Overall the Andromeda feels robust and built to last, while managing to stand out with its unique character.

Features and Comfort

Campfire Audio earphones have a very distinctive look, and the Andromeda is their champion. The design is very unusual, with a slightly futuristic shape to them. The shell’s design allows it to catch the light at different angles, which gives off a multitude of different shades of green. That is not the only purpose of this shape, the angled design provides superb comfort. The Andromeda sits perfectly in my ear, and with the included Final silicone eartips – the fit is snug and they seal extremely well which also helps towards isolation.

Another great feature of the Andromeda is the supplied cable. An upgrade on the older version, this time the Andromeda comes with their popular Silver Plated Copper Litz wire covered in a new smoky jacket. The cable is also more flexible than the previous version and uses a lightweight moulded ear hook design instead of memory wire – a definite improvement.

Campfire Audio don’t stop there, the Andromeda comes supplied with a newly designed leather carry pouch, foam and silicone eartips, a cleaning tool and even a fancy Campfire Audio lapel pin.

Sound Quality

The best way I can describe the sound of the Andromeda is organic. Sound comes across effortless, well balanced and with an impressively natural soundstage.

Bass

Bass comes across with authority and punch. It goes low and manages to keep controlled, even with more bass heavy tracks. Bass performs equally well with intricate instrumental, heavy rock and electronic music. This shows that the bass has been tuned to do what is needed, letting the quality of the production do the talking.

Midrange

Thanks to the controlled bass, there is no risk of the midrange getting over shadowed. Mids come across extremely clear with a musical richness – this is a welcome change from the analytical sound that is common amongst high-end earphone models. Vocals have presence and whether male or female, they sound uncoloured, engaging and with emotion.

Treble

Campfire Audio uses their very own Tuned Acoustic Expansion Chamber in the Andromeda, designed to improve treble extension and soundstage. This is very clear and noticable. Thetreble provides just the right amount of definition without going harsh or sibilant. Then, in addition the extension provided by the T.A.E.C. goes on and on, creating width and space with superb separation.

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Lypertek PurePlay Z5 award-winning wireless earbuds price drop

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Lypertek Summer Sale

Since its release, the Lypertek PurePlay Z5 has gained praise for its superior sound quality and range of impressive features – resulting in a number of awards and ‘recommended’ achievements. 

For this summer period, Lypertek has decided to roll out its first ever sale on the PurePlay Z5 with a massive summer deal! As of Monday 25th July, the price of the PurePlay Z5 will be reduced from £119 to £79! This offer will be available on Hifiheadphones and across all main platforms including Amazon (UK/US/EU), eBay and the Lypertek online store. The offer will carry on throughout the summer while stock lasts.

Not only is this the first time the PurePlay Z5 has gone on sale, this is also the biggest sale Lypertek has ever done. Here is a great chance for music lovers to grab one of the best ANC wireless earbuds out there at this incredible price for a limited time only.

Impressive Features

  • Driver: 10mm Dynamic Drivers
  • Battery: Up to 7 + 28 hours 
  • Audio Codecs: aptX / aptX Adaptive / AAC / SBC
  • Microphone: 3 microphones on each earbud with Hybrid ANC and cVc8.0 support
  • Chipset: Qualcomm QCC3046 / Bluetooth 5.2
  • Water Resistance Rating: IPX5

Check out our review – Here’s what we had to say

We said:

“The Lypertek PurePlay Z5 is one of the best, if not the best, true wireless models for daily use. They have ANC, Ambient mode, wireless charging, accompanying app and more. Add into the mix the superb sound quality and a fantastic low price. The sound is clean yet punchy, with great detail and layering without sounding boring. It’s also highly tuneable via the Lypertek app. The ANC is very effective on public transport, and the microphone quality is amongst the best we have used.”

Buy the Award-Winning PurePlay Z5 NOW for only £79*

*While stock lasts

SoundMAGIC E11C Earphones Review

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Launched in 2018, the SoundMAGIC E11C is still reaping rewards for being a great pair of affordable in-ear headphones, complete with remote and mic. It’s not often that budget consumer goods stand the test of time but the E11C continues to deliver a great sound for an outstanding price.

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Design: 9/10

The E11C Features an updated 10mm dynamic driver from its predecessor, the E10C. It has also been upgraded via a high quality silver plated copper cable. Proof that SoundMAGIC is continuously evolving as a brand. Not only does this improve the sound, but it also gives the earphones a more sophisticated, grown up look. Other than these changes, they essentially look like a typical SoundMAGIC in ear earphone and still feature a 3.5mm jack. They look great. Why change a good looking winning formula?

Fit & Comfort: 9/10

As with previous wired models, the E11C can be worn with cable going over the ears or just straight down. Although this will interfere with the position of the microphone. The angled jack is great for when you have your Phone/ Mp3 Player in your pocket as it prevents any premature cable break (from poor care!). The ergonomically designed housing fits in your ear very well. The posistion of the in-line mic and controls is practical and makes them easy to use. Finally, the tips that are provided add to the comfort and it is easy to get a secure / solid fit. This ensures not only comfort but total sound isolation and the best chance to immerse yourself in the music.

The sound quality is excellent and the E11C is suitable for all genres.

Sound: 10/10

The sound quality is excellent. The E11C is similar in sound to the SoundMAGIC E50 models. But the E11C has a little more mid and upper-bass warmth to it. To sum up, the bass is well controlled, The mids crystal and the treble super smooth. It’s suitable for all genres, but is outstanding when listening to vocals, acoustic recordings and music making use of “real” instruments. (Sorry techno, you still sound great too though!)

Mic & Controls: 9/10

The E11C comes with an in-line control and mic that works with both iOS and Android (for devices that still have a jack). The controls provide volume and stop/start functionality which is great for when you are on the move. In addition to this the mic/controls are durable and unobtrusive. They do not interfere with the cable which means they do not create any background noise. The call quality is good and your voice comes through loud and clear on the other end, too.

The E11C proves that quality does not need to cost an arm and a leg.

Value For Money 10/10

The E11C proves that quality products do not need to cost an arm and a leg. The updates are modest but make the E11C stand out from its predecessors. The sound is more refined and pricepoint of around 50 pounds really hits the nail on the head. Most people will only spend as much as they need to in order to get something that they will be happy to use every day. And guess what? The E11C is it. The in-line mic and controls are a great practical feature and fantastic addition. They are simply a very durable, stylish and versatile earphone to use day in and day out.

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Want to keep in the Loop with all things Sound MAGIC? Check out all News and reviews here.

Westone Audio Pro X Series Review

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Westone Audio have updated their ever-popular UM Pro series earphones, now renamed Pro X. these are still some of the best pro-audio earphones out there with different sound signatures to choose from and superb ergonomics.

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Westone have long had some of the best pro-audio earphones on the market and it is great they gave this range a complete refresh. An upgrade that needs to be immediately mentioned is that both earpieces are now matched to within +/-3dB. This is excellent for pro-audio earphones.

Build Quality: 9/10

The build quality is similar to that of the previous UM Pro series. The hard plastic shells feel extremely lightweight, but this time they have moved to IPX connectors with a Linum Bax T2 cable. The Linum cables are becomming ever more popular and are incredibly thin and lightweight. In fact, they are so thin they look fragile but are actually rather robust and coil back on themselves making them relatively tangle free. The T2/IPX connectors are a big step forward. They feel much better than MMCX connectors with a more secure fit and reportedly increased longevity.

Accessories: 10/10

Accessory wise you get the same excellent assortment as always. A huge number of tips (which are excellent quality) along with the small monitor vault that is perfect for keeping your earphones safe when not in use. Everything is included to use these straight out of the box. You need to spend some time finding the right tips for your ears but that’s it really.

Comfort and Fit 10/10

The Westone UM Pro series were always regarded as some of the most comfortable earphones out there. Luckily the Pro X series are much the same in terms of shape. These fit like a glove, once you settle on the right eartips they really do disappear in your ears. The new lightweight cables makes them even more comfotable. It can’t get any better.

The fit is also superb. The housings are small, lightweight and smooth. Which means you get a secure fit that is flush in your concha too. The cable is so lightweight you forget about it. Arguably, these are the best fitting universal earphones out there. There are slight differences in size between the Pro X10 and Pro X50 for example, but all the models fit really well.

Pro X10:

The Pro X10 is the entry level, single driver model aiming for a neutral and balanced sound signature for general monitoring purposes. It has impressive extension from top to bottom for a single driver unit, with a reasonable amount of body too. It does lack in dynamics a little and comes across a little flat at times. But there is a surprising amount of detail on offer for the price. These seem to excel when listening to more midrange focussed music such as acoustic and folk. The vocal clarity and presentation is really impressive for the price

Pro X20

These improve upon the Pro X10 by adding an extra driver. This improves dynamics and there is a little more sparkle up top and body down low. These sound a bit livelier than the Pro X10, there is definitely some extra bass emphasis going on making these more suited to those who like a little added warmth to their sound. The midrange is less intimate. Making this model more suited to bassists and drummers who need a little more punch and dynamics.

Pro X30

An update to Westone Audio’s bestselling pro model, the Pro X30 retains that ever-loved sound of the UM Pro30 but increases the sound staging, along with ever so slightly better definition and clarity across the board. The Pro X30 uses three drivers. This helps increase the headroom before distortion sets in, along with a single driver dedicated to each part of the frequency range. You get articulate and full lows, a nuanced and detailed midrange and clean highs that extend smoothly. They do have a fuller sound signature that works well in a live music setting. Perfect for pretty much anyone on stage and they are easily tuneable with EQ.

Pro X50

Here we have the flagship model in Westone Audio’s Pro range. Packing 5 drivers into a small and comfortable housing with a focus on bringing out more clarity without sacrificing refinement and smoothness. This model shares a similar core signature with the Pro X30. Although it has a little more body in the bass along with better extension in to the sub-bass. There is a definite boost down low that is tight and controlled, yet makes these a warm sounding earphone overall.
The Pro X50 have a full and enjoyable sound signature that makes them an easy listening, everyday earphone. With a bit of EQ tinkering you can easily tailor the sound to your personal preference whilst retaining excellent comfort and a really good technicalities.

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Enjoyed this review? If you are after more, all things Westone Audio can be viewed on our Blog here.

Campfire Audio Holocene Triple Driver IEM Review

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Campfire Audio have made somewhat of a baby Andromeda with the Holocene. With a focus on control and detail they are perfect for those wanting a more neutral and balanced sound signature.

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Fit and Comfort

Those familiar with Campfire Audio will know the shape. It is common amongst their models with an angular outer shell and smooth inner. With a long-ish nozzle that really helps you get a good fit with them. I find this design works well with most people, they certainly fit me well which is always a bonus.

Once you find the right tips for your ears, the Holocene fit comfortably due to well designed housings and good insertion depth. The cable is also soft and fits over your ears easily without stiff memory wire.

Compatibility

These are quite a picky earphone when it comes to matching them with the right source. Their sensitivity is quite low (94dB SPL @1kHZ – mVrms). However they have very low impedance (5.4 Ohms @1kHZ). This means they need some careful system matching. You really do need a player with less than 1 Ohm output impedance for these. Otherwise they will not sound how Campfire Audio intended them to.

Bass:

The Holocene puts focus on accuracy yet never comes across as thin or lean in it’s presentation. This is when paired with the correct source that is. It is very controlled and articulate and it doesn’t put a foot wrong, even during the most complex of tracks. The low end is expertly separated from the midrange, not allowing it to influence the overall tonal balance. It digs deep in terms of extension but it isn’t exaggerated. Bass guitars are easy to follow in the mix. Kick drums hit with authority and body yet never sound bloated. There is perhaps a tiny bit of added body from the low end, but it is subtle and just makes the Holocene a little more fun and engaging without sounding overly full.

Midrange:

Due to the lack of bleed from the low end, the midrange is incredibly clean and crisp. Male vocals don’t get any added body which helps them cut through with great tonality. I would say the Holocene has a very mild U-shaped signature. The midrange isn’t up-front and intimate and it sits ever so slightly behind the bass and treble, but it isn’t overly recessed. There is excellent detail and layering in the midrange. Things never get muddled and it is always easy to pick apart the different layers within the mix. Contrary to many earphones, the Holocene don’t boost the upper mids. This means female vocals are not pushed to the front. In fact they actually have a slight recession to prevent sibilance. Personally this slight recession in the upper midrange robs them of a little energy but it does prevent them from being peaky and sibilant.

Treble:

The lower treble is slightly muted, which does take away from the sound a little bit of energy. But there is good presence higher up which does add good air and extension. These are not as exciting as the Andromeda and are definitely lacking a little bit of the treble energy of that particular model. However, those looking for a good all rounder that is a little easier on the ears and more forgiving of certain recordings will do well with the Holocene.

Soundstaging and Genres

The soundstaging on the Holocene is good. There is a good sense of air and space around instruments. The layering and instrument separation on the other hand is excellent. The sound is well controlled and this allows you to pick apart the mix with ease, even during complex tracks.

Genre wise these are an excellent all rounder. They won’t appeal to those looking for lots of bass so EDM and the likes are not their main focus. But for metal, jazz, acoustic, alternative rock, indie etc… they all sound excellent through the Holocene.

Who is it for?

  • Those looking for a detailed and clean sound signature
  • Those wanting a good all rounder that isn’t fatiguing

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Westone MACH Series Release

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Westone Audio release their new MACH series, a comprehensive range starting with an entry level single BA driver, right up to an 8-driver model. MACH is the latest in sound engineering that is bridging the gap between professional performance products and a product for the truest of music lovers. With its unique ergonomic fit, MACH is a product for everyday use and enjoyment.

All the new MACH models come with the T2 connector from Linum, and all of them come with Linum cables too. These are substantially better than older MMCX connectors and are more durable in a wide range of environments.

The MACH10 is a single BA model with a focus on detail, the sound signature is flat and accurate and using them with foam tips will make the sound a little more “natural”. This is the entry level model and is suited to those who don’t want an overly coloured sound.

The MACH20 is more balanced sounding with more neutral bass than Mach10, however they do have a slightly mid-forward sound that brings vocals and guitars into focus. Again they have aimed for a clear and detailed sound with the first two models.

The MACH30 changes this a little, with a more energetic sound signature – they have a subtle lift in the bass and some upper midrange forwardness. This leads to a slightly more fun, yet still well balanced sound signature.

The MACH40 goes for a warmer sound, one for those who enjoy full bodied and organic sound, the mid-bass has added punch whilst the mids and treble take a step back. They also have a slightly more direct sound, the soundstage is more focussed and less open than some other models in the series.

The MACH50 goes for a smooth, open and natural sound – it doesn’t have any fatigue inducing traits and focuses on an organic presentation that is the perfect “everyday” earphone. It has a slightly forgiving sound that doesn’t make poor recordings sound bad, this could be quite the hit for many people.

MACH60 has reference-like characteristics but with ever so slightly elevated bass and treble, the soundstaging is very holographic and these offer up a wide and balanced sound. The treble is crisp, the midrange is smooth and natural and the bass has great punch, a superb all-rounder.

MACH70 has been made with a mild W-shaped signature, with great mid-bass punch, well presented midrange and effortless treble, these are punchy and fun yet well controlled and resolving. The soundstaging again being a highlight with their open sound and excellent separation.

MACH80 is the flagship model in this range, and it’s tuned to be an audio tool. Westone state the Mach80 has no obvious colouration, it is designed to be a flat sounding reference model.

This range looks quite interesting with plenty of different sound signatures to suit different tastes – we can also expect excellent comfort, as this is one area where Westone always do well. We have all of these ready to demo, so book an appointment to be one of the first to hear this new range of earphones.

Available to order NOW

Campfire Audio Release Supermoon Planar CIEM

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Campfire Release a Solid-body Custom-Fit In-Ear Monitor featuring a new custom Planar Magnetic Driver

Campfire have released the Supermoon, a Planar Magnetic custom IEM; they are a brand that often takes risks, be it in design or sound signature. It is notoriously hard to make a small planar sound good, and offering it in a custom fit earphone makes it even more interesting, Campfire Audio have done this so they can optimise the performance of the driver for each individuals ear shape.

Campfire Audio have tuned the Supermoon to sound coherent and balanced, but I would not say they are a studio neutral sounding earphone, with a mild sub-bass lift and effortless treble they are mildly u-shaped without making vocals sound recessed. We have a demo set in universal fit, so book an appointment if you want to hear these (they will also be at CanJam London).

Campfire Audio offer two different fit options, artist-fit and audiophile-fit, with artist fit offering up a more traditional deeper fit and audiophile offering up a more comfortable fit due to a shorter nozzle, perfect for long listening sessions.

Campfire Audio use a unique Solid-Body design – When crafting the solid body of the earphone, the design is 3D printed as a single component before being meticulously hand-finished. Putting the work into the earphone design before the print means the only moving part in Supermoon is the diaphragm. This also means that the earphones you will receive will be a robust and reliable partner.

Full Details HERE

Buy them now: https://www.hifiheadphones.co.uk/products/campfire-audio-supermoon

Top 5 sub £100 Portable Audio Devices

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We often show off high end equipment, but here are our top 5 sub £100 bargains!

Periodic Audio Rhodium – £49

To begin with our top 5 sub £100 bargains we have the Periodic Audio Rhodium. It’s a compact USB-C DAC/Amp perfect for getting better quality audio from your phone. It undeniably increases the clarity and separation. While it has not been designed to drive some of the more demanding over-ear headphones, for earphone users this is an excellent choice to improve your portable setup.

Final E500 – £19.99

The Final E500 show that you don’t have to spend a lot of money to get good clarity and a controlled sound. These are not designed to impress you with massive bass, or an exaggerated v-shaped sound. Instead opting for balance and detail. This means that the sound provided is very refined for the price and while these small earphones might not look like much, they sure do kick out a lot for the money.

SoundMAGIC E11c – £52.99

SoundMAGIC are kings at making affordable earphones and headphones. Furthermore, their products consistently win awards and they really do know how to make an excellent sounding product. The E11c is no exception. Originally designed an upgrade to the E10c, it has delivered in every single way. Coupled with more modern looks and a sound that is more controlled yet still punchy and fun: It is a fantastic earphone for everyday use.

Lypertek PurePlay Z3 2.0 – £99

Another fantatic product and the only wireless model in this list, there is simply no better option for under £100. Overall, these earphones offer up a very fun and enjoyable sound. The PurePlay Z3 2.0 has a 70 hour battery life and an extremely stable bluetooth connection. In addtion to this they’re comfortable and look great, without compromising at all on audio quality.

SoundMAGIC P23BT – £49

Finally, it is SoundMAGIC once again that have made a killer headphone for a super price. The P23BT doubles up as a headset too with the included cable. In addition, the headphone is lightweight and comfortable. On top of that it has an incredibly impressive battery life and is super easy to use. The sound is full and warm yet never bass heavy. They really do sound incredible and can easily take on the big brands should they wish to.

Enjoyed our Top 5 Sub £100 list? Check out more from our Best Of Series HERE

Bonus round: Other great products that deserve their own Top 5 Sub £100 list!

Oriveti OV800 – Product Release

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The Oriveti OV800 brings the incredible sound of O800 but adds switches to allow users to tailor the sound to their liking.

The OV800 are handmade, this means there is a high level of attention to detail and each set are a masterpiece. The driver setup consists of 2x BA woofers, 4x BA midrange drivers and 2x BA tweeters. The woofers are from Knowles while the mid and high BA drivers have been produced in-house to Oriveti’s desired specifications. This is impressive, and has allowed Oriveti to really tune the sound of the OV800 to their specification.

The OV800 come with all-new stained wood faceplates, these look incredible in person and are sure to stand out in your collection. The new 8-wire SPC cable is supple and comfortable in use and elevates the sound too. The port on the earphones alleviates listening fatigue along with improving the soundstage, with out impacting the excellent isolation these provide.

The sound is tuned to be smooth and resolving, much like the O800, but this time Oriveti have incorporated tuning switches. These allow you to add a little more sub-bass presence for a warmer sound, or a little added treble brightness for increased presence and clarity. You can also turn both of these on for a slightly more v-shaped sound signature – so you can choose what you personally prefer.

You’ll be able to own a pair very soon: https://www.hifiheadphones.co.uk/products/oriveti-ov800-eight-drivers-balanced-armature-iem-earphones-with-sound-mode-switch-and-detachable-cable?

64 Audio Nio Review

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64 Audio’s latest hybrid creation give you a bit of everything, from studio neutrality to hard hitting bass, all the while retaining a very refined sound signature.

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Fit and Comfort

The Nio are the same shape as the rest of the 64 Audio universal line-up, which have quite an interesting shape and is a tried and tested design. Offering up smooth edges with a good length nozzle for a secure fit and great comfort. Once you settle on the right size tips for your ear canals, they fit securely with the new included cable being more ergonomic and comfortable.

Compatibility

With high sensitivity (105db dB/mW) and low impedance (6? @1kHz) the Nio are easy to drive out of most sources, and they use 64 Audio’s LID technology which means the sound signature shouldn’t drastically change beween sources. This isn’t to say they don’t benefit from higher end sources though, as things like resolution and detail are important and they definitely scale up with better source equipment.

The Nio use 64 Audio’s apex modules, these help relieve internal ear pressure along with offering different levels of isolation and also slightly different sound signatures. Normally you get an M15 and M20 module, which offer 15dB and 20dB reduction in outside noise respectively, by new for the Nio is the MX module which offers a mere 10dB reduction of outside noise. The more isolation, the more bass is the rough rule of thumb, and the lower the isolation the more open and airy the sound is.

Sound

Bass:

The low end on the Nio is very dynamic and depending on the module used you can range from full bodied to neutral in presence. One thing that always stands out on 64 Audio models is how well controlled and refined the sound is. They can offer up more than enough punch to satisfy most needs but the bass never becomes bloated. It offers a solid foundation for the rest of the sound, and is very articulate. There is great depth to the Nio, and the use of a dynamic driver here works really well here. The M20 module gives you a slight lift in sub-bass and moderately more mid-bass punch over the M15 which is more linear and the MX which is very controlled and not boosted. One thing that stands out here is the coherency and fluidity of which the bass blends in to the midrange.

Midrange:

Depending on the module used the lower midrange changes slightly, with the MX giving the most neutral and least coloured presentation whilst the M20 adds a little body and smoothness to the lower midrange that makes things sound a little fuller. The Nio has excellent control overall and the midrange is crisp and clean, yet tonally accurate. There isn’t any peak in the upper midrange to bring out sibilance, instead you get a linear and intimate insight into the recording. The layering is good and you can easily pick apart the recording without any difficulty. The MX definitely sounds like it reveals a bit more micro-detail over the M20, so it greatly depends on your personal preference.

Treble:

64 Audio are using their usual tia driver up top and these drivers really do offer up excellent resolution and an openness that other BA drivers fall short of. The M20 gives the smoothest sounding treble due to the increased bass response but it still has good presence and resolution. Using the MX still gives the most open and airy treble as would be expected but it never falls onto the side of being harsh or bright. There is refinement up top without sounding too present, yet there is excellent detail retrieval and effortless extension on hand. Overall the treble is always present, allowing the Nio to sound well balanced without any fatigue inducing spikes.

Genres and Soundstaging

The Nio is a superb all-rounder, due to the different Apex modules. The M20 giving you a full bodied sound with good impact while the M15 gives a well balanced and refined sound. In addition, the MX giving a close to neutral presentation without much emphasis on any part of the spectrum. This means they play well with pretty much anything you throw at them, the control down low and the layering means they don’t sound congested with complex mixes either.

The soundstaging varies slightly with the modules, with the MX giving the most air and space. But overall it is wider than it is tall and there is good separation between instruments and layers.

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Final ZE3000 True Wireless Earphone Review

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We review the Final ZE3000 True Wireless earphones from Final, they have a clear focus on sound quality over gimmicks, all wrapped up in a comfortable yet stylish shell.

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Design: 10/10

The Final ZE3000 true wireless has an angular design that looks stylish and stands out. The overall look eschews quality. They also come with an interesting finish on the buds and case known as “Shibo”. “Shibo” means crease on paper or leather in Japanese and is used on many cameras. This textured finish is also a great deterrent against fingerprints and other marks.

As expected from final, the build quality is fantastic. The hinges of the case and the USB-C connector are rigid and durable. you can even open and close the lid on the case singlehandedly. The case is very compact, therefore easy to carry around or keep in your pocket. Overall, the ZE3000 feels as unique as it looks and clearly sets itself apart from other earphones in the £120 price range.

Fit and Comfort: 9/10

Final has designed the earphone not to fully enter the canal, but to sit comfortably at the entrance. The comfort is excellent, you really do forget you have them in sometimes, they might not be the smallest earphone out there but the shape and weight does mean they are comfortable to wear for hours on end. They are also good to use for the gym and manage to stay firmly in place and comfortable in your ear, even during intense workouts. 

Final E eartips are some of the best in class and widely used by other brands for their earphones. Their TWS E-tips are no exception to this rule of thumb.

Features: 7/10

The ZE3000 do not have ANC or any other the other bells and whistles that come with wireless earphones these days. Instead Final have decided to focus on the audio quality and should be praised for this. Battery life is fairly normal at 7hrs continuous playback, along with an extra 28hrs from the case. More than enough to not be constantly charging them.

The ZE3000 use Bluetooth 5.2 (QCC3040 chip) and support ABC, AAC, aptX and aptX Adaptive. This means you will get the best sound out of these if your device is aptX Adaptive compatible. But even normal aptX is still a step above AAC. The microphone quality is excellent and is perfect for taking calls at home or on the go.

Sound 10/10

Final have focussed on the sound aspect of the ZE3000, giving them a natural yet fatigue free sound signature. The bass is great. It is tight and digs deep when called for but it never sounds like the main focus of the sound. It isn’t bloated or up-front, instead it is happy to just do its thing without drawing attention to itself.

The midrange is also really impressive. It sounds realistic and natural without being pushed forwards. There is loads of detail on offer. Vocals are crisp and well presented, with both male and female sounding excellent. Electric guitars have plenty of crunch, yet acoustics sound subtle and full. They also never sound congested with great layering and space between instruments.

These won’t suit the bassheads out there, but for average everyday listening these are brilliant.

The treble is smooth with that signature Final airiness that brings out a sense of space in recordings that many earphones fail to capture. They are very resolving for such a budget earphone. They extract tons of detail and are very well placed within the soundstage.

Instrument Separation and Soundstaging

The ZE3000 manage to remain well separated and airy throughout. This means they can handle anything you throw at them and still remain open sounding with excellent separation and layering. It is easy to pick out single parts in mixes whilst sounding completely coherent overall.

The soundstaging is really impressive for the price and throws out a broad image that is accurate and realistic. It is wider than many of the more consumer models out there and the airiness in the treble range really helps to add a sense of air to the sound.

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Enjoyed our review of the final ZE3000 True Wireless? Check out all things Final throughout our blog here.