Best Headphone Amp 

iFi Audio iCAN Phantom – £3,749.00

The iCAN Phantom is the jack of all trades and the master of them all. It delivers unmatched versatility, combining top-tier solid-state and tube amplification with cutting-edge XSpace and XBass customization. It is also an Energizer. Pure end-game gear. Perfect for audiophiles, it powers any headphones with effortless precision and offers stunning sound.

Best Headphone DAC/Amp under £100

iFi Audio Go Link Max – £79.00

The all new iFi GO link Max delivers studio-quality sound with up to 241mW of output power—nearly five times that of a MacBook Pro—driving demanding headphones with ease. Compact, portable and versatile, it’s the perfect upgrade for immersive, high-fidelity audio anywhere. An upgrade over the original in every way, this is a must have for anyone who owns wired headphones.

Best Headphone Amp £100-£300

iFi audio Zen CAN 3 – £229.00

The iFi ZEN CAN 3 offers stellar sound and versatility, perfect for music, gaming, and movies. With excellent build quality and performance, it’s the standout entry-level amp and punches well above its selling price.

Best Headphone Amp £300-£1000

iFi Audio Neo iDSD 2 -£899.00

The iFi Audio NEO iDSD 2 is a versatile all-in-one home audio solution, offering improved performance, user-friendly features, and a powerful amplifier with IEMatch. It delivers a neutral, balanced sound that enhances any audio setup, making it perfect for those seeking high-quality sound without the need for extra equipment.

Best Wireless Headphones with ANC under £100

1More SonoFlow HQ50 – £89.99

The SonoFlow HQ50 is a fantastic product priced under £100. Boasting up to a 70-hour battery life, QuietMax ANC technology, a DLC 40mm driver and featuring 12 EQ modes, it delivers premium sound and comfort at a budget-friendly price—challenging pricier rivals like Sony and Bose.

Best True Wireless for Sound Quality

Final ZE8000 MK2- £199.00

The ZE8000 MK2 combines striking aesthetics with top-tier performance. They deliver sound quality that rivals the best wired earphones as well as providing all the modern features you’d expect from TWS earphones. The distinctive shape of the buds also provides insane levels of comfort and the app is a treat to use. The ZE8000 MK2 is a great overall package.

Best Wired Earphones under £50 

SoundMAGIC E11C Silver – £39.98

A Brilliant Budget Earphone that Sounds MAGIC. We have found the E11C to be a grown-up earphone with a keen knack for giving a clear and accurate presentation across the board. It is a true bargain and certainly a very good IEM for everyday use. The mic and controls are an added bonus and making use of the included case as well as regular cleaning ensures that these earphones last well beyond their warranty. Perfection? Not quite. But at £40 you will struggle to find a similar product worthy of your investment. – Full Review

Best Wired Earphones £100-£300

Final A5000 – £259

The Final A5000 IEM delivers exceptional sound quality with powerful tight bass, stunning mids and highs, all at an affordable price of £259. A perfect choice for those looking for an upgrade within this price range.

Best Wired Headphones Under £100

SoundMAGIC HP151- £88.99

The SoundMAGIC HP151 offers exceptional clarity and precision, letting finer details in your music shine. Durable, comfortable, and priced just under £90, it’s a fantastic choice for those seeking great sound from a wired headphone without breaking the bank.

Best Wired Earphones £1000-£2000

64 Audio U6t- £1,299.00

For the price, 64 Audio have created a brilliant everyday earphone that allows great insight into the recording with superb clarity and detail retrieval, wrapped up in a smooth, coherent and easy to listen to sound. They are such an easy earphone to live with. Providing a comfortable fit and refined sound that many fail to match. This is proof that 64 Audio really do know what they are doing when it comes to sound. A superb model for the price.

Best Wired Earphones £2000+ 

64 Audio tia Fourte – £3,599.00

This model pushes the boundaries and shows what’s possible with only 4 drivers. This is a hybrid design with an intricate inner shell with chambers that help shape the sound. Nothing sounds overly boosted on the Fourte, but they do have a healthy dose of impact down low. The Fourte are very revealing and will throw up flaws in recordings, but the clarity in the midrange is truly astonishing. What’s even more impressive is how the top end just extends without rolling off at all.

Best Wired Studio Earphones 

Etymotic ER-4SR – £305.95

If you are looking for neutrality, the ER-4SR are the industry standard – they do not flatter you with a smooth sound or hide any mistakes in recordings, so not great for everyday listening but superb if you want to hear every detail.

Best Wireless Headphones

Audeze Maxwell- £319.00-£349.00

• The Audeze Maxwell the best gaming headset currently on the market, but it is also superb for listiening to music too. It offers uncompromising audio quality with its planar magnetic drivers, delivering deep bass and clear mids, all in a comfortable, wireless design. An exceptional 80 hour battery life, and the ability to create and store custom EQs for different genres, it’s perfect for those seeking a pair of high-performance wireless headphones for fully immersive listening. – Full Review

Best Headphones £100-£500

Audeze MM-100 – £399.00

The Audeze MM-100 can be driven by just about any source, making it ideal for on the go. It delivers stunning transparency and musicality, especially when paired with a quality setup, completely outperforming anything else in its price bracket at just £399. Perfect for audiophiles and studio use alike, it has unbeatable value.

Best Headphones £500-£1000

Audeze LCD-2 Classic – £799.00

The LCD-2 Classic are a well controlled, but ultimately warm sounding headphone. They offer up a fatigue free sound with good width and height. If you listen to electronic centred music, old school rap/hip-hop and smoother more acoustic music they are a joy to listen to. Full Review

Best Headphones £1000-£3000 

Final D8000 – £2,999.00

Instead of going for the usual neutral-ish sound signature of most high-end models, Final instead decided to make the D8000 enjoyable, with very punchy and dynamic bass and impressive clarity across the board, the D8000 stand out from the crowd.

Best Headphones £3000+

Audeze LCD-5 -£3,999.00

The Audeze LCD-5 is a masterpiece of audiophile engineering, delivering unmatched clarity, precision, and emotional depth to your music. Audeze’s Flagship LCD has a lightweight magnesium frame and the premium materials ensure long-lasting comfort, while the cutting-edge planar magnetic drivers reveal every nuance in your favorite tracks. For those seeking the pinnacle of sound reproduction and a transformative listening experience, the LCD-5 is still there, in a league of its own. Full Review

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64 Audio Aspire 4 – World Class Sound & A New Direction

At first glance the most obvious difference of the Aspire 4 to the rest of 64 Audios UIEM line up is its shape and overall look. Whether you’re just getting into monitoring with in-ears, not ready for customs, need a backup set, or simply prefer generic fitting products. 64 Audio guarantees the Aspire 4 offers best-in-class sound and ergonomic fit. In addition to this, unlike their other UIEMs (U4s, U12t, Fourté, etc) the Aspire 4 is built with an ABS molded shell and a stainless steel tip. Finally it’s also built with an IPX (or T2) socket as opposed to a 2-pin socket that is feautred with all their other UIEM’s.

How does it differ from other Four-Driver models like the U4s and Fourté?

Along with the redesigned form factor and shell materials, the Aspire 4 is 64 Audio’s only four-driver model that is crossed over 3-ways (lows, mids, highs). As opposed to the other models that are 4-way crossovers. While Aspire 4 doesn’t use 64 Audios tia driver for the highs, they have developed a revolutionary waveguide to bring its highs to their incredibly high standards. Furthermore, it is also the only UIEM specifically designed and tuned for musicians and live-audio professionals as opposed to audiophiles and high-end audio enthusiasts.

“With live music at the forefront of our tuning criteria do we make a highly accurate unforgiving studio monitor or a contoured device that helps musicians hear themselves more effectively? As with many of our monitoring tools the answer is somewhere in the middle. Huge bass that can reproduce some of the toughest frequencies in the audible spectrum with quick ease. Forward mids that are precisely elevated for articulation in the most vital region of instruments and voices. Plenty of top end sparkle really separates Aspire 4 from any other UIEM in its class, making this powerful sound signature a perfect blend of accuracy and musicality.”

64 Audio

Key Features

• Hybrid drivers deliver dynamic lows, nuanced mids, and sparkling highs
• Same technology as 64 Audio custom in-ear monitors
• Ergonomic design prioritizes comfort without sacrificing performance
• Apex Core Technology reduces ear fatigue with -20dB noise isolation
• Linear Impedance Design ensures consistent sound across devices
• Custom Waveguide enhances driver efficiency for clear sound

64 Audio Aspire 4 Specifications

• Material: Moulded ABS Shell + Stainless Steel Nozzle
• Driver Type: Dynamic + Balanced Armature
• Driver Configuration: 1 low DD, 2 mid BA, 1 high BA
• Frequency Response: 20Hz – 18kHz
• Sensitivity: 104 dB/mW @ 1kHz @ 1mW
• Impedance: 11? @1kHz
• Crossover: Integrated 3-way passive crossover
• Isolation: -20dB apex core® technology

Release Date and Pricing

The 64 Audio Aspire 4 is available now for £899.00!

Interested in 64 Audio? Read more news and reviews here!

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BLACK FRIDAY MONTH: Most Popular Deals

Final UX3000- £119.00 NOW £89.00

The Final UX3000 ANC is a fantastic product for its price. Final have really worked their magic here. Solid build quality, paired with great sound and effective ANC for under £120 is something rarely heard of. Add to that fantastic mic quality and you have an absolute bargain on offer. The UX3000 can be recommend to anyone looking for a portable over-ear headphone. Full Review

SoundMAGIC E11C Silver – £52.99 NOW £34.99

A Brilliant Budget Earphone that Sounds MAGIC. We have found the E11C to be a grown-up earphone with a keen knack for giving a clear and accurate presentation across the board. It is a true bargain and certainly a very good IEM for everyday use. The mic and controls are an added bonus and making use of the included case as well as regular cleaning ensures that these earphones last well beyond their warranty. Perfection? Not quite. But at £52 you will struggle to find a similar product worthy of your investment. – Full Review

Lypertek PurePlay Z5 – £129.00 NOW £69.00

the Lypertek PurePlay Z5 is ideal for those that want the best sound quality from their true wireless earphones. Having gained multiple awards for not just their impressive sound – the PurePlay Z5 is jam packed with features for a very favourable price.

The PurePlay Z5 are one of the best, if not the best, true wireless models for daily use. They have ANC, Ambient mode, wireless charging, accompanying app and more along with truly suburb sound quality for a low price.

Oscar – Full Review

PLUS SO MUCH MORE!

Check out more news and reviews on our Blog here

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Fit and Comfort 9/10

The Lypertek PurePlay Z5 have quite a different design to previous Lypertek models. They have a rounded body and a stem which greatly improves ANC effectiveness along with mic placement for calls. This design also works really well in terms of fit. Even for smaller ears they are easy to put in and get a solid, secure fit for everyday use.

These are really comfortable & super easy to wear for long listening sessions

Comfort wise, once you find the right eartips (and there are plenty included to choose from) they are easy to wear for long listening sessions. This is not only due to the smooth housings but the light weight of the earpieces as well. There are no issues wearing these for a few hours at a time. The Z5 is also an optionl for light sports use due to their comfy and secure fit.

ANC 9/10

The ANC is a huge new feature for Lypertek, and one that works very well. When using these in areas with a constant stream of noise (such as sitting on a train) they do a great job to drown it out. It is easy to toggle on and off with the touch controls or via the app. Lypertek have absolutely nailed it with the Z5.

Purecontrol ANC App 10/10

The app is fantastic and easy to use. It allows the user to also fine tune the earphones to their tastes. With EQ curves (including custom ones), ANC on/off and also an Ambient mode which allows outside noise to be heard. LDX (Lypertek Definition eXpander) mode is also supported on the Z5. It has a dedicated button within the app to turn it on and it works well to enhance the space, depth and clarity of the sound. An absolute must try!

Mic 9/10

The stem is perfect for better microphone placement than normal true wireless designs. Resulting with the call quality on the Z5 being truly excellent. At home or out and about, the other person will hear your voice with great tone and clarity. It goes without saying these are some of the best we have tried when it comes to call quality.

It goes without saying these are some of the best we have tried when it comes to call quality.

Auto Ambient Mode 10/10

Simply one of the best features from the App. This turns ambient mode on automatically when you pause music & is such a handy feature to have. It means you don’t have to take the Z5’s out of your ears to hear people or announcements.

Sound 10/10

The below assessment is with all sound enhancements turned off. You can easily tune the PurePlay Z5 to your tastes with EQ. Not forgetting that the LDX mode is a great one click boost for those wanting and more spacious and engaging sound.

Bass: The perfect amount for out and about listeners in my opinion. These are punchy and fun whilst retaining good body and control. The bass is well controlled and keeps up with complex mixes with ease

Midrange: Open, spacious and natural, the midrange is portrayed in excellent fashion on the Z5’s never sounding drowned out or pushed too far back in the mix. Vocals manage to cut through the mix with great clarity and presence without sounding peaky or harsh.

Treble: Well extended yet not overly hot or in your face. The transition from the upper midrange in to the lower treble is well controlled without any unwanted sibilance. Yet there is still good energy in the lower treble to stop them from sounding dull or dark.

Instrument separation is really impressive, especially for a true wireless model.

Soundstaging and Instrument Separation

There is a good amount of air around instruments and good layering overall. They might not throw out the widest of soundstages but they manage to sound quite airy and open. Instrument separation is really impressive, especially for a true wireless model. these sound very controlled and well separated even when listening to complex music tracks.

Other Notable Features:

Enjoy all things Lypertek? Check out more News and Reviews here

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Fit and Comfort

The Campfire Audio Saber follows a very similar design to the Satsuma and Honeydew. However, this time they have used Damascus steel for the faceplate and ABS for the inner shell. This means they have the slightly narrower and longer stem which actually helps when it comes to fit. These fit really well once you settle on the right tips. The nozzle allows for a medium insertion depth that is secure yet comfortable. The inner edges of the shell are smooth and the included cable is lightweight. My only gripe is the cable is the OFC one that uses mouldable memory wire instead of the more comfortable pre-moulded earhooks on the newer smokey litz cables. However it must be said this is a personal preference and most will get on fine with the included cable.

Comfort is excellent due to the housing shape. These are easy to wear for hours on end with no discomfort, making them great for long journeys or just general commuting and daily use. Just take some time to find the right tips for your preference and you’ll have no problems with the Saber.

Compatibility

The Saber are quite low impedance for an earphone, 8.2 Ohms @1kHz, this means they are very sensitive to source changes and benefit from a source with low output impedance. They have a sensitivity of 94 dB SPL @ 1kHz: 25.4 mVrms. These are very sensitive and work well out of portable devices provided they have low output impedance. Saying that, these sound great out of most devices as is.

Sound

Bass:

The Saber uses two dynamic drivers to cover the low and mid frequencies. The largest 8mm dynamic driver adds an impressive amount of depth to the bass but it still retains a tight and controlled response. One that is not as full as the Mammoth yet doesn’t lean too far into the analytical camp either. The Saber manages to have a solid bass foundation with impact and extension without bloat or emphasised warmth. They don’t fulfil a bass-head tuning like the Mammoth but there should be more than enough presence and oomph for most listeners. They are impressively punchy and I doubt anyone could be bored with this presentation.

Midrange:

Wonderfully placed and well detailed without sounding cold and lifeless. The midrange has great tonality and vocals cut through the mix with ease. There is a little thinness at times in the upper midrange but not enough to cause fatigue and sibilance is well handled only becoming problematic on poorly mastered/hot tracks. The Saber have the ability to be snappy and controlled yet utterly fun to listen to. You never lose track of anything going on in the mix, they handle whatever you throw at them and just turn it in to an enjoyable listen.

Treble:

The treble is sparkly, and razor sharp, but not to the point they sound fatiguing. With great air and placement they successfully manage to avoid being too hot for my tastes. These do not hold back, they are not the smoothest or most refined earphones for sitting back and relaxing with, instead they are dynamic and energetic and want you to tap along to the music. There is no lack of extension, no lack of detail whatsoever at the top end of the Saber. They could never be described as dull and that is exactly how Campfire wanted them to be. Fun!

Instrument Separation and Soundstaging

The Saber easily pick apart complex mixes and don’t become congested or muffled with fast tracks. The layering is excellent and they are very responsive in terms of transient response.

The soundstaging is also impressive. It’s intimate with a tightly focussed centre image and good width and space. The treble positioning is very impressive and there is realistic yet accurate staging.

The post Campfire Audio Saber Review appeared first on HiFiheadphones.

Fit and Comfort

64 Audio have used the same universal shape for the U6t as their other models (U12t / tia Trio etc…) and this is a tried and tested design. Offering up smooth edges with a good length nozzle for a secure fit and great comfort. Once you settle on the right size tips for your ear canals, they fit securely with the new included cable being more ergonomic and comfortable.

The U6t fit comfortably in your ears. They are also extremely comfortable for long listening sessions. The new cable is softer and has pre-moulded earhooks which, in my opinion are always more comfortable than stiff memory wire. 64 Audio provide plenty of eartips with the U6t. So try them all to find which suits you best!

Compatibility

Whilst the U6t is easy to drive, and has 64 Audio’s LID technology meaning there won’t be drastic sound signature changes between sources. However, an IEM of this quality still deserves a good source. Lossless tracks and the use of an external DAC/Amp with a mobile phone, or a dedicated DAP would definitely be my preferred choice of source.

Apex modules and tia drivers

64 Audio have a few interesting technologies they employ in their lineup. the U6t uses their apex technology that relives inner ear pressure whilst also allowing a certain amount of noise through. In turn this also tunes the sound slightly. The U6t comes with the m20, m15 and mX modules, which offer -20dB/-15dB and -10dB of noise reduction respectively. The more isolation results in more lower bass response and a warmer sound signature too. Along this logic, you get minor variations in soundstaging too. The more open being the more open sounding. Personally I do find the apex modules reduce listening fatigue and 64 Audio IEM’s are always perfect for long listening sessions.

The U6t also includes a single tia high driver. This high frequency driver is an open-top BA driver which is tube-less too and sits in the nozzle. This provides an increase in air and space in the treble region along with a more realistic treble presentation. Quite a while ago I listened to the original U6 against the new A6t. The tia driver definitely delivers a smoother and more realistic treble response than a typical BA with tube and damper design.

Sound

(M15 module as installed out of the box)

Bass:

The U6t have a nice and full low end that is exceptionally well tuned for a BA model with six drivers. There is enough warmth to add pleasant body to the sound and enough punch to be engaging. But it’s always composed and controlled, there is never excess bass, or unwanted bloat. Bass guitars are articulate. Kick drums hit with impact and have excellent body to back them up. They are not in your face. They also don’t try and impress with overblown bass, instead focussing on making the low end sound accurate and realistic with a little hint of warmth to ease those long listening sessions.

If you want a little more low end than the m15 module, the m20 offers up even more body. This in turn tricks your brain into thinking there is less treble. I.e this module is one for those who prefer a warmer and thicker sound. On the opposite end, the mX module leans out the low end. Making the U6t sound like a more typical reference tuned device. Allowing the mids and highs to cut through a little better with a tighter and slightly less thick bass response.

Midrange:

The midrange is superb on the U6t. It nails the natural yet not analytical presentation, being detailed and nuanced without being clinical. Vocals have an intimate quality without being up-front and central. There is such a pleasant balance overall that nothing sounds out of place or forced. More aggressive tracks have good bite, yet softer tracks have a sweetness that is intoxicating. Heavily distorted or acoustic, it doesn’t matter to the U6t, they can do it all with ease. Something lacking in many earphones. Both male and female vocals sound excellent, with maybe a slight nod to female vocals having the upper hand. The transition from upper mids to lower treble is handled superbly. They are not pushed to sibilance yet there is no discernible dip robbing them of energy and presence.

Regardless of the module used, the midrange is always very well presented. However it does sound warmer with the m20 and slightly thinner with the mX. So take your pick! For most the m15 is probably going to be just right.

Treble:

The treble is airy and well extended. It is also very well balanced in the mix, with the right amount of attack and energy without sounding bright or harsh. The tia driver provides exceptional treble response. One that sounds tonally accurate without nasty peaks or dips. You never lose track of the treble, it simply never gets lost in the mix. Snares are snappy and cymbals crash with authority. Yet, I never find them to be edgy or uncomfortable. 64 Audio are experts of pulling off the correct balance in the treble, and they are not lacking detail at any point either.

If you want well presented treble that isn’t harsh or fatiguing I highly suggest testing one of the 64 Audio models. These are utterly fatigue free. Should you wish for a little more bite, toning down the bass helps the mids and highs cut through a bit better (mX module).

Soundstaging and Genres

The U6t have a wider than average soundstage, but it’s not huge as these are still based on a pro-audio model. They are very accurate with their placement of instruments within the soundstage and everything is very well separated. I.e never sounding congested during complex tracks.

These are a superb all-rounder to be fair. They might not have the bass quantity many EDM listeners might crave, but they lend their hand to most genres. These have a slightly smooth presentation. Meaning they might lack a little energy for some. But on the other hand they are super easy to listen for long sessions.

Apex Modules

With the U6t you almost get 3 different signatures in one IEM. Whilst the core sound presentation will be similar between the three there are distinctive differences which allow you to fine tune them to your preference. The apex modules mainly affect the bass region. But an increase here will lead to a perceived lowering of the treble/midrange so take this in to account.

Using the most closed module (m20) you get quite a thick, warm and laid back sound. One that has good body and warmth overall but still with the signature tia driver an airy top end.

Using the m15 you get slightly less bass. Which in turn leads to a more balanced but still slightly smooth sound that is a great compromise and likely the sound that most users will prefer. It is well balanced but not lacking in punch and body.

The mX module will give you a more analytical presentation. More akin to a studio monitor sound that might be lacking a little body for some listeners. But it is the one that will sound the cleanest in the mid-range and treble due to less body overall.

It is down to each listener as to which module they will prefer, but the overall signature refinement and balance is present over all modules.

64 Audio U6t vs A6t

Should you go for the custom version? In short, not really. The custom version is for those who are using these professionally or who want increased comfort. The universal is much more accessible for the average user and it retains resale value should you want to change in the future. The U6t gives you 98% of the sound of the A6t. The custom version has a tiny bit better instrument separation and the seal means you get a bit fuller low end, but the difference is subtle and not in the extremes.

Who are they for?

• People wanting a high quality everyday earphone
• Those looking for a balanced but not clinical sound
• Lovers of a natural sound that it tonally accurate
• Conclusion

Interested in all things 64 Audio? Check out more News and Reviews here!

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As a result of the AKM factory fire late last year, JDS Labs had to refresh the Element II. So they initially decided to develop the Element II+ with a Cirrus Logic DAC chip. However, increasing lead times from Cirrus Logic forced them to go down the ESS Sabre route and ended up developing the all new Element III. (prototypes with a CS and ESS Chip were developed alongside each other). Due to these supply chain issues, JDS Labs decided to essentially cancel the Element II+ and focus on something completely new. Something that was audibly better, The Element III.

Volume Control

One of the main differences between the Element II & III is the volume knob. It may look the same, but it now uses a digital attenuator instead of the analogue volume pot of old. This means you get audibly perfect channel balance right down to -127.5 dBFS. In turn, this allows you to listen at lower volumes and still get the same excellent sound quality. There is a slight drawback to this though as the new Element III no longer has an analogue input due to the digital nature of the volume knob. But they have added an optical input alongside the USB. This was also done to achieve perfect channel balance and also allow them to implement auto-gain.

The Element III has both USB and Optical inputs and can still be used as a pre-amp via the RCA outputs

OLED Screen

There is a small OLED screen on the Element III that shows you some key things like the volume and output selected (HP or pre-out). This is a really handy feature that was missing from previous models.The power for the screen is also separate to the audio channels to make sure there was no impact on the audio quality. There has allowed for a menu, where you can change the brightness, timeout interval, Volume knob LED behaviour and DAC tuning. (Filters, DPLL bandwidth, S/PDIF De-Emphasis and Harmonic compensation).

Auto Gain

Auto-Gain is something really interesting with the Element III. Instead of a separate gain button the amp automatically changes to high-gain (+13.5dB) when the volume is pushed beyond the 0 dBFS threshold. At that point it also compensates volume (-13.5dB) for a near seamless transition. This means no more toggling between high and low gain to get the right listening levels.

As you can see from above, JDS Labs have implemented a lot of new features here. There are also few more geeky ones if you want to check them out (alongside measurements): JDS Labs Element II Benchmarks

Compatibility

As mentioned above, The Element III is a DAC/Amp combo that works with Optical and USB inputs. Output wise it has RCA output for connecting to an external amplifier where you can use the Element III to control the volume. Or even have it set at 0 and use it purely as a DAC. On the front it has a 6.3mm headphone output. The internal amplifier is excellent and provides more than enough output power for most headphones on the market. From sensitive IEM’s to 600Ohm hard to drive dynamic driver over-ears. The only headphones that need more power are low sensitivity planars like the HiFiMAN HE6/Susvara.

Sound

JDS Labs know what they are doing and have implemented changes that have benefitted the sound. With the side effect of slightly better spec on paper too! (inaudible). I have been using an Element II for the last 2 years in my desktop setup. Before that I had the original Element too. They are excellent devices, and perfect for powering all different headphones without issue. they also make the perfect reference point and one that I am very familiar with.

The Element III brings things up a notch though. It still has that signature JDS Labs sound that is clean, linear and effortless but this time it feels smoother and less clinical. The perfect channel balance is something that is noticeable and a welcome addition to already excellent devices. You can now listen with even the most sensitive IEM’s and have zero hiss, zero noise and also zero channel imbalance at low volumes. Not that hiss/noise were ever issues before.

It is natural, neutral and extremely clean sounding which works wonders when it comes to feeding clean power to your headphones.

The Element III doesn’t want to impart a sound signature. It is natural, neutral and extremely clean sounding which works wonders when it comes to feeding clean power to your headphones. It doesn’t colour the sound. Nor will it flatter poor recordings or making things easier on your ear. However, pair it with a pair of headphones you truly enjoy the signature of and voila. You need to try it!

Where to use

There is a great opportunity for studio users to put the JDS Labs Element III in their system. It provides an exceptionally clean sound signature for recording and referencing work. The design is perfect for desktop users. I personally use it for listening to music and also when gaming. The volume knob is so easy to use. I also often use it as a DAC only into another headphone amplifier. And it must be said, the DAC section is very well implemented, sounding very transparent.

Interested in what else JDS Labs has to offer? See all news and reviews here.

The post JDS Labs Element III Review appeared first on HiFiheadphones.

Design 10/10:

These Headphones are simply stunning. The Shibo coating provides the UX3000 with a beautifully textured finish that acts as a finger print deterrent. The use of physical buttons over touch controls to play/pause, power on/off control the volume as well as turning the ANC on/off is reassuring and nicely implemented. The included 3.5mm audio cable that allows them to be used as a wired headphone without any battery is a marvel. They also fold up for easy storage and come with a soft carry pouch.

Fit and Comfort: 9/10

These are a very comfortable headphones. The earcups surround my ears with room to spare and the padding is soft yet dense enough to provide really good passive isolation and a very secure fit. The clamping force is moderate at most and the padding does a great job at alleviating any pressure. They  feel very secure when on the move.

Sound: 8/10

The Headphone essentially has two unique sound signatures. ANC on and ANC off. I find the UX3000 with ANC off to be an engaging and fun headphone, that handles most genres with ease. Sure it can be said that the UX3000 lacks a tiny bitof finesse and clarity overall, but for everything else offered its price point, I am not one to argue.

Fun, dynamic, engaging and full sounding

And here comes the ANC: 9/10

Turn the ANC on and the bass gets an extra helping of that sub-bass boost, with more focus on the bass and treble overall. When using these in high noise environments and with the ANC on – the sound is really enjoyable and upbeat.

So with ANC on you have a really fun, dynamic, engaging and full sounding headphone for on the go use. When you want a bit more clarity and detail you can turn ANC off and have a more linear yet fun and enjoyable sounding headphone.

Incredible microphone for an over-ear headphone

Mic: 10/10

The built in mic for taking calls is incredible for an over-ear headphone. The quality of the voice is outstanding. I even tested them out in strong wind and managed to have a full call with no major issues. They do a fantastic job at suppressing noise on your end so the other party can hear you loud and clear, with great tone too. Noise cancelling can also be activated while on calls, which will allow you to hear voices even more clearly without the fear of outside noise creeping in.

These are also perfect for working from home with very accurate and faithful voice reproduction, it doesn’t sound like you are using the mic from the headphones, they are that good.

Notable other Feautures:

• ANC on its own mode. You can have the ANC turned on but the headphone turned off. Really good for scenarios such as being in a Library and wanting that extra silence.
• Support AptX, AptX LL, SBC & AAC Codecs which is great for the audio quality side of thing.
• 35 hour Battery life with ANC off or 25 hours with it on – More than enough for most of us out in the world.
• Multipoint connection – You can stream music from once device and take calls from another
• Wired mode – as mentioned above very useful if you run out of battery, or just what to try something different.

Interested in what else final has to offer? Check out our other reviews and news of their products here.

The post Final UX3000 ANC Bluetooth Headphones Review appeared first on HiFiheadphones.

Fit and Comfort

Those familiar with Campfire Audio will know the shape. It is common amongst their models with an angular outer shell and smooth inner. With a long-ish nozzle that really helps you get a good fit with them. I find this design works well with most people, they certainly fit me well which is always a bonus.

Once you find the right tips for your ears, the Holocene fit comfortably due to well designed housings and good insertion depth. The cable is also soft and fits over your ears easily without stiff memory wire.

Compatibility

These are quite a picky earphone when it comes to matching them with the right source. Their sensitivity is quite low (94dB SPL @1kHZ – mVrms). However they have very low impedance (5.4 Ohms @1kHZ). This means they need some careful system matching. You really do need a player with less than 1 Ohm output impedance for these. Otherwise they will not sound how Campfire Audio intended them to.

Bass:

The Holocene puts focus on accuracy yet never comes across as thin or lean in it’s presentation. This is when paired with the correct source that is. It is very controlled and articulate and it doesn’t put a foot wrong, even during the most complex of tracks. The low end is expertly separated from the midrange, not allowing it to influence the overall tonal balance. It digs deep in terms of extension but it isn’t exaggerated. Bass guitars are easy to follow in the mix. Kick drums hit with authority and body yet never sound bloated. There is perhaps a tiny bit of added body from the low end, but it is subtle and just makes the Holocene a little more fun and engaging without sounding overly full.

Midrange:

Due to the lack of bleed from the low end, the midrange is incredibly clean and crisp. Male vocals don’t get any added body which helps them cut through with great tonality. I would say the Holocene has a very mild U-shaped signature. The midrange isn’t up-front and intimate and it sits ever so slightly behind the bass and treble, but it isn’t overly recessed. There is excellent detail and layering in the midrange. Things never get muddled and it is always easy to pick apart the different layers within the mix. Contrary to many earphones, the Holocene don’t boost the upper mids. This means female vocals are not pushed to the front. In fact they actually have a slight recession to prevent sibilance. Personally this slight recession in the upper midrange robs them of a little energy but it does prevent them from being peaky and sibilant.

Treble:

The lower treble is slightly muted, which does take away from the sound a little bit of energy. But there is good presence higher up which does add good air and extension. These are not as exciting as the Andromeda and are definitely lacking a little bit of the treble energy of that particular model. However, those looking for a good all rounder that is a little easier on the ears and more forgiving of certain recordings will do well with the Holocene.

Soundstaging and Genres

The soundstaging on the Holocene is good. There is a good sense of air and space around instruments. The layering and instrument separation on the other hand is excellent. The sound is well controlled and this allows you to pick apart the mix with ease, even during complex tracks.

Genre wise these are an excellent all rounder. They won’t appeal to those looking for lots of bass so EDM and the likes are not their main focus. But for metal, jazz, acoustic, alternative rock, indie etc… they all sound excellent through the Holocene.

Who is it for?

• Those looking for a detailed and clean sound signature
• Those wanting a good all rounder that isn’t fatiguing

The post Campfire Audio Holocene Triple Driver IEM Review appeared first on HiFiheadphones.

All the new MACH models come with the T2 connector from Linum, and all of them come with Linum cables too. These are substantially better than older MMCX connectors and are more durable in a wide range of environments.

The MACH10 is a single BA model with a focus on detail, the sound signature is flat and accurate and using them with foam tips will make the sound a little more “natural”. This is the entry level model and is suited to those who don’t want an overly coloured sound.

The MACH20 is more balanced sounding with more neutral bass than Mach10, however they do have a slightly mid-forward sound that brings vocals and guitars into focus. Again they have aimed for a clear and detailed sound with the first two models.

The MACH30 changes this a little, with a more energetic sound signature – they have a subtle lift in the bass and some upper midrange forwardness. This leads to a slightly more fun, yet still well balanced sound signature.

The MACH40 goes for a warmer sound, one for those who enjoy full bodied and organic sound, the mid-bass has added punch whilst the mids and treble take a step back. They also have a slightly more direct sound, the soundstage is more focussed and less open than some other models in the series.

The MACH50 goes for a smooth, open and natural sound – it doesn’t have any fatigue inducing traits and focuses on an organic presentation that is the perfect “everyday” earphone. It has a slightly forgiving sound that doesn’t make poor recordings sound bad, this could be quite the hit for many people.

MACH60 has reference-like characteristics but with ever so slightly elevated bass and treble, the soundstaging is very holographic and these offer up a wide and balanced sound. The treble is crisp, the midrange is smooth and natural and the bass has great punch, a superb all-rounder.

MACH70 has been made with a mild W-shaped signature, with great mid-bass punch, well presented midrange and effortless treble, these are punchy and fun yet well controlled and resolving. The soundstaging again being a highlight with their open sound and excellent separation.

MACH80 is the flagship model in this range, and it’s tuned to be an audio tool. Westone state the Mach80 has no obvious colouration, it is designed to be a flat sounding reference model.

This range looks quite interesting with plenty of different sound signatures to suit different tastes – we can also expect excellent comfort, as this is one area where Westone always do well. We have all of these ready to demo, so book an appointment to be one of the first to hear this new range of earphones.

Available to order NOW

The post Westone MACH Series Release appeared first on HiFiheadphones.

The OV800 are handmade, this means there is a high level of attention to detail and each set are a masterpiece. The driver setup consists of 2x BA woofers, 4x BA midrange drivers and 2x BA tweeters. The woofers are from Knowles while the mid and high BA drivers have been produced in-house to Oriveti’s desired specifications. This is impressive, and has allowed Oriveti to really tune the sound of the OV800 to their specification.

The OV800 come with all-new stained wood faceplates, these look incredible in person and are sure to stand out in your collection. The new 8-wire SPC cable is supple and comfortable in use and elevates the sound too. The port on the earphones alleviates listening fatigue along with improving the soundstage, with out impacting the excellent isolation these provide.

The sound is tuned to be smooth and resolving, much like the O800, but this time Oriveti have incorporated tuning switches. These allow you to add a little more sub-bass presence for a warmer sound, or a little added treble brightness for increased presence and clarity. You can also turn both of these on for a slightly more v-shaped sound signature – so you can choose what you personally prefer.

You’ll be able to own a pair very soon: https://www.hifiheadphones.co.uk/products/oriveti-ov800-eight-drivers-balanced-armature-iem-earphones-with-sound-mode-switch-and-detachable-cable?

The post Oriveti OV800 – Product Release appeared first on HiFiheadphones.

https://headfonics.com/category/wireless-weekend/tws/

The post Final ZE3000 and Lypertek Z5 – Top of the TWS list on Headfonics appeared first on HiFiheadphones.

Design: 10/10

The Final ZE3000 true wireless has an angular design that looks stylish and stands out. The overall look eschews quality. They also come with an interesting finish on the buds and case known as “Shibo”. “Shibo” means crease on paper or leather in Japanese and is used on many cameras. This textured finish is also a great deterrent against fingerprints and other marks.

As expected from final, the build quality is fantastic. The hinges of the case and the USB-C connector are rigid and durable. you can even open and close the lid on the case singlehandedly. The case is very compact, therefore easy to carry around or keep in your pocket. Overall, the ZE3000 feels as unique as it looks and clearly sets itself apart from other earphones in the £120 price range.

Fit and Comfort: 9/10

Final has designed the earphone not to fully enter the canal, but to sit comfortably at the entrance. The comfort is excellent, you really do forget you have them in sometimes, they might not be the smallest earphone out there but the shape and weight does mean they are comfortable to wear for hours on end. They are also good to use for the gym and manage to stay firmly in place and comfortable in your ear, even during intense workouts. 

Final E eartips are some of the best in class and widely used by other brands for their earphones. Their TWS E-tips are no exception to this rule of thumb.

Features: 7/10

The ZE3000 do not have ANC or any other the other bells and whistles that come with wireless earphones these days. Instead Final have decided to focus on the audio quality and should be praised for this. Battery life is fairly normal at 7hrs continuous playback, along with an extra 28hrs from the case. More than enough to not be constantly charging them.

The ZE3000 use Bluetooth 5.2 (QCC3040 chip) and support ABC, AAC, aptX and aptX Adaptive. This means you will get the best sound out of these if your device is aptX Adaptive compatible. But even normal aptX is still a step above AAC. The microphone quality is excellent and is perfect for taking calls at home or on the go.

Sound 10/10

Final have focussed on the sound aspect of the ZE3000, giving them a natural yet fatigue free sound signature. The bass is great. It is tight and digs deep when called for but it never sounds like the main focus of the sound. It isn’t bloated or up-front, instead it is happy to just do its thing without drawing attention to itself.

The midrange is also really impressive. It sounds realistic and natural without being pushed forwards. There is loads of detail on offer. Vocals are crisp and well presented, with both male and female sounding excellent. Electric guitars have plenty of crunch, yet acoustics sound subtle and full. They also never sound congested with great layering and space between instruments.

These won’t suit the bassheads out there, but for average everyday listening these are brilliant.

The treble is smooth with that signature Final airiness that brings out a sense of space in recordings that many earphones fail to capture. They are very resolving for such a budget earphone. They extract tons of detail and are very well placed within the soundstage.

Instrument Separation and Soundstaging

The ZE3000 manage to remain well separated and airy throughout. This means they can handle anything you throw at them and still remain open sounding with excellent separation and layering. It is easy to pick out single parts in mixes whilst sounding completely coherent overall.

The soundstaging is really impressive for the price and throws out a broad image that is accurate and realistic. It is wider than many of the more consumer models out there and the airiness in the treble range really helps to add a sense of air to the sound.

Enjoyed our review of the final ZE3000 True Wireless? Check out all things Final throughout our blog here.

The post Final ZE3000 True Wireless Earphone Review appeared first on HiFiheadphones.

ALL FEATURED PRODUCTS:

• Campfire Audio Satsuma – https://www.hifiheadphones.co.uk/prod…
• Campfire Audio Honeydew – https://www.hifiheadphones.co.uk/prod…
• Burson Audio Conductor 3X Reference – https://www.hifiheadphones.co.uk/prod…
• JDS Labs Atom Amp+ – https://www.hifiheadphones.co.uk/prod…
• JDS Labs Atom DAC+ – https://www.hifiheadphones.co.uk/prod…
• Lypertek Z3 2.0 – https://www.hifiheadphones.co.uk/prod…
• SoundMAGIC P23BT – https://www.hifiheadphones.co.uk/prod…
• Audeze LCD-5 – https://www.hifiheadphones.co.uk/prod…
• 64 Audio U6t – https://www.hifiheadphones.co.uk/prod…
• Final D8000 Pro – https://www.hifiheadphones.co.uk/prod…
• Cleer Enduro ANC – https://www.hifiheadphones.co.uk/prod…
• Etymotic Evo – https://www.hifiheadphones.co.uk/prod…

The post HiFiHeadphones Top 10 Audio Products of 2021 appeared first on HiFiheadphones.

Fit and Comfort

The Oriveti O400 have a similar shell design as all the newer O and OH series from Oriveti – a hand crafted resin shell that is smooth and very well finished that has a fairly short nozzle which allows for a shallow to medium insertion depth. They fit well in the ear, but the housings are not the smallest and will stick out a little for those with smaller/odd shaped ears like me.

Comfort is good, the housing shape really helps with this as there are no sharp edges that dig in to your ears, also the nozzle is a good angle and lenght to fit most people securely without the insertion depth being too intrusive. The cable has a pre-moulded section of memory wire which is very comfortable, and the cable is soft and comfortable in use.

Compatibility

The O400 uses 4 Balanced Armature drivers, they are Knowles drivers and split between ultra-low/low-mid/mid-high/high frequencies. The O400 have an impedance of 15Ohms and a sensitivity rating of 110+-3dB/mW @1000Hz – this means they are very easy to drive however being an all BA based model it is best to pair them with a source that has less than 1Ohm output impedance to get the best out of them.

Sound

Bass: The O400 have 2 drivers covering the low end, they split up the sub and mid-bass and allow for a subtle sub-bass lift that doesn’t bleed through and affect the midrange or cause any unwanted resonance and bloat. Oriveti have managed to pull off a really impressive tuning down low, one that has a full and deep sub-bass response yet a tight and impactful mid-bass that always sounds controlled. There is never any warming to the lower midrange, allowing vocals and guitars to shine through with ease, these don’t have a high level of bass and it is well aligned with the rest of the frequency response – so they wouldn’t be my pick for bass-heads – however they do handle bass very well without any discernible roll-off.

Midrange: Due to the exceptional control of the low end, the midrange just cuts through with ease and clarity on the O400 – offering up a revealing yet easy to listen to midrange experience without harshness. For the price these extract an impressive amount of detail from the midrange, you won’t miss a thing yet they are very well balanced too. Male vocals don’t sound dull, female vocals are devoid of sibilance or excess presence, the transition into the treble is handled very well and nothing stands out. These have an effortless and clean midrange that seems to handle anything you throw at them without sounding congested.

Treble: The treble rounds off a really great presentation allowing for plenty of air and ambience, along with detail and sparkle without overdoing it and becoming thin/bright sounding. You won’t miss any cymbal taps or crashes, snares are incredibly snappy and violins are presented with finesse and grace. There is no early roll-off, they aren’t muted or splashy, they have great control and this really does help to make the O400 sound refined, open and clean.

Genres and Soundstaging

The O400 work well with pretty much anything you throw at them, they have a controlled and clean sound with a mild sub-bass boost that adds body and reinforces the low end without affecting other frequencies. However these are not bass heavy and would not be my first pick for more bass oriented genres (the OH500 does a better job with those).

Soundstaging isn’t huge, there is great air though and whilst it may be lacking in absolute width and heigh there is good depth to the sound and positional accuracy is a definite strong point of the O400.

Who are they for?

• Those wanting a clean and transparent sound without the more typical analytical tuning
• People who want a comfortable and enjoyable daily IEM

The post Oriveti O400 Quad BA Earphone Review appeared first on HiFiheadphones.

Design: 10/10

Audeze has swapped their signature wood rings for wonderful looking tortoise shell acetate rings. As you can see below, in the right light the rings really pop and they are majestic to look at. Other slight changes, such as a different headband shape with a beautiful looking carbon fibre strab on top among as well as general weight reductions makes the LCD-5 a lot lighter (and therefore more comfortable) than their predecessors. The earcups are another diversion from previous Audeze headphones, with a concave construction (sort of bowl shaped) that tapers in from the lip. This was done to allow the LCD-5 to produce a purer, more detailed soun.d by reducing unwanted sound reflections indside the cups. Overall, all these minor tweaks (plus plenty unmentioned on the inside) have created a definitive flagship, a new sound and arguably redesigned what we used to know as that Audeze Audiophile Sound.

A definitive flagship, with a brand new Audeze Audiophile Sound

Comfort and Fit: 9/10

As mentioned above, the slight changes in the design has resulted in the LCD-5 being much more comfortable than their previous Flagships. As well as being much lighter, the new earpads are soft and spacious. The comfort strap headband is sleeker yet perfectly distributes the weight across the top of your head. There is plenty of adjustment in the headband for heads of all shapes and sizes. They clamp force is moderate, which provides a secure fit but also one that isn’t too tight or uncomfortable. Simply put, the LCD-5 is one of the most comfortable Audeze headphones to date.

Sound 10/10

Not only is the LCD-5 sporting a brand new exterior, but a new driver structure altogether. Naturally, it’s still a planar-magnetic headphone. However, it has dispensed with the LCD-4’s double-sided, 106mm fluxor magnet array in favor of a single-sided, 90mm fluxor magnet array that’s paired with Audeze’s updated Fazor waveguides and their new Parallel Uniforce voice coils to better control diaphragm movement and improve the resolution that can be achieved.

The Result?

An outstandingly neutral and natural sounding pair of headphones whose remarkable speed makes them sound light and precise.

The detail provided by the LCD-5 is simply astounding.

Bass:

Audeze are well renowned for their great bass response and with the LCD-5 they have gone for a more reference style tuning, aiming for neutrality over the warm sound of the LCD-2/3. The LCD-5 still have that slightly fuller sounding low end that Audeze users love. It is now just more controlled and there is less bloom in the bass. The low end is puchy and articulate along with having endless extension. You never miss out on anything ever in the low end. There is an effortless and realistic presentation that never disrupts the lower midrange.

Midrange:

Due to the controlled nature of the bass, there is no bleeding into the midrange allowing all vocals and instruments to come through with precision and clarity. I listened to these back to back with the LCD-4 and the LCD-5 is a lot crisper and more open in the midrange. Subtle details are easy to pick out, yet both male and female vocals sound utterly effortless and natural. Whether it’s an electric or acoustic guitar you hear what is recorded. Powerful crunching riffs or delicate finger picking, you hear it all. Every sound is easily separated from other layers in the mix but form an overall sound that is coherent and whole.

This is one of the most accurate midrange reproductions I have heard to date.

Treble:

The LCD-5 seem to favour the upper treble and don’t have an abundance of energy in the lower treble which is good for those more prone to fatigue. Luckily snares still snap with authority and everything is still very clean and clear. The treble is very airy and open, the extension is incredible with no noticeable early roll-off. One the the standout qualities in the treble is the actual placement. There is really good height to the soundstage so cymbals and the like occupy their own space with expert precision. The detail retrieval again is done with refinement and finesse, rather than throwing it at you, it allows you to hear should you wish to listen for it.

Genres and Soundstaging

The LCD-5 really do lend their hand to anything, they have the power and speed for metal, the visceral punch for electronic, the dynamics for classical and the finesse for acoustic. These will handle anything and everything you throw at them.

The soundstaging is also phenomenal. The LCD-5 are open and airy. They have excellent width and height and there is also superb layering along with pinpoint accuracy. There are so good, that sometimes you will wonder if the sound is truly coming from the headphones.

About Pairing:

The LCD-5 are a high-end headphone. It is therefore no surprise that these are not built to be used with your smartphone. These really do demand a proper desktop rig to sound their best. We have them paired with the Burson Audio Conductor 3X Reference in our demo room. This really is a superb pairing which we could not put in higher regard. The Burson amp/DAC combo’s work so well with all Audeze products. Providing tons of clean power without any sort of harshness. There is an ever so slight hint of smoothness to the Burson amps that just keeps you wanting to listen more.

Liked our review of the Audeze LCD-5? Then keep up to date with all news Audeze as well as more reviews here.

The post Audeze LCD-5 Review appeared first on HiFiheadphones.

The LCD-5 sets a new standard for accuracy. Its drivers are engineered with their award-winning Fluxor magnets and updated Fazor waveguides along with their new Patent-pending Parallel Uniforce voice coils, which employ varying width parallel traces to keep the impedance low and provide increased voltage headroom by altering the current density within each trace. The uniform force created by this optimization lowers distortion and provides better control over diaphragm movement, resulting in improved sonic resolution.

Weighing in at only 420 grams, the LCD-5 offers hours of listening pleasure. Every part has been re-engineered, using materials such as magnesium, aluminium and acetate which offer light weight and high rigidity. When you put on a pair of LCD-5s, your head and ears are cradled in materials of the finest quality. Supple premium leather and carbon-fibre pull all the elements together into a package of the finest craftsmanship, which are hand-assembled in their California workshop.

The LCD-5 cable is specially tuned with directional OCC high-purity copper strands that provide a low capacitance and low resistance path for the signal to travel from your amp to the drivers, maintaining unsurpassed clarity and precision.

Available to pre-order now: https://www.hifiheadphones.co.uk/products/audeze-lcd-5-open-back-headphones-with-detachable-cable-leather

The post Audeze LCD-5 Product Release appeared first on HiFiheadphones.

Fit and Comfort

Here we review the new SoundMAGIC P23BT, an on-ear model which are compact in size and lightweight too. They will fit well over a wide range of head sizes due to a good amount of adjustment in the arms and the clamping force is just enough to provide a secure fit without inducing any discomfort.

Comfort is good, with the right amount of clamp to provide a secure yet comfortable fit I had no issues with the P23BT during longer listening sessions. The earpads are soft and provide ample cushioning, the headband has minimal padding but due to their weight this didn’t seem to cause any issues for me.

Features

The P23BT use bluetooth 5.0, a little behind most modern devices that use 5.2 but they do have the benefit of aptX HD / SBC and AAC codec compatibility. They use a 40mm dynamic driver and have an incredible battery life of roughly 54-60hrs of music playback, or 39-45hrs talk time, these are not a headphone you will find yourself needing to charge very often.

They don’t have ANC, instead rely on passive isolation, which is good enough for most daily use. These work wired too and come with a high quality boom mic attached to the analogue cable – this is a brilliant feature that makes them perfect for home office use too. We found that making sure there is no microphone boosting in the windows sound settings worked the best in terms of voice quality – but once set up the quality is excellent for video and voice calls when connected to a PC. These really are very versatile, and the boom mic is not something you see very often when it comes to this kind of product.

Playback controls are really easy to get the hand of, they use a touch pad on the left earcup and a simple double tap will pause the music, swipe up for volume up, down for volume down. Swipe forwards and backwards to skip tracks, you can also answer calls and activate voice assistant too. Call quality over bluetooth is perfectly acceptable in most environments but they are not the best for noisy outdoor calls.

Sound

Bass:

The P23BT is a well balanced headphone with just the right amount of warmth, body and punch down low to keep them engaging and enjoyable without overwhelming the rest of the sound. These are not bassy, they will not appeal to those who want a bass heavy sound, but those who want a daily headphone that works well with a multitude of genres will be happy with their sound and presentation. These do handle EQ well so if you do want a bit more punch, they can deliver, but out of the box they offer up a really enjoyable sound. The 40mm drivers can dig deep when needed, and hit hard too, but they are tuned in such a way that they do all of this with poise and control and never sound muffled or bloated.

Midrange:

Due to the controlled low end, the P23BT actually has a very well presented midrange for a budget, more consumer oriented product. This means that those who enjoy vocal and guitars to sit and and central in the mix will really enjoy the P23BT – these don’t follow the typical v-shaped sound that many consumer models have, this means you get to hear more in your favourite tracks. The bass does a good job at not bleeding into the midrange, which allows the P23BT to sound surprisingly well separated and detailed for the price. .

Treble:

Surprisingly well refined up top, these have a crisp and clean treble presentation but with a smooth transition from the upper midrange into the lower treble they are also not harsh or sibilant. There is a bit of a peak slightly higher up the range, but it’s not really fatiguing and tends to only show up on less well recorded music. There is good detail and extension up top, and the presence is good leaving them with a very pleasing tonal balance overall, never sounding dull. You do have to remember these are only £50, but for that price you get really impressive treble, normally you get muffled and splashy cymbals, instead of crisp and easy to distinguish and place crashes.

Soundstaging and Genres

The P23BT are not masters of soundstaging, but that’s ok, they are on-ears and have quite a direct presentation but instruments are still easy to place within the limited soundstage.

These are a great all rounder, their balanced yet slightly punch sound signature makes rock and pop sound engaging, yet these have enough detail and finesse to render acoustic and jazz brilliantly.

Who are they for?

• The general listener who wants good sound quality at a modest price
• Everyday users wanting a feature packed yet quality bluetooth headphone they can use at work and on the go

Like all things that SoundMAGIC? Take look at more news and reviews here.

The post SoundMAGIC P23BT Review appeared first on HiFiheadphones.

Fit and Comfort

64 Audio’s Duo shares the same shell shape as the rest of their universal line-up. However the faceplate is now a grill design instead of having the usual Apex module. This is due to the Apex Core technology implemented. The shape of the housing will fit most people well and once you settle on the right size of eartip they provide a secure fit for hours of listening.

Comfort is great due to the shape of the housing, insertion depth and also the new cable which is more flexible and comfortable than previous versions. One thing that I find massively contributes to 64 Audio’s comfort is the Apex modules/core as these relieve any internal pressure which creates a lot less listening fatigue when compared to fully sealed designs.

Compatibility

Whilst the Duo is a low impedance and high sensitivity IEM, they are also a relatively high-end earphone. Therefore they should be paired with a source that is able to bring the best out in them. This means they pair best with proper DAP’s and DAC/Amp combo’s rather than being driven solely by a mobile phone.

Features

64 Audio have included some new tech in the Duo. It uses a hybrid setup featuring a single Dynamic driver and single tia BA driver. The tia driver is a tubeless balanced armature driver. Which in turn allows the sound to travel more freely with less distortion. New to the Duo is the already mentioned Apex Core. Instead of using Apex modules like the rest of their line-up, the Duo isn’t tunable and has an open back style design. This leaves the shell open to the outside atmosphere allowing for a less fatiguing and more natural sound.

Next up is Wave Sync, this is direct from 64 Audio: “Due to the high crossover point between the two drivers, Wave Sync was developed to ensure coherence; another industry first. By using a type of “all-pass” filter, we’re able to introduce a crossover while correcting for time without having to change the physical distance between the drivers.”

All these features focus on making the sound more natural, effortless and distortion free. It’s great to see a company still innovating and finding solutions to problems. The Duo still isolate -12dB from outside noise so they are suitable for outdoor use, they just won’t isolate as much as full sealed designs.

Sound

Bass

64 Audio have long been kings of getting really impressive bass from balanced armatures, but they don’t do a lot of hybrid designs. The Duo is using a single dynamic driver down low which gives you a slightly different presentation than most BA models. Here we have a full and articulate low end that digs deep when needed but that can also keep up with complex mixes too. It has that signature dynamic tonality whilst never sounding slow. There is physicality in the punch, and warmth overall that is really pleasant. I would say these lean towards having a slightly more physical punchy sound over one that focusses more on sub-bass warmth. But the great thing here is that they do both well without encroaching on the midrange.

EDM tracks have plenty of drive down low, yet they still have control and articulation for faster rock and metal. Tonally these really hit the mark down low too with a realistic portrayal of bass frequencies.

Midrange

There isn’t any artificial boosting of the midrange on these. They have a linear lower-midrange which allows male vocals to cut through the mix with ease and little influence from the bass. Moving through the midrange there is great separation and layering. The centre image is very focussed and you can hear each layer of the recording with ease. The upper midrange is also superbly done, having enough bite to allow detail to cut through, without a boost to make them sound peaky or artificial.

The Duo have an open and natural midrange. It doesn’t matter if you are listening to acoustic or heavy rock, they just work well.

Treble

The tia drivers that 64 Audio use are renowned for their effortless presentation and resolution. And the Duo are no different. They have a little forwardness at times but due to their tonality it never comes across as harsh or bright. There is plenty of air and extension up top, but it is refined and never brash. They don’t try and impress you with too much presence. Instead they let the resolving and refined nature of them win you over. These are open and natural. There isn’t any metallic tone to the treble. Or glare for that matter. But this is done without muting the treble and making the Duo sound subdued or dull. These are still exciting and dynamic overall.

Genres and Soundstaging

The Duo are a remarkable all-rounder in my opinion. They do well with genres across the board due to having a relatively linear and balanced sound. The Duo has the punch required for EDM, and tactility for metal and subtlety for jazz/acoustic. They also sound very open and natural, making you want to listen more and more.

The soundstaging is great. These are sort of open back so they do have that benefit, but the sound is expansive yet very well focussed. The soundstaging is accurate and places instruments right where they should be. The sound is very whole and never sound diffuse or detached.

Who are they for?

• People wanting a complete and natural sound without breaking the bank.
• Those looking for a cheaper everyday alternative to TOTL models without sacrificing much in terms of sound

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