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Expert Earphones and Headphones Reviews

Best Earphones 2023: IEM, Bluetooth, Wireless, Budget, Audiophile

Posted on April 21, 2023 by hifiheadphones

BEST EARPHONES 2023

We know how important it is to find the right earbuds; whether they are for your smartphone, music player, DAP, laptop, tablet or hi-fi system. Whether you call them in ears, IEM, in-ear headphones, earphones, earbuds, or anything else, this is the post for you. We’ve gathered our picks for the best earbuds that you can buy today. Welcome to our Best Earphones 2023 breakdown!

BEST EARPHONES UNDER £50

1. final E500 Wired Earphones – £19.99

Designed with gaming and VR users in mind, the E500 delivers impressive spacial awareness and pin point accuracy. These qualities don’t only favour gamers – they give music an edge with clear imaging and a soundstage that brings you right into the mix. All of this for under £20 makes them a no brainer for those looking for a budget wired earphone.

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2. SoundMAGIC E11/E11C Wired Earphones – £41.99/£52.99

With various SoundMAGIC models already available, what can the E11/E11C bring to the table? Well, Everything! We have found the E11 to be a grown-up earphone with a keen knack for giving a clear and accurate presentation across the board. A truly impressive earphone for the price and in 2023 it is still the wired budget king.

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BEST EARPHONES UNDER £100

3. final VR2000 Virtual Reality In Ear Isolating Gaming Earphones – £59.99

The VR2000 builds on the immense success of their gaming earphone predecessor the VR3000, which is known for their overwhelming spatial expression. The VR2000 focuses on the rapid response and aims to make object sounds within game audio more noticeable. Many typical gaming earbuds and headphones emphasize an exaggerated sound quality, aiming to accentuate sound effects for a more dramatic experience for the user. But in competitive gaming such as arcade fighting (Tekken), FPS (Apex Legends), Third person shooters such as Fortnite or rhythm games sich as Osu! it’s no exaggeration to say that the player’s quick judgment in reacting to sound effects can largely influence the outcome of each round. The VR2000 is a set of professional-grade earbuds developed specifically for players who are serious about winning.

READ MORE: final VR2000 Gaming Earphones

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4. final x Dragon Ball Z – Frieza – £70.00

Final Audio have collaborated with Dragonball Z to produce 3 iconic and unique models based on main characters. The Frieza model is specifically designed for ASMR content. But it is also perfect for watching movies, animations and videos In general. Absolutely one to consider, if you use your earphones more for Audiobooks/ Movies over music (although they are great at that too!). They are also really small and light, so perfect for those with smaller ears or those who find it difficult to find a pair of buds that are comfortable and a great sleeping buddy (for when listening to music in bed is your thing)!

READ MORE: final x Dragon Ball Z – Frieza

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BEST EARPHONES UNDER £200

5. final ZE3000 True Wireless Earphones – £119.00

True wireless earphones for the audiophiles and purists out there. The final ZE3000 don’t have many of the bells and whistles. They have no ANC, no ambient mode nor wireless charging. However they were designed from the bottom up for ultimate sound quality and in that they totally succeeded. They also look abolutely fantastic and fit perfectly. What more could you ask for at £119!

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6. Campfire Orbit TWS Earphones– £199.00

Considering you can spend the same on Sony, Bose, Sennheiser and Apple – the Orbit provides audio that surpasses what the other popular brands would only dream of. Yes, you don’t get noise cancelling or fancy app tech with 1,000,000 features. What you do get is a product made by one of the best in the audio biz, and sound that you would normally need to pay over £1000 for…

READ MORE: Campfire Orbit Review

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BEST EARPHONES UNDER £500

7. Westone Audio Pro X20 Professional Earphones – £400.00

Stage musicians rejoice! Musicans of the past were limited to selecting either an isolated in-ear monitor mix or an immersive wedge based experience for monitoring. With the Am Pro X20 you can now enjoy both the energy and input from the audience, as well as from other performers and the stage. With Westone Audio’s exclusive StageSense Ambient Technology you are in total control of your musical environment. You can enjoy full-range frequency response from your in-ear monitor signal, hear and feel your surroundings and engage with fellow performers and your audience like never before. The AM Pro X series is a recommended universal solution for on-stage monitoring and band practice.

READ MORE: Westone Audio Pro X20

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8. Final ZE8000 – ANC TWS Earphones £299.00 (Currently on Special Offer for £199.00!)

Final’s flagship TWS earphone is finally here and a cause for celebration by many audio fans out there. The design is like nothing else out there today. The looks and comfort of these earphones are unique and extremely effective. Add to that a fantastic sound quality that challenges some of the finest wired earphones out there as well as all the bells and whistles you expect from a TWS earphone these days and you have quite the package.

READ MORE: Final ZE8000 Review

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9. Final A5000 – £259.00

Final’s new addition to the “A” series, The A5000 is a wired IEM that punches far above it’s price in terms of sound quality. Style aside, the bass is powerful and tight, the mids and the highs fabulous. Final have proven time and time again that you do not need to spend an arm and a leg for a quality earphone. For anyone looking to upgrade their gear on a budget, look no further. Final Magic for £259.00? Yes please.

READ MORE: Final A5000

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BEST EARPHONES OVER £1000

10. 64 Audio U4s -£1,099.00

The U4s is 64 Audio’s new, blue & cheapest UIEM coming in at £1099.00. The hybrid construction delivers a richer and deeper sub-bass then their next cheapest universal model the U6t (which is made up from a full BA driver set up) thanks to the dynamic driver under its hood. The U4s comes with 64 Audio’s all new M12 Apex module, meaning you essentially get four different sound signatures out of the box. You are after an open sound with as wide an image as possible? Then slot in the MX or the M12. Want more bass? Say hello to the M20 or M15. The versatility of these is great and the energetic sound from the U4s will keep your attention for years to come.

READ MORE: 64 Audio U4s

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11. final A8000 Audiophile Custom-Driver Earphones – £1999

With the A8000, final prove that multiple drivers aren’t necessary for producing mind blowing audio. One driver is all that’s needed! Final don’t settle with any old drivers either. For the A8000, Final has developed their custom made ultra thin Beryllium foil driver. Along with Final’s four chamber housing design, the A8000 gives high resolution a whole new meaning. These need to be heard to be believed.

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12. 64 Audio Volür – £2369.05

What started out as the Nio 2 evolved into a whole new word (and a UIEM) that never existed before. The Volür. The newest Universal IEM from 64 Audio. The pulsating heart of which is made up of two new custom 9mm dynamic drivers set in a True Isobaric configuration that delivers unprecedented low-frequency capability. The low end of the Volür will simply blow you away. It is easily one of the best technical performing earphones that has a “fun” sounding signature. Those purple abalone faceplates also look fabulous.

READ MORE: 64 Audio Volür

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13. Campfire Audio Solaris Stellar Horizon – Quad Hybrid Drivers IEM Earphones £2669.00

The Solaris ‘Stellar Horizon’ has a sound that arguably has not existed before. They are the realest sounding IEMs out there today. If you didn’t know better, when they are in your ears, you would assume that the audio was coming from a huge acoustically treated chamber filled with musicians all playing just for you. Bass sounds real. No boom or overdoing it. Mids sound real. The tone, texture and timbre match exactly the experience of listening to drums, guitars and vocals being performed live and in person. A must have.

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14. 64 Audio Fourté Blanc – Limited Edition Earphones- £3899.00

With only 500 units avaliable worldwide, and only 2 left for sale in the UK, this unique IEM is already a collectors Item. With the second and final reimagination of the Fourte, it is better than ever. The boundaries have been pushed even further in showing what’s possible with only 4 drivers. If you are a fan of 64 Audio, this is a must have and reviewers are are claiming this is one of the best UIEM’s ever made. See Ulf Kaiser’s review from Kopfhoerer.de below!

READ MORE: 64 Audio Fourté Blanc Review

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Have We Missed Anything Out?

Honourble mentions to the Trifecta, Fourté , LCD i3, OV800, and many more out there! What is your favourite? Please feel free to leave a comment below and let us know…

Best Headphones 2023: Earbuds, Noise Cancelling, Wireless, Premium

Posted on January 9, 2023 by hifiheadphones

BEST HEADPHONES 2023

We know how important it is to find the best headphones for you; whether they are for your smartphone, music player, laptop, console or hi fi system. Here you can see the best of the best earphones, on ear, full size, Bluetooth, wireless and audiophile headphones to buy right now.

BEST EARPHONES

READ MORE: Best Earphones 2023

1. 64 Audio Volür – £2369.05

What started out as the Nio 2 evolved into a whole new word (and a UIEM) that never existed before. The Volür. The newest Universal must have IEM from 64 Audio. The pulsating heart of this new creation is made up of two new custom 9mm dynamic drivers set in a true isobaric configuration that delivers unprecedented low-frequency capability. The low end of the Volür will simply blow you away, not that the highs or the mids are ignored whatsoever. This new hybrid UIEM from 64 Audio is easily one of the best technical performing earphones that has a “fun” sounding signature in existence today. Those purple abalone faceplates also look fabulous. A must have in 2023.

READ MORE: 64 Audio Volür

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BEST WIRELESS EARBUDS

READ MORE: Best Wireless Headphones 2022

2. Lypertek PurePlay Z5 ANC True Wireless Earbuds – £99.00

Coming hot off the heels of Lyperteks now world famous PurePlay Z3, The Pureplay Z5 has changed the game completely. This is probably the best TWS ANC earphone you can buy for under £100. They have ANC, Ambient mode, wireless charging, accompanying PUREPLAY ANC app with LDX Audio, sound customisation profiles and more. Add to that a fanstastc sound quality and brilliant mics and you can instantly see why the Z5 has made the cut.

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BEST WIRELESS HEADPHONES

READ MORE: Best Wireless Headphones 2022

3. final UX3000 ANC Wireless Headphones – £119

Final have really worked their magic here. Solid build quality, paired with great sound and effective ANC for under £120 is something rarely heard of. Add to that fantastic mic quality and you have an absolute bargain on offer. The UX3000 can be recommend to absolutely anyone looking for a portable over-ear headphone and you will only see smiles on their faces.

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BEST ON EAR HEADPHONES

4. SoundMAGIC P23BT Portable Wireless Headphones – £49.99

How do they do it? SoundMAGIC have once again made a killer headphone for a super price. The P23BT doubles up as a headset too with the included cable and boom mic (great for home office or even gaming). In addition, the headphone is lightweight and comfortable. Add into the mixer an incredibly impressive battery life and a simple ease of use and you have got yourself a bargain. They sound full and warm yet never bass heavy. They really do sound incredible and for a Wireless on ear headphone what more could you want?

WATCH VIDEO: SoundMAGIC P23BT Wireless On Ear Headphone Review

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BEST OVER EAR HEADPHONES

READ MORE: Best Over Ear Headphones 2023

5. Audeze LCD-X Planar Magnetic Full Size Headphones – £1149

The Audeze LCD-X are a real eye-catching headphone. For a retail price that seems crazy at first glance, the bottom line is that the price-performance ratio of this headphones is absolutely fantastic. Not only due to the impeccable manufacture, but also a robust construction, use of high-quality materials and wonderful, detailed sound Loved by Audiophiles and sound engineers alike. If you want to give yourself a birthday or Christmas present, you can safely consider surprising yourself with the Audeze LCD-X.

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BEST STUDIO HEADPHONES

READ MORE: Best Over Ear Headphones 2020

6. Audeze MM-500 Planar Magnetic Full Size Studio Headphones – £1699

Audeze MM-500 is designed to suit the requirements of long daily listening sessions under almost any condition. World-class studio monitor? Check. Quick reference on-the-go? No problem. Deep late-night listening? Done. With its ease of drive, comfortable fit and trustworthy sound, you can count on the MM-500 to deliver in every situation. The MM-500’s planar magnetic drivers provide realism that audio professionals like Manny “can’t live without.” With lightning-fast transients, accurate frequency response and trusted mix translation.

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BEST RUNNING HEADPHONES

READ MORE: Best Wireless Headphones 2023

7. Cleer Audio Arc II Sport – Open-Ear True Wireless Sports Earphones- £199

Following the runaway success of the Cleer Audio‘s open ear Arc earphones, the Cleer Arc II SPORT has taken the concept of an open wireless earphone to a whole new level. The new Arc II Sport is superior to its predecessor in every single way. It has a longer battery life, a better, even more secure fit with an improved earhook design and supports wireless hands free and head gesture controls for answering calls and the like. This earphone has been designed from the bottom up for those who want to listen on the move while being simultaneously aware of their surroundings. One of the most stand out changes to the case is the addition of UV-C light that sanitises the earbuds while not in use. How great is that!?

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BEST GAMING HEADPHONES

READ MORE: Christmas Gift Guide 2023

8. Audeze Maxwell Ps5/Xbox – £319.00/£349.00

With the advent of the PS5 and Xbox X consoles, gamers will want some headphones to maximise their experience. The Audeze Maxwell is a supercharged, reimagined Penrose. Now with 80hr+ battery life, Ultra-Low Latency Wireless with 3X range of traditional 2.4Ghz. As well as first-in-class Bluetooth 5.3. Including an Improved build with an all-new reinforced chassis from aluminium and steel. As well as The adoption of Audeze’s FILTER™ noise reduction technology for clear communications on top of their Award-winning Audeze 90mm planar magnetic drivers. This is the must have gaming headset of 2023.

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Have We Missed Anything Out?

Please feel free to leave a comment below and let us know…

Lypertek PurePlay Z7 Triple Hybrid TWS Earphone Review

Posted on October 19, 2022 by Oscar

Breaking into the higher end of the true wireless market, Lypertek have gone for a very grown up and refined sound with the Lypertek PurePlay Z7. Suited to those who want uncompromised audio quality with great features. *Review has been updated to reflect the new, incredible price of £89! *

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Fit and Comfort

The Lypertek PurePlay Z7 is a little larger than the SoundFree S20 and the PurePlay Z3 2.0 due to the increase in driver quantity. But they have an ergonomic shape which means they fit securely even if they do stick out a little more than normal (worth it for the sound quality!).

Comfort is good. The earphones are nice and lightweight which helps along with a good selection of tips included. Meaning most people will find a set that fits well and provide a good seal in the ear.

Features

The PurePlay Z7 offer up an excellent 10hrs battery life per charge and the case provides 7 full charges. This gives 80hrs in total which is market leading by industry standards. They also have a quick charge function that will give you 2hrs of play time from just 15 minutes of charging.

The PurePlay Z7 offer up an excellent 10hrs battery life per charge and the case provides 7 full charges

They have 3 drivers, 1 dynamic along with 2 Balanced Armatures. Are IPX5 rated which isn’t quite as good as the PurePlay Z3 2.0 but should still be more than enough for most users. There is a physical button on ear earphone which allows you to control playback along with the voice passthrough, (This mode allows you to hear your surroundings without removing the earphones). The buttons are easy to use and less likely to be accidentally pressed unlike touch buttons.

PureControl App

The Z7 are fully compatible with the Lypertek PureControl app. This app allows you to control the EQ, change the button functions and voice pass through, amongst other things. This app is a really handy partner to the Z7 and offers up a lot of flexibility and allows you to really fine tune the sound to your personal tastes.

The app is a really handy partner to the Z7. It offers up a lot of flexibility and allows you to really fine tune the sound to your personal tastes.

On the subject of tuning the sound, Lypertek have developed a sound pre-set in their app called LDX mode (Lypertek Definition Expander). Switching this on in the app instantly changes the sound profile to one that is more engaging, exciting and spacious. There is a little bump in the bass quantity but the sound overall becomes more fun and dynamic with a wider and more open soundstage. This is definitely worth trying out. I can see a lot of people using this mode to bring out a little more fun in the Z7.

A note about ANC..

Lypertek have not gone down the ANC route with the Z7 which is slowly becomming the expected standard. They do however have excellent passive noise isolation, so they cut you off from your surroundings very effectively. To try and shoehorn ANC into these would jeopardise the sound quality which is honestly the crown jewel of these beauties. It is a bold decision but Lypertek have invested where it matters, the sound. And the resulting earphone is something a bit magic.

The PurePlay Z7 case supports wireless charging too and Lypertek have released a super slim charging pad to go with it. The charging pad is super sleek and is a perfect partner for these earphones. All in all the Z7 has a lot of useful features pakced in. But it must be said the biggest focus is on audio quality(more below). The addition of the AptX Adaptive codec is welcome too and really makes a difference.

Sound

The Pureplay Z7 is a really good all rounder

Bass:

Lypertek are using a single dynamic driver for the low end and it is tuned really well. Having just the right amount of punch, body and extension to always be there and audible, but not enough to make them sound dark or bloated. There is really good extension when called for, yet they retain a controlled and smooth presentation. The midbass has moderate kick, not enough to really please those who want a more engaging sound, but enough to sound realistic and audible. The EQ in the app will help those who want more.

Midrange:

The midrange sits where it should. Whilst the Z3 and S20 have perhaps a slightly recessed midrange, the Z7 has a more balanced and neutral approach. While there is a little added body down low, it doesn’t really have too much of an impact on the midrange. Male vocals sound a touch warmer than a strictly neutral monitor. However they have great tonality and a smooth yet balanced presentation that just makes them enjoyable to listen to for hours on end. They won’t throw every little nuance at you. But they sound effortless and realistic which to me is a great quality in a portable earphone. The upper midrange is devoid of any fatiguing peaks. There is a smooth transition to the lower treble yet female vocals still cut through with great clarity and authority.

Treble:

The treble is very refined and not overdone. It is detailed and has good extension but it is not upfront in the mix. They are perhaps a tiny bit subdued for my personal taste, but this means that more people will enjoy the smooth presentation. This is also easily tuneable in the app to be honest, and you can dial in more or less depending on your preference. But the stock sound out of the box is quite smooth and safe yet still present and enjoyable. They are not exciting and do lack a little energy, but this will also vary depending on what music you listen to.

Genres and Soundstaging

The Z7 are a really good all rounder. They do have quite a smooth and refined sound that lend their hand to slower genres. Acoustic and softer alternative rock sounds excellent due to the natural midrange. However turning on LDX mode does make the Z7 a little more exciting and dynamic. This is a must if you listen to more upbeat genres like pop/hip-hop.

Soundstaging is quite impressive with good width and air. The separation is also very impressive with plenty of air between layers. Yet it all comes across in a very coherent manner.

Who is it for?

People looking for the best sound quality in a true wireless earphone for an exceptional price
Those who want superior sound without sacrificing battery life
People who like to tweak the sound to their personal preference

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Interested in all things Lypertek? Take a look at more News and Reviews here.

HiFiHeadphones Best Buy list

Posted on August 23, 2022 by John

Here at HiFiHeadphones we really are passionate about audio and listen to the products we offer. Our headphone guru and Youtube star John has put together a HiFiHeadphones best buy list, so read on to find out what our best headphones, earphones and headphone amps in 2022 are!

Best True Wireless with ANC

Lypertek PurePlay Z5 – £79.00

The PurePlay Z5 are one of the best, if not the best, true wireless models for daily use. They have ANC, Ambient mode, wireless charging, accompanying app and more along with truly suburb sound quality for a low price. – Full Review

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Best True Wireless for Sound Quality

Final ZE3000- £119.00

These don’t have a lot of features, no AThese don’t have a lot of features, no ANC, ambient mode or wireless charging. However they are designed for ultimate sound quality and in that they succeed, They also look awesome and fit perfectly. What more could you ask for at £119? – Full Review

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Best Wired Earphones under £100

SoundMAGIC E11C Silver – £52.99

A Brilliant Budget Earphone that Sounds MAGIC. We have found the E11C to be a grown-up earphone with a keen knack for giving a clear and accurate presentation across the board. It is a true bargain and certainly a very good IEM for everyday use. The mic and controls are an added bonus and making use of the included case as well as regular cleaning ensures that these earphones last well beyond their warranty. Perfection? Not quite. But at £52 you will struggle to find a similar product worthy of your investment. – Full Review

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Best Wired Earphones £100-£300

Oriveti OH300 – £299

The OH300 really does a lot right, especially when you take into account the £299 price tag. With a detailed and even-handed sound signature that is tonally accurate yet not boring. There is power when needed, yet they always have a controlled and refined approach to rendering your favourite tracks. – Full Review

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Best Wired Earphones £300-£1000

Campfire Audio Holocene- £649.00

The Holocene are almost a scaled down Andromeda, but with a twist of their own of course, they are slightly warmer and less airy in the top end but still have a very enjoyable sound. The Holocene are fairly linear with a slight bass lift that doesn’t bleed into the midrange, allowing that to cut through with clarity and accuracy. The lower treble is dipped slightly, robbing them of some energy but also meaning they don’t sound fatiguing or sibilant, yet the upper treble is well presented with great extension and air. Overall they are a really impressive earphone, and make a superb daily driver. – Full Review

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Best Wired Earphones £1000-£2000

64 Audio U6t- £1,299.00

For the price, 64 Audio have created a brilliant everyday earphone that allows great insight into the recording with superb clarity and detail retrieval, wrapped up in a smooth, coherent and easy to listen to sound. They are such an easy earphone to live with. Providing a comfortable fit and refined sound that many fail to match. This is proof that 64 Audio really do know what they are doing when it comes to sound. A superb model for the price.

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Best Wired Earphones £2000+

64 Audio tia Fourte – £3,599.00

This model pushes the boundaries and shows what’s possible with only 4 drivers. This is a hybrid design with an intricate inner shell with chambers that help shape the sound. Nothing sounds overly boosted on the Fourte, but they do have a healthy dose of impact down low. The Fourte are very revealing and will throw up flaws in recordings, but the clarity in the midrange is truly astonishing. What’s even more impressive is how the top end just extends without rolling off at all.

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Best Wired Studio Earphones

Etymotic ER-4SR – £305.95

If you are looking for neutrality, the ER-4SR are the industry standard – they do not flatter you with a smooth sound or hide any mistakes in recordings, so not great for everyday listening but superb if you want to hear every detail.

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Best Wireless Headphones under £100

SoundMAGIC P23BT – £49.96

SoundMAGIC once again show that they are unrivalled when it comes to creating budget models with excellent sound quality, the P23BT has such an enjoyable sound that you quickly forget they only cost £50. Full Review

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Best Wireless Headphones £100+

Final UX3000- £119.00

The Final UX3000 ANC is a fantastic product for its price. Final have really worked their magic here. Solid build quality, paired with great sound and effective ANC for under £120 is something rarely heard of. Add to that fantastic mic quality and you have an absolute bargain on offer. The UX3000 can be recommend to anyone looking for a portable over-ear headphone. Full Review

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Best Headphones £100-£500

Sennheiser HD660s – £429.00

The latest addition to the HD6xx series comes with improved clarity, these are detailed and open sounding and paired with the excellent comfort the HD6xx series are known for, make these a superb headphone for the price.

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Best Headphones £500-£1000

Audeze LCD-2 Classic – £749.00

The LCD-2 Classic are a well controlled, but ultimately warm sounding headphone. They offer up a fatigue free sound with good width and height. If you listen to electronic centred music, old school rap/hip-hop and smoother more acoustic music they are a joy to listen to. Full Review

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Best Headphones £1000-£3000

Final D8000 – £2,999.00

Instead of going for the usual neutral-ish sound signature of most high-end models, Final instead decided to make the D8000 enjoyable, with very punchy and dynamic bass and impressive clarity across the board, the D8000 stand out from the crowd.

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Best Headphones £3000+

Audeze LCD-5 -£3,999.00

These are resolving yet enjoyable, they have a reference like tuning without coming across clinical, they have an honest presentation without too much colouration or sweetness to the sound. Full Review

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Best Headphone DAC/Amp under £100

Periodic Audio Rhodium – £49.00

The Periodic Audio Rhodium is brilliant for the money, a USB-C dongle DAC/Amp that has a clean sound, even if the output power is a little limited.

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Best Headphone Amp £100-£300

JDS Labs Atom Amp+ – £129.00

The Atom Amp+ is a neutral and linear sounding amp that will pair well with most headphones and earphones on the market – it measures well and doesn’t cost a lot, what more could you want? – Full Review

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Best Headphone Amp £300-£1000

JDS Labs Element III -£499.00

The Element III comes with an all new digital volume encoder and optical input, you get perfect channel balance for sensitive IEM’s along with auto-gain and enough output power for most over-ears too – backed by that same linear sound JDS Labs are known for. They even added an opitical input, very handy for gamers or those who listen to CD’s . Full Review

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Best Headphone Amp £1000+

Burson Soloist 3X GT – £2,499.00

This amp is perfect for those who need the best from their hard to drive headphones, the perfect pairing for those select few headphones that need multiple watts of power – it’s dual mono, fully discrete design doesn’t compromise when it comes to sound quality either.

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Campfire Audio Saber Review

Posted on August 22, 2022 by Oscar

Campfire Audio have done something a little different with the Saber, their latest limited run earphone, sporting two dynamic drivers and a single BA tuned to be engaging and fun.

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Fit and Comfort

The Campfire Audio Saber follows a very similar design to the Satsuma and Honeydew. However, this time they have used Damascus steel for the faceplate and ABS for the inner shell. This means they have the slightly narrower and longer stem which actually helps when it comes to fit. These fit really well once you settle on the right tips. The nozzle allows for a medium insertion depth that is secure yet comfortable. The inner edges of the shell are smooth and the included cable is lightweight. My only gripe is the cable is the OFC one that uses mouldable memory wire instead of the more comfortable pre-moulded earhooks on the newer smokey litz cables. However it must be said this is a personal preference and most will get on fine with the included cable.

Comfort is excellent due to the housing shape. These are easy to wear for hours on end with no discomfort, making them great for long journeys or just general commuting and daily use. Just take some time to find the right tips for your preference and you’ll have no problems with the Saber.

Compatibility

The Saber are quite low impedance for an earphone, 8.2 Ohms @1kHz, this means they are very sensitive to source changes and benefit from a source with low output impedance. They have a sensitivity of 94 dB SPL @ 1kHz: 25.4 mVrms. These are very sensitive and work well out of portable devices provided they have low output impedance. Saying that, these sound great out of most devices as is.

Sound

Bass:

The Saber uses two dynamic drivers to cover the low and mid frequencies. The largest 8mm dynamic driver adds an impressive amount of depth to the bass but it still retains a tight and controlled response. One that is not as full as the Mammoth yet doesn’t lean too far into the analytical camp either. The Saber manages to have a solid bass foundation with impact and extension without bloat or emphasised warmth. They don’t fulfil a bass-head tuning like the Mammoth but there should be more than enough presence and oomph for most listeners. They are impressively punchy and I doubt anyone could be bored with this presentation.

Midrange:

Wonderfully placed and well detailed without sounding cold and lifeless. The midrange has great tonality and vocals cut through the mix with ease. There is a little thinness at times in the upper midrange but not enough to cause fatigue and sibilance is well handled only becoming problematic on poorly mastered/hot tracks. The Saber have the ability to be snappy and controlled yet utterly fun to listen to. You never lose track of anything going on in the mix, they handle whatever you throw at them and just turn it in to an enjoyable listen.

Treble:

The treble is sparkly, and razor sharp, but not to the point they sound fatiguing. With great air and placement they successfully manage to avoid being too hot for my tastes. These do not hold back, they are not the smoothest or most refined earphones for sitting back and relaxing with, instead they are dynamic and energetic and want you to tap along to the music. There is no lack of extension, no lack of detail whatsoever at the top end of the Saber. They could never be described as dull and that is exactly how Campfire wanted them to be. Fun!

Instrument Separation and Soundstaging

The Saber easily pick apart complex mixes and don’t become congested or muffled with fast tracks. The layering is excellent and they are very responsive in terms of transient response.

The soundstaging is also impressive. It’s intimate with a tightly focussed centre image and good width and space. The treble positioning is very impressive and there is realistic yet accurate staging.

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Campfire Audio Andromeda IEM Review

Posted on July 28, 2022 by John

Campfire Audio create works of art that just so happen to sound very good too. This year they have released an update to the insanely popular Andromeda. There are quite a few changes to the new version, and it looks as though it could be quite an improvement.

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Aesthetics and Build Quality

Campfire Audio’s Andromeda is about as bold as you can get when it comes to its design. The housings are made from machined aluminium, with a deep forest green anodised finish. The finish has been updated in this new version of the Andromeda, with a much smoother coating and a slightly richer shade of green.

The sound tube is made using stainless steel, which I am sure not only benefits the acoustics. It looks very striking too. Overall the Andromeda feels robust and built to last, while managing to stand out with its unique character.

Features and Comfort

Campfire Audio earphones have a very distinctive look, and the Andromeda is their champion. The design is very unusual, with a slightly futuristic shape to them. The shell’s design allows it to catch the light at different angles, which gives off a multitude of different shades of green. That is not the only purpose of this shape, the angled design provides superb comfort. The Andromeda sits perfectly in my ear, and with the included Final silicone eartips – the fit is snug and they seal extremely well which also helps towards isolation.

Another great feature of the Andromeda is the supplied cable. An upgrade on the older version, this time the Andromeda comes with their popular Silver Plated Copper Litz wire covered in a new smoky jacket. The cable is also more flexible than the previous version and uses a lightweight moulded ear hook design instead of memory wire – a definite improvement.

Campfire Audio don’t stop there, the Andromeda comes supplied with a newly designed leather carry pouch, foam and silicone eartips, a cleaning tool and even a fancy Campfire Audio lapel pin.

Sound Quality

The best way I can describe the sound of the Andromeda is organic. Sound comes across effortless, well balanced and with an impressively natural soundstage.

Bass

Bass comes across with authority and punch. It goes low and manages to keep controlled, even with more bass heavy tracks. Bass performs equally well with intricate instrumental, heavy rock and electronic music. This shows that the bass has been tuned to do what is needed, letting the quality of the production do the talking.

Midrange

Thanks to the controlled bass, there is no risk of the midrange getting over shadowed. Mids come across extremely clear with a musical richness – this is a welcome change from the analytical sound that is common amongst high-end earphone models. Vocals have presence and whether male or female, they sound uncoloured, engaging and with emotion.

Treble

Campfire Audio uses their very own Tuned Acoustic Expansion Chamber in the Andromeda, designed to improve treble extension and soundstage. This is very clear and noticable. Thetreble provides just the right amount of definition without going harsh or sibilant. Then, in addition the extension provided by the T.A.E.C. goes on and on, creating width and space with superb separation.

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SoundMAGIC E11C Earphones Review

Posted on July 19, 2022 by Ben M.

Launched in 2018, the SoundMAGIC E11C is still reaping rewards for being a great pair of affordable in-ear headphones, complete with remote and mic. It’s not often that budget consumer goods stand the test of time but the E11C continues to deliver a great sound for an outstanding price.

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Design: 9/10

The E11C Features an updated 10mm dynamic driver from its predecessor, the E10C. It has also been upgraded via a high quality silver plated copper cable. Proof that SoundMAGIC is continuously evolving as a brand. Not only does this improve the sound, but it also gives the earphones a more sophisticated, grown up look. Other than these changes, they essentially look like a typical SoundMAGIC in ear earphone and still feature a 3.5mm jack. They look great. Why change a good looking winning formula?

Fit & Comfort: 9/10

As with previous wired models, the E11C can be worn with cable going over the ears or just straight down. Although this will interfere with the position of the microphone. The angled jack is great for when you have your Phone/ Mp3 Player in your pocket as it prevents any premature cable break (from poor care!). The ergonomically designed housing fits in your ear very well. The posistion of the in-line mic and controls is practical and makes them easy to use. Finally, the tips that are provided add to the comfort and it is easy to get a secure / solid fit. This ensures not only comfort but total sound isolation and the best chance to immerse yourself in the music.

The sound quality is excellent and the E11C is suitable for all genres.

Sound: 10/10

The sound quality is excellent. The E11C is similar in sound to the SoundMAGIC E50 models. But the E11C has a little more mid and upper-bass warmth to it. To sum up, the bass is well controlled, The mids crystal and the treble super smooth. It’s suitable for all genres, but is outstanding when listening to vocals, acoustic recordings and music making use of “real” instruments. (Sorry techno, you still sound great too though!)

Mic & Controls: 9/10

The E11C comes with an in-line control and mic that works with both iOS and Android (for devices that still have a jack). The controls provide volume and stop/start functionality which is great for when you are on the move. In addition to this the mic/controls are durable and unobtrusive. They do not interfere with the cable which means they do not create any background noise. The call quality is good and your voice comes through loud and clear on the other end, too.

The E11C proves that quality does not need to cost an arm and a leg.

Value For Money 10/10

The E11C proves that quality products do not need to cost an arm and a leg. The updates are modest but make the E11C stand out from its predecessors. The sound is more refined and pricepoint of around 50 pounds really hits the nail on the head. Most people will only spend as much as they need to in order to get something that they will be happy to use every day. And guess what? The E11C is it. The in-line mic and controls are a great practical feature and fantastic addition. They are simply a very durable, stylish and versatile earphone to use day in and day out.

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Shanling MW200 Review

Posted on September 23, 2020 by Oscar

The Shanling MW200 allows you to listen to your IEM’s wirelessly, with excellent Bluetooth implementation and sound quality.

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Design and Functionality

The MW200 is a neckband Bluetooth cable that allows you to convert your MMCX earphones into a Bluetooth set. It’s a flexible rubber neckband with solid plastic end parts that house the electronics and controls, these are finished with a tempered glass faceplate. It’s a well built, and good looking neckband that is also comfortable in use. The cable sections I feel are a little too long though, and could have about 3-4cm cut off without hindering the fit. The cable section has moulded ear hooks so it is for use with earphones that fit over-ear rather than straight down.

Feature wise you get full controls on the left side of the MW200, with volume controls (these are separate from the sources volume), play/pause and on/off. You can also use the play/pause to skip tracks, and there is a microphone on the unit for calls. The MW200 supports all the latest Bluetooth codecs for the highest quality Bluetooth playback (Aptx and LDAC etc…). The MW200 paired easily and the range seems very good, battery life is also great at up to 11hrs in LDAC mode and 14 in SBC. There is plenty of volume to power most IEM’s currently on the market too.

Sound

I’ve mainly been using the MW200 with Final’s flagship IEM the A8000, because they really are ruthlessly revealing of the source material and also enjoy a bit of power behind them. I’m glad to report that the MW200 doesn’t have any problems with noise, and there isn’t any noticeable hiss when using it. I will mention that I have also been using it with LDAC from my Pixel 3a using Qobuz streaming.

The MW200 has good power and volume, there is plenty of detail and an overall crisp and clean sound. Of course, Bluetooth is still limited and there was a drop in resolution over playing the A8000 out of a high-end DAP. However when out and about this drop is not as noticeable as when critically listening, and the MW200 does a truly great job at decoding and amplifying the signal. I was really testing the limits of the MW200 by using it with the A8000, but pair it with something a bit more affordable like the Oriveti OH300 and you get a superb sounding wireless setup for under £500. Much better than any current wireless offering on the market at least.

The MW200 really doesn’t impart much of it’s own sound on to the IEM’s of choice, which is great in my opinion, you can get the Shanling app though which includes an EQ. This EQ does not work when using LDAC codec though. If you are used to using your IEM’s with an excellent source, please remember there will be slightly lower resolution, mostly in the treble region, again this is more a limitation of Bluetooth and not necessarily the MW200’s fault.

Conclusion

There are not a lot of good solutions for making wired IEM’s wireless, at least not with good quality anyway. The MW200 is excellent when it comes to the sound and functionality, it is also comfortable. The only drawback I see if the length of cable that goes to your ear, it is just a little too long. If you have good IEM’s and want a convenient solution for portable use, the MW200 comes highly recommended, with only a slight dip in sound quality over wired use.

Best Earphones For Small Ears: Budget, True Wireless, Pro IEM and Audiophile

Posted on April 23, 2020 by John

BEST EARPHONES FOR SMALL EARS

Here is our guide for those looking for earbuds on the smaller side. We have found that a lot of people require smaller fitting earphones without wanting to compromise on sound quality – the list below all have small housings, perfect for smaller ears.

TOP 5 EARPHONES TO SUIT SMALLER EARS

1. Final E500 – £19.99 – BUY HERE

Final E500

Not only is the Final E500 our best value earphone, they are very small in size. The housings will suit those with smaller ears – and sound great too!

READ MORE: Final E500 Earphones

2. SoundMAGIC TWS50 – £79 – BUY HERE

SoundMAGIC TWS50

The design of SoundMAGIC’s TWS50 means that they are one of the smallest and most comfortable True Wireless earphones we have tried. A popular combination of comfort and top sound quality,

3. Westone UM Pro 10 – £139 – BUY HERE

Westone UM Pro 10

If you’re looking for the pro touch, then Westone is the brand to go for. Their compact sized UM Pro 10 is a single balanced armature driver IEM, bringing a neutral sound with crystal clear detail and perfect balance.

READ MORE: Westone UM Pro 10 IEM

4. Etymotic ER2 SE and XR – £169 – BUY HERE

Etymotic ER2-SE

Etymotic are hearing experts, and their earphones are the best when it comes to isolation – helping to block out external noise. The ER2 SE and XR earphones are small in size and use a single dynamic driver and deliver the cleanest sound you’ll hear. SE for more clarity, XR for more bass.

READ MORE: Etymotic ER2 Earphone Review

5. Final f7200 – £399 – BUY HERE

Final f7200

We started with Final, so we’ll end with Final. The f7200 is one of their more unique designs, with a fit that will suit the smallest of ears. The f7200 is also a superb sounding earphone too, silky smooth and engaging with depth and clarity.

READ MORE: Final f7200 Earphones Review

Have We Missed Anything Out?

Please feel free to leave a comment below and let us know…

Final A8000 Audiophile Earphone Video Review

Posted on March 9, 2020 by John

Final A8000 Audiophile Beryllium Driver IEM

For those of you that don’t know, Final is a Japanese audio brand with a long and impressive hi-fi history. Their products all share a similar theme – unique design and expertly tuned sound. With the A8000, Final’s latest flagship IEM sticks to their brief, while adding to it something I’ve never experienced before.

It’s clear that a lot of love and thought has gone into the A8000. The whole experience from opening the box, to putting them in your ears and getting lost in the music is an absolute joy. The earphones themselves are stunning, with polished stainless steel housings shaped in a very modern and striking way. Inside the housings, Final has developed a truly pure Beryllium driver – creating a level of dynamics and definition I’ve not heard from a dynamic driver IEM before. The supplied high purity silver plated copper cable adds to the impressive looks, which is terminated with a right angled 3.5mm jack.

The unique design of the housings are not just for good looks – they also happen to be extremely comfortable. The shape allows the earphones to sit effortlessly in my ears, and with the correct sized tips, getting a good seal is very easy to achieve. Then for added security, Final has supplied cable guides to help the cable stay behind your ears, and reduce cable noise or microphonics if you feel the need to use them.

Final A8000

Along with the cable and ear hooks, the A8000 comes supplied with a selection of different sized Final silicone eartips, an aluminium and silicone carry case, an easy MMCX plug removal tool and spare sound tube grill filters.

Final’s uniqueness doesn’t stop with their design, their sound is also unlike any other brand – IEMs or headphones. This is quite possibly due to the fact that Final develop a lot of their own technology, and they always keep to a certain house sound.

Bass on the A8000 has a natural and live feel to it. It has definition and depth without any of that unwanted bloatedness or distortion. It’s incredibly clean, and manages to add body and warmth where needed. Thanks to the control of the bass, mids flow through with ease and sit high enough in the mix to point out each fine detail. Vocals have a real quality to them, with layers of detail that bring out all of the intricacies and emotions you’d expect to hear only in a live setting. Then the treble manages to create endless space, with reverb trails that go on and on – the treble has a liquid quality that I’ve not heard from an IEM before.

The superb treble and overall dynamic sound helps the A8000 deliver a real-to-life soundstage, with depth and atmosphere – putting you close to the action. Imaging is also realistic. Instruments are easily defined and width is just what you’d expect it would be when recorded.

Final’s main competition at this price point comes from the likes of Dita, Campfire Audio and Hifman – and however impressive their high end models are, none have managed to achieve the purity and delicacy that the A8000 brings.

Essentially, it’s going to come down to taste. No matter how good I think they are, if you’re used to a warm or bass driven sound signature, then the A8000 could come across as too bright or harsh in the upper frequencies. For those who favour transparency and clarity, then the A8000 may be the best IEM you’ve ever heard.

Meze Rai Penta 5 Driver Hybrid Earphone Review

Posted on August 1, 2019 by Oscar

Meze Rai Penta

Aesthetics and Build Quality:

IEM build quality is really on the rise, and the Rai Penta show off how good well CNC machined shells can look. The Campfire Audio line-up have been using this technology for a while and they have their own twist on styling, whereas Meze have gone for a more rounded look with an understated colour scheme.

The detail on the shells is incredible and you can see a lot of work has gone in to getting the finish as flawless as possible. The small vent for the dynamic driver is a work of art and these feel and look very premium.

Build quality is very good as you would expect, the shells being made out of aluminium are solid and sturdy, the MMCX connectors are tight and rhodium plated for durability. The cable is silver plated copper, with a high strand count helping with ergonomics. You can see the solder joints in the clear MMCX connector strain relief which is a nice touch. The 3.5mm jack is also rhodium plated, and there is good strain relief all round.

Comfort and Isolation:

The Rai Penta has a very ergonomic housing with rounded edges and a soft and flexible cable, this all leads to a very comfortable fit. Once you find the right size tips, you can leave these in and forget about them, they should fit most people’s ears well.

The Rai Penta are vented due to the use of a dynamic driver, this means there is no driver flex but the isolation is affected a little. They don’t leak, but isolation is not quite as good as fully sealed BA based designs.

Sound:

Bass: The lows on the Rai Penta has very impressive reach and linearity down low, they hit with authority yet extend without rolling off early. You can easily hear the sub-bass however it is not boosted and only comes out when it’s in the recording. They are very transparent and revealing and will bring out the bass when called for, they do however remain incredibly well controlled at all times and never sound congested or slow. The lows have the ability to be full when needed without affecting the midrange at all, and as they are so transparent the amount of body will change depending on the source.

Midrange: The midrange is remarkably well controlled and the lows never bleed in to the lower midrange. This leaves male vocals to cut through with excellent clarity and layering without added body congesting the sound. The tonality is spot on though and the Rai Penta are never lacking in natural timbre. Both male and female vocals excel with perfect presence, falling perfectly in line with the rest of the frequency response. It doesn’t matter how busy the mix gets, the midrange cuts through and is never left behind.

Treble: The highs extend effortlessly into the black background of the Rai Penta, yet they have great impact and energy without distortion or fatigue inducing peaks. The transition from the midrange to the treble is smooth with no emphasis so they are devoid of sibilance unless it is in the recording. The highs do nothing wrong, perfectly aligned with the bass and mids, they add great air and openness to the sound. Getting rid of sound tubes, and using CNC machining for the sound bores goes a long way in helping the high frequencies breathe and sound as open as these do. They don’t quite reach Andromeda levels of presence and air, but they are not lacking by any stretch.

The soundstaging is very good, with great depth and impressive width as you would expect for the price. Separation is a real strong point due to how controlled the Rai Penta sound, they never lag or sound congested no matter how busy the track gets.

Conclusion:

There are so many great models out at the moment that it is hard to pick which are best and thus we always recommend listening before purchasing. What the Rai Penta delivers are impressive dynamics and a level playing field for all the frequencies. Their transparency allows them to play well with all genres and bring out the best in all of them, it is not a jack of all trades, master of none experience either. Even at low volumes you get the full range and impressive dynamics, yet play them a little louder and they hold the same signature with nothing stepping out of line. The Rai Penta is a high-end IEM in all aspects, and delivers a balanced yet musical and natural listening experience.

Sound: 4/5

Comfort: 5/5

Build: 5/5

Value: 4/5

Lypertek PurePlay Z3 True Wireless Earphone Review

Posted on July 16, 2019 by Oscar

Lypertek PurePlay Z3

Aesthetics and Build Quality:

The PurePlay Z3 (formerly known as TEVI) are a smooth and discreet, nothing really stands out on them with a small logo and silver trim ring on the faceplate. They smooth black finish looks great, there is a slight difference in colour between the 2 sections of the body but it doesn’t detract from the overall look.

Build quality is excellent, the joins in the housings are very smooth and they are finished to a high standard. The charging case is fabric coated and solid, and the buttons on the faceplates have a very positive click. Overall everything feels very well put together and durable for long term use. They are also IPX7 rated which means they are fine for your daily run and gym use.

Features:

The PurePlay Z3 use the latest Bluetooth 5.0 technology along with support for aptX, AAC and SBC codecs. Pair them with an aptX compatible device and you’ll get slightly better sound quality of course, but AAC also sounds very good.

The controls are easy to learn and intuitive, two click on the right to increase volume, two on the left to decrease. Three clicks on the right to skip track forward, three on the left to skip backwards. Single tap on either will pause the music, and a 2s press on the left will bring up Siri/Google assistant. You can also pick up calls and there are built in microphones that work very well.

Battery is rated at 10hrs per charge (SBC 50% volume), and I would say that figure is quite accurate from testing, using aptX will decrease this slightly but the increase in sound quality is worth the trade-off. The charging case supports another 6 whole charges, making these very impressive compared to the current competition.

Connectivity and signal stability are excellent, they pair easily and only cut out if you go out of range or add objects within the transmitting path (walls etc..). Overall, they work as advertised and don’t cut out if your phone is in your pocket or within a reasonable distance.

Comfort and Isolation:

The shape of the PurePlay Z3 is ergonomic with soft rounded edges and the perfect angle nozzle to provide a comfortable and secure fit without sticking out too far. The housings are a little on the larger size, but they never feel cumbersome when in use.

Isolation is pretty good; they do a very reasonable job at muting outside noises and are perfect for daily use and commuting.

Sound:

Bass: The bass on the PurePlay Z3 is full yet well controlled, it has a way of adding body without becoming the centre of attention. In terms of presence they are slightly north of neutral but they always sound very well balanced. There is good extension and kicks are backed up with body. The lows really are impressive, preventing the PurePlay Z3 from sounding thin but without making them sound bloated. They handle most genres with ease and have good articulation, lacking only a little speed during complex mixes.

Midrange: The lows are slightly north of neutral in terms of presence, but this does not mask the midrange and make vocals sound pushed back or congested. The midrange is well separated, lower male vocals do have a tiny bit of added body, and female vocals cut through with a little more detail but the overall midrange performance is very well balanced. Most consumer true wireless models have a habit of boosting the bass and treble, whereas the PurePlay Z3 comes across a lot more even handed and more suitable for a wide range of genres. There is great separation and layering, yet the coherency between frequencies is also excellent.

Treble: The treble is slightly laid back but luckily there is enough presence to prevent the PurePlay Z3 from sounding overly dark. The thing about the treble is that the tonality is just right, they don’t sound splashy or metallic and have great extension and detail. They have good accuracy when it comes to imaging too and they fit well into the frequency range. I would never call these bright though, and the treble is smooth enough that even the most treble sensitive users won’t have any issues with fatigue.

Soundstaging is good, not huge but very acceptable as most TW earphones sound very closed in. The detail present here is excellent and the separation between instruments is great.

Conclusion:

The PurePlay Z3 are very impressive, especially considering their sub £100 price point. Offering up a smooth and detailed sound signature that is well balanced yet slightly full. Add to that great stability and functionality and you have a TW earphone that is so easy to recommend, go out and grab one now as they are a game changer in the TW market.

Sound: 5/5

Comfort:5/5

Features: 5/5

Value: 5/5

SoundMAGIC E11BT Wireless Earphone Review

Posted on May 30, 2019 by John

SoundMAGIC E11BT Earphone Review

SoundMAGIC are on a roll right now with their releases. First the E11 and E11C – already gaining numerous 5 star reviews. Then the E11D – their first USB-C dedicated earphone; and now the E11BT Bluetooth earphones. How do they hold up against the rest of the range?

Aesthetics and Build Quality:

The packaging is pretty standard for SoundMAGIC, with the addition of a front window flap – showing off the earphones along with a nice close up picture of the housing. Inside you get a selection of silicone eartips, USB charging cable and a carry pouch.

SoundMAGIC has gone for a neckband design with the E11BT. The design is neat and feels very well built. The batteries are placed either side of the neckband and there is an inline 3 button control and microphone for playing music and taking calls. The cables are the right length so they don’t flap around, and call quality is also very good as the microphone height is ideal.

SoundMAGIC E11BT

Features and Comfort:

The specs for the E11BT are pretty impressive. You get the latest Bluetooth 5 technology which helps towards the sound quality, a transmission distance of up to 13 meters and improved battery life. The SoundMAGIC E11BT will give you up to around 20 hours of continuous talk time. I have also found out that with general use, battery life lasts and lasts. The manual states that you can expect between 48 and 60 hours of continuous playback and from my experience with the E11BT – this seems to be pretty accurate.

These earphones are AAC compatible which is great news for both Apple and Android users. There is no aptX compatibility. However, like aptX – the AAC codec will transmit your music in CD-like 16bit audio quality.

Connecting the earphones is easy. Once powered on, the E11BT automatically goes into pairing mode, with red and blue lights flashing. Then when the model appears on your device you can connect. I really like the battery level that’s shown on the home screen of my phone – very handy. When you’re not using them, the magnetic housings hang nicely around your neck.

Good news for sporty users. The E11BT has a high water resistance rating of IPX4 – this means that they will be able to withstand water splashes from any direction.

The E11BT is very comfortable to wear. The neckband has a smooth finish and is flexible, sitting nicely behind the neck, and the housings are a good size so no-one should have an issue with fit.

SoundMAGIC E11BT

Sound:

Unlike other earphones at this price point – instrument separation is superb. Every sound comes through clearly and crisp.

Bass: There is bass weight and punch coming from the low end – enough to keep the bassheads happy while keeping it controlled so it doesn’t bleed into the higher frequencies.

Midrange: Mids pop, and cut through effortlessly with an engaging tone. There is a real crispness that is not what you’d normally expect from a lower priced Bluetooth earphone.

Treble: The treble provides space and clarity and the soundstage is huge. You get a real sense of depth and width from the E11BT.

SoundMAGIC E11BT

Conclusion:

Overall, I can confidently say that these are the best Bluetooth earphones going at this price and possibly even under £100. Their sound quality, technology, design and comfort are normally associated with more expensive models – the SoundMAGIC E11BT should be top of your list when looking for a new Bluetooth earphone.

Sound: 5/5

Features: 5/5

Comfort: 4/5

Build: 4/5

Value: 5/5

Campfire Audio Comet IEM – Video Review

Posted on August 17, 2018 by John

Campfire Audio Comet In-Ear Headphone Video Review

Campfire Audio Comet

Hailing from the other side of the Atlantic – Campfire Audio don’t just create great sounding earphones; they create works of art. Based in Portland Oregon, Campfire design their models in house and for me, they are one of the more exciting brands around right now. The Comet is one of their more recent releases and is their entry level model as just over £200.

Like all of the models in Campfire Audio’s range – the Comet comes packaged in a very cool box covered with colourful artwork. This is a Campfire signature and each model has its own colour combination. Included with the earphones you get a large selection of eartips including Final silicone, standard silicone and foam tips. Individual soft pouches for each driver, a cleaning tool, a lapel pin and a hard carry case – again each model has its own style.

Entry level price – High-end quality

The Comet is Campfire Audio’s newest addition and entry level earphone – a very impressive one at that. Inside the polished stainless steel housing is a single balanced armature driver with acoustic venting – providing a more full and punchier sound than you would normally expect from a single balanced armature earphone. Campfire have also developed their Tuned Acoustic Expansion Chamber or TAEC – this helps improve treble extension when compared to traditionally used filters.

Campfire Audio Comet IEM

These earphones are full of fine craftsmanship and creativity – from the packaging all the way down to the speaker grills. The size of the housings make them very comfortable, they sit in the ear naturally and there’s no irritation when worn for long periods. The Comet is supplied with a replaceable copper Litz cable and is connected using MMCX connectors. The cable also has an in line microphone with universal 3 button controls – making the Comet a superb all rounder.

Fun and energetic sound quality

The Comet is a great introduction into Campfire Audio. It gives a clear idea of the experience and sound expected from the brand. What I find most refreshing is that they don’t take themselves too seriously – and this comes across in the sound. On initial listing the Comet is fun and energetic with plenty of bass punch and a very enjoyable richness – qualities that are lost on a lot of higher end IEM brands.Listen more and the finer details start to come through. The bass manages to have power without overshadowing the mids, which are rich and clear, cutting through the mix effortlessly. Then up top the treble provides space and extends far without ever becoming fatiguing or harsh. The sound has plenty of width and soundstage is impressive – close your eyes and you can picture where each sound is coming from.

Overall these earphones are made to enjoy music on. I think anybody can enjoy these – whether you’re after bass, fun, dynamics, style, comfort or detail, these will do it. Just stick them in your ears and enjoy them – that’s what I did.

Etymotic ER3-SE and ER3-XR Earphone Review

Posted on December 21, 2017 by Steve

Etymotic ER3-SE and ER3-XR Review

Not content with the splash it’s made with its updated ER4 designs of late, Etymotic is back with more! Or is it less? The ER3 models cost a good chunk less than their ER4 counterparts, so what does this mean in terms of value?

Pros:

Classic Etys for the price
Removable cable
Crystal clarity
Carry case

Cons:

Basic selection of tips
Etymotic deep fit not for everyone

Design and appearance

The ER3 versions are slightly more sensitive than the ER4 versions, with half the impedance too. This may have been done with an eye on the portable market, where some handsets may have struggled to get up to a good volume with the ER4 type.

Accessories are minimal with the ER3-SE and ER3-XR; along with the earphones themselves, we get a case and three pairs of tips. The two sizes of Etymotic triple flange, and a pair of ER38-14F type foam eartips.

Durability & build quality

The capsules are the most obvious change, with plastic-coated aluminium being used instead of the glossy metal look of the ER4. The cable has a good strong, but pliable feel to it, but it is a bit thinner and is not braided at the top. Apart from the slightly lighter weight and less glossy look of the ER3-version capsules, things are much as we’d expect from the ER4-XR and ER4-SR.

Comfort

No change here; Etymotics need to be inserted deeply to be at their best, and people either love the isolation they bring or hate the deep insertion of the eartips. Fortunately we love the isolation enough to ignore any initial discomfort, and the eartips seem to settle into place after a few seconds.

Sound characteristics:

Like the ER4 designs, there are two flavours of ER3. The Etymotic ER3-SE is the more strait-laced and neutral of the two, with the ER3-XR giving a little more bass warmth. Both however sound a little more gentle in terms of the midrange than their ER4 brethren. Where we sometimes get the feeling of jeopardy with the ER4 models, with an errant xylophone or female vocalist threatening to poke us in the ear, the ER3 versions are a little more laid back. Etymotic’s clarity has not been sacrificed though; the midrange presence is just a little more humane.

Bass

Sub bass on the ER3-SE gives a nice bit of wobble which is low in the mix, but there alright. The rest of the bass is as well controlled as expected, but understated; bass junkies need not apply. There’s some great control here though. Meanwhile, the ER3-XR has more of that skull-rattling sub bass and more slam generally. We’re still not in basshead territory, but if you like your sound a little warmer with more weight given to cellos and drums then the ER3-XR may be for you.

Mids

Mids are always a treat as far as Etymotic’s offerings are concerned, and the ER3-SE does not disappoint. While the midrange level is slightly lowered when compared to the ER4-SR, all the other attractive features are there along with a wonderful sense of spaciousness. Details are well rendered, though not with the sharp relief of the ER4-SR. Many will feel the ER3-SE has more comfortable sound when compared to the ER4-SR in terms of the sound, but with all its harmonic and spatial treats largely intact.

With the ER3-XR the extra bass presence vies for attention along with the midrange, so the midrange seems to lose its power slightly. The spaciousness of the ER3-SE is tempered, and the extra bass warmth takes its place. The ER3-XR is still excellent when it comes to midrange action and detail, but is arguably the better all-rounder of the two as the tuning works well with genres such as modern dance music.

Treble

The ER3-SE does not sound treble-heavy but there is some nice extension up top. If your recordings were made on analogue tape, you’ll probably know about it from the tape hiss coming through. Treble is at around the same level as the midrange after a smooth transition, and consequently does its job well whilst keeping the midrange in the spotlight.

The ER3-XR has the same treble presence as the ER3-SE, but the fatter low end gives the tuning a warmer feel.

Soundstage & Separation

With the detail and midrange clarity on offer from both these models, we can say that both soundstage and separation are a treat. The sound has a nice ‘out of the head’ feel without seeming unnatural and with good depth too. Separation and imaging are near perfect, if a bit toned down when compared to the dazzling ER4 designs.

Music genres good for and why

The ER3-SE is a great choice for acoustic music, classical and opera. With modern pop and dance genres, it can depend on your sensitivity to the upper midrange frequencies as to whether they work or not, along with your taste for bass. The ER3-XR is good for any genre you can throw at it, and we went through many!

Summary

Etymotic’s ER4 models are now available for cheap (albeit under the ER3 moniker), but their character is largely intact. Those who like to hear the smallest thing within their music needn’t study the fine print of credit card agreements in order to afford the ER3-SE and ER3-XR.

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